#instead of leaving it lmao

[i-eat-novels]

mxtx fandoms be like 😔🙏

[secretagentspydetectiveninja]

posting this with absolutely no context

[hinamie]

binding vow

[whilomm]

oh okay heres one:

"sleepaway camp"= you go there for at least a few days, a week, sometimes several weeks, and sleep there, as opposed to a """camp""" where you go for the day and your parents or whoever picks you up afterward (those arent really camps, but like. idk when i went to "space camp" it was a weeklong but not sleepaway). in the U.S. at least, the typical image of a sleepaway camp involves staying in cabins, dunno how common it is/what it looks like in other countries.

for the first few i just mean like. not necessarily a stealth church camp, just like. idk, a camp where theres also an Assumption Of Christianity and just general vibes without being actually church camp. So, there might not be daily services and jesusy dedicatwd activities, but maybe theres still a prayer said over meals and shit. Which i assume might exist...

(oh and @reblogforsamplesize if u wanna)

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[flowercrowngods]

something so monstrous pt.2

(in which kas feeds from steve and triggers a bad migraine pt.2)

🤍🌷 read part 1 here this part gets really intense on the migraine. descriptions of immense pain, fever dreams, and vomiting, some body horror imagery bc pain can be fun like that

Time and space lose all meaning as Steve remains on the precipice of something that is too violent to be called sleep, but not harsh enough yet to be unconsciousness. Real sensations evade him as everything turns into pain immediately. Even the twitch of his finger becomes a thundering blaze of blinding pain shooting through his body and settling behind his eye until he is sure he will wake up blind. 

The fear of that is everpresent, the blind spots too real to ignore every time it goes like this, and he imagines how they will grow. He imagines how they get worse every time until one day the pain inside his skull will be so immense it will take his eyesight in exchange for alleviation.

And even though it is unbearable, he opens his eyes whenever he can, just to make sure he can see still. It’s an added veil of terror that covers him whole and consumes him slowly but continually. 

At some point he notices something cold and wet being placed over his eyes, adding another layer of darkness that is welcome, even if it leaves an imprint of pressure and sensation on his forehead that makes his skin tear around it, his skull cracking and caving in beneath the touch. 

And still it helps a little, pulling him further toward consciousness but not further toward the pain itself. But Steve can only whimper weakly in response, six feet under a thick cloud of cotton-filled smog that even turns breathing into a chore, polluting his lungs with fear and horror and agony without compare.

He does fall into a fitful sleep at some point, grateful for the short reprieve, but it does nothing to alleviate his exhaustion. 

It feels like his eyeballs are being pushed into his skull for what must be hours upon hours, and the pain is so unbearable, so horrible, that he's not at all surprised when nausea rises in his chest, his body responding to its current state with confusion and a hard-reset. 

Steve keens, trying to roll onto his side, groaning at the flares of pain shooting up into his skull and down into his limbs. They only worsen the nausea and it's pure instinct that gives him the strength to sit up. 

"Kas?” he whispers, swallowing thickly against another wave. "Bathroom?” 

Instead of giving him directions or pulling him up to drag him there, Kas wastes no time. He gets up off the floor, approaching him with shuffling steps once more, and gently but quickly lifts Steve off the bed in a hold — firm, yet gentle — that brings another sting of tears to Steve's eyes. Pain and vulnerability and the need for everything to be over. That’s what makes him cry.

Still he manages to hold on, his head rolling onto Kas's shoulder, the skin of his neck blissfully cool against Steve’s overheated forehead pressing into him. 

Make it stop, he thinks. Longs. Aches. It’s supposed to be over. It’s all supposed to be over now. 

He whimpers again, and imagines that Kas is the one to softly shush him this time.

The coolness of Kas's neck is gone all too soon as the vampire sets Steve on the hard, uncomfortable bathroom floor. He doesn't go far, though, crouching down beside him and holding him up over the toilet. Steve can't see anything, but still he’s grateful that Kas left the lights off, the bathroom tinged in the same darkness as his bedroom. 

Pathetically, Steve rests his forehead on the toilet seat, chasing the coldness of it as pain and nausea reach their peak. It’s disgusting, but be’s not strong enough to care. A whine breaks from him, and he wishes Kas would leave. Even though the cold hand on his neck feels good, and even though he knows he wouldn't be able to hold himself up right now. 

I'm not weak, he wants to say. And maybe he does. But he can't recognise his own voice right now. 

"Not weak, maybe, but pathetic." 

No. 

"You know you are." 

Shut up. Go away. 

It doesn't make sense for Mr Munson to suddenly be here with them, to stand in the doorway and watch his nephew, who is more monster than human these days, holding up the pathetic form of Steve, who is more pain than human. More smoke than human. More vulnerable weakness than remotely human.

Go away. Eddie? I want him to go away. Tell— Go ‘way. 

The hand wanders, pulling Steve against cool skin again so his forehead rests against the toilet no longer, basking in the cold touch and the warmth of a body to hold him. 

"Safe," Kas says, and Steve wants to badly to believe him. Wants Wayne to leave, wants everyone to leave and just let him suffer in silence and solitude like always. 

Wayne starts talking again, but Steve can't hear him this time as he suddenly heaves and retches, throwing up what little he had to eat today. Over and over and over.

It goes like this for a long time. He has no idea how long. Has no idea where he even is anymore. 

The world tilts a few times when he loses his grip, his arms buckling, his hands spasming and giving out, and still he never falls. Only ever feels the cold, damp skin of Kas’s neck. 

Kas has to carry him to bed when he's done and on the brink of passing out again, and Steve doesn’t mind this time. Kas also hands him a glass of water or two before pushing him back to lie down again. That’s nice. 

The wet cloth returns, and Steve isn't aware of his surroundings for much more after that.

—— 

The next time Steve comes to, he feels like he was freshly dragged through Lover’s Lake until his lungs gave out. His head is pulsing violently, his senses are sluggish and everything feels foggy. He has no idea where he is, the room pitch black around him as he lifts a lukewarm damp cloth from his eyes. 

A soft groan falls from his lips as he stretches his aching, cramped limbs, rubbing his hands over his face and regaining the feeling in his body. Little pinpricks of phantom pain shoot through him, his mouth tastes like ash and his head protests rather violently against his pathetic attempt at sitting up. 

He is disoriented and something about his vision is still messed up, something in the depths of the room not quite right and leaving him with a dizziness he can’t quite shake, followed by a wave of anxiety that something’s wrong with his eyes. 

He blinks. Blinks again, finding more things in the strange room as he does, his sluggish brain slowly catching up and filling in the blanks.

It all comes back to him like a tidal wave when he suddenly finds himself blinking at a pair of red eyes, softly glowing and wide open. 

“Kas,” he croaks, his throat absolutely parched. 

One second he’s wincing at that, the next he finds a cool glass of water pressed into his hands before the eyes and the shadowy form they belong to retreat to the foot of the bed again. 

 “Thanks,” he murmurs, stalling as he takes a sip. Embarrassment rises in him, but he doesn’t want to apologise. The thought of that somehow makes the vulnerability that much worse, so he tries to ignore it. It’ll all be fine if they simply not acknowledge it. 

He wants to ask for the time instead, wants to know how much the migraine took from him this time, but he knows Kas doesn’t really understand the concept of it all, let alone know the numbers. 

A silence settles between them and it’s somewhere between welcome and uncomfortable. Just like everything that happens in Hawkins. It makes Steve feel like a ghost again, but this time he’s a ghost in the room, not just in his own head. He’s the one who’s out of place.

With a little sigh, he places the glass on the makeshift nightstand again and falls over onto his side. His head is mad at him for it, still feeling too fragile for sudden movements, but lying down feels better than sitting.

There’s a huff from Kas that sounds more amused than derisive, so Steve looks at him. Looks at the shimmer in those eyes before closing his own again, not wanting to be looked at right now. Not wanting to face it.

“You,” Kas says then, his voice quiet and without the edge of that animalistic growl. The sound of someone who’s not meant to speak at all. The souvenir of someone who was human once before Evil grabbed him and modified him to His liking. 

“Me,” Steve says, an automatic response, just as quiet. He’s listening. 

“How… How are…” Kas struggles, huffing in frustration at the words that refuse to come, but still it’s the most coherent Steve has ever heard him. It makes him sit up half way again; leaning his weight on one arm to focus all his foggy and cloudy attention on the vampire trying to ask him how he is feeling. 

No more words come, though, the question half finished in the air between them. But somehow it makes Steve smile. Just a little bit. This feels important. And huge.

“My head hurts,” he answers truthfully, amused when Kas’s eyes snap back to his. To search them. To communicate something.

“Hurts?” 

“Yeah. It will, for a while. Always does. Nothing to do about it, really.” He wishes he felt as indifferent to it as he sounds, but that’s just the tiredness clouding his tone. It’s fast approaching now that he knows he’s relatively safe. Now that he knows he can rest. His arm gives out and he slides, slowly this time, back to lie on the pillow. “But it’s not as bad. And the other pain is gone, so…” 

So. He could go home now. He should, probably. Ignoring the weakness in his bones and the exhaustion in his every fiber. If he closed his eyes again right now, he could fall asleep. Still, maybe he should—

“Stay,” Kas says again, and Steve really should have figured. He’s not quite well enough to really fight him on that, though, so he shrugs. 

“Fine,” he mumbles into the pillow, halfway back to slumberland already. 

There’s movement on the foot of the bed, and before he knows it Kas has tucked him in again, draped across the pillows as he is. It’s still unreal, that, but Steve won’t complain. What’s even more unreal, though, is the image Steve gets of Kas curling up by the foot of the bed in a similar position. As if he still means to keep watch. 

It’s ridiculous. A little weird. And sort of endearing.

——

The next time Steve wakes, everything around him is a little brighter, daylight fighting weakly to fill the room, but it stands no chance against the large wooden planks and thick curtains meant to block it out permanently. 

He blinks away the heaviness, taking stock of his body. There is a crick in his neck and burgeoning cramps in his side and hip from the position he’s still in, and this head still is a pulsing, aching mess — but no more than usual. 

He taps the pads of his fingers to his thumb before flexing his hands. Only then does he stretch the rest of his body and announce his wakefulness. 

Opposite him, at the foot of the bed, Kas is already awake and still in the same position that Steve saw him last. Did he even sleep? Does he need that? Or has he just been staring at Steve, watching him, ready to carry him to the bathroom again for round two. 

The thought of that makes his skin crawl.

“Hi,” he says to fill the silence that is all too inviting for his spiralling mind.

Kas grunts, but it sounds more like a hum. Sort of gentle around the edges. He doesn’t move, doesn’t seem at all fazed that they’re just kind of staring at each other. Steve swallows, not really sure how to go from here.

He fists the blanket and rubs the linen bedding between his fingers, feels the rough fabric catching on the callouses along his hands as uncomfortable seconds tick by. Still Kas doesn’t move. 

“Listen, man,” Steve says at last, thinking back to yesterday’s events and the vampire’s sudden care. “Thanks, alright? What you did, that was, uh. That was nice. You didn’t have to do any of that.” 

Another hum, and it occurs to Steve that Kas is back in his normal state, retreated back into his mind, hiding from the world himself now that it no longer needs him. It’s a strange thought, that Steve being hurt would be what brings him back. If at all. Maybe he’s reading it all wrong. Maybe it as just a coincidence, or maybe Kas tasted something in his blood that made him want to improve Steve’s physical state for selfish purposes. That’s probably more likely.

But it makes him feel even more wrong-footed than before, and it leaves him hyper-aware of the situation. Of their dynamic. Indifference and annoyance and… He doesn’t want it to change, doesn’t want some kind of debt between himself and Kas — especially not when Kas has no means to really settle it. But he also can’t feign some kind of gratitude when what he feels the most is mortification and embarrassment; and he sure as hell doesn’t want Kas to know that either. 

So he throws back the blanket and gets out of the bed, a little dizzy at first, but he doesn’t care as he slips into his shoes and hurries out of the room. 

He just wants to leave. Get out of here and go home, go back to bed and get over the mortification of having been seen like this. Of having been taken care of. By someone who doesn’t even like him. By someone who hissed and snapped at him one moment and then carried him to the bathroom the next. 

“It looks like there’s nothing human left in him, but we do have data that suggest otherwise.” Owens’s words echo through his mind as he crosses the living room. “It seems to be in hiding, the Munson part of him; that’s our hope at least. That you can get him back out one day, make him win over the vampire part. It could be like a self defence mechanism, I guess. We hope he can still be coaxed back into the land of the living. How, though, we don’t know.”

Was this what happened? Has Steve’s weakness triggered the human part of Kas’s tortured brain to take over? No, that can’t be. 

It seems unreal. Unlikely. Wayne telling him stories or Dustin talking about their campaign, that should have helped. Even Mike playing the guitar, or Robin rambling about something or other; all of that was much more close to who Munson was. Or used to be. Eddie Munson never struck Steve as someone who took care of people naturally. Someone who stepped in. He stepped up, sure, but only ever for the wrong reasons. 

It makes no sense. So it must be wrong; just Steve’s exhausted brain grasping at straws. It usually does that, anyway. Nobody knows if Eddie is even still in there. Part of Steve hopes he’s not. 

Just as he reaches for the front door, ready to just get out of here and pretend like nothing happened, he feels a presence behind him. Kas followed him out of the bedroom, standing in the doorway now with an unreadable expression. It's the blank one he usually takes on, but where before it was normal, it throws Steve off now. Maybe because he saw how Kas can look at him. How expressive his eyes can get.

He holds them, the red shimmer a little dimmer out here in the brighter living room. 

And maybe it's the blankness in those eyes, or the lack of judgment in Kas's every action, but whatever it is, it makes Steve let go of the door and turn to face Kas properly. 

"Why'd you do it?"

The vampire inclines his head. Listening. Always listening. Steve doesn't know how he never noticed that. It seemed so primitive before. Like how a dog will react to its owner speaking, but never process the words. Kas processes, though. So Steve keeps going.

"Why'd you... You kept saying that word. Safe. Do you, uh. Do you know what it means?" 

Slowly, his eyes growing a little less blank, Kas nods. 

Steve looks around the cabin, swallowing thickly, still feeling so out of place in here, still feeling the need to run and leave it far behind. But something makes him stay. Makes him want to understand. 

"You wanted me to feel safe?" Again, Kas nods. "Why?" 

There is hesitation there, and Steve wonders if it's because he doesn't want to tell him, if he doesn't know the answer, or if he doesn't know how to answer. It's a loaded question, maybe. 

"Pain," he says at last, his voice barely discernible from a growl, but somehow Steve seems attuned to it now. Maybe because he listens now. Because he wants to know. To understand. 

He waits, watching as Kas struggles for more words once more. Just like last night. 

"Know... Know... pain. Know.” He taps his temple with a clawed hand, and Steve's heart falls, his chest aching with realisation. 

Right. He would. He would know pain like that. If what the doc says is right, if what Vecna taunted them with is right, if every working theory the kids have is right, then… yeah. Kas would know. He’s know something about pain. More than any of them. Pain so intense it splits you apart from yourself. 

"Shit," Steve whispers more to himself than to the room, crossing his arms in front of his chest to hug himself and keep from digging deeper, keep his heart from falling further, and keep the horror at bay. 

He doesn't want to imagine the kind of torture Kas went through. Is still going through, if what the doctors say has even more truth to it. If Munson is still in there, still suffering because human minds have a way of holding on to pain — Steve knows soemthing about that, too. 

"I'm sorry," he offers. It's all he can offer. In the end, it’s all that’s left.

And still it's so lame. It's not enough. 

But Kas just nods again, a pained shadow of a smile appearing on his face. Something transpires between them in that moment, Steve can feel it, but he can't really define it. Maybe some kind of understanding. Some kind of safety. 

"I gotta..." he starts, motioning to the door behind him. "I gotta go. Will you be fine? Did you have enough, y'know, to drink?" 

Another nod, and the smile widens a little. Looks a little less pained this time. 

"Good," Steve says, stuffing his hands into his pockets, lifting his shoulders to his ears, trying and failing to seem casual in the face of those glowing eyes. "I’ll– I'll see you around, yeah?" 

And then he's out the door, his head spinning and aching, his steps heavy with the weight of whatever has changed between him and Kas in the past twenty-four hours. 

... sooo. part 3 anyone?

🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid @hotluncheddie @gutterflower77 @auroraplume @steddieonbigboy @n0-1-important @stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround @pukner @i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic @bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi (lmk if you want on or off, for this story or permanently) 🤍 tagging for this work only: @forestnymph-666 @little-trash-ghost @jupitersgonemissing

[viridian-house]

I want so desperately to finish this one, but life has other plans for me this month. I learned a ton while working on it, so fingers crossed I can pick the momentum back up in the future

sakura, from my fic series the slug & the stars

[anachilles]

-> read here on AO3! <-

firefighter!bucky x bartender!buck AU

Gale works at the haunt of the local firefighters to put food on the table and a roof over his (and his cat’s) head while he studies for his doctorate.

Bucky’s ex-military, having enlisted to the Air Force straight out of high school, but is now a firefighter and dedicated patron of the station’s most beloved dive bar. Even more so when he meets who he’s convinced is the love of his life.

It becomes a running joke that Gale refuses to both A) wear a name tag and B) tell Bucky his name.

So obviously the only choice for Bucky is to flirt with him shamelessly and relentlessly every time he’s in the bar. Pulling his metaphorical pigtails and running away.

Also: “Well if you’re not gonna tell me your name, suppose we could just share mine.” And so, ‘Buck’ was born.

Even the other bartenders start calling him Buck. When they know his actual name!!

Becomes known around the station as Bucky’s teetotaller barmaid crush. Antics, mutual pining, and falling in love ensue.

Featuring:

Curt, Douglass, Demarco, Veal, and Hambone as fellow firefighters.

‘Chick’ Harding as Station Chief.

Crosby, Brady, Blakely, and Helen as fellow bar staff. Rosie’s also here, Buck’s good friend from college who comes and hangs out at the bar often to catch up and work on legal cases on the quiet nights, etc.

Jack Kidd as the bar manager. Of course.

[deeva-arud]

Ohh Playful Land Deeva save me

[profoundmakerdreamerss-blog]

Give me tomarry au where Tom is obsessed with the boy that saves him. It happens during summer of his second year, when the sky rain downs fire and when little Tom had no idea what was a happening.

It happens when the man with scar grabs him and apparates away to a place he remembers vividly. The cold, dark, and damp place where people were loud. And it was hard to breathe but the man held onto him. The man, who would later walk him back to his orphanage, who would tell him he is sorry.

The man who wore cracked glasses, the man who looked no older than fifteen himself — now that Tom looked at him properly. The boy whose clothes were larger than him — and the way he smiled at Tom (pained, and torn). Tom would remember him. Because how can someone forget those eyes. Those avada eyes that glowed as the sky rained down fire that drowned everything. The scar that looked like thunder.

Tom would remember him disappearing after delivering him to the orphanage. The person who saved him as little Tom nearly died because he didn't know bombs were coming, no one told him (he just returned from Hogwarts).

That day little Tom meets a boy no older than fifteen. That day, little Tom learns about shelters that he can go to and that he regrets not asking for the boy who save his life's name. That day Tom makes a decision that he would find him. Find the person with eyes like trapped thunder and brittle smiles. He would find him and not let him go. Even if it takes him a thousand years to do so.

[princessu-sumi]

surprise mistletoe 😘💕🌿😑💨

[muirmarie]

Me: I joke about writing the same McCoy centric story over and over again in different ways

Me: and like. I love doing it and imma keep doing it because it makes me happy.

Me: but also. I do sometimes wonder if it's like. A little Much.

Me: like maybe I should branch out or something

Me: [reads another fundamental and extremely insulting misread of McCoy's character by someone who is clearly making a Choice to cast McCoy as the villain, because they have to get him out of the way of spirk, because they're too???? idk immature??? to realize that even when you're in a relationship with one person, other ppl can and SHOULD still be important to you]

Me: lmao I hope I AM too much actually!!!! I hope it is 100% obnoxious how much I love that doctor!!!!! Time to write more versions of the same story of McCoy being forced to realize that he is loved and cared for!!!!!!

Me: I KNOW MY NICHE AND IMMA DIE IN THAT NICHE, THANKS

[pivsketch]

picked up stardew valley again, i havent played it since 2018(!) so theres a lot of new stuff to experience. heres some shanes i was fiddling with while taking a break from working on something else. id like to say thanks to my friend synth for valuable input during this process

and just because i happen to have a work-in-progress screencap on hand, heres what this looked like three hours previous lol:

[slushiebrain]

since i did traditional art last year and since i've started studying again and so have less free time, this year i'm doing pale gamkar week a little differently than my usual art (in the hopes it'll save me some time ; -- ;) i'm aiming for a little more cartoony and a whole lot sillier! i didn't have time to draw yesterday so today i'm posting both day 1 and day 2 of @pale-gamkar-week 2024 prompts: laughter and bath!

i might do full colours for these at some point but this is as good as it gets for now lol

[amiizuki]

it will be forever funny to me how the flashback portraits of Wittebrothers made Caleb seem like he's had packing peanuts for a brain

(this post ended up becoming quite lengthy, and so did the tags somehow, because I kinda devolved into a rant closer to the end of writing this whole thing, so bear with me here)

so we know that Philip and Caleb became orphans when both of them were still kids. after that, they ended up in Gravesfield and, to fit in with everyone else who lived there, picked up witch hunting and started thinking that witches are pure evil. Caleb knew perfectly well that he's the only family Philip's had left and that he even may be his his only friend, since, judging by the portraits, they've only ever hung out with each other and we don't know if those two ever made any other actual friends.

until one day, during a witch hunt he and Philip were both a part in (something Caleb seemed happy to do, judging by his smirk there), he met a witch – Evelyn – someone he's been taught to hate and want dead by the townsfolk. someone who, again, in his mind, should be evil.

but he just suddenly does a 180 and goes "damn, you can make fire with your hands, you're actually pretty cool"

and then a few days (?) of talking to her later, he's running off to live with her in the Demon Realm, while simultaneously not giving a single fuck about the brother he's abandoning.

(he even runs off with a smile, with a literal :D face, I fucking can't lmao)

Philip ends up seeing Caleb get dragged off through a weird portal and later follows along, thinking something like "no, my brother wouldn't just up and abandon me without saying anything. he probably got captured by that witch we saw together that one time! she probably used some demon magic to bewitch Caleb and took him through that portal to kill him or worse! I gotta go save him!". and, after spending god knows how long in that realm, searching endlessly for his missing older brother, he eventually finds him. but he also finds that Caleb is not only perfectly okay and not hurt in the slightest, he's also peacefully walking together with the same witch who "captured" him, even holding hands with her.

and when enraged Philip tries to attack Evelyn, to protect Caleb from the witch who took him from his home, from his brother, still thinking that Caleb's under her control, Caleb just... gives him a hug and goes on to introduce the witch as his new wife to him (I'm assuming that portrait is the same day as the other three, if not the same scene), also adding on top of that that they're having a child. all as if nothing happened. treating the whole thing like everything's perfectly okay and just another normal day, fully ignoring the fact that he threw his brother away with no care or thought, leaving him completely alone, a full orphan, now with zero actual family left (in TTT, during their backstory, it's said that "Caleb did his best to take care of his younger brother", meaning that either they never got adopted in Gravesfield, or whoever adopted them didn't give a shit about the two, so they still mostly had to fend for themselves), all to go smash some random 5 out of 10 witchussy he talked to, like, 3 times. no fucking wonder Philip killed him!

(btw, jokes aside, it didn't seem like he intended to kill Caleb, because in that portrait where he's ready to kill with a knife in his hand, he's facing forward, while Caleb is actually to his left. so it just looks to me like Philip was gonna try to kill Evelyn again, and Caleb either jumped in front of her to protect her and got accidentally stabbed or he attacked Philip back, to, again, protect Evelyn, and Philip ended up winning that fight. but that's just my theory)

my brother in literal christ and literal titan – why in the FUCK are you just hugging it out with a smile on your face??? you ran off while giving absolutely no warning to anyone, especially your younger brother! why do you think he's here and actively trying to attack you and your new wife? you're not even trying to address the fact that you left him! at least when Luz ran off to a different realm without warning, she had a "I'm still at the camp" cover, so Camila wouldn't worry that much about where her daughter is, and even then she still felt bad for leaving her mother and planned to go back home once summer was over. this chucklefuck, on the other hand, just permanently portaled away to the Boiling Isles, knocked up a witch and fully settled down there, walking around with a big ol' smile and no care in the world. "Philip who? never heard of him"

the only thing that would sorta make this situation seem better (as in, not make Caleb seem like an overly naive ignorant brick), in my opinion, is if they added one more portrait – after the one where he meets the witch, but before the one where he leaves. in that portrait, Caleb would look like he's trying his best to convince Philip that witches aren't actually evil, and perhaps even try to get him to go live with them in the Demon Realm, all the while Philip's looking at him with either disagreement/disappointment/disgust or just rolling his eyes and full on ignoring him, while sharpening his witch hunt tools or something. then it would look like Caleb at least tried to make his brother change his mind, like he tried to offer him a chance to go with them. but no. with the way the portraits look in the final version it just seems like Caleb was fully on-board with killing witches since he was young, even pulling his younger brother along to think the same way, Philip also thought that Caleb was perfectly fine with killing witches, but once he actually meets a real witch (assuming they've never met one before) he instantly pulls an uno reverse card and just runs off with her, without so much as telling his brother beforehand.

I'm not trying to say that "Belos should've been redeemed, because he's the victim here and Caleb is bad and it's all his fault". he still murdered his brother and went on to manipulate everyone on Boiling Isles for centuries, with his end goal being the death of all witches, while simultaneously being stuck in the loop of "denial" and "bargaining" stages of grief – repeatedly trying and failing to recreate a perfect copy of Caleb, but also killing each one that came out wrong or went against him. Belos not being redeemed in the end was the right choice (ignoring the "Belos was always le bad" from King's dad), I agree with that. frankly, if he actually got redeemed in the end, I'd probably be seething for the next 3 to 5 years, like how I did after the Diamonds' "redemptions" in SU (yes I'm still pissed about that lol). I'm just saying that, from what was shown to us, Caleb didn't seem like that good of a person either, not as bad as Belos ended up being, but still not that great. and, once again, seemingly had a raisin for a brain.

(off topic, but during Masha's retelling of Wittebane's backstory, their "sounds like big bro got a hot witch girlfriend and little bro got upset" line was so fucking cringe, it gave me a fever for 3 days the first time I watched the episode)

k, rant over, I dunno what else to add

TL;DR: I think Caleb was dumb as a brick, because, from what was shown to us in their backstory, he seemed to have run off to Demon Realm and abandon Philip without telling him anything beforehand. when Philip came to BI to look for his brother, who he assumed was under control of the witch who "took" him, since he thought his last living family member wouldn't just abandon him, and when he eventually found him, and it turned out he wasn't in any danger at all, Caleb just brushed the whole "I left you for witchussy" thing under the rug and pretended everything was and is perfectly fine, even though it clearly isn't. rip bozo

[deathbydyingpod]

The feeling of the first crunchy red leaf under your shoe?

Insurmountable Bliss.