#jjk critical

[bibibbon]

Sukuna is a good villain analysis

Coming from someone who hates villains that are evil because they were born that way and with no other explanation. To be honest, out of all the villains in jjk I always found sukuna to be somewhat boring , he is well written but I just couldn't really see what people saw in him. I still think that kenjaku is way more interesting than him but I will say that due to the recent arc and chapters that my opinion of sukuna has significantly changed.

Sukuna is the abstract embodiment of nihilism (in a way). His character for the longest time has always been about destruction and chaos. Sukuna's first introduction consists of him saying that he is going to destroy absolutely everything and there is a heavy focus on him destroying the woman and children. He simply views then as little maggots that he can easily destroy with ease. We later learn the connection (I guess) he has to his mother which he doesn't regard her disrespectfully and his devoured twin whom he is shown to remember the presence of. Every time we meet him before shibuya his power is further emphasised and he is further demonised and built to be the big bad.

It is later in shibuya, during his fight with jogo that we get more to sukuna. In this fight sukuna brings out his CT of flames and jogo is surprised however, before sukuna kills jogo they share an interesting conversation. Sukuna recognises jogo's ideology and desires to be human and sukuna relates to it. He understands jogo's desires of taking humans place and ruling the world yet he views that view as foolish. This is where we learn that sukuna believes that being alone and having the power to destroy everything you care about is what makes one powerful. This can explain sukunas love for destruction and simple chaos. However, sukuna is incapable of understanding why he is talking to jogo, why does he even care for him in a way and instead of trying to understand he does exactly what he said to jogo that he should do and destroys/ fully burns jogo after calling him "strong". At this point both of these curses have experienced what it's like to be 'human' with emotions flowing through them that aren't negative but while one (jogo) questions it and tires to explore it the other (sukuna) rejects it and burns it all away.

There's also sukuna's relationship with his relatives especially itadori his nephew. Sukuna and itadori share completely different ideologies while sukuna believes in him being the strongest and destroying everything he cares for to stay that way yuji will believes that he is a simple cog in a system and tries to do everything to fulfill his role and protect others. Both are strong characters yet it is yujis drive and strong resolve that makes him so much more mentally stronger than sukuna and what irritates sukuna as yuji is claimed to be unbreakable in his views and passion. Yuji also makes sukuna question his own purpose and what he is here to achieve. Even though the two are strangely similar in many ways considering that yuji is a part of sukuna they're vastly different especially with their ideologies.

There's also the huge contrast between sukuna and his twin Jin itadori. Sukuna is strong, cold hearted and would put himself before anyone. Sukuna doesn't care for others and his existence is mainly him trying to satisfy himself and his needs while flaunting the immense power he carries. Yet from the little we have seen from Jin itadori he is is the polar opposite of sukuna. Jin itadori died for love, he was so blinded by grief that when kaori came back even though it was kenjaku he still loved her the same and he loved itadori more. It was stated that Jin really wanted to have a child and truly cared for itadori to the point he and itadoris grandpa got into fights about it. Jin from the moment we see him seems like a really nice and somewhat nerdy guy the complete opposite to his twin sukuna heck even their character designs are completely different with them only having the same colour hair and eyes (I think).

These twins are also juxtaposed to the zenin twins. Its stated that sukuna had to eat his twin to survive in the womb due to how poor their mother was. However, the only thing that sukuna got out of his twin was the physical characteristic and his CT while Jin's soul went through cycles before coming into he human realm again. This contrasts with eh zenin twins whom voluntary chose to join together and when she died Mai chose to take all the CE they both had while dying physically she joined her sister spiritually by becoming a sword. Maki and Mai will always be together and entwined by their souls. The sukuna and jin twins are only connected physically which could be why sukuna has 4 eyes and 4arms.

Sukunas own character design just shows that he is the embodiment of destruction and how he simply devours everything around him. When asked if sukuna ever feels lonely he literally says that he lives however he wants and that he can eat as much human flesh with all of them tasting different and filling him with different emotions. The closest thing that sukuna has to a friend is his loyal servant urauame and they only obey his orders while entertaining him. It's stated that the only reason sukuna keeps urauame around is due to their talent in cooking human meat, the same thing that gives him joy aka any real emotion.

There are then his other fights that focus on sukuna and his views on love and power. Yorozu's fight is an interesting one where we get more on sukunas cannibalism and how both of those characters view love as a means of destruction and death. Yorozu is happy that sukuna killed her and got to know more about her through that while sukuna is questioned on stuff that he views as pointless and meaningless like marriage. Yorozu sees the solitude that sukuna is surrounded by and think that he can understand her since she has faced similar yet they heavily clash with sukuna believing that to have power one must face the burden of solitude. In the end yorozu, does give sukuna a gift crafted by her which he actually takes and uses during the current battle. Yorozu's attempts to get to sukuna and to make him reciprocate his love all fail even when she makes a TRUE SPHERE. Something that has the largest surface area and can contaminate and touch everything yet sukuna leaves untouched by yorozu at all. I think it's interesting that yorozu's heart took a shape of a true sphere just to show how obsessed she is with sukuna and her desire to be with him.

Sukuna then fights with kashimo. Kashimo somewhat like jogo has an understanding of what it's like to be strong yet kashimo is sick of superficial interactions that the strong have to have with people that are inferior to them or want to challenge them. Kashimo asks sukuna if there is a way where he can be strong and surround himself with love sukuna says that this is selfish thinking considering his view that everything he cares for must be burnt for him to be strong. Kashimo isn't satisfied by only having strength but he also wants to experience simple things such as love, sukuna could of been similar to that long ago yet he gave up and has resorted to taking in all the destruction and enjoying himself from it. Kashimos fight with sukuna was more of a self discovery journey for the both of them and at the end they both come out on different sides.

After higumara's death there is a whole chapter about sukuna and he starts questioning his own life view. What has he been doing? Is it worth it? Where is the joy in what he used to do? And he is again faced with his complete opposite yuji. He is deep in thought and he feels empty, confused even he can't seem to understand why everyone is dedicating themselves to this belief, they're all united and strong yet he is alone and bored. Sukuna has done everything he has fought and killed but like kashimo said that caught up to him and now he is tired of it he wishes to experience the unity and stuff that the others fighting him are experiencing. Sukuna has no purpose but to destroy at this point but he has caused so much that him destroying over and over again has just been a mundane cycle.

Yet things start to change as the tides are against him and he may taste losing for the first time.

In conclusion, sukuna is an abstract and literal ideology of nihilism to a cerian extent and conveys the big bad villain trope in a fantastic way. I find him way more well written than AFO and muzan.

[diebootzenkatzen]

Remember when people praised JJK for having a good female cast

[chiarrara]

Quick question....

...does this shit mean nothing????? anymore???????

[sapphic-agent]

[gabichanwrites]

I've seen an opinion about JJK that the story needs so much pointless death and unrealized potential because it is the point. That this is the world of JJK, cruel and killing off potential because of higher-ups indifference and carelessness with sorcerer's lives. That Gege did a brave thing by stepping out of the line of a typical shouen plot and made his characters suffer and die and pointed out the ridiculousness of adults making children fight for them.

And to all of that I say - I get it. But also I don't agree.

There is a significant difference between the potential in-universe and the potential of the characters. Sure, they overlap a lot, especially in series like JJK, but there is a difference. For example, both the characters and us have been thrilled with the unspoken potential of Megumi's "sacred treasure" and I'm pretty sure every single one of us went wild when he made his half-baked domain in S1. Also, he got Sukuna as his hypeman - it's hard to really top that in terms of potential. But when I say character potential, I don't mean only power scaling one - I mean what they could do in a story. And one of the best examples for me are The Twins. You know, the ones that try to bargain with Sukuna to kill off the Fake-Getou. And the quite pointless death of BOTH of them.

Their techniques personally interest me a lot but it's not even about that. Even if there is not that much space to explore with them cursed technique-wise, wouldn't it be so interesting if one of them got to live? Betrayed by every curse she turned for help to, alone in a raging Shibuya - forced to work with the School Gang? With their very differing opinions, with her wildly different perspective... Man, I'm not that good of a writer to figure it out on a fly. But there was potential there, a very interesting one, and wasting it isn't the nail on the coffin for Gege's story - but it does disappoint me, considering how hyped the story was for me beforehand. How much trust I put into Gege's writing.

And with the way things are going with Nanami, Nobara and, from what I've gathered from my partner's ashamed face when I mentioned my suspicions, Todou, this is no longer about power potential the characters had (although with Nobara it kinda still is). It's about how those deaths are hidden behind the smoke screen of theme and well, that's the cruelty of the world that tries to hide the balant shock-value of these deaths. Because back in season 1 Gojo already said it - that he knows killing higher-ups won't really solve anything. That it's about a new generation doing better, forcing a change others reject.

So why isn't this story about that? Why does it kill off THREE (?) characters for the sake of kicking Yuuji into dirt? Why does Mahito even require so many named deaths to establish... What exactly? That he's fucked up and immoral and direct opposite of Yuuji? That he can bring out the worst in him? I THINK I GOT THE POINT AFTER JUNPEI AND NANAMI, REALLY.

So, with the spoilers I have from the manga, I just feel like it's not quite right to call those deaths deserved because of the setting. Not when the story in S1 promised a change, a hopeful future set by the new generation.

And if that were never the main focus of the series, then I don't want to hear a single world about those deaths contributing to it because they are not.

Man, there is no one who wants to love JJK more than me and there is no one more heartbroken that I can't bring myself to do so anymore.

[mythicamagic]

What do you think of chapter 257? I love that Sukuna is a monster even before he was born, it's great that his evilness doesn't have a justification or that it's a product of a "trauma" like other villains, he's just a monster. This was one of my favorite chapters without a doubt, I really wish Gege would show us at least something about Sukuna's childhood, it would be great to know what he was like as a child and why he had that perception of "being an unwanted child".

Idk man I'm sorry but I'm not a fan of the direction the writing has taken. Its a clusterfuck to me. I'm really happy you're enjoying it though!

Personally I think if Sukuna had known his twin and they'd grown up at least into young children and had a relationship/rapport like other anime siblings - Sukuna killing him would've hit much harder. If you want to showcase his cruelty or desperation at the time, the stakes and motivation would've felt much higher.

As is he...absorbed his brother in the womb? Ok. Feels like something that just kinda happened.

[beasts-of-jadewood]

Late-game Jujutsu Kaisen is what happens when an author not only refuses to kill his darling but makes his darling kill everyone else, and it's truly not a pleasant thing to behold.

[kairos-polaris]

How were they planning on saving Megumi if Gojou actually succeeded in killing Sukuna? Was it a time thing? Yuuji separating them right after Sukuna dies? Or was it the reason why Gojou didn't finish off Sukuna with the last attack? If so then why weren't they on the battlefield already?

Until Gege explains what kind of binding vow Sukuna made to not need chants to use the world cutting slash and also do it without Gojou noticing and dodging it, I will continue believing we didn't see it because Gege couldn't figure out a way to make Gojou not dodging believable.

[charmspoint]

idk if i'm poking a hornet's nest, if i am, feel free to ignore this ask. i just wanted to know: what are your thoughts on jjk? i'm genuinely really interested because i've started reading it and i'm really enjoying it so far. and i love how it's inspired so much fanwork and analysis, but also, a bit of criticism. idk ... what's your response to it? sorry for sending such a vague ask!

Oh don't worry at all, if there is one thing I can be counted on is to share my opinion on p much anything I can have an opinion on, loudly and in length.

So here are few things to consider before giving my opinions any weight

I don't read shonen because I think it will be good hjbhbh this sounds mean but like, as frustrating as it is, shonen not being As Good As I Would Like It To Be, is kind of the point. I almost NEVER write fanfics about manga i really truly love. If i asked my followers now I don't know if they would be able to name my fav manga n anime. I read shonen to have something to write about, to have something to fill out and develop.

Shonen focuses a lot on fights. I don't care about fights. My primary interests when I'm reading are A. Characters B. World building. Shonen has these but they are never the focus, the focus is setting up a cool way to have a cool fight, whatever that means in the world of the particular story. This of course doesn't apply to every shonen manga, don't come for me, but it applies to a lot of the popular ones and it applies to JJK

All that to say: I'm not the target audience and I know it, if you are looking for an opinion of someone who really really really likes shonen manga and is into the major aspects of it that's not me and I won't give you any useful insight on that.

Onwards with my thoughts:

JJK is really really fun at the beginning! If you just started reading it you are in for a fun time for a good bit. The characters are interesting and show a lot of promise, the central themes are cool, the designs are badass and it has one of the better adult supporting cast which I, as an adult who can no longer really identify with teen protags, really appreciate. It has amazing villains, some of the better treated women in shonen (tho keep in mind that is a very low bar) and enough emotional content to keep you digging for more. It had me teared up at least once! It's world is very interesting and the psychology and the make up of it are just MADE for someone like me who specializes in studying pain and grief and death to splash around in.

It's just that after a bit...it stumbles. I think it's p much unanimously agreed at this point that the shibuya arc was the high note after which the manga very very slowly started getting dull. The nature of where it was headed meant that a lot of new characters had to be introduced only to be immediately discarded. It was a death game where it didn't really feel like the main characters were in danger which, after Shibuya which had a high death toll on known and bellowed characters, just had me kind of disinterested. Death game with no stakes is BAD. It's hard to explain all the ways i just kind of stopped caring. Combination of the inflation of the cast with characters I didn't care about while leaving the old ones by the wayside. Feeling like the most interesting of new characters got sidelined (suspiciously mostly women...remember what i said about the low bar), while the boring ones stuck around. It started feeling rare that the manga hits an emotional point (it did happen, it was this era of the manga in which it almost brought me to tears) but even the hits would get undermined with something later that made them stumble and fall flat. A lot of promising, cool things, conversations, backstory details, interactions that were expected and predicted from the first half just kind of fizzled out, didn't happen, or were done so quickly and offhandedly that it got me saying 'is that really how he's gonna do this'. It was just a pile of small disappointments that grew and grew until I found myself not as excited for the new update like i once was, till i found myself completely forgetting to check if the new chapter was there or not.

All in all, I would place JJK very close to BNHA in terms of my feelings for it: Very promising but can't live up to its own ideas. Or to be fair, can't live up to my ideas. Every time I check in Gege seems to be having a blast and in the end that's what's most important. I'm just someone writing in the blanks he left behind according to my own interests lol.

[diebootzenkatzen]

[chiarrara]

sorry not sorry, I love jjk but the power system doesn't make any sense. it's a lot of hand waving over vague intellectual concepts the author doesn't actually fully understand which makes it sound really smart, complex, and deep. But really it's ricocheting between an ode to classic shounen power systems and a straight up recreation of them with a new coat of paint.

And that's fine! It's cool to get inspiration from philosophy and mathematics and physics, it's fine to use that inspiration without having a deep theoretical understanding of the concept, and jjk is nothing if not an ode to and a new iteration of the essence of the shounen genre.

But it doesn't mean the author's explanations of that power system--in the text itself or in additional materials--make any more coherent sense than the quantum physics in marvel movies. Trying to make sense of this stuff is a futile effort because it's not fully developed to that scale, and I think that leaves a lot of people either filling in the gaps themselves and misremembering that as text, or deciding the author is actually way smarter than them and they would need a lot more information to understand it, which is not true, because it doesn't actually make sense.

Complex ideas can be explained at very accessible levels in very simplistic ways when they are deeply and fully understood. If someone actually knows more than you, they won't make you feel like you can't understand the things they know. If they do, it's because they don't understand it well enough to explain it.

[linkspooky]

Why does every potentially cool character in JJK die before actually showing us why they’re cool?

We just don't know anon.

There's an interesting conversation to be had here on the common trend for Shonen Manga to have 1) huge cast sizes, and 2) refuse to develop the existing characters and either kill off the old ones or just constantly throw new characters in.

Character death is common in Jujutsu Kaisen there's no denying that, the tone of the manga is essentially set with Junpei Yoshino dying rather than getting saved. There are also deaths that are kidney-punches but otherwise good story beats, no one thinks Kokichi Muta's death is pointless, but a lot of people are praying Nobara's not dead because her sudden death makes her entire character feel superfluous and unimportant.

I don’t think the problem is even the sheer number of characters. Every story has major characters and minor characters, characters that are probably not going to get development even if they have a good design or a quirky personality. There are stories that have huge casts of characters that you can’t realistically give every character development and yet you don’t feel like the characters we do choose to focus on are underdeveloped. Game of Thrones and Hunter x Hunter have tons and tons and tons of characters, and yet people don’t express disatisfaction with those casts of characters or think there are too many. 

The problem is really just development and the way characters are used by the story. Does the story serve the characters, or do the characters serve the story? A question with no clear answer, and yet the interplay between those two extremes is what makes a story. You can like a story mainly for it’s characters, but a story can’t be good with just characters You take the characters outside the story that’s not a story, that’s just gacha. I mean you can do it. You can just be like “I don’t really like JJK, but I really like Megumi” and be a Megumi fan there’s nothing wrong with that. However, the reason you like Megumi isn’t just because of his personality, he’s also a character with a character development arc that is engaging. Well I don’t know maybe you just think Gojo is hot, no judgement there. 

Ensemble casts aren’t really a new thing in stories. There are like a bajillion x-men, and yet people get deeply invested in individual x-men even if they are more minor characters who aren’t wolverine or storm or Jean Grey. I think the key is really just development, which is your complaint here anon, that all of these characters are killed not because of an arc, but before Gege has even really told us anything about them. 

Like, take Tsukumo Yuki for example. I don’t like the fact that she died. However, it’s also surprising to me that people are upset about her character death. Besides the context that she is a female character that is killed off before she can have any real screentime. But like, I don’t really think people were given enough time or information to develop an emotional attachment for Tsukumo Yuki besides like, the potential she represented as both a scientist and the only female special class. 

This is the part of the conversation where stories, especially shonen jump stories are like a commodity sold to us. Characters are very marketable. I think a lot of shonen jump stories nowadays are written, not to have characters developing onscreen, but to sell the idea of likable characters that will develop eventually. In a good story every time a character is onscreen they should be moving something forward, you should be learning something new either about the plot, or themselves. Kokichi Muta really only has two scenes, but there is development between his first and second one and a shocking reveal that changes what we know about the character. 

I feel like because of the compettitive industry of Shonen Manga, and Shonen Manga really only are secure in their position in the magazine if they win a weekly popularity contest, that oftentimes the priority is not to make characters that will develop and change and grow, but rather to make characters that are likable and eyecatching. Authors sell us on the promise of growth, that we will eventually get from point A to point B, and yet we are hooked reading on a week to week basis where there is very little development in that direction, and then it’s put off for so long that when the characters finally do have to move it seems cheap and easy. Character stagnation is a thing, but it’s genuinely weird how much shonen manga these days have casts that are like “Well, everyone’s stagnant because that’s the point, growing up or changing is hard.”    I think stories are more satisfying when they write that change onscreen rather than put it off to some theoretical point in the future, but I guess that’s how they hook ya. 

People joke about how comic book characters are stagnant forever, but comic book characters do go through gradual arcs and changes over time, 90s batman is different from 2000s batman, who is different from modern batman. They have to keep some things generally the same for marketing reasons yes, but the appeal of superhero comics is we will watch these characters struggle, lose at first, and then eventually win and learn something. There’s a lot of stagnation in Shonen manga, long stretches of time where it seems like things are happening week to week and yet nothing’s really happened because nothing has changed. 

Which is essentially the problem with the deaths of characters like Tsukumo Yuki. She just didn’t get to do anything. The story make a big fuss and to do about how she’s some mysterious character, but like for all of her screentime what ultimately did she do, besides give some exposition and die in a fight? 

Show don’t tell is the rule of stories, and if you want us to get invested in the characters you have to SHOW US about how cool they are. 

[gabichanwrites]

Man, I am just so tried of JJK and Gege's plays.

I had a week to come around to understanding the reason why Nanami got killed off. I know, Gege didn't mean to, blah, blah, blah. Either way, I do see some use for this death - personal attack against Yuuji, remainder of how much we should hate Mahito (Junpei was already an example but okay, let's assume we needed something fresh to hit us) and... Okay. Let's say his death achieved something in the narrative, even though I really wish this could be done just... Differently. Without butchering the potential to pieces.

But okay. Nanami was one thing. But Nobara? Nobara, who has only just begun having her moment? Who has only started to shine at the end of season 1? Who had every logical chance to kick Mahito's ass and who still had so much to do and the sheer fucking potential...

And for what? How long can we lie that those deeds make us hate Mahito more, that they are reasonable choices to make when writing this story?

I feel like the only way Shibuya could have worked is if we pushed it back in the narrative. Without some out-of-nowhere 15-fingers Sukuna, without killing of BOTH of the twins, without killing off TWO MAJOR characters...

I am tired of this.

And I really don't believe Gege cooked up anything worth the sheer disappointment of these two episodes.

[love-jelly]

THE VALIDATION.

sypnosis: precious, sweet choso would never ever deny you in any way, always opting to let you do whatever you wanted for your own entertainment and satisfaction, even if it includes giving you his heart and body.

contents: tutor!choso, sub!choso, dom!reader, pet names (choso: cutie, baby, bubs, darling, pretty prince, good boy | reader: mommy), dirty talk, hair pulling (m!receiving), unprotected sex, semi-public sex (does this even count idk), choso is desperate for some puthy (YOUR puthy), overstimulation (m!receiving), praise kink

word count: 1.4k+

a/n: based on this idea by @hotlinemurder ! tysm to maki for blessing my tl with this idea and i hope i did it justice !! hope u enjoy !! minors dni. ageless / blank / minor blogs will be blocked if seen interacting!

˚ ༘ ೀ⋆｡˚

choso tutors you every wednesday and friday afternoon from twelve pm to two pm every other week in the university library. a timeline you both come up with to nicely accommodate both of your schedules- him with his studies and you with your parties and whatnot. not to say you don’t focus on school, you do, life’s just easier when you can ignore all the pending assignments that are due at 11:59pm and all the teachers that seemingly have it out for you.

but choso is sweet, unnecessarily so even when you try to quietly yawn at his rambling that seems to bounce off the walls of the study room you two rented. even when you start doodling in your notebook, when you’re supposed to be writing down what he’s trying to teach you. life is just more fun when you let go, something you’re sure choso doesn’t know how to do when you don’t show him how to.

choso is a straight-a student and tutor, teaching you topics better than any of your professors on the surface. but when you have him in the palm of your hand, with actions that are only a little suggestive? you’ll surely have him fucking you better than any of them too.

a few taps from the tip of a black pen on your notebook shakes you from your thoughts, choso gazing at you with concern evident in his eyes and a cute frown.

“you do know midterms are two weeks away, right?” the concerned lilt in his tone is cute but not cute enough for you to really care, knowing you would rather be doing anything else than studying calculus four.

you look up and smile apologetically, “sorry, cutie, but partial differentiation of functions is not on my mind right now.”

he blushes softly at the pet name but holds his ground, “but you didn’t come to any lecture last week. these questions are gonna be on the exam, you have to know them.”

you stand up, going behind him to undo the two buns he keeps atop his head, “‘s alright, i have you, don’t i?” the locks of hair unravel like a pretty present as you massage the mop around, evening the spread of his pretty brown hair.

“that’s why i’m trying to teach you right now but you won’t even listen,” he softly whines in slight protest, distracted by the feeling of your fingers combing through his hair.

“i have a better idea- don’t you wanna have fun?” you twist yourself onto his lap, thighs fitting atop his as you straddle him. you twist your hand into a fist to garner a hold of his hair, pulling it back to lift his head to expose his pretty wide eyes.

“b-but-” he stammers, moving his head to the side to avoid your eye contact, not sure what excuse to use. you roughly pull his hair again to force him to face you again, a mewl falling from his lips.

you cut him off with a soft voice, “you want me to stop?” you press chaste kisses to his jaw and throat, leaving an especially hard one on his adam’s apple, a soft sigh slipping out from his mouth.

he groans, unable to find an answer in his now-muddled brain. “please-”

precious, sweet choso would never ever deny you in any way, always opting to let you do whatever you wanted for your own entertainment and satisfaction, even if it includes giving you his heart and body.

“please what, baby?” you smile lightly, knowing he would always give into pleasure, give into you. 

“please make me cum,” his usual honeyed, deep voice is exchanged for a separate breathy, higher tone that’s reserved for your ears and your ears alone.

“all you had to say, bubs,” you lightly grind your core to his hardening, twitching cock, that seemingly was begging for some sort of stimulation that could help relieve the hot bubble that was forming in his lower belly.

something between a whine and a groan erupts from choso’s lips as you go in for another kiss, you swallowing up his sounds by connecting your lips.

“we’re in the library, darling. remember to be quiet, ‘kay?” you remind him with a sweet smile as if you weren’t the reason for his loud volume.

he whimpers, “s-sorry, mommy, please-” he chokes out, “c-can i put it in?”

you reach down and pull his cock out of his pants and give it a few jerks. “do you deserve it?”

choso scrunches his face in pleasure, eyes shut and lips wet with both his and your saliva. he manages to open his eyes a bit and breathe out, “yes- yes i do- please?” his brown orbs plead with you for stimulation- for pleasure- for mercy.

“put it in then, show me how desperate you are for me,” his fingers are fumbling around, pushing your skirt up and realizing you’re wearing his favorite lacy violet panties underneath, he groans quietly to himself admiring the wet spot on it for a second. set back on his prior mission, he pushes his cock into your panties, creating a large wet spot as he humps the scratchy material to find pleasure.

“my pretty prince, right? look at you, you just wanna get off, huh? i’ll let you use my pussy- so you better use it well.”

“thank- you, mommy,” he mewls softly before aligning himself with your hole. he quickly shoves it in- catching you off guard, forcing a hiss and moan from your lips that he quickly shuts up with a kiss that you dominate early on.

his hands have you in a vice-like grip that’s sure to leave bruises, holding you a few inches above his own body as his hips uncontrollably rut up into you, balls slapping on your buttcheeks.

“f-fuck- what would your parents say about this, huh? their p-precious little boy so desperate to cum inside of a woman?” you bite his earlobe, moaning directly into it, only serving to make choso’s dick impossibly harder.

“do-don’t-”

“don’t what, bubs? don’t tell your parents? but with how much you c-cum inside me, won’t we have to tell them when we have a b-baby?” you chortle in his ear, his face tinted red from embarrassment but still rutting up into you, desperately searching for release that feels so close with the way you’re clenching around him, still wanting to cum inside you as if it was his lifes goal.

“c-can’t- please- please let me cum inside.” he nearly sobs, his orgasm feeling like it’s approaching.

“don’t stop, don’t stop. you’re doing so so good for me, bubs. keep going- just a bit more, you’re almost there, baby,” you whisper into his ear, keenly aware of the effect your words have on him.

“please, please, please- let me-” 

“you wanna cum? you wanna cum in me? give your parents a grandbaby? you want that huh- you want your parents to know what a dirty whore you are for wet pussy- my wet pussy? come, come inside me.” your filthy words spill out of your mouth and into his flushed ear like whispers of an eternal bliss in hell.

a chain of “yes”s leave his lips in needy murmurs as he nears his climax. his thrusts into you become shorter and sloppier as you hug him closer, quieting your own moans by putting forth effort in marking up his neck.

a long, languid moan is ripped out from choso’s chest with his hips still rutting into you, albeit slower now, steadily fucking his cum into you, although his cock is still semi-hard. “let me- let me make you cum, please?”

you breathily laugh, “keep fucking me, baby, i’m almost there.”

choso continues his actions through strained movements, overstimulating himself, still roughly but quietly moaning through his own pain and pleasure. pulling you closer and staring at your pretty face filled with pleasure, he seems to be mesmerized by every feature on your face that contorts to prove that you were finding as much bliss in this as he is.

“fuck, i’m close, baby. gonna make me cum? make me cum,” choso quickens his pace, grunting in exertion. with a hand slapped over your mouth to hold back your shriek, you cum, spasming around his cock. fucking you through your orgasm, choso whines. he was so focused on making you cum that he didn’t realize he was nearing his second orgasm and with one last thrust into you, he spills a second load into you.

“good boy, choso. you did so well,” your validation makes him feel tingles all around his stomach, butterflies awakening in his stomach.

˚ ༘ ೀ⋆｡˚

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a/n: honestly i hate this n i felt like it was WAY too fast paced. BUT i promised a fic so here's one amidst my busy schedule :') life stop fucking me in the ass when :/ thank you for reading !!!

[hor3nee]

The feminine urge to draw Dad!Sukuna👹

Obv this was just inspired by my other fic because HELLO?? SUKUNA AND HIS BEBE BRAINROTTTT

[sakurm]

theyre all bi and i dont take criticism