#john chantler

[garadinervi]

Daniel M Karlsson, Mapping the valleys of the uncanny, (double CD with accompanying book, digital album), XKatedral, 2023

All music composed by Daniel M Karlsson

Design by Lasse Marhaug Book typeset in Quadraat by John Chantler

[Cover Art: Athanasius Kircher, Turris Babel, Johannes van Waesbergen / Officina Janssonio-Waesbergiana, Astelodami (Amsterdam), 1679]

[adambowielinks]

Favorite tweets: RIP @PaulEaston. As someone on my Facebook feed said just now, I bet he and John Myers are having a good old catch-up about the radio business in that great station in the sky. https://t.co/C1dprL77XW — Paul Chantler (@PaulChantler) Feb 20, 2023

http://twitter.com/PaulChantler

[dustedmagazine]

Dust Volume 6, Number 2

Grisha Shakhnes

Time for another collection of short, sharp reviews, covering a gamut of styles. Our most tireless contributor, Bill Meyer, turned in a record eight Dusts this time, so if you like jazz, improv and experimental music, this is your edition. Other writers included Ray Garraty, Jennifer Kelly, Justin Cober-Lake, Tim Clarke and Ian Mathers.

Max B — House Money (Self-released)

Max B is doing 75 years in prison, yet before his bid he recorded a lot of music to be used by trusted collaborators. Last year’s Coke Wave 5 with French Montana felt authentic enough to be confused with Max’s pre-prison mixtapes, only a bit more polished. This new EP is no less wave-y and goofy, but too many guest verses dilute the fun. If French, with whom Max B recorded a lot of mixtapes together, seems like a natural collaborator, the rest of the guests are an uneasy fit. House Money is a Frankenstein-y affair exactly because Max himself wouldn’t invite them to his booth (not that they are lousy talents, they are just on a different frequency with Max B). It is probably mixed and produced by someone who thought that these collaborators would attract additional audience, yet the result is the opposite: Max B’s fans would feel alienated by impostors in his own domain.

Ray Garraty

 Jeb Bishop / Jaap Blonk / Weasel Walter / Damon Smith — JaJeWeDa (Balance Point Acoustics)

Pioneer Works Vol. 1 BPA 19 by JeJaWeDa (Jeb Bishop / Jaap Blonk / Weasel Walter / Damon Smith)

No matter how big the stage they occupy, it isn’t big enough for Jaap Blonk and Weasel Walter. Both men are masters of strategic exaggeration. Put them together and a clash is inevitable. Blonk not only spews sound poetry like a symphony of pan-lingual news broadcasts and surreptitiously recorded mouthwash experiments, he manipulates electronics with a video game controller that looks especially ridiculous in his gangly hands. Walter mugs and wallops, each movement lunging simultaneously at your ears and your funny bone. Perhaps you’re wondering, “isn’t this a record review? How will these visual descriptions clue me into the sound?” Play this record and you will know. And you will also marvel at the way bassist Damon Smith and trombonist Jeb Bishop balance the other half of the band’s nuttiness with seriousness so unfailing, you might put your money on them against Roscoe Mitchell in a game of poker.

Bill Meyer

 Ben Carey — Antimatter (Hospital Hill)

ANTIMATTER by Ben Carey

Sydney-based electronic musician Ben Carey played saxophone before he took on modular synthesizers. This may explain the quivering, palpable presence of the sounds he devises; he makes static pulse and shake like swollen lips engaged in the act of vocalizing. His deployments of attenuated tones, sudden swells, and insistent chimes are discontinuous and episodic, but also quite thoughtfully planned out. Both the sudden shifts and the long considerations of discrete elements feel as essential as the unforgettable bridge in a bubblegum cart hit, and the qualities of the sounds Carey ponders amply reward the attention required to follow their shifts in and out of audibility and back and forth across the stereo spectrum. If you’re inclined to get well acquainted with Antimatter, consider springing for the LP. Since both Carey and his label are situated in Australia, it might take some looking and spending, but Rashad Becker’s cut and the 45-rpm playing speed guarantee maximum presence.

Bill Meyer  

 John Chantler — Tomorrow Is Too Late (Room40)

Tomorrow Is Too Late by John Chantler

From the pig’s ass on the sleeve to the titles of the album’s two tracks, John Chantler’s Tomorrow is Too Late promises to deal with endings. But when you put the record on, you find yourself adrift in events that defy linear description, let alone the definition of a final point. Oh, sure, both of them end, but they don’t spend the time leading up to those terminations making sure that you know where they’re going. The title track was commissioned for the 2018 iteration of the French electronic music institution INA GRM’s Présences Électronique festival, and most of its sounds were obtained from a François Coupigny synthesizer that is over 50 years old. Rare earl synths are like worlds unto themselves, and the listener is adrift with Chantler as he invites sounds to converge, dispel, and recongregate in winking, restless masses. On “We’re Always at the End,” the electronic sound convergence make way for a pipe organ, which coheres into a solid sonic presence, but when it disappears, the piece does not. This is music to inhabit, over and over again.

Bill Meyer 

 Richard Dawson — 2020 (Weird World)

2020 by Richard Dawson

This sixth full-length from cult songwriter Richard Dawson unspools like a series of linked short stories, the characters sharing a blighted, latter-day English backdrop and perhaps avoiding one another’s eyes as they pass on the streets. Sung in Dawson’s wavery tenor — with flights up into a very uncertain falsetto — and backed with the most straightforward of rock-ish instrumental arrangements, the songs flourish in their specificity. The metal-riffing “Jogging,” for instance, tells the story of a mid-life crisis with startling exact-ness, an ex-school counselor, laid off and too anxious to leave the house, advised by a doctor to take up jogging. The story is told first person, in the most straightforward way possible, with minimal embellishments. If it weren’t for the crashing guitar chords, the squiggly lines of synth, you might be listening to a friend over coffee.  The scenarios are mostly dreary, of people stuck in soul-sucking jobs, in towns where things go wrong through neglect and inertia. Yet, once in a while the sun comes piercing through, and life, however stunted and bare and grey, turns ever so slightly hopeful. I’ll leave you with verse from lacerating “The Queen’s Head.”

“The guy from the vape shop Ferrying his chocolate labs Waves to us cheerily From a leaky kayak ‘I've lost everything apart from what counts’ Pointing to his dogs and then at his heart.”

Now that’s a pre-chorus.

Jennifer Kelly

 Frank Denyer — The Boundaries of Intimacy (Another Timbre)

On The Boundaries of Intimacy, composer Frank Denyer explores volume dropped to a soft level. The approach produces a sort of intimacy, nearly everything sounds hushed, although it remains unclear whether, as listeners, we're leaning into a confidant or cupping our hand to a wall to eavesdrop. Regardless of our position as listeners, Denyer continues his work with unpredictable instrumentation, highlighting sneh and koto playing in various places (including two version of a koto piece), and combining flute and electronics for a strange tonal study called “Beyond the Boundaries of Intimacy.” When he works with a more traditional set of instruments, as on “String Quartet,” the ostensibly comfortable sounds become unfamiliar, an experienced aided by Denyer's play with dynamics, turning from a crescendo to a near disappearance. Denyer presents those sorts of challenges across these pieces (written over the past 40 years). He requires attentive, patient listening, but rewards it with unsettling experiences.

Justin Cober-Lake

 Avram Fefer Quartet—Testament (Clean Feed)

This record is credited to the Avram Fefer Quartet, and it’s true that the Brooklyn-based alto and tenor saxophone wrote the tunes and leads the band. But he’s not necessarily the guy you will listen to every time that you play it. Not that there’s anything wrong with Fefer’s playing, which combines Sonny Rollins’ muscularity with an affinity for bold melodies rooted equally in soul jazz and West African pop music. He’s got ideas, emotion and chops to spare. But damn, what a band! Fefer and bassist Eric Revis have an association going back to the 1990s; no matter which way the music rolls, the foundation is solid. Drummer Chad Taylor is a regular member of a trio with Fefer and Revis which made a couple records a decade or so back, and he’s also a member of bands led by Revis and guitarist Marc Ribot. Taylor never misses a chance to turn the music up a little closer to a boil, and the blues-rooted tone that Ribot favors here adds steely sentiment to the blues, mass to the Afrobeat repetitions, and confident complexity to the free interludes in this music. So, if your attention wavers from the saxophone for a second, it’s probably because you’re listening to how one of his accompanists is playing off of another one. Wotta band!

Bill Meyer  

  Roc Marciano — Marcielago (Self-released)

In “Saw” Roc Marciano says, “Sometimes I pinch myself in disbelief,” referring to a level of fame he’s achieved after 20 years in the rap game. The listeners are pinching themselves as well, but for a different reason: Marciano doesn’t repeat himself. Roc Marci works with his lyrics on two levels: line by line as well as bar by bar. As defined by Marci, his songs are “poetry over beats.”Marcielago is a quieter effort, closer to Rosebudd’s Revenge 1 and 2, than to 2018’s KAOS and Behold a Dark Horse. To rephrase the poet himself, on Marcielago he’s more like a pimp than a mack. The standout here is “Ephesians” which starts with early electronica and then explodes into a full-scale attack. Marci’s long time collaborator Ka spits here a verse which does an impossible thing: Marciano is murdered on his own turf.

Ray Garraty

 Machtelinckx / Badenhorst / Cools / Gouband — Porous Structures (Aspen Edities)

porous structures by Machtelinckx/Badenhorst/Cools/Gouband

This quartet comprises two steel-stringed acoustic guitarists, one percussionist prone to placing stones on his drums, and one clarinet and a saxophone player who likes to sing. The album’s title implies permeability, and the music delivers by creating the impression of actions happen in different places at the same time. Ruben Machtelinckx and Bert Cools’ guitars create structures made of slow-moving, finger-picked patterns. Toma Gouband and Joachim Badenhorst often sound like they are playing in some resonant space outside of the guitars’ sanctuary, where their sounds can spread a halo of echo around and occasionally blow through the dry, close-miked string sounds. The former’s rattling rocks create more texture than motion; the latter’s distant croons and spare tones create a sense of distance. In their own quiet way, these musicians have arrived at a sound that can’t be mistaken for anyone else’s.

Bill Meyer

  Salim Nourallah — Jesus of Sad (Palo Santo)

The narrators of Salim Nourallah's songs don't often find things going so well. Nourallah's taken that point to its logical conclusion on new EP Jesus of Sad. Rather than indulging depressive tendencies, though, the songwriter brings his sense of humor for a parodic take. “So, you think you've suffered?” he sings to open the disc. “I sip the tears of the world from my coffee cup.” The hyperbole might immediately develops his exaggerated character. Accompanied by multi-instrumentalist Billy Harvey, Nourallah moves on to “Born with a Broken Heart,” a funky number owing something to Soul Coughing while providing one of the best bass lines in his catalog. The cut's full of wit while addressing serious questions about faith, gender equality, and more.  

“This Doesn't Feel like Peace, Love, or Understanding” (the second track here to echo a Nick Lowe title) sounds like quintessential Nourallah, with a pop-rock sound that would have fit on any of his last few records and a relatable sentiment conveyed in smart lyrics. Two versions of “Misanthrope” close out the disc. Nourallah co-wrote the song with Rhett Miller, but here he turns away from the Old 97's' bouncy version (called“She Hates Everyone”). Nourallah slows it down, building complex feelings; he can't fully enjoy his strange love now under his anxiety about the future. It closes the EP well, being yet more honest emotion that manages to misdirect and complicate things, the true heart covered by the knowing satire of “Jesus of Sad.”

Justin Cober-Lake

 Parashi—Tape From Oort Cloud (Sedimental/Skell)

When a record provokes images of a Captain Beefheart lyric turned inside out, you know its makers are on to something. The squelchy sounds that usher in “The Vanishing Coast,” which is the first of this LP’s four tracks, does not bring to mind synthesizers, even though that’s what Mike Griffin (that’s Mr. Parashi to you) probably used some time them. Nor does it bring to mind someone else’s record. Rather, I hear the words “slow and bulbous” as the music sinks slowly into its own swampy stealth. “Broadcast Failures” leaves even those alinear coordinates behind as it pings its way woozily into the depths. The titular malfunctions might be echoed calls which fail to distract the sonar-like main body of sound, or the squashed, distant carousel that follows. Or maybe it doesn’t. File this under best practice befuddlement, but be sure to tape a bookmark to the plastic outer sleeve to remind yourself of the necessity of playing it.

Bill Meyer 

Tom Redwood — The Glue (self released)

The Glue by Tom Redwood

With The Glue, his fourth album, Melbourne-based singer-songwriter Tom Redwood has tapped into a rewarding strain of country/folk that pulls hard on traditional roots, while adding a knowing wink, flowing performances, and plenty of tuneful song craft. As in Jim O’Rourke’s beloved series of Drag City albums, the music-making is taken seriously but is undercut by self-deprecating humor. On “Easy Love” Redwood sings, “When I was young I was easy loving / But now that I’m old, I’m not so dumb,” and on the title track he makes a playful reference to “round, gorgeous thighs.” He’s not afraid to play it straight, though, such as on the haunting “Cold Mother Night,” and reflective closer “Shut the Door.” There’s superb lap steel playing by Kier Stevens, smart counterpoint on guitar and “cheesy keys” from producer Matt Walker, and ethereal backing vocals from Rosie Luby, which contrasts nicely with Redwood’s aw-shucks delivery.

Tim Clarke

 Grisha Shakhnes — Being There (Unfathomless)

being there by grisha shakhnes

Being There presents the listener with a document of actor, action and the arena in which the former enacts the latter. Essentially, Grisha Shakhnes recorded himself recording and recorded the room in which he was recording. Sometimes a recording device filters the subjects of his inquiry on the way to the recorder; while the sounds were captured by a Zoom digital recorded, some of them went through a Rvox reel-to-reel tape deck along the way. Equipped with the knowledge that you’re hearing Shakhnes making recordings, you quickly find yourself making decisions about what sounds to follow, and then dealing with the consequences of the choices you made as your act of following draws you into the chain of events that made the album in the first place. You are present with Shakhnes, sharing in the creation of Being There.

Bill Meyer

 Six by Seven — Dream On (Cargo)

D R E A M . O N by six by seven

One of the great shoulda beens of 1990s British rock (on the other side of the Atlantic, it’s doubtful anyone not reading something like the NME at the time would have heard much of them), Six by Seven are also one of the few from that era to keep going in a way that’s not just repeating old glories. Now almost entirely just frontman Chris Olley (his son Charlie drums here, but otherwise it’s a solo show) you wouldn’t guess it from the massive, warmly analogue psychedelic/motorik drones and drifts here. Stylistically speaking, Olley can be a restless guy, never really revisiting the glory of Six by Seven’s first three albums (what you might call their classic period, and well worth checking out) but also covering an astonishing breadth during the years since. The recent Dream On is as good a place to dip into his stream of work as any, boasting three massive soundscapes (the best of which might be “And No One Knows Your Name” as well as briefer, dreamier song like “Hey Kid” and the title track. Both his muse and the demands of making music your day job keep Olley forever moving, though — even writing up this release was marked by the appearance of a double album-length Dream On 2, so anyone on Olley’s wavelength can expect a lot to keep up with.  

Ian Mathers

[if-you-fan-a-fire]

March 7, 2020: a new episode of The Anatomy Lesson at 11pm EST on on CFRC 101.9 FM. Music by Control Point, S. Maharba, Scattered Purgatory, Withering Presence, Bodies That Matter, Wanda Group, Aki Onda + more. Tune in at 101.9 on your FM dial, stream at http://audio.cfrc.ca:8000/listen.pls or listen to a special archive here: https://www.mixcloud.com/cameronwillis1232/the-anatomy-lesson-march-7-2020/ 破地獄 / Scattered Purgatory - “新閘 / New Gate“ 山險峻 / Sua-Hiam-Zun (2017) Adonai - “Heat of Circumstance” Thelema (1987) Death Mystery Blues - “Sky Leads to Ground Zero” Sky Leads to Ground Zero (2016) Withering Presence - “ ‘and now you see their absence’” They Are Always With Us (2018) Wanda Group - “Overr Area” Helical Scans (2013) S. Maharaba - “She Who Sang to Me” Memorial (2014) John Chantler - “Tomorrow Is Too Late (Part 3)” Tomorrow Is Too Late (2019) Violence and the Sacred - “But Why?” The Drunken Hours of Taciturn Dejection (2012-2020) Control Point - “Under The Dirt” Alone In The Dark (2019) Cub Mud - “Anomie I” A Low Culture Manifesto (2019) Bodies That Matter - “Are We Weird Enough?” Droneuary 2020 (2020) Aki Onda - “Good-Bye” Bon Voyage! (2003)

[buttererer]

Tracklist

MICHAEL NORTHAM and JATIN VIDYARTHI __ BRANDON LABELLE __ ARITOMO __ MOTOHARU YOSHIZAWA __ GUILLERMO GREGORIO __ BILL EVANS and MONICA ZETTERLUND __ SKIP JAMES __ MARTIEN GROENEVELD __ UTON __ JOHN CHANTLER __ BJ NILSEN and STILLUPPSTEYPA __ TSUNODA TSUGUTO __ DOLINE KARST __ AUTISTIC DAUGHTERS __ MOTE __ CHRIS BROKAW __ BLONDIE __ TAIJI TAKAHASHI __ MIMI SECUE __ ROBERT MARCEL LEPAGE __ MORTON FELDMAN __ ARTIFICIAL MEMORY TRACE __ LAUHKEAT LAMPAAT __ SEHT

[graphicpolicy]

Preview: Bettie Page: Unbound #8

Bettie Page: Unbound #8 preview. Is there anyone that can save us? Model Agent Bettie Page is reporting for duty! #comics #comicbooks

Bettie Page: Unbound #8

writer: David Avallone artist: Julius Ohta, Matt Gaudio, Pasquale Qualano covers: John Royle (A), Scott Chantler (B), Anthony Marques (C), Pasquale Qualano (D), Photo Cover (E) Photo Cover (RI-Virgin), Anthony Marques (RI-Virgin), Scott Chantler (RI-Virgin), Pasquale Qualano (RI-Virgin) FC | 32 pages | Action/Adventure | $3.99 | Teen+

The ultimate conspiracy…

[lanottedellastrega]

Out of the Shadows

Metal Hammer, Summer 2015. Transcript behind the cut.

OUT OF THE SHADOWS Poised to release their third album, Ghost have returned from their unholy slumber to reveal how their conversion mission is progressing - and when their end times might come... Words: Chris Chantler. Pics: John McMurtrie

Surely this can't be right. Hammer is awaiting an audience with a Nameless Ghoul from the Swedish Devil-worshipping cult of Ghost, half-expecting to be blindfolded and ridden to the ruins of a deconsecrated church for a clandestine rendezvous with the masked and robed envoys of Satan. Yet we're in the executive lounge of a Kensington hotel, and there's an extremely polite, alarmingly youthful-looking short-haired man in a leather jacket being introduced as "the author of Ghost." Hammer experiences some cognitive dissonance, imagining that this is a hoax, that Ghost are slyly pretending to have human faces and interpersonal skills to divert attention from the true nature of their esoteric origins or seduce us into foul practices. The only visible clue to this young man's role as Ghost mouthpiece is the symmetrically matching pair of skull-and-crossbones patches on his leather sleeves. Yet when he starts talking about Ghost's third album, the majestic Meliora, it's clear this guy knows what he's talking about.

"The first album [2010's Opus Eponymous] was about the impending doom of a more old-school Biblical sort, where death and destruction will come in the form of locusts and dark fog: it was the coming of the Antichrist," he explains in soft, measured tones, choosing his words with care, maintaining near-constant eye contact. "The second album [2013's Infestissumam] was about the presence of the devil, taking place aesthetically in a 1700's milieu with a more Baroque theme. Whereas this album is the absence of God. It's a futuristic, pre-apocalyptic record. The cat is out of the house and the mice dance on the table. But at some point, the cat comes home..."

Meliora is a godless state, where Ghost's totemic frontman-cum-sigil Papa Emeritus wields power and terror with fearful impunity. And like his spiritual predecessor, Iron Maiden's Eddie, he's renewed with each new phase of band activity, so we're now on Papa III. His city bears more than a passing resemblance to the world we live in.

"Meliora is the metropolitan landscape in which this album takes place; a backdrop that looks like a big city with a lot of hopeful people living in fear of not succeeding," he explains candidly. "Many of the lyrics on this album deal with ambition. It's ridden with a certain degree of self-loathing. I really hate ambitious people - that's why I live in a place where there's not a whole lot of them."

Ghost may not have had any grand ambitions, but five years on from their debut demo, single and LP, some of their original concept has had to be compromised by unimagined levels of growth and demand. For example, talking openly and earnestly to the press in his street clothes, his face and voice undisguised (rumours suggest he's singer-songwriter Tobias Forge, but his real name is politely unconfirmed) is something the Ghoul never intended to do. But he admits that the success of the band thus far - and the enthusiastic patronage of superstar superfans such as James Hetfield, Phil Anselmo and Dave Grohl - has greatly surprised and humbled the men behind the masks.

"Contrary to popular belief, we did not know that we were gonna get that much heat," the Ghoul affirms. "It's fun to play high horse and say it's just a trick and we're fucking with everybody, which we obviously are not. We had no idea. When we were rehearsing our debut, we had a conversation with Rise Above and were contemplating whether to make 500 or 1,000 copies. And maybe we could do a show at Roadburn. It was very innocent - even though that's a word I've never used in terms of Ghost! We've had to grow with it, and we had a lot of catching up to do between the first and second albums. But aesthetically a lot of things we're planning on doing are things we had on paper to begin with."

Realizing something magickal was happening, Ghost made a concerted decision to spread their message of Satanic arch camp horror out of the underground, moving from cult indie label Rise Above to Spinefarm, an imprint of Universal, the world's biggest major. But from their first recordings, Ghost were a musically accessible, traditional, melodic pop-rock showbiz act with influences from some of the biggest bands of the past (Kiss, Abba, Blue Oyster Cult), a strong visual identity and a mischievously lurid theology; it was clear this band needed a level of production above the average low-key doom band.

"In order to present ourselves in the way that we intended, we needed a larger setting," agrees the Ghoul. "We want Papa's hat to not touch the ceiling. We want the band to look like we're performing a mass rather than in a punk squat. What we saw in our minds was something that looked and felt solemn and larger than life."

From their earliest pronouncements, Ghost were demanding the world's attention, and with "a lot of touring," they made sure they got it. But the question of how long they can hold it for is one that the Nameless Ghoul is acutely aware of.

"We have our figure. We have our concept. We can work with that. But we're just on our third record. Out of all our favorite bands, where were they on their third record? They sure weren't chickening out and doing the same safe shit. That's not how you make a third record; that's not how Master of Puppets or Number of the Beast got made. You have to build and be as bold as you can be, even though it feels a little scary. Because we know, we can fuck this up. Especially on the third record, when you're supposed to take a big step. Are we gonna go down to the basement again? You don't know how many chances you get. This might be our last one."

To make that all-important leap forward on a pivotal album, as Metallica or AC/DC can tell you, the secret often lies in the choice of producer. Although there's a great metallic crunch to the music on Meliora, and a psychedelic audacity, Swedish pop savvy is the band's trump card. To further that end, Ghost employed knob-twiddler Klas Ahlund, best known for his songwriting collaborations with Britney Spears, Kylie, Katy Perry and Madonna.

"We felt, 'Maybe we should work with someone who can really help us redefine what we're doing,'" the Ghoul reasons. "He was keen to find a rock band with their own material, and we were looking for a producer with more of a songwriting skill, so it was a good match. As much as we could drive a car on the energy of thinking we're the best band in the world - a very small car! - we knew there must be things we can do better. Every band with self-respect should work with someone who can really challenge what you're doing, and we did that with Klas. When you're on a major label with bigger expectations, you have the opportunity to get a yes or now from people you'd like to work with. But early on we realised, as much fun as it is to look at records we love and say, 'Let's get Mutt Lange!' or 'Let's get Bob Rock!' it felt like we should get our own man. Many of these big producers weren't big producers until they did that big record that we associate them with."

As they await the world's reaction to Meliora, Ghost have already amassed "the ground basics of what will become the next album." Nevertheless, for a band with such clear vision and attention to detail, it's tempting to wonder if they've planned an exit strategy.

"I had one vision two years ago and I have another vision now, and I may have another two years from now," muses the Ghoul. "We can catapult our concept around a few times, into different eras and spheres, but it has its time and place. I don't think anybody would enjoy having us around doing this forever; when there's nothing more to say, I hope we're sober enough to yank out the cord. We're not going to use Ghost for every musical dream we have. It's all fun and games to be in robes, but it's also lots of fun playing three-piece punk rock in your t-shirt."

However, with the musical development evident on Meliora, happily Ghost look set to continue expanding their sound and mythology. Have you joined the cult?

---

WHO IS PAPA III? Three things we know about our new, mysterious leader...

Papa Emeritus III is younger than his brother, Papa Emeritus II, by three months. Nameless Ghoul: "There are several Mamas. And one big, old, really, really bad Papa. That might give you an indication of what's gonna happen in the future. There's one shark in the water you haven't met yet..."

He controls his followers in Meliora. Nameless Ghoul: "Papa is the authoritative religious leader among his followers. He comes into the vacuum of the godless contemporary world and manipulates the people. We are, together with our fans, agreeing that you are here to worship us, and we are telling you what to do. And in this era, it's all taking place in the futuristic dystopian city of Meliora."

He was inspired by Sir Christopher Lee. Nameless Ghoul: "From Scaramanga to The Lord of the Rings, Sir Christopher Lee played a large role when it came to the concept of Papa. A scary, sophisticated, handsome older man who inflicted terror and arousal. I greatly admired him."

[collectorscorner]

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Main St. Bel Air, MD 21014 www.collectorscornermd.com NEW ARRIVALS : Wednesday 1/15/2020 ABSTRACT STUDIOS Five Years #7, $$3.99 AC COMICS 21st Centurions #1, $$5.95 ACTION LAB ENTERTAINMENT Adventures Of Mickey And Maj Volume 1 Time Space Magic GN, $$8.99 Miranda Fantasyland Tour Guide GN, $$11.99 Nutmeg Volume 5 Spring The Good Dine Young TP, $$11.99 Princeless Volume 9 Love Yourself TP, $$14.99 AFTERSHOCK COMICS Descendent Volume 1 TP, $$16.99 Killer Groove Volume 1 TP, $$16.99 Midnight Vista #5, $$3.99 Orphan Age Volume 1 TP, $$16.99 AHOY COMICS Second Coming #6 (Of 6), $$3.99 ALTERNA COMICS Adventures Of Mr. Crypt And Baron Rat #3 (Of 3), $$1.50 Alterna Giants Blood Realm Volume 1 Dark Covenant, $$4.99 Alterna Giants Blood Realm Volume 2 Shadowed Kingdom, $$4.99 Alterna Giants The Mighty Mascots Volume 1, $$4.99 Cyko KO Volume 2 #3 (Of 3), $$1.50 Gods And Gears #2 (Of 4), $$1.50 ICYMI #11, $$0.99 ICYMI #12, $$0.99 It Came Out On A Wednesday #10, $$1.99 Midnight Mystery Volume 2 City Of Ghosts #4, $$1.50 Void Walker #2 (Of 4), $$1.50 Wicked Righteous Volume 2 #4 (Of 6), $$1.50 AMERICAN MYTHOLOGY PRODUCTIONS Rocky And Bullwinkle Seen On TV #2 (Cover A S. L. Gallant), $$3.99 Rocky And Bullwinkle Seen On TV #2 (Cover B Retro Animation Variant), $$9.99 Underdog And Pals #3 (Cover A Matt Hansel Hero Variant), $$3.99 Underdog And Pals #3 (Cover B Retro Animation Variant), $$9.99 ANDREWS MCMEEL Baby A Soppy Story GN, $$14.99 ARCHIE COMIC PUBLICATIONS Archie #710 (Archie And Katy Keene Part 1)(Cover A Laura Braga), $$3.99 Archie #710 (Archie And Katy Keene Part 1)(Cover B Francesco Francavilla), $$3.99 Archie #710 (Archie And Katy Keene Part 1)(Cover C Emanuela Lupacchino), $$3.99 Archie #710 (Archie And Katy Keene Part 1)(Cover D Paul Renaud), $$3.99 Archie #710 (Archie And Katy Keene Part 1)(Cover E Billy Tucci), $$3.99 ASPEN COMICS Michael Turner Art Edition The Best Of Michael Turner Featuring Fathom Soulfire Ekos (Cover A Michael Turner), $$5.99 Michael Turner Art Edition The Best Of Michael Turner Featuring Fathom Soulfire Ekos (Cover B Michael Turner), $AR AVATAR PRESS Warrior Nun Dora #3 (Cover A Daniel Gete), $$5.99 BIG FINISH Doctor Who Rose Tyler The Dimension Cannon Audio CD, $$63.99 Doctor Who The Eighth Doctor Ravenous 4 Audio CD, $$63.99 Doctor Who The Monthly Adventures Volume 257 Interstitial Feast Of Fear Audio CD, $$24.99 Torchwood Torchwood One Latter Days Audio CD, $$41.99 Torchwood Volume 31 Vigil Audio CD, $$16.99 BOOK PALACE Illustrators Magazine #28, $$24.99 Illustrators Special #5 (The Art Of Commando Comics), $$34.99 Illustrators Special #6 (The Art Of Brian Bolland), $$34.99 BOOM! STUDIOS Folklords #2 (Of 5)(Matt Kindt 2nd Printing Variant Cover), $$3.99 Ghosted In L.A. #7 (Cover A Siobhan Keenan), $$3.99 Ghosted In L.A. #7 (Cover B Sina Grace), $$3.99 Hellmouth #4 (Cover A Jenny Frison), $$3.99 Hellmouth #4 (Cover B Steve Morris Hellmouth Connecting Variant), $$3.99 Jim Henson's The Dark Crystal Age Of Resistance #5 (Cover A Mona Finden), $$3.99 Jim Henson's The Dark Crystal Age Of Resistance #5 (Cover B Kelly Matthews & Nichole Matthews), $$3.99 Jim Henson's The Dark Crystal Age Of Resistance #5 (Cover C Christian Ward), $AR Red Mother #1 (Danny Luckert 3rd Printing Variant Cover)(not verified by Diamond), $$3.99 Red Mother #2 (Cover A Jeremy Haun), $$3.99 Red Mother #2 (Cover B Jeremy Haun Red Variant), $AR Red Mother #2 (Cover C Toni Infante), $AR Saban's Go Go Power Rangers #27 (Cover A Eleonora Carlini), $$3.99 Saban's Go Go Power Rangers #27 (Cover B Amelia Vidal Album Variant), $$3.99 Saban's Go Go Power Rangers #27 (Cover C Miguel Mercado), $$3.99 Saban's Go Go Power Rangers #27 (Cover D Johanna The Mad Social Variant), $AR CAPSTONE PUBLISHING Stan Lee Get To Know The Comics Creator SC, $$7.95 CHAPTERHOUSE PUBLISHING Pitiful Human-Lizard Volume 3 Almost Getting There TP, $$19.99 CHARMZ Amy's Diary Volume 3 Moving On GN, $$9.99 CINEBOOK Route 66 List Volume 2 Missouri GN, $$11.95 Thorgal Volume 0 The Betrayed Sorceress And Almost Paradise GN, $$19.95 Valerian Volume 23 The Future Is Waiting GN, $$13.95 COMIC SHOP NEWS Comic Shop News #1700, $AR COMICMIX Ha.i.ley GN, $$19.99 His Name Is Savage Volume 1 GN, $$19.99 DAIKAIJU G-Fan #126, $$6.95 DARK HORSE COMICS Aliens Vs Predator Thicker Than Blood #2 (Of 4), $$3.99 Disney Frozen True Treasure #3 (Of 3)(Cover A Eduard Petrovich), $$3.99 Disney Frozen True Treasure #3 (Of 3)(Cover B Tommaso Renieri), $$3.99 Dragon Age Blue Wraith #1 (Of 3), $$3.99 Hellboy Winter Special 2019, $$3.99 Skulldigger And Skeleton Boy #2 (Of 6)(Cover A Tonci Zonjic), $$3.99 Skulldigger And Skeleton Boy #2 (Of 6)(Cover B James Harren), $$3.99 Steeple #5 (Of 5)(Cover A John Allison), $$3.99 Steeple #5 (Of 5)(Cover B Robert Ball), $$3.99 Tales From Harrow County Death's Choir #2 (Of 4)(Cover A Naomi Franquiz), $$3.99 Tales From Harrow County Death's Choir #2 (Of 4)(Cover B Tyler Crook), $$3.99 Trout Volume 2 The Hollowest Knock HC, $$19.99 DC COMICS Aquaman #56 (Cover A Brad Walker & Andrew Hennessy), $$3.99 Aquaman #56 (Cover B Skan), $AR Batman The Golden Age Volume 6 TP, $$39.99 Batman's Grave #4 (Of 12)(Cover A Bryan Hitch), $$3.99 Batman's Grave #4 (Of 12)(Cover B Jee-Hyung Lee), $AR Birds Of Prey Black Canary TP, $$19.99 Crisis On Infinite Earths Giant #1, $$4.99 Detective Comics #359 (Facsimile Edition), $$3.99 Dollar Comics Batman Adventures #12, $$1.00 Flash #86 (Cover A Rafael Sandoval & Jordi Tarragona), $$3.99 Flash #86 (Cover B Dustin Nguyen Card Stock Variant), $AR Flash Forward #5 (Of 6)(Cover A Evan Doc Shaner), $$3.99 Flash Forward #5 (Of 6)(Cover B In-Hyuk Lee), $AR Freedom Fighters #12 (Of 12), $$3.99 Green Lantern Legacy GN, $$9.99 Hellblazer Volume 22 Regeneration TP, $$29.99 He-Man And The Masters Of The Multiverse #3 (Of 6), $$3.99 Justice League Odyssey #17 (Cover A Jose Ladronn), $$3.99 Justice League Odyssey #17 (Cover B Ken Lashley), $AR Legion Of Super-Heroes #3 (Cover A Ryan Sook), $$3.99 Legion Of Super-Heroes #3 (Cover B Jim Cheung Card Stock Variant), $AR Low Low Woods #2 (Of 6)(Cover A Sam Wolfe Connelly), $$3.99 Low Low Woods #2 (Of 6)(Cover B Jenny Frison), $AR Lucifer #16, $$3.99 Nightwing #68 (Cover A Travis Moore), $$3.99 Nightwing #68 (Cover B Alan Quah), $AR Nightwing By Peter J. Tomasi TP, $$29.99 Question The Deaths Of Vic Sage #2 (Of 4)(Cover A Denys Cowan & Bill Sienkiewicz), $$6.99 Question The Deaths Of Vic Sage #2 (Of 4)(Cover B Eduardo Risso), $AR RWBY #4 (Of 7)(Cover A Sarah Stone), $$3.99 RWBY #4 (Of 7)(Cover B Stanley Artgerm Lau), $AR Scooby Apocalypse Volume 6 TP, $$16.99 Superman's Pal Jimmy Olsen #7 (Of 12)(Cover A Steve Lieber), $$3.99 Superman's Pal Jimmy Olsen #7 (Of 12)(Cover B Ben Oliver), $AR Teen Titans #38 (Cover A Bernard Chang), $$3.99 Teen Titans #38 (Cover B Khary Randolph), $AR DIAMOND PUBLICATIONS Diamond Bookshelf #31, $AR DRAWN AND QUARTERLY Kitaro Volume 7 The Trial Of Kitaro GN, $$15.95 DYNAMIC FORCES Teenage Mutant Ninja Turtles #100 (Kevin Eastman Variant Cover), $AR Teenage Mutant Ninja Turtles The Secret History Of The Foot Clan #1 (Of 4)(Kevin Eastman Variant Cover), $AR DYNAMITE ENTERTAINMENT Bettie Page Unbound #9 (Cover A John Royle), $$3.99 Bettie Page Unbound #9 (Cover B Scott Chantler), $$3.99 Bettie Page Unbound #9 (Cover C Jerome K. Moore), $$3.99 Bettie Page Unbound #9 (Cover D Matt Gaudio), $$3.99 Bettie Page Unbound #9 (Cover E Photo), $$3.99 Bettie Page Unbound #9 (Cover F Photo Virgin Variant), $AR Bettie Page Unbound #9 (Cover G Matt Gaudio Black & White Variant), $AR Bettie Page Unbound #9 (Cover H John Royle Black & White Variant), $AR Bettie Page Unbound #9 (Cover I Jerome K. Moore Virgin Variant), $AR Bettie Page Unbound #9 (Cover J John Royle Virgin Variant), $AR Bettie Page Unbound #9 (Cover K John Royle Black & White Virgin Variant), $AR Bettie Page Unbound #9 (Cover L Scott Chantler Virgin Variant), $AR James Bond #2 (Cover A Jim Cheung), $$3.99 James Bond #2 (Cover B Jim Cheung Black & White Variant), $AR James Bond #2 (Cover D Jim Cheung Black & White Tint Virgin Variant), $AR James Bond #2 (Cover E Jim Cheung Pencil Variant), $AR James Bond #2 (Cover F Jim Cheung Vintage Paperback Variant), $AR Nancy Drew The Palace Of Wisdom HC, $$17.99 Vampirella Red Sonja #5 (Cover A Julian Totino Tedesco), $$3.99 Vampirella Red Sonja #5 (Cover B Babs Tarr), $$3.99 Vampirella Red Sonja #5 (Cover C Ben Oliver), $$3.99 Vampirella Red Sonja #5 (Cover D Leonardo Romero & Jordie Bellaire), $$3.99 Vampirella Red Sonja #5 (Cover E Shannon Kingston Cosplay Variant), $$3.99 Vampirella Red Sonja #5 (Cover F Drew Moss Then And Now Variant), $$3.99 Vampirella Red Sonja #5 (Cover G Roberto Castro Bonus Variant), $AR Vampirella Red Sonja #5 (Cover H Sergio Davila Black & White Variant), $AR Vampirella Red Sonja #5 (Cover I Drew Moss Black & White Variant), $AR Vampirella Red Sonja #5 (Cover J Drew Moss Black & White Virgin Variant), $AR Vampirella Red Sonja #5 (Cover K Drew Moss Blood Tint Virgin Variant), $AR Vampirella Red Sonja #5 (Cover L Leonardo Romero & Jordie Bellaire Virgin Variant), $AR Vampirella Red Sonja #5 (Cover M Leonardo Romero Tint Variant), $AR Vampirella Red Sonja #5 (Cover N Leonardo Romero Black & White Virgin Variant), $AR Vampirella Red Sonja #5 (Cover O Drew Moss Virgin Variant), $AR Vampirella Red Sonja #5 (Cover P Leonardo Romero & Jordie Bellaire Black & White Variant), $AR FULL MOON FEATURES Deadly Ten Presents Femalien Cosmic Crush #1 (Cover A Daniel Pascual), $$3.99 Deadly Ten Presents Femalien Cosmic Crush #1 (Cover B Dan Fowler), $$3.99 GALLERY 13 Strange Ones GN, $$19.99 GHOST SHIP Saki The Succubus Hungers Tonight Volume 1 GN, $$13.99 Yokai Girls Volume 9 GN, $$12.99 Yuuna And The Haunted Hot Springs Volume 8 GN, $$12.99 GOLDEN BOOKS Disney Frozen I Am Anna Little Golden Book HC, $$4.99 Disney Frozen I Am Elsa Little Golden Book HC, $$4.99 HUMANOIDS Strangelands #5, $$3.99 IDW PUBLISHING Complete Chester Gould's Dick Tracy Volume 27 HC, $$44.99 Disney Comics And Stories #9 (Cover A Marco Mazzarello), $$5.99 DuckTales Faires And Scares #2 (Of 3)(Cover A Marco Ghiglione), $$3.99 DuckTales Faires And Scares #2 (Of 3)(Cover B Marco Ghiglione), $$3.99 DuckTales Faires And Scares #2 (Of 3)(Cover C DuckTales Creative Team), $AR Dungeons And Dragons A Darkened Wish #4 (Of 5)(Cover A Tess Fowler), $$3.99 Dungeons And Dragons A Darkened Wish #4 (Of 5)(Cover B Tess Fowler Character Sheet Variant), $$3.99 Dungeons And Dragons A Darkened Wish #4 (Of 5)(Cover C Ibrahem Swaid), $AR Dungeons And Dragons A Darkened Wish #4 (Of 5)(Cover D Tess Fowler Black & White Variant), $AR From Hell Master Edition #9 (Of 10)(Cover A Eddie Campbell), $$7.99 Gears Of War Hivebusters #4 (Of 5)(Cover A Alan Quah), $$3.99 Gears Of War Hivebusters #4 (Of 5)(Cover B Pierre Droal), $AR GLOW Vs The Babyface #3 (Of 4)(Cover A Veronica Fish), $$3.99 GLOW Vs The Babyface #3 (Of 4)(Cover B Nicole Goux), $$3.99 GLOW Vs The Babyface #3 (Of 4)(Cover C Catherine Nodet), $AR Marvel Action Avengers #9 (Cover A Jon Sommariva), $$3.99 Marvel Action Avengers #9 (Cover B Siobhan Keenan), $AR My Little Pony Omnibus Volume 5 TP, $$24.99 Napoleon Dynamite #3 (Of 4)(Cover A Sara Richard), $$3.99 Napoleon Dynamite #3 (Of 4)(Cover B Photo), $$3.99 Napoleon Dynamite #3 (Of 4)(Cover C Jorge Monlongo), $AR Rising Sun #1 (Of 3)(Cover A Martin Coccolo), $$4.99 Rising Sun #1 (Of 3)(Cover B Chieh Ying Yu), $AR Rom Dire Wraiths #1 (Of 3)(Cover A Luca Pizarri), $$4.99 Rom Dire Wraiths #1 (Of 3)(Cover B Corin Howell), $$4.99 Rom Dire Wraiths #1 (Of 3)(Cover C Guy Dorian Sr. & Sal Buscema), $AR IMAGE COMICS Hit-Girl Season Two #12 (Cover A Declan Shalvey), $$3.99 Hit-Girl Season Two #12 (Cover B Declan Shalvey), $$3.99 Hit-Girl Season Two #12 (Cover C Eve Mae Roman), $$3.99 Lazarus Volume 6 TP, $$16.99 Lucy Claire Redemption #2 (Cover A John Upchurch), $$3.99 Lucy Claire Redemption #2 (Cover B John Upchurch), $$3.99 Outpost Zero Volume 3 The Only Living Things TP, $$14.99 Over My Dead Body GN, $$16.99 Pretty Violent #6, $$3.99 SFSX Safe Sex #5, $$3.99 Spawn #304 (Cover A Francesco Mattina), $$2.99 Spawn #304 (Cover B Todd McFarlane), $$2.99 Spawn #304 (Cover C Todd McFarlane Black & White Variant), $$2.99 Undiscovered Country #2 (Giuseppe Camuncoli 2nd Printing Variant Cover), $$3.99 Undiscovered Country #3 (Cover A Giuseppe Camuncoli), $$3.99 Undiscovered Country #3 (Cover B Greg Capullo), $$3.99 INSIGHT EDITIONS Harry Potter Film Vault Volume 5 Creature Companions Plants And Shapeshifters HC, $$16.99 Harry Potter Film Vault Volume 6 Hogwarts Castle HC, $$16.99 J-NOVEL CLUB Animeta Light Novel Volume 2 SC, $$14.99 Archdemon's Dilemma How To Love Your Elf Bride Light Novel Volume 3 SC, $$14.99 Infinite Dendrogram Light Novel Volume 4 SC, $$14.99 Magic In This Other World Is Too Far Behind Light Novel Volume 6 SC, $$14.99 KODANSHA COMICS Hitorijime My Hero Volume 6 GN, $$12.99 If I Could Reach You Volume 3 GN, $$12.99 Yamada-kun And The Seven Witches Volume 19 GN, $$16.99 LITTLE BROWN BOOK FOR YOUNG READERS Deep And Dark Blue GN, $$12.99 Deep And Dark Blue HC, $$24.99 Plain Janes GN, $$18.99 Plain Janes HC, $$26.99 LO SCARABEO Morbus Gravis Deluxe Edition HC, $$77.99 MAD CAVE STUDIOS Over The Ropes #2 (Of 5), $$3.99 MAGNETIC PRESS Infinity 8 #18, $$3.99 MARVEL COMICS Absolute Carnage Immortal Hulk And Other Tales TP, $$29.99 Absolute Carnage Lethal Protectors TP, $$15.99 Absolute Carnage Miles Morales TP, $$15.99 Absolute Carnage Scream TP, $$15.99 Acts Of Evil TP, $$34.99 Amazing Spider-Man Epic Collection Volume 25 Maximum Carnage TP, $$39.99 Avengers #29 (Cover A Ed McGuinness), $$3.99 Avengers #29 (Cover B Emanuela Lupacchino Marvels X Variant), $AR Conan Barbarian The Original Marvel Years Omnibus Volume 4 HC (Cover A Frank Cho Book Market Variant), $$125.00 Conan Barbarian The Original Marvel Years Omnibus Volume 4 HC (Cover B Gil Kane Direct Market Variant), $$125.00 Contagion TP, $$15.99 Crazy TP, $$19.99 Incredible Hulk #180 (Facsimile Edition), $$3.99 Incredible Hulk By Peter David Omnibus Volume 1 HC (Cover A Steve Geiger Book Market Variant), $$125.00 Incredible Hulk By Peter David Omnibus Volume 1 HC (Cover B Todd McFarlane Direct Market Variant), $$125.00 Iron Man 2020 #1 (Of 6)(Cover A Pete Woods), $$4.99 Iron Man 2020 #1 (Of 6)(Cover B Simone Bianchi Connecting Variant), $AR Iron Man 2020 #1 (Of 6)(Cover C Superlog Heads Variant), $AR Iron Man 2020 #1 (Of 6)(Cover D Ron Lim), $AR Iron Man 2020 #1 (Of 6)(Cover E In-Hyuk Lee), $AR Iron Man 2020 #1 (Of 6)(Cover F Khoi Pham), $AR Iron Man 2020 #1 (Of 6)(Cover G Nick Roche Party Variant), $AR Iron Man 2020 #1 (Of 6)(Cover H Pete Woods Premiere Variant), $AR Iron Man 2020 #1 (Of 6)(Cover I Herb Trimpe & Barry Windsor-Smith Hidden Gem Variant), $AR Iron Man 2020 #1 (Of 6)(Cover J Christian Ward Marvels X Variant), $AR Iron Man 2020 #1 (Of 6)(Cover K Gear Design Variant), $AR Jessica Jones Blind Spot #1 (Of 6)(Cover A Valerio Giangiordano), $$3.99 Jessica Jones Blind Spot #1 (Of 6)(Cover B Martin Simmonds), $AR Marvel Masterworks Daredevil Volume 14 HC (Book Market Edition), $$75.00 Marvel Masterworks Daredevil Volume 14 HC (Direct Market Variant Edition Volume 285), $$75.00 Marvel Tales Ravencroft #1 (Cover A In-Hyuk Lee), $$7.99 Marvel Tales Ravencroft #1 (Cover B In-Hyuk Lee Virgin Variant), $AR Marvel's Black Widow Prelude #1 (Of 2), $$3.99 Marvel's Spider-Man The Black Cat Strikes #1 (Of 5)(Cover A Sana Takeda), $$3.99 Marvel's Spider-Man The Black Cat Strikes #1 (Of 5)(Cover B J. Scott Campbell), $AR Marvel's Spider-Man The Black Cat Strikes #1 (Of 5)(Cover C Todd Nauck), $AR Marvel's Spider-Man The Black Cat Strikes #1 (Of 5)(Cover D Adi Granov Game Variant), $AR Oz The Complete Collection Volume 1 Wonderful Wizard Marvelous Land TP, $$15.99 Revenge Of The Cosmic Ghost Rider #2 (Of 5)(Cover A Scott Hepburn), $$3.99 Revenge Of The Cosmic Ghost Rider #2 (Of 5)(Cover B Logan Lubera), $AR Revenge Of The Cosmic Ghost Rider #2 (Of 5)(Cover C Superlog), $AR Revenge Of The Cosmic Ghost Rider #2 (Of 5)(Cover D Ron Lim), $AR Ruins Of Ravencroft Sabretooth #1 (Cover A Gerardo Sandoval), $$4.99 Ruins Of Ravencroft Sabretooth #1 (Cover B Mico Suayan), $AR Runaways #29, $$3.99 Savage Sword Of Conan Conan The Gambler TP, $$19.99 Star Wars The Original Trilogy The Movie Adaptations TP, $$34.99 True Believers The Criminally Insane Gypsy Moth #1, $$1.00 True Believers The Criminally Insane Mandarin #1, $$1.00 Valkyrie Jane Foster #7 (Cover A Mahmud A. Asrar), $$3.99 Valkyrie Jane Foster #7 (Cover B Kris Anka Marvels X Variant), $AR Venom The End #1 (Cover A Rahzzah), $$4.99 Venom The End #1 (Cover B Adam Warren), $AR MYTHOS COMICS Vamp #2, $$3.99 ONI PRESS Courtney Crumrin Volume 6 The Final Spell TP, $$12.99 Fights GN, $$19.99 Rick And Morty vs Dungeons And Dragons Chapter II Painscape #4 (Cover A Troy Little), $$3.99 Rick And Morty vs Dungeons And Dragons Chapter II Painscape #4 (Cover B Kendra Wells), $$3.99 Rick And Morty vs Dungeons And Dragons Chapter II Painscape #4 (Cover C Troy Little & Jim Zub Character Sheet Variant), $$3.99 OSPREY PUBLISHING D-Day Storming Fortress Europe GN, $$26.00 PRINTERS ROW Disney Sweet Dreams Mickey HC, $$9.99 QUIRK BOOKS Comic Quests Knights Club The Buried City SC, $$9.99 REBELLION / 2000AD 2000 AD Prog #2161, $$6.99 2000 AD Prog #2162 (X-Mas Special), $$7.99 Judge Dredd Megazine #415, $$13.00 Ken Reid's World-Wide Weirdies HC, $$24.99 Third World War TP, $$24.99 RED 5 COMICS - STONEBOT Machine Girl #3, $$3.95 ROTHIC Ancient Dreams #9 (Mike Krome 2nd Printing Variant Cover), $$3.99 Southern Nightgown #8 (Sabine Rich 2nd Printing Variant Cover), $$3.99 SEVEN SEAS ENTERTAINMENT Arifureta From Commonplace To World's Strongest Volume 5 GN, $$12.99 Magical Girl Site Volume 11 GN, $$12.99 Sorry For My Familiar Volume 6 GN, $$12.99 SILVER SPROCKET Fanlee And Spatzle Make Something Perfect GN, $$12.00 Teenage Condition Lizard Daddies (One Shot), $$3.00 SKYHORSE Betty Boop Guide To A Bold And Balanced Life HC, $$19.99 STONE ARCH BOOKS DC The Amazing Adventures Of Batman Bane Drain SC, $$5.95 DC The Amazing Adventures Of Batman Reptile Raid SC, $$5.95 DC The Amazing Adventures Of Batman The Big Freeze SC, $$5.95 DC The Amazing Adventures Of Batman The Terrible Twos SC, $$5.95 STRANGER COMICS Niobe She Is Death #1 (Hyoung Taek Nam 2nd Printing Variant Cover), $$3.99 Niobe She Is Death #2 (Cover A Hyoung Taek Nam), $$3.99 Niobe She Is Death #2 (Cover B Jae Lee), $$3.99 Niobe She Is Death #2 (Cover C Jae Lee Virgin Variant), $AR SUBLIME Liquor And Cigarettes Volume 1 GN, $$12.99 TITAN COMICS Life Is Strange #12 (Cover A Claudia Leonardi), $$3.99 Life Is Strange #12 (Cover B Game Art Variant), $$3.99 Life Is Strange #12 (Cover C T-Shirt Variant), $$3.99 Oscar Martin's Solo The Survivors Of Chaos Volume 1 HC, $$29.99 Sherlock A Scandal In Belgravia #2 (Cover A Alice X. Zhang Sherlock Variant), $$4.99 Sherlock A Scandal In Belgravia #2 (Cover B Photo), $$4.99 Sherlock A Scandal In Belgravia #2 (Cover C Jay), $$4.99 Sherlock A Scandal In Belgravia #2 (Cover D Marguerite Sauvage), $$4.99 TOHAN CORPORATION Hobby Japan December 2019, $$20.00 Megami November 2019, $$20.00 Newtype November 2019, $$20.00 TOKYOPOP Goldfisch Volume 3 GN, $$10.99 TWOMORROWS PUBLISHING Best Of Draw Bundle TP, $$39.95 UDON ENTERTAINMENT Stravaganza Volume 2 TP, $$19.99 VALIANT ENTERTAINMENT Bloodshot #5 (Cover A Declan Shalvey), $$3.99 Bloodshot #5 (Cover B Billy Tucci), $$3.99 Bloodshot #5 (Cover C Leonardo Colapietro), $$3.99 Bloodshot #5 (Cover D Dave Johnson Pre-Order Edition Variant), $AR Rai #3 (Cover A Raul Allen), $$3.99 Rai #3 (Cover B Michael Walsh), $$3.99 Rai #3 (Cover C Adam Pollina), $$3.99 Rai #3 (Cover D Dan Brereton Pre-Order Edition Variant), $AR VERTICAL COMICS Knights Of Sidonia Master Edition Volume 4 GN, $$34.95 VIZ MEDIA Case Closed Volume 73 GN, $$9.99 Homestuck Epilogues 2-In-1 Novel SC, $$34.99 Legend Of Zelda Twilight Princess Volume 6 GN, $$9.99 Ooku The Inner Chambers Volume 16 GN, $$12.99 Persona 5 Volume 1 GN, $$9.99 Pokemon Sun And Moon Volume 6 GN, $$4.99 Radiant Volume 9 GN, $$9.99 Sleepy Princess In The Demon Castle Volume 10 GN, $$9.99 Splatoon Volume 8 GN, $$9.99 Yo-kai Watch Volume 13 GN, $$9.99 Yona Of The Dawn Volume 21 GN, $$9.99 YEN ON Asterisk War Light Novel Volume 12 SC, $$14.00 Death March To The Parallel World Rhapsody Light Novel Volume 10 SC, $$14.00 Strike the Blood Light Novel Volume 14 SC, $$14.00 YEN PRESS Angels Of Death Volume 9 GN, $$13.00 Certain Magical Index Volume 20 GN, $$13.00 Is It Wrong To Try To Pick Up Girls In A Dungeon On The Side Sword Oratoria Volume 10 GN, $$13.00 Karneval Volume 9 GN, $$20.00 Reborn As A Polar Bear The Legend How I Became A Forest Guardian Volume 2 GN, $$15.00 Teasing Master Takagi-san Volume 7 GN, $$13.00 ZENESCOPE ENTERTAINMENT Robyn Hood Vigilante #3 (Cover A Drew Johnson), $$3.99 Robyn Hood Vigilante #3 (Cover B Sheldon Goh), $$3.99 Robyn Hood Vigilante #3 (Cover C Alfredo Reyes), $$3.99 Robyn Hood Vigilante #3 (Cover D Igor Vitorino), $$3.99 TOYS - T-SHIRTS & COLLECTIBLES 30 Minute Mission Optional Portanova Armor Set (Dark Red Version), $AR Ace Combat 7 Skies Unknown X-02S 1/144 Scale Plastic Model Kit, $AR Ace Combat 7 Skies Unknown X-02S 1/144 Scale Plastic Model Kit (Model Edition), $AR Amazing Spider-Man #347 Poster, $AR Archie Comics Archie ReAction Figure, $AR Archie Comics Betty ReAction Figure, $AR Archie Comics Jughead ReAction Figure, $AR Archie Comics Reggie ReAction Figure, $AR Archie Comics Veronica ReAction Figure, $AR Batman The Animated Series Batman ARTFX+ Statue (Opening Version), $AR Bearbrick 24 Piece Blind Mystery Box Series 38, $AR BOOM! Studios Short Box, $AR Carbotix Getter 1 9 Inch Die-cast Light-Up Figure, $AR Cowboy Bebop Vicious S.H. Figuarts Action Figure, $AR Cthulhu Mythos Great Race Of Yith Resin Statue, $AR Dark Nights Metal The Batman Who Laughs And Robins Minions Deluxe Statue, $AR Dark Souls Crystal Lizard 1/6 Scale PVC Light-Up Statue, $AR DC Batman Jokers Wild Batman Entertainment Earth Exclusive POP Vinyl Figure, $AR DC Black Adam Previews Exclusive Neo Flexfit Cap, $AR DC Cover Girls Huntress By Joelle Jones Statue, $AR DC Gallery Harley Quinn 1/1 Scale Statue, $AR Doctor Doom #4 Poster, $AR Dragon Ball GT Wrath Of The Dragon Son Goku Figure, $AR Dragon Ball GT Wrath Of The Dragon Super Saiyan Son Goku Figure, $AR Dragon Ball Super Chosenshiretsuden V5 Super Saiyan God Super Saiyan Gogeta Figure, $AR Dragon Ball Super Chosenshiretsuden V5 Super Saiyan God Super Saiyan Vegito Figure, $AR Dragon Ball Super Saiyan Broly 93 Ichiban Figure, $AR Dragon Ball Super Saiyan Broly 94 Ichiban Figure, $AR Dragon Ball Super Saiyan Son Gohan 94 Ichiban Figure, $AR Dragon Ball Super Saiyan Son Goku 93 Ichiban Figure, $AR Dragon Ball Z Resolution of Soldiers Gotenks Grandista Figure, $AR Evangelion Shikinami Asuka Langley Plugsuit Version Ani Statue, $AR FiGPiN My Hero Academia Dabi Pin, $AR FiGPiN My Hero Academia Fumikage Tokoyami Pin, $AR FiGPiN My Hero Academia Himiko Toga Pin, $AR Frame Arms Girl Ourai-Kai White V2 Plastic Model Kit, $AR Grendizer Giga Sofubi Vinyl Figure, $AR Guardians Of The Galaxy #1 By Pepe Larraz Poster, $AR Hellboy B.P.R.D. 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[tomrrow-never-knows]

John Chantler Mix

https://www.youtube.com/watch?v=J89IY3Ss2Mk&index=5&list=RDEM2OaC5pMwhp_GKpvuBP0F8Q

[mattybrandmatty-blog]

Poster for John Chantler, live in Seattle 3/19/17

[kimsonvalon]

Écouter / acheter: Tomorrow Is Too Late de John Chantler

[innerunionlandscapinginc]

Contact

Address: 1407 Line 8 Rd, Niagara, Ontario, L0S 1J0

Phone Number: 905-262-8055

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Making your Niagara property's outdoor space shine takes the right touch – something that few firms can provide like Innerunion Landscaping Inc . With a long history in the area and our ability on display all over town, we're ready to assist with landscape design, irrigation, lighting, hardscaping, and maintenance to keep a pristine appearance and thriving plant life. Your Outdoor Space As It Should Be. For a free estimate of our landscaping services, call 9052628055.

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[dustedmagazine]

John Chantler — Logic Being the Lowest Form Of Magic; John Chantler — Move Along, Nothing Here to See; John Chantler/Steve Noble/Seymour Wright — Front and Above  (1703 Skivbolaget)

Logic Being The Lowest Form of Magic by John Chantler

When it comes to ways and means, John Chantler is a slippery guy. Some might recall his older recordings on Lawrence English’s Room40 label, his membership in the duo For Barry Ray or his past work as a talent wrangler and dogsbody at Café OTO.  Nowadays the Australian expatriate lives in Stockholm, Sweden, where he organizes the annual Edition Festival. On these three recent releases, Chantler moves between formats, music production methods and geographical locations. What ties them together is Chantler’s understanding of sound as a life-like force that can be invoked, invited and guided, but never quite controlled.  

Logic Being the Lowest Form Of Magic is an album-length, download-only release that Chantler developed over a year and a half at electronic music studios in three countries to be played at Audiorama, a 21-speaker listening space in Stockholm. Boiled down to a stereo mix of reed organ drones and fluctuating Serge synthesizer tones, it remains an immersive piece of music, albeit one that depends upon the listener to run it through some decent speakers. The sounds accumulate like tumbleweeds against a fence, building up and bustling around, and the piece’s 36-minute duration gives one plenty of time to notice first the grain of each sound and then the way layers give way to more layers. The listening experience replies to the title’s unanswered question — what forms of magic are higher than logic? They are legion, and among them is the sensate experience of sound as it washes over and through your body, transforming your emotional and physical state and perhaps your spiritual orientation as well. Stray thought — the day we melt our weapons down to build a surround-sound, communal listening space in every town is the day we will know that humanity really can transcend itself. That’d be magic indeed.

A baser but still community-boosting impulse was the genesis for the Spreckels Organ Pavilion. John D. and Adolph B. Spreckels, the heirs of a sugar fortune, built it in the wake of the opening of the Panama Canal as part of a scheme to draw commercial interest to the city of San Diego. At one point its instrument was the biggest outdoor organ in the world, and while the pavilion’s fortunes have waxed and waned over the past century, it’s currently the site of weekly year-round free organ recitals and a special summer series of concerts sponsored by the San Diego Parks and Recreation Department. In 2017, a group of experimental composers wrote pieces for the Spreckels organ; four can be heard on the LP Organ For The Senses (Marginal Frequency), and while it doesn’t include Chantler’s contribution, you can get that from his Bandcamp page. You want immersive? Petition the return engagement and pack your bags for San Diego, where the force of the organ’s 5,017 pipes will turn your belly to jelly. Nothing you can fit into your computer can do that, but this ten-minute piece nicely sketches out the instrument’s potential. Chantler builds up ranks of sound, which part to reveal whorls of overtones and a sub-bass presence so solid you could herniate a disc just listening to it.

Front and Above approaches sound from another angle — instant music production. Chantler’s tenure at Café OTO put him in the room with London’s best improvisers, and this CD documents his first concert with two of them. Between them, saxophonist Seymour Wright and drummer Steve Noble have played with a formidable who’s who — Evan Parker, Eddie Prévost, Peter Brötzmann, John Butcher, Alan Wilkinson, etc. If you’re hearing him for the first time, Wright sounds like a successor of John Butcher; he’s alert, abrasive, able to change the temperature of a room with a single coarse note. Noble can fill the room with sound if he likes, but his playing is also highly detailed and endlessly variant. It’s handy to have a percussive thesaurus in the band with the third guy’s as likely to trigger a rain of mechanical pecking as he is to displace space with amorphous ghost tones. Sometimes Chantler is like a sound designer, influencing the atmosphere with subliminal presences, but he can respond timbre for timbre and gesture for gesture. This CD imparts an experience of constant unfolding, which makes sense given that it was the trio’s first encounter. Since then it has become an ongoing concern.  

Bill Meyer

[smashpages]

Nominees for the 2018 Eisner Awards announced

Comic-Con International has announced the nominees for the 2018 Eisner Awards, presented annually in San Diego at the convention.

Monstress by Marjorie Liu and Sana Takeda and My Favorite Thing Is Monsters by Emil Ferris each received five nominations across various categories; other comics with multiple nominations included Mister Miracle, Black Hammer, The Flintstones, Grass Kings, Eartha and Hawkeye.

Check out the complete list of nominees below.

Best Short Story

“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix) “Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!) ��A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), https://ift.tt/2I41VPy “Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant) “Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One-Shot

Barbara, by Nicole Miles (ShortBox) Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse) Pope Hats #5, by Ethan Rilly (AdHouse Books) The Spotted Stone, by Rick Veitch (Sun Comics) What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Best Continuing Series

Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse) Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box) Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel) Monstress, by Marjorie Liu and Sana Takeda (Image) The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Limited Series

Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel) Extremity, by Daniel Warren Johnson (Image/Skybound) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Mister Miracle, by Tom King and Mitch Gerads (DC) X-Men: Grand Design, by Ed Piskor (Marvel)

Best New Series

Black Bolt, by Saladin Ahmed and Christian Ward (Marvel) Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios) Maestros, by Steve Skroce (Image) Redlands, by Jordie Belaire and Vanesa Del Rey (Image) Royal City, by Jeff Lemire (Image)

Best Publication for Early Readers (up to age 8)

Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books) Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow) Egg, by Kevin Henkes (Greenwillow Books) Good Night, Planet, by Liniers (Toon Books) Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

Best Publication for Kids (ages 9–12)

Bolivar, by Sean Rubin (Archaia) Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf) Nightlights, by Lorena Alvarez (Nobrow) The Tea Dragon Society, by Katie O’Neill (Oni) Wallace the Brave, by Will Henry (Andrews McMeel) Best Publication for Teens (ages 13-17)

The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House) Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia) Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi) Monstress, by Marjorie Liu and Sana Takeda (Image) Spinning, by Tillie Walden (First Second)

Best Humor Publication

Baking with Kafka, by Tom Gauld (Drawn & Quarterly) Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC) The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC) Rock Candy Mountain, by Kyle Starks (Image) Wallace the Brave, by Will Henry (Andrews McMeel)

Best Anthology

A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press) A Castle in England, by Jamie Rhodes et al. (Nobrow) Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press) Now #1, edited by Eric Reynolds (Fantagraphics) The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

Best Reality-Based Work

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow) The Best We Could Do, by Thi Bui (Abrams ComicArts) Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW) Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW) Spinning, by Tillie Walden (First Second)

Best Graphic Album—New

Crawl Space, by Jesse Jacobs (Koyama Press) Eartha, by Cathy Malkasian (Fantagraphics) My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics) Stages of Rot, by Linnea Sterte (Peow) The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

Best Graphic Album—Reprint

Boundless, by Jillian Tamaki (Drawn & Quarterly) Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics) Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence) Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly) Unreal City, by D. J. Bryant (Fantagraphics)

Best Adaptation from Another Medium

Beowulf, adapted by Santiago García and David Rubín (Image) H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse) Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse) Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow) Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW) FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero) Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic) The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics) Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia

Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon) Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media) My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon) Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics) Shiver: Junji Ito Selected Stories, by Junji Ito translated by Jocelyne Allen (VIZ Media)

Best Archival Collection/Project—Strips

Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel) Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press) Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books) Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press) Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

Best Archival Collection/Project—Comic Books

Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha) Behaving MADly, edited by Craig Yoe (Yoe Books/IDW) The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum) Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

Best Writer

Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC) Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant) Jeff Lemire, Black Hammer (Dark Horse); Descender (Image) Marjorie Liu, Monstress (Image) Mark Russell, The Flintstones (DC)

Best Writer/Artist

Lorena Alvarez, Night Lights (Nobrow) Chabouté, Moby Dick (Dark Horse); Alone, Park Bench (Gallery 13/Simon & Schuster) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Cathy Malkasian, Eartha (Fantagraphics) Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

Best Penciller/Inker or Penciller/Inker Team

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Mitch Gerads, Mister Miracle (DC) Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse) Ramón K. Perez, Jane (Archaia) David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

Best Painter/Multimedia Artist (interior art)

Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic) EFA, Monet: Itinerant of Light (NBM) Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW) Cyril Pedrosa, Portugal (NBM) Sana Takeda, Monstress (Image)

Best Cover Artist

Jorge Corona, No. 1 with a Bullet (Image) Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal) Brian Stelfreeze, Black Panther (Marvel) Sana Takeda, Monstress (Image) Julian Totino Tedesco, Hawkeye (Marvel)

Best Coloring

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Mitch Gerads, Mister Miracle (DC) Ed Piskor, X-Men: Grand Design (Marvel) David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image) Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image) Rosemary Valero-O’Connell, What Is Left (ShortBox)

Best Lettering

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi) Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel) Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse) John Workman, Mother Panic (DC Young Animal); Ragnorok (IDW)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows) The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics) Hogan’s Alley, edited by Tom Heintjes Jack Kirby Collector, edited by John Morrow (TwoMorrows) PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids) How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group) How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics) Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk) Monograph, by Chris Ware (Rizzoli) To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

Best Academic/Scholarly Work

The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi) Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press) Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press) Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press) Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

Best Publication Design

Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha) Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel) Monograph, designed by Chris Ware (Rizzoli) My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics) Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology) Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate) The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant) Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm) Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideon Kendall (comiXology Originals/Kitchen, Lind & Associates) Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

Best Webcomic

Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital) Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon) Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib) The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com (Oni Press) Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)

[starwarsnewsit]

Eisner Awards 2018: poco "Star Wars" tra le nomination

New Post has been published on http://www.starwarsnews.it/2018/04/27/eisner-awards-2018-star-wars/

Eisner Awards 2018: poco "Star Wars" tra le nomination

Eisner Awards 2018. Verrà assegnato a breve uno dei premi più importanti del panorama fumettistico. Quest’anno tra le varie nomination c’è anche qualcosa legata a Star Wars, ma veramente poco…

Eisner Awards 2018 – Tutte le nomination

Best Short Story

“Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)

“Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)

”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), http://magazine.columbia.edu/features/summer-2017/life-comics?page=0,0

“Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)

“Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One-Shot

Barbara, by Nicole Miles (ShortBox)

Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)

Pope Hats #5, by Ethan Rilly (AdHouse Books)

The Spotted Stone, by Rick Veitch (Sun Comics)

What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Best Continuing Series

Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse)

Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box)

Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel)

Monstress, by Marjorie Liu and Sana Takeda (Image)

The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Limited Series

Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)

Extremity, by Daniel Warren Johnson (Image/Skybound)

The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design, by Ed Piskor (Marvel)

Best New Series

Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)

Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios)

Maestros, by Steve Skroce (Image)

Redlands, by Jordie Belaire and Vanesa Del Rey (Image)

Royal City, by Jeff Lemire (Image)

Best Publication for Early Readers (up to age 8)

Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books)

Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow)

Egg, by Kevin Henkes (Greenwillow Books)

Good Night, Planet, by Liniers (Toon Books)

Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

Best Publication for Kids (ages 9–12)

Bolivar, by Sean Rubin (Archaia)

Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf)

Nightlights, by Lorena Alvarez (Nobrow)

The Tea Dragon Society, by Katie O’Neill (Oni)

Wallace the Brave, by Will Henry (Andrews McMeel)

Best Publication for Teens (ages 13-17)

The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House)

Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia)

Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi)

Monstress, by Marjorie Liu and Sana Takeda (Image)

Spinning, by Tillie Walden (First Second)

Best Humor Publication

Baking with Kafka, by Tom Gauld (Drawn & Quarterly)

Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC)

The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)

Rock Candy Mountain, by Kyle Starks (Image)

Wallace the Brave, by Will Henry (Andrews McMeel)

Best Anthology

A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press)

A Castle in England, by Jamie Rhodes et al. (Nobrow)

Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)

Now #1, edited by Eric Reynolds (Fantagraphics)

The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

Best Reality-Based Work

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)

The Best We Could Do, by Thi Bui (Abrams ComicArts)

Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW)

Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW)

Spinning, by Tillie Walden (First Second)

Best Graphic Album—New

Crawl Space, by Jesse Jacobs (Koyama Press)

Eartha, by Cathy Malkasian (Fantagraphics)

My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Stages of Rot, by Linnea Sterte (Peow)

The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

Best Graphic Album—Reprint

Boundless, by Jillian Tamaki (Drawn & Quarterly)

Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics)

Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence)

Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly)

Unreal City, by D. J. Bryant (Fantagraphics)

Best Adaptation from Another Medium

Beowulf, adapted by Santiago García and David Rubín (Image)

H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse)

Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse)

Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material

Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)

Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW)

FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero)

Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic)

The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics)

Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia

Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon)

Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media)

My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)

Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics)

Shiver: Junji Ito Selected Stories, by Junji Itotranslated by Jocelyne Allen (VIZ Media)

Best Archival Collection/Project—Strips

Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel)

Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press)

Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books)

Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press)

Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

Best Archival Collection/Project—Comic Books

Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)

Behaving MADly, edited by Craig Yoe (Yoe Books/IDW)

The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum)

Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics)

Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

Best Writer

Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC)

Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant)

Jeff Lemire, Black Hammer (Dark Horse); Descender (Image)

Marjorie Liu, Monstress (Image)

Mark Russell, The Flintstones (DC)

Best Writer/Artist

Lorena Alvarez, Night Lights (Nobrow)

Chabouté, Moby Dick (Dark Horse); Alone, The Park Bench (Gallery 13/Simon & Schuster)

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Cathy Malkasian, Eartha (Fantagraphics)

Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

Best Penciller/Inker or Penciller/Inker Team

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)

Mitch Gerads, Mister Miracle (DC)

Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse)

Ramón K. Perez, Jane (Archaia)

David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

Best Painter/Multimedia Artist (interior art)

Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic)

EFA, Monet: Itinerant of Light (NBM)

Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW)

Cyril Pedrosa, Portugal (NBM)

Sana Takeda, Monstress (Image)

Best Cover Artist

Jorge Corona, No. 1 with a Bullet (Image)

Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal)

Brian Stelfreeze, Black Panther (Marvel)

Sana Takeda, Monstress (Image)

Julian Totino Tedesco, Hawkeye (Marvel)

Best Coloring

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Mitch Gerads, Mister Miracle (DC)

Ed Piskor, X-Men: Grand Design (Marvel)

David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image)

Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image)

Rosemary Valero-O’Connell, What Is Left (ShortBox)

Best Lettering

Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)

Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel)

Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)

John Workman, Mother Panic (DC Young Animal); Ragnorak (IDW)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows)

The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)

Hogan’s Alley, edited by Tom Heintjes

Jack Kirby Collector, edited by John Morrow (TwoMorrows)

PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids)

How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group)

How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)

Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk)

Monograph, by Chris Ware (Rizzoli)

To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

Best Academic/Scholarly Work

The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi)

Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press)

Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)

Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press)

Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

Best Publication Design

Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha)

Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel)

Monograph, designed by Chris Ware (Rizzoli)

My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics)

Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology)

Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate)

The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant)

Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm)

Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)

Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

Best Webcomic

Awaiting a Wave, by Dale Carpenter and Nate Powell, features.weather.com/us-climate-change/arkansas (The Weather Channel Digital)

Brothers Bond, by Kevin Grevioux and Ryan Benjamin, www.webtoons.com/en/action/brothers-bond/list?title_no=1191 (LINE Webtoon)

Dispatch from a Sanctuary City, by Mike Dawson, https://thenib.com/dispatch-from-a-sanctuary-city (The Nib)

The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com

Welcome to the New World, by Jake Halpern and Michael Sloan, www.michaelsloan.net/welcome-to-the-new-world/ (New York Times Sunday Review)

[graphicpolicy]

Preview: Bettie Page: Unbound #4

Bettie Page: Unbound #4 preview. Bettie’s next stop on her dimension-hopping quest finds her six inches tall… with gossamer wings. #comics #comicbooks

Bettie Page: Unbound #4

writer: David Avallone artist: Julius Ohta covers: John Royle (A), Scott Chantler (B), David Williams (C), Julius Ohta (D), Photo (E) Photo (RI-Virgin), David Williams (RI-B/W), Scott Chantler (RI-Virgin), Julius Ohta (RI-B/W), David Williams (RI-Virgin) FC | 32 pages | Action/Adventure | $3.99 | Teen+

Bettie’s next stop on her dimension-hopping quest finds her six…