Hbomberguy did a pretty good job pointing out how Somerton has tried to take up the air of modern queer creators, stealing the works they made to little or no money or exposure, and using them to bolster his own fame. It's a truly reprehensible act.
But I feel like it's also important to briefly touch on what he stole from the past.
The Celluloid Closet is a backbone text on queerness and cinema. Like, if you're at all interested in the subject, please read the book, and watch the doc. Yes, the language will be outdated. It was written in 1981 and the doc published in 1995. Language evolves. I was fortunate enough to both read the book and see the documentary in the early 2000s, when I attended university.
It was written by Vito Russo, who held a Masters in film and a desire to fight for queer rights after witnessing the Stonewell riots. The Celluloid Closet was first a live lecture presentation, then a book. He would try to get the book made into a documentary in the early years, and after he died, others picked up that torch to carry on his work and to pay respect to the man.
Vito Russo was also one of the co-founders of GLAAD. He was a co-founder of ACT UP. You may have, if you've watched documentaries or seen news stories about the AIDS crisis, seen parts of his speech, Why We Fight. He protested, advocated, and educated even as people he knew and loved died, and he himself was dying.
As Hbomberguy notes in his doc, he would go on to pass in 1990. This was a man who fought his ass off, even while dying, for a better tomorrow and better representation.
The fact that Somerton stole his work is beyond insulting to the queer history, and queer film history, that he purports to give a shit about.
11K notes
·
View notes
Watching Star Trek IV
Whale biologist: why do you hang around with that weird guy who calls you admiral and why are you so close?
Kirk: *hesitates*
Whale biologist, who lives in San Francisco in the 80s and is rapidly drawing many correct conclusions: that’s okay we don’t have to talk about it.
6K notes
·
View notes
The good news about Hbomberguy's plagiarism video for everyone who used to like James Somerton (I recently discovered him and hadn't got to any of the misogynistic shit yet), is that the queer analysis we liked is still out there - just not written by the thieving little shite. Great place to start is the playlist Harry created of plagarised or otherwise hardworking (but underrated) creators:
https://youtube.com/playlist?list=PLRGz5EMig3r2ZDgeGzwUlSz-PzF-L1Xu1&si=KqFfYA1NntIA3JG_
Also, as he's gonna send the profits to the writers James yoinked (without the twist) from, if you wanna help financially, you could always just... Put the video on in the background on repeat...
Tangentially, I met Harry a few years back at WorldCon in Dublin, and thanked him for his videos. He gave me a hug. The guy is just as sweet and lovely, and delightfully wild-eyed*, in real life.
*Seriously, the magnificent bastard has beautiful eyes.
5K notes
·
View notes
Do you know which subgenre of film desperately deserves a critical retrospective and more attention?
The answer is 80s/90s/early 2000s James Spader erotic thrillers in which he plays a somewhat creepy yet attractive psychopathic, emotionless, yuppie with a thousand-yard stare that looks into your soul who is also secretly a s*xually depraved sadomasochist that hides his perverse desires under the glare of the capitalist American dream to fit in, or has an affair with someone similarly maladjusted/ s*xually obsessed.
He is often seen wearing glasses and being nerdy to the precipice of autism in these movies, yet he is also suave, soft-spoken and passionate but also an unsettling weirdo. Like why did Hollywood stop making these movies?? Us emotionally disturbed tumblr girlies are obsessed with creepy James Spader this was such a Moment!!
1K notes
·
View notes