#just when we were high

[inkskinned]

actually sometimes being neurodivergent is great bc you have a particular kind of Silly Mode that just . manifests glory. harmless fun is my precious side quest & i have a high score in whimsy. like okay if i gotta be the first dork in the dance pit it's gonna be me and this random toddler and we're gonna avril-style rock ouuuuttt

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[uncanny-tranny]

I recall saying this before, but it bears repeating:

There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.

[swinging-stars-from-satellites]

holding hands platonically. reblog if you agree

[halorvic]

The danger is clear and present: COVID isn’t merely a respiratory illness; it’s a multi-dimensional threat impacting brain function, attacking almost all of the body’s organs, producing elevated risks of all kinds, and weakening our ability to fight off other diseases. Reinfections are thought to produce cumulative risks, and Long COVID is on the rise. Unfortunately, Long COVID is now being considered a long-term chronic illness — something many people will never fully recover from. Dr. Phillip Alvelda, a former program manager in DARPA’s Biological Technologies Office that pioneered the synthetic biology industry and the development of mRNA vaccine technology, is the founder of Medio Labs, a COVID diagnostic testing company. He has stepped forward as a strong critic of government COVID management, accusing health agencies of inadequacy and even deception. Alvelda is pushing for accountability and immediate action to tackle Long COVID and fend off future pandemics with stronger public health strategies. Contrary to public belief, he warns, COVID is not like the flu. New variants evolve much faster, making annual shots inadequate. He believes that if things continue as they are, with new COVID variants emerging and reinfections happening rapidly, the majority of Americans may eventually grapple with some form of Long COVID. Let’s repeat that: At the current rate of infection, most Americans may get Long COVID.

[...]

LP: A recent JAMA study found that US adults with Long COVID are more prone to depression and anxiety – and they’re struggling to afford treatment. Given the virus’s impact on the brain, I guess the link to mental health issues isn’t surprising. PA: There are all kinds of weird things going on that could be related to COVID’s cognitive effects. I’ll give you an example. We’ve noticed since the start of the pandemic that accidents are increasing. A report published by TRIP, a transportation research nonprofit, found that traffic fatalities in California increased by 22% from 2019 to 2022. They also found the likelihood of being killed in a traffic crash increased by 28% over that period. Other data, like studies from the National Highway Traffic Safety Administration, came to similar conclusions, reporting that traffic fatalities hit a 16-year high across the country in 2021. The TRIP report also looked at traffic fatalities on a national level and found that traffic fatalities increased by 19%. LP: What role might COVID play? PA: Research points to the various ways COVID attacks the brain. Some people who have been infected have suffered motor control damage, and that could be a factor in car crashes. News is beginning to emerge about other ways COVID impacts driving. For example, in Ireland, a driver’s COVID-related brain fog was linked to a crash that killed an elderly couple. Damage from COVID could be affecting people who are flying our planes, too. We’ve had pilots that had to quit because they couldn’t control the airplanes anymore. We know that medical events among U.S. military pilots were shown to have risen over 1,700% from 2019 to 2022, which the Pentagon attributes to the virus.

[...]

LP: You’ve criticized the track record of the CDC and the WHO – particularly their stubborn denial that COVID is airborne. PA: They knew the dangers of airborne transmission but refused to admit it for too long. They were warned repeatedly by scientists who studied aerosols. They instituted protections for themselves and for their kids against airborne transmission, but they didn’t tell the rest of us to do that.

[...]

LP: How would you grade Biden on how he’s handled the pandemic? PA: I’d give him an F. In some ways, he fails worse than Trump because more people have actually died from COVID on his watch than on Trump’s, though blame has to be shared with Republican governors and legislators who picked ideological fights opposing things like responsible masking, testing, vaccination, and ventilation improvements for partisan reasons. Biden’s administration has continued to promote the false idea that the vaccine is all that is needed, perpetuating the notion that the pandemic is over and you don’t need to do anything about it. Biden stopped the funding for surveillance and he stopped the funding for renewing vaccine advancement research. Trump allowed 400,000 people to die unnecessarily. The Biden administration policies have allowed more than 800,000 to 900,000 and counting.

[...]

LP: The situation with bird flu is certainly getting more concerning with the CDC confirming that a third person in the U.S. has tested positive after being exposed to infected cows. PA: Unfortunately, we’re repeating many of the same mistakes because we now know that the bird flu has made the jump to several species. The most important one now, of course, is the dairy cows. The dairy farmers have been refusing to let the government come in and inspect and test the cows. A team from Ohio State tested milk from a supermarket and found that 50% of the milk they tested was positive for bird flu viral particles.

[...]

PA: There’s a serious risk now in allowing the virus to freely evolve within the cow population. Each cow acts as a breeding ground for countless genetic mutations, potentially leading to strains capable of jumping to other species. If any of those countless genetic experiments within each cow prove successful in developing a strain transmissible to humans, we could face another pandemic – only this one could have a 58% death rate. Did you see the movie “Contagion?” It was remarkably accurate in its apocalyptic nature. And that virus only had a 20% death rate. If the bird flu makes the jump to human-to-human transition with even half of its current lethality, that would be disastrous.

[poorly-drawn-mdzs]

The red spot is a chili flake

The red spot is a chili flake... (context)

[voxmilia]

Oh Sklonda's righteous fury hits so hard, as a kid who WAS taken advantage of in many ways by her friends when she was in school, and whose mom tried to tell her they were being unkind and who didn't believe her until she got kinder friends

[ink-the-artist]

forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.

ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol

[trans-axolotl]

oh i will say something very exciting that @bioethicists and me found out today is that the psych abolition workshop that we proposed for the anarchist health conference got accepted!!!! so now we just actually have to create all the materials for that LMAO but i'm so excited to present about psych abolition and anticarceral suicide support to that audience :)

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[princessdarth-vader]

I think my ultimate thoughts re; Kipperlilly is that I wish we got a scene where a character was allowed to show her... sympathy. I know there's a tone you wanna hit with a victorious season finale, and a somber note of a teenager falling into a deep well of rage doesnt match that tone but it would've been nice to see.

In my dream world, we get an extra epilogue scene where Riz goes to see Jawbone to go and talk to him, and brings up the thing he mentioned about "seeing Kipperlilly in himself" -- relating that to what Jawbone said at the beginning of the year, and wanting to talk about that deeply set in need for control, and the latent anger he has, and all the ways he is like Kipperlilly, and doesn't want to be.

And in response, Jawbone is able to address the ways in which he failed Kipperlilly, and let her down. That she needed more help than he could provide, that she needed someone who wasn't too afraid of their own biases to shut down her anger, someone who could maybe have given her a support system to turn to instead of Porter. Someone external to the school and the social dynamics within it. Just an acknowledgement from, as far as we know, the only adult in Kipperlilly's life who earnestly tried -- and earnestly failed -- to help her find a better path than her rage.

Just a small moment of acknowledgement that Kipperlilly was a child, an angry, scared, biased and deeply insecure child who was looking for help when she first walked into Jawbone's office, and because of all the adults who failed her, she was turned into something unrecognisable by the time she was 17.

[demadogs]

stranger things season one 2016 was so fucking incredible. it exists as an entirely different entity to me than the rest of the show. you literally just had to be there. to this day nothing has ever come close to the amount of universal love for a fictional story that stranger things first received. ive been chasing this high for eight years.

[tomurakii]

I kind of hate all the comparisons between kipperlily and like. Those fuckass "affirmative action fucks me over I wish I was [minority] so it would be easier" people because none of that. Is what she said. She said the bad kids already had more experience with adventuring before they got to augefort and it meant they had an advantage. Which is true. Yeah Riz was lower-class but his mum was a COP. Riz, Kristen and Fig had parents who were heroes (Sandra-Lynn is an active ranger, Kristen's parents are paladins, Sklonda is a rogue), Adaine's family was super rich and politically influential, Fabian had both. Gorgug's the only one who wasn't actively at an advantage [IN THE CONTEXT OF HAVING PRIOR KNOWLEDGE ABOUT HEROISM] and she didn't have shit to say about him. Kipperlily was the first person in her family to try heroism, the bad kids are largely legacy admissions.

Additionally to the people comparing it to the "anti-affirmative action" crowd: do you know what affirmative action is. The bad kids didn't receive special consideration on their admissions to aguefort or scholarships or additional financial support or extended assessment times or anything. How could she be mad about affirmative action if none of these people received affirmative action. What they DID have was knowledge about their classes that started much earlier than high school, which is what Kipperlily said in her file that she thought grading should be adjusted for because she did not have that.

To me it's less like affirmative action and more like augefort is like an IQ test. They pretend that it's fair and objective, but you can be taught how to do those things from a younger age, and if your parents took the time to teach you pattern recognition and shit then you'll do better on an IQ test than someone who wasn't trained for it and everyone will act like that makes you innately smarter when it doesn't. It just means someone taught you how to do that earlier.

Barring Gorgug, every one of the bad kids had access to information about heroism and their class at a younger age than Kipperlily did, which primed them for success in their classes. Every one of them got additional information about mysteries from their families (and even direct battle-tactics training from Bill), Riz especially with getting classified info out of his mum. Kipperlily does not have hero relatives. She's the first in her family line to attend a hero school. She knew nothing about it before her first day, meanwhile Kristen was already the chosen of Helio, Adaine had already been attending the best wizard school in the country, Fabian had already spent his whole life training with his father, and Riz was already involved in solving mysteries using info and tactics he got from his parents.

They aren't necessarily "privileged" (except Fabian and Adaine), but Kipperlily didn't say they were, she said that in the specific context of attending a hero school they had a prior-knowledge advantage. Saying they didn't is like comparing the grades of a kid who's academic career started with preschool with a kid who didn't attend until middle school and acting like one of them wasn't better prepared.

[buckevantommy]

i need to have words with whoever dressed buck for his date bc what is even going on here??? white sneakers are super casual, paired with more formal shiny black dress pants (look at those pleats!), with a semi-casual button-up polo??? to say nothing of the disconnect colour-wise (the only worse outfits of his this season are the finale fits, but that’s another post). 

he looks as disappointed in himself as i am in the wardrobe department. 

i need to headcanon that he had trouble deciding on what to wear, going back and forth for an hour before finally landing on an ensemble he thought was good [spoiler alert: it was not, in fact good]. for someone who had dressed pretty well this season, this outfit was shock-horror. 

[cementcornfield]

If [Ja’Marr’s] coming to the sideline to tell me something, I’m gonna listen to that guy and I’m gonna throw him the ball. 

PMT 2024 | AFC Championship 2022

[esmeamesart]

‘Bet they never spared a prayer for my soul’

- Cassandra , Taylor Swift

Cassandra from fantasy high. Her relationship with Kristen makes me oughhhahhhhggbhh