alright so this article is clearly written by someone who does not care about lost media or persona at all BUT - gamers this is a HUGE WIN. megami ibunroku persona: ikū no tō hen is LOST MEDIA!!!! it will only be coming out in the original japanese, but it will be on steam, which is a hop skip and a jump away from a fan translation!!! ive seen some people comment on this like it's somehow disappointing news. recovering lost media is ALWAYS a win and i am SO excited
34 notes
·
View notes
go crazy
121 notes
·
View notes
(っ◔◡◔)っ ♥ 𝒮𝑜𝓂𝑒𝓉𝒽𝒾𝓃𝑔 𝓃𝑒𝓌 ♥
So...we all know that my Masterlist is a mess.
Also, Tumblr has a limit on how many links and tags one can put in one post...leading to many split lists that go on and on into a labyrinth of links.
I have started the long and wearying process of trying to set up a Google Sheets list where you can filter by character, pairing, rating, length...
So...here we go...
💫Google Sheets Masterlist💫
(At the present moment, I've entered my FOTFICS stories...and I am doing the Scribbles and Drabbles and shall finish in the next days...please be patient!)
Me^^
30 notes
·
View notes
Nocturne
16 notes
·
View notes
This might just be the best fucking tag I've ever seen
12 notes
·
View notes
I've been thinking a lot lately about how Kabru deprives himself.
Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
...but he doesn't get to enjoy it like he wanted to.
Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
Meals are the privilege of the living.
16K notes
·
View notes
RULE
12K notes
·
View notes
friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me
7K notes
·
View notes
there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
32K notes
·
View notes
love language barrier
a fan comic of sanji and zoro from one piece, during the wano raid scene where sanji bandages zoro.
panel 1: sanji looks disgruntled, a cigarette hanging out of his mouth as he ties strips of bandages together. he asks, “hey. still alive in there? say something, wouldja?” zoro answers from off-screen. his speech bubbles are shaky, and his words are occasionally interrupted by groans or hitches of breath. he says, “do… you think… luffy feels… attraction?”
panel 2: a closeup of sanji’s gobsmacked face, shocked by the seemingly random topic. he shouts, “what?!”
panel 3: zoro is wrapped in a cross-pose in bandages with only his face visible. he says, “on the roof… i could almost swear he was putting the moves on traffy…” sanji practically yelps, “traffy?!” with a large, jagged speech bubble.
panel 4: a closeup of sanji’s hands as he continues to wrap zoro. he says, “there’s no way. you’re hallucinating.” zoro snaps back, “he was hanging all over him! and they were fighting and arguing and stuff!” sanji replies, “and what did you think that meant?! we do that, crap-swordsman!”
panel 5: a closeup of zoro’s face. his expression looks fairly neutral, though his eyebrows are slightly raised as he processes sanji’s words.
panel 6: the same closeup of zoro, but now his brows are furrowed and his mouth is flattened in embarrassment. his cheeks are flushed as he comes to terms with the realization that arguing is not always considered a form of flirtation.
panel 7: a full-body silhouette of sanji tending to zoro by candlelight. after a moment of silence, sanji asks, “mosshead. how hard did kaido hit you.” zoro answers, “pretty fucking hard.” sanji repeats, “pretty fucking hard, yeah.”
4K notes
·
View notes
Are you ever going to make any FNAF movie charms?
Yes! Let me know on this post what merch you’d like to see!
2K notes
·
View notes
@chloesimaginationthings FNAF movie art makes me go insane/pos
Especially the theory that Garrett will posses the Marionette in the FNAF 2 movie,
Inspired by their original art post, I redrew it in my art style!
I do but don’t want this to happen-
I want it to bc ANGST but also give my boi Mike a break 😭
1K notes
·
View notes
so that popularity poll huh
2K notes
·
View notes