#like. the most supportive member of my family is a woman i thought disliked me on principle because i was my father's child | Explore Tumblr Posts and Blogs

husbandohunter · 3 years

Note

May I request a Childe X Reader fanfic where the reader has been pushing herself too hard lately and so Childe has to forcefully get her to rest? ty

By my side [Childe x Reader]//Genshin Impact

Synopsis: You were an artist and he was an adventurer. Two people from vast backgrounds and Childe just wants to spend some time of his busy life with you. However, things didn't really go his way...at first.

(Childe x F!reader. Its all fluff)

(A/n): Perfect request anon. I too, would like to have a Childe in my life. Been getting 5-6 hours of sleep on average 😃😁. Yeah kind tossed some extra ideas with artist s/o, its a perfect reason for anyone to be busy.

============================

Once recieving the permission to take a week off from his diplomatic duties, the first thing Childe thought of was none other than his lovely significant other.

The harbinger knew quite well what lays ahead of his ventures to Liyue. During his quest for the archon's gnosis, he encountered many interesting events, such as meeting the rumoured traveller hailing from afar and a broke yet courteous man who turned out to be the ultimate ruler of this very country he walks upon then there was the battle against a dead god until he revived it using the sigil of permission. All of them were great additions to his story as Ajax the hero, something he always wanted to pursue since childhood. In which, also gave him something nice to write about when preparing letters for his siblings living back home. But little did the harbinger know that he'll one day bump into the heroine. A little too soon. Through your little art shop, he met you, a sweet and audacious woman with plenty of humour. That was how it all began.

While he strides down the streets between Liyue's exquisite buildings, Childe suddenly stops in his tracks and looks up to the sky. There, was painted a scenery of an evening dusk, sun rays relfected across until red and orange hues cast a river stream that led to the ends of the world. He watched the birds follow that streak like it was a path made for them to fly towards. A new adventure. You would have loved to captured this in your pictures.

And then he wonders, what might you be painting right now?

"Hey babe, I'm home~"

In a sing-song voice he calls out to you by your nick-name. You knew that Childe was an active member of the Fatui and that his time was limited, hence he made sure to write to you as well. Of course long distant relationships only makes the waiting more anticipated. When he does pay a visit, you'd run straight into his open arms, leaping off your feet to engulf him in one enourmous embrace. Then his hands will hold against your waist as he spins your round and around in the air, stealing the laughter out of your lungs before planting you back on the floor. Sometimes Childe would consider that being far away wasn't be such a bad idea as long as he was able to experience this, the harder the battle, the sweeter the victory. However...

"That's great."

He was met by a response similar to the wintry grace of Snezhnaya.

Huh?

All the fantasies he had from earlier shatters in the background as he stands there frozen. You didn't even spare a glance to the entrance, eyes still glued to the large canvas displayed at your front, too busy to even care. Childe clicks his tongue between the awkward silence with an uncertain expression. When there was no signs of initiation on your part, he shuffled his way to where you were and observes from behind.

"Well you're particularly quiet today," he muses to himself, placing a hand over his hip, "I guess that painting of yours must be really important then."

It was obvious that he was trying to nudge you into his favour. Something that you've found endearing was how quickly your boyfriend can be when he's in a needy state. So you quickly twisted over to peck him on the cheek before going back to work.

"That's better," Childe satisfiedly grins, "So who is this project for?"

"It's a commission requested by a wealthy family serving the Qixing. They're really influential in terms of the market and can really give me a competitive edge. I have to get it done in five days."

His tone flactuates as he squints his eyes, "Five days you say," he disliked the news of your schedule taking over his own, Childe only managed to take a week off and after that, he'll be away for quite some time, "Why don't you take a break? From the looks of your progress, it seems to me that you've been working on it for hours. I've got plenty of interesting stories to tell and you know, nothing can compare to sharing a warm meal within your company," he leans down to your ear level, "How does that sound?"

Several seconds went by as he waits for some sort of reaction, "Oh. Right," you blurted out and the harbinger only smiles, "I made some food earlier this morning. You can go help yourself if you're hungry."

Today was not his day.

Childe pulls out the wooden chair and slumps into the seat, a defeated huff escaping his mouth as he stared at the crystal shrimp placed on the table. It was hastily wrapped by plastic, most likely cold for a while, just like the romantic evening he had planned in his head. Normally you'll be sitting on the otherside while listening to the many tales he went through along the way. Although painting was your passion, it was undeniable that you also enjoyed his kind of lifestyle if you ever had the choice. He was rather surprised on how someone ambitious like him would end up with such a simplistic person but quickly accepted it as life was meant to be unpredictable, just the way he likes it. As Childe entertains you with his stories, he'll listen to your giggles amidst eating the homecooked meals that you both prepared together.

"I wonder if she ate already," he mumbled to his lone self. You most likely did but Childe knows you well. Artists are obsessed and they can go as far as to neglecting their own health for the sake of their masterpieces. Hence, he made sure to remind you to eat properly through the letters he wrote to you.

The harbinger takes a quick glance around the kitchen. It was a mess. The cupboards were slightly opened, metal pots were still displayed on the stone stove and the stench coming from the sink....

Childe pushes himsel up to see what was the cause.

Not even the dishes were washed.

Running his fingers through his bangs, he sighs wearily, "Old habits die hard huh?" And above all else, when artists are obsessed they also forget how disorganized they can become. Childe begins to roll up his sleeves before taking off his gloves. At times like this he'll have to pitch in and take care of it for you, "Looks like I'll be here for a while."

Throughout three sunsets and three moonrises, Childe had no option but to observe you from afar, minus the few attempts he made to regain your attention again. How you would go to bed much later than him, waking up before he opens his eyes and the effort he put into making your food only left with too many leftovers. It wasn't that you were unappreciative, instead, your mind had become too focused that your body was considered a second priority. Like anyone else, Childe genuinely thought you possessed great talent and supports you wholeheartedly. He loved it when you painted pictures just for him as if they were scenes coming out of his hero story, reminded by his adventures, capturing every detail. However he also needed to learn how to deal with this stubborn side of yours.

"Hey babe, I just finished preparing our dinner. Don't you smell that? Such a rich aroma, you should go eat."

"I'm busy."

Your diet were just small bites, the rest being substituted by coffee. Childe could clearly tell that you weren't getting enough sleep either as there were dark circles forming underneath your eyes and slowly, he was starting to become a little irritated.

Three hours passed midnight but you were still awake in the same place doing the same thing. Childe leans against the doorframe with arms folded, already changed into his sleeping clothes. He clears his throat to break the silence, "Ahem."

Your wrist hangs in mid air by the sound of a strange visitor, it was your boyfriend. Gaze in a daze, you lazily turned your head, "What time is it?"

"Way passed the sleeping hours as you can see," he points with his thumb at the table clock in a half-hearted manner, "You should already be in bed by now and don't think you can coax yourself out of the situation this time," his eyes parted in slits as he added with a smile, "Otherwise I might just have to force you myself."

You shook your head, "Give me one more hour? There's some finishing touches I really want to add so," clasping your hands together, you beamed sweetly, "Pretty please? I'll finish up soon."

"Oh really?" Childe challenges, head tossed back like he was interrogating you instead, "I believe that was also what you told me yesterday. And the day before? Adding up all of those days that would be.....four in total?" He deliberately counts upon his fingers before facing you again, this time his expression was slightly more serious, "As much as I find your determination remarkable, there are moments when you need to consider a sufficient amount of rest and this just isn't going to cut it."

"Four days already?!" You exclaimed, "Jeez, I don't even know if I'm halfway done."

Pressing his lips together, Childe glares in an acutely deadpanned countenance, it was also his time too, "Can't you ask this commissioner to extend your due date to next week? In your case, mora shouldn't be the issue since, well...you're dating me anyways."

It's true. Childe was the main reason why you didn't have to live as a starving artist. He had all your expenses fully covered from the marketing aspect to your residence, you simply chose to work out of pure will.

"I don't want to always rely on you so much," you confessed, "This commissioner could turn my whole career around. If I'm able to gain his favour, maybe I'll get promoted to a court painter for the Qixing! Who knows when there will ever be a chance like this again," pumping your fists, you spoke purposefully, "I'll pull an all nighters if I have to!"

Childe brings his hand to his forehead, you looked as if you were nearly about to collapse and yet still considering the option of an all-nighters? The harbinger should've detained you days prior before.

"Hm? Childe, what's wrong?" He suddenly falls deadly quiet and you watched him walk closer towards you, "What are--"

Hooking an arm behind your knees and the other at your back, your boyfriend lifts you up in one full swoop as he tossed you over his shoulder like a sack of potatoes.

"Guess we'll have to do things the hard way," he remarks cheerfully.

"W-Wait," you flailed your arms and kicked your legs but to no avail. Childe was an experienced combatant indeed, "Put me down! I have work to do."

Your protests fall upon deaf ears as the harbinger carries you to your room. You were oddly lighter than the last time he carried you, the strength less vigor than before, it was obvious that your body was in need of relaxation. He suddenly thinks there was a possibility that you would maintain this habit while he was absent.

I should probably visit more often.

Using his free leg to nudge the door open, he places you upon the shared bed in a gentle manner. You winced at the impact of the soft sheets, surprised by how much it affect you.

"There we go. All done. Man, you really are a stubborn one, aren't you. Makes me a little worried since I can't spoil you all the time."

He quickly invited himself to the empty space on your bedside and wrapped his arms around your figure, pulling you close and feeling you whole. Childe made sure there was no escape once putting his chin above your hairline so that you could feel his warmth as much as possible.

"This is--" you stuttered. His tactic was enough to make your limbs soften and you could almost hear him smirk into the distance, "This is cheating..."

"You think so?" He comments as if pledging innocence, "I don't know babe. Where I come from those who take the initiative are the ones who end up claiming the prize," pulling back, Childe takes the opportunity to observe your pouty face, "I don't make the rules. It's just how it goes."

You wanted to argue back but he suddenly took the bedsheets and covered both of your bodies with, completely trapping you with his presence. He snuggles into you further as if you were a bear made of linen and you felt the drowsiness taking over your mind. The way he gently pats down the back of your head was enough to instantly lull you into a deep sleep.

"Cheater," you mumbled.

He laughs softly, the rumbles emitting through his chest, "I love you too babe."

Even after you've let go of your resistance, Childe continues his actions until he was sure that you were resting. He had been longing to touch you like this since living a chaotic life only made peaceful moments much sweeter, "You're such a hard-worker you know that? I'm proud of you but you have to know when to call it a day," he whispers, "If not, how can I go on trips while knowing that you're still refusing to eat properly?"

You closed your eyes and said nothing in return. All your senses were too cloudy to come up with a reassuring response. Childe listens to the way your breath evens as you intake his scent during the process. It smelled like the soap you used in the showers, lotus leaves mixed with his own unique musk. You could only focus on him. His comforting embrace. His slightly accelerating heartbeat because you were together with him.

Letting out one final yawn, you succumbed to his spell and allowed your energy to drift away.

The corners of his lips tug upwards, "Sleep well princess."

Childe reaches over to your desk drawer and shuts off the alarm clock before turning over to face you again. He couldn't fall asleep immediately, not when he had to consider taking care of the commissioner who gave you an impossible deadline. But that will be saved for another day, for now, he observes in silent serenity.

If he were to quit his job for a year, what would his life be like?

Peaceful. Something opposite of what he was living right now. Something similar to the life he had back home. As you arrange the many paintings in your little home, he'll offer to help you among the places you couldn't reach. Without a doubt, Childe was far taller in comparison. Taking strolls into the streets and trying the new dishes the merchants came up with. Then in the evenings, you'll both go to dinner dates while listening to the storyteller revealing the rumours of the legendary Tianquan Qixing. Although Childe loved the adventurous life he led, he had to admit that your domesticity and family-bringing atmosphere was a tempting idea.

Maybe one day.

He lightly takes a strand that had fallen over your nose and tucked it smoothly behind your ear. The soft snores coming out of your parted lips caused his gaze to melt. And so he steals them with his own, placing a chaste goodnight kiss.

One day I'll be sure to bring my family here with us.

Closing his eyes, he joins you in your slumber, hoping to see all that he envisioned in his dreams.

#genshin impact #childe x reader #childe genshin impact #genshin childe #childe #tartaglia x reader #tartaglia #genshin impact childe #genshin impact x reader #genshin impact scenarios #genshin #genshin x reader #genshin impact headcanons #genshin scenarios #genshin headcanons

382 notes · View notes

wickedpact · 3 years

Text

A ranking of all the TTT stories in order of how much I liked them.

(Oh god this is so long)

1 My Mother's Axe

BABY ANDYYYYYYYYYYYY. Honestly this one had the trifecta of developing a character's motivations, developing a character's backstory, & developing their personality. The story starting out with Andy teaching Nile to use the axe was so charming and fun, and you could feel that chemistry they had in Opening Fire, the way they teased and bickered with each other so naturally. I loved the wedge between them on the subject of the axe, how Nile was perhaps a little too young to understand Andy's feelings about whether or not its the 'same' axe. I also love how the axe is obviously the symbol of the franchise and hugely important, but you never get a sense of exactly how important it is to Andy until you read the story.

I love the entire Ship of Theseus theme, and how it feels so natural that for Andy she has to get attached to the idea of things rather than the things themselves because she'll always outlive the things themselves-- the axe is symbolically her mom's axe, even if physically it isn't. And I love how she clearly clings to that concept so tightly. "This is the labrys she held in her hands...." IT GETS ME.

And the fact that this sense of BELONGING, of FAMILY, of CULTURE is so important to Andy that she clings to it (figuratively and literally) with both hands. And of course it's important to her, she spent so long alone that the woman doesn't even remember her birth name. That axe (or the idea of that axe) is all she has left of her mother and that family/culture she was born into.

PLUS on that note I love how Andy doesn't remember if her mom was her actual biological mother, but it doesn't matter to her. This woman was her mother in all the ways that counted. And how her mom BETRAYED AND KILLED Andy but Andy loved her so much that she avenged her and carried her axe for thousands of years. THOUSANDS OF YEARS!!!!!!

I also loved how the story transcends the timeline of the whole franchise and seeing Andy through the years. Loved seeing her with the varying squads and with varying axes. Also baby Andy was so cute. It was cool seeing her so young. like holy fuck. Andromache The Scythian, Immortal Warrior (but smol). Love that.

Also I think this one is one of the few ttt stories that doesn't suffer from length problems.

tldr: goddammit greg you've done it again.

2 Zanzibar and Other Harbors

Zanzibar my beloved. I've said before, but it's downright comedic how little regard there was for Joe and Nicky's character designs in this story. The same person who does the colors for the regular comic did the colors for this one too, and you can tell, every panel of this story was Beautiful.

Ik there was A Lot of criticism of this one (lmao @ how the fandom had no idea what was to come) but I thought a lot of The Discourse was a bit dramatic. I did think Nicky came off as a little oblivious to Joe's feelings in this story, but I've said before, I honestly think that was a 'tone not translating' thing. It felt like Nicky was nagging Joe for [checks notes] saving innocent people, but Joe was so amused by Nicky's complaints I really do think it was supposed to come off as teasing.

Plus I know the 'Joe running off into danger and Nicky reluctantly following' dynamic wasn't popular (I'm a pretty meh on it meself) but I did love how Joe's impulsiveness (if you want to call it that) was interpreted as heroism and not hot-hotheadedness. All of the examples Nicky and Joe talked about included Joe explicitly saving people. (and it also took A Lot for the nazi to actually provoke Joe).

I also feel like their characterization here was closest to the movie canon-- the bit where they hear the woman scream and Joe goes running in to save her while Nicky swoops in on Joe's heels to comfort her while Joe and the nazi were fighting reminds me of the train car scene. Joe had suggested First that they go find Nile because she needed to be protected, and Nicky later added that Nile probably also needed emotional support. Similar reactions.

But it was So Good, the themes of queer community and the enduring nature of queer culture are Not themes you see in media that often and it was such a delight how it was done. Also it's one of the few more modern TTT stories that has a completely valid excuse for taking place when it did. Chef's kiss.

3 Passchendaele

I love the Duality between seeing baby Andy and then seeing Mama Andy in the very next issue. This story doesn't have a ton of meat to it, but the entire concept of Andy adopting a war orphan straight off the battlefield PLUCKS MY TENDER LITTLE HEARTSTRINGS, and I think it's especially poignant for comic!Andy. I think most people wouldn't think twice about movie!Andy doing something like that but comic Andy is so hardened and almost cruel sometimes, and seeing that even for her the world hasn't beaten all of the compassion from her yet is SO!!!!!!! this woman contains MULTITUDES okay, she's violent and angry and tired and Done but she's also so kind and compassionate and THE STRENGTH OF HER!!!!! Also the idea of her and Yitzhak co-raising a kid together is so damn cute. It was #mysterious pre-Yitzhak-story but now it's cute. holy fuck. It's cute.

& the headbonk panel of her and Zeus lives in my heart. anyways.

4 Many Happy Returns

I Know people weren't thrilled about Booker being in this one, but I've developed a pet-peeve about that: this story was *not* booker-centric. Booker only exists in this story to the extent required to explain the importance of the gesture Nile makes towards him. If there was a story about Booker making some grand gesture of kindness to Nile no one would be saying it was Nile-centric. bc it wouldn't be! Booker exists in this story to explore Nile's kindness, its not about him. I saw that a couple times and it bothered me. anyways.

AAAAAAAAAA I loved this one, the art was beautiful, I loved how Andy Nile and Booker were drawn (like their comic selves but.. more looking like actual people). I loved Andy and Nile's Bants, how Andy wanted to jump right in and Do Violence but Nile was basically telling her to hold her horses.

I feel like I'm just repeating the post I made on this story a few days ago, but I LOVED how Nile's plan revolves not around violence or Cool Mercenary Skills but on Nile's own life skills (as she canonly did a lot of minimum wage job-hopping before the marines in comics canon). Her plan used her skills, not the skills of an immortal warrior, and HER SKILLS were in fact more useful for the situation! lov to see Nile's resourcefulness and planning skills.

AND HOW NILE WAS PROBABLY WATCHING BOOKER??? it's so Much bc 1.) nile knew booker A SINGLE DAY and yet he made such an impression on her emotionally that she had to keep an eye on him and 2.) she said in the movie she wanted Booker to get off free with an apology. Yes she's a member of the team but that doesn't mean she's necessarily going to follow orders like a good little soldier. I also love how she convinced Andy to go along with it. her HEART, her KINDNESS, her THOUGHTFULNESS, UGH.

5 The Bear

Honestly I have like no negative things to say about this one other than a.) character design issues which is less about the story itself and is more of a 'tog comic in general' criticism and b.) too short, but it was supposed to be a tease, so.

But I loved Yitzhak, I wasn't expecting to really like him at all but like I said in my other post, he tickled me. I love characters who are Kind™, especially if they have little reason to be so given their backgrounds. Chef's kiss. Lov him.

6 Bonsai Shokunin

I know this one was a little controversial bc of the outsider POV but whenever I see people upset about that they never point out that the Outsider Guy (the samurai) existed as a reflection on Noriko. His ideas are explained in the text to develop hers. The whole story follows how she gave mercy to a scared young man and in response he murdered Noriko, repeatedly! Who gave him the right to inflict such pain and suffering on the world? In his opinion, the lack of response from the gods was his permission. And for Noriko-- over and over again she dies and suffers because she gave mercy, which lines up with her ideas in FM about how it's their fate to rule mortals and if they don't align with that plan/fate/whatever then they suffer. It shows some background to those ideas and how they developed in her mind outside of Ocean Madness™. Additionally, his idea of 'the Gods have done nothing to strike me down so it's fine if I do these things' kind of explains how Noriko may justify her own morally corrupt actions-- she's died so many times and it's never stuck. Maybe if she did die any of those times, or while she was in the water, maybe that would've been a sign she was doing something right, or at least doing something normal. But she hasn't died. Fate isn't done with Noriko yet. And maybe there's a reason for that. In her mind, it's just not a very pleasant reason, is all.

There were things I was kind of meh about tho. I did kind of wish we saw something of Noriko and the team, or smth explaining the way she was before her dip in the pool-- personality, likes dislikes, etc. but it wasn't bad or anything. It was super vague tho, I had to read it a few times before I got what it was going for. Liked the art. Liked the bonsai metaphor. And of course I Respect the decision to use the 1300s (1200s? I don't remember off the top of my head) rather than using the last 200 years.

7 Strong Medicine

Honestly looking back, this one made me kind of sad because both this one and Bonsai Shokunin explored character's ideas on Fate and The Divine and how that intersects with immortality and I totally thought that theme would be continued, especially with Love Letters. But Then It Wasn't™.

Admittedly.... I had to re-read this one to remember most of it. I liked Booker's ideas on God, 'The conductor of the symphony just may not be very good at his trade' but the plot itself was kind of forgettable. Some fuckin cowboys try to kill a doctor (their second) because he couldn't save their sickly brother. Book tries to stop them, gets killed, and then comes back and kills them all before they get the doctor. Alright. I liked the artstyle because the characters were ugly in a similar way that leandro's are, but way more bearable.

I love the Irony of Booker concluding that there is no such thing as fate or destiny and nothing has meaning, AS HE UNKNOWINGLY SAVES MERRICK'S GRANDFATHER FROM BEING KILLED. Booker getting fucked over by life/god/destiny yet again. It also kind of explains about where the fuck hell Merrick's interest in immortal mercenaries even came from.

I originally had this one a lot higher and then I thought about it and moved it down like two spots.

8 Never Gets Old

I liked seeing Booker interact with his kid. And we got a name for the kid! Philippe was a little bitch though, he was a little obnoxious. I liked how Booker was so thrilled to experience a restaurant with his kid (and since we know he was there before, it can be assumed he went with all of his kids and yet he was so charmed each time). It fits with his line to Nicky in the moon landing story about how you don't appreciate beautiful things 'unless you have someone to share them with'. It was charming to see Booker interact with his kid, and to see him so happy. Also lmao @ Booker's big fat Ye Olde Crush on Andy.

However at the same time it was like.. of all the things to write about,,, I guess? Booker's Night Out...... alright. Especially since Book had so many stories.

I don't know, it was alright. The old man killing him really came out of nowhere, (but the 'Salut, asshole!' panel was funny tho).

9 How To Make a Ghost Town

I've hit a point where talking about these stories has gotten less fun. I liked this one but I felt like Achilles getting lynched was not really necessary for a story that was already tragic (a story that already involved Achilles doing a lot of suffering at the hand of bigots). When we first got the blurb for this story I thought it would be about Andy returning to the squad and making friends with Booker after losing Achilles and them butting heads on the idea of family and when to cut off ties. So a little bit of my underwhelmedness about this one might be just my expectations being different.

Honestly I was pretty interested in Andy and Achilles' relationship and I would've liked to see more of them-- like, what was their dynamic like? What did they love about each other?

But anyways Andy leaving and Achilles getting killed anyways feels so pointlessly tragic (which I suppose is the point..... I don't like tragedies) she left to save him and yet people killed him anyway. Meh.

I did love the bits about Andy wanting to have a domestic life (Andy and her multitudes again) and the little detail about how she buried her axe near the road but he buried his guns under his bed-- he was an escaped slave, he never had the luxury of assuredness like Andy did. It was a sad story.

10 Lacus Solitudinis

'You put this one above love letters crim??? how could you???' easy, lmao.

There was stuff in this one I liked. But to talk about stuff I didn't like: (I'll keep it brief, I know ragging on this story has been done time and time again)

UH, setting aside the 6 year cold shoulder between Joe and Nicky, I thought their chosen method of conflict resolution was... bad at best. Nicky's inability to talk about his feelings was also annoying, especially since the entire point of this story is a fight Joe and Nicky had, and yet we don't get both sides to the story, which is...... important? That fact is especially annoying bc in the absence of Nicky explaining his side of the story, it's absolutely a possible (and admittedly probably unintentional) interpretation of the text that we do get that Joe routinely resolves conflict between him and Nicky by simply cutting Nicky out of his life entirely until Nicky just. caves? Even if it takes years?

WHICH i could get into that interpretation and how fucked up i find it. but im not going to. out of restraint.

I don't know, I think there are a lot of interesting ways to go about this conflict but 'Nicky wants to kill a guy and Joe refuses to acknowledge his existence until he stops because he thinks Nicky is too much of a Good Boy to get his hands dirty like that' ('I wont watch as the world turns his (...) compassion into something ugly'. ) wasn't.. how I would've done it. (I mean you know Joe doesn't give a shit about what Nicky is doing in a moral way, because Joe doesn't even care or mention that Booker is killing those cops too. Joe only cares because he doesn't like the idea of Nicky changing in a way he finds undesirable.)

admittedly I've said before, I do like the emphasis Joe's reaction puts on Nicky's kindness. Joe has a complete inability to cope with Nicky simply Not Being Kind. It speaks to the steadiness of Nicky's compassion all those years. but still that fact doesn't make it the conflict feel worth it

hm. I said I would be brief and I wasn't.

oh well. basically I thought there was interesting conflict potential there but it wasn't done the way I would've liked, and the way it was done leaves a lot of disturbing (and again probably unintended) interpretations to lie.

What I did like? Andy and Joe having that pessimist/optimist dynamic. Joe nerding out about science. Andy not being impressed by The Achievements Of Man. I loved Booker needling at Nicky about his outdated slang and also trying to give him Older Brother advice practically in the same breath. I loved Booker giving The Worst relationship advice ever and Nicky being like 'I Will Not Do That, Ever, Thanks.' the family vibes were so good. The Joenicky vibes left a lot to be desired tho.

11 Love Letters

I talked about my problems with Nicky in this story (and Lacus Solitudinis). I don't know, the story isn't bad but I do hold a little bit of a grudge towards it because its very existence begs the existence of a solo Joe story and we didn't get one. If we never got this story, then we could happily count Lacus Solitudinis and Zanzibar as The Joenicky Stories™ and move on with our lives. sigh.

I remember when we first got the blurb for this story I was really curious about why Nicky specifically + the setting, and the answer kind of feels like 'the author had an idea for a story like this and saw ttt as a good enough place to utilize that idea'. Plus I was really underwhelmed by the Romantic Sentiment in the letter. If you look at it line-by-line, the majority of the letter is actually Nicky talking about how lonely and disturbed he is, rather than actual,, yknow,,, Romantic Sentiment. I mean, compare the van speech and this letter and this letter is just kind of meh in comparison. I liked nicky calling joe wise! and I liked the brief sun/moon metaphor! and otherwise it was eh. It didn't even have cute squad banter, which is why Lacus Solitudinis is above this one.

12 An Old Soul

Nun orgy. Nun orgy?????? Nun orgy.......

The whole story felt like a setup to have a nun orgy. Why did Booker have abs? Why did they do that to Andy's nose? ?????? the art was good at least.

nun orgy.

#tales through time spoilers #obviously #long post #seriously dont open that read more unless youre committed to scrolling past all these Words

32 notes · View notes

house-of-galathynius · 3 years

Text

Only You ~ Rowaelin

A Rowaelin fanfic, set if Aelin’s parents had lived and she had met Rowan under normal circumstances, if Erawan and Maeve weren’t threats. Hope you enjoy!

@jesstargaryenqueen @sailorsassley @sjmships @tomtenadia @endlessdaydream @aflickeringsoul @tillyrubes10 @fredweasleyhasadhd @rowaelin-cressworth @cookiemonsterwholovesbooks @rowaelinismyotp @rosegoldannie @maryberry @viajandosinalas @becarefuloflove @allthebooksunderthemoon @sheharahu @swankii-art-teacher @superspiritfestival

Chapter Fourteen ~ Secrets

Chapter Thirteen ~ Chapter Fifteen

The snow came soon enough. It covered everything in it’s white blanket and brought a bitter chill to the air. Aelin had lived through twenty-one of these winters, but every time the weather turned, taking the last remnants of autumn with it, she found herself mourning the loss.

She surveyed the snow covered courtyard from her window, watching as the staff in charge of the garden swept the snow from the paths, small mounds of it building to the side. She could remember the times her and Aedion would push each other into them, making forts and snowmen from the massive mounds and when spring would begin to emerge those forts would be the last thing to disappear.

“I can’t remember the last time I saw a winter like this.” Rowan had snuck up behind her, his arms coming around her in a loving embrace. “I suppose I will have to get used to them if I’ll be living here.”

Aelin huffed. “If it was my choice I’d spend my winters somewhere hot and sunny. The cold is horrid.” She rested her hands on Rowan’s, snuggling closer. “I know you said Doranelle never felt quite like home… but do you think you’ll miss it?”

He seemed to think a moment. “No. I don’t think I will.”

A knock at the door had them breaking apart.

“Aelin? Are you in there?”

Lysandra’s voice was shaky on the other side of the door. Aelin looked to Rowan who had also noticed the slight tremor in her voice.

Aelin strode to the door and opened it to find a teary Lysandra, her face red and blotchy. She was clutching a handkerchief and sniffling as she looked at Aelin.

“Can I come in?”

“Of course, Lys.” She beckoned her in, leading her to the bed, Rowan exiting the room as she did.

“I need your help.” She let out a small hiccup and fell back onto the pillows. She wiped her nose and sniffed, closing her eyes and taking in a deep breath.

“You’re starting to scare me.” Aelin crawled beside Lysandra, crossing her legs and watching as Lysandra held back the tears. “What is it?”

Lysandra hesitated for a moment, wiping more tears from her face.

“I’m pregnant.”

Aelin tried not to let her shock show as she struggled to find words. Despite Terrasen being one of the more forward-thinking territories in Erilea… unwed mothers were still a taboo and Aelin hated to think it, but with Lysandra being so close to the royal family… it would make the situation more difficult. Not to mention how Aedion would react— assuming it was in fact his, Aelin hated to even think those thoughts.

“I wanted to tell you sooner… but I had hoped it wasn’t true.” Lysandra brought the handkerchief to her nose once more. “The healers confirmed this morning.”

“I don’t… have you told Aedion?”

Another sniffle. “I don’t know how.” She sat up, turning to sit knee to knee with Aelin. “I’m terrified because once he knows we have to tell everyone else, and then there is going to be a huge debate on how it’s dealt with, and I just—“ Aelin leant over and held Lysandra and began stroking her hair as she cried.

“We’ll figure it out Lys. Whatever happens.”

“I’m so scared.”

Aelin held her tighter. “I know. But you’re a member of this family and you’ll have all our support.” She let go and faced Lysandra. “Do you want me to be there when you tell him?”

Lysandra hesitated and then nodded.

“Today?”

Another nod.

“Okay. Stay here whilst I organise a couple of things. I’ll be back in ten minutes.”

Aelin hopped off the bed, tucking Lysandra in. She threw on the nearest dress and combed through her knotty hair before heading down the breakfast room.

When she entered the room her family were already sat there. She could see the snow clouds rolling in through the windows, small flakes already floating down. Her father greeted her as she came to stand at the head of the table. Aedion was flicking through some papers, uninterested in her arrival.

“I’m not going to be able to meet with the planners today. Lysandra isn’t feeling well, so I’m going to look after her.”

Orlon paused his sipping. “We have healers, Aelin. There’s no reason to abandon your duties.”

“She doesn’t need the healers. It’s more of a woman thing.” She had used this card too many times to count— trying to get out of royal duties and snag a few extra hours in bed.

Her mother gave her a knowing look.

“I promise I will put in extra hours tomorrow to make up for it.”

Orlon didn’t look convinced, but nodded anyway and went back to sipping his tea. Aedion had not looked up once from his papers, completely unaware of the shitstorm that was coming his way.

Rowan on the other hand was giving Aelin a curious look.

Is everything okay?

She gave a subtle nod. Lysandra just needs me.

Did I scent what I think I did?

Shit. She had forgotten about the fae sense of smell. The castle was still crawling with other Whitethorns, not to mention Aedion who had been gifted the fae abilities too, if any of them got close enough to scent Lysandra…

“Aedion?”

He finally looked up.

“Can you come up when you’ve finished? Lysandra wants to see you.”

“Why?”

She rolled her eyes. “Does she need a reason? She just asked me to get you.”

“I’ll be up soon.”

She stole a couple of pastries and walked back up to her room. She found Lysandra in the same spot she had left her in, her body curled into a ball, the sheets tightly pulled over her.

“I asked Aedion to come up when he was done.” Aelin stroked her hair, placing the stolen pastries on the side table. “Do you want anything?”

Lysandra shook her head.

Aelin left her and went to sit on the sofa instead. She used her flame to light the fire, filling the room with a comforting warmth. Neither of them said anything, Aelin picking up discarded papers from the day before, trying and failing to read what was on them. The words blurring into each other the more she tried to focus.

Trying to keep a pregnancy hidden in a palace full of humans was hard enough, but in a palace full of fae… it was going to be impossible. Aelin glanced to Lysandra who was still hidden beneath the covers. She knew what her parents would want, and she knew what Orlon would say needed to happen. But Lysandra was a free spirit, and the options she would be given in order to remain in the palace would not be desirable to her.

She nibbled on the stolen pastry, barely tasting it as she swallowed it down. She should’ve told Aedion it was urgent and dragged him up with her, waiting for him was unbearable. Aelin picked up and immediately put back down the book she had been meaning to read. Her mind too worked up to focus on anything other than Lysandra. She stood up, going to the window and watching the snow fall, heavier than it had been earlier. The paths that had been swept clear only thirty minutes ago, were now covered with a white blanket. From her window she could almost see the city beyond, then the mountains in the distance which were layered with clouds.

Aelin tore her gaze from the outside and back to Lysandra, who was know sat up and stating right back at her.

“Your fidgeting is making me nervous.” Lysandra patted the spot beside her. “I’m sure I’ll be fine, stop worrying so much.”

She huffed. “You’re one to talk — coming in here crying and then hiding under the covers. Of course I’m going to be worried Lys.”

“I just found out I’m pregnant, I’m pretty sure my reaction is normal.” She brushed her hair to the side. “I’m pretty sure if you found out you were pregnant right now you would react a similar way.”

“My situation is slightly different.”

“But it wasn’t a year ago.”

Aelin felt the words like a punch to the stomach. “Was that necessary to bring up?”

“I’m sorry. I didn’t mean to say that.” Lysandra sighed and laid her head back on the pillows. “I’m just scared and I’m acting out. I didn’t mean it, Aelin.”

“I don’t want anyone else knowing what happened last year, okay? With so many Fae in the palace, anyone could hear.”

“You mean Rowan could hear?”

She shrugged. “Any of them. If just one of them found out, there’s no doubt in my mind they would tell Rowan.” Aelin went to the door and peaked into the hallway, breathing a sigh of relief when no one was to be seen. “I’ll tell him eventually, I’m sure.” She pressed the door closed quietly and went back to the chair.

“What do you think Aedion will do?”

“I think he loves you and he’ll support you in any way he can.”

Lysandra thought for a moment. “I don’t want people to know, Aelin. I can’t deal with the stares and the whispers. People already think less of me because I don’t come from noble blood… I don’t think I can deal with the looks that I’ll get.”

Aelin’s heart squeezed. Lysandra was right. She had always been looked down upon from the other nobles in the palace, and in Orynth in general. People were cruel and this would fuel their dislike for her even more— especially since Aedion was seen as one of the most sought after males in the city.

There was a knock on the door and Aedion strode through, assessing the two of them as he did.

“I don’t have long, I’ve got a meeting with Lord Allsbrook in ten minutes.” He took another look at Lysandra who had paled in the face and looked like she could pass out any second. “Is everything okay? You look like you’re about to be sick.”

Lysandra jumped from the bed and half ran to the bathroom. Aelin tried not to wince at the sounds of her vomiting. Aedion started towards the bathroom, but Aelin stood to stop him. “Leave her for a moment.”

“What is going on? Should I get a healer? If she’s sick she should be getting help.” He moved around Aelin’s hand. Aelin slipped in front of him, her hands going to his chest, pushing him back towards the chair. He narrowed his eyes at Aelin. “You said it was a woman thing, but that does not sound—“

“For the love of God, please would you just do as I say.” Aedion backed off slightly, his brows furrowing as another bout of vomiting could be heard.

“If she’s not sick then why is she—“ Realisation dawned on his face as he put two and two together. He stepped back and slumped into the chair, his eyes glossing over. “Gods almighty.”

“Aedion, please don’t freak out yet. Lysandra needs you, and if you’re freaking out it won’t help anyone.”

The sounds of shuffling came from behind and Lysandra chose that moment to emerge from the bathroom. One hand rested on her still flat stomach, her gaze on Aedion. He didn’t move as she made her way towards him, eventually coming to crouch in front of him, her hands gripping his own.

“I found out this morning. I had suspected for a couple of weeks… but the healers confirmed it.”

“I thought you were taking a tonic? I mean… this is not possible.” He shook his head. “The healers told you it was effective, that the chances of conceiving whilst taking it were low.”

“Low, but not impossible.”

Aedion turned to Aelin. “And you knew about this? For how long?”

“I found out this morning. I haven’t known much longer than you.” She put her hands up in defence.

Lysandra stood from her crouch and went to the bed again, her hands immediately going back to her stomach as she sat. “I don’t want anyone to know yet. Not until we figured out the next moves.”

Aedion shook his head. “You’ll never be able to keep it a secret here.” He stood too, starting to pace. “We could go to the cabin in the mountains, or go to the summer palace.”

Aelin shook her head. “The cabin is too far and too isolated. If she needs healers it will take too long for them to reach her, and the summer palace is impossible to reach during the winter.”

Aedion groaned. “So we find an apartment in the city and stay there. The healers can get there easily and its safe.”

“What are you going to tell everyone, Aedion? You can’t just leave the palace for nine months without a valid explanation.” Lysandra’s voice cracked as she spoke.

Aedion went to her side, his arm snaking around her waist as he pulled her in closer, Lysandra’s head resting on his shoulder. He placed a kiss on the top of her head before he looked to Aelin. “I’m not leaving her alone. What if something happens?”

Aelin hated the thought of Lysandra being alone too. But it would be too suspicious if Aedion suddenly left the palace, and she couldn’t even begin to think of the complexities of trying to find an apartment in the city without someone catching on.

They all looked to the door as someone knocked. Aedion went white as he started to panic. Lysandra quickly crawled back under the covers, hiding her non-existent bump.

Aelin got up and opened it, the tension in her shoulders easing when it was just Rowan. She ushered him in and Aelin saw Aedion and Lysandra relax.

The four of them remained in silence until Rowan cleared his throat and started to speak.

“Should I be congratulating you?”

Aedion glared at Aelin. “You told him?”

“I am a full-blooded Fae male. I scented it on her when she came here this morning.”

Lysandra groaned into the pillow. “If Rowan already knows, then how many others do you think can scent it on me? I can’t stay here!”

“Could you and Rowan not say you want somewhere private to stay? Then Lysandra could stay there and if we visited it wouldn’t be as suspicious.”

Aelin tried to hide the blush that crept up her cheeks as thought of it. She cleared her throat. “It would never be approved, Aedion. You know we couldn’t do that before a mating or wedding ceremony. The Lords would go crazy if they knew Rowan and I were living away from the palace alone.”

They fell into silence again as they all thought. The only sounds came from the crackling fire and howls of the wind from outside.

“What about asking Sam?”

Aelin’s head shot up to stare at Rowan.

“That’s out of the question. He won’t speak to me.”

“Lysandra is still friends with him. I’m sure if you explained the situation, he would let her stay. It would be perfect. It’s somewhere close by, she wouldn’t be alone and it would give us good excuses to go into the city to see her.”

Aelin couldn’t believe what she was hearing. “Except no one would believe me if I said I was going to visit Sam. My parents know everything, they would know something is up.”

“Then we tell your parents about Lysandra. Then the four of us and your parents will be the only ones to know. And Sam.”

“The last time I saw him he told me I was dead to him.” Rowan brushed his hand against her own. A silent gesture of love between the two of them. “It would be better if it came from you Aedion.”

Aedion froze a moment. “I don’t think Sam will want to see me either. I may have paid him a visit after everything happened.”

“Aedion.” Lysandra swatted his head. “You idiot.”

“I didn’t realise we would need his help. I’m sorry for defending my cousin.”

Aelin shushed him and hesitated slightly before speaking, her hand rubbing her forehead. “I’ll go. If he knows it’s for Lysandra maybe he’ll feel more inclined to help.” She turned to Rowan. “You don’t mind?”

“Of course not.”

“I guess it’s settled then. I’ll go into the city and try and see him today.”

Aedion gave her a smile and helped Lysandra out of the bed. “We’ll go and get her things together.”

Aelin nodded.

She remained in the same spot, picking bits of lint from her dress; unsure of what to say to Rowan. She felt the need to explain herself to him, but there was nothing to explain. Rowan knew most of the history between Sam and herself, and maybe that was it. He didn’t know all the history, and after Lysandra’s comment this morning… well maybe she did owe an explanation before they left.

“You don’t need to say anything, Aelin. I trust you.”

“I know. But Lysandra said something to me earlier and now I feel the need to tell you because you’re my mate and I don’t want secrets between us.” She couldn’t look at him as she continued. “Last year during autumn I found out I was pregnant.”

Rowan sucked in a breath. Her chest tightened as his eyes met her own. “I assume it was Sam’s?”

Aelin nodded. “I didn’t tell anyone other than Lysandra and Aedion. I had planned on telling my parents when I began to show… and then I guess I would have either renounced my claim on the throne or Sam would have been given some fake title and we would get married.”

Rowan sat on the small couch, his hands clasped in front of him. “You didn’t tell Sam?”

She shook her head. “I was terrified of what he would do or say and then I got more scared of what other people would think and I just felt stupid that I had put myself in that position.” Aelin tipped her head back and leant it on the back of the chair. “It had been about a week since I had found out, and I was preparing myself on what to say to Sam, when I woke in the night and found a pool of blood on my sheets and I knew what had happened.” She wiped away tears. “The worst part was that I felt relieved. And maybe that makes me an awful person, but when I saw the blood… I really didn’t feel anything other than relief.” She sniffed, remembering the night it had happened, the wetness of her nightgown and the sheets around her, the momentary panic and then the weight lifting from her shoulders when she realised what had happened. She hadn’t hesitated before cleaning herself up and burning the sheets and replacing them herself before someone asked questions. She hadn’t shed a tear the entire time, not even when she told Lysandra who sat there and cried enough for the both of them. Perhaps she was an awful person, but even now, she still feels relief when she thinks back.

Rowan interrupted her thoughts. “You’re not an awful person.” Rowan still hadn’t looked at her, his gaze focused on the fire. “But you’ve never told Sam?”

“I didn’t know how. He already had these grand ideas of us running away together and starting new lives away from Orynth, if I had told him I was expecting his child he would have got carried away and I— I don’t know. I just didn’t want that.”

“You’re not an awful person for feeling relief. But if it was me… I would want to know. Sam deserved to know, Aelin.”

Her voice wobbled. “I know he did.”

Rowan shifted in his seat, finally meeting her eyes. “I will never question your past because I did not know you then, and you knew what was best for you at that time. But please, Aelin, as your mate, don’t keep me in the dark.” He came to kneel in front of her, taking her hands in his. “I love you unconditionally and I will support you through everything. But never be afraid of sharing things with me. Whatever is thrown at us we will manage together, as a pair. There will never be a burden too heavy that I can’t help you carry, okay?”

Aelin could only nod as she brought her mouth to Rowans, holding his face in her hands as she poured her love into the kiss, hoping that Rowan would know what she was trying say. Rowan pulled away and pressed his forehead to hers.

“I love you, Aelin. No matter what happens.”

“I love you. Thank you for being patient with me, I know I’m a handful and come with a lot of baggage for someone so young.” Aelin let out a laugh.

Rowan grinned in response. “I don’t care about the baggage, Aelin. We all have it, it’s just part of life.” He kissed her forehead once then pulled her up out of the chair. “Let’s go do this before you overthink it all.”

She laughed and swatted his arm, the two of them heading for the door.

88 notes · View notes

killianmesmalls · 3 years

Note

On your comments about Jack: ye-es, in the sense that Jack is a character who definitely deserved better than he was treated by the characters. The way Dean especially treats him reflects very badly on Dean, no question. But, speaking as a viewer, I think the perspective needs to shift a little bit.

To me, Jack is Dawn from Buffy, or Scrappy Doo. He’s an (in my opinion) irritating kid who is introduced out of nowhere to be both super vulnerable and super OP, and the jeopardy is centered around him in a way that has nothing to do with his actual character or relationships. He’s mostly around to be cute and to solve or create problems — he never has any firm character arcs or goals of his own, nor any deeper purpose in the meta narrative. In this way, he’s a miss for SPN, which focuses heavily on conflicts as metaphors for real life.

Mary fits so much better in that framework, and introducing her as a developed, flawed person works really well with the narrative. It is easy for us to care about Mary, both as the dead perfect mother on the pedestal and as the flawed, human woman who could not live up to her sons’ expectations. That connection is built into the core of SPN, and was developed over years, even before she was a character. When she was added, she was given depth and nuance organically, and treated as a flawed, complex character rather than as a plot device or a contrivance. She was given a voice and independence, and became a powerful metaphor for developing new understandings of our parents in adulthood, as well as an interesting and well-rounded character. You care that she’s dead, not just because Sam and Dean are sad, but for the loss of her development and the potential she offered. So, in that sense, I think a lot of people were frustrated that she died essentially fridged for a second time, and especially in service of the arc of a weaker character.

And like, you’re right, no one can figure out if Jack is a toddler or a teenager. He’s both and he’s neither, because he’s never anything consistently and his character arc is always “whatever the plot needs it to be.” Every episode is different. Is he Dean’s sunny opportunity to be a parent and make up for his dad’s shitty parenting? Yes! Is he also Dean’s worst failure and a reminder that he has done many horrible things, including to “innocent” children? Yes! Is he Cas’s child? Yes! Is he Dean’s child? Yes! But also, no! Is he Sam’s child? Yes! Is he a lonely teenager who does terrible things? Yes! Is he a totally innocent little lamb who doesn’t get why what he is doing is wrong? Yes! Is he the most powerful being in the universe? Yes! Does he need everyone to take care of him? Yes! Is he just along for the ride? Yes! Is he responsible for his actions? Kinda??? Sometimes??? What is he???

Mary as a character is narratively cohesive and fleshed-out. Jack is a mishmash of confusing whatever’s that all add up to a frustrating plot device with no consistent traits to latch on to. Everything that fans like about him (cute outfits, gender play, well-developed parental bonds with the characters) is fanon. So, yes, the narrative prioritizes Mary. Many fans prioritize Mary, at least enough that Dean’s most heinous acts barely register. To the narrative (not to Cas, which is a totally different situation), Jack is only barely more of a character than Emma Winchester, who Sam killed without uproar seasons earlier. He’s been around longer, but he’s equally not really real.

I debated on responding to this because, to tell the truth, I think we fundamentally disagree on a number of subjects and, as they say, true insanity is arguing with anyone on the internet. However, you spent a lot of time on the above and I feel it's only fair to say my thoughts, even if I don't believe it will sway you any more than what you said changed my opinions.

I'm assuming this was in response to this post regarding how Jack's accidental killing of Mary was treated so severely by the brothers, particularly Dean, because it was Mary and, had it been a random character like the security guard in 13x06, it would have been treated far differently. However, then the argument becomes less about the reaction of the Winchester brothers to this incident and more the value of Jack or Mary to the audience.

I believe we need to first admit that both characters are inherently archetypes—Mary as the Madonna character initially then, later, as a metaphor for how imperfect and truly human our parents are compared to the idol we have as children, and Jack as the overpowered child who is a Jesus allegory by the end. Both have a function within the story to serve the Winchester brothers, through whose lens and with whose biases we are meant to view the show's events. We also need to admit that the writers didn't think more than a season ahead for either character, especially since it wasn't initially supposed to be Mary that came back at the end of season 11 but John, and they only wrote enough for Jack in season 13 to gauge whether or not the audience would want him to continue on or if he needed to be killed off by the end of the season. Now, I know we curate our own experiences online which leads to us being in our own fandom echo chambers, however it is important to note that the character was immediately successful enough with the general audience that, after his first episode or two, he was basically guaranteed a longer future on the show.

I have to admit, I’m not entirely sure why the perspective of how his character is processed by some audience members versus others has any bearing on the argument that he deserved to be treated better overall by the other characters especially when taking their own previous actions in mind. I’m not going to tell you that your opinion is wrong regarding your feelings for Jack. It’s your opinion and you’re entitled to it, it harms no one to have it and express it. My feelings on Jack are clearly very different from your own, but this is really just two different people who processed a fictional person in different ways. I personally believe he has a purpose in the Winchesters’ story, including Castiel’s, as he reflects certain aspects of all of them, gives them a way to explore their own histories through a different perspective, and changes the overall dynamic of Team Free Will from “soldiers in arms” to a family (Misha’s words). In the beginning he allows Sam to work through his past as the “freak” and powerful, dangerous boy wonder destined to bring hell on earth. With Dean, his presence lets Dean work through his issues with John and asks whether he will let history repeat itself or if he’ll work to break the cycle. Regarding Cas, in my opinion he helps the angel reach his “final form” of a father, member of a family, lover and protector of humanity, rebellious son, and the true show of free will.

From strictly the story, he has several arcs that work within themes explored in Supernatural, such as the argument of nature versus nurture, the question of what we’re willing to give up in order to protect something or someone else and how ends justify the means, and the struggle between feeling helpless and powerless versus the corruptive nature of having too much power and the dangerous lack of a moral compass. His goals are mentioned and on display throughout his stint on the show, ones that are truly relatable to some viewers: the strong desire to belong—the need for family and what you’ll do to find and keep it.

With Mary, we first need to establish whether the two versions of her were a writing flaw due to the constant change in who was dictating her story and her relationship to the boys, which goes against the idea that her characterization was cohesive and fleshed-out but, rather, put together when needed for convenience, or if they both exist because, as stated above, we are seeing the show primarily through the biased lens of the Winchester brothers and come to face facts about the true Mary as they do. Like I said in my previous post, I don’t dislike Mary and I don’t blame her for her death (either one). However, I do have a hard time seeing her as a more nuanced, fleshed-out character than Jack. True, a lot of her problems are more adult in nature considering she has to struggle with losing her sons’ formative years and meeting them as whole adults she knows almost nothing about, all because of a choice she made before they were born.

However, her personal struggles being more “mature” in nature (as they center primarily on parental battles) doesn’t necessarily mean her story has layers and Jack’s does not. They are entirely different but sometimes interconnected in a way that adds to both of their arcs, like Mary taking Jack on as an adoptive son which gives her the moments of parenting she lost with Sam and Dean, and Jack having Mary as a parental figure who understands and supports him gives him that sense of belonging he had just been struggling with to the point of running away while he is also given the chance to show “even monsters can do good”.

I’d also argue that Jack being many ages at once isn’t poor writing so much as a metaphor for how, even if you’re forced to grow up fast, that doesn’t mean you’re a fully equipped adult. I don’t want to speak for anyone else, but I believe Jack simultaneously taking a lot of responsibility and constantly trying to prove to others he’s useful while having childish moments is relatable to some who were forced to play an adult role at a young age. He proves a number of times that he doesn’t need everyone to take care of him, but he also has limited life experience and, as such, will make some mistakes while he’s also being a valuable member of the group. Jack constantly exists on a fine line in multiple respects. Some may see that as a writing flaw but it is who the character was conceived to be: the balance between nature or nurture, between good and evil, between savior and devil.

Now, I was also frustrated Mary was “fridged” for a second time. It really provided no other purpose than to give the brothers more man pain to further the plot along. However, this can exist while also acknowledging that the way it happened and the subsequent fallout for Jack was also unnecessary and a sign of blatant hypocrisy from Dean, primarily, and Sam.

And, yes, Jack can be different things at once because, I mean, can’t we all? If Mary can be both the perfect mother and the flawed, independent, distant parent, can’t Jack be the sweet kid who helps his father-figures process their own feelings on fatherhood while also being a lost young-adult forcing them to face their failures? Both characters contain multitudes because, I mean, we all do.

I can provide articles or posts on Jack’s characterization and popularity along with Mary’s if needed, but for now I think this is a long enough ramble on my thoughts and feelings. I’m happy to discuss more, my messenger is always open for (polite) discussion. Until then, I’m going to leave it at we maybe agree to disagree.

#long post #long ask #so long answer #guys it's 1 am #i hope this made sense #watch me read this after sleep and register things i wish i said #oh well #jack kline #mary winchester #spn #supernatural #spn critical #supernatural critical #kinda?#eh just in case #spn meta #supernatural meta #jack meta

25 notes · View notes

lightcomingthroughthedarkness · 3 years

Text

So I'm in a weird dating situation and I'm just confused and thought lets ask tumblr, lol.

So over the summer I started dating a guy. The first time we met, things went well but I had a gut feeling something wasn't right but I couldn't for the life of me put my finger on it. It was just a gut feeling, something just felt off.

We kept on dating all summer and we realized almost right away that we are very different people. I'm direct, honest and go all in. Even though I'm an introvert in most cases, I felt like I needed to be upfront with him about my intentions. So much so, that I admit, I was overdoing it a little. He was more chill and wanted us to slow down and just date and see where we'd end up. But if I have a feeling or a thought, I share, in the name of being honest and upfront about my intentions. Not him. He's a thinker and needs time to form his thoughts before speaking. And if he doesn't feel like saying something, he keeps it to himself. So to say the least, our style of communication was veeeery different. I acknowledged this and talked to him about it so we could better understand one another. Again, he helped me chill down a little and just be in the moment so I didn't think it was all bad.

What I noticed almost right away, was that I was always more interested in his life and asked him thousands of questions about his work, his family, his hobbies, his likes and dislikes etc and he thought I asked "too many questions". He felt like I was overdoing it. Meanwhile, he never really had many questions about my life at all. I brought this up so we could communicate and discuss. His answer was that he was interested in me but that his communication style was different. He wasn't used to direct questions but would rather see us talk and discuss and through discussions, learn more about one another. So I tried that by backing down on questions and letting it flow. He tried too, by starting to ask me questions to show his interest (which he later admitted that he had to google "what to ask someone you're dating")

However, I noticed again that not much happened in regards to him learning more about me. He'd freely share information about his family, his work, his life by sending me photos and little funny stories about them/him. It was important to him that I knew that he was beloved by friends, family and co-workers. It was also important to him that I knew that he was capable, respected and valuable. Even though I later found out he was leaving his job due to a disagreement with his co-boss in their shared business.

Since we had agreed on a more "free discussion" style of communication, I didn't wait for him to ask me, I just shared photos and information about my life too. The difference was that I always had some follow up question about his life, I showed interest in his relationships with his family members, I made small comments about things he'd share with me to show him I was listening and that I cared to learn more. He would never do the same for me. He'd acknowledge what I shared with him but had no follow up questions or comments. He even said once that it was too soon for me to share private information because "we aren't there yet" while he had already sent me family photos of his family. Sometimes I felt like my photos/stories about my life were sent out into the void. I couldn't understand how you show interest in someone's life.. by literally having nothing to say?

At the start of us dating he was direct with me that he expected us to have an active sex life because he believes sex is part of dating. I agreed but wanted to wait until I was more comfortable with him. He kept telling me he wasn't interested in a relationship without the sexual part. Finally, I felt more comfortable and told him I was ready after our 3rd or 4th date. But then he started acting weird telling me he thought it was better to wait longer, as I had originally wanted to do. I was so confused and felt rejected. I again was upfront and told him I was ready. So we made plans and met up. Turns out he needed to tell me that he had been suffering from a lot of stress and psychological pressure from a lot of different things in life so it affected his physical health. I was shocked. He had made it suuuper clear that he expected sex.. only to keep such information from me. I was supportive and wanted him to know that I was a safe place for him.

So while all of that made me confused and I did bring it up several times with him, he kept showing up. He would always text me, always tell me good night/good morning with heart emojis, always reach out during the day to catch up, always asked to see me and hang out with me, even when we'd argue he'd never call me names, he'd never yell at me or touch me unless I wanted him to. He just kept showing his interest by showing up. Even though I thought some of our contact lacked depth. But I was willing to let a lot slide.

But since the summer, we've been doing long distance with me planning on visiting next month. So we kept in touch by text mostly. Again, he kept on showing up. Not one day went by without him reaching out to me. In that way, he made his interest clear. He kept using pet names for me and was always very sweet like that.

But still, our communication didn't improve much. We still had a lot of big differences about values and life. Sadly, I never really thought he took my feelings seriously about how sad I was that our communication was lacking. I mean, the guy kept showing up in a lot of ways, even through long distance... but he couldn't ask one question about my life or make me feel like he was truly interested in ME. Instead he thought I was overdoing it, trying to shape life to fit a "rule book" and how I just couldn't live in the moment like him. To me, it felt like he was just ignoring my reasons for wanting to make my intentions clear and that I didn't want to waste my time with someone who didn't share my intentions. He said he did, that he too was dating me with the intention of a future together but that we just differ in our ways to get to that future. Again, I was willing to let it slide that perhaps I wouldn't get ALL my emotional needs met and that I needed to trust the process.

While learning more about each other, he told me how he is a stubborn person and will cut a person out of his life if he believes "the other person doesn't deserve to be in his life". He did this to his best friend after they had a fight. But his friend "clawed" his way back into his life and finally he relented and realised his friend "valued their friendship over a fight". He told me he doesn't trust anyone but "god and myself". He told me if someone likes him, he likes them back. If a woman breaks up with him, he'd stop caring about her in 5 seconds because "why should I care if she doesn't care" and then she'd be dead to him. I learned that he had lost his mother as a child and a part of him doesn't feel whole and his only wish is that he'll see her again in the afterlife. I once asked him if he ever forgive people in his life for making a mistake, he said "never". He said if someone wronged him, he'd wait 50 years if he had to but he'd always "find a way to get even".

He told me about an ex, how she cheated on him when they were teenagers. She came back and wanted to date again, so he went out with her and they ended up having sex.. only for him to throw her out right after they finished because she was a "bitxh for thinking he'd take her back". He basically made her believe they'd fix it, played her for some cheap sex and then kicked her out. He was furious with me when I called him out on that behavior and he said "only god can judge me".

He also told me he had gone to therapy a few years ago but he was very private about why he went. So I told him a little about why I went but still, he didn't share much. He just said "I'm a complex person to understand. I have a lot of love to give but it's your job to find that love". He always felt judged, criticized or offended by me, even though it was never my intention. I could question something he had said or done and he'd get annoyed with me for "judging him all the time" or "always expecting the worst". I asked him how he wanted me to communicate with him so we could minimize situations where he'd feel that way but he didn't have an answer, just that I "talk normally".

All of these stories made me feel weird and I wasn't comfortable with it. Then one day we had an argument about our lack of communication and I was just so fed up, I decided to ignore his good morning text and didn't text him all day but I posted a story on instagram about something completely irrelevant to our relationship (a story with my niece). I needed to think, to understand my own feelings and try and understand what our problem was before reaching out.

Later that day he got annoyed and told me to stop behaving like a child. So I finally reached out and texted him back. I asked him how come he couldn't understand that it hurts my feelings that we can't even seem to TALK to each other without misunderstandings, how he makes fun of me by saying I need a "rule book" to life etc for simply wishing we could be better at communicating. He said he didn't make fun of me and that he didn't believe my reaction was normal since the fight wasn't that big a deal.

What did he do? He broke up with me right then and there. Told me it is unacceptable to him that his partner ignores him/his texts and that he can't handle being ignored. While I agree, I should not have ignored him but rather talked to him about it, I'm only human and was growing so frustrated. I said, lets talk about this, lets talk about triggers and what deal breakers we have so we can better understand each other and not repeat the same mistakes. He said he wasn't interested and that he could "never forgive me for this mistake". He couldn't see himself spending his life with someone who ignores his texts because what if this happens again? No, he was not interested in giving me a chance to explain or for us to learn more about the other. I asked him if maybe there were other reasons for him losing interest (me being so direct, too open, moving too fast, my own issues that I work on every day and acknowledge etc) he said no, it was just that ONE mistake, my not answering one text message.

I told him that I thought his reaction to my not returning ONE message, after a fight, was a bit of an overreaction but he said he couldn't risk it, in case I do this again in the future. He said he refuses "to be made a fool" by me so he is no longer interested to continue dating because I had shown my true colors by not texting him back but still posting on instagram as if I didn't see his text. He said "that was clearly directed at me" even though I explained that I have a life outside of him. I asked him if he still liked me and he said that he did but that it wasn't enough after my mistake.

So I asked him what we are going to do about my visit next month. He said he is willing to see me if that's what I want, to see him, but he's not interested in a relationship any longer. He also said he's willing to still text with me sometimes and that he doesn't want to come across as "the bad guy". So if I want to stay in contact with him we can do that, we can talk and we can meet up too. But nothing else.

Wtf. I am no longer interested in a relationship with him after all this.. but what the actual fuck. Am I crazy here.. or maybe is his "black and white" way of thinking just impossible to deal with in a relationship? I would have accepted and respected his decision 10000 times over if he had said that he no longer likes me and doesn't see a future for us. But breaking up over my not returning ONE TEXT MESSAGE?! 🤷🏻‍♀️

#personal #relationships #🤷🏻‍♀️🤦🏻‍♀️

10 notes · View notes

littleabriel-blog · 3 years

Text

My Problem with Loki

Loki is a character beloved by many people. He has been for a decade now, although some people who read comics before the Marvel Cinematic Universe was a thing were fans of him long before the first Thor came out. Over the years since his appearance in that movie the character has gone through a lot of changes, evolving from a villain to an anti-hero both in the MCU and in the comics, the latter even killing off his original incarnation to reincarnate him in a younger body resembling Tom Hiddleston in the hopes that the comics could capitalize on his popularity in order to sell more books. That move, unfortunately, did not bear fruit, with Loki’s solo series being canceled after only five issues. However, Loki remained popular in the movies, so much so that when he was killed off in Infinity War, people were pissed.

As a result of his enduring popularity, Kevin Feige and company decided to give Loki his own solo series on Disney+ when the decision was made to create a string of MCU tie-in shows to supplement the movies, and boost subscription numbers to Disney’s new streaming service. Fans of the character rejoiced. Finally, our favorite character was going to be in the spotlight, and not be merely a supporting character for Thor and hopefully not a butt monkey for the Avengers like he was in the third act of the movie of the same name. WandaVision and The Falcon and The Winter Soldier had previously had well-received and successful debuts on that same platform, and it was hoped that Loki would do the same. Loki turned out to be the most successful of the Disney+ MCU shows that have come out so far, scoring highest in the ratings. As of this writing, it holds a 93% fresh rating on Rotten Tomatoes and an 8.5 on IMDb.

Those numbers, however, don’t reflect the entire audience and there were a lot of people who were not altogether happy with the product we received. Many people who had been hardcore fans of Loki since Tom Hiddleston first put on the horned helmet were not pleased, myself included.

The show wasn’t all bad. It did set up the multiverse, introduced Kang, introduced Mobius. The special effects were outstanding, a lot of the gags were hilarious, and we did get some character development from Loki before the spotlight fell away from him and he became all about panting after the real main character...more on that in a few.

So many things, however, were wrong.

If you liked the show, thought it was perfect, and were a fan of the romance, that’s perfectly fine. There is no such thing as a wrong opinion on a work of fiction. Everyone has their interpretations, everyone has their likes and dislikes, and there is nothing wrong with liking the show. There is also nothing wrong with not liking the show. This is a concept that people on both sides of the debate fail to understand, and I have witnessed flame wars, harassment from individuals on both sides, harassment of creators on social media from both sides, and various bits of biphobia, homophobia, transphobia, and other assorted types of phobias on display. I have seen people accuse people who have different opinions on the show than them of “not being a true Loki fan” and stating that people who have certain interpretations of the character don’t “truly know Loki”.

I’m not here to do that, and I assure you, if you liked the show, that’s fine. You’re allowed to. I’m allowed to not like it, and I’m allowed to explained why I didn’t like it just as you’re allowed to explain why you did. As long as both of us are being respectful, expressing an opinion is good. There is expressing an opinion and offering constructive criticism, however, and then there is namecalling, trolling, and having a tantrum and accusing someone of being “aggressive” when they don’t share the same opinion you do.

There is a huge difference between saying “I find the character of Sylvie to be problematic, and here is why” and “I think fans of Sylvie are sick and need therapy”, and people need to learn the difference between the two. Unfortunately, you have people who have become very protective of their favorite characters and tend to take any criticism leveled at said characters personally. It’s basically “You don’t like them? Well then you don’t like me, and since you don’t like me, I don’t like you.” Which is, frankly, a dangerous mentality to have. We are talking about fictional characters, not real people, and there is no need to jump to the defense of someone who does not exist. It is those people who tend to demonstrate that they have unstable personalities and immaturity, and they are the ones I have started blocking on Twitter because, being an adult woman, I don’t have the patience to deal with immature nonsense like that.

So, if you read this and then decide you want to hunt me down to give me a piece of your mind, tell me that I’m not a “true” fan of Loki, and accuse me of whatever, don’t bother. This piece isn’t here for that. It’s here because I wanted to compile my thoughts and feelings in a way that would better for me to articulate. It’s more or less a venting mechanism, purely for my benefit. If someone else gets something out of it, fine. If the creators of the show happen to see it, which is very unlikely because A) I’m not exactly going to push it onto them on their social media to get them to read it and B) they already get bombarded with tons of opinions on the show on a daily basis and aren’t going to care about one more voice added to the mix, even one who has basically compiled a novel, then alright.

And it is a novel, because I have a lot to say about Loki. I have been a huge fan of the character since long before Tom Hiddleston began playing him. My first encounter with Marvel’s Loki came in the form of the X-Men comics, specifically The Asgardian Wars run. It’s available in trade, and you should check it out. I read that run when I was around 10 years old, and I enjoyed Loki as the bad guy in the two stories that make up the collection. The first has him creating a special wish fountain that has a monkey’s paw effect in that it imbues mortals with special gifts and powers, and has the potential to make Earth a better place, but at the cost of killing every magical person and being on Earth. The X-Men and Alpha Flight find out about this after a plane piloted by the wife of one of the X-Men happens to crash in the general location the fountain is located. The two teams go to investigate, Shaman and Snowbird who are both magical beings begin dying, it’s discovered Loki created the fountain in order to score brownie points with The Ones Who Sit Above In Shadow (a pantheon of deities who are basically the Gods to the Asgardians), and after a lengthy battle Loki is defeated, he shuts down the fountain under pressure from The Ones, and slinks back to Asgard with tail between his legs.

In the second story, set after the heroes of Earth had helped Asgard defeat Surtur, Loki’s attention is caught by Storm, who at the time was depowered. He kidnaps her and brings her to Asgard intending to use her to replace Thor as the Goddess of the Storm, and use her as a pawn to, what else, conquer Asgard and seize the throne.

I really enjoyed Loki then, and felt sorry that he never appeared in any other X-Men story, not even in an issue of the New Mutants, and that team boasted an actual Valkyrie (Danielle Moonstar) as one of its members. I was a kid at the time and read pretty much exclusively X-Men since those were the books my father purchased for me. I never felt right about asking him for other books since we were a family with money struggles and I didn’t want to be more of a burden by requesting Thor or Avengers comics--that, and I just didn’t find Thor or the Avengers all that interesting at the time, a sentiment shared by a lot of people until the first Iron Man made us actually care about Tony Stark. I wouldn’t have an opportunity to start reading more comics featuring Loki until I was an adult and able to visit comic book stores on my own. I read several runs that featured him as a character, including Ragnarok, the Broxton, OK run where Loki first appeared as a woman, Dark Reign, and finally Siege. I also went back and read Walt Simonson’s legendary run on The Mighty Thor, which I highly recommend.

Suffice it to say, I’ve been a fan of the character for a long time, and in fact when Tom Hiddleston was cast in the role for Thor, I remember thinking that he was too young. But then I figured it was Hollywood, of course they’re going to deage Loki so that he appears closer in age to his adopted brother in contrast to the comics pre-Siege where Loki was often drawn to look like he was as old as Odin and therefore could be Thor’s uncle or even father as opposed to brother.

Over the years I grew to enjoy the MCU’s version of the character, enjoy Tom Hiddleston in the role, and like most other people was greatly saddened by his death in Infinity War. Like other fans, I looked forward to his solo series and had high hopes for it. Hopes that were, unfortunately, dashed.

It Was Rushed

In the MCU, it took Loki years to go from troubled young god, to villain, to ambivalent ally, to anti-hero, to hero. Literally, years. Months had passed between the end of Thor and the beginning of Avengers during which Loki endured who-knows-what at the hands of Thanos. We don’t know exactly what still. The Loki series didn’t answer that, I guess because they didn’t want to devote precious screentime to an interesting backstory for what was supposed to be the main character when they could focus on something else instead. That something else will be elaborated on.

In Episode 1, Loki is still the villain from Avengers, something he would have remained as into The Dark World. It would take him being in Asgard’s prisons for a year and then him accidentally getting his adopted mother Frigga killed in order for him to begin to do a heel-face turn. From this, we can clearly see that a transition from ax-crazy bad guy to anti-hero is not going to happen overnight. For this person I shall call Ragnarok Loki, it was a process that took time. He suffered a complete mental breakdown while in Asgard’s prison, a fragile emotional state that was compounded by the anger and massive guilt he felt at Frigga’s death.

Even after that, he still hadn’t completely abandoned his villainous ways. At the end of The Dark World we find out that after faking his supposed death earlier in the movie, Loki has assumed Odin’s form and taken his place on Asgard’s throne. In Ragnarok, Loki is still sitting on the throne in Odin’s form, and shows no indication at all that he feels any remorse for giving his adopted father amnesia, stripping away his magic, and abandoning him on Earth to whatever fate he might meet. Loki remains a selfish bastard throughout Ragnarok until the third act, after Thor had treated him to a taste of his own medicine by sticking a taser on him and then giving him a speech about becoming predictable and complacent.

Loki’s arc was one that spanned four movies and six years, since in-universe there were a couple of years between The Dark World and Ragnarok. That meant that his character development took actual time and was realistic. It was one of the things that drew people to the character, the fact that he had a very relatable and believable redemption arc.

Compare that to Episode 1. In less than a day he goes from being the Loki that we saw in Avengers, batshit crazy, selfish, callous, and untrusting, to making personal confessions to a man he had just met only a couple hours previously and agreeing to help the organization that had arrested, stripped, imprisoned, tried, and almost executed him.

What?

I will give the show this: In Episode 2, he shows that he’s still up to his old tricks when he feeds Mobius and the agents all that horsecrap about how a Loki works in the Ren Faire tent, and then revealing that he plans to take over the TVA when he confronts his variant in the futuristic Wal-Mart. The weeping confession to Mobius, that I can’t really get over. How do you go from haughty, arrogant, and “trust is for children and dogs”, to “I don’t enjoy hurting people” in just a couple of hours? The show never indicated that it was a manipulation tactic on Loki’s part. Instead, we were basically told to believe that they became friends just that fast. That emotionally stunted and closed-off Loki made a connection with another person in a matter of hours. Makes sense. Don’t get me wrong, I like Mobius and feel he makes a good foil for Loki. I hope to see more of him in the future. I just have a tough time finding their friendship all that believable.

This would not be the only relationship in the show that happened too fast that we were forced to just buy, which leads me to Sylvie.

She’s the variant that the TVA had been hunting, that Mobius recruited Loki to help capture. And while I normally hate it when people ascribe a certain label onto a new female character because reasons (ones that are usually misogynistic), I think it fits rather well in Sylvie’s case.

Enter The Mary Sue

Mary Sue is a term that gets thrown around a lot. To sum up the meaning in very simple terms, it refers to a character who is too perfect to be believable. Mary Sues are often author-self inserts in fiction, they’re usually the love interest for at least one male hero and it’s usually the male hero the author will admit to having a crush on, their scenes usually are presented much more descriptively than those of the other characters, the story will revolve around them often at the expense of the development and plots for the other characters of the story, and they’re presented as beautiful, powerful, intelligent, beautiful, special, strong, beautiful, and desirable. Yes, beautiful is on the list more than once, and it’s deliberate.

The term comes from an old Star Trek parody fanfic, and while it is usually applied to original characters in fan fiction, the term has been used to describe characters in canon media as well. Some examples of characters who have been described as Mary Sues would include Bella from the Twilight books, Felicity from the show Arrow, Jaenelle Angelline from Anne Bishop’s The Black Jewel novels, Sookie Stackhouse from True Blood, Rey from the last Star Wars trilogy, and Jean Grey from the X-Men comics. Note I do not necessarily agree that those characters are Mary Sues, I have merely heard these characters referred to as Mary Sues, and when I look at them objectively I can kind of see where the accusations come from. Some other terms that can apply are Creator’s Pet and of course Author Self-Insert. Not all Mary Sues are Author Self-Inserts, but a lot of them are. Also, not all characters who can be labeled Mary Sues are female, though they often are. The male version of a Mary Sue is called a Marty Stu, and a couple of characters I’ve seen get ascribed that label include Harry Potter, Daemon Sadi from Anne Bishop’s The Black Jewel novels, Edward from Twilight, and Red Hulk from Marvel Comics. Even Batman and Wolverine haven’t been immune from the Marty Stu stamp, although you can argue that it does apply in their cases especially depending on who’s writing them. Sometimes it is painfully obvious they are author self-inserts...the aforementioned Bella is a good example. Others, you can only speculate on. And while there are theories going around that Sylvie is someone’s self-insert, we don’t have definitive proof of that.

There are good arguments, however, for her being labeled a Mary Sue and Creator’s Pet.

First are her powers. In the show we are told that Sylvie taught herself magic, especially her ability to “enchant”, the power to get into the minds of others and manipulate them. The fact that she taught herself would indicate that her education and skill in using magic should be lacking, right? She should not be as good as, say, someone who learned magic from his foster mother who herself was taught by Asgardian witches?

Yet in the show, Sylvie not only runs circles around Loki magically wise, she even teaches him a few tricks. This is startlingly in contrast to the comics. Loki’s Sylvie is partially based on the character Sylvie Lushton from the Young Avengers, a bad guy who was once a normal girl whom Loki imbued with powers before his death at the hands of the Sentry during the events of 2010’s Siege storyline. In the comics, Loki not only gave Sylvie her powers, but he was the one who taught her how to use them. Now, of course things in the MCU are not going to follow the way things are in the comics. MCU Loki is nowhere near as old as comics Loki and has so far not demonstrated the ability to give other beings powers. And MCU Sylvie is a composite of Sylvie Lushton and Lady Loki, which is also problematic, but we’ll get to that.

But the point is that Sylvie had no training. Her magic is some improvised slapped-together stuff that at best she picked up here and there and at worst she just pulled out of her ass. Now, knowing that, we’re supposed to buy that she can mop the floor magically wise with someone who was formally trained by a sorceress? And that furthermore, she can school him as well?

To make up for her lack of experience and knowledge, Loki is nerfed. Power wise and intellectually wise, he is nerfed. In Thor and Avengers Loki is smart, well-spoken, and a master manipulator. At one point he is able to turn all of the Avengers against one another, and while his magic has never been anywhere near the level it was at in the comics pre-Siege (after his resurrection, he was powered down and is currently nowhere near the powerhouse he had been prior to 2011) he was able to pull off some impressive displays of skill nonetheless. Shape shifting, illusion casting, it was a good repertoire.

In Episode 3, however...well, he does use teleportation to some impressive affect during his fight with Sylvie, but he still doesn’t get the upperhand. And he should. Loki is a better trained fighter, better trained in sorcery, and realistically should have at the least managed to incapacitate his variant. He doesn’t however, because the moment he meets Sylvie his IQ drops about 20 points. He falls easily for her tricks, makes laughable plans, gets drunk and draws too much attention when he knows that is a bad idea, and manages to get them both stuck on a moon that will soon be dust courtesy of the rogue planet about to crash into it. Loki has made some blunders in the various MCU movies he’s been in, mostly due to his own arrogance and tendency to underestimate his foes, but he’s not that stupid. In fact, in The Dark World he screams at Thor and calls him an idiot for drawing attention to themselves by hijacking an elven ship and crashing into every column and statue within a fifty-foot radius.

Where exactly is that smart, calculating, more careful Loki we know from the films? He’s been transformed and dumbed down, in an attempt to prop Sylvie up. It’s a tired trope, making the male character a dumbass in order to make the female character look good. Well, I should say male-presenting and female-presenting characters in this case, but their supposed gender fluidity really is not represented well and it’s completely contradicted later on, but we’ll get to that.

Anyway, making the male character stupid in order to make the female character look better by comparison is not empowering. It’s insulting. It implies that women are not smart or capable enough to meet men on equal footing, that the only way we can shine is not by virtue of our own strengths, but merely by making us look better than the men.

She doesn’t just outshine Loki intellectually and power wise, she outshines him period. The show from Episode 3 on becomes about Sylvie. She is the show’s main focus, and Loki? He’s relegated to the role of supporting character in the series that’s named after him. Supporting character, and love interest. From Episode 3 on, the show might as well be called Sylvie.

Now, some people will say that since Sylvie is a Loki, the show was indeed focusing on Loki. The problem is, the show is very inconsistent as to whether or not Sylvie really is a Loki or a different person entirely. I will explain more later, but the writers seem to change Sylvie’s identity to suit whatever narrative they want to present to the audience, including the pre-Pixar Disney romance they foist upon us.

The Romance, and why some find it gross

One major characteristic of the Mary Sue is that she always draws the romantic and sexual interest of the main male character, who may or may not be a Marty Stu himself. Oftentimes he’s not, and Loki does not fit the criteria of a Marty Stu by any stretch of the imagination. These romances always happen fast with little to no buildup. There is no what writers of romance call “slow burn”, it’s just throw Mary at the male character, hook them up, and get the audience to buy it. Basically, it’s reminiscent of the romance stories in the Classical Era Disney animated films. Snow White, Sleeping Beauty, and Cinderella all fall madly in love with their princes within minutes of meeting them. There’s no getting to know each other, there is no preamble, there is no slow courtship, no real drama to speak of. It’s basically Love At First Sight or True Love. This trend continues even into the Disney Renaissance. In The Little Mermaid, Ariel is willing to make a deal with a witch to give up her fins for a prince she hasn’t even spoken to yet. He doesn’t even know she exists, and she leaves her home and family behind, gives up her voice, all for a mere shot at hooking up with him.

That’s not love, that’s lust. That’s hormones overruling your brain, and it’s an insulting trope, one that feminists have railed against for years. Disney has made a little progress. The movie Frozen took the mickey out of the Love At First Sight/True Love trope with the song “Love Is An Open Door” and the prince Anna wanting to marry turning out to be a major sleazebag who just wants to use her, but we still only have three Disney princesses (Elsa, Moana, and Merida) who have never had love interests and two (Anna and Rapunzel) whose love stories come close to being slow burns, out of 12 official Princesses. There’s still a long way to go, and boy is there a major step backwards in Loki.

In Episode 3, Loki fights Sylvie and they end up on Lamentis 1. Sylvie spends a good portion of the time insulting and trying to kill Loki, and Loki finds himself having to defend himself from her. That changes once they get on the train going to the Arc. After sneaking aboard the train using a disguise and a flimsy story, the two Lokis sit in a booth, where Loki proceeds to drink champagne. It is then that, out of nowhere, the conversation shifts from how Sylvie learned her powers to the topic of love.

Why? Why would you bring that up in conversation with someone who was doing her best to kill you a couple hours prior?

Then Loki makes things worse by asking Sylvie if she has a beau waiting for her. Why? It doesn’t make sense. The two of you are at each other’s throats, she’s done her best to kill you, neither of you trusts the other, and, completely out of left field, you decide to basically ask “So...are you single?”

Now, enemies to lovers is a trope that can work when done right. Typically, it’s a very subtle, slow progression that the audience witnesses over time in a novel, movie or television series. Weeks and even months will go by in the narrative during which the two people go from wanting each other dead to developing feelings for one another. There’s usually a “will they, won’t they period” that lasts for some time that’s full of teases and flirting before the couple does hook up and gives the audience the resolution. Done in this way, enemies to lovers can work.

This...this is not the right way to do enemies to lovers. Within a couple of hours Loki and Sylvie go from hatred and doing their damnedest to stabbing one another in the backs, to having a connection that causes a nexus event?

By the way, that nexus event makes no sense. In Episode 2, it is established that it is impossible to create a nexus event in an apocalypse. It is why Sylvie was able to avoid capture by the TVA for so long. In fact, just minutes prior to the two of them almost dying in Episode 4, Sylvie flat-out says that she figured out that she needed to hide in apocalypses because she discovered she didn’t create a nexus event when she hid in them.

Now the two of them are able to create a nexus event in the midst of an apocalypse? Why? Their “connection” isn’t going to lead to any consequences...they were about to die. No one else need never have known about the “moment” the two of them shared. It’s very confusing and the only purpose it really serves is to paint Loki and Sylvie as soulmates, which doesn’t make sense in the context of the show. The concept of soulmates is that for every person, there is someone out there they are predestined to be with. Loki is a show that, at the core of it, is about rejecting predestination and embracing free will. In that context, the idea of soulmates is ludicrous and contradictory to the message that we make our own destiny. This is why True Love is unrealistic, and I hate to break it to you romantics out there, but Love At First sight does not exist.

Infatuation At First Sight exists, but that is not Love, no matter what your hormones are telling you. Love takes time to evolve, and it takes work to maintain. It sure as hell doesn’t happen after less than 12 hours of knowing each other, during which a huge chunk of time was devoted to trying to manipulate, outsmart, and murder the person you’re supposedly in love with. No one falls in love in less than 12 hours, period, unless it’s a Classical Era Disney animated movie. They basically turned Loki into a big Disney Romance trope. I have a very hard time buying that Loki, who we have established is emotionally stunted and closed off, would form a love connection in just a few hours, especially with someone who was doing her best to murder him in that timespan.

That is not the only reason this relationship is problematic. The term “Selfcest” has been thrown around, and a lot of defenders of this particular ship claim that the term was very recently made up in social media for the sole purpose of badmouthing this particular romance. That is not the case. Selfcest is a term that has existed among fiction writers for years, it’s just that more people have recently become aware of it thanks to this show. The trope has been used and referred to in various works of fiction, especially in fantasy and science fiction where cloning, alternative universes, and magic occur. A lot of the insults I get from people who can’t stand that I don’t like the romance basically go along the lines of saying selfcest doesn’t exist. No, it doesn’t...in reality. But this isn’t reality, is it? It’s fiction. It’s a fictional world where such a thing could be possible, and even in works where it’s not possible it’s often alluded to.

In A Song Of Ice And Fire, we have the infamous twincest relationship going on between Cersei and Jamie Lannister, and it is heavily implied that sleeping with her brother is the closest that Cersei can get to banging herself and that is why she does it. Jamie is basically everything she feels she should have been and was denied due to being born a woman. In fact, in later books when he reunites with her after having been away from King’s Landing for over a year, during which time he’s grown a beard and shaved his head, Cersei no longer finds him as attractive since they no longer look as much alike.

And with advances in cloning, selfcest might be possible in the future. We already have sex robots, and people with money are capable of making those robots look like themselves. There is nothing stopping them from doing it.

Knowing all of this, the argument of “selfcest doesn’t exist!” falls flat. And it especially falls flat when you’re referring to a fictional universe where a large purple man once killed off half the population of said universe with a snap of his fingers, where scientists turn into giant green monsters, the Norse gods not only exist but regularly interact with people on Earth, and there’s such a thing as a Sorcerer Supreme.

As I have said, the show has been rather inconsistent in stating what exactly Sylvie’s identity is. One moment, we are told Sylvie is a Loki and that she and Loki are the same person. Mobius says it, Kang says it multiple times, Judge Renslayer says it, the director and the writers state it in interviews. But then in the next breath, they contradict it by saying that she’s not a Loki, she’s Sylvie and a different person.

You can’t have it both ways. Which is it? Either she’s a Loki, or she’s not. The narrative is very confusing and it changes depending on how they want us to see Sylvie, especially in relation to her romance with Loki. It’s so much easier to avoid the selfcest/incest accusations when you can say they are different people. But then they say they’re the same person. Make up your minds!

Since the show first established that Sylvie is a Loki, I’m going with that. Especially since we saw a bit of her backstory. She grew up in Asgard as a member of the royal family, which means she had Odin as a father, Frigga as mother, and Thor as brother. She may or may not have the same DNA as Loki. We never got confirmation either way, and there are people who argue that they don’t to which I have to ask: How do you know? The show never tells us! “Oh, well, there’s Alligator Loki, are you going to say he has the same DNA as well?” Well, we are never told how exactly Alligator Loki came to be. Is he actually an alligator, or is he Loki who somehow got permanently stuck when he shapeshifted? People tend to forget that he can do that. Ragnarok established that he can turn into a snake, and a deleted scene actually had the childhood story go that Loki turned into a rug to cover a hole in the ground and then dumped Thor into it. There is the scene where Doctor Strange drops Loki through a portal, and Thor is left poking at a business card, and it is clear that for a moment he thinks that Loki turned into that. We know Loki can shapeshift, so Alligator Loki can very well have the same DNA. We just don’t know, because the show never explains it for the same reason the show cut out the scenes with Throg fighting Loki...to devote more screentime to Sylki.

Even if they don’t have the same DNA, it’s still established that they are the same person, they have the same family, they’re both the God/dess of Mischief, and even Sylvie herself acknowledges that she is a Loki despite the fact that she changed her name. So selfcest very much applies here, and a good argument can be made that selfcest is the ultimate in incest...after all, there isn’t anyone else you’re more related to than yourself. It is very understandable, therefore, that a lot of people would be very, very uncomfortable with such a relationship. Having the same DNA would merely be the icing on the very gross cake.

Furthermore, just because selfcest does not exist in reality does not mean someone can’t find the concept distasteful. “It’s not real!” “It’s just fiction!” Yes, and people are allowed to have their own feelings and opinions on fiction. If they find the idea of selfcest hard to stomach, that’s their prerogative and you really have no right to tell them they are wrong for feeling that way. They should not have to justify to anyone why they feel that way either. No one owes you an explanation for why they find real world incest or cannibalism distasteful, so they don’t owe you an explanation for this.

“Well, of course Loki would fall for himself...he’s a narcissist!” Is he though? Is he really? Having dealt with my fair share of narcissists in my life, I have to wonder if the fans who say that, along with the writers, know what a narcissist really is.

Is Loki a narcissist?

Bringing up Cersei Lannister again, the novels she appears in establishes that she is an extreme narcissist. She sleeps with her twin brother because it’s the closest she can come to sleeping with herself, and she desires to do that because she is a narcissist. A narcissist is someone whose personality is defined by an inflated sense of self-importance, troubled relationships, lack of empathy for others, and an excessive deep-seated need for attention and admiration. It’s a very simplistic definition, and there are plenty of YouTube videos devoted to delving into narcissists into more depth, as well as videos on how to cope with the aftermath of abuse at the hands of narcissists. Narcissists are so devoted to themselves that they ignore the needs and the feelings of those in their lives, which often results in abusive behavior. There are entire support groups that exist for victims of narcissists.

At first glance, one can see why some might consider Loki a narcissist. He does engage in some pretty selfish behavior, he goes to great lengths to get attention, his relationships to his family are indeed fraught with drama, and he seems to have a pretty overinflated ego. He even goes so far as to write a play featuring himself as the central character, and build a giant golden statue of himself after taking over Asgard in the guise of Odin. But really, is his ego truly that big? Or he is overcompensating for his self-hatred and self-disgust?

Loki suffered quite the emotional blow when he found out his true heritage, a revelation that shook him to his very core. Of course, his relationship with his father suffered as a result...the man lied to him for his entire life. Their relationship really was not that great even before that since Odin found it easier to relate to Thor, who was more like him in personality, than to Loki, who was more cerebral and quieter. Loki’s relationship to Frigga fared much better. He’s quick to forgive her involvement in covering up the truth about his parentage, and it is obvious that they are close. Even his relationship with Thor prior to the events of the movie is not all that bad, the two brothers are affectionate and playful, and when Loki interrupts Thor’s coronation, it’s not just for the sake of creating trouble, but to postpone Thor taking the crown for another little while because he is not fit to rule. At the time Thor had yet to go through his character development arc on Earth and he was still an overly arrogant, bloodthirsty, elitist douchebag, so Loki really had a good point.

A true narcissist would have done what Loki did just for the sake of making life difficult for Thor. Also, he would have done it because he wanted the throne. Loki states repeatedly that he never wanted to rule. A true narcissist would have been all smiles about taking the throne instead of being reluctant about it as Loki was when Frigga handed him Gungnir.

Throughout the films, and in the first episode of the series, we see that Loki does indeed love his family and is capable of feeling guilt over the things that he does to them, intentionally or not. Narcissists typically don’t feel remorse. As far as they are concerned, they are perfect and can do no wrong, so they have nothing to feel bad about. If they hurt you, it’s because you deserved it. You shouldn’t have provoked their ire.

Loki feels bad for getting Frigga killed, and then later on Odin. Then he is in tears when Odin dies, and later at the mere thought of never seeing Thor again when the two brothers talk in an elevator on Sakaar. Those are not the actions of someone who is incapable of loving anyone but himself, as I’ve seen so many people claim about him. And the fact that he sacrificed himself to save his brother also kind of kills the whole “narcissist” narrative.

In Episode 1, Loki breaks down and confesses to Mobius that he doesn’t like hurting people. He does it because it’s part of the façade, and admits that he sees himself as weak. A few episodes later, he admits to a memory illusion Sif that he craves attention “because I’m a narcissist” and admits to being afraid of being alone. That is far more self-reflection than a typical narcissist is capable of in my experience. As I said, narcissists tend to think they are perfect. A true narcissist would never admit to having any flaws, and sure as hell would never admit that they are a narcissist. As far as the true narcissist is concerned, if you find them flawed in any way, that’s on you. The narcissist has no need for self-reflection because they honestly see nothing wrong with themselves, and believe that they don’t need to change...it’s everyone else who does.

A good real-life example from my past is a former friend I’ll call D. D was a self-proclaimed brat who was quite proud of the fact that she could be difficult to be in a relationship with and tended to go through men like tissue paper. She was demanding, self-centered, extremely jealous, manipulative, and prone to wild mood swings. She could and did go from zero to insane at the drop of a hat. In the time I knew her, she left a string of burnt guys behind, and according to her it was because they just weren’t man enough to handle her. She also left behind a string of broken former friends, to the point where there really needed to be a support group for former friends of D who suddenly had her turn them into Public Enemy Number 1 when they either started taking attention away from D, or...well, that was it really. As I said, she was a very jealous person and had a chronic need to be the center of attention, especially if there were men around. Anyway, instead of working on herself to become less self-involved, self-absorbed, and more empathetic, she double downed on her abrasiveness and constant need for attention until she finally wore the poor man down and he either ghosted her or outright dumped her. She never broke up with them, preferring to keep them around for as long as they were willing in order to toy with them as a cat does with a mouse. I tried to talk to her about her horrible behavior, but instead of taking my constructive criticism and maybe using it to make some needed changes, she completely turned on me and did her best to make my life hell until I finally cut her out of it. I learned two things: Narcissists don’t want help because they don’t feel they need it and they are never going to change as a result, and never, ever try to confront a narcissist. It’ll only end badly.

A more famous example? Former US President Donald Trump. I won’t get into that, because really all you need to do is perform a quick Google search to see what all he’s done and witness his narcissism on full display. But really, place him side by side with Loki. Do you see any similarities at all? Maybe on the surface, but when you go deeper...no. Loki is not a narcissist. He’s capable of deep self-reflection, owns his faults, is capable of loving others, and feels remorse. I would argue that anyone who says he is a narcissist, either does not know the character, or hasn’t ever actually dealt with a narcissist in real life, to which I can only say: Lucky you.

I honestly would argue that calling Loki a narcissist is actually doing a disservice to victims of abuse from actual narcissists.

What about Sylvie? Well, in contrast to Loki who does show remorse while Mobius is playing that “This Is Your Life” reel for him, Sylvie shows no remorse or regret. She knows that the TVA agents she kills are as much victims as she is. They are innocent variants who were kidnapped from Earth and forced to work for the TVA after having their memories wiped. She knows this, yet the first time we see her she burns a bunch of TVA agents alive, and she just stands there watching as they scream in agony. In the next episode she says right out that she’s “having some fun” while possessing the body of C-90 and murdering more agents. She is not at all sorry about doing what she did, and we’re supposed to be understanding since she was kidnapped as a child. Okay, but the entire TVA didn’t do that. The agents she kills didn’t personally kidnap her. The only one we see who was directly involved in that is Renslayer. Sylvie “did what she had to do”, fine. But she doesn’t feel bad about it, at all. The flashback to her as a child takes great pains to try to show us what a good person she is when she cries out “Help him!” as another prisoner is being beaten, but I guess she grew out of it.

We don’t know if Sylvie has any other narcissistic traits besides lack of remorse because, well, the show really doesn’t do much to show her personality. Other than killing people, trying to kill Loki, and then flirting with Loki, we just don’t really see much to her. It’s another trait of a Mary Sue. Mary Sues often have bland, one-dimensional personalities. After all, their only purpose is usually to serve as love interests for one or more male characters. Mary Sues break the “show, don’t tell” rule by having the other characters verbally inform us about their traits, usually while singing their praises, but we don’t actually see those traits in the Mary Sue herself.

Loki calls Sylvie “amazing”, but how amazing is she, really? She kills people she knows are victims, she endangers the timeline just to sneak into the TVA, and then she kills Kang despite knowing that there is a very good chance that doing so could unleash something far, far worse than him. Then again, it doesn’t have to make sense when you’re pushing an unwanted and unasked for romance on an audience who was expecting a scifi show, not a romance.

I have spoken in a few places about this. Romance is fine, but in a show that blatantly places itself in the scifi genre, it really should only be the background, not center stage. When I expressed this opinion, I got accused of being dismissive of an essential part of the human experience. Well, first of all, congratulations: You just invalidated the existence of people on the asexual and aromantic spectrums, not to mention people who are celibate by choice. Second, that is why we have the romance genre. To tell stories centered around romance. I like romance, I read romance novels, and I sometimes write romantic fiction. But there are some places where it just is not appropriate.

There are people who say that adding romance makes things more interesting. Nope, in those cases it’s just a smokescreen, something used to hide plot holes and distract us from just how empty the story really is. Writers like to say that if you need a romance to make things more interesting, then you really don’t have much of a story in the first place. And sadly, Loki does have some plot holes. The nexus event on Lamentis is a good example, and the romance is definitely used to distract us from that. People were so focused on “oh wow, they’re having a moment, they’re soulmates!” that they didn’t think “waitaminute...didn’t they say that nexus events can’t occur in apocalypses?”

We really did not need a romance in Loki. Period. It was unnecessary, it was distracting, a lot of people found it disturbing, and it actively hurt a marginalized group.

Loki Is A Queer Icon!...maybe

I am not going to say that the relationship between Loki and Sylvie is not a bisexual one. A bisexual relationship is a bisexual relationship regardless of whether or not the person the bisexual person is with is the opposite sex. Saying otherwise is biphobic. Biphobic people in both the straight and the queer communities have been excluding bisexual people who happen to be in opposite sex relationships for years because apparently one stops being bisexual once they get into a relationship with someone of the opposite sex. This is horseshit. I’ve been in relationships with CIS men, did I stop being attracted to other men, women, nonbinary, genderfluid, agender, and other genderqueer people? No. No, I didn’t, because while I was entangled, I was not dead. Heterosexual people don’t stop being attracted to other members of the opposite sex when they are in relationships, it’s no different with queer people.

So, stop saying that Loki and Sylvie are not a bisexual relationship. You’re not doing us any favors at all, and in fact you’re only helping the biphobes who want to kick us out of Pride and other queer spaces for daring to date members of the opposite sex.

I will address the “Bit of both” line however. In Episode 3, Loki has that response to Sylvie’s questioning about whether there had been any would-be princesses or princes in his life. Again, a conversation that comes out of nowhere. She stated outright that she didn’t trust him, clearly wanted him dead, and now she’s asking if he’s single. Whatever.

Anyway, people went nuts when Loki answered “A bit of both”. It was confirmation that Loki was bisexual, it was celebrated on social media...and it is really biphobic and Kate Herron, who is bisexual herself, really should have known better.

Biphobic people have long tried to sow division between the bi and trans communities (unsurprisingly, biphobia and transphobia tend to go hand-in-hand) by saying that the concept of being bisexual is transphobic. “Bi” means two, ergo bisexual people are only attracted to two genders, specifically CIS men and CIS women. It never occurs to anyone that the “two genders” a bisexual person could be attracted to could be, say, women (and yes, I include trans women in that, since they are in fact women, get over it) and non-binary people, or agender and gender-fluid people, it’s always CIS men and CIS women. This despite the fact that the definition of bisexual has been “attraction to more than one gender” since long before the Bisexual Manifesto was put out in 1990.

Some people have tried to remedy this by adopting the moniker of “pansexual” instead, which A) is basically reinforcing what biphobes are saying about bisexuals and creating even more division and B) doesn’t just mean “attraction to trans people as well, I’m not transphobic, I promise!” “Pansexual” is not interchangeable with “bisexual”. Pansexual is attraction to all genders. Bisexual means attraction to more than one gender, but not necessarily to all genders. You can have a bisexual person, for instance, who is attracted to all genders except for men. If you are attracted to more than one gender, but not to all genders, you are bisexual, and labeling yourself pansexual is lying and basically caving in to the biphobes.

I’m not trying to police what people call themselves...if you want to use the two terms interchangeably, if you want to call yourself bisexual, or pansexual, it’s fine. But just evaluate the reasons why. Are you calling yourself pansexual because you really think you can be, or are you just calling yourself that out of fear of being labeled transphobic? The latter, in my opinion, is not a really good reason, and it only helps deliver the biphobic message that bisexual people are transphobic.

So, by saying “a bit of both”, Loki is really helping to reinforce that biphobic assertion that bisexual people are attracted just to CIS men and CIS women. It’s disappointing, but it is Disney so I suppose that is the best we can expect for now. It just shows that Disney really has a long way to go.

What’s more problematic is the supposed genderfluid representation. Now, I am a CIS woman. As such, I feel unqualified to really say that the representation is shitty and fluidphobic. However, if I’m not qualified to say that it is, then Kate Herron and the writers are unqualified to say that it isn’t. Rule of thumb: If members of a marginalized group are telling you that you did a poor job of representing them and that you are being transphobic or fluidphobic, instead of ignoring and dismissing their concerns like a good portion of the population already does, it’s a really good idea to listen to what they are saying and learn how you can do better.

There have been some genderfluid and trans people who expressed that they liked the show, and good for them. But I have seen a lot of very valid criticisms and concerns from genderfluid and trans people about the representation on the show, and I think they really should be listened to. Kate, you and I are queer, but we are still CIS women. Ergo, we have no say in whether or not the way you attempted to present Loki’s gender fluidity is transphobic. If genderfluid people say it’s fluidphobic or trans people say it’s transphobic, then it is indeed fluidphobic/transphobic. To say otherwise is gaslighting a marginalized community who already faces gaslighting on a daily basis.

I will touch on a couple of things.

First, in Episode 5, Loki asks a bunch of his variants if they have ever encountered a female version of themselves, a question that is met with varying levels of incredulousness and even disgust. If Loki was truly genderfluid, this question wouldn’t have been asked. Genderfluid means the person shifts genders along the spectrum. Loki does this in the comics. Comicbook Loki switches between masculine and feminine presenting on the drop of a dime, especially in his current incarnation. Loki in the MCU we are told is also genderfluid, and should also be able to hop along the gender spectrum on a whim. There should not be a “female variant” therefore, since they are all the same gender. There could be a female presenting variant, but that is not the same thing. They would still be all genderfluid in that case. Also, Sylvie’s nexus event would not have been “being born the Goddess of Mischief”. Okay, the show never actually says that is the nexus event that led to her being arrested, but it heavily implies it. If Sylvie is a Loki, and as a Loki is genderfluid, her being the “Goddess” of Mischief should never have been an issue since they can change genders anyway.

Second, making Lady Loki a separate person is problematic. A lot of genderfluid people felt that this move invalidated their identity by basically showing that the same person cannot indeed be different genders along the spectrum. I don’t feel I’m totally qualified to really get into this. I will just say that if you’re going to write a genderfluid character, maybe at least get an actual genderfluid person to advise in the writing room.

Third, there is a transphobic movement called trans exclusionary radical feminism. You might have heard of it. Unfortunately, it is a very widespread movement that has done a lot of harm to the trans community, successfully blocking funding to organizations that help trans people, blocking laws that would benefit trans people, and the movement includes celebrities like Graham Linehan and JK Rowling.

One of the weapons they like to use against trans women is the concept of “autogynephilia”. It is basically the sexual fetish of becoming aroused from thinking of oneself as a woman. Many, many of these transphobic “feminists” love to say that trans women are merely men who have this particular sexual fetish.

It’s bullshit of course. Maybe there is a small segment of the male population that has that fetish, but trans women are not included in that. For trans women, things like dressing as women, changing their names, having state and federal issued IDs that say they are female, and being able to use the restrooms and change rooms that match the gender they actually are as opposed to the one they were assigned at birth is not a matter of sexual arousal. It’s a matter of making their external realities match their internal ones. It’s a matter of validation of their identities as women. Sexual gratification has nothing to do with it.

Now, Loki is not trans, but genderfluid people do tend to fall under the trans umbrella. We have Loki, a supposedly genderfluid individual and masculine presenting, falling head over heels in love with a feminine presenting version of himself. Maybe it’s just me, but it just seems like a form of autogynephilia to me.

Way to go, Kate...you just gave the TERFs more ammo.

One more note: At one point, Kate tweeted a list of the different Loki emojis, and “jokingly” included #FiretruckLoki with an emoji of a firetruck. Kate, you do realize that a “joke” transphobes love to harp on is that they can identify as an attack helicopter, right?

It’s his way of learning self-love!

That is not how you learn self-love.

First, the people who are making this argument often contradict themselves by then saying that Sylvie is a different person. Again, make up your minds. Either Sylvie is the same person as Loki, or she’s not. You can’t have it both ways, and you can’t continue to change the narrative to fit whatever it is you want to shove down the audience’s throats.

Second, romantic love and self-love are two different things entirely. Loki isn’t feeling self-love with Sylvie, he’s feeling romantic love. That’s not learning self-love. That's narcissism, and it’s character regression in his case. He’s supposed to be evolving past being a self-centered, egotistical shitweasel, and falling in love with a variant of himself makes him, as Mobius put it, “a seismic narcissist”. It’s not character development.

Third, this argument tends to come in the same breath as saying that Loki is a narcissist so of course he would fall for a variant of himself. If Loki is a narcissist though, why would he need to learn self-love? Narcissists already love themselves, that is the very definition of the word. If Loki needs to learn self-love, that would imply that he actually hates himself, which is the opposite of narcissism. Again, the writers and the fans who make these arguments when they feel the need to defend this relationship need to make up their minds. Either he’s a narcissist and therefore already loves himself too much, or he hates himself and needs to learn to love himself. It’s once again changing the narrative to fill a plothole.

Fourth, the whole learning self-love and trust narrative is completely thrown out the window in Episode 6 when Sylvie decides to toy with Loki’s emotions, using his feelings for her against him by kissing him as a distraction so she could grab Kang’s temp pad and toss Loki back to the TVA. To Sylvie, her revenge was more important than the bond she had with him. The move basically set Loki’s progress back several steps. What little progress he made anyway.

TL:DR, is there hope for Season 2?

Whew, this went on for a while, didn’t it? Told you I had a lot to say.

As I have said, if you liked the first season of Loki and think I am completely full of shit, that’s fine and it’s your prerogative. More power to you.

But, and this is a huge but, that does not give you the right to harass and bully people who did not like it.

I have witnessed horrible things from both sides of the now split Loki fandom on social media. Harassment and even death threats towards the creators. Telling people who don’t like the Loki and Sylvie relationship that they need to drink bleach. Homophobic attacks. Gatekeeping.

There’s constructive criticism and sharing your opinions, and then there is...this.

Both sides need to chill.

Anyway.

Even though Kate Herron has left the show, Michael Waldron is still the showrunner and as such I am not altogether optimistic for Season 2. I would like to see more emphasis on Loki himself for that season. Yes, it’s a novel thought, wanting a show that is called Loki to actually be about Loki, but here we are.

I would like to see actual character development in Loki rather than the old “true love transforms bad boy and conquers all” trope. There is a reason Disney has started to abandon that trope in their animated movies. They’ve been getting dragged about it for decades.

If Sylvie must return, there needs to be some actual consistency surrounding her character. The show needs to decide if she is a Loki or not and stick with whichever one they decide. And seriously, no more romance. Frankly, after what she pulled in Episode 6, I will be severely disappointed if the writers have Loki crawling back to her. That would make him pathetic, and Loki deserves better.

Really, Loki does not need a romance, period. He’s too emotionally immature, he has a lot of character growth to go through, and a romance would do nothing but be a distraction and an impediment to that growth. Anyone who got married too young can confirm that it is important to learn more about yourself and figure yourself out before you even think of getting involved with another person, who should not be your whole world. The Loki and Sylvie romance was reminding me of Classic Disney in another not-good way in that the two of them, especially on Loki’s side, were starting to revolve around one another and that does not make for a healthy relationship. Again, turning Loki into a Disney Prince (or, seeing as how he’s supposed to be genderfluid, Princess). Stop it.

Again, the romance was a smokescreen. It was a distraction from just how thin the plot was. Please, for the love of G-d, give more focus to the actual plot.

Do some research and talk to some psychologists for healthy ways Loki can “learn self-love" and develop as a character. If Ragnarok Loki can do it without relying on a romance with a variant with himself, then surely TVA Loki can pull it off.

Speaking of talking to people, listen to the concerns of the trans and genderfluid fans. Listen, talk to them, maybe get a couple in the writer’s room. CIS people should not write genderfluid people, and this season is a good example of why.

Please remember that Loki is not an idiot. Yes, he has pulled some fast ones and hasn’t been the greatest planner, but he is not downright stupid like he was in season 1.

And...really that’s all I have. As I have said, this thesis really wasn’t about making suggestions to the creators because I seriously doubt they will ever even see this. This was more less me screaming into the void, venting because I was that upset about what I saw as character assassination happening to one of my favorite characters. Keeping all of this in was proving to be bad for my blood pressure.

I am attached to the character, have been for years. Loki is just one character in the MCU who I love, who I want to see done right. I had been looking forward to his solo series for a very long time, and the disappointment I felt was something that I just couldn’t keep in. I kept my mouth shut when they killed off Tony Stark for no reason other than that Ronnie Downey, Jr. didn't want to renew his contract. I didn’t say anything at the Russo Brothers’ “happy ending” for Steve Rogers, even though I feel it made no sense and is a massive plot hole.

What they did to Loki, however...I couldn’t keep silent.

#loki series negativity #anti sylki

12 notes · View notes

ethereal-blossom · 3 years

Note

OOOOOOO 500 MILESTONE CONGRATS!! i hope this isn't too much for you, considering you already have a butt load of stuff to work on, so take your time yeah? luv u💕✨

character: dazai my beloved akdjcncjlskak

personality

super laidback, pretty patient and empathetic i think, i try to put myself in other people's shoes so yeah, i am just. i am just here. i am chilling. but school threatens to ruin my vibe, i mean like yeah i do kinda count to as a prodigy and schoolwork is p easy for me but hey!! i'm a lazy ass kid i don't wanna do school

i generally am not the analyzing kinda person, but if it's about smth i like dazai or i am required too then i'd say i'm pretty great at that

i am pretty affectionate w friends and ia m the ceo of putting hearts at the end of every sentence when thanking my friends or compementing ppl i adore

i will aggresively kick and scream you into self-love. double the hearts, and i have an arsenal of wholesome memes. beware

generallly i dislike arguments. as much as possible i wanna solve problems without the heated screaming and clawwing at each other thanks, if i do get into a fight i'll most likely apologize first ater i cool down

apperance traits i love: i have kinda side swept-ish wavy hair that goes from black to brown so that's rlly cool !! also chubby cheeks gang yeah 😎😎😎

hobbies/passion: i love to draw i'm literally an artist i draw a lot. i. i just love to fuckign draw. mwah. i also love everything pink. pink is wonderful color, the only color ever actually. and i love putting characters dazai in pink even more

relationship: uh like rlly strong platonic/familial kinda!! like yeah we were there for each other even in mafia times! big bro + lil sis combo let's go!!

ALSO IN THE 500 MILESTONE THING I FORGOT TO SAY I'M SORRY AAAAAAAAA

hobbies/passion: i love?!?? to collect!?!? keychains and plushiesand anything that looks cute!!? i don't have alot since my mom doens't let me buy a lot (even if they're rlly cheap, as compared to the closet of bags she has that hypocrite😒😒😒) but at least i've developed a sense of money saving

personality: would drag a hoe for my friends or family

relationships: also in the familial they're not related but theykre still fam jskdhdnkaa

again i'm so sorry if this is too much or if i've scattered the info all over the place ;-; ty for writing for us and blessing us w ur creations, luv u!!💕✨

____

a/n: thank you so much! oof, and if i took my time- but i’m finally back🙈 also, you sound so cute and amazing!💕

dazai was known to be a womanizer back in the port mafia. your first encounter with dazai was when he tried to flirt with you. you had to give it to him: dazai was smooth. however, you knew better. you usually didn’t observe people’s behavior unless they caught your attention, and those empty looking eyes did exactly that.

no, it wasn’t attraction at first sight. at least, not in the way people would expect. you, who always kicked self-love into your friends and who found it easy to emphasize with people, saw a man in need of a warm hug.

dazai liked the challenge of making you attracted to him. rather did dazai know it was the start of a friendship so tight that it made you feel like family.

the port mafia is a cold and cruel world, yet you felt warm and soft to dazai. he didn’t know at first how to handle your sweet gestures and the hearts you put behind every sentence. it made him hide behind his humor. after awhile though, dazai noticed he would look forward to those messages filled with hearts. it had a comforting and innocent charm. he even loved the wholesome memes.

you supported dazai in the best way you could. even when dazai left the port mafia, he made sure to be in touch with you. was it dangerous? yes, but he feared what you would do if he didn’t.

the members of the armed detective agency were quite surprised once they found out about you. they first thought you were dazai’s sister since they saw how close you were. maybe it was the way dazai pinched your cheeks, introduced you like his little sister and playfully tucked your beautiful hair.

even though arguments were rare, they still happened sometimes. the arguments would mostly be about dazai’s suicidal behavior when he would take it too far. you would try to help him and talk about it, but dazai has a habit of closing himself off at those moments. you would both let each other be and do something to calm down. you were usually the one to come back first and apologize.

sometimes, dazai would show a mature side of him and take the fault upon him. and sometimes, dazai didn’t have the strength to. then he would feel a certain emotion realizing he had made you worried, sad and guilty. at those moments, dazai would wear a completely pink outfit that you once bought for him the next day. dazai wanted to see that beautiful and warm smile on your face.

talking about presents- dazai knew how much you loved anything that looks cute. if dazai made the conclusion that you had a bad day, he would ditch work and shop for keychains or plushies and surprise you.

dazai would always ask a drawing of him in return as joke. he loved seeing you draw and he often observed your hand movements. seeing you draw, calmed his mind. dazai would also ask you to draw weird but specific drawings so he could mess with his partner.

all by all, i can see dazai being in need of a friend like you. someone who can fill his life with the warmth and love of a friendship so close that people mistake them for brothers and sisters.

10 notes · View notes

silentauroriamthereal · 3 years

Text

So, I watched Happiest Season yesterday, and I have thoughts. A lot of thoughts. Spoilers abound and this is long, so I’ll put this under a cut.

Happiest Season: a review

You have to ask yourself how “happy” a happy ending really is when you glance down at the time bar on the film and see that there’s less than fifteen minutes left and none of the story’s problems have been even remotely resolved.

Skip to the closing credits, and I hadn’t changed my mind. This is a “happy” ending where a great deal of the problems in the plot were left either completely unresolved, or whose happiness wasn’t earned – wasn’t properly fleshed out, developed, supported, or in fact, even happy.

What an incredibly toxic family the Caldwells are. Let’s start with them: there are three daughters. Sloan has apparently cemented her parents’ permanent disappointment by having left a promising legal career in favour of raising a family. Side tangent: are we really still having this discussion, in 2020? This binary choice between family OR career? Besides, Sloan evidently developed a different, and very lucrative career. I also strongly dislike the way the perception of her marriage ending is portrayed as a failure. Her awful parents both resent her having left the legal field, yet have refused to now see her as anything other than a parent, ignoring her new career choice and, it seems, literally anything else about her. Then we have Jane, who is overtly abused. Treated as lesser than anyone else in the family apart from technical support with malfunctioning printers, Jane is constantly criticized, chastised, literally told to not put herself in the centre of the family for a holiday photo. I was horrified and devastated by the wanton destruction of her painting at the end, too. I’m happy for her that her book got published and that she found success there, but I hate that this brutal, completely unnecessary destruction of her art happened and was totally overlooked.

I’m going to come back to Harper, because there’s a LOT to say there.

The way the parents, Tipper and Ted, treated Abby, was appalling from start to finish. Leaving aside the ENTIRE question of the secret girlfriend thing, if my family ever treated a friend or even distant acquaintance the way the Caldwells treated Abby, I would be furious with them. I used to frequently bring friends who were international students or just on their own for the holidays to my parents’ place for Thanksgiving dinner or Christmas festivities. These people were so, so, so incredibly rude to Abby, from ignoring her when she first arrived to giving her a terrible bedroom with a door that doesn’t lock, to walking in on her multiple times while she was changing or in bed – that level of complete disrespect infuriated me! Just allowing those awful kids to be in her private space without any sort of discipline, consequences, or apologies was unacceptable. The way they treated Abby after those same kids – which she was stuck with, without any sort of request to watch them – planted that necklace on her, was unacceptable. The utter lack of apology for having literally accused her of theft, for accusing her multiple times after that – WOW. Treating Abby as though she was the unexpected, extra guest at the restaurant that first night, and giving the ex-boyfriend the parents kept shoving on Harper the proper one was unacceptable.

Then there’s how Harper treated Abby. Let’s start with the restaurant: first of all, had my parents pulled that stunt on my friend/guest/secret girlfriend, I would have let them know then and there that it wasn’t okay. And then I would have, I don’t know, asked the staff to bring a proper chair, and if that turned out to be impossible, I would have insisted that she take mine instead, and sat on the little chair myself. Asking anyone to closet themselves is an act of violence, and watching that as a member of the LGBTQ2+ community was actively harmful to witness. Again, a lot of the crap that Harper subjected Abby to would have been awful no matter WHO Abby was: you don’t abandon your guest to hang out with old friends. If they’re ready to go home, then you go home with them. It’s basic hospitality. Considering that Abby was Harper’s partner, that’s a whole extra layer of harm. THEN add the ex-boyfriend, a horribly-treated ex-girlfriend, and toxic old friends to the mix, and you have something beyond appalling. Adding this stuff on top of not standing up for Abby to her family, not insisting that she be given somewhere proper to sleep during her time in her parents’ house, not insisting that she be treated with the most basic respect, not defending her during the whole jewellery theft situation, and even going along with the parents’ de-invitation to that dinner – that’s inexcusable. You don’t treat other people that way, much less your partner. Then add Harper calling Abby controlling, while simultaneously having the nerve to get angry about Abby spending time with Riley, which is possibly the only good thing that happened for Abby during that entire, awful trip – yeah. I was finished with Harper by that point.

Harper also actively participated in the way her sisters were constantly put down by their parents. The responsibility of being the privileged favourite is to use your status to bring others up. Harper doesn’t appear to have any sort of spine or courage whatsoever. It was only after she was forcibly outed by Sloan – and such was her privilege that the parents believed that it was a “malicious” lie rather than a “shocking” secret – that Harper even admitted the truth, and that was only after forcing Abby to watch her deny it yet it again. While I did love John (the gay best friend)’s entire speech about someone’s love not being the same thing as being ready to come out, there is nonetheless a ton of harm in forcing your partner watch that. It does affect them. It does disavow their identity at the same time, when they’re in a relationship with you. Her pattern of behaviour of throwing other people under the bus, like Riley, is very much intact.

I completely comprehend Harper’s fear of being rejected by her family. Apparently it was a well-founded fear, based on her awful, awful parents. That’s one of the reasons why the ending didn’t resonate for me at all: it wasn’t earned. Harper’s turn-around from being completely unwilling to have her parents know the truth to claiming that Abby was the only thing that mattered to her, came out of nowhere. It wasn’t a supported development. It happened too quickly. Similarly, the parents both going from being just about the worst parents on the planet to having a VERY sudden change of heart and behaviour, just happened unbelievably quickly. There was no questioning the entire history of their practises or what was wrong with them, no questioning how they’d treated any of their kids. The whole “consequence” for Ted was deciding, of his own accord, not to align himself with a politician who would force Harper to zip it – sorry, continue to zip it – about her identity. He shouldn’t have aligned himself with that woman in the first place. No one ever apologized to Abby about the way they treated her from start to finish, from patronizing her for being an orphan or the constant lack of respect shown her, to the false accusations of theft. Not a single part of it was atoned for at any point. Even Tipper being so disgusted with Abby’s ipad photography skills was disgusting. You just don’t talk to other human beings that way, and there was no resolution for me on any of this. There were also no consequences for Sloan’s horrific, SUPER-public outing of Harper, for Harper’s destruction of Jane’s painting, for the kids’ planting of the necklace on Abby, or for anyone’s horrendous treatment of Abby in general.

So yes: when you’re less than fifteen minutes out from the end of a supposed romantic comedy that was more upsetting to watch than entertaining or funny, and you’re actively rooting for the main character to walk away from her so-called partner and her toxic family, that’s not good. I’m not sold on the “romance” aspect, either. John (Dan Levy’s character) was the only good part of this movie, for me, and that’s overlooking his completely rude ignoring while on his phone at the beginning, or his negligent care of the animals he was supposed to be taking care of. (Gross, again – animals’ lives have value, too, and if my pet sitter killed my pet through negligence while I was away, I would be furious!) But his point about “sticking it to the patriarchy” in terms of Abby asking Ted for his permission/blessing to marry Harper was spot on. For all the hype about this being a progressive, lesbian, holiday rom-com, this film managed to perpetuate a lot of gross aspects of straight, white, misogynistic, heteronormative culture, like women being the property of their fathers and needing to obtain a male parent’s “permission” to marry another human being. The only person’s “permission” that was needed here was Harper’s, and then it’s not about permission – it’s about two adults making a consensual decision to commit themselves to each other. It’s great if you have the support of family – aka, BOTH parents, on BOTH sides – but that support is a bonus, not a prerequisite. Perpetuating the false dichotomy of family vs career for women only, is a harmful one to keep perpetuating. That question is never asked of men.

I was honestly kind of disgusted that Abby chose to stay with Harper by the end. I get it, but it definitely didn’t leave me with warm, romantic feelings. It left me with the deflated feeling I invariably experience whenever a woman makes the choice to be the bigger person and submit herself to a damaging situation or relationship. Mostly what I’m left with is anger that no one spoke up for Abby at any point, even John. That, and anger and sorrow over Jane’s painting. So yeah: it wasn’t as bad as bury your gays, but it also wasn’t really a happy ending for me, or super enjoyable to watch. Do better, Hollywood. Do a lot better.

#happiest season #reviews #lgbtq2+#bury your gays

39 notes · View notes

fmdjoosungarchive · 3 years

Text

restructuring task 1

+5 tracker points

1. assuming your muse has changed in some way, be it internally or as a result of a change of the external factors around them, how is your muse different? these can be as small as an opinion on a song they hadn’t released previously or as big as a major change in their background.

wc: 365

idk if i’ve said this on dash yet, but i’m treating new famed more or less like an au. in sung’s au, the defining change is that he was let go from gold star when he had his injury as a trainee. it was always my headcanon that they truly were close to cutting him loose anyway, so this is just the other side of that. he had his injury, got plastic surgery to try to appease them into keeping him, and they still let him go. when he went home his parents said alright u tried that now join the fam business n sung freaked bc he realized he doesnt want that for himself so he went to do smth he also hated, and joined the military. while there he still worked on his dance and vocals whenever he had a moment to do so, so that when he was discharged and started auditioning again, he wasn’t so rusty

he is a year younger in this world, just bc of quantum’s age range, not for any other reason. makes him a little less of a cradle robber in his relationship lol which, another change is that daisuke wouldn’t have been his first kiss, just first everything else

quantum is very different from old element and new element, but it’s very in line with what i liked about quicksilver (& has models from that) and he’s a leader! this is an idea ive toyed with a lot over the last three years tbh. at first i didn’t think sung suited a leader position, but he came to show me he’s just a different kind of leader. i liken him to jinki often in this regard. rather than lassoing members in, he supports them being however they are, and takes an intimate/emotional path to gaining their trust and leading them. and while he wasn’t suited for the full business life, what he learned from his father’s teachings helps him in dealing with the company as the group’s representative there (& he loves a good powerpoint presentation)

other timeline stuff for big events in his life are likely to shift but i’m not sure on specifics yet

2. what does your muse think of their company and their group?

wc: 260

as the child of a businessman, he’s never under the illusion that as a company entity, their first priority is their wellbeing. he knows that they are products, and that they’re treated as such. it’s a bit heavier with dimensions than gold star, since gold star makes a more active effort to pretend they care. however, once having accepted that, sung thinks himself and dimensions work well together. he does feel that for a company, they allow himself and his members to be a part of the creative process, as says their motto. he feels much more encouraged to write songs and choreograph under dimensions than he did under gold star, where it felt like he was constantly on his knees begging for the company to take him seriously

as for quantum, sung really loves what they’re about. he’s not a big fan of all (or most) of their songs, though he’s more loving towards a song written by another member even if it’s the same sound he dislikes, but he absolutely loves being focused on performance and concepts. his creative mind works very much on the basis of story and emotion that comes with it, and he feels like quantum’s concepts sometimes to often lean into his tastes. he’s always been a dancer first and foremost (god am i so glad to have his main dancer title back i MISSED u) so focusing on performance is v much up his alley, and his preferred style of dance is through storytelling. he feels the heart of dance is in that

3. is your muse on their first contract or their second? if they’ve renewed, what were their feelings around that at the time and what were their hopes for their second contract? if they haven’t renewed, what are their current thoughts on the end of their eventual first contract?

wc: 281

quantum’s on their first contract still, up for renewal in 2024. at the current moment, he would like to re-sign. however, unlike my others, his re-signing depends more heavily on the other members. if they were unhappy and wanted to leave, sung would want to follow suit, not because he can’t make his own decisions, but because if the reason the members want to leave is because of the company, not quantum, he’d want to try to help quantum continue to live. if that means all of the members leaving in order to rebrand under another company, so be it. he’d like to avoid lineup changes however he can, and ideally would like to be an idol for as long as possible

he himself feels alright about his treatment. he feels creatively stimulated, and appreciated for talents further than his face. if he were to try to negotiate different terms at their contract renewal, part of it would likely be wanting to give members a higher share of profits, especially on releases they’re creatively involved in. sung personally has no use for excessive money, but not all of his members have his background, and he feels more than just the money, it’s what’s fair. he’d also prefer to allow for more creative freedom. as a 7/8 year group by then, he’d think they should be allowed to take the reigns more heavily. and on his personal side of things, he would want dimensions to be more mindful of his schedule. sung enjoys working, but he’s only one person, who doesn’t want to be overworked. these are all just his current thoughts, though, and will probably change before contract renewal comes up

4. what are your muse’s goals and motivations?

wc: 294

his motivations to be ‘successful’ and/or achieve his goals are his family, namely being someone his nephew and niece can be proud of, and someone his parents can feel was worth letting go of. he feels closer to the latter than he did in old famed. his members motivate him to be a good leader, his desire to grow as a creator motivates him to write and choreograph

specific goals could be bigger like his desire for more public recognition. while quantum has a lot more recognition both in korea and abroad than element or quicksilver, sung wants the best for his group. he’d be happy if they stayed where they are with their loyal fandom, but he still aims for more

sung also wants to get better at standing up for himself. he’s best at standing up for others, because he can slap on a bit of bravado in order to help them out, but when it comes to himself, especially with his parents, he’s pretty awful at it

he’d also like to create more for quantum, and others. i/he have a goal for him to write a whole album for someone, so if anyone reads this far and could want sung writing for their muse, hit me up!

he’d like to get married and have children one day. that’s always been a dream of his, and while he knows his career doesn’t allow for that soon, it’s still on his docket

he wants to spend more time with his family, especially his nephew and niece. they’re so new to the world and learning everything, and sung wants to be a part of that. he doesnt want his part in their early lives to be ‘i don’t really remember seeing him back then’

5. what is one conflict, internal or external, that your muse is currently dealing with, has recently dealt with, or will need to deal with in the future?

wc: 291

at some point, this bitch is gonna have to admit he’s a homiesexual. in his previous version, it was a lot easier for him to ‘i pretend i do not see it’ when it came to that. sung’s very ignorant when it comes to the queer community in korea, so he’s not even really aware of terms beyond gay, maybe trans. but, terms aside, he always thought he was someone who liked women, and daisuke and a couple of others were just outliers. they were the Special ones outside of his jurisdiction that were just too good for him to not notice. aka he believed he was bi. and now, he still does, but i have less faith he’ll be able to hold that up until he dies like i did before, because he’s actually dated at least one woman before in this world. considering the plot has yet to be picked up, i don’t know the specifics, but i do think it’s harder to run away from when the way he treated a relationship with a woman and a relationship with a man were lightyears away from one another. it’s still possible for him to run away from the truth of the situation, but it’s also very possible that one day, his thoughts on it will shake, and everything will click into place (messily,, probably the messiest clicking ever) it would be a difficult thing for him to come to terms with, though i think it’s better for him in the longterm to truly know who he is, and why he acts the way he does, why he feels the way he does about women vs men. it’s also nice just to not live a lie, even if only privately

6. if your muse has established career claims, what are their thoughts on their career so far? if they do not, how do they feel about not having individual activities yet? what would they like to do in the future, if anything? if they don’t have ambitions for individual activities, explain why.

wc: 523

sung has a pretty filled history of individual activities. most are points claims with a focus on modelling, his radio, and music, though he’s dipped into pretty much ever facet of idoldom, some with more success than others. his ecp expenditures flesh that out a little more, and add a bit more realism, and/or make sense of the group changes. he had a one year modelling contract with the north face, and while official claims aren’t possible, i was inspired by a couple of things rowoon did with them. there was more of a push on an eco-friendly side of things, and there was a bit of dancing. playing into his group position with dancing i feel is fitting, but the eco friendly part i also feel could round out his image more as a good, kind boy who also can be sexy, whereas before, his earlier modelling claims focused a lot more on the sexy aspect, because it fit element and his trajectory there better. here, it makes him more dual sided from the beginning. north face is also just a nice, strong brand that i think is fitting for a pretty boi. i set it a bit after a year out from debut because i feel like that’s the most realistic, especially for a group like quantum that grew audience with each comeback

part of that first year being focusing only on the group ties into his creative claims as well! his first creative claim was with the bside love, lalala on the eternity ep. the nicest part of creative claims being unattached to positions is that all of sung’s claims are the songs in the discography most Him. so love lalala is very jazzy and smooth, and would have served as his first introduction to songwriting, as well as what made him interested in songwriting. then he was a choreographer on error, which is heavily story based, and about the members being a unit, and making beautiful pictures together. i hope to snag intro long journey and outro long journey from the beginning and end of the ateez sector, because they’re beautiful compositions that fit sung’s style, but also having him on both makes him feel like he’s a part of the concept’s creation in an intimate way, which fits with dms. then there’s aurora, which sung partially composed and partially choreographed. the choreography has contemporary flair to it, and the song is a flowing sound that matches that. then there’s partial production on sunrise, which i just love the robotic ass experimental production there, and comp for with u, which i believe ties back into sung’s rediscovering his love of piano. choreo for valkyrie is most similar to error in it’s pretty pictures way, and also has a bit of complex footwork, especially as its point dance, which is also p sung to want to include. and finally, some comp on stand by, which is like a mix of the appeal of aurora and with u methinks? listening to all of his written songs together i feel like really makes a picture of sung’s songwriting so i love that

#famedrstask1 #and the last q was me trying to keep it brief....... lol

2 notes · View notes