#like a fucking nerd

[superbellsubways]

my fest shirt comes in tomorrow yass

[grim-has-issues]

all these voice actors are v-tubers and that’s just a reality we, as a society, must accept.

[divinepilots]

i love mixing reckoners curse words and real curse words in my fics. it's very fun they all have their place

[neverlessonlyblessed]

got a really sweet text...froze up for two hours...

[rearranging-deck-chairs]

hélène jaffrès

[lazylittledragon]

they've been at it for 40 minutes

[megatronusprimedecal]

"Always got your back." "No matter what."

Transformers One (2024)

[scarlettaagni]

issue #50 got me fucked up

[weirdsociology]

hey writers we have to talk.

if you've read any romance or fanfic in the past twenty years (i know you have), you know that there are a certain number of scents associated with hot dudes. you can probably recite the list of Things Men in Fic smell like in your sleep: leather, black pepper, pine, sandalwood, "something uniquely him", clean sweat, and if the character has ever fucking been within 50 yards of a firearm, something called "cordite".

here's the thing.

NO ONE SMELLS LIKE CORDITE.

cordite was a highly specific type of smokeless gunpowder developed in the 1890s by england specifically and used mostly in wwi.

if your good-smelling guy is not (a) english (b) using a very specific type of british rifle (c) dying in a trench in flanders, he does not smell like cordite. technically even if he does meet all those conditions he still doesn't smell like cordite because he smells like trenchfoot.

the point is, cordite is so far from universal that no one but the most hardcore gun nerds give a single shit about it. making your Sexy Hero smell like cordite is like naming a cassette-only bootleg live recording from the 1970s as your favorite grateful dead album. everyone at the party hates you immediately and knows you're doing it for clout. also, it's just factually... wrong. please stop. i know everyone else is doing it, but you can do the right thing here, i believe in you.

so what do people who are using guns smell like?

well if your story is set before the late 1880s, the smell of a fired gun is black powder, which, unfortunately, smells like seventeen flatulent cows have been shoved in a tire factory. trust me, you do not want your Hot Dude to smell like black powder. it's b a d.

if your story is set after the late 1880s, guns are using some variety of modern 'smokeless' powder - which speaking broadly doesn't really have a ton of scent when used. it does have some, but it's sort of non-descript: the best way i can describe it is the sweet, ozone, hot-plate smell of popping your car hood with a warm engine.

people who use guns a lot don't smell like fired guns all the time anyway, so while those scents might work in a fight scene, they're not realistic all the time. but there are some things that your Sexy Shootist will smell like basically 24/7 and that's metal and gun oil. metal you can go and sniff (i recommend non-stainless steel), but if you want a reference, most gun oils have a sharp, organic smell that's not dissimilar to canola oil but muskier and with a tang overtop. it's not unlikely leather is in the mix as well due to routine handling of leather equipment and gear. modern gear also tends to have a certain smell although it varies by production country and storage conditions - lots of opportunities there.

in conclusion: gunslingers and hired killers and military folks can be sexy and smell great on page, but i am begging you not to say "cordite" when you mean "gunpowder" ever again. we can do this. we are writers and therefore pedants. i believe in us!

[parrish-the-thot]

A continuation of this post I made

I imagine Steve genuinely doesn’t think about Eddie, like at all. Besides the occasional “what is he yelling about in that table” or “ Munson actually showed up to class” or once in sophomore year he thinks “how much does Munson charge for an ounce of weed? Would he take a $50 for an ounce” which causes Eddie to wait around all day at the picnic table wishing for some shmuck to offer $50 for just an ounce, but no one shows up (Steve had to go pick up Dustin after school and didn’t want him to find weed the weed when he inevitably starts going through Steve’s car)

The lack of soulmate thoughts really irks Eddie, because he knows his soulmate is in Hawkins, but he never thinks about Eddie, like at all??? Positively or negatively?? Eddie jumps on more tables, he blares loud music from his van, he is in a band, he is the drug dealer for all the teens in Hawkins and all his soulmate thinks is “why the fuck did Munson double park his van, I’m going to be late looking for a parking spot now” it absolutely drives him crazy.

He eventually figures out his soulmate must be a jock of some kind because one day he hears “what is Munson doing under the bleachers?” when some sports team is let out of playing with balls practice. He is briefly heartbroken his soulmate isn’t a nerd like him, but then spends the night thinking about how a certain fluffy haired jock could play with his balls anytime.

Steve isn’t not thinking about Eddie on purpose, but they just don’t run in the same circles, so he doesn’t really think about him too much, just in a genuine, “I don’t know them, don’t interact with them, so I don’t really think about them” sort of way. Especially after befriending the kids, Steve’s focus goes to keeping them safe and being a babysitter instead of finding his soulmate.

Steve’s experience with his soulmates thoughts is completely different. Starting in middle school he heard his soulmate think he was cute which he thought was nice. As he got older his soulmate would still think he was cute, but also handsome or pretty which, he doesn’t know any girls who call their boyfriends pretty but ya know, he can roll with that. He thinks he will have to roll with a lot of stuff, since hai soulmate seems to into a…a lot of interesting things, to say the least. Steve has dated a lot of girls but none of them seemed to want to rub their face in his chest hair like his soulmate did, who also wonder is Steve was that hairy everywhere which- he was but he didn’t think a girl would want to know about that.

He would be in the middle of a basket ball game and he hit with a 15 minute monologue about how wonderful his ass looked in “thise little green shirts that ride up his ass in the best way” and how his soulmate “wanted to be those shorts” causing Steve to miss three different shots. Also with all this wildly kinky stuff and even general sex things Steve has never heard of or thought about he figures he should become more knowledgeable to better be prepared for his soulmate.

One day when Steve is cleaning up a drink he spilled in the cafeteria and heard “god Harrington looks good on his knees, bet he would look even better with my cock in his mouth” figures chances are his soulmate isn’t a girl at all.

With not much else to loose and a new door opened up to him, Steve starts spending time thinking equally horny thinvs about different guys he sees in class, just to see if they will react to what he is thinking. This is how he figures out Eddie is his soulmate.

Steve notices eddies table is getting a little rowdy, as is always does before Eddie gets up on someone’s table and he rants about jocks and preppy girls while stepping on people’s lunches, Steve thinks “what if comes over here, spits in my stretched out hole, and fucks me right next to Heathers Halloways tuna sandwich”

Eddie, whose soulmate didn’t even think about Eddie that one time his car got spray painted a fit was all the school talked about for a week, was NOT expecting that at 12:30 on a Tuesday and promptly trips on a chair and slams face first into the lunch table, breaking his nose.

Eddies friends rush him to the nurse and Steve is torn between this being a sign Eddie is soulmate or Eddie just clumsy, Steve has seen him walk into a door twice, so he don’t 100% sure. Steve decided to test this anytime he has a clear viewpoint of Eddie and starts thinking the most horny, kinky things possibly about Eddie to see if Eddie reacts proves he is Steve’s soulmate (also revenge because Steve had to go through years of Eddie horny pondering interrupting Steve during important tasks games or tests so Steve figures he should pay that forward during eddies dungeons and dorks games)

[scramratz]

My favorite part of Adventure Time is just how well it captures the passage of time on a large scale. Finn and Jake go on crazy adventures and are well loved and celebrated in their time. They’re fucking celebrities in Ooo! But in episodes set hundreds of years in the future, no one remembers their names. Even immortal characters like PB or BMO eventually forget them. These characters we followed and grew to love are reduced to legends and I think that’s beautiful

[aroace-and-has-a-mace]

describe your love life as a line from a musical

personally mine would be:

smart with math but stupid with love

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[innocet]

God the rogue proposal is going to live in my head rent free for a while. Rogue isn’t a good liar!! He doesn’t lie at all during the episode. Any deception or mystery around him is that he just doesn’t say much, and when he does, he doesn’t give details. That shit was genuine (because everything he does is genuine) and it throws the doctor (guy whose primary hobby is Lying) COMPLETELY off guard I’m going to think about it for a million years

[starry-bi-sky]

bruce and danny being fuckign nerds together,,,, they are being the BIGGEST nerds. geeks. if you will

these losers are color-coding the most inane bullshit. they are making diagrams for things you've never even thought of. they are having the time of their lives

"what are you two doing?"

Danny, sitting criss-cross on a table, hunched over a spread of papers and a bunch of different jello cups, his back is gonna hurt SO much: color-coding jello

Bruce, sitting in a nearby chair, also criss-cross, scribbling on a graph paper: hm [agreeing]

Alfred, already exasperated and SO fond: may i ask why? and on what parameters?

Danny: we're basing it off which flavors are the most mentally stimulating and for which subjects :}

Alfred, SO fond: ah. i see.

Danny, snapping his head over to Bruce and leaning over: wh- no-- no. Buzz, I told you: lemon-flavored jello stays strictly in the 'smelling salts' category--

Bruce, still writing on the graph paper: mn. no.

Danny, nearly sprawled across his back, faux-outraged: strawberry is NOT good for math-- you fucken HEATHEN--! Give me that pen!

Bruce, did that solely to rile up Danny, now trying not to smile: hnm.

[champagnecoastcigs]