#jean blake

[thedoctorandthehousekeeper]

I would say I’m not obsessed with their love but then I would be lying 🫢

[reallyhardydraws]

ok these are ALSO a slay, i think i did upload these back in 2019 and then deleted them after i like... fell out with scooby doo 😅 and i was trying to scrub my AU from my blog. if i remember right these were for a back-to-original-era AU so very much like late 1960s/early 1970s fashion. i particularly like velma's looks. i really think i'm like, right about how their expanded wardrobes should look...

[uplatterme]

—smut visuals/twt links with genshin impact characters ✨✨

cw: sub!characters, dom!reader, toys, bondage, choking, strap on, overstim, blindfold, cum eating, male!reader/fem!reader/gender-neutral reader :D

a/n: i’ve never posted something like this but if this does well i’ll make another one

Jean

—after finally convincing jean to take a break, you take all control and make sure to get rid of any thoughts she has of work.

—jean could do nothing but accept the pleasure while you hold a vibrator up to her pussy. she grasps your arms, your thighs, anywhere, as she tries to hold it in as much as she could, feeling embarrassed that she’s acting this way. especially when your hand is choking her neck. but instead of hating it, she falls deep into pleasure senselessly, whimpering and moaning while her legs tremble as she cums.

Itto

—getting tired of how much the oni is all bark and no bite, you assert dominance in bed, milking him while all he can do is flail around, unable to break free from how you’d tied him up.

—even after he’d cum countlessly from your hands, you keep pushing him beyond his limit. his thighs hurting from how much they’d been trembling from pleasure. still, he keeps screaming and moaning each time to the point you’re sure everyone in the village can hear the begging of the oni.

Kokomi

—with the little time kokomi has for breaks, you take it as your job to make her cum as quick as you could, be it anywhere at anytime.

—you pound kokomi rough and fast in the bathroom next to the venue where she’s supposed to be holding a meeting. kokomi’s legs shake together, trying her best to remain standing still as you quicken your pace more. you hold her down, pumping her up as you only had a few minutes to spend together.

Pantalone

—pantalone’s addicted how you treat him like no other. it’s the way you treat him like your bitch, fucking him with plastic cock so deep into his walls, making sure you remember its shape.

—and once he gets used to it, you switch it up with another. either a smaller one that makes him like begging mess for you to return to what you use normally or a bigger one that makes him choke on his own sobs while you call him a good boy when you force him to eat his own cum dripping on his stomach while you fuck him into another release.

[scooberish]

I'm trying to make sense of their hair

[thatsrightice]

When I went overseas my wife Jean shared an apartment in Chicago with the wives of two members of my crew, and an enterprising Herald American reporter took a picture of them. Gerry Hamilton (left) was married to Howard Hamilton, our bombardier; Margaret Ann Blakely (center) was married to Ev Blakely, our pilot. Jean is on the right.

Excerpt of A Wing and a Prayer by Harry H. Crosby

[spiderstoner]

Animated Redhead Appreciation

[bi-slut-buck]

Me when people ask me for fic recs like i keep track of all the mountains i read or have an actual long term memory that didn't come from my fish brain

[stick-ball]

The Sunshine Court by N.Sakavic + The Tyger by W.Blake

Tyger Tyger burning bright,

In the forests of the night:

What immortal hand or eye,

Could frame thy fearful symmetry?

In what distant deeps or skies.

Burnt the fire of thine eyes?

On what wings dare he aspire?

What the hand, dare seize the fire?

And what shoulder, & what art,

Could twist the sinews of thy heart?

And when thy heart began to beat,

What dread hand? & what dread feet?

What the hammer? what the chain,

In what furnace was thy brain?

What the anvil? what dread grasp,

Dare its deadly terrors clasp!

When the stars threw down their spears

And water’d heaven with their tears:

Did he smile his work to see?

Did he who made the Lamb make thee?

Tyger Tyger burning bright,

In the forests of the night:

What immortal hand or eye,

Dare frame thy fearful symmetry?

[hairtusk]

if nobody has got me at least I know my folk ladies have got me 😔✊

[brokehorrorfan]

Guillermo del Toro's Pinocchio will be released on 4K Ultra HD, Blu-ray, and DVD on December 12 via The Criterion Channel. James Jean designed the cover art for Netflix's 2022 stop motion animated adapation of Carlo Collodi's 1883 novel.

Guillermo del Toro co-directs with Mark Gustafson from a script by del Toro and Patrick McHale (Over the Garden Wall). Ewan McGregor, David Bradley, Gregory Mann, Burn Gorman, Ron Perlman, John Turturro, Finn Wolfhard, Cate Blanchett, Tim Blake Nelson, Christoph Waltz, and Tilda Swinton star.

Pinocchio has been digitally mastered in 4K, supervised by del Toro and Gustafson, with Dolby Atmos sound. It's presented in 4K with Dolby Vision HDR.

Special features are listed below, where you can also see the full packaging.

Special features:

Handcarved Cinema - Making-of documentary with co-directors Guillermo del Toro and Mark Gustafson and cast and crew (new)

Directing Stop-Motion - Featurette with Guillermo del Toro and Mark Gustafson (new)

Interview with Guillermo del Toro by film critic Farran Smith Nehme (new)

Interview with curator Ron Magliozzi on The Museum of Modern Art’s exhibition devoted to the film (new)

Featurette on the 8 rules of animation that informed the production (new)

Panel discussion with Guillermo del Toro, Mark Gustafson, production designer Guy Davis, composer Alexandre Desplat, and sound designer Scott Martin Gershin, moderated by filmmaker James Cameron

Conversation with Guillermo del Toro, Mark Gustafson, and author Neil Gaiman

Booklet with essays by film critic Matt Zoller Seitz and author Cornelia Funke

A classic tale is reborn through the inspired imagination of cinematic dream-weaver Guillermo del Toro, directing alongside Mark Gustafson. Realized through boundary-pushing, breathtakingly intricate stop-motion animation, this dark rendering of the fable of the puppet boy and his maker daringly transfers the story to Fascist Italy, where the irrepressible Pinocchio gradually learns what it means to be human through his experiences of war, death, and sacrifice. This Pinocchio imbues the oft-told tale with a bold new resonance about living with courage and compassion.

Pre-order Pinocchio.

[jellhound]

blake and jeane are friends! just guys being dudes

[romancemedia]

💔🥀The Most Satisfying Cartoon Break Ups🥀💔

[tubapun]

shaggy and Daphne with temperature?

She's helping him with his makeup for this week's disguise gambit!!

the pallets

[bluejaysandblackbats]

Oracle of Jersey

Fandom: DC Comics, Batfam, Birds of Prey (Comics)

Summary: Barbara Gordon runs a podcast that results in six teenagers looking over a dead body.

Chapters: 1/?

Characters: Barbara Gordon, Dinah Lance, Renee Montoya, Charlotte Gage-Radcliffe, Lori Zechlin, Wendy White, Cassandra Cain, Stephanie Brown, Tim Drake, Ted Kord, Jean-Paul Valley, Dick Grayson, Helena Bertinelli, Zinda Blake

Relationship(s): TBA

Additional Tags: Mentor Barbara Gordon, No Powers AU, Podcast AU, Murder Mystery

Episode 1: Female Sleuths & Self-Defense

"Hello, Pythians. It's been a while. Today we'll be discussing some sensitive subject matter. This includes but is not limited to domestic violence, child abuse, grooming, and murder," Barbara's tone allowed a hint of personal sadness. Her voice was subtly disguised with a Mid-Atlantic accent. Her voice was mature and robust, but there was something sweet and feminine about her cadence. The lilt in her voice was unlike her natural speech, but it added to the bit, along with voice-altering software. Oracle was a character, and she had to stay that way. She took a breath to collect herself. "Today, I have a special guest. She is loud and proud... And she is fighting to elevate the voices of domestic violence survivors during Gotham's lockdown. Miss Dinah Lance. Dinah, can you take a moment to tell us about yourself and your organization?" Barbara leaned back away from the mic as she put Dinah on speaker.

"Hi, Oracle. Well, as you said, I'm Dinah Lance. I've been in Gotham most of my life, and this organization is near and dear to my heart. Black Canary is my mother's non-profit organization dedicated to survivors of domestic violence. It goes back to before I was born.

"My mother lived in a community filled with women in violent and unstable relationships. She quickly realized that most of these women didn't have the tools they needed to escape, let alone protect themselves. So, she took it upon herself to secretly offer free self-defense classes in her apartment. My mother knew this wasn't enough, but it was all she could do at the time.

"Fast forward a few years. My mother married my father and got pregnant with me, and she had to take a break from offering classes. To her surprise, her neighbors took over for her. They went on to teach their friends everything they learned. Eventually, this led to a connection with lawyers, doctors, and childcare workers... And from there, my mom founded the Black Canaries.

"I was fortunate to grow up with two loving and supportive parents, and I took it upon myself as soon as I was old enough to continue what my mother started. Since then, we've expanded to all victims of domestic violence. Not just women," Dinah replied. She was obviously passionate about her cause.

Barbara made a soft noise to acknowledge all she'd heard. "I wanted to take this time to tell the listeners your organization now operates online. I left a link in the description... But I also wanted to ask about a specific case that's gained traction in the media. I understand that you've taken a personal interest in the Anna Stanfield case... You've also expressed discomfort with the long-time trend of giving murder cases nicknames," Barbara paused, "After a message from our sponsors, we'll talk about that and how this case is different from anything the Black Canaries have dealt with this far." Barbara played an ad for Ted Kord's tech company.

During that time, Barbara took the opportunity to quietly thank Dinah for the interview. "I appreciate you coming on the show, Dinah. I wanted to ask you personally if you'd like to come back to talk next month for Mother's Day?" Barbara asked.

"I would love to," Dinah replied, "And thank you for allowing me the opportunity to talk about Anna Stanfield."

Barbara smiled to herself. "Of course. It's always a joy to have you on the show," Barbara replied, "We're back on air in five... Four... Three... Two... Welcome back, Pythians. Before the break, I asked Dinah how the Black Canaries have taken an interest in the Anna Stanfield case and her critique of the media buzz surrounding this cruel Gotham slaying."

"Right. For everyone unfamiliar with the case, Anna Stanfield was an eighteen-year-old girl from Gotham. Last month, she got married to a man seven years her senior, and at some point on the first night of her honeymoon, she was brutally beaten and ultimately smothered to death.

"The media's taken this as an opportunity to talk about the lack of knowledge about her past. Instead of putting forth the efforts and energy to spread information about the case, they've focused on dissecting this girl's life to blame her for her murder. Her husband, Eddie Stanfield, is seemingly missing and has been since the discovery of Anna's body. Few efforts are being made to find him despite his history of violence toward women... And instead of being treated like a suspect, they are searching for Eddie Stanfield as a potential victim... Despite all evidence pointing to the contrary.

"What makes this case different from anything the Black Canaries have ever dealt with is the type of case that this is. Black Canaries deals with survivors. This is the first time we've ever dealt with a murder case. We're all working to find Eddie Stanfield and bring him to justice, and there's a lot I can't say legally... But I can say that we've got a few leads we're checking out," Dinah explained.

"I know you said you can't talk about the investigation for legal reasons, so I wanted to hear what you had to say about the nicknaming of the Anna Stanfield case as the Honeymoon Murder," Barbara replied.

Dinah took a breath before speaking. "With all the media buzz for the case, people have forgotten that Anna was a living, breathing person. People view this case as a form of entertainment rather than an actual murder of a real human being.

"The media's done a terrible job of depicting Anna's humanity. They've instead chosen to sensationalize her murder and reduce the brutal slaying of a teenage girl to nothing more than a series of puns and online memes," Dinah answered.

The two went back and forth, discussing the details of the case before their second set of commercials. "When we return from break, I'll introduce you to one of Gotham's best P.I.'s," Barbara announced.

The second set of commercials was three minutes long, allowing the two women to talk. "I hope I'm not talking too much. I don't wanna overwhelm-."

"You're doing fine, Dinah. Actually, I wanted to ask how you were doing? I've been following your work for a while now, and I saw that you've received threats-. Sorry, I sound like I'm still interviewing you. I wanted to know if you were okay," Barbara interrupted.

"It's okay... I've had worse. A few threats aren't going to scare me away from the truth," Dinah replied. Barbara pushed up her glasses and ran a hand through her hair. "Hell, if I wasn't mistaken, I'd think you were worried about me."

"I am," Barbara replied, "You know, Dinah... Let me know if there's anything I can do to help." Dinah made a soft noise.

"Keep an eye out for Eddie Stanfield... And boost my tip line," Dinah replied. Barbara could hear the smile in her voice. Barbara bit the cap of her pen before typing the tipline number and adding it to the description for the video. "You know what? I feel like I know you."

Barbara held her breath for a moment. "I make a point to get to know everyone I interview... Even if it's through research," Barbara half-lied. She didn't want Dinah to know they'd met before. Barbara's podcast identity needed to remain secret, not only for the safety of her daughters. The work she did in connection with her podcast was borderline illegal.

"It was so wonderful having you on the show, Dinah. I hope to hear from you in the future... I know you have to go, but I did enjoy speaking to you today," Barbara beamed. She chewed the cap of her pen as she waited to hear Dinah's voice.

"It was nice talking to you, Oracle... I'll keep you updated on the case," Dinah replied before hanging up.

She tossed her head back and ran both hands through her hair before calling another woman. "Hello? May I call you Question?" Barbara asked.

"Only if I can call you Oracle," Question joked. Barbara recognized the voice as ex-police officer Renee Montoya. She didn't see fit to mention it, though. Barbara chuckled.

"Of course, you can. We're about to go on air in a minute or two, and I want to let you know you don't have to answer any question you don't want to," Barbara reassured her.

"Let's get into it," Renee replied enthusiastically.

"Okay. We're back on air in five... Four... Three... Two... One. Welcome back. Before the break, I promised to introduce you to Gotham's finest private investigator, the illustrious and anonymous, Question. Question, would you like to take some time to enlighten the viewers on your connection to the Anna Stanfield case?" Barbara asked.

"Someone hired me to find and notify her family... A friend of Anna Stanfield who wanted to remain anonymous," Renee replied, "The issue is, Anna Stanfield doesn't exist. Or at least she didn't, up until a few months ago... But that made me wonder how Eddie Stanfield came to know her. She's an eighteen-year-old girl with no past, no known family, and no history... Not so much as a report card from her."

"It sounds as if you have some suspicions about the crime. Can you elaborate at this time?" Barbara asked.

"I've found some important information that's led me to a family within the city, but I'm not at liberty to say. The police have been notified. But I can tell you, I have reason to believe Eddie Stanfield is guilty of a series of violent crimes against Anna... And I'm not talking about her murder," Renee replied. Barbara took her pen and jotted down a note.

Silence fell between the two for a moment. "Are you-. Sorry, that's such a shock. I wanted to know if you were working with the Black Canaries or anyone else to get information on this case?" Barbara asked, stumbling over her words out of shock. She didn't think anyone would have any new information like this.

"Yeah, I've talked to Dinah before finding what I found... I told her I'd look into finding Eddie," Renee paused, "And I've gotten a bit of information from her as well."

"Can you tell us if that information led you to your most recent revelation?" Barbara questioned.

"Yes, actually, she did. Dinah personally went and found information of her own that led me directly to a series of truths that led to this mystery family," Renee replied, "We're not sure if they're her family for sure. We only know interesting circumstances surrounding them point to this case."

Barbara typed something on her computer while she listened to Renee speak. Barbara mulled over the details mentioned by both women and wondered if she should delay posting the episode another week. As it came to a close, Barbara pushed up her glasses and started the editing process.

[dc-tournaments]

[the-tortured-artists-department]

met gala reblog & tag game: what are your top four met gala looks of all time?

this may become a poll tournament in the future 🌸