#just. please. fucking. use. PARAGRAPHS!

[coffin-hopping]

if you complain about white characters being rebooted or drawn to have ethnic features i want you beheaded in town square

[rawliverandcigarettes]

WIP Meme

I was tagged by @illusivesoul, thank you so much (and I'm sorry about your previous tags, they just fell down the depths of my mentions and I forgot them forever ;; )

Tagging... @crapeaucrapeau, @bloobluebloo, and I genuinely do not know who want to be tagged in things like these so I won't bother anyone, but feel free to join up (or don't if you don't feel like doing it of course!)

But!! What a great excuse to share with you all... the very first paragraph of The Empire of Preys. 👀🐸🌿

***

Her krogan of a father used to tell her this before he vanished from her life: don’t look where the sun sets. Look anywhere else. Get your head-start. Gear up while everyone else is blinded.

So Rhanda T’selvi did just that, and went to work that day expecting to be fired.

She got the notice at 4. No surprise there. Najarat Forum was already half empty, most of her turian colleagues long gone by then. She dragged herself off the security desk on an empty stomach and punched the elevator to the last level of the egg-shaped, crisscrossed tenement —her back pointedly turned to the city view. She was tugging at the trigger of the assault rifle strapped to her shoulder, out of habit, when the Virtual Intelligence chimed: floor thirty-seven, directorial center. Rhanda extracted herself from the glass box and took her plated boots towards the empty atrium. At first, she was polite and waited for movement: a secretary, a greeting, another soul waiting for dismissal as well. Anyone. Something. Nobody came. She invited herself deeper in.

[snowjanuses]

I’m sorry but if I see “the blond(e)” more than twice I’m exiting out of your fic

[butchdykekondraki]

ACTUALLY did i ever talk about the like eyestrain the scp mainsite gives me lmfao

[magic-is-something-we-create]

your periodic reminder that im trans and everything ive ever made has been done with the hopes to showcase the beauty and power and glory that being trans is.

this is also your periodic reminder that im queer and everything ive ever made has been done with the hopes to showcase the beauty and power and glory that being queer is.

this is also your periodic reminder that im ace and everything ive ever made has been done with the hopes to showcase the beauty and power and glory that being ace is.

[callisteios]

why haven't they made it illegal to centre an academic argument around a quote that the author never translates?

[centi-pedve]

man wdk why maybe we're just pretentious and cranky right now but whenever people respond to common writing advice with "you can write whatever you want" it's like. yeah obviously. but the people who seek out writing advice and should care about it tend to be the people who need it.

not as in They're Bad but as in a large portion of people who write aspire to be published and to be published your work needs to be marketable and to be marketable you need to follow the rules, save if you deeply understand them and can break them in a manner which retains readability. we mean there's also self publishing but if you get any readers at all your reviews will suffer and as a result your sales will suffer.

there are some publications which take more experimental work but once again you need to understand the rules to break them. there's a big difference between "knowingly breaks rule for a specific purpose" and "makes a bunch of mistakes that will annoy readers at best" and it can be very easy to tell. sort of like the art style vs mistake thing. you can be aware when something is "wrong" but implement it in a way that makes sense and is cohesive with the rest of your work, and you can also just draw the thing wrong. it doesn't matter if you don't plan to do shit with your art so make as many fuck ups as you want but if you aspire to get a job with it then sorry man you're out of luck.

maybe we're just unsympathetic too wdk. cuz apparently people need reminders they can suck shit. you can suck shit 👍 does not change anything about writing advice though or make it less valid in the grand scheme of things.

[gildedmuse]

Despite all appearances otherwise, I'm still (like barely) alive. I'm actually all caught up with the anime right now and there is just so much I've been needing to scream into the electronic void talk about. (I've even got screenshots/gifs for most of it, it's just a matter of finding a time when work doesn't drain every inch of my health by the end of day.)

But I didn't stop by to complain! No, I just wanted to share a minor clip from one of the more recent episodes. Nothing big or spoilery or anything, promise. It's just this small, otherwise unimportant, entirely missable scene....

You know, the one with Zoro being so unbelievably sexy that I haven't once stopped thinking about it in DAYS.

Just look at him! That smirk! (Are they sure Enma is the sharpest blade because that smile could cut right through a Mihawk's cold, haki infused heart.) Actually, you don't even have to look at him, that voice alone is easily more powerful than Gears 1 through 3 (and hey, I won't claim it could take on the god-like powers of Gear 4, we don't really have enough material to judge. Oh, here's an idea! Let's put them both in front of Law, see which one destroys him faster. I don't care if Gear 4 is Buggy-Bunny-But-The-Rock, The Rock still has to wind up his punches. But that look directed right at you? The devastation is likely immediate and irreversible.)

Like, the way he starts out almost defeated, the gravity and soberness in that initial "No" as he turns to face this seemingly unbeatable force. He's put the weight of Luffy's dream and the promise he's made to his captain on winning this battle, and taken along with how serious and direct he's been with Franky so far it helps create an expectation we're going to see that determined, unemotional, unbending Zoro from Thriller Bark or his battle with Kaido. He'll probably say something somehow very self centered while appearing selfless with that grave steeliness he gets when he's resolved against all odds like, "No, I have to do this alone" or "No, what good am I as a swordsman if I can't do this for my crew and our captain?" or if he wanted to go with the typical overly dramatic swordsman tone: "No, Luffy is trusting me - to defeat this man, and make him king of the pirates!" And we'd all swoon because even though Luffy's default introduction/greeting/phrase to yell out regardless of the circumstances is, "My name is Luffy D Monkey and I'm going to be the king of the pirates!" when it's someone else saying it, fans get all emotional. Especially if it's one of the core characters who has a reputation as being more mature or is typically more reserved and private or is, I don't know, someone who tends not to waste his breath correcting stupid people who are being stupid because what does Zoro he care what these nobodies think, Zoro he knows with unshakeable certainty that what Luffy says is true and has enough confidence in both his captain and his own abilities that other's opinions aren't worth addressing.

And even though Zoro turning all seriousness and focused marks some amazing moments in battles, the way that at the last second he is staring straight ahead at this natural disaster level foe and that smile just cuts across his face, completely slicing through that more serious mask Zoro sometimes wears to reveal that bloodlust and pure unadulterated love of the challenge is so absolutely gorgeous and perfect and satisfying.

Like, yeah, of course I love when Zoro gets all Business-Only, For-My-Crew-Name-And-Captain and just doesn't back down or lose focus because he understands this is something he has to do and only he can take on this fight. It fills me with so many, many emotions all of which Zoro is doggedly ignoring because it's all about The Fight but in my heart I know it's because he feels so much for his friends that he's decided that this is his role on the crew to act as both attack and guard dog and take/deal the hits they can't. Beautiful.

But man, oh, man, can anything beat when Zoro goes full "fucking brat who thought learning to hold a katana between his teeth and stumbling his way through a handful of forgettable bounties meant that when the worldwide champion, a warlord, a man so unmatched he's become bored of the very art he master just happened to be passing by he immediately thought to himself, yeah, I'm MORE than ready to kick this asshole off his throne. Hell, just last week I was stabbed and nearly killed by some shitty clown but look how that turned out. I can take on anyone, this bastard included. For fuck's sake he's only got one sword. Fucking amateur."? And whose sole reaction to having his chest sliced in half was, "yo, captain, if you've got a fucking problem with me being fucking UNSTOPPABLE speak up while you can because after this, it's all kicking ass all the time."?

Like, man, you are one cocky little idiot. Never change.

And he didn't.

[anantaru]

synopsis. you got alhaitham to tutor you, although he uses a method you weren't quite expecting, ⋆ ˚｡⋆౨ৎ˚ cw, fingering, soft dom alhaitham, petnames used: good girl, fem! reader ᰔ

"repeat that paragraph, that one, read it to me," shuddered and twisted, you weakly nod back at alhaitham's words, the veil of lust drawing across his face.

you admire his honed jaw and poised tone, the perfect shade of red on his cheeks, no trace of imperfections except a lustre ignite of fire shaped inside the yearning in his eyes.

for now, you were only capable to re-read half of the paragraph as he digs the finger deeper inside before curling it, curling it hard, nudging your puffy cunt as you close your eyes at the impact, alternating between squeezing his hand with your thighs and parting your legs in obvious invitation.

alhaitham continues to lightly stroke over your searing walls, tracing his way further until you squirm at the mind-altering press on your cunt, your hole clenching around the digit, holding the finger in for him to never leave you, "yeah, good girl— ugh, but what else? that's not all," he grins as you sneakily ride his hand, his cock hardening inside his pants.

you rest your head on his shoulder, your focus forced on holding onto the book as good as you could.

you attempt to continue, founding it to be futile when he fucks you with a precision that quickened your blood.

"what else do you got for me?" he repeats.

"c-can we just forget about studying already?" you attempt to reason, stuttering over your words, "you know i can't— i want more," as you cough out and squirm, your hips shifting forward so your clit could grind against the heel of his hand ever so often, "i can't focus like this,"

you were correct, in fact, you were certain no one in all of sumeru could ever focus on a single task when a man such as alhaitham himself, no matter how aggravating at times, would look at someone with such hunger in his eyes, a gaze filled to perpetual sharpness.

you do not want him to stop, you want him to do more.

"you seem to enjoy it," the confidence in his tone could not be any clearer, "very much."

he tilts his head to look at you, the brush of his lips against your cheek making you whimper, the following scrape of his teeth hovering against your jawline tempting out a shiver after such tenderness.

a sensual thrust of his hand repeatedly curls and digs into you, knocking the air from your lungs as you clench as strongly as you could around a single digit, his finger rubbing just so against the furthest, most delicious spots of your walls that it increased the force and pressure on your tight belly from the inside.

how long until you break?

his finger wiggles inside, the touch exquisitely precise, awfully confident, and you found yourself in an inescapable position, impossible to hold yourself back from sinking into the sensation of feeling him. just having him touch you.

"you want me to put another finger?" he kisses your cheek tenderly.

your skin holds against sweat and desperation, tickling the hairs on your skin as a satisfactory pleasure could be felt ebbing and flowing through the entirety of your body.

"yes, please another," you breathe, greeting the scribe with a little more than soft excitement in your voice— but you sounded so angelic to him, your voice silk alike, drowning in a river of solace.

shameless in his doings, alhaitham smirks against you, his lips a hairbreadth away from your ear, "really? you think you got that?"

you nod in certain ecstasy, keeping one hand wrapped around his wrist as he pleasures you, stretching and burning into your hole.

the scribe remains confident in wanting to embed his touch, all of it, on you— not only that but his scent too, he needs your body to pick it up until his aura webs all over your most delicate spots naturally, nothing comparing to the feeling of fullness he gives you.

©2024 anantaru do not repost, copy, translate, modify

[official-linguistics-post]

hello! i do not mean to be rude when i ask this, i am just curious as a neo-pronouns user and polyglot. i saw your last anon, and i just wanted to understand- what is the “linguistic” stance on neo-pronouns? (I was a bit confused by the last paragraph of your response and i wanted to better understand) /gen

i can't speak for the field at large but my personal stance is that neopronouns are fucking cool!

linguistically, pronouns usually fall into what is called a "closed category" of words—that is, there's not a lot of new material, and it can be hard to make new ones stick. think of something like articles in english: all we've got is a/an and the. innovation doesn't really happen in that grammatical space. (note that "closed" is a descriptor, not a mandate. nobody's checking IDs on that gate.)

neopronoun users are therefore facing a double challenge: to be socially recognized as valid in a world that is often hostile to gender innovation, and to have their pronoun paradigm(s) adopted as natural. many people struggle with learning neopronouns from simple lack of exposure because it does take practice to be able to use an uncommon paradigm fluidly regardless of your intentions.

so yeah please keep on keepin' on. it's not an easy battle to fight, but the more we're exposed to the concept and practice, the more likely it is to become accepted both socially and grammatically.

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man

[fairlyang]

One more 🐺

w/c: 709

tags: 18+ smut. cunnilingus, sitting on his face, overstimulation, praise, teasing, tiny bit of brattiness, munch!logan, he jerks himself off, getting off at the same time

a/n: something small! wrote the first three paragraphs like two days ago for funsies. up next a request that’s so😵‍💫

logan gripped your thighs when you tried to escape from his grasp, yet again. he grunted against you and gave you a glare while he continued lapping at your folds like he has for the past hour.

he’s already made you cum twice but he wanted to pull one more from you just because he could.

you’ve been sat on his face struggling to get off because the overstimulation was too much but he wasn’t letting you. his arms were holding you still and you had no choice but to just shake and let him take another orgasm from you.

you were holding onto the headboard to stay steady while one of logan’s hands went back down to stroke himself. he didn’t even let you face the other direction so you could help him because he was stubborn on keeping you like this, writhing above him.

he had been edging himself the whole time just for the sole fact that he knew how much he’d spill when he reaches an orgasm. he knew there’d be no complaints from you after having all of it in your mouth but he just needed one more from you.

he pulled away for a split second and you thought you were free until he spoke, “c’mon pretty girl, just one more.”

you looked down at him and whined, “it’s too much-“

“haven’t used that safe word yet now have you baby?” he asked and you slowly shook your head.

“then? you just like to pretend you don’t like it, huh?” he teased making you moan.

he knew you too well.

“that’s what I thought princess.” he mumbled and with that he went back to savoring your sweet pussy since he knew you deep down loved it.

he knew you loved when your head was so fuzzy and all you can think of is his mouth plus all the pleasure he’s giving you is on another level when you’re overstimulated.

you’d be a little bratty but that was only so he could tease you about it or use it against you later.

you not so secretly loved it but luckily for you, he’ll occasionally indulge you.

he sucked on your clit with his eyes closed, focusing on the smell of your arousal and the sweet sounds of every noise that left your mouth. you were just so perfect in every way he could possibly ask for.

you then started to slowly ride his face making him groan against you, sending shivers down your spine, “fuck logan-“

your thighs shook as you moved your hips back and forth but he held onto you with that one hand, making sure you were up and going. his tongue perfectly outstretched so he’d be licking every inch of you with your movements.

by this point you felt so drowsy but you could feel so close to the edge again. with fluttering eyes and sloppy thrusts, you kept going, desperate to cum in his mouth for the final time.

logan could feel your pussy pulsing against his tongue so he quickened his pace on his dick, he needed to cum with you. he let you ride his face while he flicked his tongue back and forth with you, your orgasm already building in your lower tummy.

“baby i’m so close-“ you murmured, holding tightly onto the headboard.

you turned your head to look at him stroking himself, also desperate for an orgasm, “please cum with me baby.” you whined making him moan against you, sending you both right off the edge.

you watched as his load spilled and made it to his stomach as you came on his mouth. he slowed down and just left soft kisses on your slit as a way for you to ride your high.

meanwhile your legs were shaking and you couldn’t hold on anymore. he pulled his mouth away from you and quickly helped you throw one leg over so you could lay next to him.

he brought your body close to his, your head on his chest as his hand gently rubbed your head. “did so good baby, i’m so proud of you.”

you closed your eyes and smiled, content with his sweet praise and finally let sleep take over your body.

[awxcoffeexno]

the patient - part 1

toxic!loganhowlett x reader

like real people do

series masterlist | fic masterlist | part 2 >>

summary: logan's in love w jean, ur in love w logan, and he comes to your bed every night that he cannot spend in hers.

content: more angst, the awxcoffeexno special. terribly, terribly toxic relationship between reader and logan. they both need copious amounts of therapy. this one-shot takes place in the x-mansion where reader is a student of the professor and logan is... well, logan. reader also has powers, you'll learn of them as you go.

warnings: all mentions of jean are actually referring to the phoenix who is extremely mentally unstable, logan mandhandles the reader quite a bit but never hurts her, the relationship portrayed is horribly toxic.

word count: 1.3k

a/n: wowowow im so happy the world is FINALLY sharing in my obsession with logan, he's such a cutie patootie. this fic isn't my best but it's an idea I've had for soooo long that i just had to have a crack at it.

you can sense him coming 3 minutes before he's made the decision to seek you out.

you sit up straight at your desk, eyes flicking down to the research paper you've been working on with the professor. you decide to get the last paragraph in, fingers scrambling across the keyboard to finish your thoughts before logan makes you forget everything.

and then he's at your door, throwing it open without knocking.

"good." he grunts. "you're here."

stepping inside, he locks the door and turns to you. and fuck, you hate this. you hate when he's like this, you hate everything about this arrangement.

well, almost everything. how could you possibly hate the way he walks over to you and leans down, brows set in a deep frown, pulling you up by your jaw? how could you possibly hate the desperation, the need, in his eyes as he he flutters them shut, pressing his lips to yours? how could you possibly hate the smell of wood and tobacco and... logan... as he slips his hand off your jaw to painfully wrap around your throat?

but when you slip into his mind, quiet as a cat, making sure not to give your presence away, his thoughts are swirling mostly with one person. and it's decidedly not you.

"no," you gasp into his warm mouth. "no, logan."

he grunts in protest, moving his mouth from yours to your neck.

"logan, please..." you try again, pushing your hands between you both. you reach for his cheek but grabs your hand in a vice grip and yanks away from you. he will not let you touch his cheek, he will not let you use your powers on him.

"what?!" he snaps. "what do you want."

he hardly even notices his own actions as he uses the same hand to also ensnare your other wrist, squeezing tight to let you know not to even attempt wriggling free.

you swallow thickly and look into his glowering eyes. "you know i don't like it when you... when it isn't about me. when it's about... her. i can't stand it. it feels... wro–"

and his free hand is wrapped around your jaw. you've done it again. you read his mind without his permission after years of him telling you off about it, years of him telling you to "back the fuck off, bub."

but you can't help it. you do it all the time. he lets jean do it. why should you not be allowed? why are you always lesser to him than she will ever be?! especially when she hurts him so much he has to come to you to lick his wounds clean?

jean's... broken. you're perfectly fit. jean's hardly ever there to give him what he needs, you're always by his side, before he even knows he'll need you. it's just how your powers work, and you don't hear him complaining about using the future for his advantage. and yet all he does is think about her. even when he's here to fuck you.

"logan, how about you let me go and go back to carrot top?" you say, evening your voice out in that way you do when you know you can talk people into things with your hand on their cheek. but your hands are both trapped in his crushing grip and there's no way he's going to let you move them.

he's glaring at you. gauging you. and you slip into his thoughts again – yup, he's dreaming of ways to kill you. you snort. well, at least you're on his mind now.

"get the fuck out of my head." he growls and lets you go roughly, shoving you back. you stumble back but hold your ground. he would never actually push you hard enough to hurt.

that's the easiest part about loving logan. feeling safe even when it hurts.

you take a deep breath and restart, voice still even.

"logan?"

you watch his shoulders sag in defeat as he leans against the window sill and sighs.

"logan, i... i just..."

he looks back at you, eyes sluggish. tired. "you just what?"

"i don't like being your... stress ball." you sit down on the bed, massaging your temple because you cannot read his thoughts anymore. he's spending a significant amount of his energy blocking you out.

"don't hear you complainin' when i'm balls deep in you most nights."

you cringe at the crudeness and rub your face. he stands up a little straighter at your reaction, having realised over the years that all your anxious tics reside in your face. the way you rub it, the way you harshly massage your temples, the way you chew on your lip and pull the little baby hairs out of your hairline. and now you're all that is on his mind.

he carefully pads over and crouches down in front of you. eyes softer, way gentler. his hands slip around your wrists again and tighten but this time his grip is friendly, comforting. he's trying to ground you.

"me on your mind, sweetheart?" he says, voice heartbreakingly soft. you simply nod so he continues, "mmm... i hurt you today?"

a lot, you want to say. all you ever want is her. your jean. the jean you'd do anything for even when she's trying to drag the animal out of you and turn you into a beast, logan.

"a little." you settle.

he shifts both your wrists into his left hand and slips his right palm onto your cheek. "how can i make it better?"

you swallow thickly. you have to choose your words wisely. none of your powers would be useful right now, so you lean in and kiss him first.

"i'm scared." you sniffle. "scared of losing you to her completely. you love her, lo. so much you let her chop your mind up into little pieces and put it back together every single day."

his eyes fall in a rare moment of vulnerability so you don't let go of your momentum.

"she's hurting you so much," you whisper, aching to reach out for his cheek and take it all away. "i cannot keep fixing the wounds that she creates."

his eyes snap up to you at that. "well, if you don't want this–"

"no! that's not what i'm saying, james! fuck, i want you! i need you. but it's all i've become to you," you whine with a pathetic sob. "a way to fall asleep at night. a means to an end. a solace from all the pain."

"when you know that that's what this is... that you can take my pain away..." he looks at you, his dark eyes accusatory.

and fuck, what the fuck are you supposed to say to that? what kind of doctor turns a patient away? a patient so desperate for care?

so you close your eyes and let the ache wash over you. several minutes pass in silence and he starts to get up.

"you're right," you finally mumble.

when you open your eyes he's still looking at you.

"i'm sorry. i don't know why i did what i did. of course i want to help."

he's immediately scooping you up and lying you down. logan's easy like that. he never asks too many questions.

he kisses you, softer than he ever has before and starts working his way down your chin and neck and... how does it always end like this for you? with you giving in and him having his way with you. with you under him, tears in your eyes because you do not want him to stop but it hurts so badly to be his second. his second priority, his second thought, his second need.

will you ever be able to deny him?

"open your mouth, sugar." he coos, slipping two fingers past your chewed up lips to let you wet them.

your eyes roll back into your head as you suck on his digits, body reacting in tandem with his.

no, there is no way you would ever deny him anything.

"logan?" you whisper when his pulls the fingers out.

"hmm?"

"i love you."

"i know."

--

i have once again risen from dead. i hope you liked this xxxxxxxxxxx ily

love, d <3

--

part 2 >>

[hydnes]

People using the McDonalds Zionism thing to be fatphobic as fuck is crazy because why would you be like "Why do you need to shovel your fucking face with grease anyways" if you weren't already thinking that prior & just wanted an excuse to brazenly say it. Insane

I still stand by what I said I'm just turning off reblogs because I'm just being exposed to paragraphs of stuff that's almost completely missing the point and I'd rather people didn't boost this over actual posts about what's going on.

Please keep talking about Palestine and not spending money on corporations who fund genocide, and most importantly please remember the people you're doing this for as that's the point I was trying to make with this post.

[yuwuta]

PEOPLE TOLD ME ABOUT THE FLAMES, I COULDN’T SEE THROUGH THE SMOKE — MEGUMI FUSHIGURO

cw some kind of college au/boarding school au? this used to be for rodeo station and now just... exists on its own, friends to lovers, megumi has toji and satoru as father figures so are we surprised that he’s a bully and doesn’t really grow out of that phase… anyway, apologies to muta and miwa, 1.3k words

Nobara makes a poor effort to stifle her laughter as Kokichi stomps up to stand in front of you, hair and clothes drenched in chocolate milk, shoes sloshing with each step, and the bandage on the side of his cheek peeling from the wetness.

When you look up at him, you’re unimpressed, and unsurprised, so you resume annotating your lecture notes as if you weren’t interrupted. If Kokichi wanted to stand in a puddle of dripping milk, then so be it—you should have finished your notes yesterday, and you couldn’t get through your other tasks without catching up first.

“Look, I already said I was sorry. I shouldn’t have kept bothering you for your number when you’d already said no,” Kokichi starts, wiping dripping milk from his chin, “Now, will you please call off your guard dog.”

You don’t reply immediately, focused on finishing the last paragraph of the page, much to Kokichi’s dismay, and Nobara’s amusement. He huffs at your silence, frustrated and humiliated, but there’s nothing for him to say or do until you respond. Maybe that’s something he should have considered when he kept trying to talk to you in class. Still, even now, you’re not ignoring Kokichi to embarrass him or string him along; you just want to finish your godforsaken anthropology homework.

“You seem to be under the impression that I can make Megumi start or stop doing anything,” you sigh, put your highlighter down, and tiredly look up at Kokichi, “But I regret to inform you that you’re wrong.”

Kokichi’s nose scrunches in disbelief, an angered hand coming to wave in front of his face, but his dripping clothes result in splashes to his face—and further laughter from Nobara. He sighs out of frustration, trying to put away his pride, but Nobara’s giggling and your nonchalant attitude are really making it difficult for him to take this in stride.

“Okay, you’re fucking with me—and I deserve it, alright? But, Todo already gave me a fucking lecture, Mai won’t look at me, and Megumi is going to rip and stain every single shirt I own at this point.” 

“That sounds like your problem,” Nobara snickers, rolling her eyes when Kokichi gives her a glare. 

“I'd love to help, Muta, but this is out of my control,” you loll, capping your marker, “Maybe try apologizing to Megumi instead of dripping chocolate milk over notes and shoes.”

“Eh? The hell am I apologizing to him for?” 

“You’re the one who pissed him off—how should I know?” you sigh, sliding your pens and markers into your bag, and closing your folder. 

Nobara pipes in to taunt, “You’d better figure it out soon, though. I hear they’re serving spaghetti tomorrow, and that definitely stains.” 

You swear you hear Kokichi growl, but it only makes Nobara laugh harder. The two of them together is a bad combination—Kokichi is easily aggravated, and Nobara easily aggravates. You’re certain that if Megumi weren’t already on his ass, Nobara would have stepped in to bully him just for the fun of it.

Still, you’d rather not have to testify on either of their behalf, so you bid Kokichi a goodbye, offering him your best advice about cleaning milk stains out of white shirts, and drag Nobara by the arm before she can make another quick quip to finally make him snap. 

She’s still laughing at Kokichi’s expense all the way back to your dorm, “As much as I like seeing Megumi pummel Muta, he’s definitely gonna get written up, at the very least, if he keeps it up. Just tell him you’re not mad about it anymore, and he’ll piss off.” 

You stuff your hands into your pockets, “I don’t control megumi. I didn’t tell him to egg Muta’s car, and pour milk all over him. ” 

“Like hell you don’t,” Nobara scoffs, “Kokichi was right about one thing—Megumi’s a doberman on a leash and you’re his owner.” 

“I didn’t even tell him that Kokichi kept asking for my number. I’m pretty sure Todo told Yuuji, and Yuuji told Megumi.”

“Yeah, that’s almost worse,” Nobara huffs, “He’s just moved to protect you out of undying loyalty—it must be nice to have a knight in shining armor. Does he call you ‘my liege,’ when you’re alone? He might as well bow down and kiss your shoes with the way he worships the ground you walk on.”

You know Nobara is teasing. The rhetoric that you have influence on Megumi isn’t new to you, but it’s always confusing for you to hear. You’ve known Megumi since grade school, and one thing you’re certain of is that he does things of his own conviction, and when he’s decided something, there’s little anybody can do to convince him otherwise. He’s the true definition of steadfast, and sometimes you wonder if his beliefs have inadvertently made him gain masochistic tendencies, because you’ve seen Megumi suffer in pain just to prove a point. 

“Megumi’s his own person, and he’s not easily influenced,” you chuckle, “If anything, he’s more of an attack dog—he bites whenever he sees something he doesn’t like.”

“In any case, he’s your dog,” Nobara shrugs. She pauses for a moment, skipping to catch up to you with a scrunch to her face, “I change my mind though, he’s definitely not scary enough to be a doberman. What are the puffy ones—the really small ones that yap a bunch?” 

“Pomeranians?”

She lights up—“Yeah, that’s way more fitting! Plus, he’s got spiky hair like those little mutts, a really bratty, spoiled one too. Gojo probably kept him in his Birkin as a kid.” 

You giggle as Nobara searches for an image to compare to one of Megumi. She goes as far as to make a collage and send it in your group chat for approval, instantly getting a rave reaction from Yuuji, and predictably, no response from Megumi.

Nobara walks you back halfway to your dorm, leaving you on your own to head to the gym to meet up with Yuuji. When you get back to your room, you’re not surprised to already see Megumi inside, sitting snugly on your worn-in couch with a book in hand. It’s Wednesday, so he only had morning classes, and prefers to spend his afternoon studying in solace, usually taking advantage of your larger, empty room to get his work done. He gives you a small wave, enraptured in his reading, and you know better than to try and disturb him, so you take your place on the opposite side of the couch with the remainder of your notes in hand, finally having the peace and quiet to finish your annotations. 

Megumi finishes his chapter before you’re done, but he waits for you, quietly scrolling on his phone so as not to interrupt you. You don’t face him when you speak, keeping your eyes on your notes, and simply stating, “Kokichi apologized.”

You hear him hum. you know he’s looking at you, but you don’t meet his gaze, and do your best to bite back a smile before he asks, “You forgive him?”

You finish your annotations with a final asterisk at the bottom of your page, so you cap the marker, and finally turn to face Megumi. He doesn’t ask a second time, even as you silently observe him, even if your smile is confusing to him.

“I wasn’t ever really upset,” you explain, “It was annoying, but he wasn’t harassing me or anything.” 

He hums again, but it’s not agreeing. “Tsumiki is gonna get mad if you get suspended.” 

Megumi calls your bluff with his hum this time, and you sigh. Tsumiki won’t get mad, because Megumi would never get suspended, not as long as Gojo is around as headmaster.

Megumi turns his body inward, raising an arm to rest his elbow against the cushion of the couch. He lolls his head to rest against his palm, cheek squished, and almost mischievous glimmer in his eye. In this light, you see Nobara’s argument—with sleep-tousled hair and expectant eyes, Megumi looks an awful lot like a puppy waiting for a command. 

It’s cute, until you realize that Megumi is awaiting your command. Is he?—why would he, he’s never been known to listen, and yet, you’re tempted to see if you truly do have him on some proverbial leash, like everyone else seems to believe.

“Megumi,” you call, softly, “He’s learned his lesson, and I’m fine, alright? Leave him alone.”  

Megumi blinks slowly. His features soften, only for a moment, before he’s turned away from you to pick up his book again. He doesn’t respond verbally, doesn’t touch on the topic for the rest of the evening that you both spend studying in your room, but the following day, you walk past Kokichi and Miwa heading into their chemistry lab, and notice a distinct lack of milk or food residue on his clothing or in his hair, so there isn’t anything more to be said.

Megumi is waiting outside of your lecture hall after your last class of the day, offering you a carton of strawberry milk—unopened, and un-thrown. You accept it, reaching up to ruffle his hair as a thank you, and you’re surprised when you feel him move into your touch. He dips his head down a bit further, gently knocking it against yours before straightening up with a sly smile. He nods his head, wordlessly, and turns towards your dorm, ready to walk you back. 

You follow, dazed, as you stab the straw into your milk. You’re a half-step behind Megumi, head clouded with confusing new daydreams about the boy in front of you, and now you can’t help but to wonder if you’re the one left to follow Megumi’s whim, or if he’s just pulling you by his own leash.