#just. yeah. it resonates

[livelylambs]

On the topic of homoerotic rivalry I’d like to throw my hat into the ring and say that it’s cool! But what if sometimes it’s. Not homoerotic. Like, what if it’s not about the repression of attraction and how it manifests itself in the bickering and the fights and the vitriol. What if it’s exclusively the moments where, against all odds, they find themselves laughing together through the cracks of the facade. Where the mask of the rivalry crumbles and they find themselves doing something as vulnerable as enjoying themselves, without restriction, without judgment, with someone who seemed just as far away as they did. Maybe it’s about how vital it is for such intensely defined individuals, who are so unwilling to sacrifice any part of their personal freedom, to know they can be safe and soft in company when they want it. And that like, somehow, it’s the same individualism that makes them bicker that ultimately allows them to respect the other’s freedom more than anyone else. And it’s not about the attraction it’s just about the vulnerability and the trust and the independence and they wonder if they might be able to live their whole lives like this, adjacent to one another. Free, but with the capacity to let their guard down and still be welcomed in again. You ever think about that

[astearisms]

part of a sadness

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[ourstaturestouchtheskies]

web-weaving — eldest daughter syndrome

Repose – John Singer Sargent // Eldest Daughter – Isabel Pless // Old Soul – The Highwomen // I Miss Her and I Blame You – MALINDA // Goodbye – MARINA // Surface Pressure – Encanto

Violet Sargent – John Singer Sargent // Study for Carnation, Lily, Lily, Rose – John Singer Sargent // My Ego Dies at the End – Jensen McRae // You're On Your Own, Kid – Taylor Swift // The Hardest Part – Bre Kennedy and Hadley Kennary// Older Than I Am – Lennon Stella // seven – Taylor Swift

The Black Brook – John Singer Sargent // Eldest Daughter – Isabel Pless // 26 – Carol Ades // Eldest Daughter – Isabel Pless // You're Losing Me – Taylor Swift // champagne problems – Taylor Swift

Girl with a Sickle – John Singer Sargent // The Breakfast Table – John Singer Sargent // Surface Pressure – Encanto // Older Than I Am – Lennon Stella // Control – Bre Kennedy // Surface Pressure – Encanto // Old Soul – The Highwomen

A Dinner Table at Night – John Singer Sargent // this is me trying – Taylor Swift // Let the Rain – Sara Bareilles // The Hardest Part – Bre Kennedy and Hadley Kennary // Half Truths – JOSEPH // this is me trying – Taylor Swift

[fumifooms]

Hijoushoku to Gochisou / A Feast of Emergency Rations

Mayonaka no Waltz / Midnight Waltz

Nagabe

[goldensunset]

the indecision between ‘i love this character and i want them to be happy/i want to see more of them’ and ‘it would be most narratively compelling/intriguing if they died or otherwise were (mysteriously) never seen or heard from again’

[hulloitsdani]

What do u think Kiran is

How do u think the order sees kiran

*slowly sits up in my chair*

I think Kiran is a very normal person. This is someone you and I have met before. Be that from the other side of grocery store cashier, waiting in the same elevator, or walking by on a crosswalk. Kiran is a civilian from our world trying to roll with the punches of being warped somewhere completely alien. And you can see it in how they conduct themselves.

I always have a lot of fun writing Kiran’s dialogue because their casual modern speech almost feels like a dialect in comparison to the more formal fantasy tone everyone else speaks with. An “ain’t” will never exit Alfonse’s mouth, you know? And there’s a difference in “Do you have gold?” vs “You got gold?” To me, this gives Kiran an air of unfamiliarity to anyone they interact with. Let’s use Grima as an example, because it doesn’t sound like this grammatical change would make much of difference until Kiran has the audacity to hit Grima with a bro mid sentence. But that’s just how they talk. And as sweet and friendly as they are, there’s always moments like that to remind that no one has the cultural context to fully understand Kiran. Except for the audience, who can realize that Kiran let the customer service voice drop to talk to Grima like he’s an actual person.

And that’s just about how they talk! This view is only emphasized by every other thing about them! They’re a lovable goof, which is normal chill person behavior in the audience’s eyes but feels REALLY ODD to the characters of FE’s medieval fantasy war setting. There is this air of unknown about them that the more socially perceptive will pick up on and will try to come to a conclusion about. Example, I imagine Soren would interpret a lot of this as a dangerous and deeply annoying lack of intelligence from someone he has the displeasure of sharing a tactics table with. Or looping back to the Grima example, he would totally think Kiran has greedy ulterior motives behind that pleasant facade. It takes a lot of work for those types to realize that the discrepancy present isn’t really any of those things. But I also wouldn’t be too surprised if Kiran doesn’t try to directly prove any of those assumptions wrong unless they have to.

Why? Well now it’s time for the implications! Oh how we love the implications.

Because the Summoner is a different story. No one has any fucking clue what that is.

I can tell you what Kiran has pieced together so far. Summoning people from across time and space is apparently not easy. It’s not some school of magical study that some mage could pull off with enough time and research. Trust, Eitri tried. It’s a lot of complex moving parts. For example, the contracts. The contracts Kiran automatically binds their summoned to don’t even compare to the ones Veronica used in book 1. They are far more intense and infinitely harder to break. The only way out of them is if Kiran wills it so. Not even death is an option, because Kiran can come in for the revive. If they had to guess, it’s an older, more completed version of the art. Something lost to time. But no matter the case, Kiran has the ability to take full control of whoever they manage to summon. From a lowly farmer to the divine. And their power only grows.

In a similar vein, if there was any character to canonically see the hud, I think it would be Kiran. It’s genuinely part of their power set. I have previously described Kiran as the party mage until Veronica shows up to be the actual mage, but it would be way more accurate to call them a mystic/seer. They see the map, everyone’s stats, and is doing a fast amount of math to give the combat forecast. Then, upon processing all this information their enemies couldn’t dream of having at their disposal, Kiran can telepathically communicate any change in plans to anyone under contract. Kiran is not inherently some great tactician the moment they touch ground in Askr; they simply can do things no one else can. They’re learning the actual tactics part on the fly. This makes them simultaneously the largest ace up the Order’s sleeve and potentially its biggest liability. If they fall, it could cause a whole system cascade. By that same token, some of the biggest threats the Order has faced are the ones who do their research and rightfully target Kiran.

Now. Thinking critically about all that. That’s downright terrifying. A ridiculous amount of power has been dropped callously into Kiran’s lap and they have to work extremely hard to be moral with it. It’s terrifyingly easy not to be. It would actively take less effort to ‘take the reins’ as it were. But in order to be able to sleep at night ever again, they go the extra mile to not invalidate the will of their summoned. To take over like that. To make a colony of worker bees out of people. Because oh dear god they just summoned a child and the fact that they could easily force them to fight and die for them, only to be revived and do it all over again, is HAUNTING. No. No the Order has an in house orphanage now. This kid is getting adopted and cared for god damnit or Kiran might just pop a blood vessel. And sure that child is going to be a child and there will never be a world where they get along with everyone else, but that’s just going to need be a problem they address when they get there and not an excuse to use Hubris; the power set. Now replace the word child with everyone they ever summoned and you have the wider philosophy they apply to the entire Order.

They’re hyper aware of the power imbalance. They hate it with every bone in their body. They work really hard to correct it in whatever way they can.

So Kiran might not jump on the opportunity to correct those who think lesser of them. It’s… oddly comforting to know someone is keeping a critical eye on them. Holding them accountable. Especially since so much of the order just thinks of them as this quirky yet well meaning host. And, really, what can they even do about that? They have gone over the contract with every hero they summon and despite that they still choose to stay. So, what, do they try to inspire more mistrust? The problem with that they would have to actually do acts that intentionally inspire mistrust. And even if that was successful they can’t just waste the extra man power because every other month there’s some new divine asshole who wants them all dead. And if they fail that means they have to start their life from square one and god they can’t do that again so—

Just breathe Kiran.

It’s fine. You’re fine. Just breathe.

You have work to do.

[satari-raine]

I'm still not used to fully talking on here but I just have to talk for a minute about Sleep Token and Wembley.

They did fantastic. After touring so much this year, doing back-to-back shows, dealing with a band member having to take a leave of absence for most of their final tour, incorporating new changes to their routine and style, and with Vessel having hurt his voice during such a huge show, they did fantastic.

I watched along with Discord. Mostly lurked. And everything I saw from the effects on stage, the fun antics, the performances, the playing - guitars, bass, drums, the dancers, the choir - they did fantastic. And Vessel. I said it in chat that he doesn't need to hurt himself or his voice to earn the love of those who listen to his music, but he kept going. He sang, and pushed through when he had every right in the world to put a stop to the show and focus on his health. He kept on going while also giving to the crowd the chance to carry him through, and seeing everyone - from those on stage with him to the crowd to people in chat and what I saw on here - still loving him, loving them?

They did fucking fantastic, and I dare anyone tell me otherwise. As a community, we should be celebrating them despite any differences of opinion - being kinder and supportive of one another is literally everything they've shown with III's situation and in general. It's what so many of us showed back to them with the hand salutes for III and the marked ? on our hands during specific songs. Their new outfits have fan-made decals to them, for fuck's sake. They are absolutely, without a doubt, genuine about making everyone feel loved.

Look, I'm just a stranger on the internet at the end of the day but this band has come to mean so much to me since I found them, to the point where they've honestly kept me going some days - them and the wonderful people I've met through them - and I just need them to know that they did fantastic, their music still brings people together despite hiccups along the way, and regardless of any of those hiccups, they are so loved. Loved beyond belief.

The night didn't just belong to all of us at Wembley, but to them, too.

[daisythornes]

speedrun of things that cause me agony in the wondla tv series trailer:

whyyy did they have to make the sanctuary so sterile and minimalistic? the book sanctuaries had this charming clunky 70s sci-fi design to them – they were blocky and durable and Eva's was tangibly lived-in, even worn in some places, because that was the point! they were an experiment that outlived their usefulness, but people kept living in them & they felt like it. this feels like Kim Kardashian's creepy white torture house.

"this... is me." has this line not become extremely passé in trailers, like almost to the point of parody?

that is NOT Muthr. idk who that is, but she is not mothering. it's like they took her book design and stripped away anything that may have been even slightly challenging to the cocomelon-smoothed zeitgeist of current animation. she's just so... nothing. she doesn't even look like a robot so much as like.. the lame soul design from pixar's soul. book Muthr looked WEIRD, but you can see the ways in which she's literally a synthetic + superhuman recreation of a Mother Figure: her head shape mirrors the beehive hairdo, her big eyes are saccharine sweet, she has four arms bc she always needs to do a million things at once, etc. i get that this version of Muthr was probably way easier to animate, and i don't even think they had to stick to the original design 100% as long as they still did something interesting for her, but. they didn't.

rip Eva's sick as hell hairstyle. :( seriously, her complicated braids were so important. bc 1) they were an homage to Dorothy's braids in the wizard of oz, the book to which the whole trilogy is a love letter. 2) they immediately gave her a unique visual identity as a character. 3) they contributed to the world of Wondla feeling genuinely strange and foreign to our current one. 4) they subtly spoke to things like Eva's boredom and loneliness and all the time she had to herself.

the paltry mini braids and single low bun they gave her instead are WEAK. again, they didn't have to follow the books to the letter, but. they did kinda need to give us something more memorable and distinctive than this.

i mean... there is ofc the obvious question of why'd they make her 16 instead of going on 13 like she was in the books? but also, perhaps even more crucially, why does she look like a whole ass adult woman? wondla is very much a coming of age story, and it's really good at capturing the messiness of that experience in every way down to its character design. this Eva doesn't look messy, she looks like an influencer. also i hate that current disneyesque cgi character design.

her outfit's like... fine. but it was so fucking cute in the books. cute and ultra utilitarian, and unlike anything i'd ever really seen before. can't a girl have a vest with a funky collar, cool billowy balloon sleeves, and scrunchy knee socks? do yknow how many kids would want to be Eva for halloween if they simply gave her an outfit that looked cuter? they're leaving money on the damn table.

she wasn't done with her training for life on the surface in the books, and that was important. :/ not that anything could've really prepared her, but the fact that she was so young made her terror and anger all the more palpable. i guess i don't think it's inherently terrible for her to be a bit older in adaptation, but idk, at least let her retain that trial by fire/still kind of a scared kid quality that's integral to her arc.

the placement of the 'wondla' letters on the page makes no sense. it's meant to be the wonderful wizard of oz (or the wonderful wizard of oz by l. frank baum. i forget which, but ONE of those for sure), so by all accounts the l and a shouldn't be right next to each other like that, there should be more space between those two letters.

now i don't fully remember, but i super don't think that 'Eva find me' note was in the books. Eva would've been way more obsessed with it if it was. in the books, she doesn't know the 'wondla' page was actually left for her, it's just this strange anomaly she finds that gives her hope, but she sort of creates that hope herself. its origin is an honest to god mystery until the second book, and therefore, the meaning that Eva gives it is what really comes to define it.

it's not just that no one had seen a human in a long time, most aliens on Orbona had never seen a human at all until Eva came along. that's a big difference! though, this audio does sound chopped up from multiple sentences, so maybe disregard this.

i don't like that they gave away the 'Orbona was once Earth' twist right off the bat. i know it's not a wholly original trope in sci-fi, but this is a middle-grade/family series, and it straight up blew my mind to see as a kid that hadn't ever really read true sci-fi before. and Orbona is SO bizarre, and Eva is SO desperate to find other humans, that the reveal is extra jarring and bleak, and it creates such powerful tension. why give the impact of that away in the trailer?? why not just let people think she's stuck on an alien planet until they get the full emotional gut punch when they actually watch it for themselves?

where's the lake in Lacus? :/ that was... kinda the basis of Lacus' culture and design and all. like ok i see some water, but Lacus should be almost more water than village.

Otto's design!! why god why.

why is Otto furry, why are his eyes Like That, etc.

nooo, don't show the ruins of New York in the trailer, that's for the audience to discover in horror along with Eva.

also why does Otto (i think that's him talking at least?) sound like that? thumbs down.

what are the. uh. shark tale-looking creatures running on water. they're very shark tale-looking (derogatory). they don't look like they belong in this series?? like did this footage just get misfiled?

egads it's coming out at the end of this month. i'm gonna watch it of course. but the whole time i'll be thinking about what could've been. and i'll reread the books, too. >:|

[opera-ghost]

— richard siken, war of the foxes ft. panaro/patterson, crawford/d'arcy, & keegan/kouatchou

[non-plutonian-druid]

[ID: a three color drawing (black, white, and teal) in the style of Seth’s illustrations from the Lemony Snicket series All The Wrong Questions. Five and Viktor (both about 13) are seated at the counter of a diner, talking. Luther (in his 20s), who is a patron seated next to them, looks concerned about what he is overhearing. Grace stands behind the counted holding a coffee pot and gazing into space. A missing poster for Ben is taped to the counter. In the mirror behind the counter, a reflection Diego and Patch (both 15) are visible in a booth. End ID]

i really should leave time between art posts for them to breathe and accumulate their fair share of notes, but also i need something to do while im waiting for my onions to caramelize.

In this installment: Five and Viktor meet over breakfast to discuss business, Luther is a Concerned Citizen, Diego and Patch also meet over breakfast to discuss business but in the background, and Grace is NOT a robot and this diner is NOT fully automated no sir. Also as usual Ben's face provides some ambiance, thank you Ben.

[writeouswriter]

Girl, help, the book authors are trying too hard to be "hip" with the fleeting "teen lingo" and trends again, immediately dating their works before they're even released

[itsslivernotsilver]

it’s been over a week since i finished 1000xresist but every time i think about it i fall to my knees and clutch my head like i’ve been possessed because holy shit man what a game

[noisytenant]

Being reminded once again that a lot of people have fucking sleeper cell agent triggers that make them instantly fail to see the human being in front of them, regardless of any personal history they have or any rapport. instantly, that person is an Enemy that cannot be reasoned with. Permanent fight or flight.

And that instead of this being seen as, you know, a rather maladaptive attitude to bring to your relationships that will permanently strip you of the capacity to experience full love and companionship, there is a dominant strain of thinking that this is a reasonable, righteous, moral good.

That a "boundary" looks like building an impenetrable wall that nobody can see but you; That conversation, negotiation, and collaboration aren't just avoided--They're treated with contempt. The very notion of trying to understand why another human being that you care about may suddenly act in an unpleasant or even monstrous way is spat upon and trampled underfoot. Complete abandonment is considered a first line of defense rather than a last resort.

I think we all need to do our best to get over this kind of thinking. And I don't mean that we should be push-overs; In actuality, moving away from this kind of rigid "boundary" often means advocating for yourself and fighting for what you think is right. I think we all deserve friends and allies who can compassionately challenge us when we adopt ways of thinking and behaving that hurt others without immediately assuming the worst.

[azuries]

don't, i'm not naive

anyone ask for first burn but in byler context. yeah

also thanks to this post for the inspo hehehe