Embracing Slow Living: A Guide to Living More Mindfully for the Bliss seeker.
Embracing Slow Living: A Guide to Living More Mindfully for the Bliss seeker.
In today’s fast-paced world, where hustle and bustle seem to be the norm, it’s easy to feel overwhelmed and disconnected. We often find ourselves caught up in a whirlwind of responsibilities, commitments, and constant distractions.
However, there is a growing movement towards embracing a slower, more intentional way…
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louis, lestat, and their single bed as a motif louis puts into his own story, but refuses to explore, is literally one of the sexiest parts of the show. it speaks volumes about a level of fulfillment and freedom that louis feels by being with lestat that he rarely explicitly comments on when he's relaying his story to daniel, which feels extremely relevant to his overall reluctance to examine the parts of his relationship with lestat that he really enjoyed.
because louis is a character who's hyper aware of how he presents himself. he's lived his entire life projecting a certain masculine, heteronormative image, and he's aware of how deviating from that presentation has implications that impact how people view him - from enjoying the opera, to the presentation of his nails. the fact that he moves in with lestat and neither of them ever put a second bed into any room in the house as a level of plausible deniability is so huge and oversight by so cautious a character, it can only be read as deliberate - especially when the conspicuous lack of a second bed is pointed out to them by both antoinette and a literal police officer. in an existence where you don't sleep in a bed, the bed becomes a symbolic object more so than a practical one. it's louis choosing to deliberately transgress against the societal expectations he lives out when he leaves his house, a bit of presentation that actually amplifies his truth as a gay man living with his partner, rather than masking or hiding himself, like he does for the outside world.
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rewatched arrival for the hundredth time. this movie never fails to gut punch me with its approach to determinism. louise embracing her future that she knows every moment of, despite the tremendous loss and pain it contains, with open arms. she doesn't hesitate, or ruminate on how she can try and change it. she accepts it all, the good and the bad, because what she gains is worth it, so many times over for her. she steels herself against a certain future and runs forward to meet it all, to love, learn, and lose, and trusts and leans on herself to live through it all. because that's what life is; it's the joy and the suffering. to try and isolate the joy alone is madness, futility in its purest definition.
comparing her line of thinking to a palindrome (how she named her daughter, hannah), the movie kept emphasizing, "it's the same backwards as it is forwards." it doesn't matter if you can see the end; life is the same whether you live it "forwards" (without knowledge of the future) or "backwards" (with foresight). it doesn't change the significance of your life experiences; to try and avoid certain future pain just because you have the knowledge of it is a zero sum game. you think you win because you avoided pain, but you also avoided the joy that preceded it. the metamorphosis. so you still lose if you try to win, and vice-versa.
all you can do is rush forward and take it all head-on. see this whole beautiful mess as your one most precious gift; this one life, this one chance, a laughably miniature blip on the colossus that is linear time, to experience all there is to feel before you return back to an eternity without perception. it's all worth it, because only in living a full-fledged life open to everything it has to offer does the experience of living turn out to be greater than the sum of its parts; it's in trying to beat the system (avoid pain) that we actually lose.
"if you could see your whole life from start to finish, would you change things?"
"maybe i'd say what i feel more often. i...i don't know."
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Warlin Door having access to different worlds is already so good and compelling as a character, but it’s even more perfect that he’s presented as a TV host every time we see him, both with Night Springs and the talk show. He’s across different channels at all times, able to narrate and interact within the medium, but as far as we know, unable to change and mold the world around him like Alan and other artists in the dark place. It’s the perfect persona for him to have (and he better have a big role in that Night Springs DLC!)
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*pulls out a crumpled up piece of paper*
My transfemme Fire Emblem Headcanons. Include:
> Rosado, transfemme non-binary, most likely to use neopronouns or multiple sets of pronouns (fae/faer, she/he, never let 'em know your next move)
> Forrest, has been on estrogen for years but still says "I'm a prince" if asked and insists on using he/him pronouns (may be closeted, may be in denial, may do so out of a sense of obligation, may be a case of pronouns being "indicative of but not exclusive to gender identity", may also just have an exceedingly complicated relationship with the gender)
> Loki, a shapeshifter, chooses to look Like That (and she's so based for it)
> Gullveig. Just. Everything Seidr/Heidr/Kvasir and Gullveig have going on. Is so transgender. To me
And on vibes alone
> Triandra
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One hand, very happy I am obsessed with art
On the other hand, there were times I should have just hung out instead of being a nervous arting machine
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Happiness, in my experience, is like a bowl of bananas, because if you pay too much attention, it gets gobbled away, but if you forget all about it, either a robber steals it or it ends up rotten mush.
Lemony Snicket, Poison for Breakfast
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