#instead of evil and mysterious

[justsalpals]

wait people get MAD at Kris for trying to beat us to death with a hockey stick? could not be me. come at me kid, you deserve as many punches as you want. put me in a box, you're having a fucking day.

[scarefox]

Pick your faves from my faves game!

Challenge: make a poll with five of your all time favorite characters, and then tag five people to do the same. See which character is everyone's favorite.

got tagged 2 times by @enigmaharper and @bisexualboysbroadcast

This is going to look so random haha... but there might be a pattern in there who knows (also I list more than 5 because)

alright, that aren't even all but let's keep it at that

I don't know who has already done this but I tag: @braceletofteeth @slayerkitty @maleficent-cannoli @cryptidafter @scrollll

[mcsmtxt]

fun things to muse on is how mcsm characters would handle certain things that aren’t IN the mcsm world. like what kind of driver are they. or what’s their favorite alcoholic beverage. would they or would they not be a gamer. etc etc

[velvetjune]

Spoilers for Alan Wake/Control games and DLCs: one of the things I really like in Alan Wake 2 is the confirmation that, no, Alan can’t create something out of nothing. There were implications in-story that supported that, but it was good to have that be a big part in the sequel. The AWE control dlc easily made it seem like Alan himself had a role in the events of the game and the formation of the FBC, and, personally, seeing it through that lens cheapened a lot of the game and Jesse’s story. Instead, having his writing influence the Hiss and try to manipulate (even out of desperation) Jesse/the FBC to end Hartman and get help, fit right into plot and conflicts of Alan Wake 2, with Alan being sympathetic, but also an asshole for trying to change and control people’s lives in his writing.

[skyloftian-nutcase]

I don’t know what happened, this just wouldn’t leave my brain 😂

Long story short, whenever I finish a game and like it enough to replay it, I put a different story in so I can try playing it differently (which is how Blood of the Hero came to be). Once I finished TotK, I decided to do a replay but with Mystery Link as the lead. But Mystery would do everything in his power to avoid the Main Quest. And Friend is just nudging him towards Destiny by making him have to interact with Hyrule far more so he can find a freaking pair of pants.

It isn’t going great. 🤣

[cxlrose]

me when i have no male ocs

[otrtbs]

regulus is harry. evan is niall. barty is zayn. remus is louis. sirius is liam. james is y/n.

(pls i’m picturing effie going “im selling you james.” and james just being *heartbroken*)

james just has those big brown doe eyes that every y/n girlie has and regulus has those piercing emerald orbs that harry has ur right

yk what??? i agree with all of this so hard except fo sirius being liam,, idk,,,, that one just doesn't feel right to meeeeeee but idk where he would fit in ,,,, ah!

[jestr333]

YOUTUBE MUSIC

Hey! The ellipsis button (⋮) is broken!! AGain!! I just realised The Existential Threat by Sparks has an official album version and I'm trying to clean up my halloween playlist by replacing videos with actual official releases, but I CAN'T!!!! FIX UR SITE

[milo-is-rambling]

Need to stop making jokes about my grief and depression but then literally who would I be anymore.

[ijustthinkevilunoisneat]

GJJHGUJHUKJHJKKNKNJMJKJL Honestly this is exactly how a roast between wrestlers should go

[twilightofthesandwiches]

What's really evocative to me in all the new revelations and hints about Kris' true nature and intentions in Chapter 4 is the impression that... Kris is never free.

When they are free of our direct control, they are still not acting 100% of their real desires, they are following the orders of some evil Voice(s?) on the phone.

The ending seem to imply some sort of emotional conflict between them wanting to help out Susie, who is very dear to their heart, and following this plan which is probably not beneficial to her. A plan that they have to follow cause...

When Kris is not controlled by our very literal puppet-strings, they are instead controlled by the coercion and emotional manipulation of their mysterious benefactor. No matter which option they go with, Kris just cannot be free.

[sylveriasarcana]

.

[soup-mother]

the clothes shopping thing makes it extra evil when ppl make fun of the amazon skirt thing too.

yeah I wonder why trans women would buy gender affirming clothes online instead of going through the ordeal of buying them in person (often completely alone)? it's really a mystery to everyone, except apparently it fucking IS :/

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[ianosmond]

Important safety information about the eclipse on Monday

You *can* remove the eclipse glasses during totality; not before or after.

If you find yourself falling apart instead of falling in love, turn around, bright eyes.

It is no longer considered best practice to cut the beating heart out of a human chest at the top of a pyramid to bring the sun back; nowadays, they just short out a LUCAS device.

If you are imprisoned by an evil bishop, break out, and look for a hawk and a wolf who are in love.

Most critically - No matter what, do not buy any strange and exotic plants which mysteriously appear during the eclipse.