#like xenophobia was a big part of the first arc it's not like this is new

[coralpolyp]

The Complete Works Vol 1: Finding the Flow

Wide version of the book cover I threw together in Procreate for this fic at the time - there's another version which is arranged to fit a Wattpad cover

Welcome to The Complete Works! This is a two-part archival project I'm doing, where I gather together every piece of unreleased Splatoon writing I've ever done that does not pertain to an ongoing project, and put it all up publicly on AO3, alongside my own personal reflection on it, both over there and over here - what worked, what didn't, why I didn't finish it, and how it influenced what came after it. And I mean everything - full multi-chapter sequences, half-written chapters, plot outlines, one-sentence headcanons, and French revision, it's all here.

Finding the Flow

Started: 9th October 2022 (Earliest dated work in private)/20th December 2022 (First chapter posted to AO3)

Abandoned: 14th February 2023 (Last AO3 update)/29th June 2023 (Final attempt to work on it in private)

The fic itself: AO3

Unused content/Complete Works: AO3

It feels like it's been much longer than it actually has been, but this is the first piece of fanfiction I ever wrote - and the first one I ever gave up on too! I had original writing experience outside of school prior to this, but it was my first time working in a fandom, and my first time posting anything online.

This one was supposed to be a prequel/origin story with Marina as the protagonist, beginning at the end of Splatoon and ending with the beginning of Splatoon 2. I got the urge to start this not long after having watched the absolutely phenomenal Takotsubo Heartbeat, and also having just finished Better Call Saul. It goes without saying that I was in love with the ethos that both stories shared - that of taking intriguing but underdeveloped characters from an existing story, and building an unexpected and compelling backstory for them, which sheds new light on the source material without ever retconning or contradicting it - you never would have imagined that these characters had suffered so much when looking at the source material, because not even the people who created it imagined that - but once you see it it makes too much sense to look away.

Finding the Flow was a flawed, if noble, attempt at picking up what Takotsubo Heartbeat was putting down, and exploring Marina's life as an illegal refugee just trying to have a music career. Maybe I would have succeeded if I finished this one, but when I look back on what I wrote I find it rather hard to read, it's just not very good.

I had a very hard time writing the opening to this one, given how tricky the tone was to nail down - lesbian fluff, xenophobia, break ups, and killing someone don't usually need to occupy the same story, but here we are. I had this one fully plotted, and to this day I can somewhat applaud myself for the overall flow of it when I look back - there was some quite bold and satisfying payoffs, such as the police station scene, the breakup, and the big fight, but even at the time I was acutely aware of the sheer lack of meaningful character arcs outside of Marina herself. I feel like this was before I actually enjoyed writing, and it was more fun to daydream about it in lessons than it was to actually write it. It took me a long time to realise that being an "idea guy" isn't good enough - anyone can do that, the people that get remembered are the people who put in the work to make it real themselves - which still isn't quite as applicable to myself as I'd like it to be.

Once the daydreaming ended, and I burned myself out on caring about Off the Hook, this fic was as good as dead. One of the few subplots this fic actually had ended up being expanded into its own thing, All My Favourite Songs, which I also never finished! I feel like I still occasionally pic plot ideas from this thing's corpse whenever I'm going near similar subject material, and in my head I still treat most of what I had planned for Marina as canonical - not that that matters because she's only had one speaking role in my work since then.

What happens in it:

Marina narrowly escapes from Octo Valley, getting wounded in the process. She journeys aimlessly, (as did I as an author) in search of where the Inklings live, infatuated with the Squid Sisters and their song. To keep herself company (and asa bandaid solution to the fact that there is not a single other character for like 8 chapters), she makes the Squid Sisters her imaginary friends, albeit with their personalities completely wrong as she has never heard them speak before - it is then revealed in a flashback that this tendency towards imaginary friends and other such childlike behaviour is a result of military recruitment at an early age, and premature repression of such tendencies.

She spots the Inkopolis skyline from atop Mount Nantai, but has to hide when an Inkling Girl (Pearl) climbs up, screams a whole bunch, and then leaves.

Marina is fascinated, and regrets not confronting her. She decides to camp out near the observation deck until the girl returns, during which time she records the Ebb and Flow demo on a beat-up keyboard - the only thing she took with her, revealed to have been a gift from her Sergeant - a woman fiercely loyal to the regime, albeit with a more sympathetic and supportive approach to leadership, which brings with it a misguided and self-righteous sense of knowing what's best for everyone, better than they know themselves.

The Octarian forces catch up to Marina, and a firefight breaks out at dusk. She fends them off and retreats down the mountain, accidentally bumping into Pearl again - literally.

What would have happened next:

(This is abridged, the full version is here)

Feeling guilty about her usual abrasive tendencies, Pearl takes the paranoid and distressed person with weird hair speaking a different language home with her to try and help her out, not knowing what Octarians are. Marina plays her the Ebb and Flow tape, and they form a band.

Later, when her Inklish is much better and they're working on their debut album, Marina sees a wanted poster of her own likeness in downtown Inkopolis, put up by someone who is apparently wary of the "Octarian menace". Knowing she is now being hunted down by both her former allies and the people of Inkopolis she is trying to assimilate with causes her a great deal of distress, which Pearl notices, but never gets an adequate or truthful explanation for. She processes her emotions through writing more personal songs and going for long walks at dusk.

During their debut gig in a small lounge, Marina impulsively sings in Octarian on the last song, which gives her a deeper connection to the lyrics and makes her performance incredibly moving. From then on she always sings in Octarian.

The next morning, Marina is arrested, and has a humiliating experience at the police station at the hands of Octarian-hating police officers. The man pressing charges interrogates her personally, and identifies himself as the author of the wanted poster and an audience member of the gig - Craig Cuttlefish. The interrogation is interrupted by his grand-daughter Marie barging in and urging him to drop the case, saying that he's taking his NSS duties way too far. He does so upon learning that Marina likes the Inkantation. Marie sponsors Marina's residency in Inkadia, and they are both given a mountain of paperwork to do.

Marie and Callie take Marina out of for coffee, and offer to kickstart Off the Hook's career - pushing for them to be signed to the same record label as them, recommending them to their producer, Shy-Ho-Shy, and letting them open for their next concert, where they perform their debut single Ebb and Flow, which is released the same day.

While preparing for said concert, Marina discovers a homeless community of Octarian refugees one night - they had followed in Marina's footsteps, but received no support from Inkling Society on arrival. Marina realises that she has nothing to give them, despite her life of luxury, as all of it actually belongs to Pearl - they warn her that she is no better off than them, but she does not understand. When she gets home, Pearl and Marina begin dating. As the relationship goes on, Pearl becomes more uneasy with Marina's inability to tell her who she is and where she comes from.

The relationship is not made public until their second concert. Pearl tries to kiss Marina on the lips on stage, without her prior consent to the stunt, which angers her greatly.

Later, Pearl discovers Marina's paperwork, which includes mention of her having been arrested at one point. Marina still fails to explain anything, and they agree to break up, with the band going on hiatus and Marina leaving the house with nowhere to go.

She returns to the homeless community, which she discovers has been completely wiped out by her former sergeant, who is disgusted by her betrayal of the Octarian regime. Penniless and alone in a individualist society which doesn't want her and has little to no welfare provisions, she almost accepts, but ultimately refuses, doing battle with the sergeant and killing her when left no other choice.

Marina goes on to live a meagre life in hiding, DJing under a pseudonym, producing for Harmony, and crashing at Marie's apartment every night, sleeping in a room that used to belong to Callie, who has now gone missing.

Dissatisfied with her creative output without Marina, and aware of the ggrowing legend around the band's sudden disappearance, Pearl tracks Marina down and Off the Hook is reformed. Together they complete and release their debut album, and are hired to host Inkopolis News.

For more, read Finding the Flow or The Complete Works

[jyndor]

so i give this show a lot of leeway when it comes to queer rep because there is actual queer rep for once that isn’t like a blurry background shot of two women kissing

that doesn’t mean i think it’s perfect or above criticism on queer rep. but i don’t think melshi and cass was queerbaiting. i just don’t. especially not when velcinta is the most meaningful romantic relationship in the show, and the only times we’ve seen people having sex lives (besides velcinta) are bix and timm, and cassian and his girlfriend on niamos.

bix and timm are the only ones who actually kiss so far, and their relationship is destroyed soon after because of timm’s paternalism, xenophobia and jealousy. meanwhile cassian is seen literally separated by a wall from his lover to represent his isolation, and there’s no physical intimacy seen on screen at all - in fact, it’s kind of a sad moment because cassian is hiding himself away, literally in a locked box, and pretending to shower to as a cover of sorts.

meanwhile vel and cinta haven’t kissed, which yes I do have a problem with because of how wlw relationships are often treated like gals being pals, but they do sleep together (they share a blanket) and the camera zooms in on them holding hands twice (similar to the rebelcaptain shot in rogue one, and I’ll come back to that). and furthermore, cinta says that vel loves her. like it’s not up for debate: they’re lovers. 

and while I joke about melshi and cass’s no homofication bro hug, i think once again we have focus on their hands - on touch in a non-sexual way - as being one of the most intimate (if not sexual) moments between two characters in the show. cassian says he hears my guy rue, after a whole arc of nobody’s listening.

understand that in rogue one, jyn and cassian are coded as being romantic but they never kiss or fuck or whatever, their intimacy is understanding each other, eye contact, HAND HOLDING, and finally that hug as they die.

hands seem important in this show/in rogue one tbh: cassian reaches out to bix and she pushes his hand away, and i’m not even sure cassian is being like a “homewrecker” as bix calls him, i think he’s just looking for connection as always. the prisoners all help each other up in one scene, a big focus on their hands. cassian and melshi do that bro hand shake/hug thing, but it’s the closest cassian has gotten to someone in the show so far. romantic or platonic, it’s the first time he seems really to have a person who understands him implicitly.

and cassian and jyn being on the beach together, home finally, is clearly mirrored here - except cassian is left alone because the mission comes first.

as someone who is on the asexual spectrum and bi, it is actually kind of nice to see a focus on the difference between intimacy and sex so clearly displayed in this show and in rogue one.

i’m still gonna flag that the only kiss in the show has been a mf kiss, and that the only time we’ve seen like the mornings after have been with mf couples (because there’s no way vel and cinta fucked that night no way not with a new guy around). but i don’t think this one is queerbaiting us.

EDIT: no it’s literally not queerbaiting i forgot melshi wasn’t even part of the marketing for andor, of course it isn’t queerbaiting LOL

[rotzaprachim]

8 + one or two questions of your choice for the grishaverse :)

8) common fandom opinion that everyone is wrong about

the ken-dollification himbo-isation of matthias especially as it's used to kind of... flatten the mental processes of discombobulation and dissasociation and dislocation that come from being deradicalised from a cult? he thinks kaz is a demon but was he really wrong about that? i think matthias's character has a LOT more complexity in the books than people give him or the arc credit for and the way the very complex IRL psychology of how all-consuming and total the logic of cults and religious extremism are is flattened into big dumb dumb... dumb dumb... as well as the idea of matthias's ken-doll like ignorance around sex and whatnot as being some kind of light fun character trait instead of almost sometimes a write-off of the very real fact he was very much in a genocidal cult... idk man. it grinds my gears.

also! kaz's *distance* towards inej in the books! look he's not Nice to her and i don't want to excuse that but he has VERY good reasons apart from his own prudishness to keep that distance and that is that he is the boss and she is the employee! kaz keeping distance between himself and inej is the most ethical thing he can do in the most unbelievably unethical situation possible and i don't think a lot of fandom keeps that in mind esp during fics during the pre-soc era. THAT's why it's SO important he pays off her contract in CK it's literally the first step that possibly could happen in order for their relationship to progress in any ways.

what was the last straw that made you finally block that annoying person?

that person who plagiarized my fic and became a big name author in fandom sure grinds my gears/

worst part of fanon?

not a fan of a lot of the kanej content that kind of makes a sexual show of kaz being mean to inej or things that edge on straight up domestic abuse cause he's AWFUL it's JAIL TO KAZ FOR A MILLION YEARS JAIL like don't get me wrong he is REALLY awful, terrible even, i don't vibe with the tailorswiftisation of him either but like.... not to Inej he isn't. the reproduction of the if a boy is mean to you he LIKES YOU LIKES YOU thing but under new wording idk. anyway if he treated inej IN EITHER BOOK OR SHOW CANON like he does in a bunch of fics i'd literally want her to murder him no jokes

topic that brings up the most rancid discourse

the disk horse is always on the darkling being jewish and not a single. other. grisha. why are zoya tamar nina and jesper never jewish omg. why are the fics always the crows celebrate xmas and never jesper's crazy exciting fun hot girl purim party!!!!! why not that.

and finalllllyyyyyyy

a compelling argument for why your fave would never top or bottom

people can write matthias very aggressively controlling nina during sex but also i hate it and don't buy it. guys the princess and the fjerdan was a joke (and a commentary about eroticised xenophobia) for a reason. guys. his canonical sexual fantasy as of CK is about going down on her guys. the only way he's a top is if he's a service top or something y'know? anyway.

[moonybadger]

On the other hand, I’m not really understanding a lot of the aggressive reactions to the new Warriors book preview I’ve been seeing on twitter? Like people are getting angry that characters are acting xenophobic and being jerks about Nightheart’s choices. Like guys... yeah you’re not supposed to like it, the narrative is explicitly framing these opinions as bad lol

Honestly I’m really enjoying the much more grounded conflicts this new arc is setting up. It makes a lot of sense that some characters would react like this after the changes made to the Code and the still new arrival of Skyclan shifting everything around.

Will the writers fuck it up? Maybe, but they haven’t yet. I’ll take actual character conflicts and relationships over supernatural problems that end up flattening the characters’ personalities entirely any day.

EDIT: Okay also seeing people say that the Thunderclan cats are out of character in this book, which I also disagree with. Most of them are characters that have not had any personality up until this point; we never saw Finchlight or Myrtlebloom do or say anything before this, they were just background characters. I honestly don’t even think Sparkpelt is really out of character, she’s always been pretty brash and would unintentionally hurt Alderheart’s feelings in the first VOS book. She WAS compared favorably to Firestar growing up (Graystripe talks about how much she looks like him and is surprised that she isn’t named Sparkfire or Sparkstorm). I can easily see that she saw being compared to Firestar as a point of pride, a point she tries to instill in her children. She’s also very traditionalist; she’s one of the cats who initially was against Skyclan living around the lake and was a pretty harsh mentor to Twigbranch when she returned from living in Skyclan.

Parents also can feel very entitled to their children; a LOT of parents would react angrily when their kid changes their name for any reason. We haven’t seen much of Sparkpelt being a good, understanding person, she’s always been really hotheaded and kind of self centered. I absolutely think that it’s in character that she’s responding to Nightheart this way! I like that she’s a complicated person who doesn’t always react how we want her to, I like morally gray characters in my cat books.

[codename-adler]

Dear Tumblr toxicity,

Hi. Adler here. We need to talk.

- TW: mental health issues, depression, bipolar disorder, self-harm, homophobia, transphobia, coming out, xenophobia, islamophobia, racism, implied sexual content, rape, non-con, addictions, abuse, parental negligence, depictions of violence, swearing (please message me kindly if I forget anything)

- What prompted this message: The release of Skam France S7 teaser (emphasis on teaser, will get into that below)

- Where I’m coming from: I will talk from the pov of a white, cis and queer 22-years-old woman (she/her); this is the pov that affects my experiences and the opinions I will share below; but my message comes from a place of deep hurt, and love

- What this is about: My goal is to share a recurring experience that has hurt me in order to spread a message of awareness, maturity, peace and love

- Central content: Skam France, Skam Wtfock, and Skam/remakes in general

From now on I will assume people have enough information for me to talk about the topics without explaining every plotline/character. There are plenty of wiki pages to help you out and I will gladly answer any (respectful) questions asked if a plothole bothers your comprehension of my message. I’m only making these assumptions in order to alleviate the text.

January 9th, 2021.

The francetv slash YouTube channel releases an unexpected teaser video for an equally unexpected seventh season Skam France. The video features Tiffany, a white, cis female teenager, going into labour from denial pregnancy just after winning what appears to be a gymnastics championship. Overall, the video and its release are very dramatic.

The character of Tiffany, also called Tiff, was previously seen on season 6 of Skam France as a bully who persecuted the main character, Lola, both at school and on social media. Outside of this characterization, nothing is known about her. It is majorly accepted that Tiff is not a liked character; she rather poses as one of the antagonists of Lola’s arc.

Now you know the details of what happened, in the most objectively possible way. 

Now I’ll speak for myself.

Before I went digging around for people’s reaction, here is what I initially thought of this video.

1) Shock: I thought Skam France was over, so... Big, big shock.

2) Excitement: I hold this web series very close to my heart. It has gotten me through depressive episodes, anxiety attacks, coming out to my best friend. To see this new development? It couldn’t bring me more joy.

3) Curiosity: I recognized Tiff immediately. I was intrigued as to what would happen to her to set off a new season in true Skam Fr fashion. As soon as she started gripping her stomach, I knew she was pregnant and wasn’t aware of it. Big, big surprise here again.

4) Numbness/Overthinking: As I stared at my screen, motionless, my mind went off. What did it mean? How did she not know? Who is the father? Do we know him? Will the baby survive? Where are the other characters? Will Lamifex be present? What? How? When? Why? Who?

5) Disappointment: No, I did not like Tiff one bit in S6. Yes, I sincerely wished for a season on either Jo (ambiguous and funny teenage girl, cis + white), Sekou (seemingly neurodivergent teenage boy, cis + black), and my favorite, Max (mysterious and grave teenage boy, trans + white) So why Tiff? It felt to me like a missed opportunity, but I did not lose hope.

So, these were the five stages of my emotional process. And then I made the terrible mistake to go look for the fans’ reaction. I didn’t even look at the YT comments, I didn’t go on Instagram, I went directly here on Tumblr. Why? I’m still asking myself that. From S1 to S6 of Skam Fr, I kept my love for the show to myself and only looked at ig and video edits. I tried once, and only once, to look it up on Tumblr, and was greeted by fervent agressivity, disrespect and hate. Why did I ever forget that after watching the S7 teaser? I still don’t know.

The reactions on this platform were wild. People are furious (I get that). People are disappointed (I get that). People are anxious (I get that). People are also verbally agressive, insensitive, hateful, disrespectful and bullies. I don’t get that.

Comments along the lines of “What she gonna do with a fucking baby?”, “Are we gonna watch the baby do nothing all fucking season?”, “Wowwww, teenage pregnancy, so new and relatable!” (note the sarcasm made in the comment here), “Who gives a shit about Tiff?”, etc. 

And then all the mistakes Skam Fr ever made flooded back onto the feed. The wlw misrepresentation, the whitewashing, the overdramatization, the dubious sex scenes between minors, all of it.

Let’s take a break here. Do I condone these mistakes? Nope. Am I a white-bully apologist? Nope. Did I forget every horrible action Tiff has made in the past? Nope. She manipulated a whole school against Lola, she profited from Lola’s mother’s death, she bullied her, harrassed her, pushed her deeper into mental distress. Tiff was a despicable character that I never once liked. The way she was played by the actress made it clear that Tiff was not intended to be a good guy. If I could replace her as the main of S7, I would, in a heartbeat. I’d choose, as I said, Jo, Sekou or Max.

Skam France deeply lacks diversity and made mistakes when attempting to diverse the issues represented. This is not an opinion, it’s a fact. 

Poc representation is very, very low. Only one season has a woc of Islam beliefs as mc (Imane, S4) with poc entourage/family. Only 2 other characters not related to Imane were poc (Sekou and Sarah, S1-S2). These 2 characters were very in the background and served to further the mc’s plotline, they had no real content. (I am not a poc, and so my opinion does not matter here. If you are not poc, your “opinions” don’t matter here, this point is not for you to debate. These are facts.)

While I do not particularly find the wlw representation bad, I do understand how it hurts/bothers other queer women. From my perspective, the bar was very low regarding my expectations of the Lola/Maya pair (none of them died *yay* they had a happy ending *yay* they were not typically overfeminized or overmasculinized *yay* Lola  and Maya were respectful of each other, understood each other, accepted each other with all their flaws and their beauty *yay* I truly believed in their love and it gave me confidence and hope *yay* I ould really go on but this is not my main point so I’ll stop here) Regardless of my opinion on Mayla, I understand that to some queer women, it was bothering/hurtful. (If you are anything other than a woman / wlw, this point is not for you to debate. Keep your “opinions” to yourself, it does not matter here. These are facts.)

Like every remake of the original Skam where the S4 was given to Sana/Imane, the Muslim community was not represented at its best, at its most beautiful and respectfully. The character of Imane, although she is my favorite girl of the series, was not portrayed in a way that respected the majority of the Muslim community. (If you are anything other than Muslim, this point is not for you to debate. Our opinions do not matter here. These are facts.)

And so the same goes for the portrayal of sexual assault and child pronography in S2, of mental illness and homophobia in S3, of disabilities in S5, of addiction, transphobia, self-harm and neurodivergence in S6. Again, if you are not part of these communities, your opinions do not matter on these issues. These are facts that are not up for debate.

In other words, Skam France, as well as the original Skam, Skam Wtfock, Skam España, and probably all the others I haven’t watched in their entirety, are NOT perfect shows. They (maybe) tried their best to portray issues of the younger generations that are ugly, shameful, taboo, hard-to-swallow-pills. Of course they made mistakes. Of course they have to be held accountable. Of course they can and should do better. Of course it must be spoken about.

Here is my problem.

The so-called “fans” shamelessly SHITTING on the WHOLE show because of ONE TEASER TRAILER. (btw, this is where I get angry)

I am not talking about the fans making fun of the show and this season’s premise like “Better MCs than Tiff for S7: a romance between the car that almost hit Lucas S3 and the car that hit Arthur S5, or the school’s nurse, or Imane’s dad, or Elu’s rabbit” (that shit’s funny and I’d watch all of these).Or the joke about Wtfock and Skam Fr shaking hands while signing the same contract to disappoint the fans with white MCs (it’s funny cuz it’s trueeeee).

I am not talking about the fans criticizing the producers’ choice of Tiff as MC. There is a difference between shitting on issues and adressing/discussing them. I WANT to talk about how this season’s issue would have been so much better if a woc, specifically a black woman, had been the MC, because black women and doctors are a whole different level of issue than white women and doctors. Add on top of that an unplanned teenage pregnancy? It would have been IMMACULATE. I WANT to talk which wlw couple was better represented, Mayla or Croana/Crisana, and why is that. I WANT to talk about disabilities in black and poc communities. I WANT to talk about headcanons, AUs, to rectify the missed marks. I WANT to talk about our takes on seasons about Max, Sekou and Jo, instead of Tiff’s.

I DO NOT WANT TO TALK ABOUT YOUR SHITTY, NEGATIVE, UNHELPFUL, HURTFUL COMMENTS.

Just because the protagonist is white, doesn’t give you ANY right to dismiss the issue that is unplanned teenage pregnancy. This is a problem that affects countries WORLDWIDE. Do you know how many deaths are related to minors giving birth? Do you know how many babies die at birth from these pregnancies? Do you have any idea the trauma it puts you through, to go into labor without even knowing you were pregnant in the first place, and then giving birth, and then having to care for a defensless human being? The dilemma of keeping it, or giving it away? The fear that lives in every person able to give birth, that one day they’ll become pregnant, because society turns sych a shameful look to that? No matter your ethnicity, your gender identity, your sexuality, your political stance or whatever shit you bring up to justify your disgraceful and downright degrading comments, YOU HAVE NO RIGHT TO SAY THAT A MINOR GIVING BIRTH IS NOT AN ISSUE. 

You think the topic has been covered plenty before? Yeah, because shows like “16 and pregnant” and “I Didn’t Know I Was Pregnant!” are such good examples and show the reality with such an objective point of view! 

Bullshit. Teenage pregnancy is still a taboo, it still kills, and people are still morons about it. 

“Well I guess everybody is secretly pregnant now!” No, Jessica, but you wouldn’t know about it, would you? Because I wouldn’t tell you shit if you were my “friend” and I was going through it. The whole message of all the Skams is not that it presents super relatable issues of teenagers, although it is a big topic of the show. They present some issues that affect the youth in an authentic light, but that’s not it.

Tous les gens que tu rencontres mènent un combat dont tu ignores tout. 

Sois indulgente. Toujours. x x x

//

Everyone you meet is fighting a battle you know nothing about.

Be kind. Always. x x x

THAT’S THE MESSAGE. THAT’S THE WHOLE POINT OF THE SHOW.

And you all missed it.

All of you making dead baby jokes and death threats, degrading people who give birth, shaming teenagers for their pregnancies... Listen to yourselves.

“Well she deserves it, she was such a bitch!” No, Michael, you shit stick. Let’s rewind a bit for you, yeah? It was a GOD DAMN TEASER. We literally know nothing! Nothing at all! Why are y’all getting mad when we saw 3:25 minutes representing a whole ass season! Listen to yourselves. Y’all judge so fast for people pretending to love Skam and its authenticity and its motto.

You say Tiff is irredeemable?

Emma cheated on her boyfriend.

Manon lied and manipulated her friends.

Lucas was homophobic and prejudiced agaisnt mentally ill people.

Imane was homophobic too and went behind her friends’ back to get what she wanted.

Arthur cheated on his girlfriend too.

Lola dragged Elliot down with her in her addiction, lied, was verbally abusive, etc.

ALL THE MAINS ARE PROBLEMATIC.

Any guess why?

BECAUSE THEY ARE TEENAGERS. THEY ARE STILL GROWING AND LEARNING.

Yet we still loved them all. 

So don’t you dare tell me that Tiff deserves this, that her baby deserves to die, that teenage motherhood is irrelevant. Motherhood is not a curse in the first place, nor is it something to wish to inflict upon anyone. Motherhood is different for every single person and nobody except the person living with it can have an opinion on that. We don’t even know if the baby survived, for God’s sake!

There is no excuse for this kind of behavior..

It makes me so angry. Women are discriminated against in a fandom I thought was safe, again and again and again. 

I have to stop here because, well, this is just too much. There is much wrong with Skam (the original AND all the remakes), but there is even more wrong with the fans. I’m done.

You don’t support the show anymore? Fine, then don’t watch it! If I really am wrong, the number of viewers will go down and the show will die, just like you wished. There is no need to be vicious about it. 

I hope y’all are proud of your misogyny. 

Sincerely,

Adler.

[queerderpyturtle]

some old rambles about discord and starswirl that I dug up

I been thinkin. Bout Discord and Starswirl. And how they probably knew each other. And what their relationship could've been. And what that means for the rest of their arcs in the show.

From what we know (and what I remember) Discord came into power after Starswirl and the pillars were sent to Limbo, but Celestia and Luna started ruling Equestria sometime between those two events, because they were too young to remember or care about the other pillars, but they banished Discord.

We don't know a lot about Discord's past, but I imagine that when he first came to Equestria (at which point I assume he was fairly young by draconequus standards), he wasn't exactly given a warm welcome. Ponies were probably absolutely terrified of this horse-headed, bat-winged, lion-pawed, snake-tailed freak of nature, and there's a good chance they would've driven him out of town full force. His first taste of ponykind was rejection.

So, later, he tries again. He makes himself a pony disguise-- a handsome unicorn stallion named Atlas-- and sets off to learn more about Equestria. And it works! He's able to make friends, live amongst ponies, and study Equestria magic. He actually gets pretty good at doing through his unicorn horn, so much so that he manages to get into a prestigious magic school for gifted unicorns. "Atlas" is of course still a troublemaker, though. He pulls pranks, annoys his teachers, breaks the rules, and just generally has no respect for authority. And why should he? The entire society that Equestria is built on is corrupt beyond all belief, stuck in its ways, and downright hostile towards any creature outside of it. They didn't deserve his damn respect. Equestria itself was fairly new as well, and the ponies themselves were still getting used to each other. It was all one giant powderkeg, and Atlas was honestly excited to see what would happen when it went off. So he stuck around, if only to cause more chaos in this personal playpen country of his. If he wasn't the best student in all of his classes, his teachers probably would've strangled him after a day.

And then one day, he found himself in a class with the famous Odin Starswirl, a magically gifted unicorn with a penchant for proving others wrong and keeping a clear head while doing it. He was proper, eloquent, studious, respectable-- a perfect pony for Atlas to torment. Except it turns out that Odin is ridiculously, insufferably hard to annoy. When Atlas knocked over his books, or spilled water on his cloak, or made fun of his sloppy hornwriting, Odin simply responded with a sigh and a quick cantrip to fix whatever the stallion had ruined with his antics. This did not please Atlas at all. He spent more time hanging around Odin than he did hanging out with his more troublesome buddies, just to try and get a rise out of him. But he never could. If anything, they were becoming... friends. Atlas's biting remarks turned into light-hearted jabs and playful scoldings.

"Odin, for heaven's sake, if you don't take a break from studying to shave for once in your damn life, I'm going to have to start calling you Starswirl the Bearded!"

His destruction of property turned into casual acts of kindness.

"Yes, I brought your saddlebag. I knew you'd forget it, you scatterbrain. We're lucky you even remember to eat."

His contempt for Odin's huffy nature turned into giving the unicorn an easy out for boring social events hosted by his equally uppity parents.

"C'mon, Stars, let's get out of here. I know a place nearby that sells elderberry tea."

"You know I can't leave. This is an important party."

"Important to whom, exactly, my dear?"

"To my parents!"

"Your parents. Well, last time I checked, they weren't you."

"...Fine. Thirty minutes, and then you're bringing me back."

Before long, Odin was regularly sneaking off to join Atlas and his friends on their escapades. He found himself strangely drawn to the unicorn, in spite of-- or maybe because of his rebellious and carefree nature. He was so different from the ponies Odin was used to, so sure of himself, so headstrong. Odin would be a fool to say he wasn't slowly getting attached to the scoundrel.

Atlas noticed this, of course. He was honestly surprised! Who knew a straight-edged young scholar like Odin would be so willing to stray from the path of monotony? And that was all Atlas wanted. To cause a little chaos in Odin's life. It wasn't as if there were moments in which he looked at the unicorn and considered giving up his whole scheme to enjoy a happy life alongside his... friend? Companion? Fellow associate? Lord, what even where they? Atlas had never really had a friend that was interested in any part of him other than the chaotic part, and Discord hadn't had any friends at all. He took a leap of faith one day to ask Odin if they were, in fact, friends, and Odin responded with an aloof "Yes, I do believe so." And that was that, wasn't it? He had a friend. A real friend.

Over the next few years, Odin and Atlas became inseparable. It was a thing to see, the two of them trotting down the streets of Canterlot together. They couldn't have been more different, from the way they walked to the way they spoke, but they were as close as ponies could get. Odin gave Atlas a safe place to practice magic, study Equestrian history, and discuss the library's old scrolls and texts from ancient unicorns. Atlas gave Odin an out from his mundane life as a trophy child of the wealthy Starswirl family. When Odin started tutoring two unicorn fillies with promising skills in arcane magics, Atlas was the first of Odin's friends he introduced them to (the fillies lovingly started referring to the stallions as their honorary uncles). When Atlas accidentally used too much sticking potion in a prank and stuck one of his teachers to the side of the school for three days, Odin helped him sneak into the Starswirl mansion to hide, scolding him between laughs the whole way. They each saw more in each other than the average pony could ever see; Odin was more than a prodigy, and Atlas was more than an annoyance.

And if there were, perhaps, by some miracle, some hint of... romance beneath their friendship that neither side would admit to, well. That was their own business. If they enjoyed cuddling up on the couch to read from the same book, nopony needed to know. If they relished each "accidental" brush of hooves or tails when they walked together, nopony would be any the wiser. If Odin longed for the day when Atlas would use those strong forearms of his to pin the stallion against the nearest wall and just kiss him already, and felt more alive than he'd ever felt in his life when Atlas finally did...

Then maybe that was just fine. And for a while, it was. But there was always that itch at the back of Atlas's mind, that knowledge that their relationship was fleeting, because it was all, in truth, based on a lie. If Odin found out who Atlas really was, what Atlas really was, it would all crumble to pieces like a biscuit that had been left out in the sun. Atlas... no, Discord hated that the thought of losing Odin-- a simple pony whose life was a speck of dust in his immortal existence, who would be a pile of ashes in the ground before Discord had even had his second molt-- made him so unreasonably upset. He'd known going into this that becoming invested in the lives of the ponies in Equestria was foolish. He'd never meant for it to get this far. He'd come here to futz with the government a bit, maybe start a few riots or terrorize a few queens. He never wanted to find Odin. So why wasn't he willing to let him go?

Shit, he really was in too deep.

And yet, Atlas and Odin found themselves ever-so-slowly, but ever-so-surely falling in love.

But nothing gold can stay.

Odin had always known Atlas was a bit of an anarchist. It was one of the things he admired about the stallion-- his ability to let go of the norms that Equestria had built for itself and be his own pony. The problem was that Atlas seemed to have a problem with how Equestria treated creatures who weren't ponies. Griffons, yaks, kirin, and the like. Equestria had never been a big trading country, or a big socializing-with-other-nations country. They kept to themselves. Of course, this meant that xenophobia was rampant, and that the fear of the outside world was instilled into the hearts of almost every pony there. But why should Atlas care so much?

Odin asked him as much when the two stallions were studying together in Odin's room, and Atlas became noticeably more tense. He gave Odin a simple "I just think it's wrong," hoping to avoid the subject, but Odin pressed him for more details. Sure, Equestria was problematic, but all in all, it was a good country. Was there really anything so bad about wanting to keep it the way it was? Atlas tried to keep himself from snapping, tried to keep himself from saying something he'd regret, but hearing these things from a pony he loved hurt him deeply.

"It's not about tradition or preservation, Odin. It's about the fact that Equstria has never been willing to change. Before the unifications of the species, it was conflict between the pony species. After, it was conflict between the classes. Now, it's conflict between countries. Just because the problems are external doesn't mean they aren't there," Atlas told him.

"But it isn't exactly a pressing matter. It hardly effects us at all. I guess I just don't understand," Odin replied.

"Of course you don't."

It was said so quietly that Odin couldn't quite tell if he'd been meant to hear it, yet with such venom that he couldn't ignore it. He chanced a confused look and a "What?"

Atlas stood. "Of course you don't," he repeated. "You're the perfect example of a high-class, magically advanced, want-for-nothing unicorn pony. You're perfectly content to live in your little bubble of mediocrity, never trying to do anything to change the world around you. You think there's nothing you can do to help others, so you don't even try. You think they'll sort themselves out. You're complacent, Odin. You've always been."

"Complacent! And just what is wrong with that? I'm doing my best in my own life and I have no responsibility to try and fix the lives of others! Is it so wrong to focus on myself?"

"Of course not! But you can't just pretend that you're the only one with problems! I see it every day, Odin. You act like you're on top of the world, like you're above feeling sorry for others. You don't even care about them. About me!"

Odin looked hurt. "Atlas, I-- of course I care about you! You mean everything to me!"

"And just how much would it take to change that? Telling you my real name isn't Atlas? Telling you I'm not from Equestria? Telling you I look like this?!"

In a flash, Atlas removed all the disguise spells he had on himself, leaving him-- Discord-- in his true form. A long, sleek body covered in brown fur. The misshapen head of a goat, framed by a shaggy black mane and two short horns. Wings, legs, and a tail that had all been taken from different animals, stuck together like a gruesome collage. Odin's eyes trailed up the creature's body slowly, trying and failing to comprehend what he was seeing. He began to back up.

Discord could feel each step he took like knives driving into his heart. Odin was afraid.

The draconequus scoffed. "You're all the same."

"A-Atlas, I..."

"Discord. My name is Discord. I am a draconequus from the tribe of the western Badlands, sent to Equestria to study its magic. When I first came here, I was avoided like the plague. Ponies wanted nothing to do with me. They saw what they were told to see in me-- a monster. A hideous, murderous, blood-thirsty monster. They threw me out because I was different."

Odin was silent for a long moment. When he finally spoke, his voice trembled. "I think I n-need some time to... to process all of this. Alone."

Discord couldn't have stopped the pain he felt from showing on his face if he'd somehow managed to summon all the magic on the planet. He gritted his teeth, blinked back tears, and disappeared in a shower of sparks.

It was the last conversation he would have with Odin for a millennium.

That night, Odin lay in bed, his mind racing, working overtime to try and figure out what in Tartarus had just happened. Firstly, he and Atlas had just had their first real lovers' spat. Except that those typically didn't lead to one of the ponies involved revealing that he was a creature from a faraway land, but whatever. Secondly, "Atlas" was a draconequus named Discord. That would take some getting used to, of course, but it was nothing he couldn't handle. Thirdly, Atlas-- who was actually Discord-- had stormed out in a huff without saying goodbye. Well, that's just how things were sometimes. Nothing to lose sleep over.

When he awoke the next morning, the first though this mind supplied him with was, "Oh sweet merciful heavens I've ruined everything." He rushed to school early, hoping to find his friend (Boyfriend? Lover? Shit, I love him and I just cast him out like an old dish towel), but the stallion was nowhere in sight. Odin asked around, tried everything to get into contact with Atlas/Discord, but nothing came up. He had disappeared off the face of the planet.

Instead of dealing with all the emotional turmoil that came with that situation, Odin threw himself into his studies. His magic grew stronger and stronger, fueled by rage and pain and sadness. He pushed Celestia and Luna to become powerful sorcerers like himself, pouring every hour that he didn't spend practicing magic himself into teaching them. He tried to forget about Discord entirely, and move on. He didn't need some handsome bad-boy keeping him sane to be successful. He only needed himself. That was all he would ever need. Odin was gone. There was only the great and honorable Starswirl the Bearded.

When the sirens invaded Equestria, he agreed to help defeat them. When Stygian came to him looking for friendship that Starswirl hadn't even offered to the other "pillars," he turned him away coldly. When he realized the only way to defeat the Pony of Shadows was by sending the seven of them into limbo, he refused, at least at first. But the citizens of Equestria persisted. He was the great Starswirl, he had a duty to protect them and keep Equestria safe. He tried to tell them that the consequences of the spell were too drastic, but they would not listen. Starswirl had no choice but to go through with it.

Discord, meanwhile, had been staying on the outskirts of Equestria, brooding and cursing Odin's name. When he found out that Odin had vanished, however, and the circumstances of his disappearance... well, he wasn't happy. Despite everything, he still loved the idiot, and he had never wanted something so terrible to happen to him. Odin would have never agreed to something like that without being pushed by the Equestrian citizens. What right did they have to decide who lived and who died? Why did they get to sacrifice their most beloved sorcerer for their own safety when there were other options? Was this the price they paid for harmony?

That wouldn't do. That simply wouldn't do at all. If these pitiful excuses for equines thought the pony of shadows was a threat to their delicate balance, he would show them true chaos. He dethroned the country's leader, took over, and made the ponies of Equestria suffer like he did.

And then Celestia and Luna came along. When had they gotten so big? So powerful? How had they grown wings? Were they seriously going to try and take him down? Lulu and Celly, the sweet little fillies who had once made him flower crowns and taught him songs and invited him to tea parties. They were going to try and make him surrender. How adorable. He wasn't going to fight them, of course-- he still held a great affection for them, no matter how long he'd been gone. He would let them do their little song and dance, and them send them on their way.

Of course it was hard for the sisters, too. They had looked up to Discord back in the day, he and Starswirl both. Now they were using the magic that Starswirl had taught them to defeat someone he had once loved. Someone he probably still loved. But freedom is never free, and the sisters were resigned to their fate. They harnessed the power of the elements of harmony, turned Discord to stone, and hoped silently that someday, somehow, he would return to them, and he and Starswirl would find each other again.

[off-in-the-moors]

Joseph Kavinsky analysis, part 1

aka how did I get here and why is he the reason

Warnings: spoilers for the whole Raven Cycle, mentions of: drug-use, abuse, death, murder, homophobic slurs, xenophobia

Part 1 // Part 2

After finishing The Raven Cycle and analyzing every chapter, character and the overarching plot with my friend, we were left feeling empty. It's been few months, I kept looking-up more TRC related things, other people's opinions, look through fandom content and even read some post from the author's, now deleted, tumblr account, trying to find answers to why I'm feeling like this. Why the books seem to decline for me in quality as I kept reading? Why I can't see Ronan in the same light as the rest of the fandom? Why I couldn't like the author? And the answer was looking me in the eyes the whole time.

"Depending on where you began the story, it was about Joseph Kavinsky."

I loved his character from the moment we met him in The Dream Thieves and still think about him to this day. But why? In a way, Kavinsky is too familiar to me, from his attitude, through appearance to his voice. It’s like I knew him, and this isn’t surprising. I met/saw Kavinskys on the streets, I know Kavinskys, and I was a Kavinsky once in my life. Although I'm the opposed to him, I still sympathies with him and understand how it feels to be in dark places in your life. And I'm not the only one, many people adore him and don't deny his actions to be terrible. But on the other side, the majority of fans hates him and titles him "the worst/most evil antagonist of the series". But why? What about K makes him so polarizing? The simple answer is: the way he was presented and the function he played in the plot. Even then, K's whole arc in TDT was handled horribly and damaged the way readers will view, not only people like K but also themselves. This and also future posts, I’ll be analyzing everything relied to K, including his treatment after book's release by the author and what some deleted scenes and unused ending can shine on.

This is part 1 of a series of posts to come.

This part is about the narrative and characters views of Kavinsky.

Narrative and characters

Narrative is a powerful tool of telling a story, well crafted and coupled with character's internal-voice makes the reader view the story under different light. In a PoV of one character, one thing might bring-up different emotions and ideas, than the others. Exploring relationships and events differ, because everybody experience it differently. But problem begins when the narrative forces a reader to a opinion, without backing it up with reasons or giving a opposing one. In case of Joseph Kavinsky, before we properly meet him, we are told by the characters to hate him and the narrative backs them up in reasons to hate him. All the reasons given to us at that time, boil down to "I heard a rumor."

Gansey hates him, because "There was nothing about Kavinsky that wasn’t despicable" and "he thinks life is a music video". He doesn't want Ronan to associated with him, which is connected with him covering and getting Ronan's ass for the mess he made, having him project his anger and frustration he has with Ronan on to K, who part-takes in the same activities and probably with Ronan, is understandable. But I didn't expect much from a guy who: payed the school officials so they won't kick Ronan out; insulted Adam and throw Adam’s abuse at his face, just to instant of apologizing to him, make a pity party for himself (also having Adam apologies to Gansey for his rightful outburst isn't okay), is fine with having a romantic relationship with Blue while she's still with Adam, hurting him even further but makes it all about himself, etc. Him hating K, just because of his lifestyle, made sense. But were the line was crossed, was when he started to decide on other people's worth. Lines like "we matter" (on which I'll extend later in the post) or "Ronan is fixable and has a soul [Kavinsky doesn't]", were used not only to show what Gansey himself thinks of K (he isn't a human being to him), but also demonize K and make the reader not consider him an equal to the Gangsey (a teenage).

Blue hates him, because he's yet another Raven Boy. Her hatred comes mostly from her distance for them, rich boys with privilege to which Gansey gang is an exception (although two out of four are exactly the kind she hates, and she told Noah directly she wouldn't be friends with him if he was alive) (There can be made a whole post about Blue's hypocrites regarding Raven Boys, but this isn't it). She also talks about how she doesn't feel comfortable around K and "if she couldn’t forgive Kavinsky for always managing to make her feel so insignificant", which makes sense. But while describing him, she calls him "a import from somewhere else", not only lessening him as a person but also making a xenophobic comment, noting his long nose as one of the factors (you could say, she meant him being from New Jersey, but you don't "import" stuff from inside a country, you only "import" from abroad and K is Bulgarian, doesn't matter if he's an immigrant or just has Bulgarian roots). Later, while discussing what to do with K draining the ley lines, Greyman offers to talk to him, to which Blue asks him "can you make him feel worthless while you do?”. Yes, she asked a hit-man, who killed not only Niall Lynch but also multiple people (including three on pages, which was described in the case of the ones breaking into Montmouth) for money. (Yes, fans say it's fine he murdered Niall, because he was a dick and horrible father, but what we forget is that it wasn't a fast death. It was slow and brutal, having him bludgeoned to send a message to Declan. No "he was a weapon in Greenmatle's hand" can excuse it.). Plus, he beat-up and threatened Declan with a gun if he doesn't give him the Greywaren. "Making him feel worthless" can only mean the worst. Kavinsky was a asshole, but he didn't deserved that. Also Blue gives the idea to give Kavisnky to the Greyman instant of Ronan, which was shot down, but not because it's horrible, inhuman and they can't decide on someone else's life, but because they think Greenmantle's people will come back also for Ronan. They were ok, with K being basically a scapegoat so Ronan will live.

Adam just "hates that prick" and "looked at the table with a studied disinterest" when K approached their table at Nino's, those are his only interaction in anything Kavinsky related (In a part regarding the "original" ending, we'll see it wasn't always the case.).

Noah barely exists in the series after The Raven Boys and never comes in contact with K or gives any opinion on him, outside of "ducked his head down into his shoulders, but couldn't take his eyes off the newcomer".

Ronan's relation with K could be its own post all together and there already are some good post about it, but for this one, I'll only mention few things. He gives us a very "I hate him but I'm into this lifestyle" attitude. He races against K but doesn't want to have anything to do with him or he's "dogs". (Yes, Dream Packs canon name is "Kavinsky's pack of dogs" as Ronan calls them. Ironically, Ronan gets angry then Declan and K called him "Gansey's dog" but is fine when Gansey calls him "his dog".) He never thanked or acknowledged K saved his life from the Night Horror. He accepted K's help in dreaming-up the new Pig but afterwords ditches him without even a slit gratefulness (his motivation being remembering Gansey's words), and mocks that K thought there could be anything between them (friendship or relationship, it dependents how you interpret it), turning this into just using K to get what he wanted. And yes, what K did while Ronan slept (tracing Ronan's back tattoo with his finger) was unacceptable, if it really happened and wasn't just phantom-touch while falling asleep (if it was real, it can be interpreted as K acting out of his internalized homophobia, letting himself a moment of “curiosity”, but it still wouldn't make it fine).

Ronan and K insult one-another multiple times through-out the story but the difference is quite showing. K's insults are mostly homophobic, calling Ronan a "fag" or implying Ronan and Gansey are together. This is a typical teenage insults, but are also showing of K's internalized homophobia if viewed through "Don’t say Dick Gansey, man. Do not say it. He is never going to be with you. And don’t me tell you don’t swing that way, man. I’m in your head." and "It's a bomb. Just like you." scenes.

But Ronan, excepting the typical insults like "ball-sack", goes after who K is. "Bulgarian mobster Jersey trash piece of shit" or "Russian" (to the latter, K responded "Hey now, let's not make this ugly") are personal, referring not only to from where K's from, implying he's a mobster like his father and just calling him "a waste". Unfortunately, K's whole character is already one big stereotype of Slavs as viewed not only by Americans. But insulting someone for being "Bulgarian", something they had no control over, is xenophobic. (And for "Russian", as a Slav myself, let me tell you. Calling a non-Russian Slav "Russian" is a quick way to get on their bad side.) And if you're like "Ronan isn't xenophobic, because he's Irish" or "Maggie isn't xenophobic, because Ronan...", you have no idea how things work in Europe. This is the same argument as "He can't be racist, because he's black". TRC fandom is always ready to bring-up all K's sins and even enlarge them, but when in comes to Ronan, all his sins are either forgotten or excused.

One more thing I want to touch on is one of K's parties. After Monmouth got broken into by people looking for Greywaren (which Greyman broke into first), Gansey thinks it must be Kavinsky's doing, because of the fake ID left in front of the door. Him and Ronan go to K's party, he tells them, it's a substance party and asks where are theirs. As an answer, Ronan hits him in the face and throws through a car, just to show him his blooded knuckles with "This is your substance.". The rest is Gansey and Ronan not believing K, that he didn't trash their place, and a "different Gansey" throwing a Molotov cocktail at K's car. After that, they leave. But one thing isn't sitting right with me. The "This is your substance" is a beloved, may I say iconic, scene that is glorified by fans and cited as this "Ronan is so cool and K soo deserved it" thing.

Here's the thing. K is in full right. It's his party, on his rules. Gansey and Ronan just came from nowhere, probably for the first time, so the rule is stated for them. And Ronan's response? Physically assault K. Even if he's angry about the apartment, still he shouldn't just assault him. And Gansey does nothing. And one more thing: K never hits Ronan back. Not in next chapters, not at the end. Never.

Before the chapter ends, we get probably my most hated line from this book:

"Closing his eyes, Gansey leaned his head back on his seat, chin tilted up, throat green in the dash lights. There was still an unsafe sort of smile about his mouth — what a torment the possibility in that smile was — and he said, “There was never a time when that could’ve been you and me. You know the difference between us and Kavinsky? We matter."

We matter. And he doesn't. I could talk about this line and how damaging it is to people who see themselves in Kavinsky, but instant I'll say, why I hate it.

I have anxiety mixed with being introverted and back-in-the-day I felt isolated from my classmates, desperate for friends but only had toxic ones who dropped me so the popular girls would talk with them, just to be friends with me again after some time, bullied to the point of breaking multiple times, and hating myself for not fitting in, unable to connected with my peers in anyway. The line "we matter" echos my worst fear and thoughts from that time. "Everyone matter, you don't". I was too young to even have those thoughts, but they were always there. In the back of my head, like a recurring nightmare.

Just the idea, someone can say with confidence that someone, anyone, doesn't matter, makes me sick. No one has the inside to what's going on in someones life, to what thought are plaguing their head. Everyone's life matter and to say something like this in a book targeted to 12-18 year olds, who are at there most vulnerable stage, is not only irresponsible but enraging. Gansey is saying this about a guy his age, who is drug-addicted and self-destructive, because he doesn't like him and wants Ronan to stay away from. No one calls him out on it. Not Ronan, not the narrative. Nothing.

Until the kidnapping of Matthew and the paradox/question "did the tattoo tracing scene happened?", Kavinsky did nothing to earn hatred from the reader. He was living his life, being a stupid, reckless teenage boy with a power to get everything he wanted. Ask yourself a question: "If you had the power to pulled anything* from your dreams, wouldn't you go crazy with it? Maybe in a very selfish way?"

*  Throughout TRC and CDtH, we see no limit to what a dreamer can pull-out. From a pen or working car, living creatures (animals, copies of real people or purely made-up) to abstract things, like a word with power to animate the dead or an apocalypses.

Yes, K's dreaming drained the ley lines, causing Cabeswater to disappear. But did K knew about it? He knew that he needed to wait for it to recharge before dreaming more things and he did just that. The over-draining was cause by preparations for this Fourth of July party (dreaming many copies of his Mitsubishi) but same did Ronan’s dreaming (but Cabeswater acts as weird gatekeeper, so Ronan seems to be forgiven). But did he knew about Cabeswater? Or furthermore, Glendower? We can't confirm or deny it, but considering K isn't from Henrietta and probably is there only for school, he's there for about 2 years. Would he be interested in some random forest or some Welsh King, which just idea of him being in America is so far fetched to believe in?

No. All he was interested it, was parting and wasting himself away.

We don't get any other or opposing opinions on Kavinsky, only the ones given by Gangsey. They are the outsiders looking in, not having any inside, just rumors and their shallow observations/interactions. But we don't even get any "inside", not from other Raven Boys or even the Dream Pack (who are barely characters). After K's death, the only thing we get is Gangsey's not caring or being glad K's gone. Aglionby is silent and Henrietta, doesn't even acknowledge Fourth of July's Party even happened (but to be honest, the town feels like a theater stage than a living place). The only mentions about K that gives some idea someone noticed anything, was his name alongside Whelk’s and Dittley's in the newspaper at the end of BLLB (but this plot point is never mentioned again).

[piecedbytheear]

Nadia = Missed Opportunity

Beginning of S1 Nadia was everything! She took no shit from anybody, she protected her friends and became manipulative when she needed to. I remember thinking she was going to play a major part in the plot because of attitude and not being intimidated by the elite kids. Then they had her develop feelings for Gooseman and throw all of her morals and constraints that made her character in the name of character development in s2...lol what This post is basically a rant about the blackmailing queen that lasted only a couple of episodes in S1 to the forgiving, almost weak character that she is now. Don’t worry I wont delve too much on her cliche romances, which were wayyyyy to predictable when looking back.

How does Nadia go from looking down on Gooseman’s family for their coke habit to then nearly snorting a line of coke for crusty gooseman?? make it make sense...The alcohol I can believe because of peer pressure and doing rebel teenage things for the first time but COKE nah ooc asf! Then she hooks up with gooseman in the school lockeroom as if the plot of her blackmailing Lu and gooseman for their hookup in school didn’t exist. So embarrassing to see her make these silly mistakes because it was never something her s1 arc would even do.

She’s established as some devout  reassured muslim girl in s1 that doesn’t fall to the peer pressure of her age group and out of all the characters the most stern and reasonable, so it was really jarring seeing her doing all these new things as if she didn’t have any self awareness. The first time she kissed and slept with gooseman was when she was drunk so it made it seem as if she wasn’t her self?? Is that a metaphor or something?? She only goes wild when she’s drunk so she doesn’t feel guilty?? It’s weird too because as a character that is raised in a strict religious immigrant family you would think they would have Nadia contemplating her actions or choices because of her up bringing but thats rarely brought up. And at some point it would’ve made sense for Nadia to move on to new and better things because honestly..Nadia didn’t need to be stringing along a depressed, mourning, angry gooseman. She knows damn well that she wouldn’t be available so let that relationship go...and if gooseman is such a great person, he wouldn’t need the girl that he once mocked to “save” him, and if Nadia really cared for him she should’ve let him go to get help. Woman don’t need to be saviours for toxic men. But I get it your favourite hetrocliche ships can’t end half way through the season welpp!  

I would’ve preferred her arc in s2 to be about peer pressure then her randomly doing things that looked ooc. She knew herself in the beginning, so by s2 she was lost because of...pleasing her parents or gooseman. Nadia was no longer the stern girl we thought she was. The prejudice she faces at school is no longer a factor for her anymore because her character never commits to fighting for her rights, her biggest problem is her romance. The xenophobia she still faces by the school and Lu is swept under the rug. Gooseman doesn’t even defend Nadia when Lu resorts to racial slurs but in a way it makes sense...would it really take a poor brown girl to change racist, classist ideals that one believes in? Probably not!  Seeing Nadia judge and questions some of the things kids in her school did THEN participate in them because it was tempting would’ve made more sense imo. And can we get to the times where characters are NOT defined by their romantic relationships! I also didn’t appreciate that Nadia and Omar were written around their love interest and barely had screen time to interact and speak with each other to discuss the growing teenage pains that they both faced. Omar smoked, drank, had sex, and by then was an open gay muslim, so it would’ve been interesting seeing Nadia and Omar discuss their problems, school life and future goals. Nadia’s education is a big part of her arc in s1, so it was great to see it brought back in s3 but unfortunately Omar’s future goals are never discussed because he’s used as Ander’s emotional support UGHHHH And why doesn’t Nadia have any friends from her old school or neighbourhood??? Omar and Samuel are besties, Christian and Nano were besties, where’s her friends??

As for the hijab thing...well the writers made Nadia to be pretty passive and thats evident when she never makes ANOTHER point to the school about the double standards concerning her hijab and Lu, Rebe, Valerio etc, sometimes shitty and blinged out attire. (But can you imagine the outroar if Nadia was in her hijab dryhumping a naked gooseman with a sextape arc for her character LMFAO Did the writers removed her hijab so she couldn’t fully be the Mia Khalifa pornstar they wanted #DEAD) As for her wearing the hijab or not it’s not really a big deal because she wore it when she pleased but I found it interesting that she never wore it to the club...Omar was shocked and exaggerate to Nadia and Malick that Nadia would wear it to the shower and Nadia and Malick’s reasoning was that they want to break free (I guess from being perfect muslims) ...back to my peer pressure point, maybe she just didn’t feel comfortable and didn’t want attention being looked at as being the only hijabi in the club. 

Concluding, Nadia was never given the justice to CALL OUT the racism and prejudice she faced by Lu, Christian, Guzman. In stead she was used as the poc muslim girl to develop Guzman and Lu and excuse them from their classism and xenophobia because they took a chance in Nadia. How can the judgemental, holding 1000 grudges girl that we met in s1 become friends with LUCRECIA!!! That bitch hated her...make it make sense??? I don’t even see Lu being friends with another poc muslim, Omar was enough to her. I also didn’t appreciate that Lu was the one that drove Nadia to stand up for her education to her parents SMH like Lu would even care...she never apologised to Nadia for anything. Nadia needed her self to stand up to her parents, she did that in s1 when she persuaded them to study in Las Encinas for opportunities so it would've made perfect sense for her to do the same thing. Things that bad writing can do smh

To simplify I wasn’t feeling the all forgiving, naive Nadia :( She let Gooseman, Lu and even her brother who hooked up with her boyfriend off wayyyy to easy, I just feel like she’s progressed into this weak forgiving girl to make other characters not face consequences for the way they treated her. IDK the vindictive Nadia in the first episode of s1 was so much more interesting and if she was used in the plot like Carla was her character would’ve been more grey then the judgemental, then forgiving stick they put on her. 

As for Nadia’s future...I hope to see her come back with a rich hottie from the prestigious university she goes to now! LOL

[canmom]

Animation Night 61: One Piece

So first up... ty everyone who tuned in for Heaven’s Feel last week! That was a blast: the fights were everything I hoped for and the whole chuuni traumagirl story arc was genuinely moving and compelling. Can’t really recommend it as a first Fate necessarily, since it skims over the early parts of the story portrayed already in Unlimited Blade Works, but I reckon those movies deserve all their esteem.

(Also, apologies for lack of Toku Tuesday this week. Plans fell apart and I wasn’t up to running one. We’ll be back next week.)

This week on Animation Night, I’m going to take up a long standing request from my friend Elaine [scattermoon], who is a big fan of a certain very long running manga series called One Piece. (I realise that among my friends that is a rather divisive choice! But hey, let’s give it a shot.)

One Piece began serialisation in Weekly Shōnen Jump in 1997, the creation of a young assistant mangaka called Eiichiro Oda. About the young Oda I can mostly find production info: he joined the company in 1992 on the strength of his manga Wanted!, then developed his drawing skills working under mangakas like Shinobu Kaitani on Suizan Police Gang and Masaya Tokuhiro on Jungle King Tar-chan and Mizu no Tomodachi Kappaman. In 1996 he wrote two piratical one-shot stories called Romance Dawn, the prototype for One Piece; then after three rejections, Jump agreed to run his series One Piece.

And One Piece got big. I don’t know exactly when it became a hit, but it soon became recognised as one of Jump’s “Big Three” series alongside Naruto and Bleach... and then outgrew even them to set the record for best-selling manga, overtaking even industry-defining series like Dragon Ball. Unusually for mangaka, Oda became extremely rich - yet he has continued to work singlemindedly on One Piece, taking almost no breaks outside of a number of health scares.

So what’s the formula that made it so beloved to its many many, fans?

Overall the structure for One Piece is a travel story. The broad-scale framing plot is that our MC, Monkey D. Luffy, and the “Straw Hat Pirates” (麦わらの一味, Mugiwara no Ichimi) who sail with him, are hoping to find a treasure called the “One Piece”, which would make Luffy the “King of the Pirates”. Along the way, they get caught up in the conflicts of a long series of islands, each one relatively self-contained as an arc. In the meantime, the metaplot concerns an unfolding pirate war between the four most powerful pirates (the Four Emperors 四皇 yonkō), opposed to the authority of the World Government.

So if at first glance it may sound like standard shōnen stuff - individuals with different superpowers, contesting to become the strongest. But it’s clearly finding much broader appeal than that. I asked Elaine a bit about this, and she reckoned its main strength is the variety: like many successful, long-running TV series (for example, Star Trek), the premise is so flexible that it allows Oda to explore an enormous variety of affects and registers, all anchored in familiarity with the core cast. Some examples are an underwater arc exploring xenophobia and generational prejudice among fish people, a thriller arc where the characters flee poison clouds in a sinister human experimentation lab, and a political intrigue arc about a rich man attempting to stage a coup in a desert kingdom.

Beyond that, it distinguishes itself mostly in execution: a big part of the appeal is the implication of a vast, fleshed-out world painted across thousands of issues. This is built on a distinctive visual foundation: Oda can design a wildly varied cast and give them all distinctive characterisation. (Even if he is, apparently not nearly so good at designing women... 🙄)

One other small tidbit Elaine gave me was that, contra the shōnen designation and Jump’s usual audience, by far the biggest demographic of One Piece readers is women aged 30-40.

Inevitably a series as big as One Piece would see a high-profile anime adaptation, and that landed in the hands of the venerable Toei Animation, one of the oldest anime companies. They picked up the series in 1999, and it has run in a variety of timeslots - shifting from Wednesday to the prime Saturday Evening slot before narrowly avoiding cancellation to settle in the Sunday Morning slot with other long-running shows like Dragon Ball Super. This is relevant insofar as, well...

Let’s talk a little about anime production! A subject I know a lot more about than the plot of One Piece...

Most anime nowadays are produced according to a model called the Production Committee, originating in high-profile films like Akira. In this system, various capital blocs - toy companies, music companies, broadcasters etc. - pool funds in return for a comparable stake in the profit or loss made by the series, mitigating risks but also reducing the potential for profit. The studio producing the actual animation (the primary contractor) may have a stake in the committee, but often they are only paid a single, fixed fee.

The production committee system has come under a lot of fire lately as one of the barriers in the way of livable wages for animators (e.g. this rather disjointed video by the Animator Dormitory charity): a successful series may not profit the animators at all since the fixed fee is very low and, if the studio’s not on the production committee, they don’t even have the opportunity to give the animators residuals (like in Hollywood) and often face severe budget shortfalls despite often paying sub-poverty piece rates.

Per this video, One Piece is run on a somewhat older sponsorship model with three sponsors making joint decisions: Toei themselves, the manga publisher Shueisha, and the broadcasting network Fuji TV. (I’m not exactly sure how this differs from the more standard production committee, but I guess I just gotta take the guy’s word for it...)

In some ways this is good: One Piece is pretty much guaranteed a large audience share just because of the license so the risk is minimal, and thanks to such productions, Toei is able to pay its animators some of the best monthly salaries in the industry. (The fact that they do is thanks to the union which struggled into existence in the early days of the studio, back when it was Toei Dōga.) But this arrangement comes with some restrictions: the Saturday morning timeslot comes with a very high pace of production of 48 episodes per year, drawing a lot of complaints of extremely slow pacing. Toei are not free to ‘go seasonal’ to spend more time per episode, because the other sponsors are making a tidy profit and see no reason to change for artistic reasons.

The exact history of the anime seems to have gone through a few eras. As Elaine described it, the first 80 episodes (1999-2001) adapt the first major arc of the manga at a reasonal pace; from that point until about 2008, the series interspersed ‘filler’ arcs between manga adaptations. From that point, they adopted a slower-paced model where, rather than write filler, they would adopt only one chapter of the manga per episode. Fans were not especially happy at the slow pace, or a widely perceived drop in animation quality.

These criticisms were apparently answered with a change in direction for the most recent “Wano” arc, which is where One Piece clips started appearing on the radar of sakuga fans - such as this cut by Katsumi Ishizuka which currently stands as the top rated from One Piece on the booru, or this one by webgen star Bahi JD. These have all the hallmarks of modern fight sakuga: heavy Yutapon influence, lots of flashy impact frames, lines dissolving, the camera and characters flying about. You can check out more of this Wano thing here on the booru. (I get the impression something quite similar has happened to the Naruto sequels.)

Meanwhile, on the manga side, Oda has apparently been attempting to condense more events into each chapter of the manga to better suit the pace of the adaptation - alluding to a fight which the animators can then elaborate on. So perhaps the pacing troubles are coming to an end... the manga, in any case, remains astoundingly popular, untouchable by anything in Jump.

Anyway! That is, as best as I understand it, the history of the One Piece TV show. However... we’re not watching that tonight. Instead, Elaine has picked out a handful of One Piece films...

Much like the TV series, the One Piece films have gone through various eras. The earliest films tended to be purely original stories, often diverging significantly from the source material; a second era saw higher-budget, condensed retellings of arcs already covered by the TV series; the third, current era of films consists of side stories overseen (and one time written) by Oda, but not directly part of the main story. Elaine’s given me one film rec from each era to give us a little historical core of the series

From the first era, we have Baron Omatsuri and the Secret Island (2005), which is notably the second film directed by Mamoru Hosoda [previously on Animation Night #15 and #47] after Digimon: The Movie. We can already see some elements of his style, like the kagenashii (unshaded) animation. The film sees the Straw Hat Pirates drawn into a series of trials on an unfamiliar resort island, but inevitably more sinister things are afoot - hinging on a flower that resurrects facsimiles of the dead.

The second era brings us the Fate-worthy title Episode of Chopper Plus: Bloom in the Winter, Miracle Sakura (2008), a retelling of the ‘Drum’ arc focusing on the character Tony Tony Chopper who is a kind of anthro reindeer?? The Straw Hats show up on a winter island, seeking medical treatment, and seem to get drawn into some kind of furry banditry situation where they’re attacked by big rabbits. It sounds wild and I’m very curious to see how that all comes together.

Last, we have One Piece Film: Gold (2016), from the current side-story-oriented era. In this one, the Straw hats find themselves on a kind of giant casino ship, where a conflict over cheating at dice draws them into a battle for control over the whole ship.

So. One Piece! I’ve never really dipped my toe in, just aware it’s a thing people love - but I’m absolutely curious to peer into this whole enormous psychic whirlpool that has been churning at the centre of the manga/anime industry for most of my lifetime. Fingers crossed we’ll find something delightful in here that appeals even to the One Piece skeptic. And time permitting, I’ll also throw in an episode from that Wano arc for the sakubutas among us to roll around in.

Animation Night 61 is intended to start at about 7PM UK time, 1h40m from this post, over at twitch.tv/canmom. In the meantime, I’m going to be challenging myself to animate a flashy punch in about an hour, so drop by Twitch if that sounds fun! See you there, either way~

[queenaryastark]

George RR Martin: dragons are weapons of mass destruction, they're symbols of destruction and not of rebuilding, it's why the targaryens lost their power because their rule was built on fear and when the dragons died it only took a small spark to cause a rebellion, daenerys should read fire and blood so she can learn how not to use dragons daenerys herself: dragons plant no trees, If they are monsters than so am I Yall: i cant read suddenly i dont know

LMAO! I can’t even call that paraphrasing since this jumble of out of context gibberish completely misinterprets GRRM’s words and intent. 

First off, no one said dragons weren’t weapons of mass destruction. Them being powerful weapons is pretty obvious. Them being weapons does not erase the violence and cruelty of characters who do not have them. The mass destruction the Starks and Lannisters have wrought against the Riverlands and Westerlands was done without the aid of dragons. So was the mass destruction the Greyjoys and Boltons wrought on the North. The Tyrells were able to commit mass murder by cutting off food supplies, which led to mass starvation, which was their specific intent. 

Dragons are dangerous. Obviously. So are people, as George R. R. Martin goes out of his way to tell us in every chapter of his work. The man literally depicts Robb, Stannis, Balon, and Joffrey as equally as violent toward the common people and the land of Westeros. He even gives Dany this metaphoric image of the four of them:

“In one room, a beautiful woman sprawled naked on the floor while four little men crawled over her. They had rattish pointed faces and tiny pink hands, like the servitor who had brought her the glass of shade. One was pumping between her thighs. Another savaged her breasts, worrying at the nipples with his wet red mouth, tearing and chewing.” -- A Clash Of Kings

And that is far from the only time he frames them in an equally negative light given their level of mass destruction.

when the dragons died it only took a small spark to cause a rebellion, daenerys should read fire and blood so she can learn how not to use dragons

You think Dany should read Fire and Blood? I agree. I hope she gets a copy once she arrives to save Westeros from the warlords, opportunistic politicians, and the Others. Though you should probably try to find someone who can read it to you and explain what all the big words mean. If you look in that book, you will see that the Targaryens became extremely popular and loved. They decreased the amount of war and destruction, they streamlined the laws, they established roads, and they removed a couple of the abuses that were the norm. They were far from perfect. But in that imperfection, Dany could learn from them too. 

As for a “small spark” causing a rebellion as soon as they didn’t have dragons... *sighs* If you don’t know about a topic, that’s fine. Not everyone can be an expert on every topic. But you Sansa stans (yes I know you’re a Sansa stan and you probably have that hideous image of ST with her trademark vacant expression and that ugly ferret crown as your icon) should actually fact check yourselves before trying and failing to present yourselves as an authority on anything. The last dragon died in 153 AC. The Targaryens were overthrown in 283 AC. Even before 153 AC, the dragons that lived either weren’t under their control, were pretty young, or were deformed. In other words, they continued to rule Westeros without dragons for a significant amount of time. In that time, not only did they rule, but they were able to bring Dorne into the realm peacefully. 

Even the wars they had were far fewer than the amount of constant wars that happened while the kingdoms were separate. The Blackfyre Rebellions were sparked by Westerosi racism and xenophobia against the Dornish, as well as the greed and opportunism from the Andal/First Men supporters of the Blackfyre claimant. Notice how in those rebellions the people of Westeros supported either the Targaryens or the Targaryen blooded Blackfyres? No matter which side the lords took, they were supporting a Targaryen because they support that family. Like in real life civil wars, they just supported different members of that same royal line. It wasn’t because they feared them. They wanted their rule. They just wanted the rule of a specific claimant over another based on their own values or what they thought they could gain from a change in Targaryen leadership.

Even with the Baratheon rebellions, they were still Targaryen blooded claimants. With Lyonel Baratheon, he felt his family was insulted when an engagement between the crown prince and his daughter was broken so the prince could marry a peasant. This might seem like a “small spark”, but this would have been considered hugely offensive by the classist nobility. Note how this rebellion was resolved incredibly easily to the point where I don’t even think it warrants being labeled an actual rebellion. It seems more like it was set up for the next Baratheon rebellion since it resulted in that House gaining even more Targaryen blood than it already had. That’s the thing, the nobility wanted their children to marry Targaryens. Doesn’t sound very fearful, does it?

Robert’s Rebellion wasn’t set off by a “small spark”. The kidnapping and rape of the Lord of Winterfell’s daughter and the betrothed of the Lord of Storm’s End is not insignificant. It also didn’t set off the rebellion. The murders of multiple lords and their heirs is also not a small thing. It didn’t set off the rebellion either. What set it off was the combination of those two events with the demand for the executions of the new Lord of Winterfell and the Lord of Storm’s End. Those events taken separately are not small sparks and they certainly aren’t small when put together. It took something HUGE to make a big part of the realm turn on the Targaryens. Even still, the rebels were in the minority since most of the other regions either stayed out of the conflict waiting to see how it played out or stayed loyal to the Targaryens. If Tywin had continued to stay out of the conflict, the Rebellion could have lasted indefinitely with either side winning since the Crown’s forces outnumbered them and occupied the Stormlands. 

You also seem to miss the fact that quite a few people in Westeros are still Targaryen Loyalists and want to restore them to the throne. You even miss the fact that Robert, Joffrey, and Tommen’s claim comes from their Targaryen blood. 

So no, the Targaryen rule was not based purely on fear. They clearly retained loyalty and love without the benefit of dragons as weapons.

daenerys herself: dragons plant no trees, If they are monsters than so am I

It’s funny how you can try to quote the book while having no understanding of the passage you’re quoting. Here’s the paragraph you’re referring to:

Mother of dragons, Daenerys thought.Mother of monsters. What have I unleashed upon the world? A queen I am, but my throne is made of burned bones, and it rests on quicksand. Without dragons, how could she hope to hold Meereen, much less win back Westeros?I am the blood of the dragon, she thought.If they are monsters, so am I. -- ADWD

This takes place in Dany’s second chapter of A Dance With Dragons after she has captured and chained two of her dragons and failed to capture the third. Why is she trying to chain them? Because Drogon killed one (1) child. That’s right. Not only is Dany compensating the people for the sheep her dragons were eating. She has no tolerance for them killing innocents. The quote above is not her glorying in the destructive power of the dragons. Nor is she going around without an ounce of guilt for terrorizing, maiming, and murdering innocents the way Robb, Balon, Stannis, Joffrey, Tyrion, Cersei, and every other leader in Westeros does. That is what this passage is PROVING. Seriously, using the “If they are monsters, so am I” quote is proving that Dany has guilt over the life her dragon has taken and that she has taken steps to prevent that from happening again. Compare that to Tyrion’s complete lack of care when it comes to the mass murder his family is causing:

"A lordling down from the Trident, says your father's men burned his keep, raped his wife, and killed all his peasants."

"I believe they call that war." -- Tyrion, ACOK

While Dany is trying to preserve lives, the mass murdering leaders of Westeros see murder and rape as the norm and completely acceptable. Even the noble Robb Stark tried to move the carnage that he and Tywin were inflicting on the Riverlands into the Westerlands and was upset that his plan to do so was partly thwarted by Edmure. His issue wasn’t with the common people suffering and dying. He just wanted the suffering and dying to happen to the common people of the Westerlands (the ones who hadn’t been forced into service as arrow fodder by the Lannisters yet) instead. Yet, you’re trying to use Dany’s guilt at one (1) child being killed by her dragon as proof of...something?

As for Dany not planting trees, yes, she fears that’s something Targaryens can’t do. But the text shows that her ancestors could and did. Dany is also planting trees in ADWD and was in the process of making Vaes Tolorro bloom in ACOK before she was invited to Qarth. The Golden Company (who wants to put her and Aegon on the Iron Throne as a pair) are even upset because they think she’s only interested in planting trees in Meereen.

When analyzing a literary work you have to understand that what the characters fear and the guilt they feel are not signs of their permanent situations. They’re signs of their internal obstacles that will be overcome in their arcs. Dany fears her dragons and fears herself and fears that she won’t be able to achieve peace and positive societal growth. Its good that she fears these things because this shows she acknowledges these issues so they can be overcome. The current Westeros leadership don’t see the issue in their mass murdering, which is an issue all on it’s own. 

Its alright if this series is above your comprehension level. There are books out there for you to read that are better suited for your capabilities, like Hop on Pop or Green Eggs and Ham. It’s probably best if you stick to those.

[sebastianshaw]

And I’m sure Snowbird getting a happy ending had nothing to do with her being a blonde white woman and Haven being a dark skinned woc

I don’t think it was THE reason, but I would not rule it out as a contributing factor.

The major reason is that Snowbird is a hero and a major character, whereas Haven was an extremely minor character and a villain. So it’s pretty standard in that regard for Snowbird to get a happy ending, and Haven not to. Especially considering that, while Snowbird was not a character that “belonged” to anyone in particuliar, Haven was the creation of DeMatteis and when he left the book, so did she. That’s why her story just ENDS so abruptly after her confrontation with Charles, even though it seems like it should just be getting starting---her creator took off, and the new writer wasn’t interested in her.

She pops back up in the annual a year or two later to die, and I strongly suspect this was due to readers writing in and asking what happened to her; I can’t confirm this for fact, but TV Tropes claimed that fans actually refused to root against her because she was so sympathetic and benevolent, so I imagine a lot of them wanted to know where she went and this was to get them to shut up.

(It kind of reminds me of when this webcomic writer wrote a character he meant as despicable and twisted, and she was, but she was also way more deep and interesting than the 2D mouthpieces the protagonists were, so fans kept asking when she’d come back. He got so fed up he drew her dying in a gross and humiliating way. So yeah, if people were indeed asking “what happened to Haven and her evil possessed fetus?” and writing her dying in the mud giving birth while a goddess victim-blames her was the response...yeah. Again I cannot be for sure this is what happened, it’s just a GUESS.)

But yeah the big reason is Snowbird is a heroine and important, Haven was a flash-in-the-pan villain that only one writer wanted to write and had to be gotten out of the way when someone new came in. Nothing deeper than that. But the WAY that Haven’s story played out, especially compared to Snowbird’s...that’s got a lot of sexism and quite potentially racism there, yeah. So um, let’s get into that. Under a cut for length because I doubt people following a Shaw blog for Shaw want to see a bunch of non-Shaw rambling.

Haven’s story, as I have written about MANY times on her blog, is REALLY UNCOMFY in its sexism, racism, and xenophobia. Let me say, I do not think DeMatteis intended this. He writes Haven as a very kind, well-intentioned person even at her worst, and I happen to know he has a genuine real-life interest in Indian spirituality, which I think is definitely what inspired her. Unfortunately, these good intentions didn’t stop Unfortunate Implications galore: - Our first Indian/Hindu/Zoroastrian character is not only a villain, her “evil” philosophy is taken directly from real-world Hindu beliefs - She is opposed by a team comprised ENTIRELY of white people who work for the US government who scoff at those beliefs and refer to them as “New Age” (aka a white hippie movement that appropriated a lot of actual Hindu ideas but certainly did not invent it!) - The US government says she’s a terrorist. Polaris raises doubts, because Haven’s actions at that point have been nothing but benevolent (she saved Polaris) whereas the same government making these accusations has been malevolent (the people trying to kill/capture Polaris were US agents, despite Polaris working for the government, who attacked her because she had the same energy signal as Magneto) When they go to see Haven in person, she’s preaching peace between humans and mutants. Havok opens fire on her---so basically, a law enforcement officer shooting without warning at an unarmed WOC who isn’t doing anything threatening and they don’t even know has superpowers yet--and Haven has to hit the deck. Despite her own great power that we later learn she has, she never retaliates. But we find out that yes, actually, everything the government said about her is true, she’s leading a terrorist death-cult, and so it’s a-okay that our white government cop FIRED A FUCKING PLASMA BURST AT HER WHEN SHE WAS JUST STANDING THERE. The moral of her story is seriously “this brown woman with a funny religion is a terrorist because the government said so, no matter how nice and gentle she seems, and thus any excessive force against her was definitely justified even if we didn’t know that at the time” like it’s CHILLING. - Haven herself actually has very questionable agency in all this. She’s actually been pregnant for twenty years; her unborn child is permanently in the first trimester and possessed by the powerful demon known as The Adversary (which doesn’t make sense timeline-wise, but I have no doubt this thing can time travel, its entire point is to fuck the rules of universal order) We don’t know exactly how much it can influence her or perhaps even control her, but we do know it’s been talking in her head from 20 years and came on at a time she was REALLY messed up and vulnerable, and manipulated her at the least. I personally think it probably was controlling or influencing her at a very deep subtle level, but that’s just my interpretation. At the least though, again, talking in her head for 20 years, that’s the supernatural equivalent of schizophrenia and we wouldn’t blame her for THAT, right? - Oh, and about it appearing when she was at her lowest, most vulnerable point? Know why she was at her lowest, most vulnerable point just when she happened to be pregnant? Haven’s story is she was born extremely rich but was so passionate about using her privilege to help the poor that she ran away from her parents---philanthropists themselves, but who wanted to protect her from the outside world too---to go work directly in the streets, bathing lepers and cradling dying babies. She got her name “Haven” because she used her wealth to renovate a children’s hospital of the same name, I’m serious. She was literally a fucking SAINT. And then she fell in love with a man, and he used her, knocked her up, and ran off. She was DEEPLY ashamed and berated herself not only for her loss of “purity” but also for being “selfish” and forgetting the children. This is...so sad, and so DEEPLY entrenched in how women, ESPECIALLY women of color in a colonized culture, are considered “selfish” and “evil” if they don’t utterly sacrifice themselves 24/7 to care for others and dare have wants/needs of their own. So she fell into this deep despair and that’s when her fetus starts talking to her and filling her head with twisted lies that preyed on both her devout spirituality and her desire to help others.

There is no more sympathetic villain setup POSSIBLE, you’d think Haven would be a SHOE-IN for a redemption arc or at least being saved from her own “child”, but she gets neither. She dies alone in the mud, having only now realized as the birth is coming just what it is she’s about the bring into the world. Roma, the Omniversal Guardian Goddess and eternal foe of the Adversary, appears to watch. Haven begs her, not to save her own life but to stop the Adversary from the terrible things it’s going to do to the world. To her last breath, her concern is others. And Roma tells her “I would weep for you, but you brought this on yourself.” So basically, Haven, who is the most wonderful person in the world and who VERY much fits expected gender roles (gentle, maternal, loving, non-violent even when attacked, long hair, pink and purple flowing clothes, literally SPARKLES) has sex ONE TIME and she’s punished for it in the worst fucking way while the guy who impregnated her gets off scott-free. It’s just...it’s the worst narrative, in terms of sexism AND racism AND just in general. That’s not even getting into, say, the really uncomfy way her meeting with Xavier is handled, eesh. Compare, Snowbird. She’s actually far LESS the “perfect” woman than Haven is, she’s very cold and aloof and she even contemplates LETTING HER SON DIE so that her ties with mortality will be severed and she can join her divine family in paradise. But she had that son within the confines of MARRIAGE to a mortal man, and she only got married after her duties were done, unlike Haven on both counts. And her loss, and the loss of her child, are deeply mourned by those around her, she has a very dignified and beautiful funeral with Snow White style glass coffins, and we see the spirits of herself, her husband, and her child all ascend to the Inua paradise together, the gods having decided to let them in even though mortals have never been allowed before. She gets divine exception, Haven gets divine condemnation. She gets a beautiful funeral surrounded by loved ones, Haven’s corpse is probably still rotting in the jungle and her brother likely still has no idea what happened to her. To be clear I in no way resent Snowbird for her better treatment in a similiar story, I like Snowbird, but it is very disparate in how differently these seemingly similar situations---possessed baby and such---were handled, and the specific ways in which Haven’s were handled so badly ARE very much the product of bigotry that Snowbird didn’t suffer in part due to her being a white or white-coded character (in addition to being, again, a heroine and a major character, which helped her a lot too) Also, is it just me or is Marvel like...weird around childbirth/babies/motherhood and mixing that with demons/evil spirits/possession? Because in that same vein we’ve also got Madelyne Pryor and Wanda Maximoff who also go through demonic possession that’s related in some way to being mothers of babies. That’s a very strange pattern to have and something’s going on there.   As a note, it bugs me that Snowbird’s human disguise as “Anne McKenzie” is a BLONDE WHITE WOMAN. Like, yes, her human father was white, but her mother Nelvanna is one of the Inua, the ancient gods of Canada from LONG before white people showed up and WHO LOOK LIKE FIRST NATIONS PEOPLE, Snowbird herself is constantly emphasized as a child of these lands, she is literally magically BOUND to these lands and can’t leave them without weakening and dying, she was raised by an indigenous shaman, and she can only turn into animals that are INDIGENOUS to Canada. She is very unsubtly the embodiment of pre-colonial Canada, so it’s just...asinine to me her human form is that of a colonizer. I get they probably didn’t think further than “let’s give her human form blonde hair so it’s recognizably her” but like, that’s the problem, they didn’t THINK. Also I feel like her being mixed would really thematically fit her, since a strong part of her story was struggling between her divine and human heritage and being forced to try to “pick a side” which is something I’ve heard (I’m white) that a lot of irl mixed people deal with. It just would make more SENSE.

[whatsyourcolor]

Psycho-Pass 3 - Episode 8 review [SPOILERS]

After going through all the stages of grief yesterday, here are my thoughts on episode 8 of Psycho-Pass 3 and of this season overall if anyone cares to read. If you have been reading my other reviews, you have an idea of what this will be, so read at your own discretion. This last episode manifests the vision for the whole season and what they tried to accomplish and how they failed in doing so. I tried summarizing the episode, but got bored, considering the first 20 minutes or so are random clips thrown together with no coherent transitions between them, so I’ll just deal with the aspects that interest me. 

1. Kei breaking bad and the ills of tokenism

Mao confesses her “sins” to Kei which include a lukewarm sense of revenge and a lack of reasonable online practice (such as not trusting people online.) Her story is clumsily connected to the incident where a PSB inspector died and the other one was institutionalized. It would’ve been mildly interesting if Mao had been the active agent in informing Asuzawa of the investigation because of rightful anger at a perceived injustice, causing the death of someone in Division 1 (Irie, for example) and then having a redemption arc where she helps bring the sucker down. But no, we get the story of a coward who got involved with bad people, got scared, and hasn’t followed any of their instructions since, hoping that they’ll forget about her. 

So the writers have her telling this story to Kei, just so that they can justify his ambivalence later in the episode. What if, he too, could get what he wanted? So many ways to plant the seeds of this internal conflict that we now have to explain to ourselves because the writers didn’t have the time for it. Instead Kei frowns, grunts and punches so that we, the viewers, can see he’s upset. But where’s the chipping away at an inherent sense of morality and at his psyche to the point where he’s abating a congressman in his escape? What’s the switch?  Some people say it’s Maiko, even though just one episode before Kei was telling her that they should believe in Sibyl and that her hue will recover. So which is it? Does he trust the system or does he not? Why do we have to guess? Where was all this ambivalence throughout the season? The writers could’ve set up his internal conflict so much better, tie it with the corrupt ideals of the terrorists, show him tempted to go down that path. He’s the immigrant, he’s the one who can offer the point of view that’s so muddled and lazily written for the other immigrants.  

Time to start cooking meth, Kei. 

To add insult to injury, Kei becomes a Fox not because of a deliberate, motivated decision, but because, like Mao, he clicked the wrong link and now he owes them a favor. What if they hand’t spent the whole season demeaning the power of Sibyl, putting it in the background as an inconvenience, instead of a real system of control with real consequences (the, ummm, whole premise of Psycho-Pass)? Just how the whole terrorist plot was rationalized as a way to make Sibyl “pay for its crimes against immigrants,” even though we don’t see what actual crimes Sibyl committed, why it committed them, we don’t even know what Sibyl’s stance is in regards discrimination and xenophobia. Crap on a cracker, we don’t even know why Sibyl deemed that allowing immigrants in was a good idea. They could’ve set up Maiko and Kei as protagonists of this season, giving us their point of view as conflicted immigrants who survived war and famine, who have to dye their hair, answer “yes ma’am,” endure xenophobic insults and be powerless in order to keep each other. Have them lose each other, their own values, their own morality as power appears in the form of an invitation to be a fox and get back at the system. Have Maiko be deemed a latent criminal who’s beyond all recovery be the switch, but that would only work if Sibyl is still the big, bad guy and Bifrost appears as the preferable bad guy in the eyes of Kei.  Give us flashbacks of Maiko and Kei’s traumas together, show us why he’d make the decision to flip to have her back with him. A reason doesn't not equal a motivation. The latter suggest a process, an acquiring of a view through experience, a lie that the character believes or a truth that they hold. “Maiko’s been in jail for a day, so I accidentally became a fox” would be laughable (and believable) if one didn’t care an ounce for this show. 

It seems like the writers wanted the world of Psycho-Pass to be relevant to today’s issues and so they used the topic of immigration to signal that. It worked in the PP Movie (warlords, refugees, etc) because they had kept the same philosophical thread about human will, power and systems of authority since Season 1. The complexities of that dialogue are lost in this season. They wanted to make some characters neutral, such as Karina or Venerable Auma, or the sister or O’Bryan, have them pass as misunderstood or misjudged and have the whole conflict of immigration be a problem that could be resolved if all these people just got together and sang Kumbaya. 

2. Arata is Jesus and Asuzawa is a troll

When you need other characters to remind you of the importance of the protagonist or the villain, it’s perhaps because those characters are poorly written and can’t stand out on their own. When Toyohisa Senguji smokes from a pipe made from the bones of Rikako Oryo, you know the man is the most sinister psychopath that was spawned upon the earth. You don’t need anyone to tell you that. 

Arata seems to have a destiny imprinted on him that he is special, or so we’re told. Sybil wants to integrate him, Mika wants him to stay a detective, the Bifrost is interested in him, his father appeared to be an important dude, yet I can’t think of a single thing he’s done that’s special or unique. He could’ve also have much more of an internal conflict, but we only get hints (yes, even in the last episode) that his dad was a complete prick. It’s never clear beyond “curiosity for humans” what his deal with Karina is and why he gives her a pass, to the point of snubbing Kei, even when Karina is a total hypocrite who fired her immigrant secretary. Yes, the one who threw herself in front of her kidnappers to protect her. 

It happened right after she donated her kidney to me, true, but she did always put too much sugar in my coffee. I can’t have someone like that in my team! 

With Asuzawa something similar happens. He’s called “clever” and “cunning” and we’re meant to believe it. He’s supposed to be deft, predicting the next bend of the road, being two steps ahead of everyone, but that takes time to write, so instead let’s make both the MWPSB and MOFA look incompetent and let’s have Asuzawa be called a “mastermind” just because. The whole mission to capture him is ridiculous. Asuzawa meets the congressman, says he’s going for smokes and never comes back. Kei meets him, helps him escape. Kogami and Ginoza let the pathfinders escape again. The only new revelation we have about him is that he’s an ex-enforcer who was tortured by Arata’s dad. According to Asuzawa’s secretary, Shindo senior used to manipulate people with his powers. 

Who you callin’ Spookie Boogie? I’m known in the commufield as Growly Grumpy. Credit to @azweidos​ 

3. Locking horns for incompetence

Finally the MOFA and the MWPSB meet to share intel on the Bifrost and they know as much as we know, but this meeting was needed because otherwise they couldn’t have inserted Kogami and Gino in the whole mission to tackle Asuzawa. Mika and Frederica are still competing to see which one of them is more obnoxious, while Asuzawa leaves through the front door of the building as if he hadn’t caused 95 of the 100 traffic accidents in Tokyo that year. 

Well, so much for carrying a gun! Not an obstacle for this octogenarian. 

4. In defense of criticism

There’s this general feeling nowadays that criticizing something means you’re spreading negativity, like we’re supposed to be part of a like-minded cult or a mental hive like Sibyl that’s perpetually content, even when given a mediocre product. The problem with this season is precisely that: it’s not bad. It’s perfectly mediocre. And it’s not because the old Division 1 isn’t there. It’s not because Akane is in jail (and we still don’t know why). It’s because they couldn’t deal with the elements that they themselves created for this season. The idea of the world of Psycho-Pass spreading is brilliant, the idea of an elite that’s exempt from Sibyl's judgement is brilliant, the idea of an outsider point of view is brilliant, but they overestimated their own abilities and underestimated their viewers. There’s only so much disbelief and rationale we can suspend before we realize they’re playing us like a fiddle. There’s only so much a villain can grin to hint at us that they knew what they were doing all along. 

Some argue that this is because the creators want to make Psycho-Pass into a franchise as if that means everything and anything is justified to the point of bastardizing the ideas of the show and reaching the point of absurdity where it parodies itself (you think I didn’t notice those Madeleines?) Is the hope of the creators to bury Psycho-Pass into the ground while they laugh their way to the bank? Why should I care about their money, or how much money they hope to make? I care about the end product and that’s what I base my judgement on. 

5. The Shinkane reunion 

See, the creators aren't dumb. They knew they had to bait us somehow because this season alone won’t stand. Not only that, but they know us so well they saved their budget to keep the best quality for this scene. I’ll just paste what I said about it yesterday.

I thought it was sweet how Akane backpedals against the door with a tinge of pleasure on her face, like she wants to hear his voice and feel that he’s on the other side. I loved the smiles they gave to each other and how he comforts her. I think it’s evident this is not the first time he visits her. 

It was lovely. It would’ve been lovelier if it had been tied to the overarching plot of this season, but that plot barely held itself together. So let’s bask on those few seconds we got until they bait us again to watch the 2020 movie. 

[thecorteztwins]

I love how you care so much about obscure characters. Who is your favorite underrated female X-men character

Awww thank you! I love bringing them love, so it makes me really happy for you to say that! My absolute fave is Haven, but I read “faves” as plural so I wrote down a bunch...my faves can bounce around a bit but here’s a list of some of them! It’s under a cut because it’s long, I really like to explain who these gals are and why I like them so much! Warning, there is some description of pretty horrendous sexism and racism for some of these, since nothing makes me latch on to a woman harder than wanting to defend her from the SHITTY THINGS WRITERS DID TO HER! I kinda wrote novels for Haven and Madelyne, then I did links to previous things I’ve written about others. This is a LOT, I’m so sorry, I just love sharing!! Thank you for asking!!

THE BIG ONES Basically my consistent mega-faves I’m always ready to talk about! RADHA “HAVEN” DASTOOR - This lady has been at the top of my list for over five years and counting! She just really resonated with me on a deep level. She’s this mysterious woman who turns up in X-Factor for seven issues, and though she’s very benevolent towards them (even when they attack her) she is technically a villain, as she’s trying to destroy 3/4 of the world to bring about the Mahapralaya, a sort of Hindu apocalypse that will bring about an age of peace and end to suffering. So, her motives are very compassionate, and as it turns out, the horrible things she’s trying to do aren’t actually her fault. She’s being posessed by the Adversary, a demon of the highest order and an entity of cosmic evil. Or more specifically, her unborn child is. See, Haven was a really, really good woman. She was not a mutant, but she was sensitive to the pain and suffering of others from an early age, and she devoted her life to helping the poor and needy. She’s incredibly rich, so she could have helped just from afar, but instead she not only used her wealth to help others, she herself went out in the streets to attend to the poor and sick with her own hands. She bathed lepers, cradled dying babies, everything. She actually GOT the name “Haven” from a children’s hospital that she renovated, the kids started calling HER that instead. What a villain, huh? It all goes super wrong when she fell in love with a guy. After he took her virginity, he took off, leaving her pregnant. This was in 1970s India, and she was a very a religious woman, she felt INTENSE shame and horrible guilt and sunk into a deep depression, now living on the streets herself she was so broken. And then...then her fetus started talking to her. Yeah, see, technically she wasn’t posessed by the Adversary, her unborn child was. It incubated in her for twenty years, corrupting her mind, making her its pawn, all basically for its own amusement til it could be reborn into the world, killing her. And the guy who knocked her up? Got off scott-free. Basically she had sex ONE time and she had to be punished for it by being stripped of her agency, forced to betray everything she loved and believed, and then finally killed in the mud while a Marvel deity stood over and told her how she brought this on herself. It’s a slut-shaming Victorian morality tale of how no matter how good a person you are, you’re tainted forever if you violate purity culture just once, and we’re expected to AGREE with this narrative as readers. It’s sick. It gets even worse in how X-Factor treats her. She first appears RESCUING Polaris from government agents who are trying to kill her, because despite WORKING for the government at this time (X-Factor was a government team during this period) Polaris’s energy signature matched Magneto’s. Haven is the one who saved Polaris by teleporting her away. Polaris was distrustful and threatened Haven. Haven tried to talk her down, but also opened her arms and said that if Polaris truly did not believe her, then she would not resist. Polaris decided to “give trust a try” but I also truly believe that if Lorna had attacked her, Haven indeed would have let her. Haven is a human but the Adversary gave her INCREDIBLE power, she could WIPE PEOPLE FROM EXISTENCE by THINKING ABOUT IT, but she was a pacifist every step of the way, even as a villain. X-Factor would REPEATEDLY attack her later...she NEVER retaliated. The worst thing she did was, once they kept on attacking her, she just kinda put them in her pocket dimension as a time-out, but didn’t hurt them any. I really don’t think she COULD, possessed or not. Anyway, after meeting Lorna, she ‘ports Lorna back to safety and leaves her be. She is interested in recruiting Lorna and the rest of X-Factor to her cause, but she’s very moral about it, and never uses situations like these as leverage; for instance, when she heals Rahne of the Genoshan bonding process and gives her back her free will and her ability to resume her fully human form, Rahne is ECSTATIC and ready to do ANYTHING for her. And rather than exploit this, Haven just hugs her and tells her that her joy is thanks enough. Again, what a villain! Anyway, it turns out this Haven lady is also an activist! She’s big on promoting peace between warring groups (which I think makes it very significant that she’s an Indian character from Mumbai, then Bombay, who was created in 1992, the same year when Hindu/Muslim tensions in India resulted in the Bombay Bombings and subsequent riots, and she indeed mentions Hindu/Muslim tensions in her pro-peace speeches) and she emphasizes accepting MUTANTS in particular. It is very rare we see humans who are pro-mutant, though they had happened before, but this is the first time we see a human who is pro-mutant WITHOUT any affiliation or friendship with the X-men, and who is a public figure who seems to have some real social power---she’s a best-selling author, lecturer, and apparently her being a very wealthy woman has made some very wealthy people listen to her. She is basically the perfect ally for mutants if you take out the demon-possessed part, and I always found this super interesting and wish more had been done with it. So, she’s speaking at Brahma Hall (Brahma, notably, is the Hindu creator god) and...THIS happens. It’s...it’s really distressing. I’m sure it’s bad enough in its own time, but reading it NOW, in a post-9/11 world, a world where POC are routinely slaughtered by law enforcement (they always were but social media has made us more aware) it’s chilling. And we, the reader, are supposed to see X-Factor as JUSTIFIED in how they treat this unarmed, non-threatening, apparently-human-for-all-they-know woman who is promoting peace. Because no matter how nice she is, the US government says she’s an evil terrorist, and the US government turns out to be right! Yay, America! This might be a good time to mention Haven was the first Hindu character in X-Men comics, and the philosophy that the Adversary is manipulating her with comes directly from Hindu cosmology, and that is WAY IFFY to say THE LEAST. Holy xenophobia, Batman! And in an X-MEN comic of ALL PLACES! Oh yeah, and our good guys also describe her beliefs as “New Age psychobabble” and make fun of her temple decor as "very 60s" when BOTH ARE FROM HINDUISM, WHITE USA HIPPIES DID NOT INVENT IT, YOU IGNORANT SHITS So anyway, Haven’s very interesting to me as someone who is so deeply pacifistic and compassionate, that even when she’s being steered by a literal demon that has been talking in her womb for 20 years, she’s still someone who is perpetually polite, who won’t hurt the HEROES even when they want to hurt her, who SURRENDERS during a FIGHT in order to HEAL ONE OF THEM, and...who ends up with an abruptly aborted arc where she’s killed by her own “child” and victim-blamed in her last moments by Roma, the Omniversal Guardian Goddess and foe/counterpart of the Adversary. It’s made all the more tragic by the fact that Haven’s last pleas to Roma weren’t for herself, but for Roma to stop the Adversary, as she had realized now what her “child” really was. Even in her final moments, Haven was thinking of others, of the world. It’s just....awful to me that a character as interesting and unique as she was was thrown away like that, and that she was treated in such a sexist, racist, xenophobic way by both the HEROES and the story itself. I stan Haven 4 life. MADELYNE PRYOR- She’s maybe not “obscure” per se, I think most X-Men readers have a basic understanding of who she is, but the problem is that “basic” is not enough. What most people know is ”she’s Jean Grey’s evil clone” and some might know that “she was married to Scott Summers and went evil when he ditched her for Jean”. But that’s so far from the whole story, and it really does Madelyne a disservice, and canon has done her ENOUGH disservice already. Madelyne was originally created by Chris Claremont to truly be just a human woman who looked just like the dead Jean, with whom Scott would settle down and have a kid, and leave the X-Men. It’s a pretty nonsensical notion, the idea that this woman just happens to look exactly like Jean and meet Scott and fall in love, but this was his plan, he has confirmed it. And like...that’s pretty sexist from the start, in that she’s very literally created as a replacement for Jean on a narrative level, there’s NO REASON that she should have to look exactly like Scott’s dead ex besides as a way for Scott to still “get” Jean in a way. But Maddie rises above that swiftly by being a super strong, super cool character in her own right. She’s a pilot, she’s fearless, she’s adventurous, she’s got a mean right hook, and she’s got a tragic backstory when she crashed her plane and cost the lives of over three hundred passengers. She gets involved with Scott and by extension the X-Men, and she holds her own despite having no powers. Weird fact, this means that some of the X-Men, like Rogue, met Madelyne before they ever met Jean. She also gets a cool story where she gained healing powers, and the reason her powers specifically took the form of healing is because they were what she wanted them to be. She’s a good person, and also a total badass. Then, Jean came back, and the Powers That Be wanted her back together with Scott. But Scott was married to Madelyne. Rather than have them get a divorce or something, it was decided Madelyne had to be very literally demonized and then murdered, because we can’t just have two women co-exist, no, they must be divided into a “good” woman and a “bad” woman and fight over a man. Actual quote from Chris Claremont: “ Then, unfortunately, Jean was resurrected, Scott dumps his wife and kid and goes back to the old girlfriend. So it not only destroys Scott's character as a hero and as a decent human being it creates an untenable structural situation: what do we do with Madelyne and the kid? ... So ultimately the resolution was: turn her into the Goblin Queen and kill her off.” So, after something like EIGHT YEARS of being a character unto herself, Madelyne gets retconned as actually having been Jean’s clone all along! Which, okay, does make sense, certainly more sense than ‘this woman just happens to look EXACTLY like Jean and hook up with Jean’s ex” but then the REASON that Sinister cloned her...is nothing to do with Maddie or Jean themselves. Madelyne’s creation isn’t ABOUT her the way so many other clone/created-in-a-lab type stories are, like Laura Kinney. She wasn’t important. She was made literally just to have a baby with Scott, the BABY is what’s important. She is REPEATEDLY called a “brood mare” in fact (a female horse used specifically for breeding) So basically, her only value, her only REASON for existing, is her reproductive capacity. A lot of people think that Madelyne either found out she was a clone and went crazy-evil, or she went crazy-evil when Scott went back to Jean. That’s not what happened. Madelyne goes through a long, long series of arduous tragedies that piece by piece dehumanize and violate and traumatize her, and even then she doesn’t become evil until she’s TRICKED into being infected with demonic energy. Being “evil” was NEVER her choice, and everyone forgets that. See, first Scott walked out on her and the baby. Then, the Marauders attacked her, nearly killed her, and stole her baby and left her for dead in a coma for months. When she woke up, her baby was still missing, and she rejoined the X-Men to help them while they also helped search for her son. She sacrificed her LIFE alongside them to defeat the Adversary (yes, the same one Haven was pregnant with!) and then was resurrected with them too by Roma (yes, same Roma). She continued to work with the X-Men, despite the fact Scott had left her, and used her tech expertise to be the X-Men’s computer gal in Australia. When she saw X-Factor on one of the news monitors, including Scott with Jean, she realized why he’d abandoned her. She punched the screen and the explosion knocked her unconscious. While she was knocked out and dreaming, the demon Sym invaded her mind showed her a few different reflections of things she could be, one of which was a demonic reflection of herself. She chose that one, saying “What the heck, it’s only a dream.” And then Sym infected her with demonic energy. So she literally JUST found out her husband left her and their now-missing son for another woman, and she thinks she’s dreaming so yeah she picks the idea of being a demon IN THE CONTEXT OF A DREAM, A FUCKING FANTASY, WHEN SHE’S GOT EVERY RIGHT TO BE PISSED and oh well now you’re gonna be evil for real honey you don’t get a choice. Serves you right for being angry even for a moment, woman! But even then, she didn’t instantly turn evil. Horrible shit had already happened to her, but she still held out…so of course, more shit happened to her. While she and the X-Men were trying to help an escapee from Genosha (which was still enslaving mutants at that point) she ended up captured herself, and since their readings indicated she was not quite human (though what exactly she was, they didn’t know) they tried to put her through the “mutate bonding process” that would enslave her too. As a result, her latent psychic powers finally manifest, and she telekinetically explodes the place. From there, we start seeing big hints that something is going really wrong with Maddie, she seduces Havok and she’s entered into a secret bargain with the demon N’astrih, who promised to help her find her still-missing son (whom she still wanted to find and save at that point because she was still mostly herself) and of course, that bargain transformed her into the Goblyn Queen. After this transformation, though, she STILL had not gone past the point of no return. That didn’t happen until she met Sinister and she found out the truth of her origins—-not only was she a clone of Jean Grey physically, the few memories that she had also came from Jean, and her emotions from Scott had been PROGRAMMED into her (meaning she never had a choice at all in the man she loved) and it was all to be a brood mare, to produce a child with him. Only then did she go off the deep end completely, and agreed to N’astrih’s plan to sacrifice her own son (who he now found and gave to her, as this was his plan all along) because it was the absolute BIGGEST fuck you she could give to Sinister and to Cyclops. And like, yes, that’s evil, but given at that point she was not only magically infected/corrupted with demon energy AND insane with trauma that had been building up for months if not YEARS of development…she basically had a better excuse than ANYONE in all this who was also corrupted by Inferno. Yet she’s the one who doesn’t get a break. The unfairness is just…staggering, really. Even her death isn’t without indignity, violation, and depersonalization---she tries to commit a murder suicide, linking her mind with Jean’s and killing herself so that Jean will be dragged down into death with her. Jean, who really is the kindest to Maddie, urges Maddie to live instead, but Maddie’s last words are “not in the same world as you”. Jean survives. Maddie does not. And then...Jean takes Maddie’s memories and psyche into herself. It’s meant as beautiful, but to me it’s a heinous violation. Maddie wanted nothing more than be APART from Jean, so much so she KILLED HERSELF, and now Jean has made her a part of her forever, and we’re meant to applaud this? It’s DISGUSTING. Madelyne gets resurrected in the 1990s by Nate Grey, but it turns out that was an accident on his part, his mind was subconsciously seeking...Jean Grey, of course. And we he finds out he’s the one who brought her back to life, HE TRIES TO KILL HER. Jean stops him, but it’s no wonder to me that poor Maddie runs to the arms of Sebastian Shaw...who, of all people, actually treats her as an individual from the get-go and ends up being a pretty good boyfriend to her. Never even tries to use her in any evil schemes, it’s crazy. Madelyne has come back and died again and come back a few times since then, but she’s never really been “Maddie” again, whether it was brave adventurous Badass Normal pilot Maddie who just wanted to help people, or the bitter, conflicted, morally grey Maddie of the 90s. No, she’s just....she’s not even Goblyn Queen anymore, she lacks the pathos, she’s just this sexy evil misogynist caricature of herself and I hate it. I really love Madelyne Pryor. She came into this crazy world as a normal human, and when she got pulled into superhero shenanigans she held her own. She was a badass, she was a spitfire, she had a huge heart. She deserves a lot better than just being a gross Sexy Evil Lady with no personality, especially since she no longer has the whole “demonically possessed” issue going on. It’s just stupid and sexist at this point. I personally love original 80s Maddie, and also 90s Maddie where like...this shit has happened to her and she’s darker for it now, and understandably so, but she’s also still HER. Like, she leaves Sebastian Shaw not because he ever treated her badly, which he did not, but because he was doing things that could hurt OTHER PEOPLE, and that was where she drew the line. She was an enemy to the X-Men now or at least really hated them, she killed Threnody for bringing up her past as being “bred to breed”, but she also wasn’t about to be with a man who would risk the lives of millions of innocent people with his schemes, no matter how well he treated her, no matter if he was the one man who ever saw her for HER. Real Maddie is INTERESTING and Real Maddie is GOOD and I want Real Maddie back so she can call everyone on their shit and then go off and live her best life instead of being eternally dragged back into pointless villainy by authors who can’t think of anything better! MEGGAN PUCEANU - As with Madelyne, she’s maybe not UNKNOWN per se, I mean she’s one of the lead characters of Excalibur, but I also don’t think she’s an A-lister at all either. I’ve written about her HERE and HERE and her relationship dynamics with Brian Braddock/Captain Britain HERE so I feel like those links will probably be better than another novel like I did for Haven and Maddie! CATSEYE AKA SHARON SMITH - The deaths of all the Hellions were a tragedy, but Catseye is the one I found most interesting and with the most potential! I’ve written about her HERE and the Hellions in general HERE with a segment on her. She’s just so cute and innocent and INTERESTING, I want to know so much more about how she behaves, how she perceives the world and interact with others, how she gets on with her teammates, how she reacts this and that, I just love her! MINDMELD - Appears for only one issue, is arguably the first transgender mutant in Marvel, and also a total badass who I think is really sexy. I write more about her HERE and HERE. HONORABLE MENTIONS I’m not freaking out over these girls AS MUCH or AS CONSISTENTLY but they all have a place in my heart!! Really all it takes is someone MENTIONING them to get me revved up all over again!

THRENODY AKA MELODY JACOBS- Another Marvel gal who can’t catch a break, when she’s remembered by anyone at all. I wrote about her HERE prior to her most recent return in Deadpool, then HERE about said return. I just really, really want Threnody to be happy. She’s suffered enough. Admittedly, that could be said for most women on this list, maybe all of them. GOSAMYR- Wrote about her HERE! Most people who know of her at all typically hate her but I find her extremely interesting. She’s like everything people HATE about women, every stereotype of “toxic femininity”, but then this is explained as part of her culture and biology, and this is, to her, what is normal, and how is she to KNOW that everyone acts nuts around her when she has no basis for knowing how they act when she’s NOT around? She interests me in the questions and dilemmas she raises, and I just kinda have a thing for women we’re supposed to hate because of their feminine traits. KWANNON- The Japanese woman whose body Betsy Braddock had for years. I was very excited when she was brought back to life and given her own series, I wanted for her at last to be a CHARACTER with her own PERSONALITY and LIFE that wasn’t just an excuse to give a white woman a ninja makeover, and then I got...Fallen Angels. And she’s just...she’s literally just 90s Psylocke. I was very disappointed. But I still like Kwannon HERSELF in terms of potential, and now that she’s back maybe she’ll become a real person sooner or later. SATURNYNE AND SAT-YR-9: Wrote about them HERE! I really like Sat-Yr-9 as a villain (I especially enjoyed her short stint in the Hellfire Club as White Queen with Viper as her lieutenant and not-so-subtle girlfriend) and I like Saturnyne as a sort of celestial bureaucrat, someone who isn’t a force of good or evil but a force of ORDER, like the opposite of “embodiment of chaos” type characters. MURMUR AKA ARLETTE TRUFFEAU: I have not written about her before but HERE IS HER WIKI ARTICLE. As with Gossamyr, she seems like the “sexy shallow slut we’re supposed to dislike” type, so of course I like her. BIANCA LANEIGE- A Generation X villain who bore a grudge against Emma Frost from her days in the Hellfire Club, I wrote about her HERE. She’s pretty comedic as a bad guy, but that’s not a bad thing! I’d like to see her around again one day, either as silly as ever or made more serious. LIFEGUARD: Wrote about here HERE. She was in the first X-Men graphic novel that I bought and I’ve always had a soft spot for her since. I really liked that she didn’t give a shit when she found out who her bio-father was, it’s such a refreshing reaction compared to the usual “what if I’m just like my father/I can’t believe I’m adopted/etc” angst. Comparatively, she’s super upset about her Shi’ar lineage, because that actually altered her INTERNAL self when it manifested, she started seeing everyone around her as PREY and I reckon that’s pretty distressing for someone like her. Always wanted to see her come back; she’s in the background at a Krakoa party! SILHOUETTE CHORD: Wrote about her HERE and HERE. I just like her I guess! She’s maybe not obscure per se since she’s a main cast member of The New Warriors, but I’ve never really seen her get any attention. BLACK MAMBA AKA TANYA SEALY: Wrote about her HERE! THE ASP AKA CLEOPATRA NEFERTITI: Wrote about her HERE! SKEIN AKA SYBIL DVORAK: Wrote about her HERE and HERE! She was on the “Woman Warriors” team with Black Mamba and Asp, and I like the idea they just hang out as friends a lot!! ANACONDA AKA BLANCHE “BLONDIE” SITZINSKI: Wrote about her HERE! I just want her to hug me...really, really hard :) SHARADA DARTHRI: A minor villain that shows up during the “all female X-Men” team era in...2013, I think? Wrote about her HERE. DRAGONFLY AKA VERONICA DULTRY: Wrote about her HERE MANTIS : Despite the fact that she’s very well-known for her film version in Guardians of the Galaxy, most people don’t seem to know much at all about her comics version even though she’s been an Avengers member since the 70s. Wrote about her HERE and HERE and HERE, someone else writes about her HERE PENDING These are characters that I have not had the chance to personally read up on myself yet, but I want to! Their names link to their Marvel wiki articles! TOPAZ FIREBIRD SNOWBIRD SILVERCLAW There are honestly countless others I’m probably not remembering but this is a good handful I think! Oh, yeah, and also...COOTER. Because her name is COOTER oh my god.

[artemisfromkq]

— Storyline Form.

Inspired by @monochromeofficial's format, i decided to make a google form to know about which character arc you think is the most interesting to see first. As you know, i'm currently doing a makeover in this blog and i plan on finishing it just after i post Tempe5t's album (which is close to conclusion, by the way), with that, i planned character arcs for all of the girls that will provide depth to their characters, and i'd love to read about your opinions.

Under the cut you will find a summary, an explanation for each arc and their trigger warnings.

TIME GOES BY - MOON NAYEON

Trigger Warning: fighting, crying, talks of low self esteem. It kind of includes the Wonho scandal??

Summary: How far can the feeling of love for someone go and how does that affect yourself? Moon Nayeon starts questioning this as she sees her perfect world fall apart.

Explanation: This arc follows Nayeon and her relationship with Hoseok as she doesn't realize she's putting too much effort in their relationship, making her drift off from the other people that care about her and her responsabilities. It talks about her own self esteem and how she starts questioning about what are the things that make her happy. I want to clarify that Wonho didn't have influence in what will be depicted in this arc, Nayeon's over attachment is something that was developed by herself because of her low self esteem as she believes it's the only value she accomplished by herself in her life, the arc will talk about her overcoming this to become a better version of herself and, eventually, have an even healthier relationship.

AND THERE WAS NO ONE LEFT - KWON HYOJIN.

Trigger warning: Alcohol usage/dependance, crying, swearing, possible verbal abuse, unspecified mental health problems, unexplicit sexual intercourse.

Summary: Kwon Hyojin's historic of heartbreak comes from a very long time, turns out lovers aren't the only ones who can break your heart.

Explanation: This is quite a complex arc as it will talks about how the lack of affection lead to Hyojin's fear of falling in love. This arc, in its first part will talk about how studies are treated in Korea, both in the point of view of the pressure that parents put to their children as well as the competition between the own students that lead to affect her dynamics. On another side, it will also focus on the times Hyojin got her heart broken for people that she thought could become something else for her. Due to her lack of affection from both family and friends, Hyojin created a glamourized version of love and developed a will to experience it by herself at any cost, making her feel even more hurt every single time a bad experience related to the matter happened to her, it will also mildly talk about how she started using alcohol to forget all the times her heart got broken. This arc will revolve around Hyojin learning that she doesn't need a lover by her side to be happy. Besides all the angst, it does end on a fluff note.

MATERIAL GIRL - ROWAN KIM.

Trigger warning: Alcohol usage, swearing, depressive thoughts.

Summary: People think having all boys wrapped around your finger and spending your whole money in a Gucci store would be anything a girl wants, Rowan learned that it isn't by the hard way.

Explanation: This arc follows Rowan in her glamorous, luxury lifestyle, something that she uses to mask her true feeling of emptiness. It talks about Rowan's past and current relationships and her own development as she realizes this behaviour she's forcing herself into only makes things worse. This series will show Rowan's redemption as a person while she starts to show her true, sweet self more, setting herself free from what she thought made her 'strong' or 'worthy'.

PRINCESSES DON'T CRY - KAMLAI SUWANNARAT.

Trigger warning: Possible xenophobia, crying, depressive thoughts.

Summary: Kamlai promised to always act happy to not worry other people, even if things are in the rock bottom. But, hey, there's nothing a set of makeup can't do, right?

Explanation: This arc will talk about how a pretty face isn't synonym for high self esteem. The time she spent at SM made her feel anything but powerful and it was one of the worst moments in her life, Kamlai developed a incredibly low self esteem because of it. The series will talk about how people tend to devalue some person's low self esteem just because of their outside, Mina will also have a big role in this as she was the one that helped Kamlai to recognize herself as someone of value after so many people made her feel down, it's an arc that will focus on acception.

TO ALL THE PEOPLE I'VE HURT - LEE SUJIN.

Trigger Warning: Cheating, alcohol usage, swearing, fighting, unexplicit sexual intercourse.

Summary: Sujin writes personal letters to all the people she has hurt in the past.

Explanation: I know this sounds like a To All The Boys I've Loved Before dark version but i swear it's a good arc. This one will give a deeper look into Sujin's faked narcissism and her past relationships with several women, it will talk about what made her do a lot of the stuff she did that left a lot of people hurt. This arc will focus on Sujin overcoming her own toxicity and becoming ready to love again, she tries to redeem herself by letters she writes directed to everyone she hurted in the past, even if they never got sent.

JEALOUSY - CHANG CHANG.

Trigger Warning: Crying, talks of low self esteem, possible fighting.

Summary: Chang Chang just wants to be in the spotlight, but that doesn't seem as easy as she thought.

Explanation: Chang Chang has an issue of comparing herself to others a lot, she has a wish of being better than anyone else, even if it is in a more innocent way; she thinks that she's only worthy of attention if she's the best of the best, which leads to her internally competing over her limits and generates a divergence in her relationships. This arc will show a darker side of Chang Chang that she hides deep down her quirky personality. It will talk about overcoming her self esteem problems to see herself such as bright as her groupmates, with more or less attention, it will also take a look on her and Dejun's relationship and how it helped her grow.

[aion-rsa]

Batman: Soul of the Dragon – Bringing a Little Bruce Lee to Bruce Wayne’s World

https://ift.tt/eA8V8J

This article contains Batman: Soul of the Dragon spoilers.

The latest DC animated film Batman: Soul of the Dragon is a complete reimagining of the Dark Knight. It’s an out-of-continuity story, the kind of tale DC usually places under its Elseworlds banner. Set in the 1970s, Soul of the Dragon places Batman (David Giuntoli) as part of an ensemble of heroes, a collection of the top martial arts masters in the DC universe including Richard Dragon (Mark Dacascos), Lady Shiva (Kelly Hu), Ben Turner a.k.a. Bronze Tiger (Michael Jai White), and O-Sensei (James Hong). 

“It’s a weird movie in that you can literally take the voice cast and transpose it into live-action and they can make the same movie,” gushes writer Jeremy Abrams, “They’re all accomplished and good looking. It all works!”

Batman: Soul of the Dragon is a mash-up of Batman and ‘70s Kung Fu films. For this film, the comics character Richard Dragon is reinvented as a thinly disguised homage to Bruce Lee. 

“I pitch a lot of martial art DC comic ideas,” confesses Abrams. “I’ve been pitching Batman meets Enter the Dragon for a while, and evidently, [Executive Producer] Bruce Timm had a similar idea.” Timm said he’d love to do a 1970s Batman martial arts thing, which led him to Abrams. “Bruce wanted to add on a Big Trouble in Little China element, which is like catnip for me. That’s one of my favorite movies. So, it ended up being like four hours just talking about stuff, and what would work, and what would be cool.”

Abrams and Timm have a great love of ’70s cinema. It’s an unusually fruitful period to set a Batman story according to Abrams. 

“One of the great things that they had is all these really distinct genres,” Abrams says. “You had blaxploitation, you had Kung Fu movies, you had James Bond movies. Then you had horror movies that were the satanic panic type cult movies. And our movie is in the center of that and it just all seemed to lend itself to this movie.”

In the 1970s Batman comics strove to distance themselves from Adam West’s campy TV rendition which had become the dominant impression of the character since its wild success from 1966-69. Part of this reinvention involved scaling down Batman’s reliance on gadgets and technology in favor of a more two-fisted, detective style approach. Batman: Soul of the Dragon explores Batman in his formative years, and scales back his resources accordingly. “You’re not going to get the Batcave,” explains Abrams. “You’re going to get the loft above a building, a dance club.” 

There are so many Batman stories already so to stand out, the filmmakers sought to bring Batman to his roots by making this more about Bruce Wayne.

“We’ve tried to humanize Batman,” adds director Sam Liu, “so he’s not in the costume for the majority of the film, and it’s more of a human story.”

There’s always risk when retooling a beloved character. 

“We get to work on big, A-list superheroes,” Liu says. “These are iconic heroes. They’re not just made up from cartoons and stuff like that. It’s a big responsibility sometimes, but if I spend too much time thinking what it means to so many people, I could get intimidated. After a while…you kind of want to try something different. We’ve done so many Batman stories. Sometimes you try something new and it’s interesting to you, because again, it’s different. But then the fans don’t get on board with it because they kind of want them to stay the same.”

Who is the Best Martial Artist in the DC Universe?

Given the formative theme, Batman: Soul of the Dragon illuminates Batman’s training in martial arts. However, this isn’t exactly Christopher Nolan’s Batman Begins either. Batman doesn’t study ninjutsu with Ra’s al Ghul. Instead, he trains under O-Sensei alongside the most powerful martial artists of DC. Abrams, a consummate comics and martial arts geek, already had his top three DC Universe martial artists picked out. 

“Well, I know Shiva’s in there. I know Richard Dragon’s in there, and I know that Ben Turner’s in there,” Abrams says. “I definitely think they are the top. I don’t think Batman breaks the top five in terms of DC martial artists. But he’s cool. I just think he supplements martial arts with so many other things.”

Even though Batman has top billing, he’s not the main character. According to Liu, each of the others in the quartet of heroes could carry their own story. 

“We didn’t want any of them to be sidekicks,” Liu says. “We’re so used to these Batman stories where Batman is the guy. It was a very conscious decision in building this, that we made sure that Richard was never a sidekick. If anything, this was a little bit subversively kind of supposed to be more of a Richard story. Batman is just one of the characters. He grew up with these characters, and he’s just part of this ensemble, and each of them have their part in this grander story.”

In the wake of Bruce Lee, Kung Fu oriented characters spread into comics. Marvel’s upcoming Shang-Chi and the Legend of the Ten Rings, based on a popular comic series that came out in the 1970s, is a leading example, however DC had their own stable of martial masters. 

“I know and I love the glut of DC martial arts characters of that era,” states Abrams emphatically. “Everybody has their peculiarities in the things they love about fandom. I know a guy that is really obsessed with the background creatures of Star Wars. But one of my obsessions in the DC universe are these really cool well-defined martial arts characters they have.” 

Batman: Soul of the Dragon takes a deep dive into several secondary DC martial artists like Judomaster Rip Jagger (Chris Cox), Edmund Dorrence (Patrick Seitz) and the nefarious Kobra Cult including Jeffery Burr (Josh Keaton), and Lady Eve (Grey Griffin). What is it about cobras and martial arts villains nowadays?  

Enter Richard Dragon

While all of the martial artists in this film have been reinvented to some degree from the comic pages to this animated adaptation, the biggest change is Richard Dragon. In the comics, Dragon was originally Richard Drakunovski, a Caucasian character. In later story arcs, Dragon’s title is usurped by his villainous student, Richard Diaz Jr. In Batman: Soul of the Dragon, Dragon is Chinese, a clone of Bruce Lee’s character ‘Lee’ from Enter the Dragon. 

“‘Race swapping’ is not usually where I go first because I’d rather just make a new character,” confesses Abrams. “But we made this an Elseworlds, so there’s a lot to be set up. We can do whatever we want.”

For Liu, bringing a positive Chinese character to the DC animated universe was huge.

“It’s funny because when we started this film, they sort of approached me saying, ‘Hey, we’re going to put you in this sort of ’70s Enter the Dragon meets Batman kind of a story.’ I was like, ‘Oh boy. This could go either way.’” 

Liu remembers laying out the ground rules in an early writer’s room meeting by saying “Look, I’m Chinese. I just want to make sure that you’re going to do this respectfully, because I don’t really want to be a part of something if it’s just sort of…irresponsible.”

Liu was reassured to learn that respectful representation was at the forefront of everyone’s mind from the very beginning and that sold him on the project. 

“I’m an older guy, so I’ve experienced racism and all that kind of stuff, because I grew up in the South when I was very, very young,” Liu says. “It’s horrible. I’ve always liked to get more representation.” 

For Liu, Batman: Soul of the Dragon is another step towards increased acceptance of diversity. As an Asian American, he has experienced xenophobia all his life. 

“As volatile as it is nowadays, it’s much better,” Liu says. “I remember my dad being an Asian man in the South, and some of the stuff we had to go through. I come from an era where you’re oppressed, so you’re just expected to be that way. Any little movement forward is a big step. For me, personally, I think it’s great.”

As the world’s first global Asian celebrity, Lee was a pioneer before long before diversity became an issue of debate. He lived by example, all the while infusing his philosophy into his constant battle against racism.

“It’s like a theme that’s in Enter The Dragon, the art of fighting without fighting.” In Batman: Soul of the Dragon, there’s even an homage to the scene in Enter The Dragon where Lee drops that line on Parsons (Peter Archer) and tricks him out of a fight. 

For Abrams, shifting Richard Dragon to Asian was true to the roots of the character. Dragon first appeared in a paperback novel written by Denny O’Neil under a pseudonym. According to Abrams, “On that cover, it looks like Richard Dragon is an Asian man. And for Bruce [Timm], that’s how he always saw him.” Abrams feels that bringing Dragon back to how he was depicted on that original cover was the way to go. “I think it adds a great diversity and it pulls away from, ‘Oh, here’s another white guy with Batman.’ It makes this really cool ensemble, even more definitively different.”

The Launch of a New Franchise?

The finale of Batman: Soul of the Dragon leaves the door wide open for a sequel. Batman, Dragon, Shiva, and Turner enter another hellish dimension, and what lies ahead is anyone’s guess.

“The ending is actually one of the first things that we came up with,” reveals Abrams. “We looked at each other and thought, ‘This is crazy. But, what if this happens?’ We’re looking around at each other, like, ‘Somebody’s going to stop us, right?’ It’s like, ‘Nope. We’re going to do it.’ The ending fits perfectly with the dream of Batman, which is, ‘I get to fight evil, forever.’”

So will there be a Batman: Return of the Dragon? 

“Bruce Timm had talked about potentially doing more if this does really well,” adds Liu. “I think he’s in talks with some other creators and stuff like that, because he’s such a fan of the ’70s that I think that he would love to be able to continue doing more stories, especially in this genre. This story is really, really personal as far as just all the things that he loves. I think both him and Jeremy are in love with this era and this genre.”

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Batman: Soul of the Dragon is available now on Digital and Blu-ray.

The post Batman: Soul of the Dragon – Bringing a Little Bruce Lee to Bruce Wayne’s World appeared first on Den of Geek.

from Den of Geek https://ift.tt/2NEdx2P

[mobius-prime]

206. Sonic the Hedgehog #138

Return to Angel Island (Part 1): The Message

Writer: Karl Bollers Pencils: Jon Gray Colors: Jason Jensen

We're in for a big one, guys! This is another four-parter, and it's time to finally find out what's going on on Angel Island! But first, Sally and Sonic have to deal with the blowback from the king about their little Tommy mission. King Max chews them out for a while, with Sally tersely accepting the scolding, but Sonic actually attempts to cover for Sally by lying (badly) that she only came along because he kidnapped her. Of course, the king doesn't believe him, and after coldly calling into question Sally's ability to rule in his stead when they leave on their tour, he sends them off.

Yikes. Seems things are going to stay frosty between these two for a while. That afternoon, the king and queen, along with Uncle Chuck as their advisor and Antoine as their bodyguard, depart for their world tour. Shortly thereafter, everyone is hanging out in Chuck's diner, which is currently being manned by Jules and Bernie, while Sonic confides in Knuckles and Julie-Su about his troubles with Sally. Julie-Su points out that Sally's feelings are understandable to a degree, as she herself struggled for a long time after Knuckles' return from the grave with feeling comfortable about him going back into battle. The conversation is interrupted by a sudden crash at the door, and everyone is shocked to see a badly injured Charmy and Saffron enter the establishment and immediately collapse. They're immediately taken to receive medical attention, and after that Sally questions the two on what exactly happened. Charmy and Saffron relate, stricken by grief, how Eggman attacked their home at the Goldenhive Colony, and try as they might, they failed to save anyone - and they mean literally anyone. Their parents, all their friends, every single other member of the colony is dead now. I have to say, while this is certainly an… effective way of kicking to the curb Kenders' weird plans to shunt Charmy away from the spotlight, it's also an incredibly brutal way. I mean, how many others here have lost literally everyone they care about? Oh, wait, Knuckles is getting there! Fittingly, at that exact moment a transmission comes through on the Technolo-Tree, but the only thing that can be made out through the static is that Locke is apparently being held prisoner on Angel Island. And at that moment, Knuckles' patience, so carefully maintained just a couple issues ago, finally snaps.

Sally, you have to remember that it's been almost an entire year that he's been off his island, and he knows he still has friends and family stuck there, with Eggman doing who knows what to them. Can you blame him for wanting to rescue literally the only home he's ever known from Eggman's brutal occupation? Sonic sheepishly leaves with Knuckles, and together they, Julie-Su, the Chaotix (back together again! Also this time including Ray, who's been severely sidelined for quite some time now, and Saffron), and Bunnie all pile into the FFS and fly to Angel Island. Bunnie remains behind at Sonic's request, since he wants to make sure Sally still has a heavy hitter watching over Knothole while they're gone, and everyone else airdrops in, landing in the Marble Garden Zone. Sonic races away to do some split-second recon, and comes back with some pretty horrendous news - there's an honest-to-god prison camp not far from there location, sponsored by Eggman, run by dingoes, and filled with enslaved echidnas being worked half to death by their captors. So, naturally, the intrepid infiltrators race directly in and start causing some havoc.

Okay, this is something I've danced around for quite a while now, but… I really don’t like the portrayal of the dingoes as this weird military hive mind. Penders very obviously based them off of Nazi Germany in many ways (like… as we saw before in KtE#22, his hints toward this weren't subtle at all), and I believe he's even said that he deliberately only ever showed male dingoes, avoiding portraying women and children among their ranks, so they didn’t appear too sympathetic. Quite aside from the fact that that's a kind of ridiculous and sexist position to take especially given that one of the comic's current most threatening villains is in fact female, this just turns the dingoes into cardboard cutouts of villains instead of an interesting opposing faction in this world's political landscape. I mean, how much more interesting would they be if the story bothered to humanize them, make them relatable? But of course, that would mean that Penders would have to portray his precious echidna society as less than honorable for discriminating against them, and we can't have that, so instead they're all just military hardasses who love xenophobia and hate democracy. Hell, even the actual Nazis had more depth to their evil actions than the dingoes. And, to be fair, I know that this arc is written by Karl, not Penders, but he's just building on everything that Penders has established here, so I'm still putting the blame on Penders.

Anyway, the heroes make quick work of the dingoes stationed in the camp, though Knuckles takes a bad blow that Sonic has to save him from due to his lack of powers. Knuckles begins to protest at being helped, but he's suddenly drowned out by chanting… from the echidna slaves they've just freed. They're all bowing down to him and calling him the Avatar, hailing his return. A flabbergasted Knuckles spots Remington among the crowd and asks him what the hell is going on, and Remington explains that there's been a bit of a, eh, religious revival shall we say, among the echidnas on the island ever since he returned from the dead. Apparently, there's an old prophecy from the Ancient Walkers stating that someone will come back from the dead and deliver everyone on the island from their suffering, and, well, Knuckles fits the first part of that criteria. However, he'd barely come back from the dead before Eggman made his move on the island a year ago, preventing Knuckles from returning until now.

So things have kind of deteriorated to a severe degree in Knuckles' absence. Echidnaopolis is now Dingo City, and the dingoes are led not by General Stryker, who is conspicuously absent, but instead General Kage, a cyborg underling of Eggman's in charge of finding the Master Emerald somewhere on the island. Of course that's what Eggman is really after here, and they've captured Locke with the intention of getting the location from him one way or the other. He's been chained upside down in some dark room, and Kage has been torturing him nonstop for the past few days trying to get him to crack, to no avail. Eggman merely encourages Kage over video call to keep it up, while we transition to the Lava Reef Zone, which is where Knuckles has led all the rescued echidnas to, away from the prison camp. He's here because this is approximately where the message informing him of his father's capture originated from, but suddenly the group finds themselves surrounded by smoke, and out of the smoke steps an army of Dark Legion soldiers, surrounding them with weapons drawn…

Mobius 25 Years Later: My Dinner with Sonic

Writer: Ken Penders Pencils: Steven Butler Colors: Jason Jensen

…but who cares about all that interesting plot stuff when we can watch some forty-something moms chat next to a pool where their annoying kids and husbands are playing? Apparently, despite their husbands' rivalry, Julie-Su and Sally have actually become pretty good friends over the years, and lament that they barely get together anymore because of Knuckles and Sonic's hatred of one another. Sally is upset because of how distant Sonic has been acting lately - according to her, he barely talks to anyone he doesn't have to anymore, including Tails, whom he hasn’t spoken to in three whole years now! Excuse me, what?! Okay, Sonic and Knuckles at least have some precedent for their rivalry, however weak that precedent is, but I cannot even begin to imagine a world where Sonic just straight up ghosts his best friend for apparently no reason. Literally, no reason is given! He just doesn't like Tails anymore now! Also, in this timeline, Tails is married to Mina and he's moved to Downunda, because why the hell not? Who needs to make sense or give reasons for anything in their plot? Oh, but that's not all! If you thought that was the extent of Sonic's incredibly out-of-character writing, you thought wrong!

That's right - Sonic the forty-one-year-old father, war hero, and king of an entire nation is apparently so petty about not being able to hit a volleyball in the pool that he thinks it's acceptable to shove his own young son under the water so he can get to the ball instead. And this isn't just some case of me taking these panels out of context - on the very next page Manik rightfully calls him out on this, only for Sonic to irritably say that Manik has been "getting in his face all afternoon" and that this was the only way he could get to play with the ball. And then, just as if to rub this in our horrified faces, Knuckles also comes over and points out how terrible of an action this is, and when Manik speaks up SONIC FORCES HIM UNDER THE WATER AGAIN TO GET HIM TO STOP TALKING. I just… I cannot even begin to express how bad this is. This is literally the opposite of Sonic the Hedgehog. You cannot get further off the mark than Penders just has right here. Everything about Sonic's characterization in this arc is bad and inaccurate to who he really is, but this interaction right here is the cake topper, the prime example of just how much Penders does not understand the characters he is trying to write. I can pinpoint this as the exact moment I lost all remaining respect for Penders as a writer. I've defended him before, and I stand by my opinions that I do enjoy many of his earlier stories for the comic, but this is a goddamn travesty. Penders. Needs. To. Stop.

*sigh* We have to finish today's issue, so let's… let's just get to the end. Everyone goes inside for dinner, with Sonia and Manik heading out to play with Lara-Su while the adults have dinner together, because apparently they're so stuffy they don't even let their own kids eat with them. Knuckles and Sonic start arguing at the table, big shocker there, while Abby desperately tries to serve them dessert and their boring wives try to rein them in.

Are we gonna hear anything about what the "drone problem" or the "Overlander uprising" entailed? Those sound too interesting, so NOPE! Instead, the kids walk by and overhear the argument and promise each other they'll never fight like their parents do, while Manik tries to put the moves on Lara-Su, who is not having it. The argument ends when both Knuckles and Sonic belch simultaneously while their wives scold them disapprovingly - I think Penders is trying to go for a comedy movie sketch type thing here where classical music ramps up in hilarious intensity behind the bickering over the family dinner before everything ends on a few sharp notes from the string section, but it just comes off as utterly cringeworthy. Knuckles finally - finally! - manages to get to the point of this entire arc, which is to tell Sonic about how the world is ending. Yes, it took this long for him to tell the main character of this goddamn comic about the main conflict of this goddamn arc. Kill me. Someone please kill me.

…are you kidding me?! You mean all this time we could have been exploring the ramifications of a planetwide environmental disaster caused by dimensional travel, and the possibility of having to evacuate the planet's population into space, and instead we got to watch two boring husbands belch at each other over goddamn dinner?! I'm done. I'm so done. Everything about this sucks and I hate it. Ken Penders, if I ever see you in person, I will be throwing these hands.