'Cause it don't feel right when it's late at night
And it's just me in my dreams
Open for better quality
[Image ID: a digital drawing of a black man, Lil Nas X, in a wedding dress, holding a black electric guitar, kneeling in front of a stained glass window. His dress is large and billowing, but the the bodice is replaced with a button up shirt and vest with a large, multilayered cravat. He is weaing a veil that is pulled behind him, but the stained glass can be seen through it. Tables covered in lit candles sit on either side of him, in different stages of melting, billowing grey smoke. He has mascara tear lines going down his face, with tears in his eyes. The stained glass window depicts a rainbow tree above flames. The flames fall behind the man’s head to appear like horns. The man is facing away from the light, and is in shadow. The second image is simply a close up of his face, inclusing the glass window horns. END ID]
In the new hit music video J CHRIST, Lil Nas X demonstrates how he has not only conquered hell (as referenced in the music video Montero (Call Me By Your Name) and 0:40-0:52 of J CHRIST) but has now conquered heaven and ascended to godhood. Now that he has demonstrated control over all the cosmic domains (i.e. flexing on his haters by serving gender non-conforming cunt for two minutes straight), Lil Nas X decides to remake the Earth in his Black queer image by starting the Rapture (seen in 0:00 to 0:16), starting the Flood, and creating his very own Noah's Ark to repopulate the world. In this essay, I will--
Another day goes by and still no one has given a formal award to Dolly Parton for writing the only song I’ve ever heard that tells two distinct but wholly cohesive gay stories depending on the gender of the singer