HBO's Continued Insistence on Dumbing Down Westerosi Politics
So there have been countless thinkpieces already on how GOT simplified the feudalist politics of Westeros (by giving a lowborn sellsword lordship over The Reach, by having no consequences for destroying the Sept of Baelor, etc.), but I haven't seen a lot of people talking about that for House of the Dragon.
The worst being that the show presupposes that Rhaenyra is the lawful heir when the books showed there are plenty of lawful arguments why she wouldn't be.
Mind you that I've been enjoying the show a lot so far. This is just to vent out my frustration with the writers' failure to fully engage with the values and protocols of the Middle Age-inspired setting. The show seems uninterested in laws of the Realm in a story ostensibly about politics, save for when they're using it as an excuse to amplify depictions of sex and violence.
Blacks vs Greens wasn't a matter of misunderstanding of who each side thought Viserys wanted on the throne. It was the Targaryens' belief of their absolute authority clashing with the Realm's established traditions. Everyone always knew who Viserys chose as heir. In Fire and Blood, Grand Maester Orwyle said as much when he was parleying with Rhaenyra on behalf of the Greens.
Rhaenyra heard his terms in stony silence, then asked Orwyle if he remembered her father, King Viserys. "Of course, Your Grace," the maester answered. "Perhaps you can tell us who he named as his heir and successor," the queen said, her crown upon her head. "You, Your Grace," Orwyle replied. And Rhaenyra nodded and said, "With your own tongue you admit I am your lawful queen. Why do you serve my half-brother, the pretender?"
Munkun tells us that Orwyle gave a long and erudite reply, citing the Andal law and the Great Council of 101. Mushroom claims he stammered and voided his bladder. Whichever is true, his answer did not satisfy Princess Rhaenyra.
(For non-F&B readers: Munkun is the Grand Maester who served Aegon III, the king who came after this civil war. Munkun's book, The Dance of the Dragons, A True Telling, is one of Fire and Blood's source texts. Mushroom is the King Landing court jester from Viserys I to Aegon III's reign. One is a source written with academic rigor but is secondhand at best. The other is a firsthand eyewitness account but is from a literal fool who will take every chance to make things more scandalous and sexual to please the crowd.)
In House of the Dragon, they replaced Orwyle with Otto and Orwyle's discussion of legal precedent with Otto handing Rhaenyra a book page from Alicent. It's quite evident here that the writers, much like Mushroom, thought a discussion on the actual laws of the Realm were negligible in this story about a succession war.
Even Alicent made no pretense that Viserys chose Rhaenyra over her children and I have no idea why the HBO writers decided to make her mistakenly think otherwise. Maybe they thought a queen regent pushing her son to take the throne over another woman made her appear unsympathetic as a character, but if anything, this only makes show!Alicent less politically savvy and more delusional than her book counterpart, fully believing an addled king's vague muttering on his deathbed was sufficient grounds to change heirs last minute.
Book!Alicent following Andal laws instead of her husband's wishes makes sense given her Andal upbringing, her devotion to the Faith of the Seven which enforces said laws, and her desire to protect her children from Rhaenyra given that Rhaenyra has shown she's not above murdering family (see: Laenor).
In the books, there was a long discussion between the former king's council on who should succeed Viserys.
Here are the arguments for Rhaenyra:
Rhaenyra was older than her brothers and had more Targaryen blood
the late king had chosen her as his successor, that he had repeatedly refused to alter the succession despite the pleadings of Queen Alicent and her greens
hundreds of lords and landed knights had done obeisance to the princess in 105 AC, and sworn solemn oaths to defend her rights.
Here are the arguments for Aegon II:
many of the lords who had sworn to defend the succession of Princess Rhaenyra were long dead [...]
Ironrod, the master of laws, cited the Great Council of 101 and the Old King’s choice of Baelon rather than Rhaenys in 92
the hallowed Andal tradition wherein the rights of a trueborn son always came before the rights of a mere daughter
Ser Otto reminded them that Rhaenyra’s husband was none other than Prince Daemon, and “we all know that one’s nature. Make no mistake, should Rhaenyra ever sit the Iron Throne, it will be Lord Flea Bottom who rules us, a king consort as cruel and unforgiving as Maegor ever was [...]”
Should the princess reign [...] Jacaerys Velaryon would rule after her. “Seven save this realm if we seat a bastard on the Iron Throne.”
Once again, the show chose to cut out this long political discussion. Instead, the council had already made up their mind and decided to stage a coup (when in their perspectives from the books, it would definitely not be a coup).
For all their marketing how two sides are equally grey, HotD is actively delegitimizing Aegon II. The strongest argument for him is how his claim follows the laws of the Realm, but the show doesn't seem to care about the laws of the Realm or the political need to maintain a more predictable/tested transfer of power.
Instead, the show focuses on Viserys's relationship with his daughter and the mysticism of the Targaryen bloodline. In doing so, they emphasize Rhaenyra's strongest arguments for succession — that she's more of a Targaryen than her half-brother and that her father prefered her.
And what for? Because in our modern-day, we don't have male-prefered inheritance and people can only imagine misogyny as the only injustice here? What about the injustice of a monarch exercising absolute control, thinking that his "superior" heritage makes him above the established laws of the native people?
This is not to say Aegon II is unquestionably the heir. But this is to say that the show removed the political nuance of why people are questioning in the first place. Precedence isn't the end-all-be-all of succession, but neither is "because daddy said so".
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one of the things that really bothers me about modern franchises, and in particular over the last 5 years or so, is their refusal to commit. what i mean here when i say this is that it's not uncommon for a major franchise to make a decision, whether about the plot or the characters, that should have had huge, world-changing consequences... and then just never address that again or worse, immediately go back and undo it. and i'm gonna pick on star wars and the mcu here because those are the two big franchises i'm into at the moment (and i think they're kind of the worst at this), but i don't want you to walk away from this thinking that this is solely a disney thing. i've seen this happen with game of thrones and supernatural and plenty of other non-disney franchises. spoilers ahead, you've been warned:
in ant-man & the wasp quantumania, scott and hope make the life-altering decision to stay behind in the quantum realm and defeat kang instead of going through the portal to return to their world. this should have been a huge meta decision for the mcu, and when i first saw it in theaters, my immediate thought was wow, what is this going to mean for the mcu going forward? are we going to get a movie/miniseries about scott and hope helping to rebuild the quantum realm? how are cassie, janet, and hank going to react to the losses of their loved ones (in some cases, for the second time)? is cassie going to become the "first" young avenger because she has to take her father's place among the team lineup (and i only say first because as of this moment, none of the other young avengers introduced to the franchise are official avengers yet)? except nope, because less than 2 minutes later, cassie had fixed the portal that had broken way back at the beginning of the movie and brought scott and hope back.
and it felt like such a cheat. i was so disappointed in that theater, not as someone who was invested in these characters on a personal level (because yay, cassie gets her dad back!), but as someone who has spent years investing themselves in the story of the mcu. what was the point of wasting screentime on scott and hope accepting their new lives in the quantum realm if it was just going to immediately be undone? the entire scene could have been cut to scott and hope making it back bare seconds before the portal closed and it would have had the same emotional impact. there was nothing added by making scott and hope (and us) think that there was no way back only to rip the rug out from under us and go "gotcha! you really thought we were gonna give this movie a sad ending? haha! you're so dumb!"
and this isn't the first time the mcu has done this. one of the biggest complaints about endgame was the decision to set it five years in the future with no consideration for how that would actually change the setting of the mcu. characters were brought back to the exact place they disappeared from with no consideration for how things might have changed in the interim five years (like planes that weren't in the air anymore, buildings no longer standing, even just something as simple as a chair being unoccupied). and then the mcu didn't even really have the courage to address how this would have shaped the world other than a few jokes and making the bad guys in the falcon and the winter soldier people who cared about how the world had screwed them over during the blip.
and things like this happen over and over and over again. the accords are put into place in civil war, but by the time we get to she-hulk, they're gone with no explanation because, as best as i can tell, the writers didn't want to have to deal with the worldbuilding that went into the accords. gamora is killed in infinity war, but heaven forbid quill not have an emotional investment in a film he appears for maybe 10 minutes in so now she's back in endgame. steve got to go live in the past with his ex-girlfriend (which is in itself a refusal to commit after the mcu both gave her a different husband and had the woman herself tell him to move on) but we need to establish that messing with timelines is bad because that's what the entire next phase hinges on so actually his ending was predestined and it's only everyone else who can't change time. whoever took this entire town and also wanda hostage and forced them to live out a sitcom fantasy is bad and needs to be stopped but wait, it's actually wanda and she can't be the bad guy yet, we need her for doctor strange 2, so actually everyone's going to defend her now and say that no one else could ever possibly understand her grief. thor has decided to accept responsibility as king of asgard, but we can't use him for any more movies if he's stuck in asgard, so actually he's decided to pass it on to someone whose entire leadership capability is developed offscreen. i could list more examples but this is making me angry, so let's move on to star wars instead.
with star wars, i look at first the oft-quoted meme, "somehow palpatine has returned." yeah, i shouldn't really need to go into detail on how that counts as a refusal to commit but. the last jedi was a study in how johnson refused to commit to anything that abrams had laid down in the force awakens, but rise of skywalker was almost like abrams had looked at the franchise and said "screw you for taking it away from me, i'm going to come up with the most bullshit stuff just to spite you for doing that in the first place. and i'm going to start by undoing the most important plot point of the first trilogy: the emperor dies." and yeah, disney's kind of tried to salvage this by dropping hints into the bad batch and the mandalorian about cloning, but that only really works if you're watching the franchise chronologically and not considering that both of those series came out after rise of skywalker.
and then there's the mandalorian, my sweet summer child, who is, in my opinion, the worst at backtracking their plot points. i'm not entirely convinced that any of the higher ups for this show really knew what they were doing when they started working on it and i'm not convinced that they know what they're doing now. yeah, there's the tie-in to the last season of clone wars, but the mandalorian has managed to walk back pretty much every single major plot point it's had. din is this legendary warrior who can't be beat, but no one will watch this show if he defeats everyone too early, so he's constantly getting beat up (tbf, sometimes some of the fights he loses makes sense like the krayt dragon and the mudhorn, but a lot of them don't. at all). moff gideon is dead, no wait no he's not, now he's imprisoned, no wait no he's not, now he's definitely dead, you can totally believe us this time guys. grogu can use the force and must be placed with the jedi, but wait, the only person still actively teaching the way of the jedi is luke and all of his students will be brutally murdered ten years from now, and we can't have that, everyone will be mad at us for killing off such a cute character and no one will buy baby yoda dolls (and also we have to set up luke's character degradation from hopeful, believes-in-love cinnamon roll to "i'm going to kill my nephew") so in between seasons let's have grogu decide to go back to din (and don't even get me started on how frustrating it is that a casual mandalorian watcher also had to watch book of boba fett to understand why grogu is back). din has the darksaber now which makes him king of mandalore, that's totally going to be important and what the entire series has been building up to, right? wrong! he might have spent the first two seasons making connections, learning about the world outside his sheltered upbringing, and demonstrating the various qualities that would make for a good leader, but the entire third season will be about din realizing that actually he's super unworthy and the darksaber should actually go to someone who... saw an animal in the water.
and it's really, really frustrating as a viewer! because how am i supposed to get invested in any of these plot decisions when they almost always get reversed? why should i care that mj and ned have forgotten peter when ant-man 3 has shown me that they'll remember him the next time they're all on screen together? why should i care that tech is dead when half of the last season of clone wars was about how echo was actually alive? if none of these decisions have any permanence, then where are the emotional stakes? why should i watch your movie if all you're going to tell me is that nothing matters?
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Ready To Comply
The Winter Soldier's last mission. | slight Stucky vibes but mostly fighting the conditioning.
Longing - Kurt Uenala / Rusted - Kayak Jones / Seventeen - Sir Chloe / Daybreak - Pallbearer / Furnace - Martin Stig Andersen / Nine - Sleeping At Last / Benign - With Teeth / Homecoming - Chris Linton / One - Harry Nilsson / Freight Train - Sara Jackson-Holman // The Winter Soldier - Henry Jackman //// Not Human - elegant slims / Poor Isaac - The Airborne Toxic Event / Lose Your Soul - Dead Man's Bones / Dead In This House - IAMX / Bullet Proof.. I Wish I Was - S. Carey / Splintered - Aisha Badru / Killer - The Hoosiers / Kitchen Fork - Jack Conte / Where Is My Mind - Safari Riot / Expectations - Sir Sly / empty crown - YAS / the Simplest Words - The Narcissist Cookbook / Asleep (Acoustic) - Sleeping At Last / Superhero - Johnny Hollow / Woke Up A Rebel - Reuben And The Dark / Fallin Infinite - Black Math / Elsa's Song - The Amazing Devil / Bullet With Butterfly Wings - Karen O / Bioluminescent - Softwire / I am the Antichrist to You - Kishi Bashi /Souls on Fire - Mad Gallica / железо поёт - Flёur / Older - Autoheart / Real Pain - Indigo De Souza / Human - Daughter //// Farewell To Bucky - Alan Silvestri // End - Hayden Calnin / Of - Nrthrn / The Line - Aure
I couldn't find a playlist that used the Winter Soldier's activation code so I simply made one.
Working in these restraints was actually very fun and I have to say, I'm incredibly proud of this one. I feel like all the songs I picked for his words work both musically and lyrically and the order of the other ones was picked very deliberately as well. Normally this kind of rant goes in the tags but I wanted to include it here to ask that if you ever listen to a playlist of mine from start to finish, make it this one :D
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Taglist: @gottawhump @painsandconfusion @bright-whump @whumpwillow @dont-touch-my-soup @mostlydeadallday @kim-poce @lonesome--hunter @getyourwhumphere @not-your-housekeeper98 @yesthisiswhump @waitingforrescue @i-can-even-burn-salad @lazy8whump @painful-pooch (If you want to be taken off or included for coming playlists, please let me know!)
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