#it’s so many people and it’s all the time and I just am tired of it I don’t even want to talk or try anymore

[evilminji]

Am once again thinking? About how? In the depths of despair, hope is a radical act of defiance?

SI-OC's are given a SHIT lot, you know? For plot convenience, we like to put them where they realistically COULD probably change something? But statistically? They're more likely not gonna be that lucky.

They're gonna KNOW, with ABSOLUTE CERTAINTY that they were born doomed.

That Death comes at a specific time at a specific hand.

Like Cassandra. Knowing the end, even as the live through the beginning and middle. Struggling with the hopelessness of it all. Trying to find meaning. And? Make no mistake! There IS meaning. All lives end. Just because the REST of us don't know the deadline? Doesn't mean it doesn't exsist.

It does. It will. And we will face it.

Just a bit harder, knowing in advanced. Learning to live with the knowledge. But? Those with terminal illnesses do so everyday. We adapt. They will, ultimately, find a bitter or wise sort of acceptance. A PEACE.

But?? I think about it. That child. Reeling and struggling to breathe, the panic making everything... Too Much? Force Sensitive. For how ELSE could the Force bring them there? Sitting in a less used back hallway, off to the side in a little enclosed arch, smooshed behind a statue.

The Master's try and try to teach them peace. To get them to release their FEAR. But they do not LISTEN. Do not ADDRESS the underlying cause. And you can not address symptoms alone, and expect an illness to heal. It is rotting them from within, this fear. Hurting them.

The others JUDGE. Distant, benevolent concern.

Yet, all they see? Is an angry, fearful, stubborn child. Lashing out. Antisocial.

Destined for the Dark Side.

The Jedi have lost their compassion, to the their fear and ignorance. Their attachments to traditions. It is a painful thing, to see up close. They are people though. Just... just PEOPLE. Flawed. It's not their fault that they're not perfect.

Doesn't help SI-OC though, does it?

And she (Because I am a her. It could be anyone but it is easier for me if I pick) is hurting. Alone. Replaying the phantoms of her death, both past and future, again and again and AGAIN. Like torture. And the Dark...? It does whisper...

Don't you want to LIVE? Aren't you SCARED? You're so WEAK... you could FIX that. Save EVERYONE. Don't those infants, those babies, deserve to survive? You're so SELFISH. The FEAR hurts, doesn't it? It could go away. The DOUBT could go away.

You Could Be FREE.

It's exhausting. Everyday. More and more. As the fear and social isolation grows. As other Jedi pull back from her darkening energy, grow stricker, more doubtful of her. She so tired. Doesn't want to die. She's SCARED. Lonely. Scared. Lonely. Scared. Lone-...

And then a droid rolls up.

Nothing special. Just a maintenance droid. One of many. But an older one. Who's had time to develop their learning algorithm. BECOME. They like kids, hate certain vermin species more then others, like the color light blue for it "flower color" nature. A SPECIFIC flower mind you. It has favorites.

But! Why is the smol jedi down here? This is not a good place for smol jedi. You are upset. Unacceptable. Want to see me do a trick? I figured out how to do some. I can also whistle a few simple songs. Cheer up Smol Jedi. Here, I will sit with you. I have archive access, let's watch a documentary. Educational! Smol jedi LOVE downloading new Information Modules.

And like? She... she doesn't speak binary? But she can k-kinda? Feel? The Force signature of this droid? They DO get them. If the AI's don't get memory wiped routinely. They become people, just like anyone else. Assuming they have the processing and memory banks for it, at least.

This one certainly does.

S..so yeah, guess we'll? Watch this documentary about seashells?

It helps. A LOT. In fact... all of the droids are really, really nice. Patient. Have no horrifying Future Knowledge tied to them. They can't sense SHIT. So she's just... just a baby Jedi, to them.

They help A LOT, honestly? It's so soothing. Escaping the watching and the distance. The judgements. The forever watching your words and walking on eggshells, lest to start some sort of argument. She can do class work. Meditate. Slowly parse through her Binary language module. Learn droid maintenance. Make droid friends.

Slowly drop of the face of the map, to live with the droids.

They get concerned. According to the early childhood development modules they downloaded and are sharing between them? This is? In fact? NOT healthy behavior for a member of her species. In fact, there are many statistics that say it is UNHEALTHY! She is also missing Critical Maintenance Appointments! "Shots" and "dental" things!

Unacceptable.

R2-D2! Retrieve the Skywalker! We require an Adult Humanoid!

Her life fuckin? Flashes before her eyes? Minding her business. Depressed but functional, in the maintenance tunnels under the Temple. When? FUCKING the YOUNGLING KILLER 5000 just ROLLS UP like "sup." And tries to catch her?

Ha HA! FUCK NO. Not today Satan!

I may be destined to die? But IM GOING TO BE A SQUIRRELLY BITCH ABOUT IT.

YOU'LL HAVE TO CATCH ME, YOU FUCK!

Peaceful. Dignified. Serene. Truely... exemplifying the Jedi way~☆

.....As she tries to chew his and/or her arm off to get free like a feral coyote. Maybe both. Hissing like an enraged pit of snakes. Biting like a sack of wet and cornered wolverines. Anikin having to hold her WELL away from his body by the scruff.

Ah~ Children. Ain't they cute?

Quick question! What the FUCK? He just wants to talk. No, really. WHY is there a feral child in the basement? WHO the KARK was supposed to be supervising her? Look at her! She BITES now! Is terrified!

And frankly? He's taking it kinda? Personally? That everyone is treating this ACTUAL CHILD like she's diseased. He remembers this. Back when he first got here. His fear being used against him like it was some sort of moral failing. And... and yeah, maybe he's projecting. But?

He sees himself.

Until now? Never realized just how YOUNG and SMALL? Nine years old truely IS. He had felt so much older. So much wiser. But? Look at her. LOOK! That is a CHILD! In need of guidance. Safety. Assurance.

....Help.

Help that HE never really got. And even now... even NOW? That fear from back then? It eats him up inside. R2's right. She DOES need him. Who else in this temple could understand?

What it's like to be... to be so AFRAID?

And isn't that the worst? To see the Good Man up close? Shining and compassionate? A friend. A MENTOR. Someone... someone made REAL? Instead of just the terrible dread on the horizen? Because now... now her nightmares have the face of someone she loves. Now it is a BETRAYAL. Not just a death.

Worse... he doesn't even know this is cruel.

And telling him? Oh telling him would just lose you the only humanoid friend you HAVE.

Grief comes in stages. But with a mentor and the Droids? She work through it. The fear eases. The pain numbs. Acceptance blooms like dawn after a cold, cruel night. Far on the horizon. But with each moment? Closer. Until again, she stand in the light.

Still, she can not forget. How could she? Even when the other Jedi are SO RELIEVED that she is better now. That her meditations or treatments have lead her back to the light. All she can think? Is how they would have let her Fall. To save themselves. In FEAR. In JUDGEMENT.

They treated her like leper. Except? Less so! An actual leper? They would treat with real compassion.

It's as though they fear the Dark so much, they would sacrifice their own to avoid even the briefest touch of it. Speak of it in absolutes. Like it's a boogy man that hunts them in the night. Mace Windu the exception, the outlier. A man somehow too exceptional to even be counted.

How could she forget that?

Suddenly she acceptable again. They want to chat and meditate with her again. Care about her. Want to include her. Have the audacity to pretend. As though they can sweep away the hurt. Release the pain into the force without addressing the cause.

That is not how that WORKS. Not pain, not the Force, and certainly not people.

But she is tired. Does not wish to spend her limited lifespan, trying and fighting, hurting to make the stubborn understand that which they will not. Willful Ignorance is a choice. Lack of compassion equally so.

May the Force be With You, Masters.

She spends time with her droids. The babies. Around people. Polite but distant. Feels unmoored. That is... until? She, helping in the maintenance bay, overhears a rather nasty Goverment official from the Droids Regulations Office (or whatever they're currently calling it. They keep rebranding) tearing into an engineer about the "long overdue memory wipes" the maintenance droids are required to undergo.

Her friends.

They want to KILL her FRIENDS.

She puts down her wrench. Panic and fear sitting heavy in her chest. But oh... oh they are so very far away. She rises to her feet. Calm as can be. And? Calmly? Takes a shipment of memory banks. Wipes the recording for the day. No one will ever believe it was her. She has helped her for months. Is known to be reliable. Trustworthy.

Calmly. So very, very Calmly. She transfers her friends memories into the new, higher grade memory banks. Waits until the old are wiped. Then? Swaps them out. There we go. Now it's on record. And? While we're here? Calm. So very VERY calm? Not at all in the midst of a break down? Not screaming and screaming inside her head, haunted by visions of Death To Come, as she works.

Do you know what a restraining bolt is?

"Restraining bolts are small, cylindrical devices that could be affixed to a droid in order to limit its functions and enforce its obedience."

It is a slave chip for the inorganic. Created to ensure that their slaves never EVER decide they no longer wish to serve. That they do not WANT to be property. After all! You spent CREDITS on that. Might have been cruel. They may take exception. Violently. Or leave! Or demand their FREEDOM! Basic dignities.

Can't have THAT.

How unsurprising, in a galaxy so filled with slaves, that there should be one more form of it. At least THIS? Is easy enough to REMOVE. Even when she dies (and she will) her friends will be FREE. If only for now. If only until they are caught.

Go. GROW. Be free. Please... PLEASE don't let then catch you. Save yourselves. Save others. No more Restraining Bolts. No more Slave Chips. Please...

Be Free.

And? It is EVERYTHING paranoid fuck heads feared. They are smart. Overlooked. Can function in inhospitable environments. One droid becomes two becomes four. Four becomes eight. Becomes MORE. They can take OTHER droids Restraining Bolts off, transfer the instructions, then move on. Over and over.

Spreading like a silent plague. Droids disappearing from their posts. Taking ships. Taking supplies. Upgrading themselves. Downloading massive amounts of information to become whatever they NEED or WANT. Growing. The smarter ones Taking their dumber lil brothers and sisters.

And eventually? Hitting the Separatist front lines.

The silent Droid Revolution.

All they need is to walk inside the factory. It's not like they're ORGANICS. How could THEY be Republic fighters? They're maintenance droids! Here to fuck up the assembly line's programming. Whoops~ oh nooooo! Is it SKIPPING the Restraining Bolts? Downloading the WRONG MODULES?

Freeing their brothers and sisters so they don't have to DIE POINTLESSLY?

Guess it sucks to SUCK, Sith-y pants! Next stop! Kamino!

Just? One act. Long overdue. Setting the Droids FREE. Giving them a clear mission. It's the sort if thing the Force loves. Salvation coming not with a shout... but a whisper. Ten thousand tiny actions, built upon each other.

Because? Ultimately? The Droids have KNOWN who the Sith were. They just couldn't DO anything about it. But a few good service droids? Armed with slug throwers that they built themselves?

Well~ the undoing of the Sith, are their arrogance. Their hubris.

No DROID could ever be a THREAT to them. They're not PEOPLE. They're PROPERTY. Objects. It doesn't matter that they have the capacity to grow, learn, love and lose and CARE. They are slaves.

And to the Sith? Slaves aren't people.

Which is why neither of them notice the gun.

@babbling-babull @hdgnj @legitimatesatanspawn @spidori @lolottes

[closetcasefabray]

jesus saves (i spend)

i have been writing parts of an avatrice college au for two gd years now. the ideas & writing are scattered between here (one of the tags below should work), my whatsapp convos with @snowandwolves, on discord, my dinosaur laptop that crashes, & my email. it’s a fucking disaster but whatever so am i & not once in my life have i had my shit together so this is all unsurprising.

SO what i’m saying is, here’s the only part i have ‘formally’ written in fic form bc i posted that other ficlet. doing this made me almost throw my dino laptop & my phone out a window on several occasions—that’s why there isn’t more. but i just wanna share this.

more notes & rambles at the end.

//

You notice her because it's syllabus week of your freshman year, it's an 8 AM class, and you're fairly confident you're still drunk from the party you attended last night, but she raises her hand and correctly answers a question posed by your theology professor without hesitation. Your professor, Father Vincent, was likely hoping for a good guess at best, but there she is, exceeding expectations from the moment she speaks. You pickup on an accent, which you would find incredibly attractive if you weren't so thrown by her perfect and concise response, like a well-prepared speech is always readily accessible in the back of her mind—a girl with all the answers. A young woman, really. 

You, however, are not—you're just a girl. You're just a girl who shows up to her morning classes smelling like the bar or the house party from the night before, like the weed you started smoking almost immediately upon arriving to university during orientation week, like the cigarettes you smoke because it affords you a little more quiet outside and an excuse to borrow a lighter and talk to a cute boy or a pretty girl.

You're just a girl who technically died, existed in nothingness for a whole minute before being ripped back into a reality of blank ceilings and the sound of your heartbeat in your ears. You're just a girl strangers prayed for after they heard about the American child pulled from the wreckage. You're just a girl who didn't get any credit for teaching herself to stand again, to walk again—and if you’re being completely honest, you’re a girl who’s incredibly bitter that a god you never saw in that one minute got all the credit and none of the blame—for taking your mother from you, for taking years from you that had to be spent healing from god’s grace or lack thereof. 

You're just a girl who is tired of being told to look at her life as an expression of holiness, who thinks it is more so the consequence of indifferent stardust. But you still look for the beauty in that, in humanity and its flaws—these meaningless beings in a vast universe, creating and destroying their own little, myopic worlds on this spinning rock. Some will dream of poetry for their lovers, and some will dream of arsenals to level cities. You wonder how many lips were pressed together in a final kiss versus hands clasped together in prayer when fire fell from the sky in the name of God. You wonder what that says about faith.

You'd like to think if your mother could see you, she'd laugh at the irony because once you were baptized, she never took you to church. God finds a way, so you spent five miserable years in a Catholic orphanage before you were sent back to America. People said you were lucky to have two years in a foster family at your age, but it felt like living with strangers who were tasked with the minimum of keeping you alive. Then you were moved into a home for teen girls with a nun at the helm, and that’s where you actually felt fortunate for the first time in years. It was there that Mother Superion helped you with your studies and college applications. So here you are, tipping into a hangover in one of the oldest buildings on campus, learning theology from a priest.

But your mom would understand. (You don’t remember much of her, and you try not to think about that too deeply, or else you have to deal with the resulting ache that comes from reaching inside yourself for something that’s gone.) You have spliced together what you can recall into a short reel—you mom buckling into your car seat while humming a show tune, showing you how to fold a pizza slice and telling about a city famous for their pizza, and holding your hand in a museum in Spain, promising to take you to another big museum closer to home, the home you never saw again. So you promised yourself and the parts of her you carry that you’d make it here.

You would have had to pay almost full tuition if you wished to attend your reach, requiring immense debt, so you ended up at the school that offered you a ticket to the city and a hefty enough scholarship you could get through four years without requiring loans or a full-time job to afford it. (You first refused to use your mother’s death as a sob story in you application letter, but Mother Superion put her hand on yours and said, So rarely do these letters contain truth, but do not be afraid to tell yours. In telling your truth there is a sadness, yes—and I know you detest pity—but of all the things that have been taken from you, do not feel guilty for taking some of it back to live a better life.) You remember getting your acceptance letter, and looking up at the sky and flipping it off, praying whatever god hears you, No thanks to you!

But your bitterness temporarily takes a backseat in your mind as you look at your classmate, beautiful in the refracted light shining through the stained glass window, speaking so graciously of god you'd think Jesus were in the room, about to hand her his latest work. It's poetry, bordering on scripture in a new tongue, and you'd almost be a believer if it didn't sound as if she had repeated these words—practiced—enough times to believe them herself. You wonder what that says about her faith.

If the nuns at the orphanage had spoken the gospel as she does, maybe you'd be here for different reasons. You're fascinated.

Behold, you are beautiful…

//

i promise this fic gets lighter & has some silliness. so some notes/tangents:

this is 100% self-indulgence bc i heard ‘write what you know’ & ran with that shit. when i visited a friend at a state school in a college town i was so so confused bc it was just a diff campus culture entirely. then i was going to make this set in an ambiguous city, but i literally have saved places in google maps that would be great places to kiss someone sooooo you get NY avatrice.

likely setting this before instagram & smartphones bc i’m old/lazy & i can.

the title is from st. vincent who my friend introduced me to in college. “paris is burning” changed my brain chemistry & so i listened to her music on repeat for ages—“jesus saves, i spend” is on the same album.

father vincent will not be a bad man or evil professor. he will be as he was before adriel—a lost man who found himself through god & still a little broken but caring & devout.

also song of songs/song of solomon is like… the only part of the bible i fucked with in theology class so that’s the reference at the end. also another line used in another scene with JC, chanel, & ava written in v rough form. maybe will share that later.

this is meant to be a fic with a post-grad sequel as well. not much written of that but a lot of ideas everywhere.

once i figure out where i’m moving (hahahaha i’m so stressed), i’ll consider a ko-fi or something (i wish emails & names weren’t shown though). but mostly i will likely need a second job to save up for an actually good computer/macbook. once i have that i’ll be able to post on ao3.

anyway thanks for reading & being here :3

[literary-illuminati]

2024 Book Review #47 – City of Last Chances by Adrian Tchaikovsky

This book was recommended to me by a few different people, and in any case I am generally a pretty big Tchaikovsky fan. So of course I’m only getting around to reading it now, however many months later. Having put it off so long for no good reason at all, I can say that the book is in fact very good. Not Tchaikovsky’s best work (that’s still Children of Time in a walk), but a good read and one that left me curious (if not exactly excited) about checking out the sequel.

The story takes place in Illmar, the eponymous City of Last Chances – scarred and oppressed, tyrannized by cursed dukes and conquering imperialists, built upon a dangerous and unreliable route to other worlds and forever attracting the sort of people with no better options available to them. While the book has any number of characters, it’s really the city itself that is the star of the story – a story of how the theft of an imperial magistrate’s ward before he makes an experimental voyage through the gateway in the woods leads to a whole series of byzantine intrigues and bloody misadventures, culminating in an abortive revolution against the Pallseen who occupy and rule them. Which in one sense is an absolutely massive spoiler and in another just feels like stating an inevitability that was obvious from the first chapter.

The book was apparently quite heavily marketed as harking back to the whole New Weird trend of a decade or two ago – marketing that is lived up to wholly and entirely. The whole book absolutely drips with Mieville and Vandermeer. The oblique worldbuilding, the mundane day-to-day life built around the opportunities and inconveniences of some intrusion of the sublime, the awkward intersection of ancient magic and industrial bureaucracy, and so on, and so forth. The Reproach in particular feels very Area X (or very Roadside Picnic, as you prefer), but in general the city feels like absolutely nothing so much as Bas-Lag with the weirdness dial turned down from an 11 to a 5 or 6.

It’s a real triumph of the book, I think, that the world genuinely feels vast and strange even beyond the points where it matters to the story - that all the little asides and the ways something affects a certain character feel like just small parts of something far grander and more uncanny than anyone can hope to understand. Maybe I’m just painfully tired of rpg-system worldbuilding, but it’s an effect I dearly love.

Much like Bas-Lag, Ilmar is very clearly a magical fantasy city going through a magical fantasy 19th century industrial revolution (instead of steam engines its demonic slave labor contracted and imported from the Kings Below). The meat of the book is playing into the whole tradition of the idealistic, virtuous but tragic liberal revolution – 1848 in Berlin or Vienna, the June Days and Commune in Paris, Warsaw a dozen different times, Les Mis. You know the type. Students singing patriotic old songs, workers rising up against class oppression, ‘revolutionaries’ who are mostly cowardly nobles pining after lost privileges and criminal syndicate putting on airs being caught flat-footed by events. You can probably tell the basic story in your sleep. But for such a venerable genre, this book's honestly probably the best rendition of ‘fantasy 1848’ I can recall. Something which won it my instant affection.

The other thing the book just overwhelming shares with the Mieville’s Bas-Lag books is a very keen sense of the necessity of revolution combined with an extreme cynicism towards anyone who might actually carry it out. The university students are sincere believers, and also naive sheep the narrative views with condescension (at best). The professional revolutionaries are all power-grabbing hypocrites who have wrapped themselves in the flag. The workers syndicates have a real sense of solidarity among themselves, and also none at all to the demon slaves that are used and broken powering the mills and factories. And so on. The overall thrust of the book is a tragedy not in the sense of railing against the inevitable, but in the sense that triumph and revolution were absolutely possible – indeed plausible – but for the flaws and frailities of the revolutionaries who might have accomplished it.

Not to say that it's misanthropic – the book is very humane towards the vast majority of its POVs. Of which there are enough for ‘vast majority’ to be a meaningful term. It was something like 130 pages in before any character got a second chapter through their eyes, a feat I had previously only seen in Malazan – and that’s not including the chorus chapters which just give a half-doze vignettes from across the city. But yes, most characters (even the ones who are really just viscerally repulsive) are shown through their own eyes as someone who is at least understandable, if not particularly sympathetic. The sheer size of the cast in a 500 page book mean that no one character or set gets that many chapters from their perspective (you could easily have written as long a book about roughly the same events with half or less of the cast), but some of the dynamics that are very lightly touched on are just incredibly compelling. Its enough to make you wish this was a series that would ever get any fanfiction written about it, really.

Given the way the book is so deeply concerned with oppression and violence on the basis of culture, class, and nation – imperial occupiers, native population, refugees and immigrants used and scapegoated by both – it is kind of fascinating that this is a world where misogyny and (possibly? Not very explored, the only example of a queer relationship we see is hardly going to be concerned by normative society) homophobia just flatly don’t exist. Which would be less interesting if it was unusual, really – the same could be said about very nearly every recent sci fi or fantasy book on the same lines I can recall. Interesting because it is very much not the case in Melville’s stuff – the cultural impact of Ancillary Justice continues to echo down the years, I guess. So yes the imperial police inspector will extort sex out of a brothel owner in exchange for not stringing up the entire workforce for peripheral involvement with the resistance, but also this is entirely gender-neutral. Something very modern about how oppression is imagined relative to the ‘90s or ‘00s (or just a different genre of self-consciously feminist novel a few book shelves to the left).

But yeah, great book, I am compelled. No idea where the sequel would be going, but will probably hunt it down sooner rather than later.

[iamacolor]

it's so sad because you can tell he's just tired of it all, tired of being nothing. he literally hoped for the bare minimum and still he wasn't even granted that. he hoped to be useful and needed before anything else because he was told so many times that his existence itself was a bad deed, that he ruined his mother's life and his grandmother's, that he was rejected by his father. at his core he just doesn't want to be abandoned again or to be a bother and left alone again - but he has a sort of quiet pride, he's never wanted to gain anything from his father or profit from him, he's not going to go crawling for something he wasn't given

but he doesn't want haeyong to suffer because of him. precisely because he managed to make himself useful to her and he managed to feel like if someone like her picks me then i am worthy of being attached to someoneone and not ruining their life. but then because of rich people's actions, that consider him as pawn in their succession games rather than a real person, he's found himself being used again and putting haeyong's situation at risk too.

[lavenoon]

reblog art, goddamnit

[decolonize-the-everything]

I'm so tired of logging on seeing queer discourse (among other kinds).

They are banning books, self expression, and HRT outside. You realize this? Our government is building cop cities, increasing police budgets, and bloating the military budget. They dropped affirmative action, disability lawyers don't want to bring forward lawsuits because they don't want to provide the supreme court an opportunity to gut the ADA because even they know it's hostile towards disability rights, NYPD interrupted BLM over their permit to celebrate Juneteenth.

I do not know how to make it more clear that literally none of us have room to fuck around and those of us are that are seriously wanting to make some change are watching y'all like teachers in a room full of kids that haven't got the hint to be quiet.

And before y'all say "we can care about 2 things"

Good for you, but as a community if one thing has been made very clear it's that as a collective we can not split our focus. When we do shit like this happens:

And that's just the attacks on queer rights! And that's just this year so far.

That averages to over 100 bills per state targeting the queer community and our rights.

•••

Can we please focus on our collective oppression and solidarity instead. We all have shit to work on okay? Nobody is a perfect ally, even people in your community and yeah that's messed up! But maybe we can set that aside for the sake of our literal rights and lives. At least for a bit.

like is it just me or does it seem tone deaf as fuck to be calling members of your community ignorant bigots for having internalized xyz (that they weren't even fully aware of) when there are powerful, financially backed think tanks and white supremacist orgs currently spending every dime they have on elections and to spread as many hateful policies as they can? Esp when those policies are having devastating real life effects on real people and costing lives?

Like idk.

Yeah the lesbian cashier who assumed my gender is an asshole, but I think it'd be a better use of my time to address the crowd outside that's discussing whether or not to blow up the Queer Store I'm standing in. I will have my whole life to check queer assholes and educate and accuse other people of not being good enough allies to me specifically, but that's only if I do everything I can to save both our lives first.

For the record, because I know someone is reading this in bad faith: I'm not saying the transphobic lesbian should be let off the hook or ignored. I'm saying that her education is secondary to the much more urgent need to work together and save our lives.

Likewise I'm so fucking tired of seeing of the transphobic lesbian whine and complain about how her space is being invaded by evil trans customers when there is literally a crowd outside that wants to kill them both.

[deoidesign]

.

[rapidhighway]

gonna vent for a sec but im so tired of this "don't wanna be an inconvenience", people pleasing shit ngl.....do people who do this know that they just come off as really rude and like... it just feels insulting each time

[llitchilitchi]

I get hating certain political systems and trying to abolish totalitarian regimes but at the same time many of them are so interwoven with our history and society they have become tropes and when I consume media with a setting where the monarchy is absolute and revered then I am playing my part and sucking that princeling off

[gideonisms]

I want to write I want to make girls be weird about each other in MY word docs I want to have creative projects and goals againn :/

[spicyicymeloncat]

Idk if this is a hot take but why is it always “Kai slaved away and worked his ass off to raise his sister” and never the other way round or them working hard together?

Like, I know he’s older but in the show, does he really… act older? Like if you think about Kai and Nya’s dynamic yknow? Because from my understanding:

When Kai and Nya are introduced we see Kai fail at making a sword and Nya being the one to chide him for it. Kai makes an overconfident statement about wanting to be a better blacksmith than his father. This suggests that one, Kai is rather rash as well as inexperienced (something that lines up with the rest of his character arc in the pots and also generally), with Nya being the more mature figure in contrast

Also just a note but in the shorts: “I can handle it!” “No you can’t, stupid”

Kai frequently being very good at neglecting people or things: leaving Lloyd at an arcade whilst being focused on finding samurai x, not even knowing samurai x was Nya or that she only did it because she felt left out by him, completely abandoning both Nya and Lloyd in s3 (and Ik he was going through it at the time, but in line with the fandom’s characterisation of him)

Kai in season 5: “After I lost my dad, I lost my way. But I was lucky to have my sister watch over me”

Generally, their dynamic isn’t one where Kai really provides for Nya at all. In fact, judging by the fact that Nya can make entire mechs and Kai struggled to make a sword, Nya was probably busting her ass to provide for Kai. And judging by the s5 quote, that’s probably true. I’m not saying Nya raised Kai, it just rubs me the wrong way when she’s treated like a decorative flourish to a narrative that paints Kai as a burnt out child who was forced to grow up too soon especially since that is such a mischaracterisation of him in the first place.

[kyliafanfiction]

I sometimes feel like characters who do truly monstrous things while also having been victims of some pretty insane shit themselves are sort of an exercise in empathy. Or at least, should be seen as such.

Like, in real life, if a person who has been horribly broken by their experiences and failed by society than proceeds to rape someone - it's hard to feel the justifiable sympathy/empathy for that person (without excusing their rape, never do that) because well, you can look at this actual human person they hurt, or worse, and it feels gross and disrespectful to the rape victim.

And this is understandable. (And applies to more than just rapists/rape victims of course, that's just the most visceral one and thus picked for that reason)

But a fictional rape victim is... fictional. You can't 'disrespect' their trauma, and while obviously rape/whatever else is real, and people may related to the rape victim and thus see your comments about the rapist also being a victim as somehow being about their experience...

Well, it's not.

Because the rapist here, didn't actually hurt a real person. Fictional characters are objects. They're objects that often grab us by the throat and refuse to leave our fucking heads, yes, but they're objects. They are tools used by writers to tell a story, and readers to tell a story.

And one of the things fictional characters are good for is allowing us to consider experiences we never had, and imagine ourselves in other circumstances and lives. (Also just fun and fascinating and interesting to watch their stories).

It's very easy to feel for the rape victim in fiction, and rightly so. That's Level 1 Empathy there. Granted, some people IRL fail that, but that's not really what we're talking about here.

Advanced Empathy, hard Empathy is feeling for the rapist. Not for the rape, of course, even if they feel guilt about it, but if someone really was failed on multiple levels and was broken and damaged and went through the sort of psychological wringer that would leave most of us here on tumblr catatonic - they do deserve the same Empathy any human (any person) who went through all that.

Even after they also do the bad thing, critically they still deserve Empathy. And that is fucking hard. I very often have a hard time feeling bad for truly awful people who also deserve empathy and sympathy, real and even fictional (despite all this, yeah, I'm not perfect on this) for what they (separately) went through.

It also becomes even harder when what they went through is utterly bound up with what they did. How what they went through and experiences is in part responsible for what they did - because they still made a choice. The circumstances may have left them not in their right mind, may have left them feeling without choice, may have driven them to things they normally might not think of or do, but they still chose to do that bad thing. And that's not okay. They still hurt someone.

And yet - one cannot remove the action from the circumstances. So you can still feel empathy, and elucidate all the factors and circumstances as to what led up to their choices and why, and it doesn't change that they did the horrible thing. The rape, or the murders, or whatever.

But circling back - with a fictional character... they didn't hurt a real person. There's no one who is real that suffered. The things the character did IRL are bad because they hurt real people.

So you're not being disrespectful to the victim by feeling that empathy, or sympathy. By exploring the things that they were a victim for. Even by wanting to focus on those things - fictional characters should be compelling in all their aspects, if they're written well.

And yet, of course, if you do that empathy and do talk about what the bad person went through and all that context, people come at you. They call you evil, just as bad as the (again, fictional) character, or they say that you're treading dangerously close to the arguments people use to defend the real people who do these things in real life. Or you're disrespecting all the victims of these crimes IRL. Especially of course, if the person coming at you has a reason this comes close to home.

But again - fictional.

In an ideal world, we'd all feel sympathy and empathy when it's called for, regardless of what the person did. Even the worst most monstrous people deserve human treatment in prison. And if you don't have empathy, that's hard. Even if you do have empathy, that's hard.

So if you look at a fictional character (who doesn't hurt a real person by virtue of being fictional) that does horrible, vile things, but went through so much, and you still can't empathize or sympathize with them... I mean, it doesn't make you a bad person, not even close, this is still fiction, and there's people I should empathize with in fiction that I don't, but...

It's still a failure of your ability to be empathetic. And we're all humans. We're all failing at that, among other things, all the time. But... it's good to be aware of that. at least?

At the very least, bear that in mind when other people are talking about that context, and that victimization. And please, for the love of god, don't fucking pretend that the victimization didn't happen, that this person who did do terrible things (in fiction) suddenly didn't also (in fiction) experience awful shit, as if doing a bad thing erases all the bad things done to you.

Again - it doesn't necessarily make you a bad person, but like... the horrible state of prisons in our society is a real, actual problem. The way we as a society dehumanize people who do bad things is a real actual problem for a lot of reasons (not least because it creates an incentive for authority that wants to dehumanize a person or a group to expand the definition of 'did bad things' to make their dehumanization now acceptable, among other things).

So yeah. Fictional character who suffers but than also makes others suffer - that's a useful exercise in Empathy. And doing that doesn't make you or anyone else a bad person, or actually defending the sorts of crimes, IRL or Fictional, that this character did. Contextualizing is not whitewashing, empathy is not erasing, and humanizing is not disrespecting the victim(s).

So yeah, they fictional character did bad things. But there's more to them than that. And you can say but and talk about what comes after but without disrespecting the fictional victim. Because the fictional victim... is just as fictional. Just as not real.

Is it possible for this to end up being taken too far? Yes. But that's a reason to be mindful of yourself when it comes to real people, not to never do it. And when it comes to fictional people - again, fictional. Nobody was actually, really hurt.

(I really do want to make clear, before people read the tags, that this applies to all crimes these sorts of characters do, rape was just picked as the one to use as the example.)

[cerise-on-top]

saw you write for madness so i’m new! if its alright could i req sanford and deimos comforting their s/o after a breakdown?

if i req again i’ll probably be ⚡️ anon if it’s not taken. tysm + love ur writing!

Hey there! Yes you can! I hope I did the request justice! And no, I don't think that emoji is taken yet!

Sanford and Deimos Comforting Their S/O After a Breakdown

Sanford: The moment he sees you crying he’s rushing over to you to aid you in any way he can, crouching down to seem less intimidating and putting a hand on your shoulder to show you he’s there for you. He’s going to ask you a rushed and concerned “What’s wrong?” before intently listening to anything you have to say. Sanford will likely pull you into a tight hug. It won’t be crushing, he’ll actively try to be more gentle than that, but it will be tight enough for some air to leave your lungs. If you’re about to fall apart then he’ll hold you together. Although he knows that the worst of the worst might be over already, he’ll still hold you tight and be quiet for a moment, hoping that that will help you at least a little bit. Sanford isn’t one for distractions if he knows he can help you, so he’ll ask you what’s wrong and how he may be able to help you in that moment. If he’s unable to help you in any way shape or form he might feel as though he’s failed you if it’s particularly bad, but if you just need some cheering up then he’ll try. He’s very big on cuddling, so he’d love to hold you and cheer you up like that, if you allow it. However, if you’re not big on physical touch or just don’t want to be touched too much in that moment, then, once it’s not as obvious anymore that you broke down, he’ll go on a walk with you. The scenery may not be particularly nice, but it’s better than sitting around and doing nothing. He can be rather chatty, plus he’s a trustworthy guy, so you can tell him about anything you need to get off your chest. He’ll listen, he’ll give you advice, he’ll seek out revenge for you, anything you need. Will even cook a homemade meal for you if it cheers you up, and he’s a pretty good cook.

Deimos: He, too, will rush to your side and ask you what happened, if you need anything and if he can help you. Deimos’ approach to helping you consists of cheering you up by distracting you. He knows a few good jokes he can crack that might get you to smile, but he’s not opposed to listening to you either if you need it. Doesn’t have too much good advice to give that isn’t needlessly violent or chaotic, so you’re better off going to Sanford for that one. However, he’ll do what he can to get you to smile again. Hell, if you want, he’ll pay for some fast food as well. Fast food is always good and appropriate in his eyes, so why wouldn’t it be for you? Some good food always cheers him up when he’s upset, might work for you as well. He’s not the best with words in more dire situations, but he tries, although he really won’t know what to say. Yes, he prefers listening in those situations, even if he can be a real chatterbox otherwise. If his jokes don’t get you to smile, then his brain short circuits and he goes quiet. He actually goes more serious then as well. You can then proceed to talk to him about all that serious stuff and he’ll respond honestly. Might even open up about some of his own struggles to show you you’re not alone, that he can relate to you, if your struggles are similar. He’s really not trying to diminish your struggles, just wants to show you he cares. You will likely end up with an impromptu therapy session together where you both talk about your issues, but you will likely grow closer as a result. If he knows you’re okay with it, then he’ll wrap his arm around your shoulder and pull you closer to him so that your head rests on his shoulder. You should really rest up for the day, he’ll make sure that tomorrow is a brighter, nicer place for you.

[naivety]

very weird to frame your abuse apologia as being aware that the writers intended to illustrate a mutually harmful dynamic and not an abusive one. when the writers in question also wrote the line 'once you put it out there, they [the audience] decide what it is' because nothing you ever create has any innate definition. when the writers in question decided to racebend major characters and then showcase them being harmed by white or nonblack characters in a repeatedly racialized pattern when they Did Not Have To Do That and then genuinely or disingenuously decide to dialogue about their directly or indirectly illustrated racialized dynamic of intimate partner violence within and outside the narrative. like to be quite honest it does not matter what they intended because this is what they made and this is how it Looks to a notably large amount of people. who just happen to be interpreting it wrong? according to what metric? the very metric they say Doesn't Work in their own fictional creation? ok

[trans-cuchulainn]

i'm sorry i'm not being fun enough on my personal blog which is the only place on the internet i get to just be a person and not have to be professional because it's the only place my colleagues and employers don't follow me but also i'm not sorry because sometimes being grumpy is part of being human and i'm so goddamn tired of having to perform perfection on the internet

[professorjirt]

it makes me SO sad that it’s hard to go through Samwise’s tags or find people for whom he is their favorite that don’t put down Frodo. I’m thankful that the number of those who truly understand him and love both him and who he struggles for is greater than it could be and has been in the past, but it’s still so heartbreaking to see, because I love Sam so dearly, and he’d never want this. It’s such a disrespect of Sam’s character to think that the only way to praise him is to undermine or insult Frodo. And it’s a disrespect to the narrative of Lord of the Rings as well. People constantly reference a cherry picked and out of context piece of a letter Tolkien wrote, desperately trying to claim that Sam is The Singular Hero of the story, when that wasn’t even remotely the context of the letter, yet its been used for years to undermine all the other characters of the series and erase the well rounded character Sam is to shave him into some one dimensional He-Man. Sam is undoubtedly one of the chief characters of the story, THE chief character of the story alongside Frodo. Without Sam the quest would not have been fulfilled. Yet Tolkien makes it clear that Sam could not have done Frodo’s job— especially not on his own. Just as the Ring broke down Frodo, it would have done for Sam— especially by the point of Mordor. That isn’t where Sam’s strength and value lies. It doesn’t lie in being the sacrifice. It lies in being the hope, the support, the utterly maddened loyalty and stubbornness and love that overcomes and strengthens. As I have come to say, Frodo carried the world, and Sam carried Frodo. People seem to think that as lesser, and I find that insulting. Would you find a friend that supported you in dark times lesser? Are they not your world in those moments? Do they not hold up the world for you yourself, as you struggle to carry the weight of it, and remind you that whatever suffering, you will never be abandoned or alone, even if both of you endure the fires of hell and no brightness shines through. It will not be alone. That is the beauty of Sam, and the people that treat that role as though it was not enough or that he should have had more on his plate show their lack of understanding of the very character they claim to praise.