#inbox: anon

[fandomnoire]

https://www.tumblr.com/fandomnoire/779820541308813312/when-i-say-that-i-needed-to-see-every-single?source=share

Where can I read the whole script?

So I've read two copies of the script.

The final shooting script is here

And the script from that post is here

[neptunesailing]

pspsps could u maybe draw tetokoha watching sentais together maaaybe..

!! tetora is entirely focused on the screen

[bakugoushotwife]

I’m sorry the way I CHOKED at anon thinking you put the little Einsteins them song in the middle of a hard core fuck session PLEASEE

Nonnie come back I love your brain lets be besties this the energy I need in my life

I really should have it would have lightened the mood 😭

Let’s all be besties I love having anons 🫶🏻🥹

[mesetacadre]

can someone ask a good question

[cacaocheri]

they do sappy shit like this all the time

[cvnntagious]

fb!matt seeing the bulge while you guys are fuckin and goes crazzzyyyyy like pushing it yeah you feel that baby? all from me huh? (omg im going INSANE please write about this i need this SO much, i miss him SO bad)

matt's eyes drifted to where you two connected as he pumped in and out of you, infatuated with the way your needy cunt swallowed him, parting your puffy folds. you whined and writhed beneath him in the cutest way, moans like music to his ears—that’s when it caught his attention: a nice swell in your lower stomach that made his ego inflate instantly, disappearing each time he’d pull his cock back.

“holy shit,” he mutters in a cocky drawl, a small grin now tugging at his lips as one of the hands that was once holding you in place but the hips lets go to rest on the bulge he was creating.

broken moans escape you when you feel him instinctively beginning to speed up him movements, like a fire had been ignited within him. you were completely caught off guard, beginning to babble at him. “ahn-! oh, m- matt, what-“ you start, unable to finish your sentence as matt’s dick pistoned into you with no sign of letting up.

the pressure he put on the bulge added a surprising extra layer of stimulation, making your back bow off of his bed. “yeahh, y’feel that, sweetheart?” he asked, taking note of the way your eyes began to roll back, lashes batting as he fucked you so good, “got you goin’ crazy, huh? all from my dick.”

with that, his other hand moved off of your hip as well, swiftly snatching up your jaw to force your head down. “look at it,” he demanded through gritted teeth, slowing his movements to snap his hips into you in a controlled rhythm, making sure to go deep as his balls slapped against your ass, “look at that shit fillin’ you s’good.” his words emphasized with powerful thrusts, eliciting pleasured whines from your pouty lips.

he chuckled when your lashes fluttered, eyes opening to look at the way his cock made a small hill in the middle of your abdomen. allowing himself to drink in the sweaty sight of you, he hummed at your fucked out pants, knowing you were close by the way you fluttered around him.

[bluerasbunny]

Does dca lay eggs

no, no they don't

[akarii-memes]

[ohisms]

✱˚｡⋆ ↪ 𝐙𝐎𝐃𝐈𝐀𝐂 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒 . ( a collection of headcanon prompts based on each zodiac sign . adjust questions as desired . )

⊹ — ARIES . ≻ how does your muse handle competition ? ≻ what is your muse's biggest regret ? ≻ how does your muse handle losing control ? ≻ how does your muse express their passion ?

⊹ — TAURUS . ≻ what is your muse's most prized possession ? ≻ how does your character show their reliability ? ≻ what is your muse's favorite way to relax ? ≻ what simple things does your muse find joy in ?

⊹ — GEMINI . ≻ how does your muse communicate with others ? ≻ how does your muse handle the duality within themselves ? ≻ is your character predictable ? unpredictable ? ≻ how does your muse react to change ?

⊹ — CANCER . ≻ how does your muse react to emotional manipulation ? ≻ what is your muse's most treasured family tradition ? ≻ what is a cherished memory your muse holds close ? ≻ how does your muse express love & care ?

⊹ — LEO . ≻ does your muse lead others effectively ? ≻ what is your muse's most arrogant behavior ? ≻ is your character confident ? charismatic ? ≻ how does your muse handle being ignored ?

⊹ — VIRGO . ≻ what is your muse's most dedicated project ? ≻ how does your muse assist others in times of need ? ≻ what are your muse's standards for themselves ? ≻ what does your muse find beauty in ?

⊹ — LIBRA . ≻ how does your muse bring balance to their surroundings ? ≻ is your muse a people pleaser ? ≻ how does your muse navigate justice & mercy ? ≻ how does your muse handle having to confront someone ?

⊹ — SCORPIO . ≻ what is your muse's most transformative experience ? ≻ is your muse the jealous type ? are they possessive ? ≻ does your muse engage in introspection often ? ≻ how does your muse deal with obsession ?

⊹ — SAGITTARIUS . ≻ is your muse a workaholic ? what's their view of workaholics ? ≻ what is your muse's most reckless decision ? ≻ how does your muse handle commitment ? ≻ does your muse experience wanderlust ? where would they go ?

⊹ — CAPRICORN . ≻ how does your muse demonstrate their ambition ? ≻ is your muse an optimist , realist, or pessimist ? ≻ does your muse value their legacy ? what have they done to ensure it ? ≻ what is your muse's average daily routine ?

⊹ — AQUARIUS . ≻ what is a cause or a movement your muse is deeply involved in ? ≻ how does your muse handle unpredictability ? ≻ does your muse challenge the status quo ? how ? ≻ what subject or field is your muse passionate about learning ?

⊹ — PISCES . ≻ is your muse sensitive, or do they have a thick skin ? ≻ does your muse have any escapist behaviors ? ≻ what does your muse dream about ? are they lucid , do they sleepwalk ? ≻ how does your muse handle harsh criticism ?

[idontmindifuforgetme]

I love Tumblr because nothing matters here truly. There are no influencers. Having followers doesn’t mean anything. It’s just a site where people post their sporadic thoughts and rb pretty pictures. Anyone who thinks any of this matters is woefully missing the point

[fandomnoire]

The new Mike pics are from the daughters of someone he works with!

finally the mystery is solved!

thank you for the info! 💜

[neptunesailing]

REQUESTS OPEN REQUESTS OPEN hii I'm like ur biggest fan ever ur hiiai is everything 2 me. what abt nero turner from mahoayku/promise of wizard,,

i know absolutely nothing about this man or mahoyaku but i hope i did him justice!!

[wuntrum]

can you speak on your severance s2 opinions? i promise this isnt in bad faith or anything, im just anon bc im shy lol, im genuinely curious

i'm gonna put this under a read more because it's gonna be long but...yeah [scratches head] if YOU the person reading this looooved this season and see nothing you didn't like about it, thats awesome and i'm happy for you. i also liked things in this season, and also its normal to be able to critique things you like, love and light <3 its literally just television

generally, yeah, i found myself disappointed with it. i think the writing this season, both the dialogue and then the actual character/world writing, fell flat and/or seemed like it was completely incongruous with the characters and world that we had seen in season 1. i think something i really appreciated about season 1 is that yes, mark was our main character and the lens we got introduced to both the inside and outside world, but both felt so much BIGGER than just him.

season 2, the entire plot and world and characters bend and contort to make mark like, the center of the universe lol. it's kind of ridiculous, the extent to which the world revolves around him now. it makes the world feel SOOO small. parts of my favorite worldbuilding aspects are seeing how the outside world feels about severance--i think the part where we see how working as a severed employee makes it almost impossible to work anywhere else is great! and in concept i like seeing other towns that have been devastated by lumon's industrialization, though i don't love the execution that we got. so like...everything lumon does is about mark? ALL of it? i know we don't know exactly how long lumon has been operating but like...they've been working on this stuff for longer than two years, lol. like, how many files have dylan completed? irving? petey? that girlie who wrote the lexington letter? is all of their work literally meaningless? like i get that there were people before gemma who failed the tests and they died, sure, but what about when mark started working there? what about the files that irving started and didn't finish, why don't they care about those? ohhhh right, because that's not the one that mark's working on. i get that it'd be a big deal if they got it to work fully once, but surely they'd want to make it work AGAIN, right??? like a science experiment?? i just wish we got like, A nod to other people on the testing floor, because i think the implication is that all of them are working on files connected to…different people, but maybe they're all just different versions of gemma?

honestly all of the innie stuff this season just felt so…idk, aimless? it feels like parts of the building only exist when the writers want them to, and just generally are not interested in exploring anything outside of the romantic aspects for all of these characters. like sure, after the season 1 finale, their asses are not gonna wanna work (EXCEPT FOR WHEN THEY DO? TO MOVE THE PLOT ALONG?), but where's the camaraderie? what about all those other people in O&D, they literally export things to the testing floor, maybe they know about gemma? fundamentally i think the thing that's the most frustrating about innie mark is that they keep telling us that he doesn't care about gemma. which, sure, outie gemma, he doesn't have that same connection with as helly, whatever. but also, he DOES care about her, he literally knows that that's ms casey and that lumon was just going to do what they always do when they fire people????? like s1 mark cared soooo much about his coworkers, ALL OF THEM, even the ones that weren't there anymore—seeing petey and then ms casey get removed was like, a HUGE deal and vital to his growth as a character!!!! and the way that they constructed this whole season basically to remove everyone that isn't mark and helly by the end. lol. i'm honestly shocked that they didn't make a new version of the desk that was just two chairs, like dylan was just excluded from the finale except for when they needed him to come in and hold the door against mr. milchick. again. lol

i don't inherently have a problem with exploring the romantic stuff, i think that could have been done well, but i just don't think it was. and that's primarily because, i think the writing this season for helly was ass! they took away her agency and subjugated her to be just the love interest for mark! especially with the finale, i just feel like the helly i know would've been like mark, what are you doing??? go?!? like she wants to take down lumon, THAT's what will take down lumon! like whatever, mark made the choice that he did, but helly playing along with it makes no fucking senseee. like they want us to think that it's the same ol helly we know and love, they give us crumbs of her anger, like when she's rallying the marching band people or whatever, but again, only when it's plot convenient. WHY WOULD SHE NOT ATTACK JAME? he's like 90???? and helly doesn't like this man???? she has nothing to lose???? fucking THROW something at him helly!!!! the helly that tried to chop her fingers off and hang herself and gave that speech in the s1 finale is not in the room with us. and i don't mean this in a way where i think it's helena again, it's not. they've just completely fumbled her character because they want mark and helly to be together at all costs. and honestly, i think it's so reductive to make this show just about ships, but textually it feels like that's what they want us to do, and i think that's sad. again, it makes the show feel so SMALL, when the world within it used to feel so BIG and like we would want to learn more about it. i care about mark and helly--before they kissed!! i think it was rewarding to see the ways they challenged each other and grew as people!! them as a romantic thing could work but they haven't put in the work to MAKE it work. and, it feels like of redundant even to say, but i do think it's fucking ridiculous to write a story where we get kissing and fucking for allllll the straight characters and then the one gay couple doesn't even get a kiss before separating them completely and writing irving out of the show, basically. like what are we in, hayes code era television?

but yeah, the information they chose to reveal vs what they didn't was also frustrating. i honestly wish they revealed less! there's so much TELLING this season. it feels like they think we're stupid (which, i can't speak for the entire population watching the show, maybe some people literally do need mark to look at the camera and explain everything, idk). like there's sooo much clever storytelling in the first season that just, completely gets snuffed out from overexplaining. i understand in the finale that oMark needs to tell iMark about why he did all of this but like, WE as the audience already know??? we don't need to see this?? and cobel confirming stuff i feel like we already knew about how the numbers work and like, i just don't knowwww. like you can just show me it, i was picking up on it. like we know about the four tempers, you show it to us all the time, cobel having to look dead in the camera and explain it just made me feel like there was a better way we could've done this. i do think some stuff benefits from a "hard" confirmation. like i'm glad they confirmed the helena thing, BECAUSE it backs up and supports all of the lovely and subtle things they had already shown to prove that it WAS helena! like i've known since the first episode LOL, so they do KNOW how to do subtle storytelling. and i think the gemma episode was great, i loved seeing her as a character and thought it gave her so much depth. but again, i think allll of the explaining they do this season not only snuffs out the fun of speculating on the viewing end, but from a writing perspective it just kind of writes them into a corner. i think they're focused too much on making these elaborate set pieces and events take place without thinking of how they fit together, not only on like a writing/episodic level but just the world of lumon at large.

i think a great way they showed story in the first season is through the paintings, and through irving and burt bonding over the paintings! like it not only establishes the lore of kier and then we get to learn more about them as characters through their reactions to the paintings. the paintings this season, honestly, were weak, they were so heavy handed. love and light to whoever painted them, but they were nottt doing the job for me.

(this is a small thing, but like…the intake questionnaire asks them to "name a US state or territory," so they KNOW that delaware is a state. so why would they think the equator is a building? again its just like. a cutesy moment for mark and helly to banter but they could've done it in a way that isn't contradictory to like, our understanding of what information crosses over the sever and what does not).

i keep thinking about the ORTBO, and it just seems fucking CRAZY to me that they aren't freaking out about SEEING THE SKY? BREATHING FRESH AIR? FEELING FIRE? SLEEPING?? WASN'T THE WHOLE THING THAT THEY COULDN'T FALL ASLEEP???? i guess my impression of how the chip works is that the technology doesn't know how to handle when they enter a subconscious/asleeep state, so the innie and outie memories begin to bleed together, hence why dozing would be a bad thing on the job. but again, they clearly had this idea of how they wanted irving to reveal that it's helena in the waterfall, and yes, i did enjoy the spectacle of the episode, but its another example of how they'll build these moments and only focus on what they want to see. like there's so much interesting stuff that they could explore and just choose not to, because (usually) it doesn't involve mark, or mark and helly.

also, i'm just gonna say it, i feel like the writing for the women this season all was kinda bad! it's, again, a byproduct of the world revolving around mark now. reghabi is brought into the story when mark needs her, and cast aside when he doesn't want her anymore. devon has been completely reduced to mark's lackey, like i guess ricken and the baby are fucking fine or whatever??? because she only exists when mark is around, and her only job is caring about mark (which obviously yes, they're siblings, of course they care—but s1 devon had a life outside of mark as well). cobel is only brought back into the story to explain to mark how cold harbor works. i said this before but honestly i like the concept of her little solo episode, though the execution wasn't great, because at least she was doing something on her own (except for when she needs that guy to help her. heaven forbid a woman does something of her own accord without a man to help). and again, helly is completely flanderized to be mark's love interest. i think there's a way to have mark and helly be together and them be their own people, but for the length of the season they did not have the proper time to unpack all the shit from the ORTBO episode so everyone just…conveniently gets over it very quickly, like in the span of a day. like i do think it's a jump to go from "i don't trust you, are you even you?" to missionary under plastic tarps that quickly, i'm sorry. and i think even gemma suffers from this fate as well. i think with hers it makes more sense, like she fucking loves her husband, but i wish she was given opportunities to like…want things for herself, too. like she hasn't been outside in two years! i bet she misses her job, her students, her family, devon, ricken, like anyone outside of mark? but she has to be the tragic love interest that can't be with mark but can't run away from mark, either. she's reduced to set dressing for mark and helly by the end.

they constructed this season i think, with the hopes and knowledge that they'll likely get a season 3. which yes, we know now that it's been confirmed and approved or whatever, but they didn't know that when making season 2, and it feels like no one got a full character arc. it's all start and no follow through. we've had the same "mr. milchick experiences racism in the workplace" moment like what, five, six times, and yet we haven't even started to see him DO something about it yet? like sure he told mr. drummond to eat shit, but then to play along with the minstrel show cold harbor shit, they just didn't care about giving that plot line any action so it'll just get brushed along to season 3. (and while there's intentional commentary about race in the show, it also feels like there's unintentional consequences to their writing choices that upholds the whiteness. like, natalie is just forgotten about, reghabi is dropped as soon as mark doesn't want to play with her anymore, ms. huang barely gets to do anything before being written off and sent away, and yes, i do think having gemma suffer as mark and helly skip away is part of it. it leaves a bad taste in my mouth, sorry!). i think dylan is maybe the closest we get to an interesting arc, and i enjoy the inclusion of his wife, but even he's reduced to JUST this story, only getting to talk to mark or helly when the writers need him to, i guess. and the stuff with burt and fields is so nothing, like it feels like it should be going somewhere but they're just leaving it open for season 3 (i guess??? even though it seems like irving isn't going to be in it at all, so why would we be following burt and fields??? and also don't even get me started on how the outie irving stuff is just NOT EXPLORED AT ALL. like whatever sure who the hell cares, sorry for wanting to see that go somewhere or whatever).

it's too early for full reintegration to happen so, we'll just finish that in season 3. (then why introduce it so early in season 2? ohhh right, we need cliffhangers to end every episode on). it almost feels like they don't have faith that people will keep watching without introducing these dramatic moments, but it's all just gasps of breath, there's no actual momentum. like, i've already watched the first season, you don't need to bait me with the prospect of seeing meaningful progression and then take it away from me when the next episode starts. the structure of how episodes speak to each other is that they…don't? like obviously i don't need every episode to pick up on the exact moment the last left off, but the timeline of this season is just soooo strange. the first two episodes are in the same span of time, and then there's gemma and cobel's episodes back to back…it genuinely just feels like they didn't consider the season as a whole which, considering how much money and time it took to make it happen, makes no sense.

and to continue on the timeline aspect, it feels so confusing as to how much time has really passed. it feels like the wanted the structure of the first season, but the pacing mechanic of the first season (working up to the end of the quarter to get to the waffle party) makes the pacing of the second feel even worse. like a.) mark's completed like 3 files a quarter (if we assume he's worked there for 8 quarters, i.e. two years), so making THIS file the super special final one truncates the possible time by at least a third.but then also, b.) he's been at like 95% complete since like, episode 5..? again, i just think it should've been considered more during the planning stages. and it kind of boggles my mind that the creative team views the marching band in this finale to be analogous to the waffle party in s1 when, it's way closer to the music dance experience? (they said this in the like behind the scenes for the finale ep). and in that regard, it really does kind of feel like a retread that doesn't work as well because, again, it's all about mark! especially after the shit with the kier statue, why would mr. milchick play along with the song and dance, like it just feels like they wanted to use tramell tillman's dance experience again, and they wanted to use the colored lights again. he could've just stood by the door to make sure mark and helly stayed there, which was obviously the goal of having all those people there. and yeah, i get the work is mysterious and important or whatever, but the implication that they have ALL OF THESE PEOPLE whos sole job is to be a marching band makes no fucking sense, i'm sorry. i find it hard to play along with the worldbuilding, again it makes lumon seem like its run by like dr. doofenshmirtz or something, it's so cartoony. like are they a global and successful company, or are they incompetent and leave gaping holes for their employees to undo everything? this is THE MOST IMPORTANT DAY IN LUMON HISTORY and they couldn't…shut the door to MDR like they had before? the goat sacrifice room is directly outside the exports hall door? the music dance experience works so well as a catharsis moment because everyone has their own shit going on, and we get to see the guy who hasn't really disobeyed yet (dylan) finally snap, and we see the others come and support him as a TEAM. it's just spectacle for us, the viewer. and especially the thing where they make the panels with mark's face on it—HE CAN'T SEE IT???? i don't need fan service winking moments like that, i dunno, that just annoyed me lol.

anyway, i feel like i have more to say probably but i gotta go do things so, i'm gonna leave it here. in conclusion, i'm missing my friends from s1 MDR sooo so bad, i feel like i haven't seen them this season at all. i did like parts of this season, but overall it was not what i was hoping it would be. (i don't even really KNOW what i wanted it to be, and of course it doesn't matter what i "want," but i feel like what i "want" lined up with what they wanted to do explore with season 1 so…maybe that's where the dissonance is coming from). and whereas at the end of s1, where i left it being like "where are they going to go from here?? (as in, theres so many possibilities", this season finale has left me asking "…where are we gonna go from here?" because i'm left like, inherently incurious about the people we have left and the choices they've made. and, i feel like THEY (as in the executive team making it) must feel this way too, because apparently they've completely scrapped the writers room from this season and added on two new showrunners. good luck to whoever that executive story editor is LOL

[neytui]

He really likes hiccup

[bakugoushotwife]

First of all your megumi smut broaden your horizons was BEAUTIFUL

I have to share though. At one point the song in the car changed in the fic and as I scrolled I just saw “climb on board.” And my dumb self went “the little Einsteins?” Because I thought it was the theme song of that old Disney show little Einsteins 😭

Yanno the “climb on board get ready to explore there’s so much to find little Einsteins”

Anyway my dumb brain went to that and I went ROLLING 😭

ANYWAY FIC WAS BEAUTIFUL AND IM INSANE

No I’m HOLLERING—

imagine like…he’s just been babysitting the Gojo baby so his Spotify likes are a MESS! he’s trying to bang out his jealousy and just PALES whenever he hears the trumpets and shit he’s like GODDAMN that weasel SIRI PLEASE SKIP

this is hilarious though and I’m so glad you loved it!! I need to write more Megumi but I have no reqs for him atm!

[aakeysmash]

prompt:

reader getting injured because she slipped in the shower, sukuna has to help her get to the hospital, where reader gets some pain meds making her kinda high. she confesses to him while being high

content: fluff, crack. reader is in the hospital and blood is named but there’s no gore. yuuji and sukuna are siblings. i love sukuna and i need him in my life so bad… someone PLS be my sukuna

“So, just to be sure: one margherita for me and one with sausage for you?” Asks you Yuuji while putting on his shoes.

“Yup,” you answer, popping the p. “Can I just have a quick shower while you’re gone?”

“Uhhh, sure, let me go ask Sukuna,” your friend tells you smiling and rushing up the stairs of his home.

You and Yuuji have been best friends since forever. You remember the first time you both cried your eyes out at the park in kindergarten because a lizard had just eaten the ladybug you had been watching for half an hour. Since that moment you’ve been attached at the hip, your homework filled afternoons in high school turning to pizza nights when both of your work schedules allowed you to now.

“Big bro said sure,” comes Yuuji’s voice from the end of the staircase.

“I did in fact not say that,” growls Sukuna from behind him. Sukuna is the same age as you and Yuuji, but he always seemed older. Sometimes wiser, but sure as hell more annoying than his brother. Hotter, too, but that’s a topic for another time.

“I didn’t ask you to join me, big boy,” you say sarcastically, fake smiling. He crosses his arms, leveling you with a bored look.

“Yuu, if you aren’t fast enough you’re not going to find her corpse when you get back,” he tells his brother, still staring you up and down. Yuuji sighs, tired, then opens the front door.

“Make sure to not kill each other. I have a shift after this, stop bickering. You two act like siblings more than I do with you, Sukuna,” he reprimands you both. You and his brother roll your eyes at the same time, then you push him out, closing the door in his face. You turn around and find yourself face to face with Sukuna's menacing grin.

“You have 5 minutes before I come knock at the bathroom door with a kitchen knife, doll.”

You’re scrubbing yourself clean with a random pine body wash you found in the shower when the playlist you put before entering the stall stops. You’re annoyed, because now you’re forced to listen to Sukuna’s ugly songs from the bathroom wall (that he’s blasting just to annoy you), so you try to reach your phone. You’re on your tippy toes, not wanting to get out completely, when you trip and fall since you didn’t wash the soap away from your body. You bump your head on the sink in front of the shower, hard, and you muffle a whine. You close your eyes as hard as you can and open the shower head with the room spinning inside your skull.

“Don’t open your eyes, don’t open your eyes or you’ll fall… fuck, it hurts so bad,” you tell yourself while you speed run the end of the shower and blindly put your shirt over your head. It’s not the first time you've bumped your head on something, you were a crazy kid, so you’ve learned to open your eyes only when you physically can’t function anymore or you'll start seeing stars immediately. You barely get to put your pants on when you notice your forehead feels wet, and you didn't even wash your hair. As you get out of the bathroom wobbling you touch your head. When you open your eyes, you see blood on your hand. The room spins. You barely have time to look up and watch Sukuna coming out of his bedroom frowning before seeing black dots in your vision.

You try opening your eyes, but they feel so heavy. Your body feels rather stiff. What's this smell?

"Oh, she's waking up," a female voice softly says from somewhere next to your right.

"Thank you, miss, I got it from here," a rough voice responds.

"Make sure she drinks a lot, and keep a couple of painkillers near you. The scans show she doesn't have any internal damage, but she hit her head pretty hard. She's going to have a big bruise for a couple of days," the female voice continues. You hear the man making a sound of affirmation.

There’s a brief pause. "Your wife is very lucky. It's not every day that a man takes a woman up four flights of stairs by simple arm strength," the woman concludes sweetly, getting out of the room after he responds with a grunt and closing the door behind her.

"Your ass is lucky I lied or they wouldn’t have let me in, dumbass. Open your eyes, I know you're awake," the voice you now recognise as Sukuna says, getting closer. You try opening your eyes, managing to focus your gaze on him. Everything feels so fluffy, apart from your throat. You cough, and you think you see him rolling his eyes before getting you a glass of water and sitting beside you on a chair. You gulp it down, still feeling fuzzy, then you blink a couple of times.

You gape at him. He's cute. “You look funny,” you say, poking his cheek. He’s so squishy. Like a little mochi. A little mochi filled with strawberries. Strawberries and cream. He slaps your finger away, and you put on a hurt expression. He huffs.

“Why am I here?” You ask. The more you look at him, the more heads he seems to have.

“You fell in the bathroom,” he says, straightening up from the chair and covering your right leg with the duvet the hospital gave you. You raise an eyebrow at his gesture, and he just rolls his eyes again. “Don’t want you to also catch a cold. Yuuji would kill my ass.” You just hum.

“I caught ya when you already fainted. Yuuji came back home and panicked, but he couldn’t back out from work, so I was stuck with your ass. Took ya here but the elevator broke down. And I ate your pizza, by the way. All this is gonna cost ya 200 dollars, cash,” he lists, sprawling back onto his chair, deadpan.

Silence engulfs the both of you, and you don’t know what to say. You heard what the nurse said and you are searching for a way to bring it up, but the words in your mind are all scrambled. It’s probably the morphine that you realise they gave you, IV still attached to your left arm. You open your mouth to say something along the lines of “I’d like to thank your gym membership for this,” but instead the words that leave your mouth are-

“I’d like you to be my husband.”

His eyes snap to your widening ones. “Wait that wasn’t what-“

“Huh?” He just replies, dumbfounded. You panic, waving your hands in the air between you two.

“No, what I meant was- like- thank you for getting me up here- can you stop looking at me with your weird 16 eyes?- not that you aren’t attractive! You’re super hot! But that’s not- oh god,” you whimper, rubbing your face, noticing how you’re just making the situation worse. You prepare yourself for his snarky comeback, closing your eyes, but everything is silent.

Suddenly, you hear him snort. You crack your eyes open, touching the big cotton gauze they put on your forehead. You must be hearing things. It’s definitely the morphine, there’s no way Sukuna is actually laughing.

“Yes, I’m laughing, doll,” he says, chuckling. You widen your eyes.

“I said that out loud, didn’t I?” You cringe.

“Yeah, you kinda did,” he responds, smirking. You groan.

“Take me out to dinner first, damn,” he yawns. You jut your bottom lip out, frowning and giving him your middle finger. Then you register his words.

“You’d come? I mean, if I asked you out.”

“Well, if you’re paying,” he responds, shrugging. That’s still a yes, isn’t it?

He ruffles up his pink hair, black t-shirt straining across his bicep. You can’t contain the urge to poke the muscle.

“Stop touching me like I’m made of play dough, doll,” he sighs, slightly less annoyed than 5 minutes ago.

“Would you let me play with you if you were made of play dough?” you ask, words a little slurred, still poking his arm, and he flexes it. “Don’t show off,” you mumble.

“You’re even weirder when you’re drugged,” he grins. He kinda looks scary, though. If you didn’t know him, you’d piss yourself by looking at his sharp teeth.

“But would you or would you not?” You whine, dragging out the last word, letting your hand fall next to you. He misses the warmth of your hand, so instead, he just puts his on your thigh. To be warm, of course. The room is so cold. Yeah. Definitely because of the missing heat.

“Yeah doll, I would.”