#is that not a fascinating and tragic backstory for a character????

[mamawasatesttube]

yknow for as much as people talk shit about sb94, im gonna be honest. it is NOT the worst comic ive ever read. that dubious honor goes to either batgirl '08 (she would not fucking say any of that) or jeph loeb's run on supergirl '05 (which was SO bad i nearly gave up on the entire run as a whole).

[koipepo]

That omake of little Kabru not being able to show off his howetown sweets because of Misril gets to me a lot so...

Here's a happier Kabru (and Lairu)

[anonymous-chicken-was-taken]

I Am Rattling The Stans Around In My Brain Aggressively Like A Maraca

[agnesandhilda]

some final thoughts on iron widow: I wish the main throuple had either had longer to cook or that zetian and li shimin's relationship wasn't made romantic (as is it seems like zetian goes from hating and resenting him to completely forgiving him for the women he did kill, albeit incidentally, and accepting him as another boyfriend way too fast). I also wish that li shimin had actually done some of the bad things zetian believed he did at the start of the novel maybe

[misconceivedcapricorn]

Ride the Cyclone's development as a musical will always fascinate me because the probability of a recording of the original performances is most likely nonexistent but what we do have of it is also quite interesting

[dent-de-leon]

help i am once again thinking of ways the animated nein could avoid killing molly off so early--

[devotedlystrangewizard]

letting this particular character consume all the tadpoles they can AND letting volo do the surgery thing and slowly a tragic backstory reveals itself

[intermundia]

so apparently in the earliest drafts of phantom menace, lucas had anakin at 12 years old, but eventually knocked it down to 9, because anakin leaving his mom at 12 "is not nearly as traumatic" as it would be at 9. this separation really is a foundational trauma for the tragic character, and he needed to make it hit as hard as possible, so he found the sweet spot of bad timing for qui-gon to find anakin. it makes me think of AUs where he is both older and younger and able to handle separation and transition better, both help avoid the problem of his psychological misfit with the jedi. his age of discovery is a vital part of all the things that had to right (for sidious) and wrong (for the jedi) for darth vader to happen, like the deck was intentionally stacked against anakin's happiness from the beginning on purpose for dramatic reasons. lucas's design of the backstory for such an established villain was really an archaeology of trauma that led to such a disaster, scraping away layers of the adult psyche to see the damaged child inside. many didn't like that the movie was about a whiny kid, but it's fascinating to me that lucas wanted vader to be understood as having that child weeping inside.

[daftmooncretin]

I’m not sure if this is a hot take or not but oh my god in terms of character depth the show has completely eclipsed the original books. obviously lestat was always an insanely fleshed out character because anne rice was obsessed with him but tbh armand, daniel and louis have been given more depth in this 5 episode run then in what 14 books of the vampire chronicles? i mean armand was already a fascinating character to begin with and assad takes what he’s given from the source material and just creates a whole new being with his performance!! plus the additions to his backstory and relationship with louis add a lot i think. but daniel and louis in the source material? they had none of the original armand potential! louis was a white plantation owner.! plus he was incredibly whiney and i always found him flat and kind of two dimensional in the books. how the writers and jacob anderson managed to create the perfect horrific anomaly that is our louis from that���? fucking astounding to me. and daniel??? book daniel is a fine character, sure. but the layers the show added by letting daniel move on from his first encounter and grow into eric! daniel add so much to his charcter!! ITS THE WAY OLD AND YOUNG DANIEL CONTRAST EACHOTHER COMPLETELY AS INTERVIEWERS YET ARE STILL COMPLETE EMOTIONAL MIRRORS OF EACHOTHER. ITS THE WAY THE DYNAMIC BETWEEN THE VAMPIRES AND 70’s AND PRESENT DANIEL SEEM LIKE OPPOSITES AT FIRST BUT GRADUALLY WE SEE ITS BEEN THE SAME BETWEEN THEM THE WHOLE TIMS. DANIEL IS STILL TERRIFIED AND DANIEL IS STILL BRAVE DESPITE IT. HE’S STILL FUCKING SIMULTANEOUSLY PRISONER AND JUDGE. he’s the idealistic boy high off his mind and he’s the cynical dying old man and he’s both and he’s neither. (can you tell daniel molloy is the most fascinating and tragic character in this show) ITS SUCH A FUCKING FANTASTIC PARALLEL. anyway i love you amc iwtv. you are doing such a good fucking job. also thank you eric. i love you eric. your performance both haunts and captivates me eric.

[faruna]

I’m back with the promised Faruzan comic!

I've always been kinda fascinated by the tragic implications of Faruzan’s backstory, though it’s rarely touched on in the game itself.

All the text in the comic is taken directly from Faruzan’s 4th and 5th character stories.

As always, thank you for reading!

[bromcommie]

tbh I still think Brock Rumlow was an interesting character and upon further examination way more unsettling a villain than most to me because like. Let’s be real, the second you lay eyes on Robert Redford as Pierce monologuing in his pristine suit and glass office high up in the sky he just screams Evil Politician! at you. You can see it coming a mile away. Meanwhile Rumlow is….Just Some Guy. On the surface, he’s just some side dude. He’s not enhanced, he’s not in some major position of power, he’s just someone who’s really good at what he does and seems dedicated enough to the work and functions well with his team. He respects Steve, might admire him even, but not so much that he gets starry eyed like everybody else. He’s lighthearted but focused, he’s no nonsense, he’s the everyman Steve can relate to way more than spooks like Natasha or Fury.

And okay, maybe what Rumlow does for a living is beat intimidate and kill people, but it’s not like that’s the primary objective, right, because SHIELD are the good guys and this is what Steve does now, too, anyway; except that Steve doesn’t really use any weapons other than the shield, he holds back, he doesn’t carry a gun anymore which is usually fine since he’s dangerous enough without it. But when that leaves him vulnerable, he’s covered: Rumlow’s got his six, and he does it well, and he earns some of his trust. This is familiar to Steve.

And maybe Rumlow’s a little too good, fine, maybe he shoots a guy in the head within the first fifteen minutes of the movie when he doesn’t necessarily have to and then cracks jokes immediately after but that’s alright too, because that guy had Steve at gunpoint and that guy was Bad whereas Rumlow is One of the Good Guys just doing his job, right. Rumlow’s joking around because he’s used to the violence, they’re all used to it, and this is just how it works. They’re just soldiers doing the grunt work and following orders, and this is familiar, too.

Except that they’re not soldiers and this isn’t a war, except that the work is for an intelligence agency whose job it is to hoard and steal information and monitor civilians and orchestrate and sabotage and meddle in internal and external state affairs. Except that the Good Guys, in reality, are extremely grey at best. Except that many of the Good Guys turn out to be Nazis on top of everything else, and it’s not that far of a stretch.

But when it’s all starting to unravel, you’re still thinking well maybe some of these guys didn’t know. Maybe they didn’t do it out of individual belief, and if faced with the right choice, they can be redeemed.

That is until you realize that Rumlow maybe didn’t respect Steve and what he did so much as what Steve could do if only Steve weren’t “weak” in other ways, if Steve had chosen the right side. That it not being personal is less a cop out and more a taunt the same way just following orders has always been, for Rumlow and many many men that came before him and will continue to come after. Until the vault when, by the most charitable of interpretations, Rumlow looks at the Winter Soldier letting himself be smacked around and crying and getting shocked like he’s maybe a little unnerved (if not just downright fascinated) by the whole thing, but not enough that it really changes anything for him, because the end justifies the means and it’s not really his problem, anyway.

Until Sam shows up and Rumlow looks at him like a bird of prey and says This is gonna hurt with a fucking smile on his face, and then you think: shit, man, obviously. How was it not clear from the start.

To me, what makes someone like Rumlow a good villain, even a side one, is not that he’s straight up Insane & Evil™️ or suffering from Tragic Backstory Syndrome or all hopped up on magic superstrength juice or whatever, but precisely the fact that he’s Just Some Guy with a cockroach survival mentality who operates well within the established system and just so happens to be really good at his job - a job that he might’ve even joined thinking it was for a good cause, or because he had something to prove, or simply because it gave him one hell of an excuse to be a bully. Because he either wholeheartedly believes in HYDRA or he just doesn’t give much of a shit either way so long as he gets his due in the end, and both are just as bad.

Because when you strip away all the grand scale superhero theatrics, you’ve seen this before. You’ve seen Rumlows in your school and in your neighborhood and in the military and the cop car patrolling your street. They’re the ones who sometimes say or do somewhat offputting shit but you figure it’s fine because they’re otherwise real nice or charismatic or normal looking, or maybe they work a job that’s framed as helpful or protective or inherently good despite the power dynamics at play, or they share your background and interests and you chat about the weather being crap this time of year.

And every time one of them turns out to be a violent, hateful piece of shit, you’re still somehow surprised then, too, when you really shouldn’t be.

[magicwhiskers29]

Been dwelling on this for a while now, but aro Kabru is soooooooo interesting to me

Like, he's this guy who's often called a lady killer and whatnot by his friends because of his charms, but his intentions behind those are entirely nonromantic, and he even seems to have a kind of clinical view on romance, at times.

When he smiles at people and winks, he's trying to come across as friendly and approachable, not flirty. Because he's deeply fascinated with people, but in a like, wants to study them under a microscope kind of way. His party jokes a lot about him being a hit with women, but we never see him attempt to actually romance anyone. It's his facade that he wants to use on just about everyone, because he wants to be liked so he can be close to people and be able to immerse himself in other people's lives.

A lot of people criticise him for the casual way he treats Rin, with romantic gestures, whilst his canon stance on her is that he sees her like a sister. To my knowledge, it's unclear if he knows she likes him, but this is Kabru, so it's not unreasonable to assume that he's deduced as much. And yet he kisses her just to stop her casting anyway. It's such a clinical procedure. Kabru sees it as the most efficient and safe way to stop her, so he goes for it. And yeah, they both look like monsters to each other, but he so casually kisses a girl he probably knows has romantic feelings for him who he views as just like a sister.

It's not a big deal to him because he doesn't feel that way about her. Maybe won't feel that way at all. His perspective on romance is consistently like looking through a window, just studying other people's views on it, because it doesn't mean much to him.

When he edits Mithrun's backstory for Laios, he cuts out lots of what he sees as complicated, both out of respect for preserving Mithrun's privacy, but also just to make it simple enough for Laios, who has so little interest in human matters or motivations, to understand. And he centres it on a tragic love story! He thinks that Mithrun's love for a woman, and his jealousy over his brother having her interest instead, is a good, simple core motive. Romance is just a plot device to simplify and explain Mithrun's past motivations. Romance to Kabru is just another facet of people to study, something that makes them do things, and something that paints a broader picture of them.

It's a pretty detached view. He's a very shippable guy for a lot of fans (and for a lot of characters in story too, haha) but he's also someone whose idea of romance is just another thing to be studied. He's guy who does a lot of romantic or flirty things, whilst seemingly having no interest in romance for himself at all!

He doesn't feel romantic attraction, but it fascinates him anyway

[dinarosie]

The Rise of Snape Hate: Marauders' Rebranding and Snape's Villainization (Part 1)

I often hear people wonder why Severus Snape has become more hated in recent years, to the extent that even Voldemort faces less criticism and vitriol from fans. In the early days of the book’s release and even long after the final Harry Potter film was screened, the "Marauders" fandom hardly existed. James Potter was seen as a background character, best known as Harry's father, and did not play an important role among fans. Sirius and Lupin were mostly regarded as Harry's mentors, and their time as Marauders during their teenage years wasn't a focal point of fan attention. In the Canon, the Marauders didn’t hold much significance either, there were few details about them. They were mentioned in just a handful of small flashbacks, mainly depicting bullying, and their friendships were portrayed as rather toxic and disappointing. Naturally, these flashbacks were not only unappealing but could also be disheartening for readers. However, a new generation of fans wanted to bring something new to the Harry Potter universe that better matched their fantasies and imaginations (especially after the failure of "The Cursed Child" and the controversy surrounding J.K. Rowling). As a result, a new story emerged: "Harry Potter and the World of the Marauders," inspired by Generation Z's fantasies.

They were given the attractive looks of actors like Ben Barnes, Timothée Chalamet, and Aaron Taylor-Johnson, and were morally very different from their canon versions. They became a group of charming, wealthy, and popular school heroes with dynamic, platonic, and romantic relationships that captivated fans. Since there weren't many details about them in the original books, fans freely created tragic backstories and fascinating dramas (for example, the Black family using a "Cruciatus curse" on their children!!!). These factors quickly increased their popularity and caught the attention of content creators on the internet.

But what happened to Severus Snape?

These newly reimagined, charming, and beloved Marauders needed an antagonist to heighten the school drama and make their adventures more exciting. Who better to fill this role than Severus Snape—broken, lonely, and completely different from them, with none of the looks, wealth, or popularity?

"The more they improved the Marauders to make them more likable, the more they vilified and distorted Snape to make him easier to hate."

It's clear that when Snape is portrayed as a powerful, dark, and evil wizard (even at the age of 11), James Potter and Sirius Black are turned into justice-seeking heroes, making all their bullying and cruelty towards Snape seem justified and even heroic.

Now, ask yourself: Is it easier to like the James Potter from the books—Arrogant and a bully—or the James Potter who is handsome and kind, punishing an evil villain worse than Voldemort named Severus Snape to save other students and his girlfriend? This is how the Marauders became charming and popular heroes, and Snape became a evil.

Many fans don’t even know Snape. From the moment they enter the Marauders fandom, they learn that they must hate Snape, and this trend continues. They only read the books with the intent of magnifying Snape's flaws, which is why his faults are highlighted even more than Voldemort's, and wherever Snape’s name is mentioned, they feel obligated to display their blind hatred to prove their loyalty to the ideals of their beloved Marauders.

[oblique-lane]

idk if youve done it yet but i would actually lose my mind if you did an analysis for demo

Aye aye captain 🫡 Time to overdramatize again!

Let's address Demo's wounds

(Demo's backstory was changed through the years but I'm sticking to the older version because I find it more grounded)

Demoman's story is easily one of the most tragic of all the mercs. Imagine you have been abandoned from birth, your parents simply rejected you for what you are. But luckily you have been adopted by some good people who replaced your parents and made you a relatively happy child.

And then you accidentally kill them. You're 6 years old. How does that feel?

I can't even imagine how a child's brain can't comprehend the idea of being a murderer. It was an accident, of course, they were blown up by a big explosion he created (genius kid found out how to do that, huh?) but still. His parents were dead and he knew it was his own fault. He learned he was dangerous as he is.

How was it like pondering about it in the orphanage?.. "I didn't want this! I want to go back and fix it, I'm so sorry", something like that. But he couldn't go back in time, so being covered in such an avalanche of guilt, he learned he needs to repress himself.

Demo have always had an explosive temper (no pun intended), it was his true nature, pure emotion: if he's happy, it's 100%; if he's angry, it's a full blown storm. If he loves, he loves with all of his heart, and he has a big one.

Living on the impulse, all or nothing, that crucial accident revealed that letting his true nature go will only end up as destruction in the end. Irreparable damage.

We don't know what exactly was happening to him during his orphanage years, but if I'm to guess, repressing everything about him: his interests, his character, his whole nature, was a thing to choose. He thought that he had to become still and quiet as to not to repeat that kind of tragedy ever again. He probably didn't have people to be friends with either, either because people rejected him for his past, or he avoided them himself due to his internalized shame, at least that's a guess.

But everything repressed returns to the surface sooner or later. As a child, living for so long under overwhelming guilt, grief, hate, pain and sadness, under the skies that are almost never sunny in a all-year-long damp and coldness of the Ullapool. Incomprehensibly grey. It was depriving.

He was always fascinated with explosions. He didn't touch it for a long time, but maybe something like seeing fireworks again one day made something inside him tremble... And to remember.

Explosions. Launch... Acceleration... Release. And every time the release happens, his soul fills with excitement, the body feels lighter and shivers go up the spine. Release happens inside his head too, for the explosions make his worries and pain go away for a moment.

He couldn't find another way to release his bottled up emotions, so gradually he returned to make explosives again.

It was something like an addiction. Similar to pyromania, except no one bothered to research this one. At the moment of explosion he could let his anger out, he could scream, he could run around freely, he could sense heat in his chest; he could be himself. As he once was.

Everything was cold. But the explosions were hot.

He thought it was under control, just a little bit of KABOOM after school, but he craved more and more every time, more vivid, more violent...

That's how he lost his eye. (...Was it a subconscious act of selfharm?)

The missing eye was a forever reminder of how deviated he actually was. He learned that he couldn't repress or change what he truly is - a monster. A Black Scottish Cyclops, wether it were his peers who called him like that or he himself, out of misery. There was indeed something seriously wrong with him.

It seemed like the only thing he was capable of is destruction. Destruction is the only environment he's comfortable with. Peace was always so anxious and depriving, and breaking things felt calming, so he figured it must be right.

And then his birth mother came and took him back, "now that's he's a worthy DeGroot". It was unexpected but... Pleasant. So he wasn't THAT worthless after all, huh? Turns out, it was really familial, the destruction thing. At least he found out that there was a reason behind all of this.

His new mom was, saying honestly, pretty cruel with words. She was not at all gentle, she was very strict, demanding and straight up abusive. It was never enough for her no matter what Demo did. She didn't want results from his work, she's just always wanted to mess with his brain.

And for whatever reason... This setup felt right for him. To be thrown around like that, to be humiliated harshly, it felt fitting, it wasn't causing anxiety or anything. He has to be a scapegoat, he had to forget about being a child and to start working as an adult, at the same time somehow replacing a father he still didn't have, but it felt good enough. Confusing relationships felt good enough.

Destruction was his habitat, and his heart could no longer accept anything else.

Cruelty wasn't warm though, just familiar, just an environment to not to go insane. But he craved warmness so badly... Yet every time he would get close to someone and receive a little gentleness and care, it would feel sickening. It felt unnatural, it reminded him of his lost parents and of everything that's wrong about him.

The only warmness his body could accept was alcohol, making him bubbly and comfortable and relaxed. He almost felt normal, happy even. Alcohol heat made him melt, and he felt so fulfilled as if he was in paradise, back to the womb.

Yet after the effect wears off, he feels lonely as ever. Quickly, existing without alcohol becomes pain. Existing at all. He became an addict.

Not that everyone he met rejected him, rather, he subconsciously reached out to those who would be cruel to him. Again, gentleness hurts wether he knows it or not. He's only good in destruction.

Lonely and clingy, ready to overshare, overall mess yet carrying a big baggage of love that has no one to give it to. Maybe because he can't give it to himself in the first place. There's so many issues unresolved because he can't handle them alone, yet there's no one to help since he was already trapped in a closed circuit of self sabotage.

He will keep acting like a party beast, always crazily emotional and overdone upbeat, a simple drunken man who will not be taken seriously that way. Maybe that's what he wanted, to not be seen as deep by anyone for not be reminded of his misery once again.

Seems like we bought that too.

...

The enemy Soldier might be an exception though. The man he really treasures his friendship with turned out to be an enemy; repeating the rule again: it's only acceptable when dangerous. Soldier deeply cares for Demo, however he's not gentle or pitying, he's as destructive and explosive as Demo is, and these two are a very rare perfect combination of destructing each other in the act of love. Both broken beyond repair, soul on soul, forever to be misunderstood by the outsiders. This is something about this relationship that looks like a golden lining.

They will not fix each other, but they sure are going to have a good time!

[quirkle2]

so one thing i rly like abt mob psycho (shocker !) is that the Incident between the kageyama brothers is kept entirely contained. like, most other shows—at least ones that i've watched—feature long monologues of characters traumadumping to other characters, sometimes in the middle of fights, and while that Does happen a lot in mob psycho, the kageyama bros never do this abt The Incident, and i think that's a fascinating choice bc The Incident is the entire reason why the show starts in the first place. it's the reason mob meets reigen at all, it's the reason mob doesn't fight back against teru, it's the reason ritsu goes through his character arc. it is arguably the Most Important Story Beat and the show has countless opportunities to let the characters spill their guts on screen for drama, and yet neither of the brothers let this spill. neither of them talk about it, except with each other

there's been numerous times i've watched shows where people suddenly traumadump and tell their life story unprompted when truly not a single soul asked, but with mob psycho, both the bros are Constantly berated with questions on Why they do these things; Why are you so off-putting and quiet, Why do you not use your powers, Why won't you fight back, Why do you want psychic powers so badly, Why are you ruining these students' lives now that you have them, Why are you helping me defeat my evil dad . all of these questions eventually loop back around to The Incident, and yet neither of them ever let it slip. neither of them Ever share, and the only time they come anywhere close to it is in the wd arc

it is the event that Shaped Who They Grew Into, and yet it is not known by the main cast at all. teru has no idea, even reigen doesn't seem to understand the full extent of it, even though The Incident is what caused mob to come to his office. their parents prolly don't even know

idk, i just think that's a good detail. the brothers both hold the weight of their troubles close to their chests. and even though that makes it seem as though they figure it out on their own, it couldn't be further from the truth

their own experiences with the people around them allowed them to grow and make mistakes and learn from them, all without sharing their deepest secret, and then both took those new experiences and lessons and applied it to this issue, and learned Again

meanwhile, the rest of the cast is largely clueless abt this Entire issue. it's Crazy to me that most of the cast has no idea what the main issue is, and i think it's a brilliant choice. these characters helped the kageyama bros without ever meaning to or knowing about it, no matter how big or small the role. you truly never know what somebody else is going through !

and even in the end, it's not like there's a big reveal that tells every character the kageyama brothers' Tragic Backstory. nobody fucking knows, still. like Yeah they should totally talk this out and go to therapy or smth but i just like the fact that the story doesn't treat it as some dramatic fanfare for Other Character's Shock Value and doesn't let them air their troubles to the ends of the earth. i appreciate that

[katabay]

L'APPEL DU VIDE

okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.

this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.

combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.

jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.

to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:

J. G. Ballard, The Drowned Giant

anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost