#logotype tutorial

[elbeetbetak]

NOOR LOGO DESIGN

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[dainogo]

I have just upload video How to design a Unique Couples Logo or Tattoo: Combining Initials C & A

I hope it proves helpful to you. If you like it, please give me a thumbs up. Thank you!

[kreatkro]

Watch only if your name start with Letter B - Logo Tutorial

Hey there, logo lovers whose names start with B! 👋 "Design Logos Like a Pro With This One Weird Trick" - sounds cool, right? Well, if your name begins with B, you're in for a treat! I've got a super simple trick that'll have you whipping up awesome logos faster than you can say "Branding"! 🚀

It's so easy, you'll wonder why you didn't think of it before. Ready to level up your design game? Let's dive in and make some Beautiful logo magic happen! ✨🎨

Trust me, your clients will be blown away by your newfound skills!

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[abvectart]

How To Design A Real Estate Logo | Adobe Illustrator | House logo

[giocleardesign]

In questo video voglio mostrarti come creare tratti dinamici con Adobe Illustrator simulando efficacemente un effetto di illusione ottica molto performante. Ideale per generare Pattern originali :) Ecco altre GUIDE UTILI per te: ✍️8 Trucchi da Professionisti per Adobe Illustrator✍️ https://youtu.be/DHa-Dy7Eo7I ✍️Come disegnare uno SFONDO ondulato con Adobe Illustrator✍️ https://youtu.be/eYrGmaaeJIE ✍️Come personalizzare un testo in modo FANTASTICO con Adobe Illustrator✍️ https://youtu.be/59EDP0AvMww ✍️ 4 segreti da sapere sullo Strumento Testo di Illustrator✍️ https://youtu.be/7SkDMJTkAkY ✍️Come ripetere FACILMENTE le forme in modo radiale con Illustrator✍️ https://youtu.be/tr5qpONQRXQ ✍️Come aggiungere una TEXTURE con Adobe Illustrator✍️ https://youtu.be/lTu1CqRnyRY

[kavucreative]

Geometric Art Design | Heart Knot Logo | Adobe illustrator Tutorials

[abigailshorel6]

Alzheimer Nederland Identity

'The studio created a striking logotype that represents the physical manifestations of Alzheimer’s on the brain'

'Paired with bright colours and clear type that renders the organisation instantly more approachable.'

I was recommended to look at this rebrand project in my tutorial, I have looked at it previously but I think it really links to my idea of showing human like qualities in type. The type itself visually represents the effects of Alzheimer's featuring the vanishing points. I think this works particularly well in the first 'a' as the vanishing is contained in the counter so legibility is still kept but it is still a striking visual.

[vhendersonarts246-01]

Blog for ch 3: Legibility

This is probably my favorite chapter I’ve read in our book so far, just because as I was reading there were so many times where I thought to myself “wow that makes so much sense with what we’re working on right now” or “that’s so useful, no wonder it looks better that way.” I first thought this on pg. 52 when it explains shape, and how the word structure can change that. I think this is part of why I prefer capitals, because it can form a rectangle which is easier to work with. We are working with weight currently in our project so it was helpful for me to read pg. 55 as well, and even 56 because I’m thinking about making my font a color for my poster. My biggest takeaway might be from pg. 67 where space and text placement is discussed. It’s a lot like the presentation prof. Wanco gave last week about text and how it can be too close to the edge, etc. 

Right now in class we’re making progress on our third project, which involves branding and designing for a music festival. I have a lot I still want to do on mine, but yesterday I spent some time updating my mood board and continuing the design for my poster and logotype. I’m spending the post time on the last two now and I chose a font I think is great, I just have to manipulate the text a bit to get it how I want. This weekend I plan on working on that as well as watching some tutorials and the demo provided on Thursday so I can try some new things regarding shape and color with my projects. 

[c-mccormick-svad-2022-2025]

(ARTS246) Ch. 3: Legibility & Project #1 Poster Design Variations 1 and 2

I spent most of this week working on the poster component of the music festival design system. My task was to take at least 10 abstract images with my phone camera and create a primary abstract component that would complement the logotype and typeface. Last week, I worked on the logo and chose Trilby as my primary typeface. I used its font family to play around with the visual hierarchy of the information. The poster needs to be 16x20 and include the logotype as the primary visual element, the festival's location (Congaree National Park) as the secondary visual element, and the headliners, follow-up acts, and dates/days of the week as the third visual element. My goal is to create a layout that not only complements the logotype but also makes the information legible and easy to read from either a distance or up close. I plan to create three variations of posters that capture the essence and vibe of the music festival and serve as a fun work of art that would draw people's attention to the visual elements. As Professor Valdes says, "You know you have made a good poster once it's been stolen." While I don't necessarily want my posters to be stolen, I would consider it a compliment if that were the case!

I'm having trouble with the grid system when it comes to designing the layout of the poster. Usually, I work on projects that have a pre-built grid system. However, this project has challenged me to create my own grid that not only looks good but also helps organize the content on the poster. Although I learned how to turn on the grid function in inDesign by watching tutorials from my professor, I still find it difficult to work with grids. I need to practice more to become more familiar with the system. It's important to keep in mind that grids are helpful tools that aid in creating a well-organized poster design.

During Monday's class, I received some advice on the layout of my project from my classmates via Basecamp. They were in favor of the hand lettering of my logo but found the typeface difficult to read due to the contrast with the textured background image. The spacing was also a little off, which was due to my struggle with the grid. On Wednesday, we had an in-class discussion in which most of my classmates favored my second draft of the poster. I decided to make the background elements look swampier by using the pen tool to create cutouts around my logo. This design choice was well received, and my professor encouraged me to explore incorporating more color into my logo and text. For my second poster variation, I decided to use a wooden texture and incorporate the same technique with narrower shapes. However, I am worried that the wooden texture might make the poster too distracting from the primary and secondary visual elements. I started playing around with color in my logo but I am planning to continue experimenting with darker colors since it appears to blend too much into the abstract background. Unfortunately, this poster variation also has a legibility issue since the text appears too condensed. To solve this, I need to incorporate more room around the text and make the shapes more fluid and spread out. Making my borders a quarter of an inch would also help in making my poster appear more full and fluid.

When it comes to legibility, the reading material assigned for this week's textbook couldn't have come at a better time. The chapter discussed the principles of type size, line, and interline spacing, as well as legibility and color. Initially, when I started working on my project, I encountered legibility issues with my logotype. My main concern was the readability of the logo from a distance. I realized that the spacing between my letters was too close together, and my professor suggested that I find a balance between filling in the empty spaces in the logo and providing enough space to make it legible. I traced over the image of the logo in Illustrator and experimented with the spacing, which made it easier to understand my professor's feedback and the basic principles highlighted in this week's chapter. I am still revising my logo, but by next week, I should have a final design that is fun, legible, and reflective of the vibe of my music festival. If I encounter any difficulties or require a refresher on how to make my design element legible and easy to understand, I will refer back to this chapter.

[a-adler-arts246-03]

Week 3: Chapter 2 + Logotype - 1/26/24

It was interesting to read about the technical terms for the anatomy of type in Chapter 2. I learned a lot of these names and concepts in Typographic Design I, but that was my first brush with a lot of these technical words. I have a hard time remembering a lot of the specific words for parts of type, so it was good to refresh my memory and learn some new things as well. I found it neat to read about the impact of writing and writing tools on typographic anatomy; I also thought it was cool that the ampersand came from French et as a ligature, because I’ve never realized that or thought about it. I have also wondered about the difference between book and normal in a typeface, but it makes sense that they refer to the same font, just differently named.  

I really enjoyed working on the logotype sketches for this week. It was a bit hard to come up with a lot of variations on the ideas, but I found that once I got working it became easier to get in a groove and explore a lot of unique concepts. I worked with a lot of ideas; I wanted to play with the word “heat,” so many of my designs were inspired by fire or melting. It was cool getting to apply the kind of stuff we watched in video tutorials last week, such as how to make certain letters unique, or how to create unity and flow in the overall designs of the logotype. Keeping all those techniques in mind through the design process was a big help, and I'm looking forward to narrowing down my designs for the final logo.

[creativecourse]

Motion Beast Information Motion Beast is an online course designed to teach individuals how to create visually appealing and dynamic animations using Adobe After Effects. A must-see course for any Motion Designer. It lays the foundation for all aspects of modern motion design and covers every topic from After Effects basics to character rigging and frame by frame animation. What is this course about? Get full access to our constantly updating motion beast course with 20+ tutorials and dozens of additional supporting videos to thoroughly cover every aspect of modern motion design & animation. Here’s what you’ll learn LESSON #1: Interface, Transform Properties We will go through interface, major AE panels, customisation, the Collect Files function, files import and the Project panel, basics of composition, instrument panels, viewport, layers & timeline LESSON #2: Shape Layers & Masks We will study Shape layers, simple shapes, principles of work with the Brush tool, common path settings, masks, parenting & importing files from Adobe Illustrator. LESSON #3: Shape Modifiers We will understand what shape modifiers are, what possibilities for animation they uncover, what combinations you can use them in and much more LESSON #4: Easings We will go through the most important things in animation — easings, which mean a smooth animation. We will look through easing examples, how to distinguish good easing from bad easing, and once and for all will decide what’s better: Values Chart or Speed Chart. LESSON #5: Effects & Stylization. Part 1 We will learn different ways to stylize your art, what animation possibilities are hidden in the Adjustment Layer, what is the best use case for Pre-compose and what makes it different from grouping. LESSON #6: Effects & Stylization. Part 2 Here we dive even deeper into the stylization of your animation. We will learn how to make stylish liquid animation, glitches and much more. Using the example of glitches, we will look through different effects that you can use later in your practice. LESSON #7: Loops We will learn how to make seamless cycles and endless loops, and what type of movements and transitions can make your animation much more interesting. LESSON #8: Text Animation We will understand what type layer is, what settings are available for animation and how we can use that to animate text. We will animate a text along the path, have a look at animators and range selectors, and understand how to properly save presets for the future. LESSON #9: Morphings We will learn how to morph one object into another, try the main methods and find out what conditions should be met to create realistic-looking morphing. LESSON #10: Lettering Animation We will learn all possible tools and instruments that give life to any possible type of letterings out there. LESSON #11: Optimize Your Workflow We will learn the ways to optimize and speed up the work process due to a systematic approach to motion design. In the same module, you will have access to our bestselling plugins and internal studio scripts, that will help you quadruple your productivity. LESSON #12: Logo Animation We will learn new techniques and ways to animate logotypes, understand the latest trends in this area and receive tons of motivation by animating your own logo. LESSON #13: Expressions. Part 1 We will learn a basic introduction to JavaScript language that is enough to start making your own simple scripts. We will understand what are variables, arrays, how to build conditions and perform basic arithmetical operations. We will also learn how to make almost everything that we do manually faster with just a few lines of code. LESSON #14: Expressions. Part 2 We will learn very handy functions, understand how to make dependencies between parameters and finally get to know what is animation without keyframes. We will learn how to export animations into the code and use it in any online project. You will also receive some handy scripts that you will definitely benefit from in the future

LESSON #15: Export to JavaScript and 12 Animation Principles We will thoroughly examine and recreate all 12 principles of Disney animation that, if properly used, can improve almost any type of animation. LESSON #16: Character Animation. Walks One of the greatest animators at Warner Brothers Studio, Ken Harris, once gave such advice: “A walk is the first thing to learn. Learn walks of all kinds because walks are about the toughest thing to do right”, so that’s what we will go through. LESSON #17: Character Animation. Runs It’s not enough to speed up the walk to make a character run. There are quite a lot of differences between these cycles. Here we will learn these differences. LESSON #18: Rigging By this moment it should be clear how difficult it is to animate characters with the basic instruments of After Effects. Here we will learn how to create a comfortable rigging with controls so that you will not have to suffer from paths animations and basic transformations. LESSON #19: Pseudo 3D & Face Rig We will understand how to imitate volume with the help of simple 2D layers and look through one of the most popular techniques to create a facial rig of a character. LESSON #20: Facial Animation In this lesson, we will consider very important thing which most of animation beginners usually forget about — head animation and emotions! LESSON #21: Path Animation In this lesson, we will consider the principles and techniques of the Path property animation. It’s like a light transition from After Effects parametric animation to classical frame-by-frame techniques. LESSON #22: Frame by Frame Animation We will learn the techniques needed to create frame by frame animation in Adobe Animate and how to properly transfer this animation into After Effects to create outstanding animation projects. LESSON #23: Frame by Frame Animation. Part 2 We will have a closer look at the Pose-to-pose approach which will save you a lot of time while you are planning and creating complex animations. We will also figure out 3 techniques to clean up and finalize your shots. About Author Iaroslav Kononov I’m the Motion Designers School founder I’ve tried many fields in motion and AE is my favorite. Seasoned in our yaroflasher.com, freelance projects with big brands, and stock footage I will give you the knowledge that I’ve gained in 15 years. We have gone all the way from a tiny team to a large-scale and well-organized company that produces quality courses and is always ready to experiment and accept new challenges. See you in the course! More courses from the same author: Iaroslav Kononov

[dainogo]

Look at the first design, and you immediately think: "Oh, it's simple, I know how to design it too."

And do you know what? 95% of people who think it's simple couldn't do it, or at least they did it wrong.

I just uploaded a tutorial video on Illustrator tips will blow your mind and change the way you design. I hope it proves helpful to you. If you like it, please give me a thumbs up. Thank you!

Video:👉 These Illustrator Tips will Blow Your Mind (Part 1)

[kreatkro]

Can you guess how I created this eye-catching 3D 'E' logo

Unlock the secrets of creating a captivating Letter E logo that demands attention! In this video, brand identity expert kreatkro shares his 10 years of professional experience to guide you through the process of designing a unique and memorable 3D Letter E logo. Discover innovative techniques to transform this simple letter into a powerful brand symbol that sets you apart from the competition.

Whether you're a budding designer or a business owner looking to refresh your brand, this tutorial will equip you with the tools to craft a Letter E  logo that truly stands out. Don't miss out on these game-changing tips – watch now and elevate your logo design skills!

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[nabillasp-viscom]

WEEK 7: 1-1 TUTORIALS

Some sketches I had done for ONSPOT, my 15-Minute City.

First Logo

Chose the color blue because it is a relaxing color. Picked the shape because it symbolizes people and and connection that is also a vision for ONSPOT.

Fixed Logo after 1-1 and Studio Day:

Picked contrasting color that is less 'corporate' and rounded the corners to make it softer and dynamic. Added a logotype so it will be more memorable for the people and more clear as brand identity proposition. The font that I used is Plus Jakarta Sans. An iconic font for the greatest city branding that ever happened in Indonesia.

[emmywander]

Designers giving out their price options by

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💥Congratulations @borguinho1 😯!

You are the #ewanderfuldesign creative artist of the day!

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𝐅𝐎𝐋𝐋𝐎𝗪 US⤵️😉

@emmy_wander to get daily inspiration and tutorials.

🔖Tag us via #emmywander in your creative design.

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#logo #logos #icon #logotype #monogram #logodesigner #awesome #logoinspire #brand #brandidentity #lattering #graphicdesign #vectorart #logoinspirations #logonew #brandmark #lattering #apparelbrand #logoplace #clothingbrand #brandmark #instalogo5f

[giocleardesign]

In questo video voglio mostrarti come realizzare da zero un Poster utilizzando le Maschere incrociate con immagini precedentemente selezionate e lavorate. Infine riempiremo l'area di lavoro in modo da focalizzare l'attenzione del pubblico sull'effetto generato al centro del Poster. Qui puoi scaricare il materiale utilizzato e il File .psd originale: https://tutorial.giovannipalese.com/come-creare-un-poster-con-le-maschere-in-adobe-photoshop Ecco alcune GUIDE UTILI per te: ✍️ Come selezionare i capelli con Photoshop (rendiamo FACILI le selezioni complesse) ✍️ https://youtu.be/GfPU7pcQmTw ✍️ 24 Scorciatoie SUPER per Photoshop + BONUS ✍️ https://youtu.be/zHYFOZPtkTo ✍️ Come creare delle FANTASTICHE immagini BIANCO E NERO con il Metodo Calcoli ✍️ https://youtu.be/jy8PLpazyZM ✍️ Come SOSTITUIRE IL CIELO con Photoshop IN POCHI CLIC✍️ https://youtu.be/sODGg1ufizA ✍️ Come creare l'effetto Fotocopia con Photoshop✍️ https://youtu.be/HmpEEg1x-Cg ✍️ Come creare un BELLISSIMO ritratto in movimento con Photoshop ✍️ https://youtu.be/s_w83uxoDjY ✍️ Come creare l'effetto DUOTONE con Photoshop ✍️ https://youtu.be/BLDqSAkqPrc ✍️ Trasforma un'immagine con lo STRUMENTO SOGLIA ✍️ https://youtu.be/IOd8_oKUBHY ✍️ Come RIDIMENSIONARE TANTISSIME immagini CON UN CLIC in Photoshop ✍️ https://youtu.be/1wetvV7T75s