#irulan imagine

[controld3vil]

sand walking?

pairing(s): dune 2 cast x actor!reader (platonic!!)

synopsis: requested by this ask!

⤷ alt: how to seduce someone walking on sand.

notes: there hasn't been confirmed for dune 3 yet but denise villeneuve has said he's writing for it to happen. ill patiently wait for the day it's confirmed :) ALSO there are fictional/made-up mentions of the novel for the sake of the reader. they're made to be gender-neutral!! and this includes platonic flirting between cast members. i MAY have gotten carried lmaoo

“I mean- what do you think of the character? Do you think they deserved more screen time?” The clip starts off with you comfortably conversing with the interviewer. To say you weren’t deflecting their curiosity. In actuality, you were eager to learn what others thought about your performance and take on the character. The only other interpretation had on-screen was from the classic 1984 film by David Lynch.

The clip that has been widely retweeted back is of a cute moment you had from the first film of Dune (2021). Before release, little was known about your character’s potential. Apart from the enthusiastic book lovers, film viewers were clueless about what role your character would play after the first movie.

Denise Villeneuve didn’t reveal much to you in person. He wanted to keep ideas confidential until he was 100% on board making the project come to life. Still, rumors sparked through speculation and interviews with the cast members of Dune. Including an infamous short, that you forgot about, of yourself boasting about your hopes and wishes for your character.

“Yes! How could we not!” On the opposite side, the interviewer exclaimed as they leaned forward from their chair, closing into your proximity. Their hands clenched, tightening their grip on the flash card, full of questions. “The movie left us on such a cliffhanger. I think everyone would want to know what happened to Nerre,”

“That’s for Denise to decide,” Nodding you gave a relaxed smile while lifting one leg over the other. Your shoulders relaxed, feeling content and ecstatic about their response. “I can’t confirm anything until he gives me the green light to say anything,”

“I’ve also talked to Timothée this morning,” A shift in gears as the journalist flipped over another flashcard. You two had just fussed about the finale and its dramatic cliffhanger. “And all he had to say were the sweetest things about you,” At the mention of your costar compliments, you felt your skin heat up. Your eyes soften, expressing only fondness for the lovely message. A soft awh escaped your breath. “He’s very sweet. Timothee's always been fun to be around.” A fervent chuckle from the interviewer sends them into a feverish excitement. “And- he said- you had great flirting skills!” It was then your face morphed into complete shock and giddiness . “Really?!” The camera pans up on your initial reaction, eyes popping out in surprise and a bubbling laugh slowly erupting. “I’m glad someone appreciates my talents!”

Without context, the short clip seemed harmless. Your sheer reaction to Timothee's comment emphasized the fun chemistry the two of you had on set. Mirroring much of Paul and Nerre's friendship, you both complimented each other well in the first film, being the youngest surrounded by well-renowned actors. But the reason for the recent spike of interest was partially from Dune: Part Two and their interviews.

Fast forward to the debut of Dune: Part Two, it made success at the box office. Even surpassing the first film altogether. The entire cast of Dune was proud of the work they've made. The introduction of new characters played by wonderful actors and actresses all around.

Weeks after the early IMAX screenings, press interviews were being published amongst of the young cast members. A particular interview by IGV Presents brings together Timothee Chalamet, Zendaya, Florence Pugh, Austin Butler, and yourself.

This would be considered to be one of your first interviews with the Dune cast after the box office release. You felt nervous yet overjoyed at the same time to be meeting your co-actors again after the conclusion of filming had taken place.

The spokesperson of IGV, Simon Harkness starts off the interview strong with a pleasant greeting. "Congratulations on an incredible movie. Uhm it is the definition of a sci-fi blockbuster and is absolutely phenomenal, so huge congratulations to you all!"

"Thank you!" The five of you all politely cherish his kind words.

"It's so lovely to talk to you. Um- Timothee, Zendaya, I'm going to start with you. This is probably the hardest question I've ever asked in an interview so you've been warned." An endearing giggle can be seen from Zendaya before allowing him to continue. "Sand walking, who does it better?"

Timothee immediately lifts up his microphone. "I'm going to give it to Zendaya here." Without glancing at her, you could tell Zendaya was happily smiling at his compliments. How quick he was to answer made it seem how well connected the cast was even given the amount of time spent together. The main lead continues very swiftly, diving more into how cinematic the shot was from an outside perspective, "I think it's the most- one of the most cinematic shots in the movie and she really has it very precisely down but it's the nature of the movie too that she's supposed to be better than Paul,"

"Is that what it is?" In return, Zendaya who sat next to him gave him a teasing look.

Quietly from afar where you sat, next to Austin Butler, you whispered. "He acted like he couldn't do it but," Soft snickering can be heard across the room.

"In fairness to me, I was going 65%- 65 to 70 too hard," Chalamet reasons justly as he glances in your direction before looking back to the interviewer.

"You dumbed it down," Harkness nods in a high-spirited manner. Right after, Timothee reluctantly agrees, keeping the mood light-hearted.

"I had to!"

"Just how committed you are!" Austin steps in, joining in on the joke.

"Zendaya, you can take that crown. I love that," The brown-haired man reassures as she recuperates with appreciative laughter. In truth, it was a beautiful scene between Paul and Chani you were lucky enough to witness behind the camera. And contrary to their light banter, you thought both actors did well at accomplishing what it was meant sand walk. Truthfully you had no scenes beyond walking through the desert but understanding the mechanics and traditions of the Fremen was as fascinating as it was watching it up close.

Suddenly it was Florence's turn to speak, "Zendaya taught me the other day and I had to just stop to stare at her feet."

"The swoopy swoop?" You asked in a cutesy tone, with furrowed eyebrows. You couldn't help but remember the few instances you witnessed your costars practice the sand walk to be one of the more adorable rehearsals you've seen on the sand.

"Yeah, her feet were so pretty! She was doing the swoopy swoops," The blonde acknowledges, waving her hands in a zig-zag pattern. As the replication of water and how her feet moved.

The interviewer's eyes light up, "Honestly I tried to swoopy swoop at home- um because we have a carpet in the bedroom."

"How did it go?" The mixed actress puts forward.

"Awful!" An assembly of bewilderment is seen between Zendaya and Florence as they quickly question why. However, they reassure him in the end that they would practice together in hopes of him archiving the sand walk.

Talks with simple questions went down the row. Florence discusses her experience from her beginnings, starring in Little Women, comparing those scenes in terms of royalty to Dune. In both films, she's worked with well-known actors and now Christopher Walken as the emperor and her father. She raves about how it was a dream come true. A dream she had when she was little. From this experience, Florence emphasizes the concept of learning and observing her fellow actors.

Another intriguing topic follows Austin for his experience between learning choreography fighting and Elvis's iconic rubber legs. In a sense, as you leaned forward on one of your seats, you became fascinated by the Elvis actor's comparison of it all. While Elvis's moves were televised and had to be precise for the camera, being a Harkonnens gave him more leverage in the freedom to move. It was a captivating question that you couldn't help but want to listen to more.

Comparisons aside, you didn't have much to note for your upcoming question. Which is exactly why you felt unprepared for what he was going to ask.

Harkness brings up your name for the finale. "You have done stunt work before. For the first and now second film, I've heard you compared it to rather- dancing. Is that what you think your relationship with the choreography has been?"

You gave a content hum, "You see it with the Fremen or Harkonnens right? Everyone moves so differently and for the course for me, I've had to adjust my choreo little by little. And I think that analogy you mentioned really does relate back to dancing. I don't know if it's because I was once a dancer or that I'm a visual learner," You shrug your shoulders, "But I see the choreography as a dance routine. You're moving alongside people, doing hits and jabs. Both are very hands-on so I would like to approach it as something I can always work on." Satisfied with your answer, you clapped your hands together.

"Kind of like sand walking no?" It was then that Zendaya swerved counterclockwise to face you.

Bringing back the conversation they had in the beginning about sand walking, your eyes instantly brighten. "Exactly like that!"

"I feel like you would be great at sand walking," Florence puffs, mindlessly shaking her microphone back and forth. "You- You already got the moves." Even Timothee came into agreement, humming and commenting you worked well with the choreography.

Austin Butler raises his microphone. "I think you gotta learn with me because I don't think I could,"

"Nonsense!" You give him a silly glare. "If you can do a killer rubber leg, I think you can sand walk." Florence and Zendaya both mumble their support and your male costar leans to have his arm around the back of your chair, warmly.

"Is that an open invitation I see?" The spokesperson, Harkness giggly pokes at than the rest of the cast turns to look at you. Your scowl morphs into an innocent one.

"Hm?" As you squint your eyes in hesitation.

"I feel like you could have the potential to sand walk but just with the right partner," Timothee chimes in, spreading his arms over his chair as well. Your brows furrowed accusingly, as if wanting to clarify what he meant by his comment.

And the French actor gives you a look, one you became so sure of. "Mm right!" A slight eruption of laughs before you straightened your back with proper posture. "With just the right partner,"

There were also hints mentioned in your interview with Timothee surprisingly not. This was one of the more recent ones to be published, as you finally were able to pair up with your favorite co-star (besides Brolin) from the first film. The two of you had strong chemistry despite having less screen time together in the second film.

The beginning of the video cuts to a clip of you answering an innocent question. "What I think about every day, is Timothee going to send to me a meme today? Uh, I hope so!" You give a sarcastic look to your seat partner as he latently laughs in front of you. "Or when is he going to text me you know?"

It then transitions to an interviewer from Heart commercial radio as he shouts out your names. "How are you both?"

"I'm doing good!"

"Going great!"

The radio show was more relaxed than you would've expected as the spokesperson was very down to the earth with his conversation starters and contagious warmth. Timothee was able to catch up with him from his last interview when he premiered his Wonka film. Eventually, the interview became more casual discussing working together, cooking, and trendy topics.

Timothee and you both went back and forth on favorite memories you had of the first film. And talking about the new cast members and new elements it had brought to the table for the film itself.

"Cool new characters this time," As you played around with the fuzzy microphone the camera crew gave to you.

"Yup lots of new people to meet," Timothee adds on, nodding.

The interviewer proceeds with the question, "And also you have seen- there's a clip about of you running around actually." He signals to you, "Of your reaction to something Timothee said about your performance in the first film,"

"Oh! I've seen it," Almost instinctively, your co-star raises his hand. "I was supposed to send it to you but I forgot." As he turns, to finds you looking lost at the topic at hand.

"Really what was it?" You almost looked concerned, seeing how you didn't understand what they meant.

Luckily for you, the Heart radio spokesperson managed to get a hold of the video from his phone, "It was a little callback of Timothee raving about your flirting skills."

As it plays, the camera zooms in on you and your co-actors reaction. The French actor couldn't help but look slightly embarrassed but smitten when the timing of your reaction came on screen. While you held an intrigued stance, arms crossed and a content grin.

"I am pretty good at flirting,"

"You really are, huh." At the same time, you both turn to make eye contact.

"I also heard Tim- that you thought that they would be your love interest initially?" At the radio speaker's inquiry, you couldn't help but in mid-sentence, finally, swerve your head suddenly.

"Yeah well, fun fact actually," The male actor tries to reason, sitting up. "In the novels, Paul and Nerre almost did become a couple!"

It was a well-known fact of that in the first novel, there had been slight changes to the story. Initially, it was said that the author, Frank Herbert had planned for Paul and Nerre, the character you played to have a romantic connection after the fall of House Atreides. Nevertheless, it was later scrapped for another plot, that of instead having Chani as the love interest. But even decades later after the novel’s release, it was something fans still fuss about.

"Oh, I heard about that!" Almost in awe, you nodded, your attention fully on Chalamet, wondering how far he was willing to go beyond spoilers.

"Do you think Nerre would ever meet someone then?" The afro man questions, adjusting his microphone. "Since- Paul has Chani, I feel like if we ever get a potential third film, that could open some doors!"

"If a third film could happen," You start, fiddling with the lining of the mic cover, "I hope so! I mean I got the moves, I got the skills!"

"Keep practicing your sand walk and we'll see," Timothee cutely chimes as you proceed to blow a raspberry at him. Only for him to lightly swat you away.

Despite your failures to have scenes of sand walking, your cast of a crew were more than happy to show you. Javier Bardem and Jessica Ferguson were quite supportive in your interest for something you did not have any part-time. A few behind the scene videos show the actor demonstrating from afar the slower version of the walk.

Though your back was facing the camera, viewers would pick up and recognize it to be you. Jessica as well was off to the side, in her luminescent costume of a million robes, clapping from side to side.

Another later pans to you taking long strides across the sand in the background. In front of the camera are Josh Brolin and Javier having their turn in the video, to discuss their relationship and the previous they have worked on together. However, viewers couldn't help but pinpoint your figure alongside the frame trying to master the patterns of what Javier taught you from the previous clip.

[alavestineneas]

i can feel the soil falling over my head; no people are here, just the void in my chest

pairing: Feyd-Rautha Harkonnen x fem!reader summary: Harkonnen men rarely wed; they just take what they capture—men and women—and turn them into slaves. Some, if particularly sweet, are reserved for fucking. There are no special songs for that; there isn't a specific word in their native tongue for wife, either. warnings: mentions of death, violence, implied/referenced child abuse, religious symbolism, daddy and sister issues, bald men chapter 1 - chapter 2 word count: 6,5K

author's note: hi beautiful people! this chapter may be classified as a prologue (yes, I am aware of its size, sorry, lol), but it is still integral to the story. we love evil people, especially evil bald people, in this house, so have fun and don't forget to wash your hands before reading! also, if you see things that are not canon, just know that me and the books are two parallel lines and we do not cross. feel free to point out grammar mistakes, though - english is not my first. love you!

Kaitain, 10176 AG

The violent streaks of light fight with the heavy cloth of drapes to find their way into the small, stifling chambers. The time was slowly crawling towards noon in the heavy summer heat, and the woman lying on the heavily decorated sheets was battling to get a breath in. Whether because of the annoying star, or the poisoning waiting, the patterns of sweat stained her tired face with esculent ornaments. Her lips, formed into a thin line, gleamed with small spots of dried crimson.

''Where is the messenger?'' The woman's voice was barely above a whisper, her eyes glued to the dancing light filtering through the window. ''The girl is strong; I can't hold her for much longer.''

The black figure on the chair in the corner slightly shifted at words. She was veiled, despite the heat—like a black hole, she seemed to suck the little air left. ''Forbearance,'' her raspy voice cuts through the room. ''The child makes you impatient. Control yourself.''

''I've waited, and waited long enough,'' the woman snapped, her frustration evident in her trembling hands. ''A few more minutes and all that is left of her will be a corpse.''

''Be quiet, Echidna. The child will live. If not, she was never meant to be part of our world in the first place.''

The woman clenched her jaw in a wave of pain and nodded. The girl ought to see the light of this planet today. Deep in her thoughts, she almost missed the rushed steps behind the door.

One of the Emperor's guards burst into the room, his eyes almost frantic. ''Lady Anirul has graced the Imperium with a daughter.''

Echidna smiled in relief, but her expression quickly changed as a beast-like cry pierced the air. The child was coming, with little care for the damage it caused to her aching womb. She tore the tissue down to the individual cells, gnawing her way with fists and elbows, moving the bones aside with brute force. Soon, her own cries were answered by much louder ones, as the head of the girl showed itself, covered in a thick layer of almost black blood. Just for a moment, the woman wished it would not steal another breath from the room, but she sharply composed herself. With a final push, the child left her body forever, leaving it a raw wound.

The small creature shrieked when the black figure approached, and slender, wrinkled arms took it from the warmth of rufous-red liquid. Echidna watched as the figure carried the girl away, resting her hurting body against the soaked pillows. She fulfilled her duty; she granted Bene   Gesserit the daughter they wanted. She is bleeding under a beautiful sun; she is holding the ghost of her child in her arms—the real one was never hers anyway. Echidna knows the Emperor will not come. From now on, it is just her and her never-passing pain. Thus, Kaitain, home to the Corrino dynasty, was warmed by the light of a new sun—Princess Irulan, an heiress to the Imperium—and chilled by the shadow of her sister, born a few minutes later.

-

The calmness of the gardens was disturbed only by the soft strokes of brushes against a thick canvas. YN sighed, her eyes still fixed on the tree nearby, its young branches swaying with the wind. Her body ached from stillness, the tension in her neck from holding her head slightly bowed spreading down to her small back. They posed for a portrait of what seemed like an eternity to a child, and was almost it to an adult who dared to inquire; the painter, while satisfied with the draft, looked at the group of young girls almost in fear—no normal child of that age would be unmoving for three hours. And yet, they were.

YN felt one of her sisters shift even through the thick fabric of her silver dress. Small Chalice turned, her cheeks red from the heat or tiredness, her lips forming a pout—the child was tired, sleepingly rubbing her eyes. YN thought for a moment, debating if the punishment would be worth it, or if her sisters could wait just a little bit more until the man with colours would end the session for today. She noticed how Irulan's face was starting to droop, her eyes fluttering closed and opening just a second later. Their youngest, Wensicia, was already asleep in Irulan's arms; her golden hair spread across her and YN's laps as a beautiful cover, shining under the faint sun.

''I am tired, Master Chen. We should end the painting for today,'' YN finally spoke; her voice was almost a whisper. She did not know whether it was not to awaken her sister or out of fear of the Emperor's anger; it did not matter. The man nodded and left, taking his canvases with him, leaving only a few drafts behind. Then, the sisters were left alone in the garden.

''Thank you,'' Irulan said softly, placing her head on YN's shoulder.

YN only nodded. Her eyes found the paper not so far away, her gaze studying the strokes of the pencil with interest. Wensicia, a beautiful girl of two, was smiling brightly, holding an olive branch in her chubby hands, her small feet peeking under the hem of her white dress. Small Chalice was at the opposite end of her, her curly hair surrounding her head like a halo as she leaned forward, holding a small dove inside her palms. Then, sitting at the bench, surrounded by lush greenery and bushes, they. Irulan and the Other.

YN was placed just a step away from her older sister, her head turned away from the gaze of the viewer. The delicate folds of her silver dress carefully cascaded down, creating an air of mist around them. Her hands were empty; she did not know if the artist hadn't decided with each object to grace her with, or left them hollow intently. She looked like a shadow—a ghost, maybe; her eyes were escaping the viewer as if hiding a secret.

Irulan was different. She was a sun-kissed creature, her head facing straight ahead. Her eyes, as if inviting for a challenge, were made from duty, steel. With a burning star on her regal forehead, crowning the streaks of golden hair, Irulan was water and air, dulcet and ever-bending; her figure held the place and her pose was distinct and commanding.

YN looked at the girl beside her, who was now quiet nearby. Irualn was wise, the wisest of the sisters; her eyes were all-seeing, her heart all-knowing. She was created in the shape of a mother since they could walk, and the small ones bathed in her light, drinking her till the last drop —like flowers following the warm embrace of the sun. The only one who could not enjoy the love was her, the Other. The other sister, the other half. For they have been too close in age, too similar to let each other pretend the burden was not a heavy one to bear.

When Irulan was natural in her all-caring shape, YN had to claw her way to the only role left—the father. An unbent tree, a silent soldier—she was not born to fit as one, but wishing for a different order of things was almost blasphemy. That's how it always was with them—out of two, one was the protector, the other - the protected. "Husband," Irulan humorously called her often. She smiled, and, for a moment, the wave of resentment in YN's soul calmed. She never called her wife in return: Irulan was too whole to be one, too proud to be moulded into. She stood alone, on a higher pedestal than all of them, closest to the Emperor, whom the Other was to call father, and closest to the Truth. No, Irulan was God.

God does not know how to love someone who is not his servant, because there is no one who would refuse to serve him; it is the only way. God guides, despite all one's protests. God gives, and God takes. God demands; Irulan demands—silent obedience without a need to explain or answer. That, she takes from their father. So, the Other takes a blade into her hand without compassion for her dead wishes and learns to wield it in God's name. She is the one little ones turn to when the world is too wicked for their fragile souls when the creatures under their beds lose all of their human form and turn violent. She takes their sins and bears the punishments, for they are not deserving of such cruelty. YN thinks not of her own guilt—what difference would one scourage make to one who counts in centuries? And when the sun shone, and God smiled, the Other almost forgot of the bruises she carried.

-

The first time he saw her, it was not supposed to happen at all. Feyd-Rautha just closed the door to Maester's chambers with such force that it shook against lean walls; the grumble echoed in the long corridors of Giedi Prime's fortness. The ache in his body was muted, but still present; the torn flesh inside his heart howled and clawed, slicing the ribcage in half. He would've screamed, or perhaps beat his hands bloody against the concrete until the dull pain turned into something as sharp as his knife's blade. Maybe he would've drowned himself in a small water bowl by his nightstand and done anything to escape the shame and humiliation that consumed him from within. But instead, Feyd-Rautha stood still, his jaw clenched tight and his breathing shallow. One day, it will pass. One day, he will see the world choke on its own spit.

That's when he noticed a small, shadow-like figure at the end of the hallway staring at him. A girl, not older than him, was in a dress so foreign to him that it hurt his eyes. The daughter of the Emperor, he guessed. One of many—only then would the golden stitching on her sleeve would make sense.

''What are you doing here?'' he barked, caring little for the common courtesy. Of course, she was a guest almost as prized as her father, but she was in his territory and dared to look at him for long enough without averting her eyes. Long enough to notice the bruising on his pale skin and a swelness surrounding his lips. Long enough to hear him cry.

''I was walking with my mother, but then I turned into the wrong hall,'' she shrugged. ''Will you be kind enough to show me the way out? Or should I find it myself?"

Feyd-Rautha ignored her question. What a weird creature she was—with cascades of hair and eyes that seemed to see too much. ''It is dangerous to walk these halls without guard, Princess.'' It is dangerous to be here, alone with him and the weapon strapped to his hip, but he did not add it.

''There is no use of guards if the one who wishes to kill you is their master.'' The girl took a step forward, pointing to the weapon at his side. "I am not afraid."

Feyd-Rautha laughed. It came out more as howling than human sounds, the abrupt nature of it ringing with high notes, tip-toeing down to hysterical; it sounded creaky, like his throat was not made for such sounds; yet here he was, laughing. ''Come,'' he gestured to her, his hand moving quickly, like ordering a slave around. ''I will show you why you should be.''

So, they walked. Inside the grandiose chambers and small rooms, filled with ancient artefacts or the newest technology Harkonnens came up with; inside the green lavish garden inside the dim castle and the training grounds, Feyd-Rautha showed every place that was built to display the greatness of his house and bestone fear inside both guests and people inhibiting it. He wanted to see the horror in the girl's eyes, to make her eyes water and her frame flee. Instead, he listened to her steady breathing just a step behind him, her curious questioning satisfying another need he did not know his heart possessed: reverence.

He was the youngest member of the ruling line, the smallest stone in the castle of power his uncle had built. His title meant nothing within these walls; he was too small in comparison to the Baron and his authority. Feyd-Rautha was feared, despite only being nine; he was the shadow in the corner that grew longer as the sun set, the whispered name that sent shivers down spines. But here, in the hallway he led the girl into, he turned out to be something else.

''Stunning,'' the girl whispered beside him.

Weapons. The walls, from the floor to the high ceilings, were covered in ritual and fighting blades. The pride of house Harkonnen, the tree of their dynasty, black, silver, golden, and steel knives, swords, and daggers gleamed in the dim light. Feyd-Rautha smiled, revealing a row of sharp teeth. "Welcome to our burial ground."

They stopped near every one, his voice briefly covering the story of each blade and his owner; barons that came before him; fighters and rules that defined their legacy. Some still have blood on them—the highest honour; some look almost virgin. The small signs underneath them tell the names of people who wielded these weapons, their stories forever immortalised in the cold metal. ''Each Harkonnen ruler is crafted a blade of his own, the one he is to honour in battle.''

The girl nodded, her fingers tracing the shape of the last blade carefully. Her palms danced around the sharp edge, taking in the ancient symbols she had no chance of knowing. ''Will you have to kill Baron Vladimir in order to have one, like he did with his father before?''

Feyd-Rautha paused. Of course, he has thought about it before. The idea he repeated like a mantra in his head for all of his short life, the belief that spread burning flames down his spine. The words left his mouth for the first time but felt almost natural against his cracked lips. ''I dream of the day I have the chance to.''

The pair of foreign eyes that stared back at him held a glint of intrigue that quickly changed with a flash of acknowledgement. Feyd-Rautha held the gaze; not a single thing about it was hard. Still, he was the first to turn away; the burning sensation of being  seen  made him want to tear his flesh apart. ''Let me escort you to your rooms, Princess. The walls grow colder as the evening approaches.''

-

The weather on the planet leaves too few guards out of their breath, Irulan notes. The striking sun burns through the rounded windows of man-built walls, the frankly depressing landscape of huge boxes constructed with little intent for anything else but utilitarianism. She must not fear, while those lands will also be under her power with time, but the dreadful atmosphere of the lonely planet makes her skin break out in hives.

She believes the people here are more terrifying. White, hairless creatures with eyes as dark as the sun above them speak with just nods and courseys, paying little to no attention to the world around them, save for the concrete floors.  ''Tell them to set themselves on fire, and they will,''  Irulan recalls Baron Vladimir telling her father over the banquet. She believed it to be a simple boast at first, but now, after a few days in the strange world, the words make greater sense.

Perhaps, the harsh weather made people here hardened. Perhaps, such cruelty is necessary for survival. What terrorised her more was her sister—the one who now silently reads nearby, her long dress carelessly spread on the floor. Irulan would never allow her dress to wrinkle before the concluding dinner, but she is not Irulan. Despite them being demisisters, they shared fewer similarities than one could guess. Two lambs, as many in court would call them—the white and black ones. They knew one another better than anything else; where one went, the other followed. Where Irulan failed, her sister succeeded. What was allowed for her sister, was fobility towards Irulan. No one was embedded in their small circle; no one could get close enough to understand the bond they shared—together, they were whole.

Yet as they grew older, the bond seemed to thin. The path to the mind of her sister was more often closed to her now, her thoughts veiled by the silence rooted deep into her veins. Irulan knows they are just growing up, trying to find their path in the unknown. But she is scared; what would be of her without her sister? What use would the river have without fish to fill it?

''I shall go,'' her sister says, closing the book. ''The dinner starts soon, and I wanted to return the book before it.''

''Is it the one Na-Baron recommended?'' Irulan voices. Truth be told, she would never touch anything that Baron or his family possessed, even more recommended, but her sister seemed to enjoy the ancient text.

''It is. Rather interesting are the traditions of these people. Did you know their slaves have no tongues?''

Irulan feels sick to her stomach; the thought of having slaves brings the small bits of her recent meal to her very present tongue. ''Can I come with you?'' she asks, instead of answering. Irulan does not want to leave the faint safety of her rooms, but even more, she does not want to be left alone. She feels vulnerable—she is not of power here, despite being the embodiment of it in all of the other corners of the Imperium.

''You know I walk without guards.''

Irulan knows. While she is not able as much as bathe without the presence of someone with fighting knowledge, the rules do not seem to apply to her younger sister; she can move freely, as she wishes. Was it because she carried a thin blade with her and knew how to use it, or because of the lack of care from their father? Irulan was not sure. What she was sure of, was that no woman of twelve should leave her sister alone in the halls of Harkonnens' fort.

''It is just to the reading room and back, is it not?''

''Yes,'' her sister nods.  ''I'll take you,''  it means.

So, they walk. Fortunately, the guards usually waiting outside are nowhere to be found, and they manage to slip away unnoticed. Irulan holds the hand of her sister tightly, with each noise from the outside digging her nails deeper into her soft palm. Her sister says nothing; she steps calmly into the labyrinth of corridors, navigating them without much evident trouble. Soon, they find themselves in front of a huge black door, incarnated with words Irulan hold no knowledge of.

Inside, the chamber is massive; it forms a beautiful, round circle with ceilings so high that the air in it is always chilly. Rows of books and manuscripts fill the shelves out of oxidant, contrasting starkly with the white wall. The black circle table of cold stone is filled with replicas and ancient artefacts, each emitting a soft glow.

Who knew the small, desert planet held such treasures inside? Irulan forgets about her sister entirely—the texts call to her, golden lettering shining under the light. Irulan follows the names on the covers: legends, myths, histories, and art overviews. Some even contained gardening and soil research; Baron likely held those for a good laugh.

Irulan travels deeper and deeper until the voice of her sister addressing the only library keeper almost disappears, consumed by tall bookcases. The section she finds herself in is solely dedicated to martial arts; where, if not here, would the hundreds of books on such a topic be stored? Some of them are used; the spines are slightly older; others look brand new.

Irulan is brought to her senses only when she notices a black figure moving in the corner of her vision. She puts the book back and Listens. Just like the Sisters taught her, her inner ear picks up the faint voice of her sister, and the moving of two sandaled feet—the slave handling the books. She feels something else, too. A presence familiar enough to recognise but not enough to name.

''We have to go,'' she says, grabbing her sister by the shoulder and pressing. ''We will be late,'' she explains to the slave. Not that it would question the whims of the princess.

''Why?'' her sister turns to her, confused. ''I was looking at some other books. Weren't you also?''

''Please,'' Irulan whispers. ''We spent enough time here as it is.''

Just as her sister was about to answer, the atmosphere shifted. The air, sitting in its calmness, heavied. The silent before slave turned on its feet, its eyes burning holes in Irulan's body. It lurches towards them, opening its obsidian mouth to show the blackened void inside—indeed, it possesses no tongue.

Irulan freezes. The void seems to suck her in, the sharp mouth growing wider as its owner approaches her body. The fear paralyses her, planting her otherwise quick feet deep into the ground. Now, her training as Bene Gesserit should awaken—she should oppose, or at the very least dodge, the attack. But the black mouth continues to draw her in, clouding her thoughts with terror.

The body beside her shifts; her sister is quick. With one strong thrust, she pushes Irulan aside. '' Hide ,'' the voice within her head commands, and Irulan has no force to object to the technique. She crawls under the heavy stone, frantically looking for something—anything—to protect herself with.

Despite the long skirts, her sister moves like Adam's wine; she bends and turns, and strikes the man far taller than her, but he seems determined on the idea of killing her. Her sister grunts under the heavy hits; one sits in her abdomen, and another lands on her knees. The slave's nails leave a trace on her skin, rough enough to pierce the young dermis.

Eventually, her sister grows tired; the slave pushes her to the ground, pressing his slender body on top and closing its white, almost translucent hands on her throat. Irulan clasps the found sharp cutting instrument to her chest, desperately trying to calm the wave of fear forming there.  ''I must not fear. Fear is a mind killer,''  she whispers again and again.

She watches as her sister's hand slips under her clothes and emerges an illicit, slender blade—it shines under the light just as lettering did on the books a minute ago. To Irulan, it feels like a year's hundred. ''No!'' she wants to shout as her sister raises the steel and preys it into the eye of the slave, but the words are unable to leave her throat. Like a waterfall, crimson covers her sister's face, staining her light grey dress in hot circles.

The slave falls on his back, his hands leaving their place on her sister's neck.

''Enough, please! Sister, stop!'' Irulan cries, crawling out of her hiding spot but daring not to get closer.

Her sister doesn't hear; she lurches towards the man in a slick puddle and takes his life quickly, cutting his throat in one swift motion. The blood from his arteria leaves the body in pulsations; they spatter everywhere, some drops going as far as touching the shelves.

The silence settles in the chamber once again; only the sound of weakly flowing blood disturbs the stillness. Her sister does not shed a tear; she meticulously cleans the blade with the slave's white cloth and slips it back into the folds of her gown.

''What have you done?'' Irulan whispers. Her hands tremble; the sight before her crawls into the deepest corners of her mind and tears everything there down. How can one kill so easily? How can one be so cold and calculating, as if it were nothing more than a daily chore? How could that one be her sister, the one she shared a life with?

''I protected.'' Her sister's voice is hoarse, but firm. There is no remorse in her tone, only weariness. ''What have you  done?'' She turns to face her. Her hair, carefully braided by servants for dinner, is undone; the wet strands of it grip her face like a vice, framing the unseeing eyes.

Like that, she looks like a woman mad. Irulan backs into the safety of the doors, feeling her fear turn into something much greater. ''Do not come near me,'' she commands. Just as the heavy doors close behind her, she sets off running.

-

YN waits until the footsteps of her sister are no longer heard, and only then does she come out of the reading room. She pays the body on the ground little attention; no one would bet an eye on the death of a useless creature like that. It did not intend to kill; rather, someone made it do it. Who, in their right mind, would try to harm the heir of the Emperor? How would they know that Irulan would follow her there?

Irulan. The one who watched as the Other almost gave her life for hers, the one who had the nerve to be repulsed by the blood on her hands—the blood she spilt protecting her. What do you do when you are not allowed to be angry at God? Why does God shame one for the will she herself inflicted on one to bestone? YN would ask the sun, but it hid behind the walls of the fort. She would ask, but no one would answer.

So, she does what she is meant to do—finds her way into the large dining hall, where everyone, of course, is starting to gather. The Emperor would be dissatisfied to find her not there on time; she has no time to fix her appearance. In light of the slight possibility of shaming their House with her muddled hairstyle or suffering yet another punishment for being even late, she chooses the first option.

The guards let her in without saying a word. YNr watches as the shield slides open, revealing a full hall. Rows and rows of tables, filled with foods one would imagine never would have made their way to the Giedi Prime, and laughter not so usual for a harsh realm.

''Princess...'' the servant starts, announcing her arrival, but she shushes him with a slight wave of her palm. She does not notice the crimson liquid staining it.

The Other makes her way to her seat calmly, careless of the way people around her stumble and twist their faces in shock. The only eyes that watch her without fear at the Emperor's table are those of Lady Echidna. Her face betrays no emotion at all—hidden by her veiled black cloth, it only slightly moves when the YN passes her seat.

She holds the angry gaze of the Emperor calmly. He will demand an answer, of course if Irulan has not whispered the truth into his aged ears already. Her sister probably would do no such thing; in that, she would admit to disobeying the orders bestowed upon her. YN is puzzled at the attention directed towards her humble figure—the first thing a Bene Gessarite in training learns is not to be repulsed by the anatomy of her body. Why be grossed out by the liquid coursing through her veins—the liquid she carries all her life? Why be scared of death, when it is always at your doorstep? In the sway of her thoughts, the Other also seems not to perceive the pair of icy blue eyes glued to her figure as she finds her seat and takes her place.

-

"The boy follows you around like a dog." The mother's tone stands not in judgment but rather simply states the truth.

Lady Echidna is not veiled now; her heavy hair is still tightly braided out of her face. Just a small black ribbon highlights her status as one of the Emperor's senior concubines, a position most would bear with honour. To her, it was yet another stain on her earthly body—the body she could not call her to possess. The black sun of Giedi Prime is finally long behind them; nothing but a few light orbs floating around illuminate the chamber, yet her intense gaze seems to pierce right through the girl that sits across her.

"I know, mother. His steps are heavy; his thoughts are even heavier; they follow me much more often."

The woman's fingers stop working on an intricate needlework for a moment, before continuing as it was. "You are to call me Sister, girl," she speaks, her voice low.

YN drags her teeth across her tongue, feeling the anger flow through the veins in her body. She wishes to be far away from this small chamber, to run and never face the woman's eyes again. "The girl has a name, Sister. Or do you fear to voice it?"

Lady Echidna places the cloth on the table beside her gracefully, as if paying no attention to the words spoken. But YN can sense can feel the resentment that burns inside her mother's stomach, spreading its molecules to her throat. "A name holds meaning; for a person to have a name, one must first be of character and substance. You are none."

YN bit the soft flesh inside her mouth; it tasted bitter. It was better if her mother shouted, if she hit her if she did anything to prove YN is still here in her eyes, that she was not just a void the woman spoke her riddles into. Maybe then the pain inside her would have a meaning, would have a reason better than just childish hurt. "Did I not have a beating heart when I left your womb, Sister? Did you not hear it loud and clear? What kind of proof is needed more of me?"

"My daughter died that day, screaming. You took her place. So do not bother me with your foolish talks anymore, for we both know they just waste the air we breathe. Am I heard?"

She was. The tears dried on YN's face before having the chance to spill, and she turned to her studies. Once more, a feeling of ever-lasting cold surrounded her shoulders. The never-leaving vision in her mind appeared once again—her mother's quick steps as she walked away in another corridor of Giedi Prime's fort, her head straight ahead as YN pleaded not to leave her alone, her legs glued to the command spoken. It was a blessing that the boy found her earlier than his uncle.

-

Time has passed since the first time YN's eyes saw the black sun of the foreign planet so far from hers. The Other trained, restlessly, in the tongues of ancient warriors and the most prominent whisperers, slowly earning the right to bear Knowledge in her crown-empty head. She had much yet to learn, but the prospect did not frighten her; with every passing day, she felt power building in her hands and soul. Patience, the greatest virtue of all. She was alone now, without her half of a sister; alone, in her solitude, the heavy bearings seemed not as heavy—she had no one to enlighten about her battles. Still, God was on her mind; YN felt her presence near, her watchful eyes guiding her. Like the tight, dampened cloth on her bruised knuckles, her sister was stuck to her open wound of a soul.

Irulan has grown. Her complexion changed; she no longer looked like a bright-faced girl who left her sister alone in Harkonnen's library; the plump cheeks were gone, and so was fear. At the Other stared a sole statue of power she bloomed into. Silver collars, light blue waves of fabric—the cut is, as always, straight. The Other eyed her up and down, taking in each detail of the painting-like sight. Irulan did the same—a slight disgust at the Other's simple tunic and pants, creased from the sparring. Irulan did not need to be broken in order to be a Sister in the Bene Gesserit; they wanted her Corrino first, and a servant second. The Other, however, held no such value—a child carried not by the lawful wife, a second, a spare. So, there would be no bone in her body left untouched by the lessons, no string in her soul unharmed by the knowledge. They crushed her cartilage in grey sand and forced her to swallow the bitter truths of their ways. Yet, God remains undisturbed—stoic. Eternal.

''Will you not eat again?'' Irulan musses, putting another piece of dish in her mouth.

The Other would take it as a cruel joke from anyone else, but not from God. She shakes her head instead. ''I am forbidden.''

Irulan hums. It was not the first time YN would be disciplined this way; the cycle of punishment and forgiveness was all too familiar to her. The room is silent; there is no one but the two of them. She could offer to eat, and no one would know she did, but Irulan won't offer. The Other does not expect her to; pity is not something a sister can possess.

''How are your lessons going? A fresh knowledge, perhaps?''

YN nods. If she opens her mouth now, her voice will betray her. She could cry all she wanted in the presence of a sister, but it is not appropriate for a thirteen-year-old to behave this way in front of God. The Other is reminded of that with an absence of bruises on Irulan's skin; her hands were never cut by the sharp blades, and her mouth was never starved. ''Why was I summoned from training?'' She asked, directing her eyes to the figure in front of her.

''I am here as a messenger from the Emperor.''

YN's eyes narrowed. ''And what does our dear Emperor desire to tell me now?'' She wishes not to hear anything he has to say; the Other is perfectly content here, amongst her Sisters. Here, she is of cost.

''Recently, Baron Vladimir turned to our House for guidance. He and na-Baron Feyd-Rautha Harkonnen felt misled by the House Artreidis, and their promise of a bride that did not come. Our father has graciously offered to negotiate the conflict and pay the needed price for the Baron's cooperation.''

''Of course, he did. With all of our might, we are still afraid of the savages that made Arrakis their home. With what advice, may I ask, did the Emperor provide the Baron?''

Irulan's lips turn into a straight line, with the small wrinkle on her forehead appearing. Something that she carried with her through childhood. Something that still reminded of home. ''With the proposal of a woman of our House to na-Baron Feyd-Rautha.''

''A gift? Irulan, I am so sorry.''

Sure, the bridge between them was long forgotten, growing with tall grass and wildflowers, but the weight of their shared history still lingered in the air. Irulan was still her sister, no matter how many times the Other tried to tell herself otherwise. And no woman sane would consider giving her sister to the inhumane brutes that were Harkonnens—the people even Bene Gessarit wished to observe from afar; the people so ruthless mothers told stories about them to their small offspring in an attempt to instil fear and obedience.

Irulan does not answer. She hides her gaze, her eyes following the wooden panels of the quarters.

''What is it, sister?  Speak .''

''The offer Emperor found the most fitting would be of your hand, not mine.''

The Other exhales. As if a heavy stone were put on her chest, she fights to bring much-needed oxygen to her bloodstream. She almost feels the erythrocytes scatter from her face into her neck, hidden by the cloth, and gather there in an attempt to regrow their might. Her throat twists and closes, its muscles compressing until not even an ounce of air can get in. All of her organs, from heart to stomach, made their presence known; one by one, they tensed and burned, forcing the otherwise relaxed hands to grip them.

It was supposed to be Irulan. The first one to marry is the oldest sister; the title high enough to satisfy the ambitious Harkonnes would be hers, no less. Yet, here she stands, not even looking at the one taking her place as she sentences her to an ultimate death. No matter how much power the Corrino name held, on Giedi Prime, she would consider herself fortunate enough if she were to meet her end quickly.

''Why, Irulan? Have I not been a loyal servant to you all those years? Have I not followed every order without question? ''

Irulan is unmoved in her position. ''We can not risk the Harkonnen blood getting on the throne, you know it.''

''You mean we can not risk you? We are not eight anymore, dear Irulan; you can speak truthfully now. Do you really think the Emperor will treasure you more if you say nothing now? We are no sons, Irulan; we are sisters, you and I. Please, spare me this fate.''

''Yes,'' the girl lifts her eyes, taking a step closer. ''We are no sons; you knew that one day we would marry for the peace of the Imperium. Why do you shout now?''

''Married, yes, but not murdered for the sake of the fucking old man who could not hold his promise. They are monsters, Irulan, spilling innocent blood for the fun of it. I beg of you, sister, show me the mercy I know you are capable of.''

''You are worried about blood? What could one more splash of blood mean to you? You have been no sister for a long time; I order you, as an heir of the Emperor and as the messenger of his will here, to comply. Do not make it harder than it has to be.''

The Other smiled—she would not grant the pleasure of tears. ''Very well, then. Someone needs to go first. I'll go; I'll be first, at least here. Tell the Emperor that I will comply with any of his wishes, whether it be to throw me to the sharks or to feed me to the sandworms. As a confirmation of my undying loyalty, you may show him this:''

She slaps her. She slaps her not like a warrior, not like the trained assassin she was raised to be; she slaps her like a sister, bitterly, harshly. For the first time in her short life, YN raises a hand on something she deems holy—the God's shocked face brings a sense of satisfaction to the Other's veins, even if the same blood courses through them. She turns on her heels and walks away, leaving the forsaken room behind. Leaving God behind.

[demigoddessqueens]

this feels canon to me

Paul: here’s to the love of my life, my soulmate, my heart of 5000 years, the mother of my legacy!

everyone on Arrakis: ….

Paul: and then here’s to my wife, Irulan

[crystalskiesandcherrywine]

The sound of the waves collide // Part Three

Now we are getting somewhere... smutty. Given the nature of our favourite Giedi Prime bad boy, you can think of some possible tw.

And now I need to lay back on the couch and listen to NIN "Closer" on repeat...

Na Baron Feyd Rautha x Atreides!Reader

FXM

All feedback is welcome <3

Part One // Part Two // Part Four

1.264 words

Reverend Mother summons you. In the grandeur of the Emperor's library, amidst the tranquil silence and the books that whisper of forgotten tales, you stand before her. Kaitain, the residence of the Emperor, has a mild climate and seems comparatively softer than the weather in your Atreides home. It makes me wonder how the harsh surroundings of Giedi Prime affect its people and the ruling House of Corrino. You think this might be the last time you can enjoy your linen gowns, airy and light, with the fabric flowing down to your feet.

„How was your meeting?“ She says while reading a message scroll without looking up. 

"We were officially introduced and I already sense a degree of ownership in him." Lying to her would be futile. 

"And what about your second meeting?" Although her tone remains unchanged, your body stiffens. 

"Unexpected" is all you can muster. Reverend Mother lifts her veil and says, 

„He seems to destabilise you with surprising ease. Remember your mission: you are the one in control, not him. So much hangs in the balance, and you should know the consequences of not following through.“

The remainder of Lady Jessica's insubordination stings, but you bite your tongue. 

"I heard that Na Baron takes great pride in his cobat skills. He should be in the training halls at the moment." With the veil being placed back in front of her face and the sound of the message scroll being closed, you are dismissed. 

Guided by servants, you arrive at the training grounds. Your brother isn't there, having skipped his routine to spend time with his wife after their wedding. A few servants stay on the perimeter, while Gurney and a couple of other familiar faces of the Atreides guard are visible in the ring. The Na Baron is in the middle of his training with other Harkonnens and doesn’t realize he is being watched. You appreciate the unobstructed view. Sweat is running down his chest, along his abs, into the waistband of his trousers. His skin seems to be made of porcelain, yet he is as flexible as a clear mountain spring, a stream of energy moving through him, a testament to his relentlessness.

Gurney notices you and you signal your desire with a small gesture of your hand to challenge him. Gurney raises an eyebrow but is too intrigued to decline. 

He approaches Feyd Rautha with confidence. 

"Your skills are well-known. Would you indulge in a sparring session? I believe we are a match for each other." 

The Na-Baron agrees. "With pleasure. It has been a while since I had such a formidable opponent as yourself.“ 

Their shields snap back into place, veiling them both in a slightly blue shimmer.

Although their combat is just training, both are instantly focused. With power and grace, they exchange knife jabs, and suddenly, with a swift motion, Gurney lands Na Baron on his back. Feyd retaliates with a knock of his head and now both are on the ground, interlocked but not willing to give up. Your eyes are on Feyds smooth, powerful movements. The thought of his grace extending beyond the realm of physical combat sends a shiver down your spine, igniting a fire within that you struggle to contain.

The sound of your clapping makes them both raise their heads towards you. 

„You are both well-seasoned warriors!“ you say, gathering the attention of the men. Feyd Rautha's gaze is filled with a mix that begins to seem familiar: adrenaline, lust, and something else that one could describe as malice. Both get up and bow their heads. 

„Do you enjoy the view?" he asks. 

"I certainly did," In reaction to your praise he raises the blade to his tongue and flicks it along the tip. Without further interaction, you turn away, leaving him panting and wanting more of you. 

You are on the way back to guest wing, seeking company of your parents. With only a few hours left together, you want to use all the remaining time to speak, to listen, and to keep your betrothed waiting. 

You are seated next to Paul and Irulan at dinner and their happiness serves as a calming ray of light in the mix of your emotions. Having changed into a dark green halter neck gown you feel like a shadow next to the happy couple. Seeing them like this strengthens your resolve to adhere to the plan and keep your desire for Feyd under lock and key. When you excuse yourself to retreat for the night's rest, Feyd Rautha appears suddenly next to you. 

„I would be honoured to escort you, Princess.“ His voice seems to conceal a sardonic, dark energy beneath a veneer of politeness.

Your parents do not object, so you take his arm and leave the crowded room. Not even five minutes later, he leads you down a different corridor, one that does not lead to your quarters. As you try to object, your back is against the wall, his knees nudging your thighs apart, and his mouth is claiming yours. You feel the impact of his methodical and measured actions instantly. It appears something is simmering within him, waiting to break the surface. After what feels like an eternity, he releases your lips and gazes down at you with his stunning blue eyes. Your urge to kiss him back instantly almost overpowers you, the embers of carnal desire taking up more and more space within you.

Your hands reach out to his torso, feeling his muscles through the leather vest.He responds by closing his eyes and almost hissing. His lips descend on your neck like a hawk, his tongue dancing around the halter of your dress. The light material that was so comfortable only minutes earlier now irritates you. You want to be rid of it, rid of his attire and feel his skin against yours. Before you know it, you are facing the wall, feeling his body pressed against yours, his arousal evident. You are so close to giving in and then he makes a mistake.

„You will be a most exquisite addition to my collection, pet“ is objectifying and disrespectful.

 An instant wave of humiliation and anger washes over you. 

„Let me go!“ you growl, your voice full of indignation. 

'Are you sure? It doesn’t seem like it, yet again’“ He clearly toys with you. 

„Let me go“

He releases you instantly and you almost fall. In his eyes, you see the confusion everyone experiences when being subjected to the voice for the first time. 

„You are using your witch powers on me?“

 „How dare you mix me up with your so-called pets? I am a Princess of the House Atreides . If you even think of enjoying your pets and then laying your hands on me, you are mistaken!“ 

He doesn’t move but looks at you menacing, a vicious predator coming to the surface. 

"Is the Princess jealous now?" 

You stare at him angrily in return. The embers of desire are turned into a white glow of fury now.

 „I will return to my quarters alone.“

Without a word, he seems to turn around, then thinks better of it and presses you against the wall again. This time, his hand reaches right for your core, and the humiliation of being soaking wet is written on your face. His fingers circle your clit, making you whimper and as they crawl closer to your entrance, he abruptly stops. He seems to enjoy himself, sucking his fingers clean. As his steps disappear into the distance, you compose yourself and make your way. 

[eu-nicola]

"Between visions." Paul Atreides x Princess Irulan (different ending)

summary: In a world of political intrigue and prophecies, Paul, Irulan, and Chani find themselves caught in a triangle of love and betrayal. As Paul grapples with his visions of the future and his relationship with Irulan transforms, Chani clings to hope for a family. As tensions escalate and secrets are revealed, the three struggle to find their place in the world.

warnings: eithout correcting, loss of a child, manipulation perhaps, and I think nothing else, if I forget something let me know.

From the moment Paul took Princess Irulan's hand, things certainly didn't improve, at least not for the princess. True, she was part of her husband's council, but what good did it serve her if her life was miserable and devoid of a shred of love or even attention to console her?

Paul's promises to Chani still echoed in Irulan's thoughts, whether she wanted them to or not. The princess was strong in mind and soul, that was what still kept her standing, and what was even more important was that she was very intelligent. She took all of this in stride, refusing to be affected by the fact that she was destined for a loveless marriage and without children.

Paul, on the other hand, began to have visions involving Irulan. Not just any visions, but rather of the princess with a swollen belly. Paul's interactions since then were more cautious and suspicious, simply from the thought that Irulan's belly might be carrying another man's child, perhaps an enemy's.

He didn't want to dwell on the issue any further and simply pushed it aside, but at the same time, he couldn't help but pay attention. Or at least that's what he wanted to do. The visions actually tormented him with possible futures, especially those in which Irulan's face reflected joy and wonder as she held a child, whose eyes gleamed with the same golden intensity as his own.

From that moment on, Paul made sure to make Irulan's life miserable, no matter how bad it made her feel, but he never planned to have children with her, ever. The only mother of his children would be Chani, the only woman he loved would be the true mother of his children.

Fearful of the implications of his offspring, Paul retreated into a distant and disdainful attitude towards Irulan. This distancing only fueled resentment between them, creating an emotional chasm that threatened to destroy the princess's loyalty. The princess sank into dark resentment. Amid whispers of the court, she pondered plans to weaken her position and undermine her confidence in Chani. Secret intrigues were woven in the palace corridors as the princess explored the possibility of winning the loyalty of those surrounding Paul. Jealousy and envy drove her to consider conspiring against him and Chani, seeking to undermine the connection that seemed unbreakable. An aura of betrayal hung over the princess, who delved into the shadows to reach her own dark objectives.

Despite the dark conspiracy weaving in her mind, the princess could not escape the internal conflict that enveloped her. Among the whispers of betrayal, an echo reminded her of the love she still felt for Paul, albeit distorted by ambition. Every step toward conspiracy was marked by hesitation, a shadow of doubt wavering in her heart.

The idealized love for Paul was perhaps even greater than her desires for betrayal. The princess sought a balance between her dark desires and the fragments of affection that resisted fading away completely.

•••••••••••••••••••

Paul, lost in his own world as the wind gently blew, delved into the depths of his visions, still trying to decipher the future. However, a shroud of uncertainty loomed, challenging his prescient abilities. In his heart, he began to doubt the certainties that had once seemed unshakable.

Days later, when the princess had vanished from his sight and retreated into her own world, Chani, in a moment of solitude, approached Paul with news that would change his beliefs about destiny. The bond between them had borne fruit, and she carried within her the gift of life. Paul, surprised by the news, momentarily thought that perhaps all this time his visions had been wrong and that what he desired was actually going to come true. That's what he wanted.

Poor Irulan had no choice but to remain silent in the face of the news, not even having words to say; she simply accepted the fate she had once already accepted.

The light in Paul's eyes intensified as he interacted with Chani, and his laughter, a rare presence until then, became more frequent. This change even extended to his relationship with Irulan. Impending fatherhood softened the sharp edges of the intricate political web that surrounded them.

The princess took every part that Paul offered her to feel complete, no matter what it was, even politics, something she truly loved and enjoyed doing.

As political tensions and future expectations converged in the Palace of Arrakis, the relationship between Irulan and Paul underwent a subtle metamorphosis. Moments of shared humor and complicity arising from Chani's pregnancy slowly transformed into a deeper connection between Irulan and Paul.

On a starry night, with the dunes illuminated by the moonlight, Paul and Irulan shared a singular encounter. Far from the political intrigues and responsibilities weighing on their shoulders, they found themselves in a quiet corner of the palace. The conversations that were once only held in council now flowed with an authenticity neither had experienced before.

The physical proximity between them became palpable, charged with unexpected energy. Comfortable silences intertwined with meaningful glances, revealing layers of mutual understanding that went beyond their predetermined roles. In that moment, Paul and Irulan realized the humanity they shared, regardless of the circumstances that had brought them together.

Under the cover of night, Paul and Irulan, propelled by a newly discovered emotional connection, shared an experience that defied expectations and the constraints of their world. A night that, in its intimacy, marked the beginning of something unexpected.

From Irulan's perspective, the night was an encounter with the naked truth of emotions. The walls she had built to protect herself from the complexities of love and vulnerability slowly crumbled. Each prolonged gaze was a step beyond the predefined limitations of her relationship with Paul. The physical closeness was an echo of the emotional connection that was developing, and in the stillness of the night, Irulan found herself contemplating the possibility of a different future than she had imagined.

For Paul, however, the night brought a profound revelation. Irulan's company, which had previously been confined to political duties and formalities, transformed into a source of comfort and understanding. The princess's warm laughter and sincere conversations were like a breath of fresh air amidst the intricate web of his responsibilities. He felt like he was betraying everything he wanted. But in that moment, as strange as it felt, he enjoyed the company of his wife.

The calm that had enveloped the night abruptly dissipated the next morning when Paul, engulfed in a mixture of confusion and anxiety, decided to withdraw early. His thoughts, usually sharp and prescient, became entangled in the uncertainty unleashed by the previous night. Without explanations or farewells, Paul departed, leaving Irulan alone with the morning shadows.

Hours later, Irulan, bewildered by Paul's absence and not fully understanding the reason behind his sudden departure, learned the tragic news. Chani, the bearer of new life, had lost the baby.

The devastating news enveloped the palace air with a veil of sadness. In their grief and confusion, Paul, prey to the irrationality of mourning, found a target for his frustration: Irulan. In his affliction, he blamed Irulan for the disconnect he felt between his visions and reality, a connection that, in his mind, could have altered the course of events.

Irulan, surprised by the unfair accusation, found herself caught in Paul's emotional storm. The tragedy had triggered a series of events that defied any logic, and while Chani mourned the loss of her child, the relationships between Irulan and Paul became fragile, shrouded in the pain and weight of unfounded guilt.

As the days passed, the relationship between Paul and Irulan grew increasingly tense. The shadows of accusation and loss cast a dark cloud over their connection, eclipsing the moments they had once shared. Miscommunication and distrust erected insurmountable barriers.

At the height of their estrangement, the princess found herself facing news that would completely change everything. She learned that she was pregnant. The uncertainty of the child's future added to the burden of her fractured relationship with Paul.

Upon confessing the news to Paul, the room filled with a heavy silence. The revelation unleashed a storm of emotions in both, as they faced the decisions they now had to make. The life growing in Irulan's belly became an unbreakable bond between them, despite the challenges they faced as a couple.

The news of the pregnancy acted as a catalyst, forcing Paul and Irulan to confront the complications of their relationship more directly. The weight of past accusations momentarily faded, making room for deep reflection on the meaning of life and the crucial decisions they had to make.

For her part, Irulan experienced a mixture of fear and hope. The responsibility of bringing a new life into the world forced her to confront her own dilemmas. The life growing inside her served as a constant reminder that all of this shouldn't have happened, yet it did.

Though content with this, the days of pregnancy passed in silence. Paul's absence, immersed in his own struggles and political responsibilities, left her to face the emotional and physical challenges of pregnancy alone. The loneliness became palpable in the silent nights and in the moments when doubts and fears enveloped her.

Although Irulan immersed herself in writing and reflection to fill the emotional voids, the lack of emotional support became a constant burden. The absence of a support network affected her maternal experience, leading her to question the decisions that led her down this solitary path.

Over time, the visions Paul had about Irulan had become reality. When the day came, Irulan, accompanied by the silent murmur of palace medical staff, gave birth to a beautiful baby boy. The room resonated with the emotional tension that hung in the air, while life flourished amidst the shadows of the past.

The little one, wrapped in the warmth of blankets, bore an astonishing resemblance to Paul. His presence in the room illuminated the space, dissipating the shadows that had darkened the path to this moment. Every familiar feature, from the deep eyes to the strands of dark hair, testified to Paul's legacy in the new life that had come into the world.

Irulan, holding the baby in her arms, found herself captivated by the expression of innocence on his face. The connection between mother and child transcended the complications of the past, and in that moment, she plunged into unconditional love that illuminated her own face, reflecting hope and the possibility of a different future.

••••••••••••••••

With the passage of time, Paul, facing the responsibilities of his office and the prescient visions that continued to guide his path, made a painful but inevitable decision to end his relationship with Chani. The deep connection they shared was overshadowed by political decisions and his life.

Irulan, always on the periphery of Paul's life, found herself transformed into the main companion in his life. The reconciliation born at the birth of their first child evolved over time. Paul, after overcoming the shadows of the past, found in Irulan a solid support and genuine connection.

Together, Paul and Irulan decided to expand their family, welcoming more children who filled the palace halls with laughter and joy. Each new birth represented an opportunity for redemption and the building of a united family. Though power and political intrigues persisted, the home Paul and Irulan built became a refuge.

As the family grew, Paul found in Irulan not only his life companion but someone to share joys and sorrows with, and a loving mother to his children.

Life led Paul down paths that transformed his feelings towards Chani. The pressures of leadership and constant political struggles created emotional distances between them. Responsibilities created a chasm, and political reality overshadowed the light of love that once flourished between them.

Chani, in turn, found in her loneliness and lack of emotional connection the need to seek comfort elsewhere. The emotional distance from Paul led her to explore new connections, and eventually, she fell in love with someone else. The search for understanding and affection led her to a relationship that filled the emotional void that persisted in her life.

The severing of ties between Paul and Chani was not simply a consequence of individual decisions but a complex dance of circumstances that life presented to them. Political designs and the inevitabilities of power transformed the nature of their love, leading them down separate paths.

Thus, amidst intrigue and change, both Paul and Chani found themselves on paths where life, with its unpredictable twists, led them to seek new forms of love and connection, leaving behind a story that was once the center of their lives.

Lastly, Irulan, far from being just a distant witness to Paul's life, became the protagonist of her own destiny. Redemption and love intertwined in her story, demonstrating that, despite some difficult moments after suffering, the good part always comes in the end. Both were committed to building a shared future, and so it was until the end of their days.

[andrromedas]

“You chose me for this position.”

“Not I,” he said. “Fate chose you. Your father chose you. The Bene Gesserit chose you. The Guild chose you. And they have chosen you once more. For what have they chosen you, Irulan?”

Dune by Frank Herbert

[impercre]

.

[annachum]

So in Dune, in universe, Princess Irulan is the one who written the accounts of Dune, as a way to correct the propaganda around the whole disaster of Paul Atreides and Chani ( Irulan really deserves better )

I think

In GOT Universe, in universe, Sansa is the one who documents the events of Game of Thrones series - as a way to dismantle the Houses Lannister and Baratheon propagandas in those series once and for all

Those 2 houses been spreading propaganda all over Westeros, and soon trumped one by one by Houses Stark, Tyrell, and Martell propaganda

And after Sansa fled Kings Landing, the House Lannister has a domino effect of the people of Kings Landing finally seeing the true colors of Cersei and starts a whole Rebellion against Cersei ( one of the factors is the truth of the execution of Margaery, who becomes very much popular with the people of Kings Landing in general )

Sansa is a bookworm and, after becoming Queen of the North, she js also committed to dismantle the propaganda legacy of Daenerys - Daenerys literally at first given false hope ( inadvertently ) to the people of Kings Landing in general.....only for Daenerys to burn down Kings Landing instead

She also becomes committed to write the chronicles of A Song of Ice and Fire, documenting the journey of Sansa and the rise and fall of Daenerys Targaryen

She also done this for the stories of Loras, Renly, Olenna, Margaery, her parents , Robb and Rickon, whose stories have been falsified in the Lannister propagandas ( much to the fury and dismay of Sansa, Arya and Bran )

[pancsaa]

don't wanna judge her before the movie comes out, but i'm not sure florence was a good choice for irulan.

[controld3vil]

popcorn bucket

pairing(s): dune 2 cast x actor!reader (ALL platonic) synopsis: dune dune DUNE. thats it. notes: this completely out of genre for me but i genuinely really like these actor!reader fics !! they're soooo good. and the reader is intended to be gender neutral :D OH and no beta read..

"Maude, a.k.a Maude'Dib for Nerdist!" There was a laugh coming from Rebecca Ferguson as you situated yourself next to her. "Hi! How are you guys?" The blonde woman who supposedly to be your interviewer, Maude Garrett, warmly welcomes the two of you with friendly gestures. "This is my first one of these,"

"This is my second actually," you recuperate back a loveable grin, scouting your back towards the chair. "For you... I'd imagine," then cast a glance to your seatmate, for her response.

"I've been doing them but this is my first." As Rebecca situates herself, holding her phone in one hand, and you, patting any creases found on your trousers. "I'm- I'm down to it - I'm googling..."

A short pause but no matter, as you leaned towards Rebecca's screen and read it out loud. "Dune's Popcorn Bucket,"

"Yeah I don't understand, what's happening?" she shifts the screen for you to have a better look before looking up at the interviewer in pure confusion and bizarreness. You knock your head sideways, trying to discern the confusing photo. A small pout forms on your lips as your brain toggles what exactly you're looking at.

"Oh, you don't know about the AMC popcorn bucket?!" The kind woman exasperates, eyes widening in pure surprise.

Not a second later, your eyes look up at the revelation. "Oh, I see it now!"

Rebecca lifts up her phone and presents what the two of you are looking at. "I'm seeing something but I'm not sure what's going on? What it is?" She still didn't understand what it was and you swirled your hips towards her in a swooshing motion.

"You're supposed to put your hand in there and eat the popcorn," Pivoting your head a little, a grimaced look is plastered on your face. "It's the worm!" The camera zooms into your disturbed expression and then cuts to the Garrett looking straight at them, giving a moment for the audience to register what had happened.

Your costar turns to you and her expression quickly switches to a mischievous one. "Oh." Your strained childish smile almost falters as you try to hold your laugh in.

A few significant chuckles from the blonde interviewee while Rebecca looks back and forth from the film crew to you, her, and the camera. "I don't think they had an intern that had a, you know, "different mindset"."

"How uhm,"

"Interesting!

"Sensual!" A short muffled laugh escapes your laugh coming off as a snort as you instinctively cover your mouth out of embarrassment. Rebecca's word of choice definitely caught you off guard which caused some ruckus behind the camera as well.

"How sensual! That's the perfect word for it," The camera pans towards your red puffed cheeks, looking forward nodding alongside the interviewee who is taking the conversation so charismatically well.

"Yes! Yes!"

"You could say you have to ride the sandworm to earn your spots," Garrett teasingly says while Rebecca and you nod in agreement.

"Well look at that. That's what happened back in the days of MGM, but thankfully we've moved on," she replies tiddling with the toothpick in her mouth as you held your breath for a second. A delayed puff comes from Garrett, looking at the actress beside you in shock.

To say the three of you had a blast through the next hour of the interview.

In another interview, you were paired up with Josh Brolin who had played Gurney Halleck. In respect of your character, his pupil, you couldn't help but feel excited because in very few instances had they given you the chance to be in an interview with him.

Lainey Lui who was eager to talk the both of you, sat across from you both in front of a majestic poster of the project. The title, Dune Part Two was shown in its iconic font. The background was a still of one of the sets used in the film which displayed muted colors and curves.

The woman briefly introduced herself and you did the same. Spotting Brolin, you give a small wave before taking the seat beside him where he earnestly wraps his arm around your back. In full comfort and level of readiness, you felt the tiny jitters fly away.

"It's nice to see you two! So what about introducing Gurney and being able to reunite with someone that means so much to him?"

With a variety of cast members, the film was expansive to bring its sets to life. You felt it on day one of filming the first Dune movie. Yet you become more determined to do more when the production of the second film comes. It was phenomenal teamwork, from the film and cast crew. People in wardrobe and makeup were dedicated to making the costumes feel authentic and lived in. The works of Denise Villeneuve is something you've been fascinated with for a while, dating back to his early works.

It all comes back circle to Josh Brolin, remembrance in all of the heartfelt scenes he had done with Timothee of Gurney's and Paul's reunion. He reminds the interviewee that Paul's relationship with him is strong and familial. And that initially the scene was improvised due to their filming schedule.

"He really is like an anchor for him." "Yeah because for the past nine months, he's been spiraling and lost his family." Brolin nods in agreement, making an analogy with his fingers swirling down in a circle. You couldn't help but feel captivated about what they said, placing an elbow on your knee to better listen.

"And- This means no offense to your character!" Lui, the interviewer almost frantically calls out, moving the attention to you. And suddenly you wake from your trance of listening to being pulled back to their conversation.

"Oh no no! Not at all!" As you try to sweep the worry off, waving your hands in a panic.

A soft chuckle erupts from Brolin, seeing how almost innocently you want to pay no heed to the attention. "Of course, Gurney's moment with Paul could never amount to his and Nerre's- I mean I think their relationship really evolved in this movie than the last one," He sarcastically dismissed, crossing his arms while you dramatically gape at your co-star.

"Of course it did! What are you tryna to say, Brolin?" You leaned forward in your chair towards his direction almost like a child would when wanting to make a point.

"Come on, I hope you're not choosing favorites between your family," The interviewee cutely teases, giving a smile.

"I just think- You know for not having to see him for so long, you could've," It was a tiny joke you and the cast had made before while filming the exact scene he had discussed. In a similar scene to where Paul reunites with Gurney, he reunites with Nerre, your character, his pupil, and has been a father figure too. Shoots were slightly rocking as your reaction to seeing Gurney for the first time on the scene didn't go as satisfactory as Denise Villeneuve had intended. Instead, the two of you (and very much of the crew) couldn't stop giggling at your attempted sad faces. Nerre in the final cut, when meeting Gurney becomes teary-eyed and ultimately cries in his arms. While in actuality, you couldn't take it seriously enough to go rushing to give Brolin a hug. "Put much more of an effort to look happy?"

"That!" You wave an X with both arms, embarrassed how your own co-star would drag you out like this. "I say was very much my fault but we got the take in the end!"

"Sure we did," The older actor aimlessly nods, not once believing your words, having the biggest grin on his face. Evidently, the interview goes smoothly with occasional hits and jabs between the both of you regarding your performance. And sooner it comes full circle back to you and the dynamic of Gurney and Nerre.

"As you've said earlier," your head snaps back to the male actor poignantly, as if mocking, "I don't think Gurney and Paul's relationship would deter anything with Nerre. They're very tight-knitted because we are all family essentially," You spread your hands out as if mimicking a large circle, "I know a lot of people wanted to see Gurney and Nerre's growth and I'm glad we got to see that. But it's essentially Paul that we're seeing spiral toward madness. So it makes sense to see him meeting Gurney more meaningful."

"Yes, it really shows the stakes they all have to deal with!"

"Exactly, my point!" One last look from Brolin as he makes eye contact with you before raising his hand for a high five. Were you now going to compete for Josh Brolin's favoritism against Timothee without his acknowledgment? Of course, you are.

Out in the deserts of Abu Dhabi, the vast bodies of sand were infinite. Much of the crew delivered and prepared props, and essential needs as their number one priority. In it's hot weather and shivering nights, the film production didn't discover much disturbance from the weather. It was rather quite pleasant under it's wake luckily. Some crew were happily taking pictures and filming some of the crew walking around to promote their upcoming project.

"This costume rocks!" You jump off from a small rock platform into the frame of the vertical camera focus and give two thumbs up. You then waved towards the cameraman with an enthusiastic smile. "Good morning!"

"Good morning!" Rebecca Ferguson's shout can be heard on the other side of the set as the view pivots towards her in full costume of robes and blue tattoos. "Another day of shooting!"

Day in and out, the production in Abu Dhabi was fun for you. It wasn't much of a nuisance you had feared due to the sand and hot weather but surprisingly pleasant with the luminescent scenery always present behind every camera view.

In another clip, it's shown in the grand hall at the climax of the movie. Where the massive amount of extras were standing, circling the space in the middle for the camera crew to shoot. Timothee was off in the background, practicing his moves with Austin Butler who supposedly would have a spontaneous battle against each other. On the side, you were happily chatting with Florence Pugh in her exquisite attire as Princess Irulan and Christopher Walken were only a few steps behind. You looked beyond curious and happy. A cute short was captured of you trying to poke the small blades on Florence's costume.

The camera expands to reveal all of the other cast such as Zendaya and Rebecca and Javier Bardem chatting. And Denise Villeneuve improvising a scene with Josh Brolin.

Lastly an endearing story comes from your story of Zendaya dragging you with water as you try your best to stand on your feet. You forget who had your phone (Was it Timothee? Or Josh Brolin?) but they were behind the camera, following you around as you struggled to walk to the table full of water cauldrons.

Zendaya was by your side, having a hand on your back, says, "Come on, you can do it!" An determined yelp for your name and you childishly groan.

"I feel like my legs are gonna fall off!"

"You should've taken more water with you kid!" It was Brolin's voice from the far right which confirms Timothee was the one behind the camera. The set production was a few feet, resulting in why cast members always to bring water. Yet from an odd perspective, you had tired yourself out too much. It was as if you had just run a ten-meter run.

Though it felt a marathon, you were doing fall stunts constantly up and down the hills of sand. And to say you were exhausted was an understatement. A chuckle erupts and the air feels lighter when Javier Bardem arrives into frame, seeing your poor state.

"Drink some more water!"

As your next story slides to you chugging down a full hydro flask of water like an animal thirsting for air. Your female costar beside you looked at you in horror, almost terrified of stopping you.

"Hey slow down!"

This wasn't the final moment of your press for the film. However, it was the most captivating and relishing one. In the room full of your favorite people and an interviewee dedicated to the works of Dune, Naz Perez, you all delved into the complex characters you all portrayed onscreen and discussed the juggling topics of characters, love, and how to ride a sandworm.

One by one, the woman pointed out interesting questions for all of your cast to expand upon and you couldn't help but be pulled into a trance to what everyone said. From the dynamics of the new characters beginnings to the interior struggles they had, the room felt revelating of the dedicated work of Denise Villeneueve.

Until Perez perfectly transitions her attention to you after listening to Austin Butler's performance. "Speaking of elevating performances," A few of the people on the couch cooed and awed as you bashfully clamped your hands together in an innocent manner. Your name is spoken out. "Nerre's transformation in Part Two is really eye-opening. For someone who had started out as a young, skilled, and playful warrior to a more serious and revengeful one, how do you think they helped Nerre evolve as a person?"

"I've wanted to point this out before, yeah Nerre kind of starts out a free-willed comedic character," You nod trying to find the right words to describe your interpretation of your character. "But then after "losing" Gurney and being separated from everyone, they could only look forward towards the perpetrators which were the Harkonnen. And for that, they're consumed with the idea of revenge, taking back what was once theirs, their home. You see this when Paul or the other Fremen question their motives because that's a dark path to go by," Each person you mentioned turn their heads to listen to your words carefully, knowing how dedicated you were to the film.

"Right, and for better and or for worse, they have matured. They're being front about the decisions being made, and what's happening in Arrakis, so tell me the conflicts they must've had to deal with others."

"Mmm I would say a lot of their internal turmoil " You were hesitant to say if it was going to spoiler territory. But glancing towards everyone, made you feel assured you were doing fine. "Is always guarded against others. But upon the last film, I believe the revelation of the destruction of House Atreides opened their eyes to first found war. And it terrifies them you know, you have to put in perspective they were young teenagers. So seeing that and then meeting these new characters who are vastly different and want for change, motivates them to induce war. So it brings conflict to almost everyone because war will attract more chaos." You attempt to piece together your last remaining sentences, looking up and down at the interviewer.

"No words can be better said," Perez dazedly comments, placing a hand over her heart you flaunt lovingly. "Reminds me of a certain psycho."

"Right! You know Feyd-Rautha and Nerre could've been besties!" You snapped your fingers which made both Zendaya and Florence burst out laughing. While Austin stares at you smiling, nodding in agreement.

[twlvie]

not putting this in the main tag bc it's silly au stuff but . i usually hate high school aus but au where they're just kids in high school bc they're literally kids and didn't deserve. All That 👍 anyways nothing bad happens to them they're planning a dnd campaign and are chronically late for their after lunch chemistry class

[rosie-love98]

Take your pick:

What would happen if Anakin met Paul:

*Anakin and Paul fighting to the death for their respective empires*

What would also happen if Anakin met Paul:

*Anakin and Paul doing a karoake of Elton John’s “It’s Tough To Be A God” and/or Imagine Dragon’s “Enemy”...With (an unfortunate) Irulan recording everything.*

You be the judge.

[the-gom-jabbar]

The whole genetics project of the Bene Gesserit may have been dubbed a failure because Paul wasn't a girl but there was nothing stopping Paul and Feyd-Ruatha acting on that sexual tension they had in both book and film.

Paul could have taken Feyd as a third Consort. Just imagine Paul with his Empress Irulan and his wife Chani sitting at his side and Feyd just sprawled on the dais steps just wearing something scandalous like

You were right Reverend Mother Gaius Helen Mohiam, wasted potential.

[motherofdogs1010]

Of Messiahs and Seeds II (Dark!Paul Atreides x Reader)

Summary: Emperor Paul of House Atreides has set forth with expansion of his empire on the planets that have resisted and has now come across the last stronghold that resists him: Terra Millennium...

Warnings: 18+ only, NSFW dark!fic, obsessed Paul, yandere! Paul, eventual forced marriage, eventual pregnancy, talks of war, eventual NONCON/DUB CON

A/N: I'm basing Paul and Reader off of Usagi and Prince Demond's relationship of how obsessed he was with her just from her expression and power

Dividers by @firefly-graphics Banner by @vase-of-lilies

Picking up from Last Time

"You will relinquish your place as Queen", Paul said, walking up towards the women. "I will make sure you are well-cared for or you will become the beggar Queen you are."

Y/N raised a brow as she walked towards the Emperor, anger flowing through her but Lord York had always said to remain a neutral stance as possible to not let the enemy know your next move.

"We are not here to discuss terms of surrender", Lord York said, "we are here to discuss terms of peace."

"And those terms are to relinquish your right to Terra Millennium", Paul said before motioning to a Reverend Mother holding a newborn behind him. "And allow the Beneit Gesserit to spread truth and the Fremen people, my people find their Paradise."

"Obviously, we didn't communicate well", she said, looking at the dark-haired Emperor. "When we said war would happen, we met war will come to the Empire, not Terra Millennium."

She saw the man chuckle, actually the entire Atreides fleet chuckled and Y/N felt more anger, but she knew she would be the one chuckling in just a few moments.

"I imagine that you are finding this difficult", Paul said, leaning down in her face. "Your reign as Queen is over."

She heard the roar of Draco coming closer and she let a little smirk out.

"My reign has just begun, Emperor Paul."

Just then Draco swooped in, letting out a mighty roar as he landed on the ground behind her, roaring another roar as he spotted Paul...

The mighty beast was unlike anything Paul had seen as it landed next to the Queen, it leaned it's scaly head next to her affectionately before she turned as it lowered a large wing, allowing her to climb onto its back as he stumbled back as it roared at him, he could see the impossibly sharp teeth.

He could hear Stilgar let out a prayer as the beast began to flap its wings and run on its legs before taking off into the sky.

He watched in slight horror as he heard the sound of more beasts and saw two more in the air, flying behind its sibling in the air as it looked like it was circling one of his ships.

What was she making it do? Could she command them?

His answer soon came as the three mighty beast found one of his ships and breathed down a holy fire, he watched in anger and a little horror as his ship began to literally melt, the spice stored in the ship destroyed.

"I believe we have made ourselves clear", the shorter man said, "Terra Millennium will remain ours. It is in your best interest to take the mercy our Queen has shown, and let the Houses know of the mercy and kindness our Queen has shown you."

🌎

"Muad'Dib", Stilgar said once they had retreated back into the remaining ships. "We must formulate a new plan of attack."

Paul rubbed his chin as he sat in a chair, a hologram image of Terra Millennium was pulled up as he began to hear everyone discuss their next move as the ships hovered in orbit over the planet, but Paul could not think at the moment.

Such raw power at the hands of just one woman, Paul could not fathom that. It was like she was made to be the equal of a great ruler, an equal crafted just for him. Irulan was too mouthy and if he was honest, too submissive at times thanks to the Beneit Gesserit and Chani had given in too easily to his love.

But Amaris, oh... she posed a challenge for Paul, a challenge he wanted to conquer, to fuck until she understood her place underneath him, to breed heirs into her. She looked like she could carry children well from the wide hips she had as Paul allowed for these thoughts to course through his mind.

He needed to see those cold eyes again, he needed to watch as they melted into fear, into desire, into submission. She would understand soon enough, the Fremen would soon find their Paradise here in this planet and that only left the one problem: Irulan.

"I believe we need to find a way outside of their reach", Paul finally said, "look towards their colonies and start at the weakest one."

And Paul had the perfect way to get rid of her and that elderly father of hers...

She heard the sound of the ocean crashing against the sandy beaches of her world, the smell of the salt in her nose as she heard a palm tree rustle in her ears. She felt the water licking at her feet, the wet sand in her toes.

"Together, we could rule all this", a familiar voice breathed into her. "Together, this universe would bow at our feet."

A pair of hands wandered, grasping at her soft flesh as a pair of lips kissed at her neck, a nose nuzzling at her.

"All you have to do is say yes..."

Y/N felt hazy like her mind was underwater as the voice continued assaulting her with sweet words, their hands massaging and rubbing at her body.

"Just say yes to me..."

She turned her head and her eyes widened as she saw Paul, a dark look of desire and power in his eyes.

"Either way, you belong to me. It's up to you how many die along the way."

With a shaky breath, Y/N snapped her eyes open as she quickly sat up and looked around, seeing that she was in her room as her heart was beating in her chest.

She could still feel his lips against her body, his breath... still hear his voice in her mind.

Outside, she could hear the rumble of Draco, Aria and Perseus sleeping near her window; those three dragons probably curled up in a little scaly pile of cuddles that always made her laugh and right now brought her comfort.

Getting out of her bed, her nightgown fell around her as she walked towards her balcony, feeling the autumn breeze brush against her as she hugged her body.

The last Emperor had stood no chance against Terra M last night, but Y/N knew it was different this time. Paul had gained all the Great Houses and the Fremen, she had her army and the colonies, but would it be enough?

The colonies... she would check on them in the morning. She just hoped all would still be well in the morning...

TAGLIST

@ninastyless @james-bucky-barnackle @astarborntowrite @maggiecc @radiantdanvers @croatianprincess

[darealsaltysam]

I JUST GOT BACK FROM SEEING DUNE PART 2 AND HOLY FUCK OH MY GOD HOLY SHIT HOLY FUUUUCK I NEED TO. I NEED TO. I NEED TO TALK SO BAD HOLY SHIT

below the cut because oh boy do i have a lot to say and i dont want my poor followers to suffer when i post this

oh my god okay okay where do i even start

opening with irulan's narration to mirror her notes in the openings of the chapters of the book. oh yeah baby. i ate that right up

watching paul get close with the fremen,,,,, fucking hell that hurts. dune really is a tragedy at the end of the day huh. they go from reluctant allies to friends but the whole time you know the switch will happen any moment now and they will be devotees and he will be messiah and that gap between them will never be as small as it is out in the sand. huddled in those tents. sharing drinks and laughs. im not doing ok

this especially hurts with chani. their love is so genuine and pure and she wears blue for him (which by the way sticks out so much more with how muted the colors of the rest of the movie are... i could talk about this all day) but she can see what he is becoming and he's trying to avoid it for her so hard but there's no avoiding fate. LORD ABOVE!!!!

i loveeee jessica being the manipulator thats pulling all the strings, urging paul towards becoming messiah. rebecca ferguson is such a talented actress she really understands the character so well. also as a hashtag certified alia atreides enjoyer her scheming with her unborn fetus might be the most unhinged thing ever but thats also so fucking funny aka its as dune as it gets. dune is WEIRD and im glad theyre not shying away from that. thank u denis

arrakis looks so much more beautiful in this movie like theres defo been some changes with how its framed and presented it feels so much grander and idk just ??? what it makes me think is that we're not seeing arrakis, we're finally seeing dune. we're seeing the land as the fremen see it as paul becomes one of them. i might be looking too much into it but who cares. god i love this movie

but yes more on the fremen in the first section of the movie. i like how there's this cluster of non-believers almost?? its a nice breath of fresh air. its hard to believe every single person would be just devoted to the prophecy and it adds some depth.

i will say the one thing i didnt like is the way stilgar is characterized?? i dont think he was so blindly devoted to paul in the books, and definitely not alia and leto ii after him as the atreides line went on. he's always been a source of small doubt towards paul but i think they're moving that element of him onto chani, so i think i can let it slide. i'd like to see him question alia more in the future though.

the scene where paul was named muad'dib and usul??? god it was so cute which made it so heart wrenching. all the fremen coming together and welcoming him into their lives. as a brother. as a friend. only for him to turn around and make them all bow before him. ohhhhh i cant do this

OH BOY THE WORMS THE WORMS AND THE WORM RIDING AND THE AHHHHHHHHH OH LORD

jesus christ. what the fuck. how is this allowed on cinema screens how is something so amazing allowed

the tension. the effects. the sound design. the sand rushing past the wind the worm moving forward paul struggling to hold on the fremen all watching and then cheering him on HOLY FUCKKKK HOLY FUCK I WAS HOLDING MY BREATH

all the worm riding scenes were so intense and so well done like. when i first read that stuff in the books i didnt think anything could ever capture how i imagined it exactly and yet. AND YET. DENIS!!!!!!!!

once more dune hits the idea of scale SO well everything is HUGE and they MAKE YOU FEEL IT. that shows especially with geidi prime but ill talk about that in a bit. but yes this applies to the worms too lord above them WORMSSSS ARE HUGEEEE AND I LOVE THEMMMM

rebecca ferguson put her heart and soul into that water of life scene and we all need to thank her for it

the way jessica is so quick to switch up and go all in on the prophecy. it makes me think of leto's "im not asking his mother, im asking the bene gesserit" like. the bene gesserit really come first for jessica and she takes her opportunity to fulfill her duties. to be the reverend mother. to rub it all in the faces of the other bene gesserit. she is the mother of the messiah and by god will she make everyone well aware of that

okay. okay okay. i think i said my peace on the early fremen stuff. i think. okay fuck okay SHIT fuck SHIT

FEYD FUCKING RAUTHA LADIES AND GENTLEMEN

oh my god okay. okay ill admit it. i doubted austin butler. i saw the cast list and i was unsure(tm). i saw him in the trailers and my faith was restored. and holy fucking shit did he DELIVER

stellan skarsgård's baron harkonnen is already such a threatening figure it feels like it would be impossible to make someone even more terrifying and yet. AND YET

just the way he's introduced. killing servants with zero remorse. LICKING THAT KNIFE THE WAY HE DID??? OKAY WHORE. I SEE YOU. GO RIGHT AHEAD. MAKE IT SLUTTY IN HOUSE HARKONNEN. I RESPECT IT

when the arena doors open and that loud ass fucking music BOOMS. makes the room fucking SHAKE. thats a PRESENCE right there. THATS how you introduce your antagonist.

the music playing as he fights being as fucking deranged as he is. chaotic and weird and unsettling. just. oh my god feyd had such a presence from the moment he showed up and he did not lose it for a single second. you could feel him LOOMING over the movie the whole time just as he looms over the whole book from his very first scene. oh my goddddd oh my godd

GEIDI PRIME. THE ARENA. THAT MASSIVE HARKONNEN PALACE. oh my god. once more. that sense of scale. the harkonnens love to flaunt their wealth so ofc they have huge fuck off arenas and castles where everything and everyone feels so SMALL in comparison.

dont even get me started on the black and white. the way it accents those coal black teeth and mouths. the way it makes everything look so much more inhuman and clinical and PERFECT because harkonnen power is so absolute and ruthless.

and the way the baron sits so so high above watching the fighting. literally impossible to picture his elevation above his people above the rest of the universe. the way feyd looks to him for approval after every movement. even as his uncle is trying to kill him they exchange those little looks and feyd knows hes getting his chance to show off while the baron gives him his "gift" what a fucked up family what the hell

speaking of fucked up family! wow! they are SO fucked up! there is something seriously strange being hinted at with feyd and the baron! feyd making his own brother bow and kiss his boot! those constant threats of death against rabban as if theyre nothing! this family is capital f FUCKED up. they hurt each other as much as they hurt everyone around them. theyre made of violence and blood and they could never show each other kindness because they dont know such a thing

what can i say about the feyd/margot scenes that hasnt been said already. like wow just unpack the boy's trauma like that. use him and then throw him to the wolves. once again the bene gesserit make it so clear this is THEIR empire and THEIR bloodlines and THEIR messiah. too bad jessica doesnt see that collective "ours" and instead settles for "mine" when it comes to the messiah

special shout out to dave bautista before i move on. just cause. his rabban doesnt get enough love. he really sells that balance of ruthless power but also incompetency compared to his brother so well. can you guys tell i REALLY like this cast

WE ACTUALLY GOT TO SEE GURNEY PLAYING THE BALISET WE FUCKING WIN Y'ALL

the paul/gurney reunion being the last shred of the old paul. how he gets so happy "i recognized your footsteps, old man" shoot me in the fucking brain stem it would HURT LESS

a bit off topic and it happened earlier (sorry my thoughts are so all over the place) but i like how they actually showed the process of how the water of life is made. it was actually exactly like how i imagined it when i read the books so thats neat !!

anyway. back to the horrors.

i already talked so much about feyd's presence so just another small note. that scene in sietch tabr. he is a MONSTER and i am EATING IT UP

i cant even begin to explain. how much it fucked me up. when paul took the water of life. i knew thats where we were going. i knew it was unavoidable. and yet still. when chani bent over him and screamed at everyone for making him follow this prophecy. when she was forced to shed tears to save his life. when she got him back only to realize she lost him and he wasnt the person she loved anymore. it broke me

chani's utter hatred for the prophecy and what paul is becoming added to it so much. i know some people are unhappy with how much shes been changed from the books but i think its elevated her character and all these scenes so much. and oh my god does zendaya DELIVER when the spotlight is on her. i never doubted her for a moment but all those changes to chani really allowed to let her shine. thats that euphoria acting coming out baby !!!!

SPEAKING OF GOOD ACTING

TIMOTHEE

FUCKING

CHALAMET

listen i hate the fact that he gets cast in everything these days as much as everyone but hes such a talented actor and i cant deny this anymore. the water of life scene really sold it for me.

he was such a perfect paul already in the first movie but this was the moment it really came out. the way he wakes up so calm and collected. lifeless. monotone. theres nothing theres literally nothing

paul atreides the boy who became duke far too young is dead usul who was the lover of chani is dead muad'dib the fedaykin fighter is dead only the kwisatz haderach remains and thats what the prophecy was always leading us to and yet the moment it happens its so haunting

like i cannot say this enough. that complete switch is so sudden but so subtle at the same time. its still paul technically but hes so different

what makes dune's weird concepts so easy to take in once you get into the book is all that internal monologue that really leads you through these complex concepts slowly. and yet in a few shots and a few lines of dialogue timothee chalamet somehow manages to express the idea of "i just learned the secrets of the fucking universe and im about to start a holy war" ???? HOW DO YOU EVEN DO THIS???? HOW ARE YOU THIS TALENTED???? OH MY GOD!!!!!!!! IT WAS A FEW LOOKS A FEW MOVENTS JUST THE RIGHT TONE OF VOICE AND THATS HIM!!! THATS HIM BABY!!!! THATS THE KWISATZ HADERACH AND THE UNIVERSE IS FUCKED !!!!!!!!!

also. anya taylor joy alia. we only had you for a split second but i cannot wait for you. im sure youre going to completely slay the third movie. give us our beloved tragic meow meow. alia is my fave character so i will be JUDGING HEAVILY. she better bring her a-game istg

when paul storms the war council and just completely takes control of the room so easily. thats the bene gesserit conditioning giving him his pedestal and he is making the most of it. he knows exactly what the fuck hes doing. and once more oh my goddddd all that shouting all that emotion and yet a complete lack of it. timothee spare a crumb of talent for the rest of us

also the way in that scene gurney is hesitant about it all until paul proclaims himself the duke of arrakis. and suddenly gurney has house atreides again and he doesnt care what chani does anymore. hes a follower to paul just as everyone else in that room. nothing changes. fuck me man i cant do this anymore

have i mentioned yet im so excited for chani in the next movie. her arc is so interesting. children of dune is defo not happening with the way chani has been set up so i doubt we'll see leto ii and ghanima but. lets hope we still get all the cool stuff wit alia at least. and maybe chani can be the one who leads the charge against her

okay i need to really fucking. get along with it im dragging this post on im so sorry this movie is eating my brain alive

chani still wearing blue during the final fight. im not saying more than that i might cry if i think about it too much

THAT. FINAL. FIGHT. OH MY GODDD OH MY GOD

IT ALL CAME TOGETHER SO SO WELL

THE WORMS

THE SENSE OF SCALE

THE FIGHT CHOREOGRAPHY

THE MUSIC HOLY FUCK THE MUSIC HANS ZIMMER YOU OUTDO YOURSELF EVERY TIME

THE SOUND

EVERYTHING FLOWING TOGETHER SO WELL

the way the fremen fight for their messiah but still fly the atreides banner. the way paul leads them as their messiah and as a "fremen" but always proclaims himself duke of house atreides first. oh lorddd im unwell

every time paul menacingly emerged from fog/sand/smoke my life was extended by like 10 years thank u denis

gurney killing rabban with as much ease as he did cleared my skin and watered my crops <3

the way the baron was literally dying and still crawling towards the throne.......... the way at the same time feyd ignored him completely and looked towards the doors reveling in the fight ahead..... if that doesnt tell u everything you need to know about house harkonnen idk what will yall

i also love how no one intervenes as paul walks in and kills the baron. not even feyd. feyd looks like he was a little TOO into it as paul killed him tbh. feyd u little freak. austin butler you talented talented man. im unwell

i AM sad we didnt get to see baby alia stab him but ah well. we got a bunch of other weird dune shit so ill let this one slide. the psychic toddler may be too much even for denis and everything he did give us. we'll always have our 1984 alia <3

OHOHOHOHOHOHOH. OH. HERE WE GO

HERE WE GO YALL

THE SCENE IVE BEEN WAITING FOR SINCE READING THE BOOK

THE SCENE THEY SHOWED BITS OF IN THE TRAILER AND THE SCENE IVE BEEN NON STOP YEARNING FOR SINCE!!!

THE DUEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

oh my god oh my god oh my goddddd where do i even start

okay so. the way theres no music. no fancy cuts no slow mo no over the top effects. its just the slashing of the blades and those BEAUTIFUL shadowed shots with the setting sun in the background. this really is the sun setting on the peaceful universe. just pain and suffering ahead marked with the blood spilled from the two who were meant to produce the messiah but who both got thrown off this path by the greed and selfishness of their forefathers. guys im normal about paul and feyd. definitely. i definitely have very normal thoughts about how they are foils and yet two sides of the same coin. yes guys

paul making the emperor kiss his ring is already such an insane fucking scene and it translated to the screen so well. amazing performances all around

i didnt talk much about florence pugh's irulan but she really didnt have much time to shine. im excited to see where she goes next and i definitely think shes a great fit but i need to see more of her to really be able to say more

i will say this. the way chani, irulan and jessica are the only ones who dont kneel for paul. the three most important women in his life who give him his power, everything he has. jessica made him and she made him the messiah. chani opened her life up to him, helped him become and in turn control the fremen, and she shed her tears for him and fulfilled her role in the prophecy against her wishes. irulan is his path to the throne, his key to being emperor. and none of them bow before him because why would they bow before a power they are responsible for, a power they own, a power they gave?

but for chani its different ofc. she also refuses to bow because she despises everything paul stands for.

oh my god i could say so much about the last scene being chani. not paul reveling in his victory. paul leaves for his next bloodshed and chani is left behind crying for the person she loves who she knows is gone. crying for her people, again enslaved. crying those same tears that brought the messiah back into this world.

theres a lot to be said about the role of gender in dune and how it hangs over every facet of this world but thats a whole separate analysis post to be had so ill just throw it down here in this little point

another thing chani does very well in the movies is she really makes paul's villainy explicitly clear. SO many people read dune and completely misunderstand it and walk away from it concluding its a "white savior narrative" and nothing more which. yes!! yes it is!!!! but thats not a good thing!!!! its never stated to be a good thing!!!!

this movie is not gonna let you misunderstand the message of the story no matter how blind you try to be to it. paul is not a good guy. hes never been the good guy. hes the protagonist, but hes not the hero. and chani allows that to translate from book to movie very well. have i mentioned yet i love movie chani

chani fills in the holes left behind by the narration and internal monologues of the book and, bonus points, she holds the people who dont understand what dune is about by the hand and tells them explicitly "PAUL IS A BAD GUY!!! DONT IDOLIZE PAUL!!!! DONT WALK AWAY FROM DUNE THINKING ITS PRAISING PAUL'S ACTIONS!!!"

i think thats pretty much all i had to say. i might reblog with additions as they hit me but yeah i. i enjoyed the movie. so so much. i think i might watch it again sometime soon while its still in cinemas.

sorry for being unhinged hope u enjoyed my rants. kiss kiss night night <3

[visd3stele]

crying hours, thread carefully

chani loves her planet, her people, her home, so much. she wants to see it free, healthy. she wants that green paradise silgard and the followers dream of too. imagine how much it pains her to see them waiting for a solution to their problems when they themselves could be it.

chani loves paul so much. "you won't lose me as long as you stay who you are". she is worry of strangers, but this man earned not only her trust and respect but her love as well. imagine her pain when he takes advantage of her people's religion. her pain when he shattered her heart, telling her he loves her still than proposing to irulan.

and imagine her pain when they win and paul doesn't stop there. he starts a holy war with her people as canon meat. a war arrakis (dune) shouldn't be part of because there is nothing in it for them. and not only that, but he promises to marry another stranger. having her people be led by two foreigners who don't – can't – fully grasp their ways. their love and care for dune. their respect for fighters and fighting and their people that goes so far they don't use the dead ones water, no matter how much they'd need it. a war that already took her home (the destruction of the fountains) and it only promises more pain to come.