#josef bernard

[germanpostwarmodern]

Church St Joseph (1952-55) in Cologne, Germany, by Rudolf Schwarz & Josef Bernard

[ozkar-krapo]

V/A

"Lautpoesie - Eine Anthologie"

(LP. Gertraud Scholz Verlag. 1987 / rec. 1985-87)

[tuxebo]

hiii, how have your days been? i hope you are doing well. i read your response to my previous ask and i love the way you express yourself (in general, not just in that post) it's clear that you are passionate and really have a purpose in your political sector. and don't apologize for talking about a topic like el tren de aragua, i also think that regardless of the political sector one is from, IT IS AN ISSUE THAT NEEDS VISIBILITY damn— the things they do have no justification whatsoever and it only takes a little humanity to notice it

i just wanted to stop by and say hello, ive been in exam week and ^^; if im being honest, im trying to survive LMAO and a question first of all, do you have a favorite animal that is not so well known? :)

have a good night! 💤

—🦭

Thank you so much, I am glad to hear that I am being clear with my speaking. It is so unfortunate to see so many politicians incapable of even forming a sentence, I take being able to speak properly very seriously.

As for these things I'm truing to bring attention to, I completely agree. As an independent, it is not Republican vs. Democrat. They are monsters. Aurora, Colorado is worse than El Savador (Amazing what President Bukele did, might I mention)! Countries are sending their criminals to America as if we are some trashcan for these garbage "humans." Too many lies, too much propaganda from the Democrats that keep taking them. I don't know if you saw the debate, but Haitians are eating pets (cats & dogs) in Springfield, Ohio. They are going to parks, stealing ducks, and cooking them, too. DAVID MUIR IS A LIAR. One of many lies that made that rigged debate.

As for your exams, already??? 😭😭 My goodness, hoping for the best for you! I don't know when your school started, but it feels like it all just started yesterday. The California heat is still here, it's too hot for exams.

I don't have a favorite animal, I love so many of them, but the sea horses are so silly? Genuinely, I don't understand them, and I love it. I don't know if you watch TierZoo, but I love that channel. I learned a lot about animals from there and the sea horses are the silliest of them all. They exist and just constantly get beat up, it is so fascinating. They also look so interesting, I can't think of another animal that looks like it. They also move so funnily, too. They are cute though!

This technically doesn't count as not so well known but I also love, love, love sea otters. Oh, how I love them. They are so cute. I did my whole scientific paper on them, there are also videos of them just being sea otters and it is just so adorable to watch.

I really like sea animals in general, I would definitely be a marine biologist! The pufferfish's mating rituals are absolutely adorable, the making prints in the sand? I think it is cuter than the penguins and their really smooth pebbles, which is also so pure. On the other hand, female Octopi throw whatever they get their tentacles on at unwanted male octopi suitors. That is so funny to watch, not cool, but as a concept it's funny.

I hate kangaroos, though. They are UGLY, they STINK, they always wanna TUSSLE. They are why I will never go to Australia, sorry I would try to throw hands and it would not end well 😓🫢 Same goes for dolphins, they have bad personalities.

I gave you more than you asked for, but what about you? Do you have a favorite? Have a nice night, I hope your exams go well!

[princesssarisa]

Opera on YouTube

I've shared links to complete opera performances before, but I love to share them, so I thought I'd make a few masterposts.

These list are by no means the only complete filmed performances of these operas on YouTube, but I decided that ten links for each opera was enough for now.

By the way, some of the subtitles are just a part of the video, while others require you to click CC to see them.

Die Zauberflöte (The Magic Flute)

Hamburg Philharmonic State Opera, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; conducted by Horst Stein; English subtitles)

Ingmar Bergman film, 1975 (Josef Köstlinger, Irma Urrila, Håkan Hagegård, Birgit Nordin, Ulrik Cold; conducted by Eric Ericson; sung in Swedish; English subtitles)

Salzburg Festival, 1982 (Peter Schreier, Ileana Cotrubas, Christian Bösch, Edita Gruberova, Martti Talvela; conducted by James Levine; Japanese subtitles)

Bavarian State Opera, 1983 (Francisco Araiza, Lucia Popp, Wolfgang Brendel, Edita Gruberova, Kurt Moll; conducted by Wolfgang Sawallisch; English subtitles)

Metropolitan Opera, 1991 (Francisco Araiza, Kathleen Battle, Manfred Hemm, Luciana Serra, Kurt Moll; conducted by James Levine; English subtitles)

Paris Opera, 2001 (Piotr Beczala, Dorothea Röschmann, Detlef Roth, Desirée Rancatore, Matti Salminen; conducted by Ivan Fischer; no subtitles)

Royal Opera House, Covent Garden, 2003 (Will Hartman, Dorothea Röschmann, Simon Keenlyside, Diana Damrau, Franz Josef Selig; conducted by Colin Davis; no subtitles) – Act I, Act II

La Monnaie, Brussels, 2005 (Topi Lehtipuu, Sophie Karthäuser, Stephan Loger, Ana Camelia Stefanescu, Harry Peeters; conducted by René Jacobs; French subtitles)

Kenneth Branagh film, 2006 (Joseph Kaiser, Amy Carson, Benjamin Jay Davis, Lyubov Petrova, René Pape; conducted by James Conlon; sung in English)

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklósa, Georg Zeppenfeld; conducted by Donald Runnicles; English subtitles)

La Traviata

Mario Lanfrachi studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; conducted by Giuseppe Patané; English subtitles)

Glyndebourne Festival Opera, 1987 (Marie McLaughlin, Walter MacNeil, Brent Ellis; conducted by Bernard Haitink; Italian and Portuguese subtitles)

Teatro alla Scala, 1992 (Tiziana Fabbricini, Roberto Alagna, Paolo Coni; conducted by Riccardo Muti; English subtitles)

Royal Opera House, Covent Garden, 1994 (Angela Gheorghiu, Frank Lopardo, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Teatro Giuseppe Verdi, 2003 (Stefania Bonfadelli, Scott Piper, Renato Bruson; conducted by Plácido Domingo; Spanish subtitles)

Salzburg Festival, 2005 (Anna Netrebko, Rolando Villazón, Thomas Hampson; conducted by Carlo Rizzi; no subtitles)

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazón, Renato Bruson; conducted by James Conlon; English subtitles)

Opera Festival St. Margarethen, 2008 (Kristiane Kaiser, Jean-Francois Borras, Georg Tichy; conducted by Ernst Märzendorfer; English subtitles)

Teatro Real di Madrid, 2015 (Ermonela Jaho, Francesco Demuro, Juan Jesús Rodríguez; conducted by Renato Palumbo; English subtitles)

Teatro Massimo, 2023 (Nino Machiadze, Saimir Pirgu, Roberto Frontali; conducted by Carlo Goldstein; no subtitles)

Carmen

Herbert von Karajan studio film, 1967 (Grace Bumbry, Jon Vickers; conducted by Herbert von Karajan; English subtitles)

Vienna State Opera, 1978 (Elena Obraztsova, Plácido Domingo; conducted by Carlos Kleiber; English Subtitles)

Francisco Rosi film, 1982 (Julia Migenes, Plácido Domingo; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1987 (Agnes Baltsa, José Carreras; conducted by James Levine; English subtitles)

London Earls Court Arena, 1989 (Maria Ewing, Jacque Trussel; conducted by Jaques Delacote; English subtitles)

Royal Opera House, Covent Garden, 1991 (Maria Ewing, Luis Lima; conducted by Zubin Mehta; English subtitles) – Acts I and II, Acts III and IV

Arena di Verona, 2003 (Marina Domashenko, Marco Berti; conducted by Alain Lombard; Italian subtitles)

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann; conducted by Antonio Pappano; English subtitles) – Acts I and II, Acts III and IV

Metropolitan Opera, 2010 (Elina Garanca, Roberto Alagna; conducted by Yannick Nézet-Séguin; English subtitles) – Acts I and II, Acts III and IV

Opéra-Comique, 2023 (Gaëlle Arquez, Frédéric Antoun; conducted by Louis Langrée; English subtitles)

La Bohéme

Franco Zeffirelli studio film, 1965 (Mirella Freni, Gianni Raimondi; conducted by Herbert von Karajan; English subtitles)

Metropolitan Opera, 1977 (Renata Scotto, Luciano Pavarotti; conducted by James Levine; no subtitles)

Teatro alla Scala, 1979 (Ileana Cotrubas, Luciano Pavarotti; conducted by Carlos Kleiber; no subtitles)

Opera Australia, 1993 (Cheryl Barker, David Hobson; conducted by Julian Smith; Brazilian Portuguese subtitles)

Teatro Regio di Torino, 1996 (Mirella Freni, Luciano Pavarotti; conducted by Daniel Oren; Italian subtitles)

Teatro alla Scala, 2003 (Cristina Gallardo-Domâs, Marcelo Alvarez; conducted by Bruno Bartoletti; Spanish subtitles)

Zürich Opera House, 2005 (Cristina Gallardo-Domâs, Marcello Giordani; conducted by Franz Welser-Möst; no subtitles)

Robert Dornhelm film, 2009 (Anna Netrebko, Rolando Villazón; conducted by Bertrand de Billy; no subtitles)

Opera Australia, 2011 (Takesha Meshé Kizart, Ji-Min Park; Shao-Chia Lü; no subtitles)

Sigulda Opera Festival, 2022 (Maija Kovalevska, Mihail Mihaylov; conducted by Vladimir Kiradjiev; English subtitles)

[the-darkness-does-not-bargain]

I love Lemon Drop Boy, can we maayybbee get a little snippet of chapter 2?

Here you go! This is the most recent part I've added. This chapter is just not giving me much right now, sadly 😞

/////

Styling her daughter’s hair was one of Yanxia Young’s preferred methods of bonding, and she never seemed to understand or accept Beatrice’s ambivalence to it.  Still, she submitted herself to the curling iron because it also meant that she and her mother weren’t fighting.  But as each pristinely curled lock dropped lightly onto her shoulders, she heard her phone vibrate loudly against the polished wood of her mother’s vanity.

“Be sure to keep that in your purse tonight,” her father said.  In the mirror, she could see him attaching diamond cufflinks to his wrists.  “On silent, preferably.”  

Beatrice barely heard him.  She was too focused on the name, or rather, the initial that had appeared on her screen.  “Who is A?”  Her mother asked.

“Just someone new I met this semester,” she responded, trying not to give away how much her fingers itched to grab the device and hide it away.  Fortunately, she knew the text was too small for her mother to read, but she still let out a small sigh of relief when the screen turned off again.

“A new friend?”

“I think so,” she said with a secret little thrill.

“Speaking of your friends, the Villaumbrosias won’t be attending tonight,” her father continued, shaking his head with a small grin as he put on his tie.  “Josef is still holding that grudge against Bernard Emié, after nearly a decade.  But I’ve invited them to our family celebration on Christmas Eve.”

“Is Lilith still planning to apply to the University of Navarra?”  Her mother asked.

“She is, although her parents are trying to convince her to study here instead.”

“She should study where she intends to work.  That’s the best way to go with law school.  It’s different for your field.  You can study anywhere.  Have you started your applications yet?”

“I have,” Beatrice said, though it was mostly a lie.  She’d gotten as far as compiling the list of programs she would be applying to, but then she got distracted by other things.

One of those things sent her another message, and she begged off her mother’s attempt to do her makeup in order to retreat back to her room and read it.

18:43, A: How many lime wedges 🍋‍🟩 do you think I can fit into my mouth at once?  Hans says 5 but I know I can do better.

18:50, A: It was 8! Now he owes me €10 😌.  On an unrelated note, my mouth hurts.

[falselyprofound]

Y'know what, yeah, gonna ramble a bit more about how my characters got their names because I am terrible with this.

Clarissa Dunst: Bastardization of Larry Butz's pseudonym in the third Ace Attorney game. (Laurice Deauxnim > Clarice Deauxnim > Clarissa Dunst)

Jitendra "Joseph" Prasad: Originally called Josef, after a character I once played in a high school production. Honestly not sure when that changed.

Ingrid Zheng: Bastardization of Incavris, from back when she was a Neopet.

Bee: I straight-up don't remember. I also don't remember why her name was 'Bernie' in earlier drafts.

Marshal Johnson: Named after that guy from How I Met Your Mother who was convinced bigfoot was real. An old game prototype had Clarissa and Joseph make a one-off joke about said character, and then the one-off joke became a character because I overthink my jokes.

Fiona "Finch" Meggins: Megan Finn, from The Wishlist. (Can you tell I designed most of these guys in high school?)

Jack Haas: Designed for an OCT where everyone is a jackass. QED. (The spelling of his last name was inspired by a brand of avocado.)

Lavinia Mortigan (Vinny): First name comes from the Shakespeare character, surname is the goalie from Team Haunted Woods on Neopets.

Vinny's other pseudonyms: Mostly Shakespeare characters (Margaret Claudius, Marcella Costa), though once they get found out they ask whoever's nearby for a new name. (Belladonna, Steve, and - hilariously - Lavinia again.)

Sprocket McKormic: 'Sprocket' is a temporary name used by an amnesiac in Deadly!. ("There's a theory I'm called Sprocket..."). 'McKormic' was suggested by my OCT writing partner at the time.

Annabelle Merlo: Straight-up don't remember, but I know it only starts with 'A' because the Camera Bunker Bat trio were originally named A, B, and C.

Duncan Durant and Isadora Voclain: Those two kids from A Series of Unfortunate Events. ...And therefore a certain deceased dancer, I suppose.

Eldora Doe: I hit 'random' on Death Road to Canada a couple of times, got her first name, then went "hahaha. that sounds like El Dorado."

Jonald Doe: Because I already had Eldora designed and wanted him to be just as stupid. 'Jonald', because I already knew a couple of Johns.

Patricia Sloane: Surname from the protagonist of The Intergalactic Nemesis.

Bernard Warnes: One of the placeholder names in the Monster of the Week scenario 'Damn Dirty Apes'. His maiden name (Nielsen) is because I realised too late I had the opportunity to make the BONE cast have the initials BONE. fml

Alice Benson: I know like three different fictional characters named Alice who are in the medical profession, so when I needed a paramedic for MotW you bet your ass that's the name I chose.

Rockwell Everett: Originally it was gonna be Rockwell Everest, after the mountain, but I typo'd it and couldn't be fucked changing it. Anyway yeah. He's a spelunker. His name is literally Cave Mountain.

Amethyst Orson: Amy Sullivan, from the John Dies series.

Spakel, Twikel: Typos I made in my Neopets's names at age 6 and have decided to keep, because it's funny.

Dylan Swisse: i had a multivitamin on my desk and was very tired.

Lincoln Femurbruch: There was a character in that D&D campaign named Abraham. I was very tired. Surname should probably be Femurfraktur, because her job is punching skeletons

Maya Omai: 'Maya' from Ace Attorney, 'Omai' because it makes her name sound like my, oh my!

Teeth: Originally 'Tief', because Tiefling. Then I went hahahaha that sounds like Teeth and kept it.

Mabel Crake: Originally an Earth Genasi called Marble. Because she was made out of marble. Stunning

Hat: okay, that one's on you guys

Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb11116: That one is also on you guys.

Cool Ranch the duck: GAY420GAY

[kwebtv]

Kessler - BBC One - November 13, 1981 - December 18, 1981

Drama (6 Episodes)

Running Time: 60 minutes

Stars:

Clifford Rose as Ludwig Kessler

Alan Dobie as Richard Bauer

Nitza Saul as Mical Rak

Alison Glennie as Ingrid Dorf

Nicholas Young as Franz Hoss

Ralph Michael as Colonel Hans Ruckert

Bernard Hepton as Albert Foiret

Angela Richards as Monique Durnford

Juliet Hammond-Hill as Natalie Chantrens

Guy Rolfe as Don Julian Yqueras

Oscar Quitak as Josef Mengele

Jerome Willis as Hugo van Eyck

John Moreno as Jose Garriga

Robert Morris as Karl Leider

Jeremy Wilkin as Gidney

Harold Innocent as Deakin

Royston Tickner as Maurer

John Dearth as Graun

Ishia Bennison as Ruth Liberman

Robert Eddison as Heinrich Himmler

Gareth Milne as Muller

[brookstonalmanac]

Birthdays 6.29

Beer Birthdays

Peter Weyand (1821)

Jacob Paul Rettenmayer (1881)

Pablo Diez Fernández (1884)

Pat Conway (1948)

Jeremy Sowers (1971)

Five Favorite Birthdays

Leroy Anderson; composer (1908)

Fred "Gopher" Grandy; actor, politician (1948)

Ray Harryhausen; filmmaker, special effects (1920)

Colin Hay; pop singer (1953)

Slim Pickens; actor (1919)

Famous Birthdays

Willibald Alexis; German author (1798)

Ian Bannen; Scottish actor (1928)

Charlotte Bingham; English author (1942)

John Bradshaw; philosopher (1933)

Pat Crawford Brown; actress (1929)

Ralph Burns; musican, bandleader, composer (1922)

Gary Busey; actor (1944)

Stokely Carmichael; civil rights activist (1941)

Katherine DeMille; Canadian-American actress (1911)

Antoine de Saint-Exupery; French writer (1900)

Thomas Dunn English; poet (1819)

Nelson Eddy; singer, actor (1901)

Tripp Eisen; guitarist (1965)

Little Eva; pop singer (1943)

Leo Frobenius; German ethnologist and archaeologist (1873)

George Goethals; engineer (1858)

George Ellery Hale; astronomer (1868)

Bernard Herrmann; composer (1911)

Witold Hurewicz; Polish mathematician (1904)

Jean Kent; English actress (1921)

Harmon Killebrew; Minnesota Twins 1B/3B/LF (1936)

Rafael Kubelik; orchestra conductor (1914)

Julia Lathrop; activist (1858)

Robert Laurent; sculptor (1890)

Yvonne Lefébure; French pianist (1898)

Giacomo Leopardi; Italian poet (1798)

Richard Lewis; comedian (1947)

Frank Loesser; composer (1910)

David Burroughs Mattingly; illustrator (1956)

William James Mayo; doctor, clinic founder (1861)

José Pablo Moncayo; Mexican pianist, composer (1912)

Anne-Sophie Mutter; German violinist (1963)

Pierre Perrault; Canadian film director (1927)

Jean-Louis Pesch; French author and illustrator (1928)

Peter I; king of Serbia, founder of Yugoslavia (1844)

Petronilla; queen of Aragon (1136)

Vasko Popa; Serbian poet (1922)

Josef Ressel; Czech-American propeller inventor (1793)

Zuleikha Robinson; English actress (1977)

Curt Sachs; German-American composer (1881)

Kaci Starr; adult actress (1985)

Jackie Lynn Taylor; American actress (1925)

Jay Taylor; adult actress (1991)

Celia Thaxter; poet (1835)

Egon von Fürstenberg; Swiss fashion designer (1946)

Cara Williams; American actress (1925)

[eggi1972]

[Podcast] Konzert: Werde ich nun auch Wagnerianer? Oder ein besonderes Preview-Konzert mit vielem neuen!

In dieser Podcastfolge nehme ich die Hörer mit zu einem Preview-Konzert im Stadttheater Gießen, bei dem Wagner im Mittelpunkt stand. Der Generalmusikdirektor Andreas Schüller erklärte das Stück Karfreitagszauber aus Parsifal und betonte die Besonderheiten von Wagner, besonders im Live-Erlebnis gegenüber Schallplattenaufnahmen. Die Erzählungen über Wagner und die Festspiele, wie George Bernard Shaw und Claude Debussy nach Bayreuth geschickt wurden, um dann als Fans zurückzukehren, fanden mein Interesse. Das Live-Erlebnis eines philharmonischen Orchesters und die detaillierten Erklärungen von Andreas Schüller zur Oper und Wagner schufen eine faszinierende Atmosphäre. Die Erwähnung des Hermann-Levy-Saals im Rathaus und die Geschichte hinter Hermann Levy, einem bedeutenden Operndirigenten und Komponisten, erweiterte meinen horizont. Obwohl es eine Änderung im Programm gab und Stücke von Josef Marx durch Beethovens Egmont-Overtüre ersetzt wurden, war die Musik dennoch ansprechend. Die Vorstellung der Symphonie Nummer 1 in F-Moll von Julius Bittner als eine Entdeckung war für mich und das Publikum eine Bereicherung. Diese einzigartige Klangwelt ähnelte Wagner, bot aber dennoch etwas Eigenes und Berührendes. Das Problem mit dem Mikrofon, das in vorherigen Konzerten auftrat, war diesmal behoben, was die Hörqualität verbesserte. Die humorvolle Einbindung der Pausenfanfaren der Wagner-Festspiele im Foyer und die Anekdoten über die Ausgrabungsarbeiten von Opern oder Musik zeigten den kreativen und humorvollen Geist der Kulturschaffenden. Insgesamt bot das Preview-Konzert eine gelungene Mischung aus schwerer klassischer Musik, Humor und Tiefe, die den langweiligen Musikunterricht in der Schule bei weitem übertraf. Diese Konzertreihe ist für Menschen jeden Alters ein Erlebnis und lädt dazu ein, die Musik auf eine lebendige und unterhaltsame Weise zu entdecken. Lesen Sie den ganzen Artikel

[c-40]

A-T-4 059 Be Music & DoJo

Be Music Productions was the name used by members of New Order when they worked on productions and remixes for other artists. 1983/84 were probably their most prolific years and a lot of the tracks were made with Donald Johnson founding member and drummer of A Certain Ratio (DoJo)

Lets have a look at some of the tracks from 1984

Section 25 - Looking From A Hilltop (Megamix) best electro track to come out of the UK? I'm not sure about that, you'd have to ignore a lot of tracks, Thomas Dolby, Paul Hardcastle, Visage, John Rocca, AON, Newtrament, Greg Wilson's made-up electro for Street Sounds, ..., and Willesden Dodgers - I'd argue 122 BPM is a better electro track

That's out of my system. Section 25's Looking From A Hilltop (Megamix) is a terrific track though, really good! It comes from the band's third album From The Hip which was co-produced by Bernard Sumner. After the release of the Section 25's second album original guitarist Paul Wiggin left and Larry Cassidy's wife Jenny Cassidy, who had played keyboards on The Key Of Dreams, became a core member. The remix can be attributed to Bernard Sumner and Donald Johnson

52nd Street - Can't Afford (To Let You Go) (Unorganised Mix) 52nd Street's third single was produced and mixed by Stephen Morris and the jazz-funk of Look Into My Eyes is now well behind them. Diane Charlemagne replaces Beverly McDonald as lead singer, Charlemagne would go on to be the vocalist for Urban Cookie Collective and sing lead vocals on Goldie's Inner City Life

Marcel King - Reach For Love (New York Remix) the price of this has shot up innit! Marcel King had been in the soul vocal group Sweet Sensation. Reach For Love was produced by the same team as 52nd Street's 1983 single Cool As Ice / Twice As Nice Bernard Sumner, Donald Johnson, and I think Mike Pickering as Fruitz. The New York Remix comes from Mark Kamins who had remixed Love Tempo the year before after meeting artists on Factory Records in Manchester while on a promotional tour with Madonna

Surprize - In Movimento third and final release by Surprize from Bologna. The producer is listed as Bemusic no spaces, according to Discogs this refers to Peter Hook

Nyam Nyam - Fate/Hate Dub Nyam Nyam are from Hull. The band self-released their debut single When We Can't Make Laughter Stay and this came to the attention of Peter Hook who produced and mixed their Fate/Hate 12 for Factory Benelux, it's very Giorgio Moroder

Paul Haig - The Only Truth former singer of Josef K who put out a lot of work through Belgisn label Les Disques Du Crépuscule. Les Disques Du Crépuscule were very close to Factory, the founders set up Factory's Belgian counterpart Factory Benelux. Up until 1983 everything released on Factory Benelux was exclusive to that label and this continued to be the case for the Be Music productions released by the label. The Only Truth was produced by Bernard Sumner and Donald Johnson with Paul Haig

I'm going to look at the Thick Pigeon album Too Crazy Cowboys separately, it's a Be Music production as Stephen Morris and Gillian Gilbert play on and produce it

[germanpostwarmodern]

Church St Joseph (1952-55) in Cologne, Germany, by Rudolf Schwarz & Josef Bernard. Photo by Raimond Spekking.

[aykutilter]

Test 11 Grafik Tasarım Gurupları Aykut ilter  Grafik Tasarım Tarihi 11. GRAFİK TASARIM GRUPLARI Soru 1: Grafik tasarımın gerillası olarak tanımlanan grup hangisidir? (Çoktan Seçmeli) De Stijl The Duffy Design ✔ Grapus Neville Brody Studio Dombar Cevap : Grapus Soru 2: Postmodernizm eğilimler, diğer ülkelerin tersine hangi ülkede orta yaş tarafından benimsenmesiyle daha geniş bir kesimde yaygınlık kazanmıştır? (Çoktan Seçmeli) İtalya Rusya Almanya ✔ Hollanda İsviçre Cevap : Hollanda Soru 3: The Face dergisinde editörlüğü yapmış olan tasarımcı kimdir? (Çoktan Seçmeli) ✔ Neville Brody Pierre Bernard François Miehe Gérard Paris-Clavel Paul Rand Cevap : Neville Brody Soru 4: Louvre Müzesinin işaret sistemini hangi tasarımcı/tasarımcılar yapmıştır? (Çoktan Seçmeli) The Duffy Design ✔ Grapus Neville Brody Alexey Brodovitch Herb Lubalin Cevap : Grapus Soru 5: Dergi için hazırladığı harf karakterlerinin sürekli taklit edilmesinden yorulan ve hem bu soruna bir çözüm getirmek hem de sevdiği için, serbest elle çalışmaya başlayan tasarımcı kimdir? (Çoktan Seçmeli) Saul Bass Kazimir Malevic Pual Rand François Miehe ✔ Neville Brody Cevap : Neville Brody Soru 6: Afişlerinde eller, kanatlar, güneş, ay, toprak, havai fişekler, kan ve bayraklar gibi kolayca anlaşılan evrensel sembolleri tercih eden tasarım/tasarımcı kimdir? (Çoktan Seçmeli) Ikko Tanaka ✔ Pierre Bernard Saul Bass Kazimir Malevic Pual Rand Cevap : Pierre Bernard Soru 7: The Duffy Design Gruba daha sonra katılan ve kazanılan başarılarının en etkin ismi olan tasarımcı kimdir? (Çoktan Seçmeli) Josef Müller Brockmann Max Bill Theo Ballmer Shigeo Fukuda ✔ Charles Anderson Cevap : Charles Anderson Soru 8: Aşağıdakilerden hangisi Hollandalı tasarımcılardandır? (Çoktan Seçmeli) ✔ Ootje Oxenaar Max Bill Theo Ballmer Shigeo Fukuda Max Huber Cevap : Ootje Oxenaar Soru 9: Hollanda Para birimi için tasarımlar yapmış olan tasarımcı kimdir? (Çoktan Seçmeli) Adrian Frutiger Josef Müller Brockmann ✔ Ootje Oxenar Pieter Brattinga Jan van Toorn Cevap : Ootje Oxenar Soru 10: Studio Dombar hangi ülkede faailyet göstermektedir? (Çoktan Seçmeli) İsviçre İtalya Almanya ✔ Hollanda İngiltere Cevap : Hollanda

[ganhosdoelefante]

Viena - 14 de outubro de Ano 3 - Sábado - Doc - 27 anos

08:00 - Acordamos e corremos.

08:40 - Tomamos café no quarto.

09:00 - Saímos. 09:10 - Curtimos o parque: Josef Strauss Park

10:00 - Andamos de bike: Radplatz

11:00 - Vamos na livraria: Buchhandlung Posch

11:30 - Vou para aula de alemão. 12:40 - Almoço com Lena e Marina: Bernard Stüberl

14:00 - Volto ao hotel e relaxo com Pi.

16:00 - Tomamos um café e ficamos de papo.

18:00 - Tomamos banho e ficamos confy. 18:30 - Vemos filme. 20:00- Jantamos:

Ficamos bebendo e conversando.

21:00 - Dormimos (L).

[laveranda]

EALM #1

Vernissage  au 17 Rue Lucien Nonorgues (Toulouse), le 31 mars 2023 à partir de 19h, puis l'exposition sera visible sur rendez-vous les week-ends suivants :

- 1er & 2 avril - 15 & 16 avril - 22 & 23 avril - 13 & 14 mai - 27 & 28 mai

GOOD VIBRATIONS - Arnaud Loumeau.

”I love the colorful clothes she wears And the way the sunlight plays upon her hair I hear the sound of a gentle word On the wind that lifts her perfume through the air… *”

Pour sa première Expo À La Maison, La Véranda invite Arnaud Loumeau : l'occasion de mêler ses travaux récents colorés sur emballage en carton et ses travaux plus anciens marqués par une obsession détendue pour la symétrie.

 Good Vibrations des Beach Boys a été publiée en 45 tours en 1966. Pour cet enregistrement, Brian Wilson procède à un montage ingénieux en assemblant différentes parties instrumentales et cette complexité lui fait dire qu'il s'agit d'une « petite symphonie de poche ». 22 sessions, 4 studios différents et plusieurs mois de production sont nécessaires pour ce titre qui s'appuie sur un rythme captivant même si l'auditeur n'entend pas d'emblée toute la richesse de l’œuvre.

Des dizaines de milliers de carrés 5mm x 5mm, une dizaine de couleurs et des semaines de labeur... la démarche d'Arnaud Loumeau n'est pas si éloignée que ça de celle de Brian Wilson. Depuis plusieurs années, les dessins & peintures d’Arnaud Loumeau fonctionnent comme des leurres : cinétiques et symétriques, ils semblent vibrer mais en fait rien ne bouge, jamais. Cette pratique mécanique du dessin qui consiste à remplir de petits carrés avec une couleur lui permet de juxtaposer les formes et les couleurs qui, par leur proximité, entrent en vibration et créent l’illusion du mouvement. En cela, Arnaud Loumeau est un héritier direct des tenants de l'op-art qui pour rappel prend racine aussi bien dans les théories visuelles de Kandinsky que dans les propos de Josef Albers sur l'instabilité des couleurs.

Bien loin du pixel art, des mandalas, de l'art brut ou du psychédélisme dans lequel la paresse de certain·es l'enferme trop vite, Arnaud Loumeau figure une synthèse entre expressivité de la couleur et abstraction géométrique. On y croise à l'occasion un motif piqué à Nathalie du Pasquier comme un temple tout droit sorti d'un tableau de la Renaissance. A y regarder de près et dans la durée, il se révèle être un coloriste hors-pair pratiquant un art du retour vers le futur des plus singuliers et dont ses récents dessins sur cartons d'emballage témoignent avec force. Dans ces jeux de motifs c'est le contraste, la complémentarité, les résonances, les contrepoints qui sont à l'oeuvre, pour des images qui relèvent autant d'une spiritualité des formes que d'un art décoratif.

La couleur est la touche. L’œil est le marteau. L’âme est le piano aux cordes nombreuses.**

 *1er couplet de Good Vibrations de The Beach Boys, paroles & musique de Brian Wilson, 1966

** Wassily Kandinsky, Du spirituel dans l'art et la peinture en particulier, 1911

Thomas Bernard & Christophe Brunella pour La Véranda

[dashalbrundezimmer]

museum für angewandte kunst // köln altstadt

architects: rudolf schwarz & josef bernard

completion: 1957

[passionate-reply]

PAUL HAIG - “THE ONLY TRUTH”

Paul Haig is best known as the frontman of short-lived (but seminal!) post-punk act Josef K, but after working with them he also embarked on a solo career. It’s not quite what you might expect if you’re only familiar with the former...but what it is is surprisingly well-crafted. Haig said good-bye to doom and Dostoevsky to embrace making fun and danceable synth-pop...alongside, of all people, Bernard Sumner of Joy Division and New Order. “The Only Truth” is much closer to the latter than the former, stylistically, with bouncy synths and hooks to die for. Surprisingly, despite even having a music video produced, this track failed to chart appreciably. Take a listen to it yourself and I’m sure you’ll agree that it’s easy to imagine some parallel universe in which it was one of the biggest hits of 1984.