#it's like. a joke about how that happens basically any time anyone on there says a thing that sounds like an opinion

[joelsgoldrush]

“GUILTY PLEASURE” | 8.6k

logan howlett x fem!reader

“I want this like a cigarette / Can we drag it out and never quit?” Guilty Pleasure by Chappell Roan

SUMMARY: After saving Earth-10005 from impending disaster, Wade convinces Logan, the alcoholic and easily irritated mutant, to stick around for a while. He’s convinced that nothing good can come out of this experience, until he meets you: the charming bartender with a soft spot for swearing that matches his own. Suddenly, sticking around doesn’t seem so bad after all.

WARNINGS/TAGS: smut - mdni 18+ fluff, angst, drinking, dirty talk, slow-burnish, grumpy!logan x sunshine!reader, reader is really kind but cracks a lot of jokes, age gap (25 vs 200 - they’re basically the same age), oral sex (f receiving), fingering, finger sucking, soft dom!logan, wade being the funniest asshole, logan calls reader "kiddo/kid"

AUTHOR'S NOTE: HI! first of all, i'd like to thank you for all the support you showed me on my recent post. let me just tell you that i’m LOVING writing for logan. but none of this would be possible without YOU, so yeah, i fucking love y’all.

** regarding this story, i was planning on making it even longer, but writing these two has been so much fun, and i didn’t want it to end just like that (i have attachment issues as you may infer from this note). therefore, i’ve made the decision to write a second part to this fic, which will contain fluff and other stuff (you already know the drill). i don’t know when i’ll be posting it, but i’m sure it won’t take me that long.

*** i’m also working on other one shots (purely fluff/domesticity because i want this man to cradle me in his arms). anyway, i don’t know if anyone’s going to read this, but still, all I have to say is THANK YOU FOR READING MY WORKS! i hope you really like this silly story i made up :)

**** english is not my first language so if you come across any mistakes don’t hesitate to tell me :)

special recognition to @zloshy who allowed me to rant about my own fic 😭 the sweetest human ever

The bar is far from packed, but then again, it never truly is.

Studying your regulars has become your favorite hobby. Soon you end up knowing their names, the drinks they like, and what time they come through the door. It’s what happens when standing on your own two feet and refilling glasses lose all their charm. A part of you thinks you also do it to make them feel safe. No matter how much you try to deny it, you truly care about their well-being.

Is this your dream job? Nope. Definitely not. You’re pretty sure that holding some stranger’s hair while they empty their insides wasn’t on your bingo card for this year. But sadly money doesn’t grow on trees, and university isn’t going to pay itself. Plus, this was the only job in which your resume was not immediately rejected. It should also be stressed that the drunks happen to love you. 

Perhaps this isn’t the life you had always imagined for yourself, but you were getting closer to it. You’d often talk to Adam, a retired psychologist in his seventies. He was without a doubt one of the most loyal clients you’d ever encountered. In the past, he’d even given you free advice on some of your failed hookups. You once told him that in less than two years, you’d be just like him when you got your degree in Psychology. To your surprise, he replied: “You’ll be much better than me, doll. I’m a mess, can’t you see it? You don’t wanna be like me,” his voice was hardly above a whisper as he continued. “I should be at my daughter’s birthday right now, but I didn’t get an invitation this year. Believe me, you don’t want to end up like this old man.” 

Like Adam, most of the men who frequented the bar day-to-day saw it as an opportunity to hide within the shadows. In comparison to the other pubs in the area, the one you work at doesn’t receive that much attention from the general public. A dimly lit place where only music from the 80s is allowed. You’re certain that if a health inspector ever came down here, you’d be in serious problems. But hey, you know what they say: do not worry about tomorrow; instead, live in the now.

The atmosphere of the bar shifts dramatically as the main door slams shut with a resounding thud, pulling you abruptly out of your daydreaming. You turn to see who’s arrived, but as soon as your eyes meet his, you’re compelled to look away. Nevertheless, the brief glance you catch of the stranger’s features is enough for you to unlock your phone and send a quick text to your best friend. 

You:

cutie patootie alert

there’s this really handsome guy at the bar

i don’t think i’ve ever seen him before

i think i’m in love with him

my night just got a 100% better

Allison:

age

what does he look like

is he bald?

You:

he looks like he could be in his early fifties??? it’s hard to tell UGH i wish you were here

brown hair, beard, 6’2 if i’m not wrong 

i didn’t stare at him for too long

otherwise that would’ve been very weird

and no he’s not fucking bald

that happened only once and i was not aware of that gentleman’s lack of hair 

Allison:

so you’re dating retired now

get it grandma!

You:

oh fuck you allison 

Allison: 

it’s okay girl we all have our flaws

just make sure it’s nobody’s father

wait it’s not mine right?

You:

nah your dad’s way hotter don’t you worry about it

Allison:

bitch 

Even with the music blasting through the speakers that are attached to the ceiling, you can still hear the low murmur and the whispers. The mysterious stranger seems to have attracted the attention of the other patrons, some of whom have even raised their phones to take photos. Your eyebrows draw together. Why would they do something like this, approaching the man as if he were a celebrity? Since curiosity never fails to kill the cat, you decide to get involved.

“Do I have somethin’ on my face?” you hear him ask the crowd, his raspy voice making your knees wobbly. He sounds enraged. You step on your tiptoes, trying to see what all the fuss is about, albeit it’s pretty hard considering how these men are caging him with their bodies.

The glow of a phone’s flashlight catches your attention, and suddenly, a chair is dragged without much elegance. “Enough of that, y’hear me?”

Enter you now. “Okay, gentlemen, I’m sorry. I’m gonna need you to make some space for me, alright?” you mumble as you gently push them aside. “Thank you, thank you. Y’all can be real sweethearts when you put your minds to it.”

Then you spot him, and it becomes clear why everyone is making such a fuss. 

Gary, your worst client ever, steps forward. His nasty breath clouds your senses as he rests one of his sweaty hands on your shoulder. “Doll, it’s the fucking Wolverine. Don’t ask him for a picture, though. He doesn’t seem to be in the mood for that.”

The last thing you needed to see today was a fight (despite your knowledge of who would be the winner). You locate yourself amidst them, shaking your head like a disappointed mother, so as to add a tiny bit of drama to the situation.

“Guys, what you’re doing here is completely inappropriate. I thought I’d taught you better. Imagine if I were to pull this crap on you. You wouldn’t have it.”

Adam presses his lips together, flushing a bit. “She does have a point.” 

“Thank you, peanut. You’re still my favorite,” you flash him an honest smile. Scrutinizing the rest of the men, you continue with your speech. “You can still make up for it and fill my tip jar all the way to the top. Deal?” they all scoff, barking their disagreement. “Oh, you don’t like the sound of that? Then leave him alone, okay? Class dismissed! Back to your places,” you clap your hands repeatedly, signaling them to go away. “Chop chop. All this alcohol won’t be drinking itself.”

Just like that, everything goes back to normal in the blink of an eye. Wolverine sits back down in his chair, leaning closer to the table and resting both elbows on it. He examines you, lifting his chin while his brown eyes take in every inch of you.

“Thank you,” he utters, his eyes still trained on your features. 

“No need to. It’s what I’m here for,” you point to your work clothes, which consist of an antiqued apron and a silly sticker that has your name written on it. “Can I get you anything to drink? It’s also Burger Night. You can get one for half the usual price.”

(No. It’s not fucking Burger Night. You just happen to find yourself deeply attracted to him.)

He doesn’t seem too eager to hear you talk. “Not hungry at the moment. But I could use some whiskey.”

“You sure?”

“Yeah, kid. Very sure.” Well, now he does look annoyed.

“Great. I’ll be back in a minute,” you move as if you were in a race, returning to him after a hot minute. Setting his glass down on the table, you fill it with some old whiskey you don’t even know the name of. Still, he omits that detail, gulping down two-fingers of whiskey as if it were water. “I see you’re thirsty.”

“Could you leave the bottle here?” those brown puppy eyes are begging you to do as he says, and although you’d be happy to oblige, rules are rules. 

“Actually, I can’t. The bottle stays on the counter. But you can always join me at the front,” your proposal doesn’t appear to have the desired effect on him. “I won’t talk to you if that’s what you want.”

“I’ll take your word for it,” he rubs his neck, drawing a long breath as he stands up. 

You can feel many pairs of eyes searing into your soul. The others ask you for more drinks and you pour them, pricking up your ears when you hear them talking about him.

“What a weirdo. Didn’t you see it on TV? He’s not even from this universe,” Gary explains, looking for accomplices to hate on Wolverine. “Let me tell y’all something: he shouldn’t even be here. He’s fucking dead on this earth.”

Yeah… that you knew.

It had been all over the news for weeks. Some would even swear that he was back from the dead, but that was until the representatives from the TVA spoke their truth. If someone would’ve told you a month ago that multiple universes were a thing, you would’ve laughed in their face.

As if that weren’t already difficult to process, your mind does the job of reminding you that there’s a man with metal claws sitting a few meters away from you. Despite that, you can’t seem to be scared of him. There’s something magnetic about his personality and that don’t-come-near-me-or-there-will-be-consequences expression that he has. Why had you promised not to speak to him? Dammit.

“I can hear your thoughts,” a muscle in his jaw twitches after knocking back another glass of whiskey. He squeezes his eyes shut before tapping the table with two fingers, silently asking for a refill.

“I thought you didn’t want me to talk,” you raise one of your eyebrows, and you behold how the corners of his mouth turn up for an instant. “I can assure you your liver hates you.”

“Alcohol won’t kill me, so don’t be afraid. Keep ‘em coming.”

For nearly twenty minutes, he does nothing but drink. He attempts to light a cigar at some point, and you stop him. “You can’t smoke in here.”

“No special treatment?” he inquires, placing the cigar between his parted lips and tilting his head back. He’s so… dreamy. He has to know it.

“I saved your ass today. The least you can do is not cause me any trouble.”

His eyes widen at your words, blinking owlishly. “You saved my what?”

“Your goddamn ass. You were about to start a fight.”

“Blame the idiots you have for clients,” he says, jerking his thumb toward your direction. “I was just mindin’ my own business. They came for me, not the other way around.”

“Look, Wolvie. I–”

“Wolvie?” giving a bitter laugh, he rams a hand through his hair. “That’s the worst nickname I’ve heard in a long time,” he looks at you through his lashes, getting rid of his leather jacket. “It’s Logan.”

“Wow. Your name is very boybandish.”

You succeed in making him laugh once again. It’s the perfect opportunity for you to observe his face without feeling like you were just about to get caught. He has deep creases and worry lines etched between his eyebrows, a brown beard that perfectly frames his jaw, and a few white hairs scattered in his sideburns. Pearly teeth that go hand in hand with one of the most impeccable smiles you’ve ever seen, and a pair of brown eyes that make you feel weak in the knees. You know for a fact that he’s a lot older than you; his exact age remains a mystery, but his appearance is enough for you to start fantasizing.

Shit, you want him. You should feel sickened by the mere thought of being with him. He was born God knows when, has lived hundreds of years. Still, the idea of tracing his cheekbones with your fingers while lying on his chest doesn’t leave you. This is fucked up. You are fucked up. A fucked up Psychology student. The joke is pretty much self-explanatory.

“So this is where you’ve been hiding, you preening slut. Can’t even bother to answer my calls now?”

The tension between you shatters like a glass dropped onto the floor. He doesn’t dare to look in the direction of the owner of that voice, not even as the seat next to him gets taken. He pinches the bridge of his nose in frustration. “Wade, what the hell are you doin’ here?”

“It hasn’t been exactly easy, raising our kid on my own. I don’t even have money to hire a babysitter, Lo. I spent nine months carrying your child, and for what? You end up going after a bartender,” the masked man turns to you, giving a sly wink. “No offense, baby. You must be a real sweetheart. In fact, do you want my number? The name’s Wade, but you can call me whatever you like.”

“You dumb fuck. Are you flirtin’ with her?”

“No shit, smartass. You’re the future of this country.”

A soft giggle escapes you despite your attempt to hold it back. You take a step back, admiring the two men. “Well, aren’t you two a beautiful couple?”

“You should see our little munchkin. He’s got my eyes and Logan’s hair. His first word was gubernatorial.”

“Would you like to have a drink while you’re here?”

“A beer would be great. Thank you, sugarbear. You’re the cutest,” Wade sinks back into his chair, resting his chin on his palm. He jerks his head in Logan’s direction, bumping his shoulder. “She’s the cutest. Are you two together?”

Logan rubs his forehead, speaking through gritted teeth. “How did you find me?”

“It's the power of love, baby. I had It’s All Coming Back To Me Now on repeat for hours. Couldn’t stop thinking about you.”

Handing Wade a cold beer, your eyes scan Logan’s face. “I didn’t know patience was your strongest suit.”

“Me neither.”

“Enough of that! I can’t stand not being included in a conversation,” Wade throws his hands in the air, and you look at him. “There you are. So, what about you? Are you even allowed to be here? Did bars change their policies?”

You can’t help but snort. “I’m 25.”

Wade looms closer, lowering his voice. “Now that I think about it, you could totally be Logan’s caretaker. He’s been having some issues recently, given his age. Do you… know anything about adult diapers?”

But then Logan’s face contorts, turning crimson. He rises from his seat, grabbing Wade’s arm. “That’s it. We’re leavin’,” his eyes lock on you for a moment. “How much do I owe you?”

“Don’t worry about it. It’s on the house.”

The things you’re willing to do for a man, right? You should be ashamed of yourself.

(But you aren’t.)

His mouth hangs open in disbelief. “Kiddo, are you–”

“Completely sure,” you finish his sentence for him, bowing your head and clasping your arms behind your body. A tight-lipped smile takes over you. “Just don’t tell my boss.”

Wade shifts his gaze back and forth between Logan and you. “I usually don’t mind third-wheeling, but I sort of feel left out.”

“I’m gonna sew your mouth shut, Wade.”

“Oh, come on! I was just making small talk,” the masked man tries to excuse himself while Logan pushes him towards the door. “It was a pleasure meeting you, sunshine. I’m free on Thursdays. Hit me up if his whiskey dick fails to impress you! Mine’s way more agile and young!”

As you watch them leave the bar, you remain frozen in your place amidst the clamor of ongoing chatter and clinking glasses.

What the fuck had just happened?

“Patrick’s normally the first one to get wasted during weekends,” you explain to the blonde woman sitting in front of you, and she writes that information down in her notebook. “He can usually handle himself, but at some point, he’ll try to call his ex-wife, and that’s when you know you need to stop serving him.”

She clicks her tongue, the color draining out of her face. “This is… definitely a lot to remember. I think I already forgot half of what you said.”

You shake your head, shoving your hands in your pockets. “You’ll get used to it, believe me. I’ll be with you at all times, so if you have any doubts, just ask me.”

After a whole year of working solo at the bar, you finally get to have a coworker: Gwen, a mother of two teenagers in her forties. You had met her at the grocery store, and in the process of helping her find a specific brand of cookies, you found out that she had recently lost her job. One thing led to another, and now she’s your trainee.

Your savior complex strikes again!

It has been four days since your first encounter with Logan. The thought that he could show up at any moment makes your heart race and your hands sweat. Allison had received countless voice messages where you narrated the entire experience in full detail. 

Touching your arm softly, Gwen’s face lights up. “Another man came in. Is he a regular? I don’t think you told me about him.”

Fuck, it’s him. Manifesting does work wonders. He locks eyes with you and raises a hand in greeting.

“Leave this one to me,” you tell her as your feet take you to where Logan’s sitting, contemplating the way in which his leather jacket hugs his wide frame. “Long time no see.”

“Hey, kid,” he grins. “What’s up?”

“Nothing much. Nobody has puked yet, so that’s a good thing,” you crinkle your nose, shifting your weight from one foot to the other. “Whiskey?”

“You know me so well,” a smirk takes place in his lips, and he smiles cockily. “Though this time, I won’t be leavin’ without payin’.”

“We’ll see about that,” you go back to your usual spot behind the counter, looking for a glass. Your cheeks kind of hurt from smiling so hard. Next to you, Gwen studies your reaction to seeing Logan. “Is that your boyfriend?”

You almost drop the whiskey bottle. “God, no. He’s not my boyfriend. Barely know the guy.”

“It’s funny,” she says, raising her eyebrows with a knowing look, as if she knows something you don’t. “He hasn’t stopped looking at you since he arrived.”

“It’s probably because of this,” you reply, lifting the bottle in her direction before pouring a small amount into a glass. Just as you’re about to walk over to him, a girl slides into the sit beside him, her long blonde hair swept up in a ponytail. She’s wearing a stunning red dress and black heels. You wonder if she’s a model, because she certainly looks like one.

Her hand creeps up his arm, fingernails scraping against the worn leather. Although Logan’s expression is hard to read, he doesn’t even flinch.

“You know what? Here’s his drink– You take care of it. I’ll stay here,” you don’t give Gwen a chance to talk back, instead staying behind the bar, engaging in small talk with other clients. 

“Doll, are you okay?” Adam asks you after noticing you struggling to open a beer bottle. He takes it from your hands and opens it with ease. “There you go.”

“Thank you, Adam. I’m fine, never been better. Why you ask?

“You sure?”

“Affirmative.”

“You mixed up our drinks,” he explains in his most psychologist-like voice. “This never happens to you. Michael has my wine, and I’ve got his martini.”

“Fuck! I’m so sorry. I just— I don’t know what’s wrong with me,” you chew on your bottom lip, rubbing your temples. “I feel stupid.”

“Oh, please. Don’t say that. You’re far from being stupid,” he sits up straight, reaching for your fingers and giving them an apologetic squeeze. “If you ask me, I think you’ve got your mind on someone else,” he must notice how you visibly get tense because he adds: “Remember: I know when you’re lying. You didn’t charge him the other day, which means that you must really like him,” taking a tentative sip of the martini he didn’t even ordered, Adam shrugs. “I’m a great observer. That’s all.”

Out of the corner of your eye, you see the blonde girl from before returning to where her friends are chatting. Logan is left alone, and you watch him grab his glass and head towards the counter.

“As I said, your mind’s somewhere else,” Adam sighs, a tiny smirk tugging at his lips. “Go get your man. I’ll survive.”

“Not my man. But thanks, older-and-wiser-version-of-cupid.”

Pretending not to have seen Logan, you continue with your work. He remains silent for some minutes before finally saying: “Hi.”

Hi? It sounds so out of character for him.

“Hey, claws,” you force a smile, still avoiding to meet his gaze. “Do you need anything?”

Logan points to his empty glass, like a toddler asking for more cereal. “I also wanted to talk to you.”

“I thought you were busy over there,” you say, surprisingly managing to sound nonchalant, despite the jealousy bubbling underneath your friendly tone. “Did you get her number?”

“What? No.”

“Why not? She’s cute.”

Yeah, maybe you don’t sound as collected as you think.

Whether Logan notices it or not, he chooses not to mention it. He folds his arms over his chest, fixing his brown eyes on you. “I’m not interested.”

“And what is it that interests you, champ?” your question elicits a low chuckle from him. Just as he opens his mouth to seemingly reply, Gwen appears out of nowhere to ask you about the price of a certain drink. Your gaze shifts between her and Logan, who remains focused on you while sipping his drink.

After that, Gwen leaves. The man in front of you goes poker-faced, pursing his lips, and his abrupt change in demeanor alarms you. “Wade wants to have dinner tomorrow at his apartment– well, our apartment. I live with him now. It’s complicated,” he adds with a dismissive wave of his hand, and you laugh. “Anyway, he asked me to tell you that you’re invited. I know we don’t know each other that much, but… he said you seem like someone worth havin’ around,” he mumbles awkwardly, eyes downcast. “I think the same as well.”

You could die at peace.

“You’re a lucky fucker because I don’t work on Sundays,” you quip, smiling. “I’d be more than happy to attend your feast.”

“Great. I thought you would turn down the invitation.”

“Now why would you think that?”

“‘Cause you barely know me– us,” he corrects himself rapidly. “Plus, Wade’s annoying as hell when he puts his mind to it. You’ll see.”

“Marital problems?” he actually in response. “I’ll take that as a ‘yes’. Oh, I’ll bring the dessert.”

“You don’t have to.”

“But I do want to,” you tilt your head in an effort to hide your longing for him.

“Just want to get under my skin, huh? I can see why Wade likes you,” Logan beams, reaching out to tuck a $100 bill into the pocket of your apron. “The tip’s included.”

“I don’t know how things work in your universe, but you’re giving me way more money than you’re supposed to. I can't accept this.”

“Oh, but you will,” his gravelly voice fucks your system up, and you’re glad he can’t see how you squeeze your legs together behind the bar.

He writes down Wade’s address on a random napkin, holding his breath as he stands up. “I should get goin’. See you tomorrow then.”

Before he walks out the door, you stop him. “Logan? You didn’t answer my other question.”

His back shakes momentarily with laughter. Turning around to face you, his stare leaves you even more confused. “Good night, doll.”

This is becoming a habit: every time he goes away, you feel as though you’ve just run a marathon with no water available. Your mouth is completely dry, your fingers are numb and there’s a knot in your stomach that’s becoming all too familiar.

“Would you mind telling me where you got him?” Gwen’s voice makes you almost jump out of your skin.

“He’s not from around here. I think he’s Canadian.”

You’ve got this. You’ve got this. You’ve got this.

Knocking softly on Wade’s door, you step back, the container holding the tiramisu cold to your touch. It’s your first time trying out this recipe, so you’re expecting it to at least not taste like shit.

Wade answers the apartment door, acting surprised when you remain silent. “Well, look what the wind blew in: if it isn’t my husband’s lover. How dare you? We’re still going to couples therapy.”

You show him the container, and he squints at it. “Tiramisu. You want it or not?”

“I hate twenty-somethings,” he says with a defeated sigh, stepping aside to let you into the apartment. 

Leaving your purse on the nearest surface, you scan the living room, wondering where Logan might be. There’s a small mirror beneath the couch, and you check yourself for the hundredth time tonight. “Don’t get too excited. He’s still showering,” Wade’s voice rings in your ears, and you turn to look at him, your eyebrows knitted. “Yeah. I noticed. You’re already drooling over that big piece of metal between his legs.”

“Keep quiet!” you cover his mouth with your palm, noticing the scarred state of his skin up close. “Wade, you fucking dog. Are you licking my hand?”

“Couldn’t help it. You taste like mascarpone cheese and espresso.”

Then Logan emerges from the bathroom, with only a white towel draped around his waist. Droplets of water fall from his wet hair, tracing the muscle of his abs, ending somewhere beneath his happy trail. Your eyes keep flickering between him and his torso until he clears his throat. “I thought you were comin’ later.”

“Me too, but I…,” you trail off, your brain struggling to catch up, “I didn’t know what else to do at my place.”

“It’s fine. Just– let me put on some clothes.”

“Please don’t,” Wade murmurs next to you, but Logan only scoffs. “I was just being honest. Communication is key.”

When Wade and you are alone again, he lets out a harsh breath. “That was probably the hottest thing I’ve ever seen. My pants are really tight right now.”

“Thin walls, buddy!” Logan shouts from his bedroom, earning a laugh from you. 

Like A Prayer starts playing. Wade moves his hips to the beat, getting lost in the melody. “Is that your phone?”

“Yeah, but I always take a few seconds to dance to it. Such a banger!” he says, then picks up his phone, accepting the call. “Hey, Ness! What´s up?” Wade covers the speaker before telling you: “It’s Vanessa. My ex-girlfriend. We fuck once a week, sometimes even twice.”

From behind, Logan nudges your arm with his, looking at you. ”Hey, kid.”

“No, I’m not busy at all,” Wade exclaims, grabbing his crotch and thrusting into the air. “I’ll be there in ten, cupcake. See you,” he spreads his arms wide and whistles. “Someone’s getting laid tonight!”

“You made me come all the way here… and now you’re leaving?”

“What? My friend Wolverine wanted to invite you over. I just had to provide the apartment,” in one quick movement, he presses a kiss to your cheek, then does the same to Logan. “Shave yourself, will you?”

“Go fuck yourself, will you?”

“Love you too, honey. Hope you two lovebirds have a good night, because I know I will!”

Wade throws a wink over his shoulder before heading out, the apartment going dead silent. Logan and you stand frozen, staring at each other, although he quickly drops his gaze, unable to maintain eye contact. A giggle threatens to escape you: he wanted to see you. Could he possibly enjoy your company as much as you enjoy his?

Logan watches the spot where Wave had just been. The absence of his chaotic energy makes the room feel strangely empty now. He coughs lightly, the sound awkwardly loud in the quiet room.

“So... I, uh, bought pizza,” he says, his voice a little too casual, as if trying to cover up his nervousness. Averting his eyes, he focuses on the pizza boxes on the table.

You catch the hesitation in his tone, your curiosity piqued by his discomfort. Tilting your head, a teasing smile forms on your lips. “Pizza, huh? You sure know how to impress a girl.”

Logan chuckles, the sound strained, as he scratches the back of his neck. “Yeah, well, I figured it was a safe choice. Didn’t want to ruin it, y’know?”

You move closer to the table, the warmth from the pizza boxes radiating against your hands as you open one of them. The rich smell of melted cheese and pepperoni fills the air, a comforting scent that makes your stomach growl softly. “Thank you. I’m a big fan of pizza.”

He sits in the chair across from you, taking a bite of his slice. You watch him quietly, your own thoughts churning. The truth of his origins had been a shock at first, but now, it just made you want to know more about the man. What was his life like in the other universe? Did he miss it? Was he happier here, or was he longing to return?

“Logan…,” you begin, your tone gentle but probing, “Can I ask you something?”

He glances up at you, eyes widening. There’s something in your eyes –an understanding, maybe– that makes him feel like you could see right through him. 

“Sure,” he replies, trying to sound more at ease than he really feels. “Ask away.”

You hesitate for a moment, not wanting to push too hard. “I was wondering... would it be okay if I asked you some questions? About, you know, your life. Where you're from.”

The bite of pizza suddenly feels heavy in his mouth. He hadn’t talked much about his world, not even with Wade. Partly because it was too painful, and partly because he wasn’t sure how to explain how things turned out for him. He nods slowly, setting his slice down. “Yeah, it's okay. I’ll answer what I can.”

“I just... I want to understand you better.”

“Well, first and foremost, I’m no hero. You should know that by now.”

“I beg to differ.”

“Kid, I’m the worst Logan. A complete failure. Of all the variants out there, Wade just had to pick the one despised by every living soul on his earth,” Logan looks away, his voice low and heavy. You’re wondering if doing this was a good idea. “I need a drink.”

He gets up and you follow him into the kitchen. He rummages through the fridge, in search of a cold beer. Meanwhile, you attempt to find the right words. “I don’t think–”

With a sharp flick of his wrist, three metal claws sprout from between his knuckles. A gasp catches in your throat as he uses his claws to pierce the beer can, drinking from the punctured holes. Once he’s done, he goes back to staring at you. Your gaze, on the other hand, is still glued to the now-empty beer can. “What?” he asks, exhaling slowly.

“That was completely unnecessary,” you mutter, and he lets out a bitter chuckle, tossing the can into the trash. “But, back to what you said before– I don’t think you’re the worst Logan.”

“You didn’t know me back then, darlin’. I fucked it up,” he leans against the counter, arms crossed defensively over his chest. “Like the Logan from this universe, I once belonged to the X-Men too. I remember that Scott used to beg me to wear my suit. So did Jean, Storm, Beast– All of them,” his gaze grows more distant, and you can tell that memories are flooding his mind. “Wanted me to be part of the team, but I wouldn’t do it. Told them they looked fucking ridiculous.”

The pizza’s long forgotten. You take the risk and get a bit closer to him, your eyes never leaving his. 

Logan’s silence stretches for a moment before he speaks again. “One day, while I was off on my own, the humans came. They went mutant hunting.”

Your heart clenches at the pain in his voice. He still remembers everything as if it had happened yesterday. “I can guess the rest. You don’t have to–”

But he cuts you off. “No, let me say it. I need to say it,” he takes a deep breath, lowering his head. “By the time I stumbled home, shit-faced from the bar, it was too late. They were dead. They called after me and I walked away.”

Reaching out, your hand gently brushes against his. He doesn’t pull away, but instead searches for your eyes. “My suit's all I've got to remind me of who they were. What I did. I found them and they were… dead. I started killing, and I couldn’t stop. I didn’t want to stop. I turned the whole world against the X-Men.”

You tighten your grip on his hand, knowing there’s nothing you can do to change how he feels. “You’re not a bad person, Logan,” he shakes his head, mumbling something you can’t quite catch. “I mean it. What happened back then doesn’t define you. You took the blame for their deaths upon yourself. I can tell you loved them deeply, and I’ll never fully understand the pain you feel. I wish I could. I wish I could take it away, make you forget somehow, but I can’t. That’s not how life works. But you got your second chance: you saved this world. My world,” gently cupping his face in your hands, you allow your fingers to caress his cheeks. He leans into your touch, watching you with half-lidded eyes. “You’re my hero. I’m your biggest fan– after Wade, obviously, which is a lot to say.”

He grins, letting out a laugh. “Easy there, bub.”

“Should I give you some space?”

That’s the last thing he wants from you right now. You already know that as he looks you up and down, placing his hands on the small of your back, his thumbs drawing small circles on your skin. There’s no turning back– The warmth between you feels almost like a fever dream. “For a long time, all I wanted was to disappear. I couldn’t stand waking up every morning, knowing that another day awaited me.”

“And what happened?” your breath mingles with his, his closeness becoming nearly intoxicating. “What changed?”

“I met a pretty girl at a pub, that’s what happened,” he murmurs, his dilated pupils flicking up to meet your gaze. “I’m gonna kiss you now.”

“Do all your kisses come with a warning?”

“God, do you ever shut up?”

You don’t have time to respond because he kisses you there and then. His stubble scrapes your skin as your mouths meet again and again, needy hands that hold you as if you were prone to breaking. Logan licks into your mouth, sliding his tongue against yours and swallowing every one of your whimpers.

“So this is what it takes to shut you up, huh?” he murmurs against your lips. You can feel him smiling, and it makes your heart skip a beat. 

“Keep talking and you won’t get a single bite of my tiramisu,” you tease him, kissing him again, the taste of beer numbing your senses. “I really like kissing you.”

“The feeling’s mutual, but now that you’ve mentioned that tiramisu…”

“Am I that easily replaced?”

“No. You’re just a pain in the ass.”

Jokes aside, you’re as happy as a clam.

Since that night you and Logan kissed, you’ve been living your best life. Like a freaking schoolgirl with a crush. Some things never seem to change.

He hasn’t been to the bar in three days. Yes, you’re counting them. No, you haven’t lost your mind. You want to see him, but there’s something about making the first move that gives you the chills. What would his reaction be if you showed outside of apartment?

It’s been a long time since you’ve been with anybody. On top of that, all the guys you’ve dated were your age. Being with someone that older than you certainly wasn’t no your plans. You’d be lying if you said that the mere idea of being with him in that way didn’t excite you.

Oh boy, you miss him. You miss his scruffy voice, his gorgeous hair. And you two aren’t even official yet. To be honest, you don’t even know what he wants from you. Is he even the type to be in a relationship?

“Nighty night, gentlemen,” you say to Gary and his friends as you find yourself in front of them, smoothing your apron. Gwen had called in sick tonight, so it’s just you at the bar babysitting a bunch of grown-men.

“What’s up, doll? You’ve forgotten about us. We miss you coming in here to chat,” Gary’s eating his burger at the same time he speaks, something you find repulsive, but you’ve seen worse. “Y’know, I’d love to take you out someday. I have a place you’d like.”

The other men laugh and punch him in the back, just boosting his ego. Pathetic. 

“I’ll let you know when I’m free,” you reply with the most polite smile you can offer, intending to go on. “What are you having tonight?”

“You always pull that shit, baby. I don’t think you’re so busy that you can’t accept a date.”

You hate the way he’s looking at you, as if you were wrong for not being interested. As if you didn’t know any better.

“You’re reading minds now? Shocking, Gary.”

“Oh, doll. That attitude of yours shows you’ve never been with a real man like me, that’s all,” he leans back in his chair, resting one of his arms on the table and the other one near his crotch, manspreading. “It’s alright. I like you bratty.”

“I’ll be back when you finally have something to order,” you attempt to turn around but he grabs your wrist, pulling you closer. Your eyes lock, and he seems to enjoy this: being in control. Like a predator hunting his prey. “Come on, Gary. I don’t want to have to kick you out.”

“It’s not that you don't like me, right? You’ve already got your mouth full.”

“Careful.”

“What? Don’t tell me you’re not fucking that useless mutant. I see you like ‘em older. Pretty little things like you drive me wild.”

You laugh in his face, showing him your teeth. “It was never about your age, Gary. You’re right: I do like them older. I’m just not into bald, vertically-challenged pricks.”

His entourage of idiots goes silent after that. He looks up at you, eyes burning with hatred. His grip on your wrist tightens, probably leaving a mark. “Fucking bitch.”

“Get your hands off her.”

Logan’s voice forces the two of you to look in his direction. It seems that he’s just arrived at the pub, his jacket still on. 

“You joining us? We’re just getting started here, big boy.”

“Did you not hear me?” Logan lunges forward, his nose almost touching Gary’s. “The fuck is wrong with you?”

“Easy there, cowboy. I’m just having a chat with your girl. She’s one of the good ones, I’ll give you that,” arching a sly brow, his forehead puckers. “You don’t like sharing? We can even take turns.”

Logan clenches his jaw, lips set in a grim line. “Say one more word, and I’ll fucking kill you.”

“I’ll give you a full sentence instead: can you even get it up?” 

The tension in the air is thick, every second stretching out as Logan's anger simmers dangerously close to the surface. Gary’s smug grin only makes it worse, pushing him to the edge. Before you can react, Logan’s fist swings forward, connecting with Gary’s jaw with a sickening crack. Gary staggers back, realising your wrist. Blood seeps from his nose, his white shirt becoming stained with it. “You fucker! You broke my nose!”

“We’re just getting started here, big boy,” Logan mocks him, repeating his previous words.

“Stop!” you shout, moving quickly to grab his arm, trying to pull him back. But he’s beyond hearing, his rage blinding him to everything else. He shakes you off, and with a fierce growl, drives another punch into Gary’s stomach. The latter doubles over, gasping for air, the wind knocked out of him. He then falls to the floor, curling into a ball. People start to gather around you, and soon your beloved bar becomes a box ring.

“That’s enough, Logan! He’s barely conscious,” you murmur under your breath, stepping between them, hands up in a desperate attempt to create some space. Logan pauses, chest heaving, fists still clenched, as he finally looks at you. The wildness in his eyes starts to fade, replaced by a dawning realization of what he’s done.

“He deserved it,” he nods vigorously to himself, as if trying to explain his point. “He was hurting you.”

“If you keep that up, you’re going to kill him. My bar is not a fucking cemetery,” your voice trembles a little bit, expecting to talk some sense into him. “I won’t let you do this.”

The room is quiet now, the only sound being Logan’s heavy breathing as he stands there, still tense, still processing. You turn to Gary’s friends, cold fury in your eyes. “Get him out of here,” you watch as they haul him up, practically dragging him to the door. The other clients continue to stare at Logan, their mouths hanging open. “Everybody out, right now! Go home. We’re closing earlier tonight.”

Adam is the last person to leave, slamming the door behind him. You rush to the counter, searching for a mop to clean the fresh blood off the floor. Still agitated, the images of Logan hitting Gary flash in your mind. He approaches you from behind, his fingers circling your forearm. “Bub–”

“Don’t. Now is not the time.”

“I was protecting you.”

“I told you to stop, and you didn’t. You just shook me off,” you snap, glancing at his knuckles which are not even bruised. Slamming your eyes shut, you get to your feet and wash your hands in the sink, the remaining water becoming reddish for a moment.

Logan moves closer, resting his chin on your shoulder. He wraps his arms lazily around your middle section. ”I’m sorry.”

You turn in his arms, your back flushed against the sink and your nose in the air. “Why didn’t you call me?”

“I don’t have a phone.”

“But– Jesus, Logan. You could’ve come sooner. I thought you regretted what happened the other day,” you say and the muscles in his face twitch, his body stiffening at your words. “Thought you no longer wanted me.”

“No, bub. I– I still want you. I want all of you, trust me,” he murmurs, and you allow him to press his body against yours, the scent of the cigar he must have smoked recently enveloping your senses. “I just… don’t know how to do this. I have a habit of ruining things, and I’m trying to figure out the best way to be with you without hurting you.”

“Pushing me away also hurts,” your eyes flick up to meet his gaze again, and he whispers under his breath. “I can’t read your mind. You need to tell me what’s going on in that ancient skull of yours.”

His face falters, flashing you a mischievous look. His hand creeps under the fabric of your shirt, fingernails scrapping against your spine. “I’m sorry, princess. I truly am.”

“You can’t just say ‘sorry’ with that voice and expect me to–”

You’re cut off by his lips crashing down onto yours. You melt into the kiss, unable to deny what your body has been craving for the past days. 

“I thought your kisses came with a warning,” you say, detaching your mouth from his, a smile spreading uncontrollably in your face as you see his toothy grin.

“Shut up and kiss me, will you?”

In a clash of tongues and teeth, your mouths meet once again. Tugging the hair at his nape, you feel him growl against your lips. His strong hands trace every curve of your body, kneading the flesh of your hips and undoing the knot at the back of your apron. You’re becoming one with the sink, but in a moment like this, you couldn’t care less. Logan’s hard on nudges your lower stomach, and he ruts against you like an animal.

“You said you wanted to know what’s on my mind, right?” his teeth nibble on the skin of your neck, syrupy voice going straight to your core. “Well, I’d love nothing more than to touch you right now.”

“Right here? On the counter?”

“Yeah, on the fucking counter,” he grabs you by your thighs, hosting you up and placing your body on top of the cold bar. He nudges your knees apart, his bulge meeting your clothed cunt deliciously. “Will you let me, baby? Can I make you come in here?”

“Please. I’m glad we have such a low budget. Camera installment is t–too expensive these days.”

“Do you always talk this much?” he slowly unbuttons your pants, and you help him to remove them.

“Yes. Next question,” your breath hitches in your throat as you feel the pad of his thumb circling your clit through your panties. Your eyelids drop, your head lolling back. “Fuck, that feels good.”

Logan hums, mesmerized with the way your hips roll into his hand, your whimpers sounding like music to his ears. “You have any idea how I felt when I saw him touching you? Wanted to rip his hands off you,” his eyes drift to your chest, how it rises and falls with impatience. “But it’s me who gets to have you like this. He can fantasize about you all he wants: I’m the only one who touches you, ain’t I right?” you sigh with content as his fingers graze your slit, aimlessly bucking your hips. He doesn’t go any further, and you tug at the collar of his flannel, needing more of his callousand hands on you. “Nuh-uh. You want something, you gotta use your words. Got it?”

“I w–want your fingers inside me,” you don’t even recognize your own voice at this point. The few guys you had slept with had never been very talkative during sex. But Logan isn’t like them. This is just the beginning and you’re already starting to realize that he has a dirty mouth, that expectant look on his face as he waits to see your reaction to his words. “Please, Logan. I want you so bad.”

“Oh, I know, bub. There’s something about me I don’t think you know,” he inserts one of his fingers in your cunt, your slick coating the palm of his hand. “These claws I have… they didn’t come on their own. Let’s just say my sense of smell is… pretty good,” Logan can almost see the gears turning in your head as you try to think coherently. He moves his middle finger in and out of you, stretching your walls. “And you… have been wet ever since the first time you saw me. Always nice to everybody, making sure they feel at ease,” you feel like you’re being stretched even further, another one of his fingers sinking into your warm pussy. “But you’re so needy, too. How long has it been since someone touched you like this?”

“Too long, f–fuck. Too long,” you’re squirming, a totally whiny mess. He retratcs his wet fingers and instead goes back to flicking your clit, this time with much less delicacy. His left hand squeezes your tits, and you hate the fact that you’re still wearing clothes. “Shit, Logan. I need you to fuck me. Please. Need your cock.”

His face comes to rest at your neck, and you feel lingering kisses and bites that keep you grounded to earth. “Not here. I need a bed to fuck you properly. You’re only getting my fingers now,” he positions them inches away from your entrance, testing your patience. “Tell me who owns this pussy.”

“L-logan–”

“Tell me and I’ll make you come,” his husky voice is making you dizzy, tears shimmering in your eyes. “Come on. Know you want it as much as I do.”

You succumb to the tentation, like divinity turned to sin. He kisses you roughly, and you struggle to find the correct words. “It’s you, Logan. You own my pussy. It’s f-fucking yours.”

With that, he goes back to nudging that spot that makes you see starts, that filthy squelching sound getting mixed up with your moans. The knot in your belly keeps growing tighter the more he pumps his fingers in and out of you. 

“I said you were only getting my fingers for now, but fuck… I need to gest a taste of this sweet cunt.”

He’s on his knees in an instant, urging your legs apart to make room for his body. Your thighs tighten around his face as he licks a hot stripe up your folds, tracing a heated path on your cunt, not wishing to waste a single second. Pleasure builds quickly, your breath hitching as your hands find their way into his hair, pulling him closer when your body begins to tremble. 

“I’m close,” you pant, breathing hard, grinding your hips against his face. “I’m so close.”

“That’s it. Come in my mouth like the good girl you are.”

Who had given him a damn script for this?

The release is explosive. Like the peak of a roller coaster: you go up up up, ascending higher. You think you almost see Jesus, but at some point, you also have to crash down with force. Your shoulders slump, your entire body cramping up; yet he doesn’t let you go that easily, his fingers still working, scissoring within you while you ride out the final waves of your high, drawing out every last moment of ecstasy.

Once you finally manage to open your eyes, there he is, staring down at you. He taps your lower lip with his fingers, and then mutters: “Open.”

And you do, because you’re just as messed up as he is. Your mouth parts, and he slides his fingers between your lips, dragging them smoothly across your tongue. His knuckles brush the back of your throat, and you gag around the intrusion, tasting yourself. He pulls his fingers out of your mouth, clearly satisfied with the way you’ve cleaned them off.

“I think we should really pay a visit to your apartment,” he suggests, groaning in defeat, and you feel his bulge poking your hip. He must be painfully hard. “I meant what I said earlier. I need a bed if we’re going to fuck. My back’s hurting.”

You raise an eyebrow, the corner of your mouth curving into a smirk. “Why not go to yours?”

“Wade’s in there. I wouldn’t be able to concentrate.”

You can’t help but laugh, pausing a moment to collect your thoughts, heat rising to your cheeks. “So we’re going rodeo?”

Aiming to silence up, Logan kisses you, pinching your chin between his thumb and forefinger. “Only if you can handle it.”

part 2: “GIVE ME THE FIRST TASTE”

dividers by: @cafekitsune thank you!!! :)

[atlabeth]

family line

pt 2

pairing: spencer reid x gideon!reader

a/n: pardon the end where i just go into endless conversation for no reason but i cannot control myself. anyways thank you sosososo much for all the love on the last part and gideon!reader as a whole it makes me so happy!! enjoy some dad-daughter-spence car convos(arguing) and some elle time

wc: 3.8k

warning(s): the usual! r and gideon argue, gideon is not a good dad(but theres some reconciliation), angst, hurt/comfort, but some fluff between r and gideon & spence. more of a set-up chapter

The drive over to the safe house is a long one, and unfortunately, not a quiet one. 

Spencer takes the back seat, leaving shotgun for you with your dad. He spends the entirety of the drive briefing you on what living in a safe house will entail, all the things you can and can’t do. 

You can’t use your phone because it could be tracked. You can’t leave the place without Spencer because you are, in fact, being stalked. You’re not to reveal anything about your location to anyone—you’re basically shut off from the world until the unsub is behind bars. 

And once he’s done briefing you, he basically starts interrogating you. 

“Have you been contacted like this before in any way?” 

You huff a laugh. “What, with creepy pictures of myself? No.” 

“Anything unsettling,” he clarifies. “A text message, a call, an email— anything that rubbed you the wrong way that you might’ve just passed off as a joke or spam.” 

“No,” you repeat. 

“You’re sure?” 

“How many times do I have to say no?” You pull your phone out of your pocket and stare at your dad. “Go through it if you want. You won’t find anything.” 

He pauses, then he nods. “Reid.” 

You shake your head with a slight laugh, then turn it over as Spencer extends a hand. He flips it open and starts to go through it, and you just cross your arms and stare out the windshield. 

“We should really hand this over to Garcia,” he says. “She’ll be able to do a lot more than I can. I don’t really—”

“Like technology, I know,” your dad finished. “We will. Just trying to get all the leads we can upfront.” 

You sigh, but you keep quiet. You guess you can’t really consider it an invasion of privacy when there’s a stalker after you. 

“We typically talk to stalking victims for a while to figure out their lifestyle and possible suspects, as well as the type of stalker we’re dealing with,” Spencer says. “We don’t exactly have the time for that here.” 

“This unsub has already been watching you for a month, maybe more,” your dad says. “He’s made his first move by reaching out to me—that means he wants us to know about him, wants you to know about him.” He glances over at you. “He wants to scare you. You’re not going to give him that satisfaction.” 

“You’re jetting me off to a safehouse before you’ve even gotten the chance to look into any leads,” you say. “It looks like we’re pretty scared, Dad.” 

“It’s preparation,” he says. “The unsub has made his first move—I’m not going to wait around for him to make another and compromise your safety.” 

“This could also be a lot more dangerous than we think,” Spencer says. You still hear him clicking through your messages, and you’re beginning to regret your decision to turn it over to him. “Our unsub could be someone after Gideon using you as collateral.” 

Your heart stops for a split second and your attention snaps to your father. “What?”

“…It is a likely option,” he says. “Very few people know you as my daughter. Someone who wants to hurt me could try to use you to do it.”

“So I was right,” you say. “This is only happening because I’m your daughter.”

“Do you want me to say yes?”

“Yes!” you exclaim. “Yes— I want you to admit that I’ve missed out on all the positives of you being my dad and gotten stuck with all the negatives!”

“This is not the time,” he says. 

“How is it not the time?” you ask with a laugh. “You’ve said it yourself several times— my life is in danger. There’s someone out there that might kill me to get back at you. What is a better time than this to talk about how shitty of a dad you’ve been?”

“A better time would be when we aren’t this high strung,” he says evenly. “Neither of us are thinking as properly as we should be. We don’t want to say anything we’ll regret.”

“Oh, I don’t think I’ll regret any of this,” you say. “After all, I could be dead soon, right? I should get all those regrets out of the way.”

“Please stop arguing,” Spencer interrupts hastily. “This— this is very uncomfortable.”

You scoff. The flames burn just as bright, but for some reason, you decide to hold them back a bit. 

“I’m sure it’s real hard for you, boy genius.”

The silence lingers. You can tell he wants to say more, but he doesn’t. Your dad, to his credit, doesn’t stoke the fire.

It looks like you’re all capable of restraint today. 

“I— I went through all her messages,” Spencer continues. It irks you that he talks like you’re not here. “There’s nothing suspicious there, at least.”

“Good,” your dad says. “I’ll hand it over to Garcia after I drop you both off.”

“We’re not gonna have a car?” you ask.

“You’ll have this one,” he says. “That’s why Agent Greenaway is following us.”

“Elle’s coming?” Spencer asks, and you see him perk up. You belatedly wonder what that deal is. 

“Just so she can drive me back to the office,” your dad says. “She offered.”

“What’s everyone else doing?” 

“Garcia is digging through some of your personal records for the team,” he says, glancing at you. “JJ is in contact with the local police stations so they’re ready once we have a profile. Morgan and Hotch should be looking through every case I’ve closed to get a running list of suspects.”

“Great,” you say as you lean back in your seat. “Nothing like getting my whole life aired out and put under a microscope.”

“It already is,” Spencer says. “You’ve got a stalker.”

“Thanks, Spencer,” you mutter. “I forgot.” 

-

The rest of the drive goes by with ease—at least, relative to how difficult you’ve made everything else. 

You’re already sick of Spencer Reid by the time you get out of the car. You don’t know how you’re going to survive such close quarters under these kinds of circumstances. 

Another car parks next to you as the three of you get out, and your eyes are drawn to the woman that steps out. 

“Easy drive?” your dad asks. 

“I was right behind you,” Agent Greenaway says. “You drive like an old man.” 

Your dad just barely smiles. “Stay with her, Elle. Reid and I are going to check the perimeter.” 

“You can’t be serious,” you cut in. 

“I already told you I’m not taking chances with this,” he says, and he takes his gun out. “This won’t take long.” 

Spencer takes his out as well—he carries it with both hands, like it’s actually weighing him down, and it’s a bit ridiculous—and they split to cover both sides of the house and the surrounding area. You sigh and shake your head as you cross your arms. 

“He’s certainly spirited,” Agent Greenaway says. 

You huff a laugh. “That’s one way to put it.” 

“I’m Elle, by the way,” she says. “I know we haven’t been formally introduced.” 

You nod your acknowledgment and say your name. “Nice to meet you.” 

She turns to fully face you. “Do you mind if I say a few things?” 

“If it’s about my dad—”

“It’s not,” she interrupts with a wry smile, “I promise.” 

You shrug. “Then sure.” 

“First, I just want to ask if you’re doing alright,” she says. “You’ve gotten a lot dropped on you all at once.”

“I’m as good as I can be,” you say. 

Elle nods, and her eyes soften. “I’m not gonna tell you to take it easy on Gideon. He’s an incredible agent, but that makes it hard to be a good dad.”

You don’t say anything, and she continues. 

“My dad was on the force too. I resented him for a lot of my childhood because he was gone so often, but… then he was killed in the line of duty.”

You frown. “I’m so sorry for your loss.”

Elle nods in thanks. “I’m not trying to get sympathy. I’m just saying I know what it’s like.”

You shift your balance and sigh, glancing away momentarily. “Everyone here sees him as a hero, and— and he is. He started this whole thing and you all save lives every day, but it feels like he’s missed my entire life because of it.” You huff a bitter laugh. “I think you all know him better than I do.”

“I think you’re probably right,” she admits. “You deserve to be angry. And honestly, I think you deserve to hate him some for it.” 

You huff a slight laugh. “You’re the one person who hasn’t tried to make me feel bad for it.”

She shrugs. “You’re in an awful situation and it might be because of him. You don’t have to have endless grace.”

“Any chance I can get you to stay in here with me instead of Spencer?” you ask.

She smiles. “I don’t think Gideon wants to stick the two of us in a house together. But I am gonna make sure we catch this guy.”

“These kinds of assholes go after vulnerable women because it gives them the attention they crave,” she continues. “They worm themselves into their lives and disrupt it all and it makes them feel powerful—you have to play to their whims.”

“Sounds like you have a lot of experience with this,” you murmur.

“I have a lot of experience putting away sick men,” Elle says. 

“Do you have any advice, then?” you ask weakly. 

“I’ve only been around you for a few hours, but I already know you’re better and stronger than whatever bastard is after you,” she says. “He wants to control your life. Don’t let him.” 

“Thank you,” you say quietly. “I’m… really glad you’re on my side.”

She smiles again. “Just doing my job.”

Your eyes latch onto your dad as he and Spencer come back around the front, and they both tuck their guns back into their holsters. 

“It’s all clear,” your dad says. 

“And I’m not dead,” you say. “Looks like we’re all doing good.”

He chooses to ignore you, instead looking at Elle. “Did you go over anything with her?” he asks.

She shakes her head. “Just gave some advice.”

“Great,” Spencer says. “Just what I need.”

“Oh, get over yourself, Reid,” Elle says. “You’ll be fine.” 

You don’t miss the look he gives her, and your dad clears his throat. “Can you take her inside and check everything? Reid and I need to talk.” 

He frowns. “We do?” 

“Sure,” she nods. 

You stare at your dad this time, and he doesn’t entertain your annoyance with some of his own. “We’ll be in soon.” 

“Sure,” you repeat. 

You follow Elle in—you don’t feel like getting a lecture on safety just yet—and when you pass a glance over your shoulder, you meet Spencer’s eyes. He was watching you. 

His eyes dart away just as quickly, and you huff the slightest laugh. You don’t know if he’s scared of you or just tired of you already, but whichever one, you don’t really care. If you have to be stuck in this house with him, he has to be stuck in there with you too.

Elle shows you around the place, and it’s nothing special—a one story house with two bedrooms and a noticeable lack of windows, furnished plainly with a couch and a few chairs, a small kitchen table, a television. You’re honestly surprised at how nice it all is. 

But as she takes you on the impromptu tour, you can’t stop thinking about her words. You can’t stop thinking about all of it, honestly. 

A month ago, you were driving home in silence after your dad forgot about the plans you made. A week ago, you were out for drinks with friends. 

Today, you’re hunkering down in a safe house because there’s a stalker after you, and you have to do it with your dad’s stand-in kid. 

That’s what gets you, you think. That you know more about Spencer Reid than anyone at his job knows about you—that your dad ignores you in favor of his work, and instead of trying to fit you into his life, he finds an FBI replacement.

Your jaw clenches. It takes a few seconds for you to realize you’ve completely tuned out Elle, only really coming out of it when she says your name.

“Sorry,” you say. “I was distracted.” 

“I don’t blame you,” she says wryly. 

You’re about to respond when Spencer walks in with your dad. His face is slightly flushed and, as opposed to all the other times, he won’t make eye contact with you. You can only imagine what your dad decided to talk to him about. 

“You showed her around?” your dad asks. 

Elle nods. “The basics. She and Reid can figure out the rest.” 

“Thank you,” he says. He looks at Spencer, who has his hands stuffed in his pockets and is very intently focused on the wall behind you. “Help Elle get the rest of the things out of her car.”

He frowns. “Elle doesn’t need my help.”

“Come on, Reid,” she says as she starts to walk. 

He blinks and nods. “Oh. Uh— yeah.” 

You feel his eyes on you as he goes, but you don’t meet them. You just stare at your father.

“Is it my turn for a lecture?”

His eyes soften as he says your name. “This isn’t how I want things to be between us.”

“Yeah, well,” you shrug, “it takes a decade or two of neglect to get here.”

“You’re right,” he says. “You wouldn’t be in this situation if it wasn’t for me. But I’m going to get you out of it.”

“I hope so,” you say. “Because I don’t really know how Doctor Reid is going to help.”

“Don’t take it out on Reid,” your dad says. “Hate me all you want, but leave him out of it.”

“You’re the one that pulled him into it,” you retort. “He’s more your kid than I am.”

“And I regret it,” he says. Your eyes widen a bit, and it actually gets you to shut up. “I regret that it took something like this for me to be a part of your life again. But I don’t want our last interaction before you’re sequestered for the indefinite future to be a fight.”

“That’s all I’m good at when it comes to you,” you mumble. The wind has been taken out of your sails considerably. 

“And I want to change that,” he says. “But first, we have to get through this. And we’re going to get through it together, sweetheart.” 

The term of affection feels strange coming from him. Ever since your teenage years, he’s felt less like your dad and more like some estranged cousin. You hate it. You hate how unfamiliar everything feels with him. Jason Gideon has been a profiler longer than he’s been a dad and it shows in your every interaction with him. 

But still, your heart aches. You bite the inside of your cheek.

“You promise?” you ask. You feel like a kid again. 

“I promise,” he says. 

Then your dad pulls you into a hug, and for a moment, you freeze. You can’t remember the last time he hugged you. 

Despite the anger inside of you, the bitterness built in your bones, you can’t help it—you hug him back. You practically melt into his arms as you squeeze your eyes shut, trying to stop the sudden threat of tears. 

Because deep down beneath it all, you’re scared. You’re fucking terrified, actually, and right now you’re just a girl who wants comfort from her dad. 

“I love you,” he says. 

“…I love you too,” you mumble.

Neither of you pull away for a good thirty seconds. When you do, you turn around to wipe your eyes, not wanting him to see. You hear the door open and start, but it’s just Spencer and Elle with some bags and boxes. 

“Elle’s got some groceries,” your dad says, clearing his throat. “We’ll deliver more if necessary, but you’ve got the basics for a couple weeks, at least.” 

“And a whole lot of books and movies,” Spencer says, hefting the box in his hands. “Did you know that there have been approximately 122 million unique titles published since the invention of Gutenberg’s printing press in 1440?” 

“That’s less specific than usual,” Elle says. “You sure you’re feeling okay?” 

He frowns. “I couldn’t find statistics on the exact number.” 

“Why were you even looking at those statistics?” 

“I get bored sometimes.” 

Elle just laughs as they continue into the living room. You feel your dad’s eyes on you, and you sigh. 

“I’ll take it easy on him,” you say. “Mostly. Maybe.” 

And he actually smiles. “Thank you.” 

“Yeah, yeah,” you say offhandedly, but you find the slightest smile creeping on your lips as well. You kind of hate it. 

Everything else goes by relatively quickly now that you’re not arguing every single thing—you have to fight your instincts not to, but you manage—and eventually, after another lingering hug and some promises to be safe (and one from Spencer to your dad to keep you safe)—you’re alone in the house with him. 

“So,” you say as you settle on the couch, “this is what the indefinite future is going to be like.” 

“If it makes you feel better, last time we dealt with a stalker we caught them in a few days,” Spencer says. “She watched her for a good while, though.” 

“It doesn’t make me feel better,” you say. “Thanks.” 

“...Sorry.” 

You shrug your indifference and Spencer walks past you, focusing in on some of the paintings hanging on the wall. You’re sure he knows the artist, title, and meaning behind every single one, so you speak up before he can start.  

“What did you and Elle talk about?” 

“How this place doesn’t have a pool,” he says.  

You frown. “What?” 

“Nothing,” he says quickly. “What’d you and Gideon talk about?”

“We fought then made up,” you say. “It was… weird.” 

Spencer looks at you. “How?” 

You shrug again as you cross your arms. “You’ve seen how we are. We don’t exactly get along.” 

“Has he really been that bad of a dad?”

“It’s none of your business,” you say. “But… yes. He’s barely been a dad at all.” 

Spencer shakes his head. “I don’t get that. He’s so different in the field.” 

“That’s why he’s barely been a dad—because he’s so busy here.” You tilt your head. “Don’t you have some facts or whatever on the percentage of fathers that are workaholics?” 

“Well, 89% of dads work full time,” Spencer says. “And fathers typically work around 47 hours a week. But I don’t have anything on workaholics specifically.” 

“Great.” You stand up and walk over to the box of DVDs Spencer set down on the table, and you start rifling through them. “So, what’d my dad tell you about me?” 

Spencer blinks. “What do you mean?” 

“When I came in here with Elle and he kept you out there,” you say. “Did he give you the run-down? Warn you on how difficult I am to be around? Tell you that I hate you?” 

His Adam’s apple bobs. “Uh— no. He just… talked to me. Gave the rundown on everything.”

You hum. “You can tell the truth.” 

“I— I am,” he says. He’s clearly not. “He didn’t say anything bad about you. Promise.” 

“Whatever you say.” You land on a DVD and glance over at him. “How do you feel about Groundhog Day?” 

He shakes his head. “I don’t like Bill Murray.” 

You frown. “That’s ridiculous. How can you not like Ghostbusters?” 

“I love Ghostbusters.” 

“How can you like Ghostbusters but not Bill Murray?” 

“Because I like the concept more than I like him,” he says. “I love Halloween.” 

You shake your head and move on. “Who put these together?”

“I don’t know. Maybe Gideon? Or maybe some random BAU office worker.” 

“It’s an interesting compilation.” You look up at him again. “How about Dirty Dancing?” 

“No.” 

“No reasoning?”

“I don’t feel like dealing with a musical right now,” he says. 

“So you choose to deprive me of Patrick Swayze,” you tut. You grab one movie out of the back and hold it up. “If I put on Goodfellas, will you interrupt every five seconds with facts?”

“...I can push it back to every thirty seconds,” he says. 

“Five minutes,” you say. 

“One minute.” 

“Two.” 

“One forty-five?” 

“Two—take it or leave it.” 

“Technically I have all the power here,” Spencer says. “I can talk nonstop about anything. Putting down a movie narrows that down.” 

“...One fifty.” 

He nods, and you huff a disbelieving laugh as you put the DVD in the player. 

“Has anyone ever told you that you’re ridiculous?” 

“A lot,” he says as he sits down on the couch. “I usually get insufferable or weird or annoying, though. So ridiculous isn’t too bad.” 

“Well, you’re certainly something.” 

“That’s also not too bad,” he says. “I could even take it as a compliment.”

You sigh and pick up the remote before you sit back down. You look up at the clock on the wall and bite back a curse. 

“It’s only been ten minutes,” you mutter. 

“Ten minutes and thirty-four seconds, actually,” Spencer says. “Did you know that Scorsese actually cast real mobsters as extras? The cast members were told ahead of time so they could show the necessary respect to them while they were on set. There’s a whole mafia hierarchy, and only full-blooded Italians—”

“I haven’t even gotten to the start screen,” you interrupt in disbelief. 

Spencer shrugs. “You said every minute and fifty seconds. Not how long I could go on for.” 

You let out another sigh as he continues on. You bet Spencer could probably recite the whole movie from memory if you asked, but you honestly don’t know if you could take that. 

There’s one plus, at least. When you’ve got a human encyclopedia next to you that can spout off whatever information he wants any time he wants, you think you’re gonna have a hard time thinking too much about your stalker. 

You look over at Spencer when you finally make it to the opening scene, still talking but now about the different crime families in the United States. His eyebrows are surprisingly animated when he talks, going up and down depending on his inflection, and you find yourself thinking that it’s charming. 

It’s annoying how pretty he is, and it’s annoying how annoying he is. 

You look away. 

This is going to be a very long lockdown.

[here-there-were-dragons]

i’ve spawned an angry vaguepost rant in the fr tag in response to my unformed random thoughts, i feel like this is some kind of fr rite of passage

[virgoilluminati]

can u please write a jude fic where your in a talking stage and he comes over and you both make out for the first time 🤭

It's been a long time coming...

A/N: this is my first request in absolutely ages so tysm you have made my day ✨❣️ As I am now unemployed (😜✌️) i have a lot of free time before i head back to university. So please if anyone has any ideas lmk 🥹

Inspo: Jude and You have been close friends since high school, but after one very drunken night, you admit your feelings for him, right before he leaves for the euro's. When Jude arrives home, he has only one goal, to give you that kiss that you've been waiting for.

Oh, you had royally fucked up.

So royally fucked up that you probably shouldn’t leave the house for at least the next two days, perhaps a week, even a month.

You’d told your best friend that you liked him, in a sweaty club, the night before he was going to the Euros. With the drink loosening your tongue, you blurted it out without thinking. The look on his face said it all; he was stunned into silence.

You and Jude had known each other since high school. He was in the year above you, but you both shared a huge interest in football. While he played for the boys’ squad, you played for the girls’. You got really close in the last year of high school as he began prepping for the under-21s football team while you were preparing for university. You became each other’s anchor, someone you both could rely on, no matter how tough it got. You told each other absolutely everything. So when you blurted out that you liked him, it was as if you had shattered an unspoken rule.

You had been drunk. That was the justification you were giving. You didn’t know what you were thinking; you couldn’t control what was going through your head. You couldn’t face him, not now. The memory of his expression replayed in your mind, a painful reminder.

You had sent him one text message, mentioning nothing about the incident, just wishing him luck in the Euros. Maybe he’d just forget it even happened. After all, he was pretty drunk too.

You had spent all morning preoccupying yourself with your uni work, taking the dog out for a walk, cleaning your room… basically anything to distract from the impending apocalypse. But it was pointless; every other second, you would check the blue tick on the message, with a simple “read” underneath it.

Hey, I hope the head isn’t too sore from last night ahaha. Best of luck in the Euros, I’ll be screaming your name at the local, love ya. (Read)

His response came about three hours later. In that time, you had gone through all five stages of grief. First, Denial: you denied that you even told him, that it was a huge mistake. Anger: you were angry that no one stopped you, as it was an open secret between all of your friends but him, but they had let you blurt it out. Bargaining: maybe it wouldn’t be so bad, you know. You could just say it was a mistake or you didn’t remember. Depression: this would be the end of your friendship—that he’d no longer look at you the same way ever again. Acceptance: your life was doomed, and that was the end of it. However, when his response came, you hadn’t actually prepared yourself.

Yeah, my head’s fine ahaha, though I think you drank more than me in the end. Currently on the way to the airport, Trent says hi. Pretty nervous about the Euros, I can’t lie.

You sat there staring at the three dots, wondering what else he was thinking. You cringed at him mentioning your drunkenness. He not only knew but he must’ve remembered. Oh god, this was going to be awkward.

You didn’t respond, noticing the frequent three dots on his screen going rapidly on and off. Sighing, you attempted to make a joke, quickly sending back a response.

I’m sure Trent is feeling it right now ahaha, how many shots did he have last night again? Don’t be nervous, you’ll be ace!

His reply came almost instantly.

Enough to need a new liver, I’m sure. Thanks for the vote of confidence. We’re about to board, talk later?

You couldn’t help but feel relieved. He wasn’t addressing your confession at all. Maybe he really had chosen to forget about it. Or perhaps he was giving you a way out, a chance to pretend it never happened. Either way, you seized the opportunity.

Sure, have a safe flight! Catch you later.

With that, you put your phone down and took a deep breath. Maybe this wouldn’t ruin everything after all. For now, you’d focus on the positives: Jude was still talking to you, and you still had your friendship, even if it was a little shaken.

The next couple of days were a whirlwind of activity. Jude was swamped with training and media commitments, so your interactions were mostly confined to texts. Despite the busyness, he made sure to check in frequently, sending you updates and little messages that kept the connection alive.

After the Slovakia game, which they won in a nail-biting finish, you received a call from Jude. You could hear the adrenaline in his voice, the excitement of the victory still fresh.

“Hey,” he said, a little breathless. “Did you see the game?”

“Of course I did! You were amazing! That last-minute goal!" you replied, unable to hide the pride in your voice.

“Thanks. It felt good out there tonight. The fans were crazy. Nearly thought we were goners—"

"Nah, I knew you'd pull through."

"Really?" His voice sounded hopeful, as if he had more to say, but instead, he coughed and continued talking. "Uh, listen, there is something I need to talk to you about.”

Your heart skipped a beat. “Okay, what’s up?”

“I haven’t stopped thinking about what you said."

"What I said? When?" you responded, your heart beating faster by the minute.

"The night before I went, about you liking me. I thought I could just put it aside and focus on the tournament, but… I can’t.”

You swallowed hard, your heart pounding in your chest. “Jude…”

“No, let me finish,” he interrupted gently. “I’ve been trying to figure out how I feel. And the truth is, I like you too."

Tears pricked at your eyes. “Really?”

“Yeah. I hope you don't mind, but I told Dec and Trent, and after they completely humbled me, they made me realize—I think I've always had a bit of a thing for you. It’s just… I don’t want to mess this up. I don’t want to lose what we have.”

“You won’t,” you said, your voice trembling slightly. “We’ll figure it out together. One step at a time.”

There was a moment of silence, then Jude let out a breath. “Okay. One step at a time. I like the sound of that.”

For the rest of the night, you talked about everything and nothing, letting the conversation flow naturally. The tension from the confession began to dissipate, replaced by a sense of hope and excitement.

The next game was against Switzerland, and you decided to go out to the pub to watch it with a couple of your pals. The place was buzzing with excitement, filled with fans donning jerseys and scarves, and the energy was infectious. As the match began, you found yourself nervously scanning the screen for Jude, your eyes automatically seeking him out every few seconds.

Your friends, of course, noticed.

“Honestly, if you stare any harder, you might burn a hole through the screen,” teased Sarah, nudging you playfully.

You rolled your eyes but couldn’t help the blush that crept up your cheeks. “I’m just… making sure he’s doing okay.”

“Sure, just making sure,” Mark chimed in with a grin. “We all know you’re head over heels.”

“Guys, can we please just focus on the game?” you said, though you couldn’t help but smile.

As the match progressed, every time Jude touched the ball, your heart seemed to leap into your throat. You could hear your friends’ comments in the background, teasing you about how intently you were watching him.

“There he is again, Y/N! Are you taking notes on his every move?” Sarah laughed.

“Come on, give her a break. She’s just a supportive friend,” Mark added, though his tone was dripping with sarcasm.

You tried to ignore them, but the truth was, they weren’t entirely wrong. You were more invested in Jude’s performance than anything else. When he made a particularly brilliant pass, you couldn’t help but cheer louder than anyone else.

“Wow, you’ve got it bad,” Sarah remarked, shaking her head in amusement.

The game was intense, with both teams playing aggressively. Jude was in top form, making crucial plays and demonstrating why he was such an asset to the team. As the game neared its end, with the score tied, the tension in the pub was palpable.

Just then, your phone buzzed with a message from Jude.

Jude: Gaffer gave us 5 minutes, couldn't wait any longer to not text you.

You: What are you doing?! You're supposed to be on the pitch.

Jude: I think this is going to penalties, I feel it.

You quickly typed back, trying to infuse your message with as much confidence as you could muster.

You: Don’t worry, you’ve got this. I believe in you.

There was a brief pause before his next message came through.

Jude: Listen, how about this: if we win, I’ll take you out on a date.

Your breath caught in your throat, and you stared at the screen, rereading his words. A date. With Jude. Your heart was racing now for an entirely different reason.

You: Deal.

The penalties were agonizing to watch. Each kick, each save, each miss, had the entire pub reacting in unison—groans of despair, cheers of relief, gasps of anticipation. You were barely breathing, your eyes fixed on the screen as if willing the ball into the net with sheer force of will.

Jude stepped up to take his shot. The pub fell silent. You could almost hear your own heartbeat. He took a deep breath, ran up, and kicked. The ball sailed past the goalkeeper and into the net. The pub erupted in cheers, and you jumped up, your shout of triumph mingling with everyone else’s.

The penalties continued, and finally, it came down to Trent. The pressure was immense. If he scored, England would win.

The pub fell silent again as Trent prepared for his shot. You could feel the tension in the air, your heart pounding louder than ever. He took his position, focused, ran up, and kicked. The ball flew towards the goal, past the goalkeeper, and hit the back of the net.

The pub exploded in cheers. People were hugging, high-fiving, and celebrating. You couldn’t believe it. They had done it.

Your phone buzzed again.

Jude: We did it! Can’t believe it. Guess I owe you that date ;)

You couldn’t stop smiling, your heart soaring with pride and excitement.

You: You were amazing! We're so proud!! I can't wait x

Jude: Trust me, I’m looking forward to it. See you soon, Y/N.

You spent the rest of the night celebrating with your friends, the victory and Jude’s promise keeping your spirits high. Amidst all the revelry, one thing was clear: your relationship with Jude was about to take a new and thrilling turn.

The next few days were a whirlwind of emotions and excitement. Jude’s team had just secured a 2-1 victory against the Netherlands. The pub you were in was filled with joyous celebration and raucous cheers. You knew Jude would be over the moon, and you couldn’t wait to hear from him.

Soon enough, your phone rang with an incoming call from Jude. You stepped outside, away from the pub’s noise, to answer.

“Hey, Jude!” you answered, your voice bright with excitement. “Congrats on the win!”

“Y/N!” Jude’s voice was noticeably slurred, and you could hear the background noise of a lively celebration. “I can’t believe we did it! We actually won!”

“I know, it was amazing!” you said, smiling. “You were incredible out there.”

“Thanks!” Jude’s words were slightly jumbled. “I’m just so… so buzzed right now! Remember when we were kids and we’d dream about moments like this? It’s really happening!”

“I know, it’s like a dream come true,” you said warmly.

“And you were always… so pretty, you know? I never really understood why you’d hang out with me,” he continued, his voice full of affection. “Everyone loved you, and I was just this goofy football guy.”

You felt a blush rising. “Jude, it didn’t matter. We had so much fun together.”

“Really?” he asked, sounding genuinely surprised. “I always thought… thought you were too good for me. I was just this guy with a big dream, and you were this amazing person who could have been anywhere.”

“Well, I was where I wanted to be,” you said softly. “With you.”

Jude’s voice grew more tender. “I’ve always admired you, Y/N. Even back then, I was captivated by you. The way you carried yourself, the way you looked—it was like you had this light that drew me in. I was always amazed by how stunning you were, both inside and out.”

You could hear Bukayo’s voice faintly in the background. “Jude, mate, turn the phone off. You're pissed-"

Jude chuckled, though his tone remained affectionate. “I can’t help it, Bukayo! Y/N, you have no idea how incredible you are. I mean, just thinking about you—how beautiful you looked back then and how stunning you still are—drives me crazy.”

You couldn’t help but smile at his words. “Jude, you’re making me blush.”

“I’m just speaking the truth,” he said earnestly. “You’ve always been this amazing person, and I’ve been lucky to have you as a friend and now… maybe something more.”

You felt a warm flutter in your chest. “I’m really glad we’re sharing these moments together. It means a lot to me.”

Jude’s voice grew more serious, though still a bit tipsy. “If we keep winning, I want to make sure we celebrate together. I can’t imagine doing it without you.”

“I’d love that,” you said, smiling. “For now, enjoy the celebration. You’ve earned it.”

Jude’s laughter was warm and content. “Alright, I’ll let you go. But I’ll call you again soon, okay?”

“Sure thing. Enjoy the rest of your night, Jude,” you said.

As you ended the call, you couldn’t help but smile. Jude’s heartfelt, tipsy confessions and the sound of his celebration had deepened your connection, making you realize just how much you both meant to each other. The future felt full of promise, and you were excited to see where this new chapter would lead.

When England lost 2-1 to Spain, the crushing disappointment was felt by everyone, especially Jude. As he and the team made their way back, he couldn't shake the feeling of defeat.

You, back home, had been anxiously awaiting any word from him. After a few hours, you decided to check in, hoping he was doing okay.

You: Hey Jude, are you alright? Just wanted to check in.

A few minutes later, your phone buzzed with a message from Jude. The text was brief, but the words were heavy with the weight of the loss.

Jude: Not great, honestly. It's been a rough night.

You felt a pang of sadness reading his message.

You could picture him, lost in thought, longing for comfort.

You: I'm so sorry, Jude. I wish I could be there with you too. You wanna hang out tomorrow? Watch a crappy horror movie and crash on my sofa?

The reply came back quickly.

Jude: Sure. I could use a little cheer up. I'd better go, journalists want a chat before we board.

You stared at the phone, hoping your words brought him some measure of comfort. You knew how much this loss meant to him, and how hard he had worked for this moment. The idea of him being alone in his thoughts broke your heart a little more.

You wanted to do something special for him, something that would show him just how much you cared. An idea started to form in your mind, and you sprang into action.

First, you pulled out his favorite hoodie from the closet. It was slightly oversized on you, but it felt like a warm hug. You wore it while you tidied up the apartment, making sure everything was perfect for when he got home.

Then, you went into the kitchen to start cooking his favorite meal. The process was therapeutic, each stir of the pot a way to channel your nervous energy. As the aromas filled the room, you felt a little more at peace, knowing that you were doing something to help him, even from afar.

As the hours ticked by, you kept checking your phone, hoping for any update on his flight. Finally, a message popped up.

Jude: Just landed. See you soon

Your heart skipped a beat. You quickly finished setting the table, dimming the lights to create a cozy atmosphere. You lit a few candles, their soft glow adding a touch of warmth to the room.

When you heard the key in the lock, you rushed to the door, your heart pounding with anticipation. As the door opened, there he was, looking exhausted but so incredibly relieved to see you.

Without a word, he dropped his bags and pulled you into a tight embrace. You held him close, feeling the tension slowly drain from his body as he buried his face in your neck.

"I missed you so much," he whispered, his voice cracking with emotion.

"I missed you too, Jude," you replied softly, running your fingers through his hair. "I'm so glad you're home."

He pulled back slightly to look at you, his eyes filled with gratitude. "You have no idea how much this means to me. Thank you."

You smiled, cupping his face in your hands. "Come on, I made your favorite dinner. Let's sit down and talk about everything."

Later on, after you had let him get everything off his chest, you decided to watch a movie, something that would probably become background noise. As the movie played, you and Jude sat side by side on the couch, the tension between you that seemed to dance in time with the flickering images. You could feel the heat of his body next to yours, and every time your arms or legs brushed, a jolt of electricity shot through you.

You glanced at him out of the corner of your eye.

He was staring at the screen, but you could tell his mind was elsewhere. The furrow in his brow, the way his jaw tightened, the constant fidgeting-he was still wrestling with the aftermath of the game.

You wished there was something you could do to ease his mind.

As if sensing your thoughts, he turned to you, his eyes softening. "I'm sorry I've been a grumpy sod."

You smiled, feeling a flutter in your chest. "No, don't be. I'm your friend!" You smirk a little as you made eye contact with him for the first time that night. "I'm just glad you're here."

The movie continued, but the air between you grew thicker with unspoken words and emotions.

"Listen. About what I said-"

"We don't have too-"

"No we should! Because, i know I've been swept up with all of the euro's but- I meant what i said. I like you."

"I like you too."

You could feel his gaze lingering on you more frequently, and each time you met his eyes, it was like a silent conversation passed between you.

"Do you remember the last time we watched a movie together?" he asked suddenly, breaking the silence.

You chuckled softly. "Yeah, you fell asleep halfway through."

He grinned, the first genuine smile you'd seen from him all night. "I was exhausted. You have a way of making me feel very relaxed. Always have done."

"It's a very good thing," he replied, his voice low.

You felt a shiver run down your spine at the intensity in his eyes. The movie, now a distant background noise, was all but forgotten. The distance between you seemed to shrink with each passing second.

"Jude..." you began, but the words caught in your throat. "I-." His eyes looked up and down at your lips as you settled into his embrace. He looks for any uncertainty before he continues.

"You make me feel seen. Like I can't hide anything from you. It's scary really-"

"Is that so-" you smile, your eyes casting over his lips.

"Mhmm. You make me such a good person-"

"Jude, just kiss me already." You laugh. He smiles instinctively,

He reached out, his fingers brushing lightly against your cheek. "Can I...?" he asked, his voice barely above a whisper.

You nodded, unable to form a coherent response.

Your heart pounded in your chest as he leaned in, his breath warm against your skin. The world seemed to hold its breath as your lips finally met in a soft, tentative kiss.

It was like a spark igniting a fire, the kiss quickly deepening with a hunger that had been building all night. His hands found their way to your waist, pulling you closer as the kiss grew more intense.

You responded in kind, your fingers tangling in his hair as you pressed against him, the kiss growing more intense. His lips were insistent, exploring yours with a desperate need. You could feel his heartbeat against your chest, mirroring your own racing pulse.

Jude's hands roamed, tracing the curve of your back, sending shivers down your spine. Your skin felt electrified wherever he touched, each caress igniting a new wave of desire. You gasped as his lips left yours, trailing hot kisses down your neck, nibbling and sucking gently at the sensitive skin.

"Jude," you moaned softly, your fingers tightening in his hair. He groaned in response, the sound vibrating against your throat as he continued his exploration, his hands slipping under your shirt to caress the bare skin of your back.

Your breath hitched when his lips found the hollow of your collarbone, his tongue flicking out to taste your skin. You arched into him, your body responding instinctively to his touch. The heat between you was almost unbearable, a consuming fire that threatened to engulf you both.

When you finally broke apart, gasping for breath, you looked into his eyes and couldn't help but smile. "Do you know how long l've wanted to do that?" you whispered, your voice filled with a mix of relief and desire.

Jude chuckled, resting his forehead against yours.

"Probably as long as I have," he replied, his breath warm against your lips.

You both knew this was just the beginning, but for now, the world outside could wait. All that mattered was the two of you, tangled in each other's arms, finally giving in to the desire that had been simmering between you for so long.

[kafka-ish]

I want to be Art’s dealer when he needs an eighth after one of his games. I want him to get my number from Patrick because he’s new to this & doesn’t know anyone or anywhere else to get it. Hey, u got any weed? He texts him.

Not on me.

Shit.

I know I’ve been going crazy

Do u know anyone?

The next message is your number. No name. No address. Nothing. But Art’s desperate for a cool down that doesn’t include a tub of ice or a communal sauna. He’s going out on a limb here—hitting send as soon as Patrick relays the message. Nothing too suspicious. You’re at home when you receive a text from an unknown sender.

Maybe Art: Hey, Patrick gave me ur number. This is Art

Come by around 9

You tell him which dorm.

Maybe Art: Okay

He’s at your door at nine sharp, still in his tennis uniform. He’s sweaty from practice, nervously gripping his racket bag and wondering if he should knock or text. Obviously he’s never done this.

He knocks. Doesn’t expect to be met with a girl half his size on the other side. Maybe you’re just the dude’s girlfriend and you happen to be over and end up answering. And in that case he really shouldn’t be looking but he can’t help it. Your hair is wet like you just got done showering. Your shorts ride up, or maybe he’s just imagining things. But he’s not imagining your shirt that’s see-through and barely covers your abdomen. He introduces himself, “Hi, I’m Art.” Maybe that’ll clear up the confusion.

“Yeah you texted me earlier. Come on in.” You leave the door open. You also leave Art dumbfounded.

Art makes sure to shut the door behind him but he doesn’t sit down. Stands awkwardly by the entrance, wondering what he should do with his bag, thumbing the strap.

“So Patrick sent you, huh?” Your voice comes from the kitchen and Art nods even though you can’t see him. He realizes this and dumbly says yes. You look up from the counter, sandwich bag in hand, and you smile at Art who’s fiddling his thumbs by the doorway. “You can sit down. Make yourself at home.”

"Cool." He settles down on your couch, looking around the place, trying not to be obvious even though it is. You smile, wanting to relax him. That's what he's here for, isn't it? His tennis bag is at his feet and he rests his hands on his knees, trying to take up as little space as possible.

"I won't bite, you know," you say, sitting next to him. You place a scale on the coffee table next to a tray of weed that's already been ground. About an ounce, though Art's never seen that much weed at one time. The only time he smokes is with Patrick every once in a while.

"Yeah, I know. I just--"

"What? Is this your first time or something?"

"No! I--I mean. Buying yes." His cheeks are red.

"Okay well don't worry. It's real easy." Art nods. Believes this. "Well."

"Well what?"

"Now I know why Patrick sent you to me."

"Sometimes it's easy." You laugh. Like an inside joke you have but only with yourself. "Sorry I shouldn't have said that."

"No it's fine." And Art gives you this look. Like it is fine. Keep going. Explain everything to me. He wants to know the basics, the hard stuff and everything in between. You just shake your head. Ask how much he needs. "How much do people usually get?"

"Depends on the person." You shrug.

"How much does Patrick get?"

"Like an ounce. Half if he's short on cash." Art raises his eyebrow, shocked he didn't know that about his friend.

"So I should get an ounce," Art says. More of a question than a statement. He's testing the waters. Putting himself out there.

"How much do you smoke?" You push back. You want him to be careful. You also can't risk putting a super hot new customer in danger.

"Honestly? Only with Patrick." He's bashful when he admits this. You probably think he's lame now and totally off your radar. You're never gonna let him step foot into this apartment let alone sell to him again.

"Yeah you don't need an ounce," you say smiling, thinking of how he came in all politely with his tennis racket just like a puppy, tail tucked nervously between its legs, not knowing if he should stand or sit, silently observing your things. He has a good head on his shoulder with a future ahead of him and here you are selling him weed. Who are you to take advantage of such a thing just because Patrick sent him?

"So what do I need?"

"Probably some melatonin and a really good massage. But I'll give you an eighth and pretend like this never happened." This is the first time you've felt bad about selling. You take a jar from a drawer. There's even more weed in it than on the table, but in clumps. Green wads with streaks of purple. You set each on the scale in individuals first before packaging his pile in the bag you grabbed from earlier. "Here."

"How much?"

"On me this time. Think of it as a sample. You got a grinder or you smoking with Patrick?" Art's at a loss for words. He wants to pay you. He has cash too. He'll take you out to dinner. Instead he just says

"No, I, uh. Don't."

"Want me to roll you a joint?"

But before he can say anything you already find yourself folding a zig-zag with the filter, scooping the weed you have out with your fake nail into the paper. Art watches your hands. An expert at work. He thinks how everyone has their own niche and this is yours, just like how he has the tennis court.

When you walk him out you tell him to be safe. You're still smiling. You've never been this happy to not get money. He's about to leave but says, "I can pay, you know. I want this to be an honest transaction and everything."

"Art, I'm a drug dealer."

"Yeah, well--"

"Bye, Artie."

[firewasabeast]

Prompt: I've been thinking about a mixture of posts on here and I'd really love Tommy going to talk to Eddie because, maybe Eddie isn't being a great friend? I've read some people think Eddie would fall in line with Gerrard (due to being in the army etc.) and I'd love to see a Tommy/Eddie argument!

When Eddie got a knock on his door at 9pm on a Tuesday, he wasn't sure who to expect. He hadn't gotten a call or text from anyone, and he hadn't ordered any food. He figured he'd be arguing with Jehovah's Witnesses, asking them why the hell they were knocking on his door so late? Usually he'd avoid them altogether, but a little piece of him felt like arguing, so he swung the door open with a dramatic sigh.

He was surprised to see Tommy on the other side of the door, hand raised in a fist, ready to knock again.

“Oh. Hey, Tommy. I wasn't expecting you, was I?”

“Um, no. Can I come in for a sec?”

“Sure.” Eddie moved out of the way so Tommy could come inside, closing the door behind him. “Want a beer or something?”

“No, I really can't stay long. I'm heading to Evan's after this.”

Right. Buck. He should've known he'd be getting a visit from Tommy. Buck hadn't exactly left work, or Eddie, on good terms two days ago. Things had been tense for a few weeks now, actually. Everything had slowly been bubbling up until Buck finally burst under the pressure and was sent home early for insubordination. He'd actually been told not to return until he could learn proper chain of command, and if he couldn't learn within a week, he should start searching for a new career path.

“Is Buck the one who sent you?” Eddie asked, crossing his arms over his chest.

Tommy shook his head. “No. No one sent me.”

Eddie raised an eyebrow. “So you're not here to kick my ass?”

“Should I be?”

“I don't know,” Eddie answered honestly. “I don't know what you've been told.”

It was kind of a ridiculous sight right now, if you asked Eddie. Two grown men, friends for months now, standing awkwardly in his living room. Neither making any effort to sit or get more comfortable.

“Evan's been having a rough time with Gerrard,” Tommy started. “Sounds like he's Gerrard's main target.”

Eddie shrugged. “Gerrard likes to push buttons. Buck's buttons are easy to push.”

“Last week he asked Evan if he'd like a bra to go with the apron he wore while cooking.” Tommy tensed even as he spoke the words. “That doesn't just sound like pressing buttons to me.”

“He's a wannabe drill sergeant pissed about the fact he never made it through basic training. You do what he says, keep quiet, use your manners, and make him feel like he's the most important person in the room. That's how you get through a shift.” Eddie moved to sit on the couch, but Tommy remained standing. “You know how this works the same as I do,” he added.

“Yeah, I do,” Tommy agreed, although his voice was a bit more commanding now. “Probably better than you do, actually. Doesn't make it okay.”

Eddie sighed, rubbing his eyes. “Why are you here, Tommy? I'm tired.”

“To try and stop you from becoming me, you idiot. I've been where you are. I've sat beside Gerrard and watched him treat person after person like nothing but garbage. I kept quiet, I made him feel important, I followed behind him like I was his damn puppy dog. I called him sir, I did whatever he asked, I laughed along with his jokes. You know what that made me?”

Eddie was starting to get annoyed. “What?”

“Him. I was no better than him.”

Eddie's eyes darkened. He stood back up, taking a step toward Tommy. “Are you seriously comparing me to that piece of crap?”

“If the mustache fits.”

“You need to get out of my house now,” Eddie warned. He could feel his body filling with the same boiling rage that got him thrown in jail a few years ago. He didn't need that to happen again.

“You repeat to me what Gerrard told Evan two days ago and I'll go,” Tommy offered. “Tell me what Gerrard said that finally made him explode and I'll leave.”

“Or I can call the cops on you for trespassing,” Eddie replied, moving to the door and opening it.

Tommy made no effort to leave. “Go for it.”

They stared at each other for a moment, Eddie's chest rising and falling with each heavy breath. When Eddie realized Tommy was never going to back down, his shoulders slumped. “Come on, Man, just leave.”

Tommy doubled down. “Tell me what he said,” he demanded, speaking each work slowly and carefully.

“H- He... God, Tommy.” He looked away from him, unable to maintain eye contact as he recalled the event. “Buck fell while we were at a scene, bruised his tailbone. When we were sitting down to eat, Buck moved slow. He winced when he finally got seated... Gerrard saw and said th- that maybe if he... if he spent less time taking and more time giving he wouldn't have so much trouble.”

“But,” Tommy beckoned for him to continue.

Eddie took a deep breath. “But he should have expected Buck to be the woman.”

Tommy nodded. “There it is.”

“Listen, Tommy, I-”

“He could've really used someone sticking up for him. One person to step in and tell Gerrard he'd crossed a line. I get that Hen can't do anything right now. She can't risk not getting Mara back. And I know Howie can't do anything to lose Mara. But you could have said something, Eddie. You could have been there for him, but you weren't.”

And there was the anger again. “Why the hell is it on me?!” he exclaimed. “I've been going through my own crap, and it's not like you or Buck have really been around to help me out.”

“Oh, you cannot be serious right now.” Tommy's posture straightened, his body somehow becoming even wider and taller. It would have caused Eddie to pause and think about what was about to come out of his mouth if he wasn't so mad.

“Yeah, I am serious. I've needed people too, Tommy, but you guys have been too busy with each other to even notice.”

“You made the mess you're in right now, Eddie!” Tommy yelled. “You did that! You screwed up and it's on you to fix it! But Evan didn't do anything wrong. He sure as hell didn't deserve to be talked to like that, and now his job is on the line because you decided keeping the peace with a piece of scum like Gerrard was more important than speaking up for your supposed best friend. So, yeah, that's on you!” Tommy began to make his way to the door, ready to push past Eddie on his way, but Eddie wasn't finished.

“Hey!” He yelled, shoving Tommy back so he couldn't leave. “I've been trying to fix everything on my own! Trying to get my own life back! Hell, I just got to talk to my kid for the first time in over a month!”

“And who you think got Christopher to answer the damn phone?!”

It felt like all the air had suddenly been sucked out of Eddie's lungs. He stood there, his mouth hanging open as he tried to find the right words to speak. “I... Buck's been talking to Christopher?”

“Every day,” Tommy confirmed. “He calls or texts. Facetime's him every once in a while too. He's been telling Chris how you're doing, trying to get him to call you or text you. He even suggested writing you a letter.”

“I didn't know that.”

“He didn't really want you to. Christopher had promised him the next time you tried to call, he'd answer. Evan's been like a kid on Christmas Eve, excited for you to tell him how it went after you two talked.”

Eddie didn't know what to say. He wasn't angry anymore, just incredibly disappointed with himself.

“He's always had your back, Eddie,” Tommy said, making his way out the door. Eddie didn't stop him this time. “It'd be really nice if you had his.”

[inbarfink]

I think a lot about the Concept of ‘choices that matter’ in video games. Like, in terms of what it is that makes a choice ‘really matter’, what do we perceive as a choice that matters or has a consequence, how do different games with different amounts of branching or non-branching storylines play with those ideas…  Especially because Undertale is one of my favorite games of all time, and it has often been hyped as ‘a game where your choices REALLY matter’ and… honestly, I dunno if all of this hype was fully conducive to Undertale.  Because the way it handles the concept of Video Game Choices is actually a lot more interesting and complex than that simplistic descriptor makes it seem.

Because Undertale actually has a lot of choices that ‘don’t really matter’! Lots of dialogue choices and silly little decisions that on a first playthrough seem like they’re some sort of moral choice or a branching plotline but end up always leading to basically the same result regardless of what you do!

And the game doesn’t really try to hide the fact that these choices are kinda 'Fake'. I mean, on a first playthrough a player might assume there’s gonna be some Massive Consequences for picking the ‘wrong’ drink on Undyne’s date, but the game’s narrative expects for there to be multiple playthroughs and pretty much every Choice that Doesn’t Matter is peppered with that Undertale brand of wacky character-focused humor that inherently makes the moment memorable. Papyrus leading Undyne straight to you no matter what you do is basically a cross-timeline running gag.

On some level I see this as a sort of gag that serves as meta-commentary about the expectations around Choices That Matter in Video Games. As in, a lot of games have their Moral Choices happen in clearly easily marked ‘this is a Moral Choice!’ moments within the story, while the actual gameplay (and any violence the player might cause as part of said gameplay) is basically entirely divorced from any element of narrative-branching and doesn't effect the story at all. Undertale basically entirely inverts this dynamic; the most important factor for which Route you’re own is how you handle your FIGHTs, and what seems like clearly-marked and obvious Moral Choices are just goofy insubstantial minor changes in dialogue. 

But also… there is also a level where you must ask yourself ‘what does it mean when we say that these choices Don’t Matter’. I mean, it’s not like they didn't change anything about the game, the Player still made the character say that other thing, the choice probably led to an alternate piece of dialogue, probably a joke with a call-back at the end of the game… The line between a one-off joke and an actual story-changing moment can be a little blurry if you look at it too deeply.

For example, near the end of the Waterfall part of the game, the Player is given the choice to save Monster Kid even at the risk of having to face down Undyne.

Pretty much anyone who isn’t deliberately trying to be an asshole is going to rush to save them and obviously that includes the Pacifist Route Players. But you can actually leave Monster Kid to die without it 'mattering' in the sense that it wouldn't divert you from the Pacifist Route. Undyne saves them instead of you, and ends up with slightly less HP for her battle (which might Matter for Runs when you try and FIGHT her but obviously not in Pacifist Runs) and… by the end of the game, during the extremely happy True Pacifist Ending, they still clearly remember that you abandoned them and are upset by it.

So… does saving Monster Kid ‘matter’ or not? On one hand, choosing not to save them mostly just changes a few lines of dialogue but… these lines of dialogue kinda recontextualize this happy ending and the Player’s actions in general. Despite the True Pacifist Ending otherwise portraying the Player/Frisk as a kind-hearted and brave hero... they still did this undeniably cowardly (and perhaps even cruel) act to one of their friends .

Was running away and leaving Monster Kid to die a brief but significant moment of weakness that the Player regrets and has cost them what could’ve been the start of a lovely friendship? Or is that simply that being a True Pacifist was always more of a matter of pragmatism rather than ideals? Were they only acting as a Pacifist to get that promised 'Best Ending', and only Monster Kid has an inkling they are not as heroic or kind as everyone thinks they are?

And then there’s the Snowman ‘quest’.

A free healing item given early in the game, with your mission being to carry it along in your inventory for as long as you can without ever consuming it. The only reward you will ever see from it is a few lines of dialogue…

But for many, it is more than enough of an incentive to preserve the Snowman’s Piece. You can do whatever you want with the Snowman without it ‘mattering’ in terms of Ending or consequences. You could carry it through all of your adventures with care and kindness... or you could eat it while he can’t see you and then go back to him and tell him that you ‘lost’ it and then get another piece and eat that as well, you could eat it right in front of his face, horrifying him. 

And much like with Monster Kid, you can STILL get the True Pacifist Ending after doing that, all that would change is a few optional pieces of dialogue from the Snowman… 

And a total recontextualization of the Player’s behavior and the ending. The Snowman sees the Player as a cruel and heartless person who is just pretending to be good so they can be liked - the way they acted with this immobile, powerless Snowman who could do nothing for them and their reputation reveals their true self. And he says their friends will realize that too one day...

Doing a True Reset on the Pacifist Ending is, by definition, a (almost) consequence-free action and yet it changes future Pacifist Routes immeasurably. Turning the Player into a Hypocrite doing the exact same thing they were trying to stop Flowey/Asriel from doing - trapping all of their friends into a time-loop so they can play with them forever while never actually letting them to enjoy freedom on the surface, simply because they are not willing to move on or put their friends' wishes and agency above their own. Nothing in the game actually changes, not one character can even suspect that you did something like that, and yet for the Player - this choice makes the entire Meaning of the game flip on its head. 

Even the most famous and heavily-toted Big Consequence in the whole game - selling your soul to Chara after completing a Murder Route… mostly what it does is just… recontextualize the ending of the Game.

As a game, ‘Undertale’ is very much about the ways in which a Player engages with a game can radically recontextualize it. The huge chasm of difference between the Pacifist and Muder Routes is just the most literal example of it. But, in a way, even the tiny little Dialogue Options - where the lack of real choice and consequences is Obviously a Joke - matter. Because of the way they can recontextualize the Player Character’s behavior.

(Okay, maybe not this one, but hear me out…)

Do you trust Papyrus to not betray you, even after you spied on him with Undyne?

Do you have the integrity to admit you forgot something or got it wrong even when there’s no consequences for just lying about it?

Are you a hypocrite for trying to get Alphys to be truthful with Undyne only to then immediately turn around and lie to Undyne yourself?  

None of these choices matter for the ending, some of them don’t even get, like, a call-back joke or anything, but… if you are engaged in this story as a narrative, if you are invested in these characters as if they were people, if you are honestly trying to be the best person you can be, if you are trying to self-reflect at the way you approach this game… even the silliest little dialogue option can suddenly be imbued with deep implications and you can make them matter. 

Undertale is one of the best demonstrations of this concept, but this is absolutely not exclusive to it. For example….

‘Ace Attorney’ is pretty much as far away as you can get from a ‘branching narrative’ within the video game sphere. It is a heavily-linear Visual Novel where 70% of the time it won’t even let you talk to random characters at anything but the exact order it expects you to and any ‘Bad Endings’ are basically just glorified Game Over Screens. (... because this is the Internet and something something piss on the poor, I should probably specify that I am talking about ‘Ace Attorney’ because I love Ace Attorney and these are neutral descriptions of the game and not complaints. There’s nothing wrong with a game being linear.) 

If there’s any Dialogue Choice in AA, it’s generally a very basic ‘right answer-wrong answer’ choice between Progress and a Penalty, or a total non-choice that just gets you to the same final result regardless. Except… Well… as we just talked about, getting to the same final result doesn’t necessarily mean a choice is ‘meaningless’, does it?

There’s actually a lot of great storytelling moments where Ace Attorney, despite its otherwise strict linearity, uses this exact sort of recontextualizing mindset I’ve talked about with Undertale to make choices with some really powerful emotional impact…. Even if technically, the ending is the same ending. It can be something as basic as ‘even if picking this Wrong Answer doesn’t get me a penalty, it still embarrassed my character and disappointed my friends/rivals and thus I feel bad for picking it’. Consequences as recontextualizing your character as more incompetent than they should’ve come across at that moment.

And then there’s moments like the iconic ending of ‘Justice for All’. That moment before Franziska bursts into the Courtroom with the case-making evidence and saves the day. The moment where it seems like Phoenix really is gonna have to pick between protecting his best friend and carrying out a rightful sentence.

The player gets to pick between the two options, but Phoenix never gets to say his choice out loud before Franziska comes running in... and yet… he, and the player, still made that choice. Even if no one ever has to experience the consequences of your choice, even if the rest of the world has no idea what Phoenix Wright would’ve chosen if the Miracle hadn’t happened, we know what we picked and that knowledge of the choice matters. Because of how we feel about this choice and what it says about our interpretation of Phoenix… and about us.

There’s also a bit of this ludonarrative device in ‘The Great Ace Attorney: Adventures’. During “The Adventures of the Runaway Room”, when you investigate the Omnibus for the second time and start finding things that… don’t quite fit together. When you’re finally starting to make progress with proving McGilded’s innocence, while also maybe starting to notice that something is… wrong with these pieces of evidence. 

The unchanging linear narrative of the game is that Ryunosuke does eventually realizes McGilded's trickery, puts truth ahead of victory in court and yet, despite his effort and good intentions - the case still ends with a false Not Guilty verdict. And yet, the Player has the choice to... tweak the details.

There are several points where Ryunosuke can object, where he can call out the inconsistencies even though they help his case, where he can support Van Zieks in his accusations of tempered evidence... or he can not. Not necessarily intentionally misleading the Court as much as subconsciously trying to ignore the inconsistencies in the name of trusting his client.

And yet… in the end it doesn’t matter. Maybe Susato calls out the inconsistency instead of him, maybe Van Zieks does, maybe it remains uncontested but... no matter what you do, the case will end with a Not Guilty verdict (I mean, I guess you can deliberately fail the game but that will not progress the plot), McGilded doesn’t seem like he held a grudge (in the few minutes he had left to live), and a few cases later - Ryunosuke would always be punished for his part at this false verdict.

So it doesn’t really matter what Ryunosuke did back then? Does it matter if he did his best and called out every single inconsistencies or if he kinda half-assed it until he (and the Player) had to? He’s still going to suffer the same consequences down the line. And yet….

And yet, I think there’s something so powerful about giving us that option. About knowing that Ryunosuke, and we, did try and do something about McGilded's dirty tricks- even if it didn’t work. Or alternative, knowing that there was more that Ryunosuke and us could’ve done even if it was not nearly enough. Even if in the eyes of the game and the British Justice system there is no difference, the fact that we know what did and what we could’ve done can radically change the way the player feels about all of the later scenes concerning the truth about McGilded’s trial. It can radically change the way the player interpret Ryunosuke’s feelings about it as well.

Because even though the game itself keeps playing along with the same script regardless, that trial had irrevocable consequences for the Player.

[ann1-wr1tes]

Leon Kennedy NSFW Alphabet

Dynamics: RE4! Leon Kennedy x Fem!Reader

Synopsis: Spicy Alphabet

Warnings: Adult themes, obviously smut

A/N: Hey Leon simps...hope ya'll enjoy! Also if anyone wants to request any other characters for an alphabet, let me know!

-----

A = Aftercare (what they’re like after sex)

-Leon is very good at aftercare. He always makes sure that you are comfy and well cared for. He'll run you both a warm shower and he honestly just likes to take his time, washing your body and making sure you are well cared for and clean. His favorite part is when he finally gets to lay back in bed with you and relax as you drift off to sleep.

B = Body part (their favorite body part of theirs and also their partner’s)

-Leon loves your whole body honestly. If he had to pick one thing he'd probably say your hands. He likes to hold them and kiss them and its just something that's so grounding to him when he's fucking you and he intertwines his fingers with yours.

-On himself I think he'd be particularly proud of arms. He knows he's got some muscle on them and it just makes him feel strong.

C = Cum (anything to do with cum, basically)

-Leon would probably prefer something simple like your stomach if not inside a condom. If he has to pull out, he doesn't like making too big of a mess so your stomach will do.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

-He's always wanted to wake you up with a little surprise. Whether that be waking you up with head, fingering you, or fucking you awake. Its just something about how pretty you look when you're sleeping next to him and you have your ass pressed against his dick...

E = Experience (how experienced are they? do they know what they’re doing?)

-Since this is taking place around RE!4 he doesn't have a lot of experience. Of course he's not nearly as clueless as he was in RE!2 but he's too busy to have that much experience under his belt. Luckily he's a quick learner.

F = Favorite position (this goes without saying)

-He likes it simple. Missionary or maybe Doggy-style. Missionary is just perfect, he can gauge all your reactions and see how you feel when he looks at your face and its just perfect. Doggy-style is nice when he presses his chest against your back and he gets to be as close to you as possible. His arms would be wrapped around your waist as he rolls his hips into yours.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

-Not too goofy but he may crack a few horrible jokes here or there. He wants to keep the mood light and not too serious.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

-Not too messy, not completely bare. Given his line of work and very limited amount of time he has at home, I think he tries his best to stay as well groomed as possible but he leaves a little bit and has a nice happy trail.

I = Intimacy (how are they during the moment? the romantic aspect)

-In the moment he an get very sucked up into all the emotions and the feelings that happen during sex. His life is hard and he rarely ever gets to take the time to unwind so sometimes it can be emotional for him and he just wants to show you how appreciative he is.

J = Jack off (masturbation headcanon)

-Oh absolutely. When he's off on the other side of the world, away from you he's got to have some way to relieve stress. Its not that frequent but he does it often enough late at night when he's thinking of you.

K = Kink (one or more of their kinks)

-Definitely has a praise kink. He wants to hear how good he is doing for you, how good he is making you feel, and if you happen to tell him how strong he is or how handsome he looks then he might just cum right then and there...

L = Location (favorite places to do the do)

-Usually at home in bed, but there have been a few instances where he has enjoyed some shower sex. You two just wanted to spend some time together after he got home from a mission and he couldn't help himself when he saw soap running down your skin and your pretty body standing there in front of him.

M = Motivation (what turns them on, gets them going)

-Just you in general. He loves everything about you and god does he think you're hot. You barely even have to do anything to get him hard. You could probably give him a few good kisses and he'd start to get heated.l

N = No (something they wouldn’t do, turn offs)

-No guns, no knives, and I don't think he'd be huge into choking. Anything that could hurt you is a definite no for him. I also don't think he'd into the whole "daddy" thing..it kinda just weirds him out-

O = Oral (preference in giving or receiving, skill, etc.)

-He prefers giving. Its one of his ways he likes to show you how much he loves and appreciates you. Just having you lay back and spread your legs is one of his favorite things.

P = Pace (are they fast and rough? slow and sensual? etc.)

-Steady. Not too fast, not too slow. He likes to get the job done but not rush it too much. Of course if you want it rougher/faster he'd be happy to oblige and there are moments when he's feeling more emotional or soft so he'll be a bit softer and slow then.

Q = Quickie (their opinions on quickies, how often, etc.)

-He doesn't mind them. Sometimes he'll get a call for work and he'll have to leave soon but he wants to fuck you on last time before he goes. I feel like it'd be a common thing between you too.

R = Risk (are they game to experiment? do they take risks? etc.)

-He's neutral on taking risks. He's pretty much down for anything you'd like to try, so long as its within reason. But if you want to experiment then he's more than happy to give it a try with you.

S = Stamina (how many rounds can they go for? how long do they last?)

-Leon has good stamina but the poor boy is tried most of the time. I think he'd be able to give you a good few long rounds before passing out lmao-

T = Toys (do they own toys? do they use them? on a partner or themselves?)

-He doesn't own any toys himself but if you had some and wanted to use them he'd be happy to. I think he'd be more eager to use them on you but if you convince him you'd probably be able to use a vibrator on him or maybe a cock ring-

U = Unfair (how much they like to tease)

-Doesn't tease at all. He's very giving and generous while having sex and he loves to make you feel good.

V = Volume (how loud they are, what sounds they make, etc.)

-Not too loud but not quiet. I'd say he's somewhere in the middle. He'll let out a few good groans and maybe some moans if you get him feeling really good.

W = Wild card (a random headcanon for the character)

-He loves it when you wear his clothes. Whether that be an oversized shirt or his jacket, its just something about seeing you in his clothes that gets him going.

X = X-ray (let’s see what’s going on under those clothes)

-Definitely a grower. Leon when he's soft is a good 6.5 inches and when he's hard, he gets to a whole 7.5 inches. When hard his dick tilts slightly to the left but has one of two prominent veins running up his shaft.

Y = Yearning (how high is their sex drive?)

-Pretty high honestly. He's always pent up from his job and stressed so one of the best ways he can relieve himself it by fucking you. Plus he just loves you and can't seem to get enough of you so his sex drive is decently high.

Z = Zzz (how quickly they fall asleep afterwards)

-He tries to stay up long enough for you to fall asleep first but sometimes he's just so worn out that he either falls asleep with you or a little before you.

[gay-dorito-dust]

How I think Jason shows his love includes…

Annotating/highlighting romantic passages or moments of high tension between two characters in the books he reads before passing them over to you. He’d even have the exact pages marked and when asked why that was, all he says is that they were the key pivotal moments in the story that he thoroughly enjoyed, and all with a cherry red face might I add as he intentionally leaves out the fact that he envisioned that it was the two of you in those moments as he annotated the books.

Will stand close to you for a plethora of reasonings but the main one being the fact that he wanted to be the first one you look towards when in need of anything. Comfort, protection or reassurance. Just say the word and Jason will do it without question like an obedient dog, he just wants to be someone you can hopefully rely on and trust in the future, only if you let him in first.

Jason just wants you to know that no matter what happens he will always be in your corner, uncaring for what the future will have in store for you both, whether it’d be good or bad. He’d willingly stick his neck out for you in any given situation, even if it meant putting himself in the line of fire, a few new scars won’t bother him if they were earned by keeping you safe and sound.

He doesn’t care about himself nearly enough as he cares about you and your well-being. He just doesn’t and it’s not until you were pleading with him to take care of himself, that he ultimately decided that to care for you was to care for himself as well; So for your sake he keeps himself relatively stable.

Not a great mindset but it’s Jason, he’s not exactly a practitioner of affirmations, journaling his feelings or having healthy habits.

Smiles more when he’s with you, even if it’s corny dad jokes or just bad jokes in general, Jason still smiles and might even let out a chuckle now and then.

Spends an unhealthy amount of time with you that it was impossible for you to be seen without Jason following close behind. Also Jason isn’t great with voicing his feelings in wanting to spend time with you, and instead just asks what you’re planning to do later on and whether there’s room for one more and takes it from there. He cuts out the bullshit and gets straight to the point of what he wanted to ask you.

Night rides on his bike.

Now this is mainly a boost for his ego as he loves feeling you clinging onto him for dear life as he speeds down the road with little care for the speed limit. He’s such a prick but will slow down if he see that your visibly distressed with the speed of which he was going, after all he was always going to prioritises your wants and needs above his own.

Teaches you the basic defence and even teaches you in the usage of weapons, and all for the sake of your own protection.

He doesn’t like the idea of you walking through the streets of Gotham amidst criminals and creeps alike without at least some form of defence. Jason doesn’t trust anyone with your safety except if their names happen to be Roy and or Dick. Other then that, Jason likes to be the one protecting you but had to accept that he wouldn’t always be there to do so, which lead him to constantly pester you into taking up his offer in teaching you self defence.

God knows what he’d do if something happened to you, all he knows is that it would be brutal, violent and bloody for sure.

It’s annoying at first, being pestered and all, but you understand Jason’s reasonings and went through with it for his sake.

Lastly Jason trusts you enough to bear his heart out to you and be vulnerable in your presence, so much so to the point that you knew stuff that he wasn’t as willing to disclose to even the ones he considers his closest friends and family. It’s not often that Jason bears it all to someone but when he does, he does so out of confidence that they wouldn’t use it against him down the line.

He hopes that this method could be applied to you as well and he thanks every god in existence when you open up your arms for him to fall into them in acceptance. He smiles as he closes his eyes, feeling warm and safe within your arms, forever wanting to stay here for as long as forever allows.

[heavqn]

Coriolanus as the peacekeeper, being completely mentally unbalanced, possessive and controlling, while he fucks the reader who is totally naive and can't refuse since Coriolanus is basically keeping her alive and feeding her, it all happens in the cabin. and they are almost discovered by her friend Lucy Gray.

It can include size difference perversion, Coriolanus has a hyper fixation with how shy and naive the reader can be, manipulation, doubtful consent.

Can you add any plot? I'm not a fan of angst though. If you take it, I THANK YOU.

i loved this request!! i kind of went totally overboard and i don't think i stuck to your request quite well but i hope you still enjoy it 😭

cw; fingering, sort of controling? coriolanus, allusion to piv but there isn't any. usage of yn like three times. i think that's all. not my finest writing, apologies </33

Being in District 12 was no party. It was as miserable as life got, until she met Lucy Gray of course. Lucy Gray had taken her under her wing, no doubt becoming like a sister to her. She taught [ y/n ] her favorite songs, her favorite stories and even let her have some of her pretty dresses.

She was basically part of the covey though she had known her for such a short amount of time. When Lucy Gray was reaped, she felt like she was too. A part of her went into that arena with Lucy Gray and she was frightened everyday until she came back unscathed. 

With Lucy Gray’s infamous return to the District came plenty of singing and dancing back in the Hob. It wasn’t until Lucy Gray was a bit way into her song when she noticed a familiar pale, blonde-haired boy watching her. Though the realization of who he was had been cut short by Billy Taupe and his drunken-state, she was both shocked and excited to know he was there.

The next day, she saw him yet again. Maude Ivory had made way to them though and she had to leave. But it didn’t stop her from inviting him to the lake, promising him only the covey knew of its existence.

On the way to the lake, Coriolanus had made his acquaintance with a few others from the covey. One in particular stuck in his mind though; [ y/n ]. She had a quiet tone and was a bit clueless to jokes that others made. He noticed how she stayed close to Lucy Gray, whispering to her and then looking at him.

And if the shyness and naivety hadn’t got him, seeing her come up from under the water definitely did. Her hair clung to her back and the make-shift bikini she wore did little to cover her boobs as he saw her nipples poking from under the fabric. 

He was fascinated by her. She was dumb, to say the least. Usually such things would turn him off and make him go the other way, but he reveled in the way she clung to his every word once the two had become close. 

They often spent time together at the lake; his idea. This particular day, he had convinced her to go skinny-dipping. “What if someone sees us?” She had questioned, voice quiet as if anybody was around to hear her. Only the covey and him knew about the lake; she knew this, he knew this. The possibility of anyone coming out this late wasn’t likely.

Though he had to admit that the thought did cross his mind as well. So he prompted her with another idea, “We could go to the cabin instead.” His intentions would’ve been clear as day to anybody else, but she was entirely lost. “What are we gonna do in there? It’s boring.” She pouted. 

Most nights at the lake were spent listening to him talking as you nodded along, pretending to understand what he spoke of. So when you made your way inside the cabin and got comfortable on the rickety bed, Coriolanus started to speak about his home. 

“I can’t even imagine what the Capitol is like.” She told him in response to his question of if she’d come home with him. “It’s amazing. Organized, powerful. Nothing like the districts. I think you’d fit right in.” His words had her shaking her head.

“I couldn’t leave twelve. My family is here; Lucy Gray is here.” He rolled his eyes. “You’d be with me. I’d buy you the finest things the Capitol has to offer.” The thought of leaving the covey left a bad taste in her mouth, but the promise of pretty things had her looking up at him with curiosity.

“What kind of things?” She questioned. He smiled, knowing he had piqued her interest. It was too easy sometimes. “Clothes, jewelry, makeup. Anything you can dream of.” His hand had made its way to her arm, caressing it as he watched the way her eyes lit up from his words. “Even flowers?” He let out a soft laugh, “Even flowers.” 

She fell into him, back meeting his chest as his arms wrapped around her waist. “You know what else the Capitol has?” His fingers went under your shirt, dragging across the skin of her abdomen. She felt that tingling sensation she often got when she was with him. 

While they talked a lot when together, she’d also had sex with Coriolanus a lot. It wasn’t a hard thing to convince her into. Her first time was in the lake; it wasn’t comfortable or convenient, but he was a desperate man. She had just talked about how she was a virgin and he was immediately interested in taking that title away from her. So it was no surprise when the next time they met up, he had her under him once again and every time after that.

He told her that she owed it to him. He was protecting her; would she rather it be him or some pervert from the district? He knew what he was doing and he gave it how she liked it. He guaranteed that none of these boys could even dream of doing it like him and she agreed. He was unfairly good at it and knew what had her cumming in no time so who was she to deny it?

She was dragged out of her thoughts as his hand went further under her top, moving to grasp her boobs. She let out a shaky sigh at the feeling, listening to him speak. “I asked you a question.” He reminded her; his voice deep and firm in her ear as he his hands continued venturing her body.

“What else?” She responded, not necessarily caring for anything else at this moment besides being held close to him. “Lingerie. You know what that is?” He questioned her, and the way her face screwed up let on that she didn’t have a clue as to what he had said. “I don’t know what that is.” She admitted softly, feeling embarrassed he had once again caught her in a stump.

“It’s a type of clothing women wear. Nice and lacey; Bet you’d look real good in it.” He spoke to her in that same deep voice he always did, but it felt heavier this time. He was building her up just so he could break her. “What do you think?” He shifted the conversation back to her, knowing she’d get riled up.

“I think–I think it’d be nice to try it on. Is it like a dress?” She asked curiously, not quite envisioning what this lingerie was that he spoke of. He laughed at her question, taking his time to trail his hands down the length of her skirt. “No, no. It’s like an undergarment; Ladies wear it for men.” He tried to explain, feeling her body melt into him as his fingers went to push her skirt up, giving him access to the place he wanted.

Her eyebrows were furrowed in confusion, again. “So it’s like fancy underwear?” Hearing the word underwear only brought more of her innocence to his attention. “Exactly. Now you’re getting it.” He praised, fingers trailing on the inside of her thighs, inching closer and closer to where she needed him.

“What makes it different from regular underwear?” She was curious now. Ladies wear it for men? Ladies always wear underwear, she thought. He smiled at how interested she was in this topic, but it was clear she was struggling with her words in the way her breath hitched and how she melted impossibly closer to him, when he finally got to the cotton of her panties.

“Well, you don’t wear it everyday. It’s for special occasions; For times between a man and his woman.” He told her, finger playing with the hem of her panties, teasingly snapping it back and into her skin. “Like–Like us, Coryo?” Her voice was but a whisper when she shyly asked the question.

He reveled in the way his pants tightened at how innocent and naive she was. It made it impossible to hold back the way he smiled into her neck, placing open mouthed kisses over her skin. “Just like us, bunny.” He whispered in her ear, finger finally slipping under her panties and going to feel how wet she was.

“Got you all hot and bothered just from a simple conversation. We haven’t even kissed and you’re already soaked.” He teased her, fingers coming out from her panties to show her just how wet she was. “‘m sorry.” She squeaked out, feeling embarrassed at his words and seeing his fingers covered in her juices did nothing to help that feeling.

He swore he could’ve cum right then and there. The way her body tensed up at his words, and the way she became beat red when she saw his fingers; he was ruined. He wanted nothing more than to be inside her, watching as she squirmed to take him; she would be so thankful for it, a mix of “please” and “thank you” ‘s no doubt on her lips with every thrust.

She was obedient; sometimes too obedient. He just craved one time when she would slip up, so he could punish her. But he knew she never would. She listened to his every word, and she’d be damned if she upset her Coryo.

He squeezed her hips, telling her she had nothing to apologize for. “It’s a natural thing. Nothing to be ashamed of.” He told her, the words like honey as they slipped out of his mouth. “Just don’t be getting this way for anyone else. Promise?” He all but commanded her, quickly discarding her panties before placing her right back in front of him; back to chest. “I promise, Coryo. Only you.” She was quick to agree with him; it’s all she’s good for. Simply a parrot of his words, aiming only to agree and copy everything he said. 

He didn’t give her anything else but the feeling of his fingers rubbing her clit as a response. The lack of warning had her surprised at the touch, shocked for a second. But he used his other hand to hold her back against him, keeping her still and pliant. “Don’t move, bunny.” He scolded her, continuing his assault on her delicate bud. 

It was hard to not move, but she persevered. Keeping her composure against him as she let moans and whimpers slip through her lips. “Coryo,” She called out his name, looking up at him with her soft eyes, silently begging him for more. 

“Need something?” He questioned, a smirk evident on his lips from how still so she was yet her mouth moved so much. He knew what she wanted, he just wanted to hear it from her. She spoke softly, the words not quite hitting his ears, but he heard her. Though he chose to tease her once again. “What was that, bunny? Gonna have to speak up.” His fingers ghosted over her entrance, feeling the way her legs so easily fell wider, giving him more room. 

“Need your fingers. Inside me, please.” She pleaded again, a little bit louder than before but no doubt quiet compared to the sound of her heavy breathing. “Why didn’t you just ask?” He smiled sickly at her, leaning down to kiss her as one of his fingers slipped inside her.

The moan she let out had his tongue easily slipping into her mouth, mixing their saliva together as their tongues glided over one another. He made quick work of putting another finger in her, curling them as they went in and out of her. The squelching sound of it all made her cringe on the inside, but the pleasure he was giving her was more interesting to act on. It was all too much; she broke away from the kiss, forehead still against his.

“Thank you, thank you.” She fed him her appreciation, knowing it was exactly what he wanted. She didn’t mind giving it to him either. She was thankful he chose her, thankful she was the one who had his fingers inside her. “Such good manners, bunny.” He responded, feeling her hand trail onto his head, grasping at practically nothing as his buzzcut allowed him little hair. 

He put yet another finger in, picking up his pace altogether whilst his other hand moved to rub her clit. The feeling of him on her skin, everywhere, had her on fire. She was going to burst into flames. She almost did–Until a sudden rapping was heard at the door.

“[ y/n ]? Are you in there?” The voice called for her, now recognizable as Lucy Gray’s. She stayed silent, not wanting to rat herself out, but when Coriolanus whispered into her ear, telling her to respond, she had no choice but to.

His fingers didn’t let up, and now he was kissing at her neck, interested in what she was going to do. He didn’t quite care about being caught; she was the one naked with his fingers deep inside her. “Yes, I’m–I’m in here!” She called back, unsure of what else to say?

“You okay honey? You sound awfully out of breath.” Lucy Gray voiced her concern, worry laced in her words as she moved to turn the door knob. “Yes! Yes, I’m okay. Please don’t come in.” She yelled back shakily; she was getting closer to the edge and if Lucy Gray came in, then it would all go away.

“Are you sure?” She questioned, wanting a final answer before she left the girl alone. “I’m s-sure, Lucy Gray. Nothing to worry ab-about.” She tried to assure her, hoping her words did what she wanted. It was getting hard to breathe with how quick and tentative Corriolanus’ touches were, nonetheless talk.

“Okay. I’ll leave you alone now.” Lucy Gray spoke to her. Whether Lucy Gray was still standing at that door or not, she couldn’t keep quiet now. His fingers curled right where she wanted, and his other hand was not letting up its assault on her clit.

“Coryo, Coryo.” His name fell out of her lips easily, arching into him, legs growing shaky at the feeling she was having. “Talking to your friend like that as if my fingers aren’t inside you right now. Such a dirty little girl.” He chastised her, but his words held no real malice.

It wasn’t long before she met her release, cumming on his fingers. Even then he didn’t stop, continuing to drag out her high. “‘nough. Can’t take more, Coryo.” She told him, shakily pushing his hands away from her. He all but laughed, doing as she asked.

“Can’t even take me inside you, bunny?” His voice was teasing. But the second she heard those words, she was up at his disposal. Ready for anything he gave her.

[vidavalor]

The Vavoom: Or, when the show's hinting Crowley & Aziraphale first kissed

It was not in 2.06, if that makes you feel any better?

Meta/theory hybrid stuffity stuff below the cut. As always, all interpretations are valid. This isn't meant to offend anyone who sees things differently. Post contains spoilers for the films 'Kiss Me Deadly' (1955), 'About Time' (2013), 'Love Actually' (2003), and 'Four Weddings and a Funeral' (1994). Apologies that this took a few days. Life's been wild this week. Let's dive in...

Right. So. The Vavoom...

I feel like most of us, by this point, are probably in agreement that Crowley is not talking about something he saw in a Richard Curtis film when he talks about his plan to help The Shop Lesbians to fall in love... and that, if he's not talking about something he saw in a movie, then he's talking about something he experienced... and yes, sure, absolutely Crowley has been on Earth for 6,000 years and could have vavoomed with basically anyone who has ever lived at this point as well as one semi-sentient car and even the world's once only-remaining unicorn but... we all know he's talking about Aziraphale. So this is about unraveling what the show presents as Clues to this end and using those Clues to solve for x and see if we can prove that Crowley is talking about Aziraphale and then figure out when this Vavoom happened with the information the show has given us so far... and the good news is that we can do all of those things so here we go...

The first thing to do is to eliminate the Richard Curtis films. Let's just start with Crowley saying that he saw his whole vavoom moment in "a Richard Curtis film." As someone who has seen a frankly embarrassing number of Richard Curtis films, I can tell you that this is a very amusing misdirect from a writing standpoint. It is amusing because it's a wink of sorts towards the same problem that comes up when you try to find The Vavoom on the GO timeline based on what the show's presented so far. What is that problem? It's that-- at first, cursory glance-- no one GO scene or Curtis film seems to have everything Crowley describes. Don't worry, though, because we actually do have enough information to find the lone caraway seed beneath these three cowrie shells here. You'll be Aziraphale-voicing an "a-HA!" very soon. :)

There are only two Richard Curtis films that feature elements Crowley lists as having occurred during The Vavoom: 'About Time' and 'Four Weddings and a Funeral.' The Awning of a New Age scene in GO actually winds up an homage of sorts to 'About Time', as it is referencing it pretty heavily. However, there is no vavooming in 'About Time'; meaning, there is not this gaze-to-kiss moment that Crowley is talking about. A wedding reception tent collapses under heavy rain and soaks several supporting characters in the film, much like how our supporting characters Nina and Maggie get soaked by too much rain causing the awning to collapse. There is no gaze or almost-kiss or kiss before it. There are other canopies-- umbrellas-- but no one gazes or kisses under one. So, Crowley did not see The Vavoom in 'About Time'-- but that particular Richard Curtis film might have been the one in Crowley's mind when he quickly latched onto Richard Curtis films while speaking with Aziraphale in the pub.

As a result, thinking about his conversation with Aziraphale while trying to craft his Shop Lesbians Vavoom might have actually caused him to over-weather and cause the awning to drench Maggie & Nina. So the joke there is more that The Original Vavoom of which Crowley is speaking in the pub scene is something that really happened and had an element or two in common with a scene in the Richard Curtis film, 'About Time', which also features Bill Nighy (see: 'Love Actually' stuff below), whose mannerisms Crowley seems to like to emulate at times. As a result of seeing the film and thinking about how it *wasn't* like The Vavoom-- the canopy collapsing, the lack of an actual Vavoom in motion prior to this, all of that disappointing Crowley greatly when he saw this film lol-- Crowley ironically then says he got the whole idea of The Vavoom from a Richard Curtis film... when, in fact, *the distinct lack of Vavoom* in the film was what Crowley remembered from it... and then, upon thinking of the pub discussion when trying to start an Awning of a New Age for Maggie & Nina, it accidentally became part of his miracle, causing him to over-Weather and, kind of hilariously, substituted the kiss Crowley was trying to incite with the collapsing awning scene from 'About Time'... the film then disappointing him all over again lol.

The other Richard Curtis film that is relevant is 'Four Weddings and a Funeral.' You might be familiar with the scene-- its ending scene-- just from cultural osmosis as this point, even if you haven't seen the film. Hugh Grant proposes to Andie MacDowell in the pouring rain. So, the big problem with this scene is that there is no canopy. None. Whatsoever. They're soaked through. We never see them go inside. They look into each other's eyes and they kiss but it's raining on them the whole time and Crowley is really specific about his canopy requirements for Vavooming. This scene is also wrong because it's a proposal between characters who have known one another on and off for years and have a more extensive history, whereas Nina and Maggie are much earlier in a potential relationship and The Vavoom Crowley talks about is an intense gaze into a first kiss. That said... just as how 'About Time' ties to Nina & Maggie's story, there are some 'Four Weddings'-y elements to Crowley & Aziraphale's relationship, in that their story also covers them meeting up through different points in time and such. 'Four Weddings' was also the first mainstream, hit rom com to openly feature queer characters in supporting roles so it's a strong one for GO to be referencing... but, ultimately, no Crowley-described Vavoom scene in sight.

Finally, there's 'Love Actually', which doesn't actually have a single element in it that pertains to The Vavoom but I'm throwing it in here because I'm just looking at all GO ties to Richard Curtis films at this point. 'Love Actually' features Nina Sosanya (GO's Nina, of course) as a queer-coded character and, in GO, David Tennant has a few scenes where he seems to be channeling Bill Nighy's Billy Mack from 'Love Actually' in S1. (Tell me Crowley's not doing Billy Mack's walk when they cross the street to the bookshop in Eleven Years Ago in S1 lol.) For those of you who have somehow avoided seeing this movie lol, Billy Mack is an aging rock star who is the best character in the film and heavily queer-coded. In S2, there's also some Big Bill Nighy Energy in the "we'll just to have to make it worthwhile then" bit with Muriel in Heaven and also in the way he chuckles in the "I *was* there, you see" moment with Gabriel. Also probably worth mentioning that, in 'About Time', Bill Nighy plays the dad of one half of the main couple in the movie and his role is to teach him how to live life and this involves pursuing the woman he is trying to marry throughout his ability to fall through time. So, Bill Nighy is basically playing the S2 Crowley of 'About Time' while the main couple of that film parallels Maggie & Nina, in that he's setting up the scenario for the couple involved to get together. Nothing in the film, though, is as overt or contains elements that match The Vavoom, other than the collapsed awning, as we got into above.

So mah point is dolphins that while there are a couple of Richard Curtis films that contain bits and pieces of what Crowley is talking about, there isn't a single one that has anything really remotely close to the, uh, extremely specific scenario he was detailing... so now we have to look at just what the hell Crowley's on about, exactly... and for this, we are, surprisingly, going to wind up looking at a very different film from any by Richard Curtis-- 1955's classic film noir, 'Kiss Me Deadly'. Why this random film, you say? Because it's actually not at all random to GO S2. It's the origins of the phrase "vavoom"... and S2 of GO contains a multi-episode homage to the film.

'Kiss Me Deadly' is, tonally, very different from GO as it's pretty dark film noir but it has a plot you might find a little familiar. One night, driving down a dark road, the main character picks up a hitchhiker who has lost her memory. After she's murdered, the film revolves around the main character-- a private investigator-- and his lover/partner investigating the case to try to solve the mystery. GO's episode "The Hitchhiker" opens with a plot and visual homage to this film when Aziraphale picks up Shax in The Bentley and obviously S2 contains a plot surrounding a mystery related to a character who has lost their memory in Gabriel. I'm going to do a separate thing that is a deeper dive into this with particular emphasis on how the lead characters relate to Crowley and Aziraphale at another point in time because it crosses into too many other things to fit it into this one at the moment but the reason why I bring the film up now is because of its ties to the phrase "vavoom."

"Vavoom", alternatively spoken as "va va voom" and containing the same meaning, is thought to have originated in a cartoon in the late 1940s but its use in "Kiss Me Deadly" in 1955 is what pushed it into popular, cultural use and knowledge. In the film, there's a character named Nick, who is friends with the two leads (the Crowley & Aziraphale-paralleling Hammer and Velda). They have nicknamed him "Va Va Voom" because he says it so often. Nick is an auto mechanic who works on the leads' car-- yes, there's a Bentley parallel lol-- and it is his use of the phrase that made it one we are familiar with today. But what does it really mean exactly in terms of this scene in the pub?

Without going too far down the road that we wind up in another meta about wordplay and symbolism in S2 here, the show is doing things related around the word 'passion' and all of its various meanings. It begins with Aziraphale referring to Maggie's feelings for Nina as "a pash"-- which is British English slang for "a crush" or "an infatuation". It comes from the word "passion"... but the word "passion" actually means something much different. "Passion" is very specifically romantic, erotic love when used to describe a relationship. It means enthusiasm when about a hobby or the like-- Aziraphale will get the neighbors to come to the meeting/ball by negotiating their commitment based on things they're passionate about-- Mr. Arnold and Doctor Who, Mutt and the history of magic. Finally, S2 is tying a lot of this passion-related plot to *The* Passion-- as in, The Passion of the Christ, or the Christian phrase for the death and resurrection of Jesus Christ. Why is it called 'The Passion' anyway? Because the Latin root of 'passion' is 'pati', which actually means 'to suffer.' Looking at all of this and how the show pairs up scenes with different types of passion is a whole other meta. I'm bringing it up here because of the relationship between 'passion' and 'vavoom'...

"Vavoom" means voluptuously sexy. It means passionate. Something having a sense of "vavoom" or "vavavoom" means it is either suggestive of or is sensually pleasing. In GO S2, Maggie & Nina represent the pash use of passion-- the new love, the crush-- while Crowley & Aziraphale are the show's example of passion in its fuller, richer meaning of romantic, erotic love. So now that we eliminated the idea that Crowley is talking about having seen an example of this vavoom he's talking about in a movie-- I mean, 'Kiss Me Deadly' is totally a movie Crowley saw once so he might have first heard the phrase in it, like many people did but there's no vavoom itself the way Crowley describes it in the film, just the phrase-- but yeah, now that we've eliminated the idea that Crowley got his idea from a film, we can say with relative ease that he's talking about something he personally experienced. I think we can all agree that if he did, it was with Aziraphale and the purpose of him bringing it up in the scene is not just as a suggestion to solve the issue of needing to matchmake The Shop Lesbians but as a way of being seductive towards Aziraphale.

This is also part of 'Kiss Me Deadly' in that Crowley here is the Velda to Aziraphale's Hammer. Hammer is preoccupied with the mystery. Velda tries to help him solve it but is also seeking his romantic attention the whole time and being rebuffed in favor of the mystery. It's darker in the film, as you'd probably expect, since it's film noir, and Aziraphale is actually subtly playing back in GO S2. In GO, it's mostly played off as Crowley, kicked out of bed since the religious family are in the guest room lol, continuously making overtures towards Aziraphale to torment him a little for the whole Gabriel situation but also mainly just because he likes to and he misses him. (It has been, like, maybe 18 whole hours lol.) He continues it into later in the day when Muriel is in the bookshop and Aziraphale is a little more overtly playful then but he is in the pub scene as well. All of this also ties into the fact that Aziraphale wants to drive The Bentley but again, that's a whole other meta. Going to stay focused on the kiss here...

So what we're saying is that, in the scene in The Dirty Donkey, Crowley does that whole lean and the sexy hands and that super posh voice he does from time to time to seduce Aziraphale, and describes their first kiss back to Aziraphale when asked to come up with a romantic solution to help their neighbors realize they are in love. Specifically, Crowley says this:

Whew. *fans self* Jesus, Crowley... No wonder why Aziraphale thought you could help The Shop Lesbians. That? Was romantic...

The key thing I love about this is that while everything he says lends itself to the idea of a kiss, he doesn't actually explicitly say that until the later scene in the back room when Muriel is in the bookshop-- the "one fabulous kiss" part. It's evident later on when he explains the plan to Jimbriel and when he puts it into action that his intent is to trigger a scenario that might prompt Maggie and Nina into kissing and when the awning collapses, he feels like he failed at the overall Vavoom. He did, however, see it working from across the street, such were the fireworks, when they looked into each other's eyes and what's sweet and also very hot about this scene in the pub is that the looking into each other's eyes is the key bit of The Vavoom to Crowley. The kiss is what happened as a result of looking into each other's eyes. The romance of the gaze and the passion of the kiss = The Vavoom but the latter without the former isn't the whole rapturous, perfect moment and Crowley is into this moment. He's still weak in the knees over the thought of it.

And what he says happened in it? They looked into each other's eyes and realized they were made for each other? Crowley thinks that. He says that, flat out, to Aziraphale. Crowley. Who was abandoned by the God who was supposed to love him believes that same God created he and Aziraphale for each other. That they're fated, destined soulmates. And that they both knew it, in that moment when they were taking shelter from a sudden rainstorm together, under a canopy, and they gazed into each other's eyes and then

Yes, I am aware that he says "humans" in that bit in the pub scene. He's referring to Nina & Maggie but also he and Aziraphale have a tendency to refer to their love for one another in human terms in different scenes throughout the series, which is probably a whole other meta and *refocuses on finding this damn kiss here*...

So Crowley-- while heavily emphasizing the words "together" and "canopy", both for maximum sexiness and to lead us in the correct direction lol-- tells us what's needed in this scene, right? We need a sudden rainstorm, a canopy, them wet from the rain and taking shelter, Crowley's glasses to be off or he's in a situation to be able to take them off (ironically, unlike he was when he was in the pub while he's talking about all this erotic gazing), and then we have all this gazing into a very vavoom-y, very passionate first kiss.

So, what scenes seem at all remotely tied to things Crowley describes for The Vavoom? There are three scenes that jump out immediately-- and it's none of them lol. They *are not kidding* about quite literally 'three cowrie shells and a lone caraway seed'. There are three scenes that they want you to think could be connected to this and be distracted by to complete their sleight of hand trick. They want you to look towards Aziraphale's hand and not up his sleeve, so to speak.

So the three cowrie shells scenes here are Before the Beginning, Eden, and the Job minisode. Why? They are the scenes that involve Crowley and Aziraphale and some form of a canopy, which is one of the two words in Crowley's whole Vavoom moment that he heavily emphasizes. So it's not Before the Beginning and it's not Eden and why? Because we're missing the other word Crowley heavily emphasizes-- *together.* Crowley and Aziraphale took shelter from a sudden rainstorm *together* under a canopy. That's the set up. But Before the Beginning and Eden-- the first scenes our minds run to-- are not this because they are sheltering *one another* but not sheltering *together*. One of them is exposed to the rain each time.

There's an additional possibility that is thrown into the mix that is tied to these two scenes, which is the S2 announcement poster-- the one that features Crowley and Aziraphale on Whickber Street in the rain. That one is also out because Crowley is being sheltered from the rain by Aziraphale with a tartan umbrella (ridiculously adorable, I agree lol)-- but they're not both sheltering together. That one feels like it was designed just to fuck with us, especially because Crowley's hair in it is, for some reason, at Eleven Years Ago length in it. It's almost like it exists to both be cute and to, after the season is over, make us go wait... was it then? (It was not then.) More distractions. Ok, so, then what about the Job minisode?

Is it ox rib night? This seems to have some elements at play-- there's a roof and a storm and them together and all-around kiss vibes-- but it's actually not this, either. That said? Job is connected to it in a big way and helps prove my theory here so we're going to come back to it. I'll eliminate it here by pointing out that when Crowley defends The Vavoom as a possibility for Maggie & Nina to Aziraphale, he says "get humans wet and staring into each other's eyes" and "humans" in that bit is them, even if they are not fully. This eliminates the Job minisode as The Vavoom because it confirms that Crowley & Aziraphale did get wet as they went to shelter from the storm. In the Job minisode, they never go out in it. So, Job is out, too.

Ok, so then how do we find the one scene that unlocks this and points us towards the answer hidden in plain sight in front of us?

What is the one scene that really should tell us more about The Vavoom? How about the one wherein Crowley partially recreates it?

The Awning of a New Age is the lone carraway seed. Maggie & Nina paralleling Crowley & Aziraphale. What can we learn about what happened with Crowley & Aziraphale from what happened in this Maggie & Nina scene?

We already know that Crowley feels like he partially failed at recreating The Vavoom for them. It was meant to lead into a kiss and then the awning collapsed. That is what is different from Crowley & Aziraphale's first kiss but Crowley was delighted by the gazing, which we already know to be the very important bit of this here. Off of this, we can conclude that there's obviously a parallel of this bit for Crowley & Aziraphale and this is where the parallels in the scene stop. That means that what happens *before* the gazing moment in The Awning of a New Age scene is important because that's the parallel. So, what's happening while Crowley spots them together outside and starts up the rain? They're talking, right? And what are they talking about?

They're talking about one of them-- Nina-- having a partner who is unreasonably upset. Nina is anxious about it. She doesn't blame Maggie for it, as it's not Maggie's fault. It's also not Nina's own fault and what Lindsay wants from Nina is confining and abusive. Lindsay, we learn, is cruel. We decide in this scene really how much we don't like Nina with this woman and that we want her to be with nice Maggie who is sweet and supportive and is over the moon for her.

On the surface, this would seem to be absolutely nothing like any Crowley & Aziraphale scene we've ever seen, right? Fooled by what is on the surface-- modern lesbians in London Soho, one of whom has a romantic partner-- this seems to be a plot Crowley & Aziraphale have never had. Except, that it's not. It's a parallel to one you'll remember.

One, paralleling sentence here for you...

God's a bit tetchy...

Awning of a New Age unlocks that Lindsay being unreasonably angry and dolling out insane punishment for no actual misdeeds is a parallel to God during The Flood. God was Aziraphale's Lindsay-- the unseen, abusive partners, sending down their words and marching orders and causing distress. Crowley approached Aziraphale like how Maggie approaches Nina. Aziraphale half-heartedly tries to defend God the way that Nina half-heartedly tries to defend Lindsay but both pretty much give up in the face of Crowley's and Maggie's sane responses and support. The agreement that the present situation-- Lindsay about to abandon Nina, God about to abandon her creations in The Flood-- is horrible and unjust. They connect over the lack of justice. The Flood scene we saw ends as the rain begins, with Crowley and Aziraphale both looking up as it starts to fall.

Maggie and Nina get further-- they get to the first half of The Vavoom, in parallel. We haven't seen that yet with Crowley & Aziraphale. (Maggie & Nina also didn't have to go stop and save a bunch of people first lol.)

So how do we know that The Flood was the first kiss?

How do we know that Crowley and Aziraphale first kissed in Ancient Mesopotamia in fucking 3004 B.C. and have been vavoom sorted gone on each other ever since?

Because it happening in the aftermath of saving lives in The Flood would then mean it meets every one of the elements Crowley describes. They get wet from the storm. They will work to save everyone, which is evident from Aziraphale being dead fucking certain in the Job minisode that Crowley was a sweetheart who wasn't going to kill any goats or kids. How would he know this for sure? Saying that what God was doing was terrible in The Flood scene isn't enough for Aziraphale's surety by Job. That means that Mesopotamia and The Flood is the first time they teamed up. It means that Crowley saved people and animals during it. It more than likely means that he did so in a way similar to what he does during the Job minisode-- he transformed them into something that could survive the storm, probably rocks or something. (Big Medusa vibes lol.) But what would happen then? Crowley and Aziraphale would have to *stay through the storm to turn the people back*, right?

So, they'd need to seek shelter from the rainstorm. Under a canopy that could survive the storm. One they can both step back under and bump into one another beneath. Most likely, it's an actual canopy in original meaning of the word-- the shelter of trees. I think one of them (Crowley) bolted afterwards, based on the Job minisode, which we'll get to again in a second, and from under a canopy would be the easiest way to just be able to leave during a storm. (They did not spend the Biblical 40 days and 40 nights under that canopy or they almost certainly would have wound up having sex, which the show is suggesting in other scenes didn't happen for awhile after this which is also another meta lol.) But there's also another reason for trees that kind of cracks me up.

Remember when Aziraphale comes back from Edinburgh in S2 and, before he left, they had their whole Our Car/Our Bookshop thing and Crowley's been peeved for a day now over how Aziraphale got to go adventure in The Bentley and he got to wear a cardigan and babysit their former attempted murderer? And about how what he's really playfully irritated over is that he keeps trying to use Operation Shop Lesbians to turn Aziraphale on by mentioning their Vavoomy first kiss and Aziraphale is, kind of hilariously in retrospect, just totally tormenting him by barely indulging him on it? What happens when Aziraphale comes back from his trip?

Crowley-- genuinely-- says "there you are-- I was worried something had happened to you" and he's off-camera for a moment as he does so and the camera is on Aziraphale, who kind of seems like he would like one of Crowley's kisses about now. But what does Aziraphale get in place of where a kiss could have gone?

A face full of plants lol.

In their box, so that when he handed them to Aziraphale, they hung over his head like a canopy.

Don't wanna talk about The Vavoom, angel? Fine. You're just getting the trees. Mwah. *goes to his car and is all did you misssssss me kissy face*

Aziraphale, in old married bitch mode:

Finally, there's that Ancient Mesopotamia is, chronologically, the last scene so far in which Crowley is not seen wearing glasses, which is essential because Crowley-- while wearing his glasses in the pub lol-- describes the key bit of The Vavoom as involving staring into one another's eyes, which Crowley & Aziraphale can't do if Crowley has his glasses on. Since Crowley wears his glasses in approximately 87% of Good Omens, it means that the answer is in a scene where he's either not wearing them at all or could be seen as able to take them off. Mesopotamia meets that criteria. But there's still one more thing that can really hammer home the idea of this The Flood, Part 2 being their first kiss and that's going to be how we end up back at the Job minisode again.

Go back and think of the Job minisode again but now with the idea that the last time they saw one another-- ages before it-- they shared this moment of wildly passionate vavoom and look at how it recontextualizes the entire minisode.

Start with when they first see each other again. Where did *that* Aziraphale come from? He's teasing him.

The Aziraphale in Before the Beginning and in Eden and in the first bit of The Flood that we've seen is more anxious. He's not afraid of Crowley and he's definitely attracted to him but he's distracted by the dangers of what is happening while they're talking. Suddenly, he jumps from the Aziraphale of The Flood to the Aziraphale of the Job minisode. This one is flirtier. This one is literally like all so you never called-ing Bildad the Shuite lol. He's all "last time I saw you was... The Flood?" like he doesn't know and Crowley is all tight nod ohfuckit'shim and also ohfuckit'shimhavemissedhimsomuch and hiding behind his sunglasses-- Bildad is the first appearance of the sunglasses, chronologically, so we go from the Vavoomy gaze to Crowley hiding his eyes... this then all moves into the courtyard scene after a few moments...

Oh, what's this now? The only scene in the whole series in which Aziraphale asks Crowley to take his glasses off? And he does? So quickly-- intentionally-- that his expression from before is still on his face and it's just nothing but naked want like he's saying oh you wondered how I was looking at you from behind these this whole time? yeah, it was like this... Aziraphale is straight up asking for more vavoom. Take the glasses off. Look me in the eye and tell me you want this and yeah, sure, they're talking *on the surface* on *one level* of their conversation about whether or not Crowley is exhibiting serial killer tendencies and wanting to kill small animals and kids but, really, this scene is also the formation of their coded way of speaking to one another. Crowley's "I want to. I long (pause) to kill the blameless kids of Job the way I killed his blameless goats" and then lifting just enough of the magic to let Aziraphale see that he had actually not killed the goats at all but had actually faked their deaths, indicating that that was his plan for saving the kids as well... Well, it also means that *all* of what Crowley just said to him was coded. That's the weird pause after "I long" that breaks it into two sentences. It makes the second level of their conversation that Crowley whipped off his glasses, gazed into Aziraphale's eyes, and said I want to, I long... meaning, I want you, I want to kiss you again, I long for you...

But the bit of the Job episode that sells me on The Flood being The Vavoom is actually the bit just after Crowley miracles himself, Aziraphale, the kids, Jemimah's pot (because he's so not a serial killer, he saved the damn pot lol), the wine (because fuck that little Influencer Brat of Job-- Crowley's not about to kill a kid but he absolutely will drink the last of his wine for treating Aziraphale like a whore lol), and the food down to the cellar and started iguana-ing the kids. Why this bit? Because Aziraphale is fucking giddy and is just tormenting the living fuck out of Crowley.

He's all "I knew it!" and when you first watch the scene, right, you could think he means he knew that Crowley would save the kids. Yet, he already knows that by this point-- that's what the courtyard scene was. That's why he's yelling that he's "QUITE SURE" when Crowley asks him if he is (and calls him "angel" for the first time when doing so) while he's setting everything on fire just a moment before. Obviously, Aziraphale is happy that Crowley didn't kill the kids but what he's all I knew it *smug smile, actually fucking wiggling with flirty joy* about is that Crowley wanted to be alone with him again and would find a way to make it happen because what's the plan? The one that Aziraphale is totally teasing him about?

Aziraphale is going on about how oh, this is *Satan's* big plan, huh? A *big storm*? He loves every minute of it and he also really loves Crowley getting very close to him-- kissable close-- and being all "ooh aren't you brilliant?" when Aziraphale was acting smug. When did Crowley get that comfortable getting that close to him?

But yeah, Aziraphale loving every second of Crowley saving the kids, turning them into sightless/soundless iguanas, and sending a storm over the land for the night while keeping the two of them dry in a little cellar canopy so they can be alone together again-- essentially, repeating a version of The Vavoom scenario, as he'll still be trying to do millennia later... Aziraphale thought that very romantic and had no problem flirtily teasing the hell out of Crowley for it. Crowley's game is as ancient as Bildad the Shuite lol.

So yeah, what we're saying here is that there's a The Flood, Part 2 and that it's likely in S3. I actually wouldn't be surprised if it opened S3, since the first two seasons are opened with the other canopy-themed firsts-- the two first times they met, really, in Before the Beginning and Eden, both with the wing canopy-ing of one another-- so S3 could be the tree canopy and their first kiss. The Flood also seems likely to return because of how it ties thematically to the whole end of the world of S3's Second Coming plot.

One aspect of this theory that I really like is also that it means that Crowley was more female-presenting during their first kiss (which also goes along with the feminine energy sometimes associated with the phrase "vavoom"/"vavavoom") but also that when they next see one another in the Job minisode, Crowley is the more male-presenting Bildad the Shuite... and Aziraphale is really just into all of it. He's just into Crowley, full stop. We already know he is but I like the idea of it tied to their early days and showing it unfold a bit and how it's just all fine by Aziraphale, who just loves this being and is happy to see them and get to be alone with them again. It's very sweet and romantic.

I guess the last thing to say is that if this is true, we're all going to have a field day redoing the psychoanalysis of this bit below, aren't we?

[kindaasrikal]

Resurrected Morro head canons because I’m supremely bored+the ninja:

Morro cusses everyone out every two seconds. There is no ‘soft side’ this mf is a sword that never loses its edge.

Because of Wu and only Wu, Morro is a sarcastic little loser. He will not hold back on insulting someone either.

He’s actually surprisingly quiet most of the time, like even his footsteps are near silent. The ninja have gotten jump-scared by him more than they ever did when he was dead.

He cannot handle any sort of affection, care, or love given to him. Like he can very rarely do it himself with no sweat, he’s complimented Nya’s skill or Cole’s strength hundreds of times, but if anyone like Kai or Wu (two individuals known to train daily and know all that bull inside out) were to compliment him he’s suddenly a tomato. He’ll start looking away from you, acting all nonchalant but everyone can hear the way his voice goes higher each second another compliment is thrown at him.

Morro likes floating in the air, even if it’s just casually hovering or just sitting in the air he likes doing it. One time, Pixal dragged in a pile of vengestone to use for a project or something and this mf fell HARD on to the ground. As much as Pixal felt guilty, she would do it again since it helped her realise Morro was hiding some broken ribs.

Morro walks into doors, or walls, blinks, and walks away like nothing happened. (he’s trying to ignore Jay’s laughter)

After Morro and Wu reconciled and Lloyd and Morro began getting along he heard the two talking about how it would be cool if Morro could look more like Wu, just so people would stop calling Morro his ‘adopted’ son (thats his baby, nothing else) and so Lloyd doesn’t have to say Morro is just in his emo phase. As much as the convo was a joke, Morro took it seriously and the next day both Wu and Lloyd almost burst into either tears or shocked laughter when they saw the green streak was replaced by a blonde.

Morro actually isn’t emo, or goth, or punk. He’s all three at once and yet none at the same time. (Don’t be surprised when you see him wearing spiked bracelets and a pink shirt from Zane). To put it basically he has no fashion sense he just throws things together as long as it’s baggy and easy to deal with.

Edit: forgot to add, he’s old. This guy dresses like Wu and enjoys traditional clothing more than anything. He only wears anything different when going to the city and it’s still rlly baggy and basic. He somehow still rocks it.

Morro does not buy his own clothes, he just steals everyone else’s (Lloyd convinced him to do it with him.)

Even after Morro and Kai dealt with their issue they act like a toxic asian couple who are on the verge of divorce.

Cole likes to pick up the small members of the group, like Jay or Lloyd. Morro has become a victim and he bites.

He really likes reading. And history. After Lloyd introduced Misako to him they both got along so well they began sharing stories of Wu, Lloyd and Garmadon. All three are horrified at what those two know.

When Morro is floating in like a standing position, Nya likes falling out of the air or smth (she lowkey just appears) and falls on to his shoulder and stays there. Morro has learnt to accept his position as a chair.

Morro actually knows how to cook but doesn’t enjoy doing it, so Zane just kinda stares at him and pulls out something he knows Morro would want and suddenly you have two chefs with frilly pink aprons on. One is scowling as he beats the eggs and the other is smiling like he has no worries with sparkles and everything.

Morro has convinced the ninja one by one to join him in making a tornado out of each of their elements. Wu is not amused.

A lot of people headcanon Morro to not be able to do spinjitzu, so I say the reason behind that is because mini Morro was forbidden to do so by young Wu to use spinjitzu after he kept making tornados and the such and destroying part of the monastery. Morro unintentionally kept following it until one day he was asked by Lloyd why he never use it. Slowly but surely he came to the realisation it was Wu’s fault and pointed at him going like “IT WAS YOU!” And this old man was snorted into his tea. He forgot he forbade him.

When Morro gets resurrected he uses some sketchy magic book to summon Garmadon cause he was bored and wanted to someone to mess with (he missed his annoying uncle) (he called Lloyd in two second later and recorded him bursting into tears, both of them) (he froze and sweat dropped when he heard four armed Garmadon say something about his soul hurting last night.)

He’s like a hermit and a hobo combined.

As much as Morro can read, he can’t write, and as much as Lloyd can write, he can’t read. They join forces in deciphering scrolls.

Morro and Lloyd get along like burning trash. They happily cuss each other out and bully each other on a daily, they even call back to past traumas. Yet five seconds later Lloyd flops down onto a tired Morro and says “Hey do you wanna get ice cream with me? I found this place that i think would rlly suit your taste” and even after the both argue the whole time they take getting there the Lloyd actually was hoping Morro would like it because they had old man flavours. And even after Morro acts like he couldn’t care less and that Lloyd acts like a lil baby, he buys them both ice cream.

Okok im done i might do this for the other ninja i miss them ajgdjshs

[boxofshadows]

How Pro-Heroes would react to y/n getting attacked by a villain and ending up in the hospital

✦Includes: Midnight, Eraserhead, All Might, Ms. Joke✦

A/N: sfw!! requests are open if your fav isn't here! I'll write for anyone~★

Midnight

Midnight is incredibly good at hiding her emotions, I believe. Shes used to wearing a mask 24/7 in her hero role, so when she finds out you'd been hospitalized by a villain, she puts on a mask of levelheadedness. She would feel guilty if you had to comfort her after you'd just been traumatized.

Course, you aren't used to this side of her, so you assume she doesn't care. You end up breaking down and asking if she even cares.

"Of course I care, love, did I make it seem like I didn't?" "I'm so sorry baby, I just didn't want to stress you more."

After that, things smooth out. If you don't mind the eventual scar, she'll make it into a joke and flirt about it. "Y'know, I always thought scars were attractive~" and similar things.

If you don't like the idea of a scar, she offers comfort, and a way to hide it until you're more comfortable. "If you want, I can help you hide it and minimize it."

Shes very affectionate the entire time, she doesn't leave the hospital until you basically force her to go check on your cat and get some actual sleep.

Secretly blames herself for not being able to protect you.

After you get out of the hospital she doesn't treat you like glass, persay, but she does NOT let you do anything against your doctor's orders.

She also helps you sign up for therapy and reminds you that whatever happened wasn't your fault. (Hypocrite much?)

Kisses you and reassures you 24/7

It takes a bit for her to stop blaming herself, but you work together:)

Eraserhead

Most emotional man I know of. "logical" my ass.

Aizawa is immediately at your side. Like he will run across rooftops to get to you. He has NO chill. Part of me believes he gets to the hospital at the same time as you.

Clingiest motherfucker alive. Every ten minutes in the waiting room it's "Can I go in yet?" To the nurses. He doesn't sit down once.

Once he gets to you literally nothing is capable of getting him away from you.

He comforts you whenever you need it, deep down he knows there was nothing he really could've done to get there sooner. He's completely and totally focused on you.

When your other friends get the clear to see you, Joke takes pictures of you and him sleeping in the most awkward position

Brings your favorite blankets and foods

Makes you a playlist of classical music to help you sleep

Anything you need, bro is on it immediately

Once you're released he refuses to let you do anything strenuous. He opens the car door for you, helps you get buckled, etc etc.

He does take the hint when you ask to shower alone, and backs off a bit after that.

He offers to ask Recovery Girl to heal you, and brings you painkillers when you need them.

He understands your paranoia after the incident and helps you learn basic ways to keep yourself safe.

All Might

Would get to the hospital as soon as he could, but knows that you'd want him to stay and finish any responsibilities.

If he's in the middle of something, he finishes it as fast as he can and then gets to the hospital.

He gets there just as you're being taken to a room

Instantly asking if you're okay, if you need anything. The second you say you need something he's on it.

Also a clingy motherfucker

But he knows how to distract you from whatever hurts with dumb jokes and pictures of his student's progress.

Knows how to fill dead air basically. Doesn't really ask about the villain unless you bring it up, just to make sure he doesn't potentially trigger anything.

Listens empathetically when you tell him about what happened.

Offers to get you food, but you're both indecisive so it's just a back and forth of:

"what do you want to eat?"

"idk, I'm good with whatever, what do you want"

"you're the one in the hospital bed, what do you want?"

"you have to go get it, so-"

"fine, (food you hate) it is."

"..."

Won't treat you like glass, he knows what it's like and fuckin hated it.

Still offers to help you though, he just doesn't want to suffocate you

Takes you on drives across the coast to get a break from the city

Ms. Joke

Tries to act like she wasn't worried and knew you'd be fine the whole time

She didnt

She had to call Midnight to calm her down

Makes jokes about you "being apart of the club now" (having been attacked by villains) and then apologizes for what happened

Brings you treats and things to make you smile (comfort items, silly things she saw at the store, etc)

Has Nemuri smuggle your guy's tiny dog in and out like twice

Sits in silence and watches you sleep

Brings you headphones to drown out the annoying beeping

A little over protective afterwards

Clingy, but not Shouta clingy.

"you should go home"

"why, is something wrong?"

"you haven't left the hospital in a week, you clown."

"oh yeah. Oops!"

"..."

"ok ok I'm going!"

Showers, but also washes the exact same clothes and rewears them just to fuck with you "you didn't say I had to change"

"tell me you washed those, em, or you're on the couch and the dog gets your pillows."

"Of course I did!"

[writing-funsies]

OP characters as besties p.5

p.1 | p.2 | p.3 | p.4 | p.5

characters: Ace, Shanks, Mihawk

warnings: mentions of alcohol, light cussing

notes: all platonic hc's

Ace

will share his food with you

but won't let you take any off his plate

falls asleep on you all the time

uses you as his personal pillow

and will make fun of you if you freak out when riding with him on Striker

despite the fact that it's designed for only one person

but I digress

also uses you as a napkin if needed

sometimes shoots little flames at you to see your reaction

talks about Luffy nonstop

like that's the only thing he ever talks about

by the time you actually meet his little brother

you're ready to strangle both of them

not really

but you could spot the kid a mile away

before you ever actually got to know him

Ace and you working together to become more confident

always teasing each other

you having to fish him out of the ocean when he falls in

drinking contests

staring contests

fighting contests

eating contests

just competing over everything and anything possible

training together

he may be really strong and have a devil fruit power

but he won't hesitate to practice his hand-to-hand combat with you

especially if you need it

will tease you about it though

so you just push him overboard again

long talks about your lives

your pasts

your families

where you see yourselves in a year

five years

maybe even ten years

your goals

and aspirations

just talks about life

he tells you about his dad

and is relieved when you tell him that just because he was his father's son doesn't mean that'll be his legacy 

you two would die for each other

nothing will ever tear you apart

besties for the resties

9/10

super sweet and funny

but won't bathe no matter how much you beg

Shanks

party boy™

genuinely doesn't give a fuck

he's here to have fun

and protect his family

that's it

tells you the corniest jokes you've ever heard

also laughs at everything you say

like Luffy, laughs even when you're being serious

uses his missing arm as an excuse if you ever try to get him to do his duties as captain

sometimes struggles with phantom pains

but assures you they'll go away on their own

drinking contests

if he's got a drink in hand

then everyone's gonna have a good time

100% threw up on your shoes once before passing out

laughed like it was the funniest thing he'd ever heard when you told him

quickly stifles his laughter when he sees how mad you are

offers to let you throw up on his shoes to make it even

you just stare at his sandals for a moment before walking away

watching Luffy's progress through the news together

bragging about the kid as if he were your own

the antics you two get up to guarantee that Ben will have a constant headache

the rest of the crew finds your dynamic duo to be hilarious

the sheer power of this crew is near unimaginable

so if the two of you ever actually fight enemies

they don't stand a chance

if anyone ever targeted you

and hurt you

Shanks would have his crew capture your attacker

and then show them exactly why no one messes with the Red Hair Pirates

8/10

always provides a good time

but will laugh at you if you fall 

Mihawk

I ain't ever seen two pretty best friends

until now

you are probably a little more lively than this warlord

he just doesn't care for drama

which means it's up to you to keep him in the loop

yet somehow he has the truly juicy details you could only wish to find on your own

y'all have a small book club

it's just the two of you

you tried to invite Perona to join

but she thought that your reading selection was so not cute

you even tried to invite Shanks once

all that accomplished was you gaining a new drinking buddy

which Mihawk begrudgingly allowed to happen

basically, the book club is just you two sipping on wine while discussing every mistake that the author made while writing your current read

salty bitches™

you're one of the only people alive who can get Mihawk to laugh

which is your favorite party trick

except that he's never laughed at the parties you both went to

(ie visiting Shanks and getting roped into a night of drinking)

he airs out all of the other warlords' dirty laundry to you

will talk mad shit about them

well at least most of them

he finds that no matter how powerful they may be

they're all idiots in his eyes

they can't see the big picture

he trusts that you have enough common sense to use the information sparingly

and you do

for the most part

it's giving rich single wine aunt meets vodka mom (but without the kids)

9/10

knows how to relax in style

but will not let you play with his sword no matter how many times you ask

[luceafarul-de-dimineata]

Zagan NSFW alphabet

This goes to my friend @katy-the-same-as-tsuki who's the biggest Zagan simp.

Aftercare

what they're like after sex

Sweet, as always. He'll help you take a shower and give you a quick massage to make sure that you didn't strain any muscle. He always carries a water bottle with him, because hydration is key, and gives it to you to drink a bit.

Body Part

their favorite body part of theirs and also their partner's

He likes legs. His legs, your legs, anyone's legs. He's favorite work out excercise (other than sex with you) is running on the traidmill. He takes you out to gym dates where you both run together. He enjoys how the motion of running looks like, on him or you. If you squeeze him between your thighs, he will cum instantly.

Cum

anything to do with cum, basically

He's very scared of cumming inside because Astaroth told him way too many stories of unplanned human pregnancies. Even if he's fucking your ass or you're giving him a blowjob he'll pull out and cum on your back or face.

Dirty secret

pretty self-explanatory, a dirty secret of theirs

He wants to get stepped on so much but he's too shy to say it out loud. Just, the thought alone of seing you from above as you put pressure on his chest or his back turns him on to an emberassing degree.

Experience

how experienced are they? Do they know what they're doing?

He has had his fair share of sex. Of course, Solomon, duh, but I think he also did it with Paimon. I have no explination, I just feel it in my balls. Maybe Paimon got really interested in Zagan's charms since they're kind of stickers and Zagan showed him how he does it. And long story short, at some point they fuck. Like all good friends do.

He only had sex with people that took the lead and told him how to do it (or fucked him, let's be honest) so he still needs guidence during sex for at least the first few times.

Favorite position

this goes without saying

He likes to top since he enjoys moving. Anything where he has to move is fine by him, though he does prefere changing positions every so often. It's not good to only work one set of muscles.

Goofy

are they more serious in the moment? Are they humorous?

Once he opens up to you, he starts being more goofy in the moment. Maybe cracking a few jokes here and there or booping your nose during aftercare. His laugh is deep yet so adorable, you get cuteness aggression from it. If you make a joke during sex, he'll stop and laugh before slowly picking up pace. He can be serious as well, don't get me wrong, but having someone he can be more open to is also nice.

Hair

how well groomed are they?

He trims himself, but doesn't wax. If the hair was too long it would itch and if it was too short his skin would become irritated from sweat and running, so trimming it is. He's quite stubborn about this so even if you asked him to wax he wouldn't.

Intimacy

how are they during the moment? The romantic aspect

He's sweet and once he gets to know you better, he likes to leave small butterfly kisses all over your face. Before sex, he likes to first slowly strip off your clothes and he let's you do the same for him. He kisses every inch of skin he can while caressing your cheek and staring in your eyes lovingly. He's still shy, but he likes being romantic in the moment.

Jack Off

masturbation headcanons

When he unexpectingly gets a boner, he slowly retreats into his room. He closes all windows, doors, covers every nook and cranny to make sure nobody can see him jerk off. He fucks his hand and he's very rough because he wants to have it done and over with as soon as possible. Once he's done he cleans everything off and runs back outside like nothing happened.

Kink

one or more of their kinks

Praise kink, Dom/sub dynamic and masochism. He gets very mushy if you praise him. He likes knowing that he's serving you well. He likes subbing most of the time because he enjoys getting ordered around and being told/shown what to do. He, like everyone in Gehenna, likes getting hit. He can endure a lot, so don't hold back.

Location

favorite place to do the do

Always inside. He's too shy to try and do it somewhere where he could get caught. His favorite is inside the room you summon during the H-scenes. It's a lot better since nobody can get in.

Motivation

what turns them on, gets them going

Seeing you at the gym would instantly give him a boner. Especially if you're wearing short clothes. He'll probably try to keep it together until he finally snaps and rubs your arm to get your attention. He has a problem and he thinks you could solve it. He won't force anything on you, but at least let him take a photo to masturbate to.

No

Something they wouldn't do, turn offs

He's not into domming that much. He feels very uncomfortable being put in a possition of power and he'd much rather you tell him what to do and how than the other way around. He's also against getting tied up. The main thing he likes about sex in general is the movement, and if he's tied up that kind of ruins the fun.

Oral

preference in giving or recieving, skills, etc.

He'd much rather give. He likes serving and being ordered around, so having your thighs wrapped around his head and using his horns for support as you hump his face is his own version of paradise.

If you tried to suck him off, he would, at first, try to push you away. Yet he won't you if you persist. He get really mushy while being given head.

Pace

are they fast and rough? Slow and sensual?

He's the one setting the pace more often than not. It depends on his mood that day, but he usually starts of slow so you two can both adjust to the feeling before picking up pace. If you tell him to slow down or move faster, he'll oblige. He's very considerent of your comfort so he doesn't want to overwhelm or underwhelm you.

Quickie

their opinions on quickies, how often

He wouldn't do them unless you asked him to. I mean, of course, if you almost fainted from lack of devil energy, he'll find a dark corner and do it there, your life is more important than his anxieties. But he wouldn't go out of his way to have them either.

Risk

are they willing to experiment? Do they take risks?

He is willing to experiment as much as possible. He's very flexible both in body and mentality. He might be shy at first, but he'll get into it quickly. Just tell him before hand. He would feel very confused if, in the middle of sex, you started calling him "daddy". He's not against it per say, whatever makes you happy, just tell him so he isn't caught off guard by it.

Stamina

how many rounds can they go for? How long do they last?

He has infinite stamina, but each round is quite short. It's not his foult that you're so pretty and so tight and you tease him so much he just can't last for long with so much stimulation. He'll go for as many rounds as you can, because he doesn't want you to wake up sore all over, but each turn lasts about 3-4 minutes.

Toys

do they own toys? Do they use them? On a partener or themselves

He doesn't own toys, but once his partner introduces him to them, he'll constantly ask to use them. On himself, mostly. His favorite is a butt plug with a bunny tail attached to it. He might ask you if he can keep it.

Unfair

how much they like to tease

Not that much. He would rather be teased by you. He would at most show off his shooting abilities when he notices you staring, but nothing more. You have an important job to do and he can't be the reason you get distracted. Go save the world and than you can ogle at him as much as you'd like.

Volume

how loud are they? What sounds do they make?

He's very quiet only occasionally letting out chocked moans and groans. If you tease him, he'll whimper and if you don't let him cum he'll whine. He's non-verbal, but he will thank you for the oportunity once you're done for the night.

Wildcard

a random headcanon for the character

Once Satan kicked him so hard that he came on the spot and now he's constantly trying to annoy Satan enough he does it again.

Yearning

how high is their sex drive

When he's with you, he does tend to get flustered and think about more impure thoughts, but he can focus if need be. Sex once every two weeks or something along those lines is enough for him.

Zzz

how quickly they fall asleep afterwards

It's very unlikely that your human stamina will outlast his, and even then he's careful not to fall asleep before you. He needs to protect you, and he can't do that if he falls asleep too swiftly. Also, he sleeps with his eyelids half opened (like a rabbit) and he doesn't want to freak you out with that.

[takemebacktowheniwassane]

i've been seeing a lot of falsettos posts recently deconstructing the fandoms beliefs and firstly

holy fuck thank you, i try to steer clear of fandom (and fandom-izing thereof) drama but this is getting a lot more visible recently so here's some little tidbits for you

whizzer brown is not an unflawed character!

okay so i haven't seen enough dissecting this but!!! in the chess game!

the whole point of marvin using that game to determine the ending of their relationship is because he suspects whizzer is constantly deceiving him and wants to prove it.

whizzer LITERALLY proves him right!

he asks marvin to help him along (yes i know he says he doesn't want help, hear me out, it's a little more complex than that) and takes advantage of the fact that marvin is- like- infatuated with him.

he draws him into a sense of false security then starts throwing accusations at him ("since you need a man!" "what?" "who's 'brainy'," "or witty, move.") until hes able to win, which he does with ease because he's been using marvin having this idea that he isn't smart against him.

of course, marvin's side of this isn't the best either but honestly, for once the fandom should focus on a different character when they think 'insane asshole'. typically we should also probably change our perspectives a little to be more unbiased cuz fr guys, this is getting really.. annoying.

i understand he's the most visibly flawed but that doesn't excuse constantly picking the worst parts of this musical (without other context, btw) to use against him.

and this post certainly isn't here to excuse anyone either i've just got a lot of opinions that i wanted to share while falsettos is.. trending? right?

2. marvin's (headcanoned but still somewhat researched) autism

this one isn't brought up as much but when i do see it around, it's kind of a skewed viewpoint.

while rewatching bits of the proshot i realized a lot of different neurodivergent traits that he shows-

he's helpless during I Never Wanted to Love You and is childish and regressive when he's upset (not every autistic person is like this either, i know this is a bit of a touchy subject so i just wanted to add that).

usually when people depict it i see it either toned down or joked about which is fine when all in good fun, and when its done respectfully.

not here to attack anyone, just here to point it out and say that yes :) he most likely is neurodivergent, but despite that his actions aren't condoned. he's still kinda a dick who needs to get his shit together

3. ..the lesbians also have shit going on?

just putting this out there- I DON'T SEE ENOUGH FOR THE LESBIANS! OR TRINA!

the girls in this musical are like thoroughly neglected and i think that's kind of shitty just assuming the fact that william finn put them in to demonstrate how gender roles put people in degrading positions (and he even makes it more prevalent by showing marvin as something like a misogynistic character who forces whizzer into more feminine roles to show the audience what woman have to/had to go through in society).

anyways, the lesbians aren't just there guys. they have a plotline too. in Something Bad is Happening, you derive a lot from charlotte singing about the outbreak of HIV/AIDS and realize how she operates on a daily basis (she's passionate about her work and takes every bad day as a hit to her life and career, explaining in a way that as a black, jewish, lesbian, FEMALE doctor in this time, everything that goes wrong is immediately brought down on her so much more than it would as any straight white male pharmacist-).

cordelia on the other hand has to handle the fact that her girlfriend is so adamant about her work ethic that she can't actually be super present in their relationship at times like that.

but either way she still sticks by her and is constantly trying to be supportive and endearing despite feeling like she's not amounting to her gf who's basically a hero in her eyes.

i kinda just wanted to bring that up because they mean a lot to me and they don't get enough love from the fanbase, thank you for listening to my TED talk <3