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#lit dance
notherpuppet · 1 day
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Let’s Dance
Part 10/12
Part 9
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ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.
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quotespile · 11 months
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She had felt that way during her own childhood; she’d felt like a watchful, wary adult housed in a little girl’s body. And yet nowadays, paradoxically, it often seemed to her that from behind her adult face a child about eleven years old was still gazing out at the world.
Anne Tyler, Clock Dance
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shisasan · 1 month
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May, 1936 Journals of Anais Nin 1934-1939 [volume 2]
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flowerytale · 1 year
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Janet Fitch, from White Oleander  
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thecindercrow · 2 years
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A League of Their Own - 1.06
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soracities · 1 year
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Ilya Kaminsky, from "Author's Prayer", Dancing in Odessa
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sholmeser · 9 months
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i actually think that this concept art is really interesting when you consider what it means for herlock’s character and his relationship with yuujin. the truth is that we know next to nothing about how those six years they spent together went, but this illustration kind of tells us everything that we really need to know: by combining this and what we see in their relationship now, kazuya nuri has told us everything about them through just a simple drawing.
this is most likely towards the earlier stages of their partnership, so herlock is probably only around 18-20. obviously he is visually very different from the herlock in tgaa—his “casual” appearance is much less put-together, his hair is longer, and his posture is much more relaxed—but what immediately catches your eye is herlock’s expression! you could interpret it as him being lost in thought or him looking a little pissed off, but we would NEVER see today’s herlock making an expression even resembling that: his deductions are meant to appear effortless, after all, and he never really expresses his true feelings. he has his serious moments, but he would never appear that intense.
and i just. i think it is so, so sweet. that yuujin’s friendship was able to change herlock so much. when you look at him in this illustration you can immediately understand who he is: a moody, young adult man (glorified teenager) who doesn’t really understand who he is yet, doesn’t know how to open up to other people, doesn’t know what to do with himself. and yuujin’s kindness is what changes him fundamentally: his friendship, his support. as much as he cares about susato and ryuunosuke, he MEANS it when he says that yuujin is his only true friend. because as much as they mean to him, they haven’t seen him at his worst. they haven’t helped him grow into himself. they didn’t give him the most important person in his life.
at the end of the day herlock isn’t perfect. FAR from it; he’s a fucking mess. but yuujin’s influence helped him. saved him, in a way, and because of that, he’s happy. even though he struggles with rent constantly, though he still keeps his heart locked up tight, he is happy and he has a daughter and that’s what matters. and nuri conveys all of this through just one picture to accompany the story :)
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discocholforever · 1 year
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I’m sorry I can’t subscribe to ‘Kim doesn’t care about Harry or anyone really’ bc wowwww like he sees the most pathetic miserable stinky creature on the planet and becomes infatuated (either platonically or romantically, whichever floats ur boat) enough to do a silly little dance in a church-slash-nightclub and play a silly little board game even tho it’s got nothing to do with the murder and oh yeah he deadass ditches his precinct to work with (and keep an eye on) this sopping wet man who reeks of dysfunction but gives him hope
don’t even speak to me about the car in the ice I’ll start sobbing uncontrollably he’s so patient and gentle w harry the whole time and heals his morale if u address how bad he fucked up. Kim isn’t a perfect guy for many reasons but he cares about Harry and that’s more than most ppl in game
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thepersonalwords · 1 month
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Let us dance in the rain to enjoy the rainbows and to get lost in the beauty of nature.
Debasish Mridha
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cor-ardens-archive · 1 year
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Nina Auerbach, Our Vampires, Ourselves
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mote-historie · 9 months
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George Barbier, Pour Gagner une Torpedo Bellanger, N'oublitez pas d' Aller dancer au, Bal des Petits Lits Blancs, Theatre des Champs-Elysees, 1922.
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quotespile · 6 months
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Now she settled into the dailiness of grief — not that first piercing stab but the steady, persistent ache of it, the absence that feels like a presence.
Anne Tyler, Clock Dance
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thepersonalquotes · 9 months
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Never, ever, let anyone tell you what you can and can't do. Prove the cynics wrong. Pity them for they have no imagination. The sky's the limit. Your sky. Your limit. Now. Let's dance.
Tom Hiddleston
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shisasan · 3 months
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March 20, 1925 Journals of Anais Nin 1923-1927 [volume 3]
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Let’s open a bottle of wine, grab two glasses, turn on some music while we cook, laugh and slow dance in between together…
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