Chapters: 1/1
Fandom: Stranger Things (TV 2016)
Rating: Not Rated
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Robin Buckley/Nancy Wheeler
Characters: Robin Buckley, Nancy Wheeler
Additional Tags: mermaid Nancy, Mermaids, This is supposed to be a horror story, well it's a horror romance, First Kiss, Getting Together, Falling In Love, Robin is a hopeless lesbian, Nancy is lonely, they find each other at a California beach, look I don't know what to put here, somewhat folk tale type of shit
Series: Part 7 of Ronancetober 2023
Summary:
It is vital to remember to not go to the beach past sundown.
Robin tapped her hands against her knee. She didn’t want to be here. But she was still only 17 years old and that meant she wasn’t treated like a human being yet. Instead, her parents got to decide whatever she had to do. And right now, that meant a two and a half month vacation to the coast of California. Not to Los Angeles or San Francisco or San Diego but to a small town called Sola Virgo.
It was so small that it wasn’t even on any of the California maps, Robin had checked. As far as she had been informed, the town lay somewhere north of San Francisco. It wasn’t well known for anything. And the worst part might have been that the beach was closed past sundown. There were signs all over the roads leading up to Sola Virgo that indicated just that.
OR
Robin meets a mermaid by the name of Nancy and instantly falls in love.
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Promoting this old work because I read it again and I still can’t believe it flopped the way it did. It might not be my best but it’s still pretty good.
just read the most perfect fanfic of all time and i find out it's not a like 15 chapter series it's a ONE-SHOT. now i'll never know if miss sugar went to see mr miller 😔💔
the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
Love that Oppenheimer is a deeply disturbing horror movie about a man forced to accept that he is, in a person, the representative manifestation of mankind’s evil in committing one of the greatest horrors of human history - LITERALLY acting as the modern Prometheus, tormented by his sins for the remainder of time. Knowing that he will never be pitied and his actions will forever be utterly unforgivable because the blood of genocide and the potential of total human annihilation will eternally drip from his hands.
But also the simultaneous indictment by the film that to blame a single person for the Manhattan Project is to refuse to accept your own capacity for great evil if the ends ever seem to justify the means, and the culpability of every member of a species that lets itself create something so unspeakably terrible.
Hate that twitter’s take on such a nuanced and brilliantly handled examination of those issues is “movie bad because protagonist not evil enough.”
so I see a lot of people going "hahaha wild that Jon thinks everything (such as the apocalypse) is his fault when it REALLY isn't" and they would be correct but I keep thinking about why it is that he's like that. I think a lot of people simply put it down to "that's just how he is as a person" when I really think it's more of a combination between personality, how he was brought up (not that well) and the web.
in mag 81 he's never that specific about what his grandmother was like, and is very clearly trying to make her sound better than she actually is. but to me it sounds like she instilled a feeling that any and all problems that occurred throughout his childhood was his fault, or made worse by him. I'm thinking something like "I'm feeling so bad right now because I have to pick you up from school every day." and if she did do this, clearly it worked because he is, in his statement as an adult, retroactively pinning the blame for all his childhood problems on himself for being a "deeply annoying child". I really think that it's not normal to think you are to blame for someone else bullying you and that it was probably caused by his grandmother making him think he caused everyone's problems.
the mr spider event shocked him in a lot of ways but one of the main things that shook him was that he felt like he could've prevented what happened and he could've saved the guy's life. obviously this is ridiculous - it's clear to us that the web pulled him down the exact path which would lead someone else to interrupt his reading and get captured themselves. however Jon does not know this and clearly thinks he should've done better. I think that this, along with his upbringing, started the distinct way of thinking that he has where he decides that everything is his fault.
the web knew this would happen and then utilises it to make sure his crushing sense of responsibility causes him to get all 14 marks and then to, unwillingly, play his part in removing the fears from the universe.
sorry for being gone for so long I went through the deepest depths of the mariana trench to the very corners of outer space only to realize I was bisexual
You can make an argument that any big three kid is the oldest, except for Jason.
Like, biologically, Percy has aged the most, he’s physically 17, which is more than any of the rest of them has reached
Thalia has mentally aged/matured the most, even if she stopped biologically aging at 15 years and 364 days, and should chronologically be in her 20s but spent some time as a tree where she aged slower.
Chronologically, Hazel was born the longest time from the present day, but she also died, and was in the underworld for decades before being resurrected, so that time didn’t really count for her, and she’s physically like 14.
Nico has been alive for the most time, but for 70 years he was in a place where he couldn’t physically age. He’s like…15 now and is aging normally, but has been alive since world war 2.
And then there’s Jason. Who had no wacky time shenanigans and died and didn’t come back. (Yet) honestly, and outlier who should not have been counted
HAPPY ANNIVERSARY TO MICHAEL AFTON DRAGGING HIS FATHER TO HELL TO TORTURE HIM FOR ETERNITY 🎉🎉🎉🎉HERE'S A BUNCH OF VENGEFUL SPIRIT MICHAEL ART IN CELEBRATION + WILLY BOY GENERALLY GETTING TORTURED
[Commissions for Palestine are open! Check my pinned for details!]
Thinking about the weird camaraderie that exists between demons but not angels in GO.
Have we ever seen two angels who are actually friends? Or even friendly to one another? We have met angels with a capacity to be friendly in general, but I think the closest we've come to two angels actually getting along would be Gabriel making a point to laugh at Sandalphon's terrible "can't have a war without War" line in S1.
Most scenes between the angels actually seem to have an undercurrent of absolute hostility. Teeth-clenched teamwork. No wonder it took them so long to notice that Aziraphale wasn't on the same page as the rest of them! The rest of them are barely on the same page as one another, either! When Gabriel goes against the majority vote, no one bats an eye at demoting him and wiping his memory. Michael and Uriel immediately begin vying for his job. The only times we've seen angels team up is when they're working together to bully someone else, like when they're trying to intimidate Aziraphale in S1 or going to the aftermath of the bookshop raid in S2.
Saraqael's overall neutrality towards Muriel is the closest we get to two angels in Heaven getting along, and it's more a lack of hostility than any kind of friendliness. At least until Gabriel loses his memories and Muriel shows up to spy on Aziraphale, and Aziraphale decides to be kind to both of them.
Demons, on the other hand, actually seem to form alliances and even friendships among one another. Hastur and Ligur are awful, but Hastur seems genuinely distraught over Ligur's death, not just fearful of suffering the same fate. Shax and Furfur conspire together and even though the 1940's investigation into Crowley's fraternizing doesn't work out for Furfur, it's not due to any double-crossing on Shax's part. Unlike the angels, who stick almost exclusively to making threats until the Metatron decides to try dangling a carrot at the end of the season, demons actually offer rewards to other demons when trying to work together. Beelzebub offers Crowley a promotion if he can bring them Gabriel, Furfur offers to back Shax up politically if she goes for the Duke position opening, and Crowley successfully stalls Hastur in S1 by pretending everything was a test and he's going to be put in charge of a legion as a reward for passing. They're still not great at socializing, but they're significantly ahead of the angels.
Of course, it's a fact that demons are awful to one another (Eric's treatment is really bad, they throw that random demon into holy water just to test it, "it'd be a funny world if demons went around trusting one another", etc) but they still seem more capable of forming friendships than the angels do.
I think that's because Hell cramps and crowds everyone together to try and increase their suffering and hostility, whereas Heaven isolates angels to decrease the odds of questioning or rebellion. Hell's methods are unpleasant, but it still ends up putting demons together, and some of those demons inevitably forge alliances and make friendships. Because as Crowley and Beelzebub demonstrate, demons are still social creatures with the capacity for love and affection, even if it's strongly discouraged and buried under nine million layers of trauma and a cultural mandate against kindness.
Angels are the same, but isolation makes is harder to form connections than overcrowding. Muriel and Jimbriel are both so eager to make friends, but Muriel's spent the past millennia shut in an empty office, and Gabriel has been distanced from his peers both through his position and also through Heaven's culture of fear and surveillance. He only breaks away from it when he finds something that's stronger than "choosing sides" (stronger than the fear of being rejected by Heaven and Falling, in fact strong enough that Falling seems worth it if he gets to be with someone he loves). Both Muriel and Gabriel are only able to start forming connections when they're away from Heaven.
I just think it's interesting that demons, despite being supposedly devoid of love, have an advantage in forming relationships compared to angels. Angels are supposed to love, but have far fewer opportunities to actually do so. Demons aren't supposed to love, but they make connections anyway.