#like if you want criticism feel free to say so but you are in the *pretty extreme minority* in fandom spaces

[weirdsht]

Disillusioned 19 . It’s Only Responsibility

a/n: omg my fav chapter is finally here. i was so giddy when writing this lol

tags: low-key yandere behavior from Cale, implied torture, if Cale says what he feels is irritability then it's irritability goddammit

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are currently closed but my ask are still open (read pinned)

Buy Me Dessert

Navigation Masterlist prev . next

Cale feels as though he can’t get a good grasp on his emotions these days. In particular, he feels as though he feels intense emotions when _____ is thrown into the mix.

Maybe it’s because he feels accountable as he willingly took in the healer.

He doesn’t know when it started, he only noticed he felt that when back at the Gyerre Territory. It was the afternoon after he had destroyed a human trafficker’s house, just before he talked with Antonio. Ron reported that he had finished investigating the Perduellios.

“Young master, this old man took a stroll there and I must say that it’s very filthy. It looks clean from a certain distance but there are rats everywhere once you look closely. No wonder healer-nim grew up with a weak body. Someone like them does not fit that place.”

The redhead didn’t say anything but the servant could tell his listening to every word. 

The young master’s eyes don’t lie after all. 

And right now those eyes are filled with anger. 

Unmeasurable Anger

To the point it made the servant do a double-take.

Despite Cale’s brewing anger he still does everything according to plan. He doesn’t let out a single ounce of that anger until later when his talking to Alberu.

“Your Highness, the future shining sun of the Roan Kingdom. No one is as bright as you. Just seeing your face, even through a communication device, brightens my night and brings me hope for tomorrow.”

“Just tell me what you want. Is it another golden plaque? But you still have some.”

“Not this time your highness.”

Alberu was taken aback at the serious expression on the redhead’s face.

“As you already know, the Perduellios were working with the Chryshis. I trust your highness to handle the Gyerres and the Chryshis. However…”

“You want to handle the Perduellios.”

“We really are alike your highness.”

Alberu already saw this coming so he instantly agreed.

“I’ll allow it on the condition that they must stay in Aunt Tasha’s dungeon. Speaking of Aunt Tasha, she said she also wants a piece.”

“Then I shall be generous enough to share.”

Cale himself isn’t sure how he had the time to meet that bastard family. Between the war against the Indomitable Alliance. Fighting Arm and the Empire, and teaching the nobles a lesson Cale still managed to find free time to visit the Perduellios.

Must be the power of unmeasurable anger.

“Beacrox, Raon prepare to move quietly tonight. We’ll be meeting Tasha.”

The two are confused as to why, but Cale did not explain. He doesn’t need to as they instantly understand after seeing who’s inside the cell they are visiting.

“Young master Cale shouldn’t _____-nim be here?”

Cale looked at Tasha as if she said the most outrageous thing ever. Meanwhile, in the background, Beacrox is preparing his tools as Raon supplies information as to what the healer went through.

“Why would they be here when I’m doing this to relieve stress? I’m here to act trash, that’s not something an unofficial holy maiden should see.”

The next morning Alberu regrets taking a peak before the cell was cleaned up. He doesn’t think he can light up any of his beloved candles for at least a week.

+~+~+~+~+~+

Succeeding that incident, the next time Cale was overtaken by his emotions was after Operation Reflection. Unlike the last time, Cale felt two conflicting emotions this time.

Skyrocketing Pride and Plumeting Disgust

_____ was a core player during the navy battle and that made the redhead proud. Of course, he was also proud of everyone else in their group.

…but perhaps his a bit more proud of the healer.

However, it was only because they had come a long way. As Cale’s responsibility, his proud that the healer is doing better under his guidance.

Nothing more, nothing less.

“Human, those useless noble bastards were also talking bad about our _____ when you left. Some of them even had the nerve to directly yell at them. I wanted to smack them, but you told me to not do anything to those people for now so I didn't."

But then Raon’s report came.

Pride had been washed over by disgust.

Good thing _____ had talked him out of doing anything rash.

“Cale it’s okay. People who only know how to leech off other people are not worth your time.”

Did he mention how proud he is of how far _____ has come? Because he really is.

However, rumours say that it was the night after that when Cale first ‘visited’ the Perduellios.

+~+~+~+~+~+

Cale’s next overwhelming emotion is something his already familiar with. He already felt it back when they were in the Whipper Kingdom.

In fact, he has already associated this feeling with the healer.

Heart Palpitating Distress

But this time it feels more intense. Cale feels as if his heart is going to crawl out of his chest and into his mouth.

Thump!!

Thump!!

The redhead had been acting as though nothing was wrong ever since they finished the battle at Castle Leona. Contrary to his calm exterior, the redhead is a mess on the inside.

A wound, a stab wound with a lot of blood gushing.

Just inches near _____ heart.

And Cale has a strong gut feeling that it was _____’s own doing.

Seeing the copious amount of blood they lost was already bad enough. Seeing the nasty wound itself when they had to change the bandages was worse.

Then as if that isn’t enough to send Cale into a coma, the healer had the audacity to stand up not even 12 hours after their injury.

It was at that moment the commander made a conscious choice of sticking the healer to him like velcro.

+~+~+~+~+~

Nowadays, Cale is not ping-ponging between his emotions like a madman. But he did notice that he tends to feel a particular emotion these days.

Jealo– Irritability

Cale isn’t sure why he feels irritated, but he does. He feels irritated as soon as _____ woke up and started talking to Bud.

What happened during the week he was gone that those two are all friendly now?

And what was that? Bud is going to teach _____ how to drink?

Not on Cale’s watch.

It’s one thing for him if _____ themself wants to try drinking, but he won’t let the healer be coerced by some fool.

“Ron, separate those two as much as possible. That drunkard is nothing but a nuisance to _____.”

For a moment Cale got the chills when he heard Ron chuckle. It doesn’t help that the kids are laughing too. Regardless, it looks like the servant will heed his request so he lets it be.

But his jea– irritability doesn’t end there.

The next victim of Cale’s so-called irritable mood was this poor servant in Mogoru.

When Cale got back to Mogoru he unfortunately had to leave _____ back in the castle. There are too many undercover missions they have to do. And while _____ is much better than Choi Han at undercover missions, that man is a lot of things but an actor is not one of them, Cale isn’t cruel enough to make them take on such a taxing mission after being sick.

So he leaves the healer in the Mogoru Castle with Rosalyn and the others. 

“Young master-nim what about assigning a dedicated servant for healer-nim?”

Was Rosalyn’s suggestion after Cale mentioned _____’s tendency to overwork themself.

It seemed like a good idea, therefore they arranged for the healer to have a servant. The servant’s job would consist of making sure the Medicus is eating and resting properly. That servant would also act as _____’s assistant, taking care of whatever the healer needs.

At that time, Cale was satisfied with that plan.

That satisfaction quickly changed when he visited Adin’s room, (well, it’s practically _____ and Cale’s room now) and saw how the healer kept calling the servant’s name. In the beginning, it was fine, Cale didn’t mind it. But then he noticed how _____ seems to call for that servant every 5 sentences they utter.

Honestly? Even Cale knows his acting irrationally this time.

Did he care though? Of course not. Since when did trash care for another person’s feelings?

So he stationed that servant far away.

“Raon make a call in the underground villa. I must talk to Hans”

“HAHAHAHAHAHA!”

Ignoring Hannah’s snickering that turned into full-blown laughter, Cale called Hans over to assist the healer.

Because if the healer is going to rely on someone who’s not Cale, then it might as well be one of his people.

This one is a totally logical decision on Cale’s end. It’s not because of his jea– irritability.

It’s definitely just part of him being responsible over _____.

[erendur]

Beren and Lúthien and the role of magic in Tolkien

This is another post along the lines of “Why I don’t like Beren and Lúthien”. If you like Beren and Lúthien, good for you, enjoy, and Tolkien loves you. If you don’t like reading criticisms of Beren and Lúthien, don’t read this. Fellow non-enjoyers of Beren and Lúthien, welcome.

I’ve already talked in another post about the fact that I find the tone of Beren and Lúthein jarring. I personally do not want to read a fairy tale on the middle of my tragic tale of loss and destruction. Another thing that annoys me about B&L, and the subject of this post, is that I feel it breaks low-magicness of Tolkien’s universe, and it makes the story stand out in an annoying way.

So, bear with me. I think that, overall, The Hobbit, LOTR and the Silm have a rather sparse use of magic. Sure, there are characters who have magical powers, and magical objects, but the brunt of the action happens with non-magical means. The Hobbit is not solved by Gandalf making use of his magical powers ; actually he is sent away by Tolkien at a crucial point, so that the story can happen. LOTR is not solved by Gandalf or Elrond either, but by plain little hobbits. Magic takes a back seat.

In the Silm, I’d say that magic has a mostly infrastructury-role. The Valar shape Middle-Earth, then Valinor, and Ulmo (Ulmo ?) moves an island to get the Elves across the Ocean. The rest of the time, we don’t see them do magic. They don’t magically carry the Elves to Valinor : they have to take a long, dangerous trip. The Noldor go back to Middle Earth by boat, or on foot. 

Melian is a magical being, but the only magical things she does are a) the Girdle (a magical barrier to protect a kingdom - infrastructure) and b) use her gift of prescience to try and give advice that nobody listens to.

Magic also provides Gondolin with a protection (another magicy-infrastructure), and of course we have a couple (a couple ?) magical hidden bodies of water, plus the magic of the Silmarils. Ulmo turns Elwing into a bird. There are a couple of magical rescues by eagles. But that’s it.

The rest of the book, and the action, is pretty magic-free. The Noldor do not fight Morgoth with magic, they fight him with swords, cavalry and their superior physical strength. Morgoth himself, apart from the curse on Húrin and the spell on Maeglin, does not really use magic, or only to create creatures that he uses as soldiers against the Noldor. The Valar eventually defeat him not in a magical duel, Harry Potter style, but by sending a host of soldiers. Eärendil kills Glaurung, sure, but that’s not really the main action.

And I like that, because the story and the actions then happen because of the qualities, or the flaws of the characters. 

In Beren and Lúthien though, we have : Finrod somehow using magic to make himself, Beren and his companions look like orcs ; a magical song competition ; Lúthien escaping from her prison thanks to magical hair and a magical cloak ; Huan the magical dog suddenly choosing sides and speaking ; Lúthien defeating Sauron in another magical song competition, and Sauron shape-shifting and becoming a vampire ; Beren and Lúthien donning a magical disguise to sneak into Angband ; Lúthien putting the whole of Angband into a magical sleep ; a magical rescue by eagles (another one) ; a magical resurrection. 

It’s much more magic-heavy than anything else in the Silm or even The Hobbit, and for me it just lowers the stakes, and makes me care about the character less, because there is no real sense of danger, no real sense that these people are defying odds. I care about Gandalf because he is scared, and looks like a frail old man, and knows he can’t really take on a Balrog, but does it anyway. I care about Fingolfin defying Morgoth because I know he can’t possibly win, but he still manages to wound him. I care about Fingon on his magical rescue missions because, boy oh boy, without magical eagle interventions would things have gone wrong (or even before that). 

I don’t have the feeling that, at any point, Lúthien is in any danger, or not going to get her way (Beren is a bit different : he’s a strong warrior, sure, but a regular guy, and I do feel for him as he’s trying to get to Finrod, holding up the ring of Baradur, without getting shot by his sentries, or when he is in that dungeon with the werewolves - the minute he’s with Lúthien though, I feel like “Eh, he’ll be fine”). That’s also part of the reason why the Celegorm and Curfufin part of that story doesn’t stick with me. Not only do I find it nonsensical (they suddenly have two brains cells and are trying to invent diplomatic marriage, apparently, which would be a first ever since we do not hear of any such marriage in the whole of the Silm, and while most of the Noldor leaders (and Cirdan) seem in no hurry to marry themselves, diplomatically or not), but also, again, there is no real sense of danger. She already escaped once, from a far more secure prison, I don’t buy for one moment that C&C, exiled princes with their dog, of all people, are the ones who are going to best Lúthien. At this stage the only reason she doesn’t escape earlier than she does is because she either likes the food or want to not hurt their pride too much (I am, obviously, exaggerating here for effect…)

And because Lúthien is so powerful, her actions and its effects have to be limited, otherwise she could easily put an end to the story. So, of course, some people feel disappointed, and frankly, annoyed with her. That one so powerful achieves so little, when countless others try as hard as they can with much more limited means. Sons of Fëanor aside, what would Fingolfin have done, had he had a tenth of her powers ? She uses all this power for - what ? Marrying her guy (which she could easily have done post the Sauron episode, by the way - there were only the two of them, and she tells Beren that he could just forsake his oath and roam the face of the earth with her) and giving a Silmaril to her dad, who (checks notes) wanted Beren dead, and imprisoned her (and if we want to go all XXIst century on B&L and call Celegorm a rapist, can we go wtf on this one for a moment ?)

I also feel, and I don’t even know if that’s an aside or not at this point, that the story feels at odds thematically because of that. I see people saying that it fits with the overall theme of hope, but I don’t think the Silm is about hope. That’s LOTR. I think it’s about faith, rebellion, pride and destruction. The characters who drive the action (Morgoth, the Noldor) are the ones who rebel against a legitimate, sacred authority (Eru, the Valar), out of pride (and because of Morgoth’s lies, in the case of the Noldor), and who then reap the consequences of it (death, the progressive destruction of Beleriand).  We are told, several times, that Manwë would have listened to the pleas of the Noldor, had they sent him prayers. They don’t, and they keep suffering because of it.

The positive figures in the story are the ones who keep their faith in the Valar : Fingon pulls off the magical rescue because he cries out to Manwë ; Turgon gets his hidden magical city because he listens to Ulmo (and would have potentially saved all of his people if he’d evacuated his city when told to do so by Ulmo) ; Eärendil manages to save Middle Earth because he puts his faith in the Valar, and not a small amount of effort in trying to reach them. Cirdan, although a very peripheral figure, is also one that is deeply linked to the Valar, and I think that’s why eventually his realm and people survive (even if they take several severe beatings), and he raises/protects the non-arguably best High King of the Noldor ever (Gil-Galad).

The overall message of the story is also that these people are not going to beat Evil, not with their own strength only, not without faith. It’s the host of the Valar that eventually beats Morgoth ; in the Second Age, its a great alliance of Men and Elves that beats Sauron, but the one individual to deal the decisive blow, Isildur, is a mere, non-magical man, characterised by his faith. In LOTR obviously, we have repeated, again, the message that these grand kings, princes and sorcerers, are not the ones who defeat evil once and for all, because, as we’ve seen aplenty in both the Silm and LOTR, these people, the best of the best, get easily corrupted, unless they have faith.

Unless the overall message of the story is that you can’t expect salvation from the pampered daughter of a goddess and a mighty king, because she’s only interested in her own person. In that case, my little Republican heart agrees. Yeah, Beren and Lúthien, the secretly anti-monarchist story of the Silm.

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorizatiom just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with less intensely different appearances than other demihumans, but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standatds? Like the elves, if you look at the portraits pages that include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru as well will also influence them, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to aforn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep in bowls too small and empty for them until they die", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationshio chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[lunarharp]

into the deep end - 29k T orufrey fic.

the sweet oblivion of the victim, the poisoned freedom of the other.

for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.

the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.

but they were never whole to begin with, were they?

qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.

olly says nothing.

[reel-fear]

Honestly, every single time the whole 'poppy playtime is a bendy rip-off' stuff ever shows up I find it all extremely unconvincing and silly.

For one thing, rip-off usually is meant to imply that it's a cheap lazy copy of a better more polished thing, and uh. Sorry but even from chapter 1? Poppy Playtime is a better game than Bendy, it has a simple but understandable story, the game manages to be thrilling, creepy, and very intense at times... I mean that Huggy chase in the vents ALONE puts it way above Batim for me.

I mean BATDR had the most slow stupid chase I've ever seen [and every other encounter with the ink demon is text telling u he's there and then a timer goes down and u get jumpscared] and batim's chases were either silly or just not nearly as theatric or terrifying as that.

When making the vent sequence I mean not only is it absolutely horrifying to realize how fast Huggy is in there but also it's so theatric and cool? The fact that you round a corner after thinking you escaped only to see a terrifying animation of that thing crawling toward you is awesome! I wish Bendy had stuff like that!

And all the stuff it shares with Bendy are generic things Bendy ripped from other horror games/media anyways. I'm not saying Poppy Playtime isn't inspired by Bendy I for sure think it is but Bendy is such a generic story that somehow fails to do tropes 100 other horror games have done any comparison only makes Poppy Playtime look better.

"It has employees being sacrificed for their company" That is not a concept Bendy invented, literally look at any of the sci-fi horror series Bendy is very inspired by. This is literally a twist in the original Alien.

"It has a scary woman forcing you to do tasks for her" Once again, not a concept Bendy invented, a scary mysterious person forcing you to do fetch-quests is a concept found in tons of horror media. And at least Poppy Playtime gave you a chase with her and let you defeat her, look at poor malice. She's barely on screen for more than 10 minutes before she gets stabbed.

"It has a cult worshipping the monster" This is something tons of horror games and media have done too. I mean In The Tall Grass has a guy who worships a giant magical rock in the middle of a grass maze, Bioshock [which Bendy has only been taking more and more direct inspiration from while failing to grab any of the compelling parts] also had a lot of themes of religion and cult-ish behavior, almost every horror media franchise has at one point done a cult thing.

Bendy couldn't even come up with a reason Sammy worships the ink demon, the best motivation we've ever gotten is just that 'he's crazzyyyy the ink made him insaneeee'. Who is the cheap rip-off here?

At least Poppy Playtime gave their cultist a motive for worshipping the monster + a proper boss fight that feels intense and looks awesome! Bendy didn't even let you kill Malice [she got stabbed in front of you and then just collapsed on the floor how thrilling] meanwhile you get to kill three of the villains in Poppy Playtime and the gameplay and action in those scenes have only gotten better as the game went on.

I mean Sammy walks into a room and goes "AAA SCARY I'M BEING MURDERED" then later shows up and for NO REASON sees a normal human man and assumes it's the ink demon before once again someone else kills him for you. In Poppy Playtime you defeat Catnap as he floods the world with this horrible nightmare-inducing gas that intensifies the color palette and his design. Fight off versions of him that are illusions that you need your flare gun for, then watch in a wonderful animation as he mistakes the monster for his savior before getting killed by it, in a brutal way I might add, which game are we accusing of being cheap, lazy garbage again?

I just find this argument to be people who Really Really need to find a reason to hate Poppy Playtime which I think is silly. The devs being weird, shady people is already enough reason to dislike the game, you don't need to invent reasons why secretly every part of the game is malicious or bad. But esp when I see Bendy fans saying they don't support Poppy Playtime or dislike it bc of its devs or even saying its cringe ummmm.

I have bad news about the fact Bendy's devs are worse and it took not one, but TWO over an hour long videos to cover it all. Plus the Bendy games are just the worse games in every aspect, if I could sell my batim copy for a copy of Poppy Playtime I wouldn't hesitate at all.

Saying this as a bendy fan, we have no right to be super judgy towards Poppy Playtime. If Poppy Playtime is embarrassing cringe, Bendy is too and is way more embarrassing of an interest. We shouldn't spread misinformation just because we all want to hate Poppy Playtime, you can dislike Poppy Playtime without making up a bunch of nonsense to justify it.

Honestly seeing people just blatantly be unfairly mean to Poppy Playtime only makes its critics look worse and makes it hard to take any backlash to the games seriously. Because surprise surprise if you spread misinformation to make a point people will quickly stop listening to Anything you have to say bc they won't trust you're telling the truth anymore.

[s0fter-sin]

Thinking you shouldn't have to pay for Watcher content is you being entitled, actually.

did i ever say i shouldn’t have to pay for it? no, i said it’s disappointing that i would now have to after years of it being free. it would be easier to take if they were completely changing and upgrading their shows or established that the stream wouldn’t just have their current shows and maybe discontinued ones, that it would be different from their youtube channel and worth the sudden charge, but it’s hard not to feel like they’re throwing their audience under the bus

[flowerofmayhem-personal]

I actually much prefer a lot of how studio VOLN is handling Blue Exorcist over A-1, I know not a popular opinion in areas and get the places people say looks off but the vibes and heart is so good? also there is a lot of amazing shots and imo calling Rin "ugly" in it is an exaggeration to me, there's some wonky shots but there's also SO MANY he looks great! I think sometimes people forget that A-1 had equally bad shots and design choices like I think a lot are looking at the older seasons through rose colored glasses personally! not to mention they ruined a lot of scenes and how they changed them/adjusted them in their adaption that to me affected characterization and making some of the cast look almost dumb in a situation the manga version shows was more serious and dire!

ultimately my view has been: I'd rather an adaption feel like the heart is in the right place and the characters feel like themselves vs everything being pretty all the time and would rather deal with a few wonky shots of characters over a bad representation of a story and characters I love! visuals are not the only thing that matters to me ever

[altschmerzes]

one of the wildest like, tertiary characters in my online experience is this one really pissy asshole who pops up every so often on posts about comments on ao3 who is like, really really really upset about how there's a generally accepted fandom etiquette rule that you shouldn't just dump unsolicited criticism on people's fics. this person insists this is ruining fandom, obsessively replies to blogs like longlivefeedback whining at them about it, and insists it is uh. everyone else. who is sensitive and entitled. it's amazing to me every time i'm reminded they exist, but they just keep showing up lmaooo.

[baycitystygian]

bro just wanna say everybody loves raymond is a fucking god awful show i hate it with a burning passion i watched so much of it against my will it was PAINFULLY written by a man it's so misogynistic and Straight(TM) with boomer humor and i LOATHE it with every fibre of my being and i hope you loathe it too so we can loathe it together <3 also the only good character is Amy

oh it’s painfully obvious that the writers hate women 😭I gotta say that enough of it is entertaining to me to be somewhat enjoyable (it helps that the cast, especially Frank/Marie/Robbie, are strong comedic actors), but yeah I absolutely completely see your opinion 😅I couldn’t get more than a few episodes into Home Improvement for that same reason- it was WAY too much for me

[emdotcom]

I changed my mind. Hater behavior is undeserved, when it comes to works, & idgaf about holding creators accountable when their games are mid, anymore.

[fallloverfic]

I'm not sure why people go into fandom tags to shit on fictional media they voluntarily choose to read. Especially when there are versions of the media made available to avoid the stuff they don't like. It seems like a weird form of self-harm and trying to be kind of an asshole to a community you seem to not like anyway.

[tranquil-turbulence]

Not to start shit but can we PLEASE GIVE WARNING TAGS TO POSTS WITH GORE

Me saying this doesn’t mean I agree with the crimes against the Palestinians. Me saying this doesn’t mean I agree with Israel. I’ve been pro-Palestine ever since this war started. But for heaven’s sake people, at least a trigger warning for gore under pictures of actual human bodies would be nice.

This isn’t Liveleak. This isn’t a subreddit dedicated to candid pictures of the dead. People generally want a warning if they’re about to see real human deaths. Please TAG YOUR POSTS. I and probably most others don’t have a problem seeing pictures of the dead but people with sensitivities to gore and death don’t need to be triggered for them to understand what you’re trying to say, and being an asshole and not being empathetic is not helping your message. In fact, it’s probably hindering it.

Keep spreading the word about what’s happening in Gaza. And treat people with some fucking respect.

[lettuce-on-toast]

never going on pinterest comments section again that place is a hellhole

[reasonsforhope]

Kamala Harris just announced that her vice president will be Minnesota governor Tim Walz. Based on the coverage so far I'm really reassured by this decision.

The Washington Post did an obviously great job of making a prepared article for each option, considering how long an article they had up 7 minutes after the announcement.

((Okay technically it's not an official announcement yet it's "according to three people familiar with the pick, who spoke on the condition of anonymity to discuss a decision that is not yet public." But listen. I am 99% sure this is a weather balloon. (Meaning: a deliberate leak to gauge reaction.) Because the sheer weakness or incompetence on the part of the Harris campaign that it would take for three people to all confirm that within a few hours hours of each other and the planned announcement it is massive.))

-via The Washington Post, August 6, 2024

Honestly this decision, from everything I've read and can tell, looks like it's brilliant politics.

Important Context: The vice president(ial candidates)'s job in an election is not to be similar to the president. The vice president's job on the ballot is very, very much specifically to be different from the president. Why? So they can cover each others' weaknesses. Especially regionally.

(Sidenote: I feel a bit ridiculous saying this. But genuinely if you want to get a stronger understanding of how US elections really work. Go watch seasons 6 and 7 of The West Wing. Genuinely, a lot of politicians have said - especially back in its day - that that was the most accurate depiction of an election they'd ever seen. Also specifically features an entire arc about a contested Democratic primary convention, so also very good if you're interested in understanding weird nominating convention shenanigans.)

From the article:

"Harris’s choice for a running mate was among the most closely watched decisions of her fledgling campaign, as she sought to bolster the ticket’s prospects for victory in November and rapidly find someone who could be a governing partner. In picking Walz, she has selected a seasoned politician with executive governing experience and signaled the importance of Midwestern battleground states such as Wisconsin and Michigan.

Walz’s foray into politics came later in life: He spent more than two decades as a public school teacher and football coach, and as a member of the Army National Guard, before running for Congress in his 40s. In 2006, he defeated a Republican to win Minnesota’s 1st Congressional District--a rural, conservative area--and won reelection five times before leaving Congress to run for governor.

Walz was first elected governor in 2018 and handily won reelection in 2022. Though little-known outside his state, Walz emerged publicly as one of the earliest names mentioned as a possible running mate for Harris, and in the ensuing days he made the rounds on television as an outspoken surrogate for the vice president...

“These are weird people on the other side. They want to take books away, they want to be in your exam room. … They are bad on foreign policy, they are bad on the environment, they certainly have no health care plan, and they keep talking about the middle-class,” Walz told MSNBC in July. “As I said, a robber baron real estate guy and a venture capitalist trying to tell us they understand who we are? They don’t know who we are.”

Walz also has faced criticism from Republicans that his policies as governor were too liberal, including legalizing recreational marijuana for adults, protecting abortion rights, expanding LGBTQ protections, implementing tuition-free college for low-income Minnesotans and providing free breakfast and lunch for schoolchildren in the state.

But many of those initiatives are broadly popular. Walz also signed an executive order removing the college-degree requirement for 75 percent of Minnesota’s state jobs, a move that garnered bipartisan support and that several other states have also adopted.

“What a monster. Kids are eating and having full bellies, so they can go learn, and women are making their own health-care decisions,” Walz said sarcastically in a July 28 interview with CNN when questioned whether such policies would be fodder for conservative attacks, later adding: “If that’s where they want to label me, I’m more than happy to take the [liberal] label.”

Walz also spoke at a kickoff event in St. Paul for a Democratic canvassing effort, casting Trump as a “bully.”

“Don’t lift these guys up like they’re some kind of heroes. Everybody in this room knows--I know it as a teacher--a bully has no self-confidence. A bully has no strength. They have nothing,” Walz said at the event, sporting a camouflage hunting hat and T-shirt.

Walz has explained that he felt some Democrats’ practice of calling Trump an existential threat to democracy was giving him too much credit, which prompted his decision to denounce the GOP nominee instead as being “weird.”

“I do believe all those things are a real possibility, but it gives him way too much power," Walz said on CNN’s “State of the Union” regarding the Democrats’ rhetoric. “Listen to the guy. He’s talking about Hannibal Lecter, shocking sharks, and just whatever crazy thing pops into his mind.”

If Walz is elected vice president, under state law, Minnesota Lt. Gov. Peggy Flanagan (D) would assume the governorship for the rest of his term. Minnesota Senate president Bobby Joe Champion, a Democrat, would become lieutenant governor."

-via The Washington Post, August 6, 2024

--

This guy. Sounds like. fucking Moderate swing-state/rural/Midwestern/southern/"heartland"/working class white voter catnip. He sounds like he's also a very smart politician and strong campaigner. And he's apparently genuinely a good guy with a good record, too.

He sounds like he's going to do a really good job of appealing to voters in several of the big deal swing states without being from any of them specifically. Which means it doesn't feel like pandering to one of the states involved (and thereby spurning the others), which is also great.

(Also he was the one who started "weird" @ conservatives and I think we should take that seriously as a very good political instinct/move. Judging in large part by how it has so clearly hit an actual nerve with conservatives like so little else. Also hugely relevant: that post going around about how part of why conservatives are so upset about "weird" is because in the Midwest, "weird" specifically also implies anti-social or harmful behavior.)

Officially feeling more optimistic about Trump not winning in November

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[yanderenightmare]

TW: noncon, yandere, omegaverse, subjugation, some type of sexism, angsty, also a little fluffy?

fem reader

Discussions about superiority and inferiority between Alphas, Betas, and Omegas have become more popular lately. It’s always been many people’s opinion that the weak should cater to those stronger than them—but a debate with that as its topic is unsavory. Unfortunately, they’ve found new ways to phrase it. 

A resonating “Unmated Omegas are a danger to themselves!” garners much more sympathy…

And with the rise of people talking about it in the media, it was only natural to move the conversation into school as well.

You keep your head bowed in class as the chill runs down your spine. You feel the glare of thirty fellow students—the points of their teeth, too, and how they snicker under their breath. It’s always been rather scary being an omega, but you can’t say you’ve ever felt quite so alone.  

The teacher’s an alpha, so why should he care how what he says impacts you? He’s preaching to the choir, and you’ve never had the right to sing. The three other Omegas in your class have all chosen to stay home. They probably have the right idea—wait it out until it all blows over.

But you don’t know when that might be… You don’t know if that will be.

Society is on the precipice of critical change—new politics, new laws, new systems, new rights that separate you from them. You wallow in fear of the outcome, lying awake at night and scrolling through the news under the safety of your duvet. The statements seem endless. You wonder, why are all politicians Alphas?

You don’t want any of the things they’re suggesting—mating homes to help you find the perfect Alpha to bond with, systematic pairings done from birth, auctions. Is no one going to suggest they put shock collars on all Alphas and Betas to keep them in check? They’re the ones who need to—

“Your scent is distracting the whole class—don’t you feel ashamed?” 

It’s too easy for him to have you bent over the desk, your wrist on your back in his big fist as he wraps his tie around them. He and his goons stand around, all smiles—watching—enjoying it. It’s as if they’ve planned the whole thing, the way two of them peel away from the crowd to grab each their pick of your feet. Parting them, they use your own shoelaces to tie them to the desk legs.

The ringleader laughs. There’s an awful smell coming off him in waves—it makes you quiver. He flips your skirt up and whistles at the sight, showing everyone your ass and cotton undies. The bulge he presses against you is enough to make your tears spill despite how hard you’d fought to keep them at bay, knowing it only arouses them further.

“Aww, don’t cry, little bitch. You should be happy,” he coos, leaning over your trapped form to whisper right at your ear. “Don’t you know? You’ll never feel happier than you will bouncing on my big Alpha dick. It’s all your little Omega cunt dreams about, isn’t it?” He snickers, fiddling with his belt buckle—you flinch at every sharp clink as he jostles the metal. “Well, salvation is here—”

“Keep it to yourself.” Another voice breaks through the sounds of hollers and cheers.

Your eyes open to see him. You despise how your heart jumps in relief.

“Oi, you—” the guy at your back challenges, stepping away from you and toward the interruption.

“Yeah, me,” he states blankly, jaded. He eyes the rest of the guys with disinterest—five betas, zero threat—before telling them, “All of you. Scram.”

They all take a step to walk out as if his voice alone had compelled them, but then the previous guy interjects, making them stop in their tracks again. “Tch—you know what they’re saying. All unmated Omegas are free game, and I won this one. So back off.”

It was like watching a match of tug-of-war.

“Heh,” the intruder laughs. “That rule only counts for Alphas.”

You spot your aggressor's fists curl—there’s a growl rumbling in the back of his throat. “I am an Alpha, asshole.”

“Really?” he feigns, sizing him up with a cocky tilt of his head. “Couldn’t tell.” He doesn’t seem fazed in light of the aggression—actually, it seems to amuse him if anything. “To me, you smell no different from all these other Beta losers.” 

He takes a casual step forward, hands in his pockets and a smile on his face—baring canines with grace.

“But if you wanna prove it, I’m ready when you are.”

It’s quiet after the declaration. The betas are unsure who’s side to pick, none of them eager to get caught in the middle. It becomes a competition purely between the two Alphas.

Without backup, your aggressor backs down and leaves.

“Thought so,” your savior jeers, showing the crowd out, closing and locking the door behind them.

It’s quiet after they’ve left.

You hide your face. Listening to his footsteps approach—he sighs when taking the place of the former guy. He doesn’t touch you, though.

“Y’know…” he starts. “That guy might be trash, but he isn’t wrong…” He picks up your skirt and drapes it back in place. “None of this would ever happen if you weren’t unmated.”

You speak through grit teeth. “Untie me.”

He chuckles familiarly at that, clicking his tongue at you. “What? Aren’t you gonna say please?” But he does what you say anyway. Squatting down, he starts with your ankles.

The scent of your fear still lingers in the air despite your tough act. You’ve always been so steadfast, ever since you were kids, even when it does you no good. He frees your feet—one, then the other, slowly—he even reties your laces into pretty bows before he’s done. 

He remembers it being so obvious. The sun rose in the morning and the moon at night, and you were supposed to be an Alpha while he a Beta at best. You promised you’d be by his side to keep him safe forever, and he wanted nothing more.

But then puberty hit, and nothing was as you’d imagined.

He stands and unknots the tie keeping your wrists restrained.

You immediately push him off—already storming away.

“Do I get no thank you, no nothing? Always so stubborn—” He grabs your arm.

You spin around, an unnatural snarl on your face. “Let go!”

You’d have been a terrifying Alpha. But as fate has it, you’re not. And you shouldn’t act like it. It only lands you in trouble.

But he doesn’t say that. 

“You been watchin’ the news?” he says instead, ignoring your cry and keeping a firm grip on your arm. “Seems like auctions are winning the voters. You know what that means?”

He feels you flinch, followed by a quiver. He can tell. No matter how good you are at hiding it. He can see—the way you’re fraying at the edges, barely holding it together. Always acting so strong. He can’t tell whether you enjoy torturing yourself or if you’re just that good at convincing yourself you’re fine.

“Pretty soon, new authorities are gonna come storming in here, roundin’ up every sorry unmated Omega they find, and put ‘em all on a farm where pompous Alphas can have their pick of the litter.”

He can never tell what you’re thinking, but he knows he doesn’t need to tell you any of this. You’re not stupid, you never have been. He knows you already know. But…

“You should decide now while it’s still your choice.” 

You must be terrified. He understands. But truly… it’s obvious what you have to do, isn’t it?

“It’s not like you have many options.”

It’s obvious. It always has been.

You don’t meet his eyes. You haven’t for a long while. Actually, you haven't since both of you got your test results. He understands this wasn’t what you had in mind, but you can’t afford to mope about it forever—

“How am I supposed to choose any Alpha when you’re all such assholes…”

Your mutter stunts him. It wasn’t what he expected. Or, the words were more or less exactly something he’d expect from you, but that voice—quiet and soft, dangling on the brink of sweet. If you’d said anything else, he’d have taken it as a confession.

“Can't argue with that,” he ends up chuckling again.

You hate how easy this is for him. He would cry at every turn when you were kids. It’s unfair. 

“But you can’t keep doing this, either,” he states. His voice is soft, paired with that ugly authority they all have when talking to you—talking down to you. “Just look where it gets you—scared and exhausted because of it. At least have the brains to stay home.” He says it as if it’s a joke, but you both know it isn’t. His chuckles are light—far from fullhearted.

He bends down, trying to find your eyes. He still holds onto your arm, knowing you’d sooner stomp away than listen to him. His other hand brushes your cheek gently, tucking your hair behind your ear.

“You hear the call from the rafters—it’s not about what you want anymore. It’s about what you need.”

That’s what they say, isn’t it? What you need. You want to slap him. Scratch him with claws, bite his throat out—make him choke on his own words. Need? What you need is for them all to fuck off.

You mean to say it with the same sentiment, but something hard and rough in your throat makes all your words come out wobbly. “Mate an Alpha to stay safe from other Alphas. What a joke.”

You bow your head further. The tears return. They burn as they trail down the sore streaks from before.

He’s never seen you like this. He won’t lie, it makes his pants tight—feeling the urge to suck your cheeks, hold you close and comfort you. But knowing you right, you’d probably never let him. Your face would probably scrunch up in disgust, punch his gut, knee his groin, then turn on your heel and leave him on the floor wheezing.

You really would have made the most terrifying Alpha. 

“The world isn’t fair,” he agrees. “But you get nowhere cryin’ about it—do it my way, and you’ll never—”

“Have any freedom,” you cut him off with a sniffle. 

It’s about the most adorable thing he’s seen in his life.

He gets why you don’t like Alphas—they’re all gross. He makes himself sick sometimes. He can’t believe he’s getting off on watching you have a mental breakdown. There’s something seriously wrong with his side of the species. His throat’s tight, mouth watery with the urge to reap your vulnerability. 

Suppressing it only makes his inner beast furious. Some of that aggression comes out in his next words.

“I’m sorry, but the world doesn’t give a shit about your freedom.” 

The grip around your arm tightens, and you look up in shock—watching his narrowed eyes through your watery ones. 

“What you need is safety—now more than ever. Or do you like being preyed on by every Alpha around the corner?” 

Your bottom lip trembles at the reality of it—a little while ago, you were almost— 

“One of these days, I'm not gonna be here in time, and you’ll be a slave to some fucking—” 

He huffs and hangs his head. His hand loosens up—it trembles where he holds you in place.

“In all honesty, I think I’m more scared than you,” he whispers under his breath. “I think I might kill—”

He stops himself again. You don’t know if it’s in an effort not to frighten you or himself.

“Speak about needs…” he begins anew, now softer. “I need to know you’re safe. I need to—” He looks up. His eyes are back to being round. “I need you more than you need me, probably.”

There’s a desperation on his face. It almost looks like he’s on the verge of tears himself.

“So… please?” he begs. “Will you keep me safe like you promised and stay by my side?”

Your tears dry and prickle. Looking into his eyes now, you see the same boy you knew back in your childhood—that one who’d chase you all over even when you’d call him a sniveling crybaby. You realize, Alpha or not, he hadn’t changed all that much at all. 

“It’s not like you need my permission,” you end up saying.

You’ve always been so hard-headed. He has to smile. “No, but I want it.”

You nibble your lip. You can’t believe you’re at the mercy of this big dumb hunk of… you don’t have the words to describe him. He wasn’t exactly a crybaby anymore. 

“Okay. You win.” 

His eyes widen as you bear your neck with a stretch. Head high and shoulders slack. 

You swallow thickly. “Get it over with.”

He shudders at the sight. He didn’t know what he’d been expecting, but now it almost seemed too soon. 

“We should be supervised by a professional—you know how wrong things can go—”

“Hurry up before I change my mind.” Your eyes remain shut, and your lips pursed.

His tongue grows thick in his mouth at your bark. A sudden stroke of performance anxiety makes his palms sweaty, hands heavy and shaking. But then the sight of your soft neck has his mood shift, becoming drowsy.

He has no control over the growl that begins rumbling from his gut.

But he doesn’t apologize for it either.

He bends forward—breaths on your chest before he licks your throat. You can’t help but whimper at the warmth. He watches you through hooded eyes—your usually angry face is now all cute, riddled with anxiety you try hiding paired with the grim anticipation of pain.

“Shh,” he soothes, kissing the spot softly. He sways you against him, then lifts you up on the desk for you to sit. Grazing your neck with teeth when feeling your hands tangle two fistfuls of his shirt. He expects you to push him away, but you don’t—you tug him closer instead as if silently telling him to hurry up.

But he doesn’t want to rush, doesn’t want to lose himself—that’s how accidents happen. So he sticks to sucking gently, only tiny nibbles that leave your skin hot and lightly bruised in their wake.

You give a moan once he finds the spot, and he growls in restraint upon the pretty sound—feeling you relax despite being threatened with his teeth right at your artery. He almost humps your leg in return, feeling the boil of blood pump him hot and heavy in his pants—breaths turning equally hot and heavy, each one laced with rust.

Drool coated your neck in a cool sheen, soothing the marks made beneath it, while his lips and fangs aroused pleasure in the spot that now ached for the sting of his bite.

“Please,” slipped from your mouth while tugging him closer. 

His eyes, completely drunk on the pretty prayer, had only a slim rim of color left surrounding the hungering bottomless pits, blown full and black with opium.

No one could come and take you away from him now. Not with his print so pretty on your neck. You were his—just as you were always supposed to be.

♡ BNHA – Deku, Kirishima, Natsuo, Amajiki, Mirio ♡ JJK – Yuji, Yuuta ♡ HQ – Kuro, Miya twins ♡ DS – Tanjiro, Zenitsu

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist