#just that when you have so little representation

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[tpwk-formula1]

Lando, Sicilian Crust, Red Sauce, Pepperoni, Tomatoes, Mushrooms, Coke, Root beer, Lemonade, Sparkling Water.

But the scenario is the readers got thick thighs, and she’s a little chubby (coming from a chubby girl🥹), she’s constantly talking down on her self and insecure. And lando won’t have it, so he is desperate to make her feel better about herself. (Make sex in front of a mirror?) 

Lee-Lee's Pizzeria Menu

sicilian dating red sauce rough sex pepperoni "Be a good girl, and you'll get what you want" tomatoes "Do you enjoy pissing me off?" mushrooms "Wrong, wanna try again" coke spanking root beer daddy kink lemonade body worship sparkling water spitting dessert yes served by Lando Norris

AN - Omg yay! I loved getting this request as I am also a fellow chubby girl! If anyone else has plus size requests please send them in as I am passionate about wanting there to be representation for everyone <3 Lee-Lee

TW - spanking, spitting into mouth, blow job, unprotected sex, cum swallowing, some degrading terms, body worship and appreciation

WC

Y/N POV

I groan again while staring into the mirror. I knew I wasn't the ideal wag and I will never understand why Lando had picked me. The reflection in the mirror showed me a girl with thighs that touched, wide-set hips, and a belly that most people made sure to point out in the comment section of any photos released of me.

I stare a few more seconds before I start pinching at my sides trying to see how soft they had grown over the past few months. I feel the tears well in my eyes when I realize nothing is changing. I had tried dieting but then after a few weeks and a couple pounds down I find myself giving up again.

I'm so lost in my own world of self-hatred I don't hear Lando come home and I sure as hell don't hear him come into the bathroom leaving again the door frame with his arms crossed.

"Do you enjoy pissing me off?" Lando suddenly announces making me jump slightly and wrap my arms around my body to try and hide still embarrassed at being caught.

"Lando, I- I was just getting ready for the day," I lie softly not even believing myself. Lando raises a brow at me before approaching making me step back slightly. When Lando reaches me he softly removes my arms from my body just eying me up and down. I feel myself growing red in embarrassment not enjoying the feeling of his eyes on my bare body.

Wordlessly Lando takes my hips into his hands gently squeezing them before turning me towards the mirror so I can stare at myself. With Lando standing behind my I feel his arms wrapped around my hips while starting to trail his hands up and down in admiration.

"So beautiful," Lando mumbles softly placing a soft kiss on my should. I try my best to keep eye contact with Lando not wanting to see my body against his touch knowing my thighs would dwarf his wandering hands.

"I love you," Lando says softly starting to trail kisses around my shoulders and the back of my neck making my breathing pick up.

"So fucking beautiful," Lando says while pinching my hip softly before rubbing it in a soothing manner.

"Watch yourself in the mirror," Lando says roughly making my eyes instantly snap to where his hand is now wandering up my sides grazes his touch past my stomach roll before settling his hands near my face.

When his fingers graze my lips he mutters a soft beautiful before trailing his hands to my heavy tits giving them a stong squeeze making me gaso.

"These tits are gonna be the death of me one day, so fucking good," Lando says confidently giving one of my nipples a soft flick instantly making it harden.

"And this," Lando started while rubbing my stomach softly making me cringe away from his touch making him drop his hands to his sides and stare at me in the mirror.

"Wrong, wanna try again," Lando says after a moment before bringing his hands back to my stomach this time trying to relax into his touch.

"This stomach you love to pinch and probe at, will one day carry our children. That thought alone makes me hard," Lando says softly making me gasp when he grinds his jean-covered crotch into my thick ass letting me know just the sight of me turned him on.

"I wish you could see yourself through my eyes," Lando adds softly moving his hands down to my thighs giving them a soft rub before landing a soft slap on them making me whine.

"And these fucking thighs! My favorite thing in the world. After a good race, I just wanna burry my face between them, after a bad race I can't wait to get back to the hotel to hide between them and let all my problems away, these are the best thing the Lord could have blessed me with," Lando says softly while rubbing them. He was back to laying soft kisses around my neck before I feel his teeth sink into the side of my neck before leaving a small hickey.

"Oh! And this fucking pussy," Lando says softly digging his fingers through my folds finding them to be coated in a light layer of my juices. Having Lando softly rubbing his hands around my body had definitely turned me on a bit.

"This pussy and the best pussy a man could have. Too bad I will never share it again," Lando says softly before lifting my thigh and resting my foot on the counter so he can burry his fingers into my pussy making me gasp and throw my head back onto Lando's shoulder when he hits my G-spot.

"Feels so good," I whine softly clenching around Lando's fingers before they're ripped out of my pussy leaving me gasping for a breath,

"No daddy," I whine not wanting him to stop.

"Be a good girl, and you'll get what you want. Count them for me," Lando says roughly letting me know he was about to spank me.

The first slap rang out through the room startling me just a bit.

"one" i mumble softly.

"two" I groan a little louder after the second much harsher slap landed on my left ass cheek.

"I love the way your ass shakes when I slap it," Lando said before landing another rough slap on the exact same spot making me scream out softly.

"three," I finally gasp out still trying to catch my breath.

"four," I scream out with the fourth slap lands on the top of my right ass cheek.

"Last one," Lando says softly while rubbing his hand over the last spank he had landed.

"Five, oh my god," I scream while my knees buckle only staying up because of Lando's strong grip. The last one was always the hardest one but today it was so much harder than normal. It knocked the wind out of me in shock.

"Did so good for me. Took your punishment so well baby," Lando says softly turning me around to give me a soft kiss.

"Open," lando says roughly cleaning moving from punishment mode to 'I ned to fuck you right now' mode.

When I part my lips and open my mouth I wait as Lando gather s a bit of spit before spitting right down my throat some hitting my bottom lip making me moan before swallowing.

"Good girl," Lando says before flipping me back to look at myself in the mirror again. Lando was still fully dressed which changed rather quickly cause he started stripping down not having any time to waste.

When I feel Lando poking at my folds I moan softly while pushing my hips back trying to get some kind of stimulation which finally came when Lando roughly sunk down fully into me.

"Oh god," I moan out when his hips hit my sore ass making the the slight burning sensation instantly turn from pain to pleasure.

“It’s too much, daddy,” I moan when Lando speeds up his thrusting making me grip onto the counter harder to make sure I don’t fall.

“Watch the mirror, I want you to see how beautiful you are,” Lando grunts while reaching between our bodies to find my swollen clit to give it a few pinches before rubbing it in circles.

“God, you have the wettest fucking pussy, baby girl,” Lando groans collectiving some on his fingers before bringing his wet fingers to his mouth and cleaning them off while moaning at the flavor.

“You’re fucking delicious baby,” Lando whispers while bringing his fingers back to my clit making me instantly tense around Lando’s cock in anticipation of an orgasm.

“Can I cum,” I moan feeling my orgasm approaching making Lando speed up his actions, and throwing me off the edge and into a knee buckling orgasm as soon as he have me the go ahead.

“Fuck daddy,” I scream out as I feel the peak of my orgasm hit, making the world around me go dark slightly letting my body feel all of the pleasure coursing through my body. Lando helps me ride out the longest orgasm I’ve ever had before softly slipping out of my pussy making me whine from overstimulation.

“On you knees,” Lando grunts making me turn around and drop to my knees and instantly reach for his cock but he pulls away while shaking his head.

“I need you to listen to me real quick,” Lando says making me nod and trail my eyes from his soaked cock up to his eyes to show he has my full attention.

“You are the most beautiful woman I have ever laid eyes on. You have been my best friend our entire relationship and I have loved every aspect of who you are. So I’ll be damned if you hate even the smallest speck on yourself when all I can ever fucking see is perfection,” Lando tells me softly making me smile back at him.

“It’s just hard sometimes. I see the girls who would do anything for even a second of your times. I see the other wags and can’t help but compare. And i see the comments, i know you see them too and while even if I was skinny they would still find a reason to be dicks it’s just hard sometimes,” I tell him softly making him scoff each time I compared myself to someone else but watched as his eyes softened at the mention of the comments.

“All Im saying is I better not come back home to find you pinching your sides or damn near in tears at the sight you see in the mirror,” Lando says back making me nod my head.

“Daddy can I please finish you off now,” I whine getting impatient with staring at his hard cock. Lando just chuckles before stepping closer and leaning down slightly to spit in my mouth again. I savor the flavor this time before swallowing his spit.

When I open my mouth again Lando instantly shoves his cock down my throat making me gag slightly.

“Prettiest fucking slut Ive ever laid eyes on.” Lando groans still on his complimenting run but too lost in the pleasure to not throw in some teasing nicknames.

I feel Lando’s pace start to falter which makes me bob my head faster wanting to keep the same momentum as he starts cumming down my throat.

I do my best to swallow every drop he gives me before he’s slowly pulling out if my mouth. I feel a bit of cum leak down the side of my lips and before I can wipe it away Lando is crashing his lips onto mine now caring about the cum.

“I love you so much! Be nice to yourself,” Lando tells me softly making me nod my head in agreement.

When Lando helps me from the cold ground he draws us a bath. When we both sink into the hot water I can see the stress of the day melt away for Labdo while I i feel all my tense muscles slowly start to relax.

“What triggered it?” Lando asked softly.

“I was getting ready to take a shower and kinda got lost,” i replied back softly making Lando wrap his arms around me a little tighter.

“M’sorry I wasn’t here early to prevent it,” he tells me while leaning down to place a soft kiss on my cheek.

“Wasnt your fault,” I reply back shrugging a little. We both know I would do it again but I also knew it didn’t matter to Lando cause I was always gonna be his girl.

[buddie911abc]

Here I go again.

Buck asks Eddie if his son is the real reason he doesn't date. Eddie responds with, "That and, they weren't my type."

This has been a flag for everyone who reads the subtext, but let's take a moment to look at the last GIF.

Eddie says they weren't his type. Buck turns around to look at them and probably assesses what makes them, 'not' Eddie's type because the girls were all subjectively pretty. There were also a variety of types of women there.

But look closely at the GIF. Eddie said they weren't his type. While Buck is glancing back, Eddie gives Buck a quick look that really screams, "You are it. You are the type." When I noticed this from the GIF edit, I thought it might be the creator slowing it down, but nope. If I look at the episode, it is the same or nearly the same. This is early season two, and I have always thought, in the early episodes, there was no intent to pair Eddie with Buck as anything but a friend. However, this scene makes me wonder at what point Tim M or whoever was writing changed their minds about adding in a subtextual narrative.

I find it very difficult to see this scene as a heteronormative exchange. In fact, it even feels like Eddie is pushing back a little to test where Buck stands. Buck as a character who lacks self-awareness gives a mixed signal answer. (which tracks with his character at this point and matches his coming-out arc.) **edited to clarify** Buck's mixed signal response to Eddie saying they aren't my type is, "Not mine either, at least not anymore."**

A few seconds later, Buck says Eddie has a weak excuse. My lovely and wonderfully sassy Eddie says, "You live in your invisible girlfriend's house, and you're telling me about weak excuses." He essentially points at Buck's closet door, but of course, this is something that Buck couldn't see or pick up on at the time. These moments are small in the grand scheme of the show as a whole so I'm afraid it will be forgotten. It would be nice to have some sort of throwback acknowledgment that this scene hasn't been retconned.

To backtrack a little bit here, I would also like to point out something else about the early timing or the writing of these characters as potentially queer. They are outside. (True I don't understand the ins and outs of filmmaking so there may very well be a reason for this.) But the shot itself is making them walk close together. Not just close, their shoulders are literally bumping against each other, hitting and knocking at each other in a way that might appear "unintentionally" intimate--until you remember they are outside. It seems to me like there are dozens of ways to shoot this thing that don't require them to be so casually physical with each other. For the scene to be shot like this and then consider the canon conversation that took place, it feels quite intentional that the writers wanted viewers to look closely for something else.

Whenever certain people call Buddie shippers delusional, I think about this. Subtextual language aside, the scenes are shot in such a way as to plant the idea of "More." There is attraction here. There is flirting.

Someone, somewhere wanted to tell this story from the start; and I'm not mad about it. I'm 100% here for it, and I'm ready for it to go down as the most epic love story I've ever watched or read about, but I also admit that I want it to be canon, not so I can throw it in anyone's face that their ship is wrong, but so I can prove I'm not some weirdo putting two hot guys together. I'm seeing a real romance being built. I want that validation as much as I want everyone under the LGBTQ umbrella to see representation for themselves on screen.

If you want to see the scene, go to about 3:05.

[itsabouttimex2]

I hope this isn't an odd question

But, do you think Wukong or Macaque would act or treat different their "cub" if they genders were swapped or being a female version? This is also for a Yan behavior

I don't know too much about how is the raising of a monkey from the father and mother so I was curious with this since they're both mystical demons

I was thinking about this when I saw some fanarts from the artist @/car_nimbus on Twitter, they made a neat versions of the characters with another gender

Monkey Mama

(Hmm okay let me build a hypothetical OG “Female Monkey King” to work off of here and then I’ll try to translate that into LMK’s SWK. Also, I’ll probably make a second variation of this afterwards with other characters, haha. This got a little long to do both SWK and Mac!)

Sun Wukong as a character is already heavily defined by rebellion and personal choice, so I think that making him a girl only really compounds that layer of his character.

In many older narratives, female characters are often expected to be more obedient or modest than men, and very frequently only exist as prizes or, more rarely, villains. A female Sun Wukong; assuming she plays the same role as her original incarnation, defies the expectations of how “traditional” women should behave, shirking the demure and passive “ideal” and adding another layer of rebellion to her character.

(JTTW is actually pretty great in terms of female representation, with characters ranging from the perpetually good Quanyin, the eventually repentant Princess Iron Fan, and the straight up evil White Bone Spirit. I’m a big fan of how the women aren’t slid into any one “role” throughout the story.)

I think: in story, she’d likely be viewed as a sort of “anomaly”—a woman too strong, too outspoken, and too unwilling to conform to typical feminine ideals. Her defiance and arrogance might be viewed as even more scandalous by the Celestial Realm.

Instead of being made a “stable-keeper”, I think probably she’s sent to whatever Heavenly Scullery exists in that divine realm, and put to work very quickly. She would treat this “job” with indifference or even amusement at first-after all, physical labor or menial tasks don't diminish her self-worth or confidence! She’s had a life of hard work, leading an army of Yaoguai, cultivating Flower Fruit Mountain,

So she’s fine with this… at first. Then it turns out that the food she makes with her fellow low-class workers isn’t distributed amongst the people making it, but plated up nice and pretty for a bunch of “stuffy old gods” who didn’t lift a finger! Bullshit!

So obviously, the prideful Monkey Queen goes on a destructive rampage in regards to the unfair disparity of treatment, then storms back down to Earth to throw a “feel-better” party with her fellow Yaogaui.

(Which isn’t just a party, but a symbolic reclaiming of joy and community, with her monkey tribe representing the freedom she craves and the earthly bonds she prefers over heavenly authority. It's not just an escape, but a statement of independence.)

After an extensive set of repairs, the Court sends down someone to drag her back, because, you know, the local super-powered monkey is back on the loose, and that’s not exactly great for them. This time, they offer her a “better” role- she gets to become an official Peach Maiden, lucky her!

Of course, it’s just another form of entrapment, but within a prettier cage. Even though she's given a cushier position, it's a veneer- she's still being silenced, controlled, and stripped of her freedom. The role played by a Peach Maiden is an inversion of Wukong's essence, as these women are happily serving the role of passive caretakers, nurturing with gentle smiles—a direct contrast to the free-willed, brash nature of the Monkey Queen.

(And while there’s nothing wrong with being demure, passive, and feminine, having people try to force her into that role is where Sun Wukong draws her line.)

Here, she is expected to watch in silence as others revel in the freedom and power denied to her. It's a different kind of prison, one that quietly erodes her spirit. When the Celestial Court tries to reintegrate her as a Peach Maiden, they are once again attempting to place her into a docile, decorative role, one that strips away her power and independence. Those immortal peach orchards, a symbol of immortality and divine favor, becomes a prison for her.

Surrounded by "ideal" women who embody the quiet, submissive role she despises, the Monkey Queen finds herself chafing under the pressure of conformity. Her energy, once boundless and chaotic, is now caged, and the simmering resentment builds.

The buildup to her inevitable rebellion after being made a Peach Maiden, then, becomes a very sympathetic moment because it's not just a rejection of the role forced on her, but a rejection of the very system that tries to diminish who she is at her core. Her rebellion isn’t about anger and shame- it’s about reclaiming her true self after having been suffocated by the expectations of the Celestial Court. Her rampage becomes an assertion of her identity as something that can't be confined by heavenly rules or social mores.

The Court, in its attempt to “contain" her, only fuels her defiance further, leading her once again to rebel.

It was never going to end well. But it ends all the same, and punishment is to be levied to the Queen, just the same as any other rebellious rule-breaker... actually, probably harsher.

There’s “you broke our rules and tried to lead a coup”, then there’s “you did all that, and we also find your very person to be wrong on a fundamental level”, and then she gets the book thrown at her twice over.

But! Then she meets Tang Sanzang, who sees something in her that neither the Celestial Realm nor her own band of Sworn Brothers saw. Not a heretic simian savaging a holy realm. Not a Queen to rally behind for their own gain.

But a lost soul in need of guidance.

And from there the Great Monk works on building Sun Wukong up as a person instead of leading her astray or trying to cut massive chunks of her personality out? And talks to her about the things she cares about? And teaches her about all the things she missed after spending five hundred years under a rock?

And then she meets Zhu Baije, who starts out a little too happy and carefree about having a beautiful woman around, but eventually comes to smash open heads when Wukong is disrespected, because that’s not just a hot woman, that’s his sister?

Or Sha Wujing, who helps her with even the smallest things, from trimming her claws to cutting her wild hair to preparing meals for the monk? And lets her perch on his shoulders and head so the queen can get some skinship in?

Then Ao Lie, who is every bit the “disappointment to the world at large” that she was considered? And they take turns braiding each other’s hair and wiping the mess from the other’s face, and sleeping in the same tent and same bedroom because it’s less effort?

She gets a dad and three little brothers?

She gets a family.

And then loses it and is alone again for several hundred years more.

So if we go with this theoretical “My natural existence has been rejected for being seen as ‘improper’ by a court of stuffy traditional assholes” and then “I dearly love/miss my dead found family” angle, I think she’d be portrayed as a very different sort of character in LMK.

She’s quicker to lash out and defend herself, and much less willing to sit around and let the world pass her by- because that’s what was demanded of her by the Celestial Realm.

Be good. Be quiet. Be demure. Be obedient. Be anything except you.

I don’t think she’d be as willing to “rest on her laurels” as her canon counterpart, given that a “quiet boring life” was what she had fought so very hard to escape in the first place, so instead of isolating herself from the world in the first place, she probably sets up a little “souvenir shop” at the foot of Flower Fruit Mountain, taking a human form to sell little knick-knacks that herald to the journey she undertook with her old friends.

In part, this is how Wukong works to honor them. To spread their legacy. To ensure that they aren’t forgotten, left as a footnote in the annals of history. To remember them.

In part, it’s how she justifies all the mistakes she’s made and the suffering she’s been through. Settling in to a pointlessly relaxed life is exactly what she fought against, after all. She’s heavily fallen into the “sunk-cost fallacy”, where giving up and settling in, to her, means “losing”. It means “everything I went through was all for nothing”. So she keeps at this little store instead of just retiring and isolating herself from the world, even though she’d be happier to ditch it and lounge about.

So when MK and his eccentric bunch of friends comes around with their boundless energy and mischief, she immediately goes, “Oh, okay! This is what I wanted!”

(It’s not. All she’s ever wanted is her friends back. How could there be anything else?)

The Monkie Kids are vibrant, eccentric, and full of qualities that immediately resonate with Wukong. They remind her of the energy, camaraderie, and sense of adventure that she once shared with her old companions. She sees MK's arrival not just as a chance to teach someone a few of her old tricks, but as an echo of her own life—a life she hasn't been able to truly let go of.

So she starts projecting- on the surface, MK is very much like her. He's spirited, good-natured, and curious- and reckless. Just like she was. Wukong latches onto this quickly, sort of using the kid as a proxy for herself. After all, if she can't go back to her old life, why not embrace a new one that feels close enough? In some ways, this marks her refusal to accept the passage of time, a desperate clinging to the hope that, through MK, she can rekindle the connections she once cherished.

However, underneath that initial enthusiasm is the repressed understanding that MK, despite his similarities to her younger self, cannot truly replace what she lost. The friends she fought beside, the battles they waged together, and the lessons they learned are unique, irreplaceable moments in her life. No matter how much MK’s gang reminds her of the past, he and his friends a stand-in for the companions she still longs for. But her deep desire to reconnect with her old friends clouds her ability to see MK for who he truly is: his own person, on his own journey.

It takes her a while to get to that point, though. So she’s more doting and affectionate, in a way that somewhat stifles her student’s training because she wants to be both her old carefree self and also a good mentor, and the two just get jumbled.

Sidenote: I think with the difference in actions and behavior, MK would be more open to viewing Fem!Wukong as a parental figure than the OG, especially since he doesn’t really have someone to fulfill that “mom” role.

For their dynamic, I think something like this would be the outcome:

———————————————————————-

The afternoon sun hangs low in the sky, painting the landscape in hues of varied orange and blue. With a tired hand, MK wipes the sweat from his brow.

He’s perched on one of the rocky spires dotting Flower Fruit Mountain, gazing at the view with a small smile of accomplishment. Training had been intense lately… if only because he had been doubling down on the time he spent practicing, without giving as much care to rest or aftercare.

After all, even though his powers were blooming steadily… his enemies also were growing in power and quantity, leading to the ever-creeping edge of fear that anything less than a constant one-hundred percent just wouldn’t be “enough”.

And right as he reaches back to grab the golden staff he has inherited from the Monkey Queen-

“MK! I told you to take a break, not run off to do more training!”

Her voice, uncharacteristically sharp, cuts through the formerly tranquil air, causing MK to jump. He turns just in time to see Sun Wukong strolling toward him, her hands on her hips and a look of mock annoyance on her face.

MK grinned sheepishly, shifting his grass-stained boots against the dirt. “I was just, you know… checking out the view.”

She raised an eyebrow, the corner of her mouth twitching in amusement as her eyes narrowed in annoyance. This kid... “Uh-huh. Checking out the view or sneaking in some practice when I wasn’t looking?”

Caught fast in his lie, MK rubbed the back of his neck, face scrunching up in embarrassment. “Maybe a little of both?”

In spite of herself, Sun Wukong quietly laughs, the sound echoing like a chiming bell through the mountain. Her long, golden hair flowed behind her in the wind, each strand catching the light like molten fire. Despite her legendary status- the rebellious warrior who’d fought the heavens and nearly won!- there was a warmth to her that MK had come to cherish.

“All work and no play, MK,” she said, sitting beside him on the rock and ruffling his hair with a fondness that always made him feel like a little kid again. “You’ll burn out before you get anywhere.”

He looked at her, eyes shining with admiration. “But you never stop training. You’ve been at this for centuries! I just…”

A pause, as his chest turns over, unsettled by the notion of opening up. But… it’s the Monkey Queen. So it.. should be okay, right?

“I want to make you proud.”

Sun Wukong’s expression softens, and she wraps an arm around his shoulders, pulling the boy close in a tight embrace. “You already make me proud, kid. You don’t have to prove anything.”

MK leaned into the touch, feeling a wave of comfort wash over him. Even from the start she’d been like this with him- protective, nurturing… and maybe a bit overbearing at times. But he didn’t mind. It made him feel safe, like no matter what challenges lay ahead, he wasn’t alone.

MK chuckled, turning his face up to meet his idol’s eyes.” I’ll keep up,” he triumphantly declares, pumping a fist.” I promise.”

“Good.” Wukong shifted, her clawed hand lightly missing his spiked locks. “Now, how about we head back to the shop and grab something to eat? You’ve earned it.”

MK’s stomach growled at the mention of food, and he nodded so eagerly that she wondered if his head wouldn’t ache from the motion. “You know, I won’t say no to a good meal.”

The Monkey Queen stood up, dusting off her mentee’s clothes before offering him a hand. “Of course you won’t. C’mon, my treat.”

———————————————————————-

Now, to answer your question about how she acts in regards to her own cub… in general I think she’s much more doting than the OG, willing to express herself through constant displays of physical affection, in ways that are far more varied.

Constant forehead smooching, cuddles, grooming sessions, all of it! Mama Wukong never wants to let go of her baby! Sit down and let her paint your nails! Let her comb and braid your hair! Let her make you a nice lunch (loaded with mystical drugs to keep you nice and sleepy for extra cuddles), or at least a filling snack! Let her pepper your face with kisses as she spins you in her powerful arms!

Lots and lots of indulgent fluffy days of binging unhealthy foods and watching cozy reruns of old shows, your head in her lap as she hums and does up your hair with her lazy hands.

Lots of reminiscing about old suitors as she considers the quietest and quickest ways to kill anyone who makes the futile attempt to pursue you in the same way.

Despite her obsessive behavior, Wukong struggles with conflicting feelings about wanting her child to be strong and independent, just like her! She pushes you to train hard and become powerful, but when you inevitably seek their own freedom or autonomy, she’d experience a mix of pride and heartbreak, pushing her deeper into possessive tendencies.

If you ever tried to leave or even just start to break away, Wukong’s worst traits would bubble up like hellfire. Just as she fought against an entire realm’s authority, she would absolutely wage a war to keep her child close, all while justifying her actions as love.

The Monkey Queen is also more willing to take routes outside of brute force if it means securing extra protection for Y/N. If Macaque or maybe Azure (or someone else like Erlang Shen) wants to try and play “suitor”, well, she’s not too interested… until the thought arises that having him around makes you extra safe! And then she’s willing to think on it.

(That’s assuming that you aren’t one of their biological kids to begin with, in which case there might be a sort of “yandere triangle”. Azure/Macaque/Erlang Shen doing his damndest to reclaim his wife, before he learns that she’s had a child while he was gone... or maybe Pigsy and Tang decided that MK needs his mentor in a more ‘accessible’ position, and plot to drag her to Megapolis…)

Lots of potential monkey mama shenanigans, basically!

[erabu-san]

You are literally French. What would you know about any of this, an issue and drama stirred up by anericans.

Blackwashing exists and is used by bigots that hate white people. Its used to erase the ethnicity of asians just because people dont think they are "poc enough" because of their pale skin. Its used to demonize people with pale skin because its becoming more and more the norm to view anyone with pale skin as evil. That anyone who is "too pale" isnt enough or a human being.

They arent real people, and their skintones are fine as is. You wouldnt go up to, for example an albino or mixed race black/poc person and tell them they arent "dark enough". They dont even need to be special like that to be pale. Some just are pale.

Whether you think there should be more characters that are dark or not is not the issue. Its that you think they wouldnt be/arent good enough as is with pale skin that shows how much of a bigot you are.

Blackwashing is not the progressive act you think it is. Its obvious that your only experience with it is through genshin drama. You obviously know nothing about how much red haired pale characters & asian ones are substituted with black characters. How characters are simply replaced in the name of "diversity". How this forced inclusivity and diversity is just bigots trying to "get revenge" on the white people they hate so much, and to tick off DEI boxes on their little bigoted checklist.

You tell me to educate myself but its actually YOU who needs to be educated.

Many are complaining about sumeru and natlan characters with names similar to gods in cultures of our world that are pale when their inspiration is dark skinned. Claiming they want representation and for it to be accurate, to reflect our world on a 1-1 scale.

Yet these same people will make xiao, zhongli, Ei, and many more asian characters darker " because asians can be dark skinned too". Yet so can mostly dark skinned races be pale.

So why cant you (gen) respect such characters, who are gods and divine beings based on a culture where pale is more beautiful, and gods of such cultures are pale?

There is hypocrisy in everything to do with blackwashing. Its okay when its done to pale characters because in real life black people have been oppressed? But these characters are not real, nor are they a reflection of our reality, as far as we have seen they dont even have racism in this fictional world.

It is one thing to explore a character like with the recent hatsune miku trend, atleast there most people arent going at each other's throats saying black miku is better than japanese miku(as far as i have seen)

Seriously how can you even begin to justify this. And who ever told you that dark skinned characters "scare white people" is an absolute fucking liar trying to justify their own bigotry towards white people.

No black washing IS just as disgusting as whitewashing. Neither should exist, and you shouldn't feed into the stupid circle jerk of bigotry that both of them are.

Aaaah that's what I like ! Yes ! Thank you for telling me your opinion, explaining what is wrong. I absolutely love to learn, and I prefer to read this long text calling me ignorant and explaining why that just a simple text of you saying you are annoyed by a fanart.

Thank you for telling me ! First yes I am french, and indeed my culture has more an european pov. But again, I also grow up as a minority "race" with my parents culture !🙏 in france, i don't look like a french. Well. Still I am aware that it doesn't remove anything from what I said

And I totally agree with you, some are just pale !! It just happens I draw Kinich black because I like it like this. Is Kinich true inspiration are actually pale ? Tell me more, I wish to learn !!

Tbh when you talk abt gods being pale is beautiful, I thought about Nahida. I did research when she were out and yes, I do agree, there is character who are fine as they are.

And because I live in France I also see "dark skin scare white" as a true fact. It happens and it is harmful. 🧍 not only in France tho, in country where pale skin is portrayed as beautiful, people who have tan skin are less represented even if it is the majority. I suppose the contrary happens too !!

"Character are not real" and yet you are annoyed, I guess it is the action of "blackwash" that make you mad, more than "a fictional character w diffent skin tone" tho! My opinion is fiction does affect real world, as do real life affects fiction, and this is something I won't debate on

"They don't have racism in this fictional world" sorry but it does in Sumeru. 🙏 about this one npc she is reject by forest and desert because of them being mixed, desert not being access to book and even Cyno said his scholarship was complicated because he is from desert

If you wish to continue, please send me DM with arguments. I don't know if I would change my mind of not drawing Kinich pale, but I am super interested about what you have to say !! 👍👍

[simbistardis]

The erasure of Blackness from 'stemme' & 'stud' and why it bothers me

This is more of a vent post/social analysis then 'what is stemme 101' but to summarise stemme stands for stud-femme lesbian. A stud in basic terms is a Black lesbian with masc presentations and roles. A stemme is a Black lesbian with fem and masc presentations and roles. Stemme is a Black lesbian term but according to tiktok it's 'just being masc and fem' and 'has nothing to do with race'. And that pisses me off.

Black gender nonconformity is barely represented. There isn't a 'how to be GNC whilst Black 101' and it gets really isolating tryna figure yourself out with no one to help you. Tomboy and androgynous representation is predominantly white. Being tomboy or andro is associated with having short straight hair or a buzzcut on a white body. Black women in hip-hop and R&B helped to shape Black masculinity and femininity in pop culture. Aaliyah, Queen Latifah, Left Eye, Da Brat etc. helped shape the Black tomboy aesthetics we see today. A large chuck of queer masculinity borrows off of Black, especially Black American, masculine aesthetics. The durags, the chains, the caps, the trainers, the AAVE etc. it all goes back to hip-hop culture.

Black women aren't allowed to be masculine. We're masculinised but we can't be autonomously masculine (people don't get this distinction when this topic comes up but that's another post babes x). Despite Black women, especially darkskin Black women being called mannish and strong we don't actually get to reap the benefits of being masc. We don't get to be the positive masc traits like being smart, brave etc it's only the negatives. And this is 2x harder if you're trans. It gets really confusing as a dark-skinned Black girl excluded from femininity growing up whilst also being so feminine and girly apparently you're on the end of misogynoir. Stem(me) basically summed up my relation to gender pretty well. There was never a word for this experience growing up.

So when I go to look up stemme and it's predominantly white lesbians in snapbacks I don't get a good feeling. And when I see shit about how stem 'had nothing to do with race' I'm fuming. Even more so when people say STUD had nothing to do with Black lesbians. Huh?? Black women's representation is already lacking in most areas even for cishet Black women. But Black GNC identity is SO rare. We can't even have a niche of a niche. That's how little Black culture matters in society's eyes. 'What do we use then?' Chapstick. Tomboy. Tomboy femme. Butch. Masc. The dozens of representations that have always represented your experiences. You're gonna be fine I promise you.

The main thing that set off this vent was seeing some tiktok user make a video crediting herself for defining stem as being masc and fem and ignoring all the Black lesbians that called her out and the audacity for her to say it 'used to mean that' and that 'terms evolve' .

Taking Black lesbian terms and changing their meaning is not evolution. It is theft. Erasing Black tomboys and erasing the literal stud from stud-femme, stemme, is just continuing the erasure of Black LGBTQIA identities in a society that already doesn't want us around. Stemme has always been stud-femme and I'm gonna always honour that, even if I stop using the label for myself, even if no one else will.

[youzicha]

Simulacra, Simulation, and Girls' Generation

That take that "anime girls don’t correspond to anything" reminded me of one of my own pet theories, which is that the same is true about Kpop groups.

Groups like Girls' Generation are like the opposite of American singer-songwriters. The singer-songwriter's core value is authenticity. Their songs are taken to be autobiographical, and to be valuable because they are a true description of the emotions that the songwriter felt. The singer-writer must be a single person so we can be sure that nobody has tampered with the depiction before it reaches us. This is Baudrillard's "first order" image, we in the audience should believe that the song is "the reflection of a profound reality".

With the kpop groups, what we enjoy is that the song does not represent any underlying reality. Each music video is the impersonal product of songwriters, producers, choreographers, stylists, video directors, etc. Rather than a spontaneous expression, you can see the moves being developed in the behind-the-scenes dance practice videos. The online discourse emphasizes the role of the entertainment agency (e.g. SM Entertainment): the group members themselves do not have "agency" so we can be confident that their own emotions didn't make it into the love songs they sing.

Let’s look at the music video for Oh! (2010) to see how this plays out. It's like a game of dress-up, showing off two different cheerleader uniforms. Argumate once wrote that Girls' Generation perform "a detailed sequence of dance moves that are very 'sexy', i.e. strongly coded as suggesting sexiness without necessarily being sexy-without-quotes", and I think we can say something similar about cheerleader outfits. They are not there to convey a message or story (and as if to stress the arbitrariness, the last few seconds of the video show the girls dressed in a completely different "strong woman" style, to tease the upcoming next look). Rather, the "sexy cheerleader" is itself a stylized, free-floating signifier to be quoted. "The whole system becomes weightless … an uninterrupted circuit without reference or circumference." (Although I believe it is still possible to overcome the ironic stance.)

So far everything is straightforward, but now consider the lyrics:

Oppa please see me, please look at me It's the first time I talk like this (ha!) I did my hair and I did my makeup too But why is it only you who doesn't know? […] Don't think of me just like a little sister You might regret that after a year

I claim that this also works in the opposite direction to the normal mode of storytelling. When creating a movie or play, the auteur-director starts with an idea or a story, and then casts actors to best represent his vision. Or, if that is not what it in fact took place, it is still the convention the viewer is supposed to apply to interpret the work. But with an idol music video, the starting point is the singer, who already has a fanbase. "Please see me, please look at me"—well, we already were. (This is not the only Girls' Generation song about looking at the idol, by the way, compare e.g. The Boys, which begins "I can tell you're looking at me / I know what you see".)

Given the opposite starting point, the representational function of the lyrics changes correspondingly. Rather than focusing on the new fictional person who emerges ex nihilo, the fan's attention is still on the singer, and the "little sister" character is yet another stock signifier for them to bring out and put on, much like the uniform. The function of the story is erasure: there was in fact a hairdresser and a makeup artist who styled Yuri, but instead we're invited to project a different fantasy over her. The effect is to further stress the unreality of all the symbols involved.

With this in mind, I think one Girls' Generation song has a really interesting concept for the lyrics. In Paparazzi (2012) the idol looks out across the crowds, spots a photographer who is trying to be discreet, and speaks directly to him: "shall I give you a better photo? let's be friendly, after all aren't we allies?"

It re-establishes the inauthenticity and unreality of the idol! As time goes by, pesky reality intrudes. People will follow the individual group members devotedly, and there are paparazzi images of them. Members will capitalize on their fame through individual brand endorsement deals. There is the perennial problem of girl group girls getting boyfriends, jarringly peeking out as an actual human being from behind the illusion. Or in the extreme case they can even use their new independent existence to leave the group.

In Paparazzi, those candid photos are re-imagined as performance. And furthermore, just like in Oh! we are invited to imagine a fictional character speaking directly to us. But in this case the character is superimposed not just over the image from the music video, but also over all the already existing photos. The actual person of the idol is crowded out by the fantasy…

[fleshengine]

I want to talk about representation a bit, because I see the "trans women have more rep, so they are privileged/can't be oppressed/are more societally accepted" thing thrown around a decent amount. Let's take a game I'm playing right now, Cyberpunk 2077.

I love how for trans characters in Cyberpunk 2077 we have Claire, a tough looking bartender who's into cars, and the random girl in Lizzie's who drops a line about how she's a woman and that demands sacrifice, a sex worker who immediately gets played for laughs as her (floating) co-oworker makes fun of her.

Claire is fine representation in my eyes. Sure, she has "guy" hobbies but like genuinely so do most of the girls I know. We get interested in things as kids and that stuff stays. She's a little tough looking, but it's 100% in a definitely masc woman way. She's great, I love her, best girl. The mox is representation, but like... harmful rep at that. She's literally just a side character in this one scene who says "yeah being a woman is rough but it's worth the effort huh?" and gets made fun of for being trans. Her entire point is people pointing at transwomen and saying "haha you're all sex workers and ugly and everyone can tell you used to be a man lol." and frankly it's infuriating. She even uses the male character model! I don't know if cyberpunk 2077 has any definite transmasc characters, and so the case could be made that trans women "have more rep" in it. But when half the rep is this random mox who exists to be made fun of, I don't see the point.

And this is what I mean when I say recognition is not representation. Claire and the mox are both recognizably a trans women, but only Claire is a character who has depth and is a person and actually represents anyone. Being a trans woman is a tiny part of her, but it's there, she has a flag on her truck and mentions it in dialogue exactly once! You don't even really learn she's trans until later, so she's barely recognizable in the text.

So much of what people refer to as "transfem representation" boils down to characters like the mox who are just stereotypes of transwomen who exist to be made fun of. They do not represent anyone, no lived experience, no depth of character. They exist entirely to be recognizable as transwomen and nothing more. They are jokes and to say they represent trans women in any way is deeply revealing to how tme people think of us.

When you clock me in the street, what kind of trans woman will you recognize me as?

This is an idea I've had kicking around in my head for a bit. I'd love feedback/ideas on it so I might uhhhhhh @plaidos hopefully that's okay. You don't have to respond, I just want my thoughts out there.

[pynkhues]

https://x.com/snow_droplet/status/1836806686041944275

lots of people see this scene (louis reading madame bovary) as a one more confirmation of louis = housewife = mother. just as the yellow painting depicting mother and child. why do you think he relates to these works so much? and what do you think it says about writers' intent wrt his character?

Mm, I can see the thought process, but having read Madame Bovary a number of years ago, I'm a little surprised at the interpretation of Louis as Emma, who cheats because she finds monogomy boring, provincial life even more so, and dislikes motherhood - three things that I'd associate a lot more with Lestat than I would with Louis given a) Antoinette, and the fact that Louis never cheated on Lestat given he only had sex with Jonah when the relationship was opened up, b) Lestat spent most of his mortal life trying to escape the French countryside when Louis has only ever lived in cities, and c) his Whole Deal with Claudia.

I do think that it's worth noting too that the copy of Madame Bovary Louis' reading is actually Lestat's, not Louis':

It also shows I think a real sense of taking Louis' self-assessment when he's at one of his lowest points of depression across the course of the series, as an actual representation of himself? Claudia calling Louis a housewife was pretty specifically about trying to emasculate him into action, and we're sitting with Louis here where he does feel emasculated. Louis does find purpose through work - he's an ambitious man and a capitalist from the moment we meet him - and him being forced out of the upper echelon of earning capacity due to his race is both, of course, racist, but I think also is something he does find emasculating.

Louis always took his role as provider seriously with the du Lac's, I think both as eldest son and patriarch (and I kinda touched on it in my post about Grace, but the show flirts a little with gothic themes of a perverted family structure there in that Louis is both father and brother to Grace and Paul, and son and husband to Florence), and I think even having the illusion that he was providing for at least Claudia, if not Lestat (who of course is cashed-up from Magnus), was still a crucial part of his identity. It's why it's easy for him to fall into a (again, perverted) version of that role with Armand.

That's even without getting into the Capitalism of it all, haha. I actually forgot this and just caught it again on my (very slow) re-watch, but The Azaelia isn't Louis' only business at the time when it starts getting targeted. He's invested in, at the very least, grocery stores and millineries, which Lestat points out to him when Louis' making his No Whites Allowed sign:

This - - again - - is emasculating. Grocery stores and hat makers are very specifically pink-collar industries, and Louis' been making a fortune not off women's quote-unquote 'interests', he's been making it off women's bodies. And again, one day, I'm going to write my Louis-is-a-misogynyst post, but for now, my point is that it's the insult of this that fuels Louis' (rightful!) anger, not his relation to it.

The painting I do think is a bit different, but that's kind of harder to talk about given visual art is so subjective (and honestly I know less about it / can speak to it less). I do think it's significant though that the artist is a Black man, and someone who's still pretty up and coming. The maternal side there I can see, but I don't think it's as absolute as others, just personally.

[alliepretends]

Since I posted one of my Dimension 20 hot takes, and didn't literally explode. I think I'll post the other one that really matters to me.

The discourse around aroace Riz is really hard for me. And I find it really hard to be empathic toward people who think about it differently than I do. And I think it's important to put that lack of empathy in context. Fandom (and by this I mean the broader fandom culture, not D20 fandom specifically) has generally been an extremely hostile space for aromantic people. Shipping is the central pillar of fandom engagement and dialogue. And a romantic lens is typically the very first lens applied to the source material when it is brought into fandom spaces. By that I don't just mean it's what people think about first, I mean analysis tends to pass first through the lens of romance, and then only things the romantic lens can't lay claim to are left for other kinds of analysis. Even for aromantic people like me, who very much enjoy romance when it exists in the realm of fiction, it's hard not to feel like there's a message in that. "Characters, and the fiction they exist in, are only valuable when seen through the lens of romance. Regardless of the genre of the source material. That's because romance is unquestionably the most important and defining feature of life. Unless it's sex." This can get pretty extreme if you become a fan of something with an especially strong central ship (like a Supernatural), where it can feel like literally all analysis of any aspect of the work has to tie back to the ship. In my experience, the sub-culture of fandom, for all its trappings of queer acceptance, is far more arophobic and aro-hostile than any other culture or sub-culture I participate in. Not because fans are actively making anti-aro posts or hate aro people, but because romance is elevated as the primary element of human experience. The only one really worth talking about and exploring. The only one worth writing fics about or dedicating massive posts to. It is worth noting that the Dimension 20 fandom (and, based on my experience, actual play in general) seems to be less romance-focused than other fandoms. There's lots of gen fic. There's lots of discussion that doesn't focus on romance. But that doesn't mean the Dimension 20 fandom somehow exists separately from overall fandom culture. The baggage of that larger culture still informs this fandom.

And that's why the way Riz gets talked about feels like such a slap in the face. He is the first example I (and I expect many others) have encountered of a heavily-coded aromantic character popular with fandom. And yet, that hasn't freed him from the fandom scramble to read him through the lens of romance. I'll admit to being a bit of an extremist on this. I know that for many aromantic people having a single qpr that fills many of the needs of romance is really an important part of their experience. Many of my aromantic/aspec friends feel this way. But I don't even like qpr Fabriz. Because even though that is an authentic and important part of aromanticism to represent. With a character like Riz, whose fears are explicitly based around the lack of access he has to coupledom, qpr Riz still feels like an attempt by romance-oriented fandom to jam the first aromantic character the sub-culture gets its hands on into something that looks enough like traditional coupledom that no one has to change their romance-oriented outlook. The myth of the OTP can live on if you just change some of the verbiage. I know there are arospec people that would also feel excluded if fandom fell in line with my perspective and kept Riz as far away as possible from anything resembling romance. I don't actually know what the right solution to these problems is. We got thrown one bone and there's a bit of a desire to fight over it (Wikipedia's list of aromantic characters has 18 characters, and while that's not all of them, it's a decent percentage). But I did want to put this out in the world. Because I feel like there's a lot of context and baggage missing from this discourse. And all I really want is to have fandom still be able to treat an aromantic character as valuable even when they can't neatly pair him off

[triglycercule]

dust with a fucked up savior complex save me dust with a fucked up savior complex SAVE ME!!!! he's literally sooo savior complex coded. he killed his underground to "save" everyone and stop the human from killing them. he thinks that it's better that he does the murdering instead of the human because he has better intentions. he's sad at the beginning (rightfully so) but savior complex dust really gets so much cooler when you add in the fact that dust eventually started to LIKE killing his underground 😭😭 like just..... imagine a manic dust who's gone mad going around claiming he's helping everyone with what he's doing when he's really,,,, not. soo cool.,,, (like dude how are you SAVING people if they don't exist after you've killed the person who was killing them. there is nobody to be safe but yourself anymore) (can you tell this was inspired by the one comic of dust killing his papyrus and saying "it was better if i did it" or something)

but also also on the other hand,,,,, revenge fueled dust??? he's gotten SO bitter from the repeated resets and genos that he's genuinely bitter enough to risk it all to stop the human. he doesn't have pure intentions in this one. dust doesn't claim he's saving anybody with what he's doing murdering them all. he KNOWS it's bad and wrong and hypocritical but he does it anyways because he wants to not only stop the human but to make them suffer. he purposely wants them to keep coming back after killing them just so he can kill them over and over and over and have them experience a fragment of the suffering he did with having all of his friends and family killed. but i think a revenge fueled dust (in contrast to savior complex dust) would be a lot cooler if he still felt shitty for killing everyone. it's painful to do but hate is stronger than love and dust's hate for the human is MUCH stronger than his love for the underground atp

[starjunkyard]

"Im not even sure anymore if we get to choose who our friends are" There is a part of me that resents you for making me a worse person than i want to be but i am inexplicably uncontrollably drawn to you. You make me a worse person which is the last thing i want yet i want you in every way. If i could leave i would. Maybe i can but i dont want to. I have fun with you. You challenge me and you captivate me and you push me and pull and run circles around me and it makes me feel like a younger man. For the price of being a worse person i get to feel truly, wholly alive. You are the blood that runs through my veins; vital, inseparable. I was reborn when i met you and you are the womb that haunts me. You are the one person on planet earth who knows me. I wish i could leave, move on and be the man im supposed to be but my heart is tied to yours in a gordian knot. There is a part of my soul that rests in yours, magnetic. For as long as i love you i cannot be better than i am. But maybe thats something i can learn to live with. Gregory House-- I think you're worth it.

[alaydbug]

realizing that, as someone who is aro/ace, i dont feel overjoyed when seeing confirmed aro/ace characters in media because of the inherit loneliness one may feel from this identity and not wanting characters I adore to have to feel such a way. love representation, very hard to face them when its a deep part of your own insecurity and it scares you.

[slugandthorn]

The coolest gender thing in the 2009 Japanese video game persona 3 100% how hard they coded shinjiro as the dead mom

[averlym]

which is gayer? SIX or Adamandi (real)

adamandi

[yana125]

Help! I'm writing a fic for a fandom I like but only know about the certain series and game I'm writing about as a casual 'I know this and that because I watched scenes and read the wiki but have never seen all of the episodes/never played with the game' and I've written nine pages of very thought provoking dialogue in the past two days so far that probably wouldn't slide well with the fandom because it contradicts many things in the established canon but I don't care because the cycle of nature doesn't have a good and evil side, Carl, the cycle of nature just cycles, don't blame nature when the people are the ones who use it for good or bad because they were never taught HOW to properly use it and how to deal with emotions in a HEALTHY way, and I abso-fucking-lutely LOVE writing this!!!!!! (╯°□°）╯︵ ┻━┻