Could you make Prince Louis with a reader musketeer?
PRINCE LOUIS X MUSKETEER!READER
(You didn't say if you wanted this to be Yandere or not, if you want another version thats yandere Louis just lemme know)
You're probably a servant like Corrine and the other girls.
Louis sees you around the castle while he's testing out his flying machine prototypes.
Every time he sees you he can't take his eyes if you, wether your on your knees scrubbing the floors in the ballroom or just simply talking with one of the girls.
When the chandelier 'accidentally' falls on Louis, barely missing him, he sees you use the cleaning tools you where holding to keep some of the glass shards from hurting you.
He was hooked after he saw that.
He didn't understand why or how you knew how to do that, but he knew that it intrigued him.
Of course he noticed the other girls skills, but you had already stood out to him before the incident, the chandelier just made him pay more attention to you.
You where the first person he wanted to show his flying machine to, because he thought you would appreciate it and understand wanting to do it be something everyone says you can't do/be.
When you and the other girls are fired because of the incident with the dance swords he is beyond upset.
He had wanted you to be the one he danced with at the ball.
If course you and the girls sneak in because you know there's an attack planned and you two dance together.
During the dance you two can't stop making eye contact, closer then you probably should be.
But then the attack starts and Lois ends up on the roof.
You aren't going to let someone hurt him obviously so you run up to the roof.
You save him like the bad bitch you are and not only do you end up a musketeer, you're also the new queen.
It's hard being royalty and a musketeer, but you and Louis make it work, spending as much time together as possible.
Overall he is a top tier Barbie man and I'm gonna say it he is a sub cuz no Doman would be okay with their wife being a madass musketeer.
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Miraculous Barbie: Alya and the Three Musketeers
SURPRISE!!! A special final edition for the series, starring Alya! Enjoy! @artzychic27 @imsparky2002
"True courage is pursuing your dream, even when everyone else says it's impossible."
CAST:
Alya Cesaire as Corinne
Reshma Leghari as Viveca
Lotta Jameson as Renée
Ayesha Reynolds as Aramina
Nino Lahiffe as Prince Louis
Trixx as Miette
Kaalki as Alexander
Master Fu as Monsieur Treville
Olga Mendeliev as Hélène
Armand Dargencourt as Phillipe
Marlena Cesaire as Corinne’s Mother
Mael Chevalier as Brutus
Clara Contard as Madame de Bosse
And so our story begins….
A long time ago, in the French countryside, there lived a girl named Alya. She lived with her mother and sisters, tending to the farm after her father’s passing. But what Alya spent the most time doing was practicing sword fighting, hand-to-hand combat and acrobatics in the barn. And why did she do this? Because her dream was to go to Paris and be a musketeer, just like her father had been!
Sharing this dream with her was her energetic kitten, Trixx, who would practice alongside her, amusing all the barn animals, especially Kaalki, a wise older mare who had been Alya’s father’s horse during his service.
One day, as Alya practices, her mother comes in to speak with her. They have an agreement that when Alya turns 18, she can go to Paris to pursue her lifelong dream. Though reluctant and worried for her daughter, Marlena gives Alya a letter to bring to Monsieur Fu, the captain of the musketeers, asking him to watch after Alya, and some money to hold her over. And with that, Alya leaves the next morning, with Kaalki and Trixx on the long ride to Paris.
After a few days travel, Alya arrives in Paris. She finds a stable to house Kaalki, and then makes her way to find Monsieur Fu. On the way there, she hears the familiar sound of swords clashing and goes to look. She finds a group of musketeers sparring, and one emerges victorious. He boastfully challenges anyone in the crowd to take him on, and Alya accepts. The musketeers scoff, but are then amazed as she shows off her skills with a sword. Not wanting to be shown up by a girl, one of the men trips her, causing her to land in a puddle.
As the crowd laughs, the lead musketeer tells Alya to leave musketeering to the men, which only serves to infuriate her. He then goes on to say that there’s never even been a girl musketeer anyway!
Hearing this only pisses Alya off even more, because she knows damn well that’s NOT true! There was a female musketeer, many years ago. Her name was Kagami Tsurugi, and it was said by those who still remembered she had existed that she could fight off an entire battalion by herself, and no man could best her at swordplay. But one day…she disappeared, and it almost seemed like the musketeer organization tried to erase her from memory after that…
Back to the present, Alya takes out the letter for Monsieur Fu, determined to prove them all wrong…only for the letter to be stolen by Mael, a dog belonging to Armand Dargencourt, the regent in charge of protecting Prince Nino, his young cousin and the heir to the throne. Alya chases Mael to get the letter back, but is stopped at the gates of the musketeer’s headquarters when he jumps over the fence, just as Armand is exiting the building with Monsieur Fu.
As Armand leaves, he approaches the waiting Alya and asks what business she has there, and she explains her desire to be a musketeer, but he only laughs her off and states that a woman couldn’t possibly be a musketeer. Scowling, Alya demands her letter back from his dog, and he obliges before leaving.
Alya is invited inside by Monsieur Fu, and gives him her letter, explaining that he knew her father. When she expresses her desire to become a musketeer like her father, he tells her that it’s not as simple as merely wanting it and training for it. She must prove herself with noble and courageous acts, and she is simply not ready yet. Nevertheless, he tells her to come to him if she ever needs anything. Disheartened, Alya thanks him and leaves.
While Alya is sitting by herself, lost in her thoughts, Mael appears and begins to chase Trixx, with Alya quickly going after them. She pursues them through a crowd of people, along the way knocking a young woman of Indian descent into a mud puddle and soiling her dress, bumping a cheerful girl with heterochromia into a rose bush, and accidentally pushing a redhead into the fountain she was balancing on, causing her to lose her goggles, apologizing profusely to each as she keeps running. She ends up chasing them through the palace gates and is swiftly pursued by guards. She is about to knock on the door she saw Trixx run through, when a girl suddenly runs out in tears followed by a shout of “YOU’RE FIRED!”. A woman with a sour disposition steps out and spots Alya, stating that she’ll do and pulling her inside.
The woman, Madame Contard, asks what brought Alya to Paris, and when Alya tells her she wants to be a musketeer, she bursts out laughing. She then offers the now vacant position of a castle maid to Alya, who quickly accepts when the guards that were chasing her appear. Alya watches as Madame Contard berates an older maid, Olga Mendeliev (who also helped Trixx evade Mael), knocking away the feather duster she dropped, which Alya then picks up and returns. She’s then brought to the grand courtroom, where she meets her fellow maids…the three girls she knocked into earlier. Their names are Reshma, Ayesha and Lotta. And they are NOT happy with her.
After Madame Contard leaves, Alya apologizes again and asks if there’s anything she can do to make it up to them….and finds herself scrubbing the entire ballroom floor. As she’s working, Trixx is thrown out by the stuffy head of staff, hissing in indignation.
Later that night, Alya bids the three girls goodbye and makes to walk down the dark streets, prompting Reshma to ask if she has anywhere to stay. When she tells them she doesn’t, Ayesha offers to let her stay with them since they have an extra bed, with Reshma agreeing after Trixx gives her kitten eyes. Lotta isn’t really on board, but finds herself outnumbered. Alya tells them she needs to take care of something and will meet up with them later.
A short while after, Alya enters the girls’ apartment, bringing Lotta’s goggles, which she had gone to the fountain to retrieve, causing the girl to begin to warm up to her.
The next day, Prince Nino is testing his new invention, a machine that will allow people to fly! (It’s a hot air balloon, btw.) It works perfectly, and as he’s calling excitedly for his cousin Armand, he accidentally crashes into Alya as she’s cleaning the steps. He apologizes and helps her up, before he quickly rushes to retrieve his machine, which popped on a chandelier. Alya then overhears the prince talking to his cousin about how it’s his dream to fly, and can’t help but smile. However, Armand dismisses this and tells him the future monarch has no time for childish dreams, especially with his 18th birthday in a few days, after which he’ll be crowned king!
As Nino is leaving, the chandelier above the staircase suddenly comes crashing down, heading straight for the prince! Thankfully, Alya is able to leap and pull him out of the way just in time, showing off her impressive acrobatic skills and shattering some projectile glass shards with her broom. The other girls dodge more of the glass shards with some impressive moves of their own! Armand arrives with a few of the guards, ranting about how the prince was almost killed. He turns to his righthand, a man known only as Blade, and demands this doesn’t happen again…
Later, the girls are cleaning up the chandelier wreckage, and chatting amongst themselves. Alya sees something shimmering in the shadows and goes to look, finding a ruby near the rope that suspended the chandelier…which appears to have been cut. When she returns, Lotta asks where Alya learned those kinds of moves, and she tells them of her dream to be a musketeer! To her surprise, they all wish the same thing, and have been training just like her! Alya asks if they all know about Kagami, and they excitedly confirm they do. Lotta has wished for years to find out what happened to her, why she disappeared.
Suddenly, the girls hear a throat clearing behind them, and old Madame Mendeliev instructs them to follow her. She takes them down to a secret passageway, at the end of which lies a training facility for musketeers. Mendeliev explains that this was where Kagami, who grew up in the castle as a daughter of a lady of the court, would sharpen her skills. And that she intends to train them to be proper musketeers, if they will accept, which they eagerly do. She unveils a wall of weapons, from which they each choose one (Alya a sword, Reshma a ribbon whip, Ayesha a pair of fans, and Lotta a slingshot) and challenges them to prove their skill. They each try and fail to disarm her, her speed and skill at her age amazing them. She then explains the great responsibility and honor of being a musketeer, and their training truly begins. After hours, they are all exhausted and she instructs them to come back the next day to train again.
That night, Armand is in his study as Blade apologizes for the mishap with the chandelier, and it turns out Armand called for it, intending for the crash to kill Nino so he could remain in charge. He instructs Blade to sabotage Nino’s test of his flying machine tomorrow and warns his henchman not to fail him again, before leaving.
The next morning, Nino is out running tests on his balloon, writing notes as he checks on the various mechanisms. Unbeknownst to him, Blade has frayed the ropes that hold the balloon down, and when Nino gets in the basket to do a small test flight, the ropes snap and he’s sent into the air, tumbling out and dangling from a rope ladder by his foot! Alya happens to spot him through the window she’s cleaning, and quickly pulls off a graceful rescue, pulling him back into the balloon and steering it away from a spire before it can pop. The prince thanks her for his rescue and they exchange introductions. They fly in the balloon for a short time, Alya marveling at the sight of Paris from the clouds, and they discover they have quite a bit in common, such as their determination to achieve their goals.
Nino brings them back to the ground, figuring out the landing mechanisms as he goes. Alya tells him it feels amazing to fly above the ground, that it makes you feel like any dream could come true, and he asks if there’s anything she dreams of. She reluctantly admits that she wants to be a musketeer, and to her surprise, he doesn’t mock her for it, finding her determination admirable. She even gets to tell him there’s been a female musketeer before, and Nino is fascinated, wondering why more people don’t know about Kagami. It’s then that Alya must leave to return to work, bidding the prince goodbye, blushing as he kisses her hand and tells her he hopes to see her again. Unbeknownst to them, Armand watches from the distance with a scowl.
Alya arrives in the training room, and explains what happened to the other girls and Madame Mendeliev, recalling that, just like with the chandelier, the ropes appeared to have been cut…They come to the conclusion that someone may be trying to kill the prince! Madame Mendeliev instructs them to keep quiet but keep their eyes open until they have proof.
The girls promise to do so, and Lotta gets lost in thought staring at the painting of Kagami on the wall. It’s then that Madame Mendeliev decides to tell them what really happened to the first female musketeer. She didn’t disappear…she was killed. The captain of the musketeers at that time, Emani Pulateur, had been unable to handle a woman being superior to him and his men in skill, and had gathered his most trusted associates to… take care of Kagami. (She also may or may not have been trying to help his fiancée get out of their abusive and controlling relationship.)
The next morning, Trixx visits Kaalki in the stables and tells her how Alya rescued the prince, and of their training with Madame Mendeliev. He’s saddened that he can’t train with them because Madame Contard will throw him out, but Mael arrives and mocks the kitten that once his master is king, he’ll have cats banished from Paris. Trixx sasses him, and Mael makes to lunge at him, only to be intimidated into backing down by Kaalki. The old horse tells Trixx of a secret passage to get into the castle and train with the girls.
The girls continue their training every day, growing more and more skilled as time goes on. They even work training into their maid duties! Eventually, Alya is able to disarm Madame Mendeliev, and the girls decide to celebrate by going into town. However, they happen to stumble onto a meeting between Blade and some shady individuals. Alya recognizes the gems in the hilt of Blade’s dagger to be the same as the one near the chandelier rope. Continuing to watch, they see that the swords for the Blade Dance at the prince’s birthday masquerade ball in a few days, which are supposed to be made of paper and confetti, have REAL blades! Horrified, they race to warn Nino that the regent’s men are planning to kill him!
Back at the palace, Monsieur Fu is explaining the security measures for the ball to Armand, who explains he won’t be in attendance, when the girls arrive in a panic. Madame Contard tried to stop them, but they make it past her. They try to explain to Fu about the swords and the plot against the prince, but Armand dismisses them as delusional. It’s then the crates with the swords for the dance arrive, and Alya insists there are real weapons in them. But…there aren’t. They’re the fake paper swords, and the girls look foolish. Monsieur Fu tells them that they can’t act without proof, and the girls are escorted from the palace, with Madame Contard firing them for good measure.
The girls are severely disheartened, but Alya encourages them that they have to do something! They’re the only ones who know about the plot and they know every inch of the castle. After some trepidation, Reshma, Ayesha and Lotta agree, and they begin to devise a plan. Reshma will make them all costumes, and Lotta and Ayesha will make them new weapons that can be concealed in them. They’ll foil the plot and save the prince, and they need to start preparing! The night of the ball quickly arrives, and the girls don their gowns, and prepare to save the day!
That evening, Nino bids the supposedly departing Armand goodbye before leaving to prepare for the ball, as the regent prepares to put his plan into action. He dons a disguise and sneaks back into the castle, just as the girls are arriving at the ball. The regent and his men procure their weapons and prepare to launch their attack.
The girls enter the ball and dazzle everyone with their dresses, and Alya is spotted by Nino after his arrival, who recognizes her immediately and asks her to join him for the sword dance. She accepts and the two partake in the sword dance, with Alya telling Nino what she learned about Kagami’s supposed disappearance.
Outside the ballroom, Monsieur Fu and his men are knocked out by Armand’s henchmen, and the regent joins the sword dance, still in disguise. As they are dancing, all of the girls spot the real swords and know the attack will soon be launched. Armand gives a signal to Blade, and the fireworks show begins as a distraction. Armand draws his sword while everyone’s back is turned and prepares to attack Nino, but Alya leaps to counter him just in time. She takes Armand’s sword, which he accuses of being hers. The girls engage in a battle with the regent’s men, using their new weapons, while the regent spirits the prince away. Trixx even engages in a battle with Mael, using all his new training.
When the prince is in the secret tunnels, Armand unmasks himself and explains that he returned to the castle as soon as he heard there was trouble, and tells Nino that he is ‘bringing him to safety’. Back in the ballroom, Alya sees that the prince is gone and spots Armand’s mask by the entrance to the passageway, the girls quickly racing to catch up to them.
As they are riding in a lift to the highest level of the castle, Nino realizes the holes in Armand’s story, and the regent attacks the prince, who gets out of the lift just in time, pursued by Armand. The girls stumble across Fu and his men, and Alya continues looking for the prince while the others untie them. Fu and the musketeers arrest the regent’s men while Alya spots Armand pursuing Nino to the roof of the palace. Just before he can push Nino from the roof, Alya intervenes, swinging over and crossing swords with Armand. An intense battle of swords ensues, and Alya is disarmed. Armand plans to frame her as the one who killed the prince, who he would have been ‘too late to save’, and goes to impale her, but Nino tosses Alya her sword just in time! Alya quickly disarms Armand and Monsieur Fu arrives just in time to arrest him.
The prince thanks the girls for his rescue, immediately calls for Alya, Reshma, Ayesha and Lotta to be named musketeers, and they name their new battalion in honor of Kagami, who is now known to the public with a proper memorial in the musketeer headquarters thanks to Nino (who also asks Alya on a date, which she gladly accepts!) And from that day forward, any girl who wanted to could be a musketeer!
And they all lived happily ever after!
Strong hearts, strong minds, fighting for what’s right every time! Leave your thoughts in the comments and reblogs! Hope you enjoyed this surprise!
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My Top Ten Barbie Movies
With the movie approaching, I'm dubbing this Barbie Month, and pushing back on the Studying part of the Masterpost for a little longer. July is pink party time!
Today, I’m sharing my Top Ten Barbie movies, which I wonder if they’ll be controversial! Share yours, lets compare!
10: Christmas Carol. She cast herself as the villain, we love that! This is unironically a good adaptation of A Christmas Carol. It doesn’t beat the Muppets, but there are many worse adaptations that get way more praise. Eden Starling is a fantastic Barbie-fied Scrooge, and I love Morwenna Banks.
9: Star Light Adventure. I love Star Wars, I love Star Trek, I love big dumb himbos whose entire motivation in life is Eat Food, Drive Fast, Drink Respect Women Juice. Sometimes Barbie movies should be ranked by their Ken, and Prince Leo is just great. Also, a unique sci-fi plot that could only come from a Barbie movie.
8: Spy Squad. Listen, sometimes I just like dumb, fun movies. This is a stellar spy movie with a fun premise, quirky characters, a spy HQ in the H of the Hollywood sign, and the baddie is just their rival in a wig. Its cute, its colourful, they give Barbie a knock-off lightsaber. No complaints.
7: Big City, Big Dreams. We’re finally back to a good, queer-leaning Barbie movie! I love Malibu and Brookln’s dynamic, I think they’re so cute platonically or romantically, and I had fun with Mermaid Magic and Epic Road Trip too. I don’t love the tragic miscommunication moment, but I guess they had to add conflict in the last ten minutes. I love the songs and their final performance enough that all is forgiven.
6: Video Game Hero. I just think its fun, ok? This is the “there’s more than one way to ___” thing that Pink Shoes tried (and I still love, just not enough to Top Ten it) but went the wrong way about in my opinion. Video Game Hero is not a groundbreaking political commentary, or a classic musical, but it just has a special place in my heart.
5: Three Musketeers. I genuinely do not care for any other version of Three Musketeers. No one will ever beat Barbie. I love the secret society of swordfighters, I love that Prince Louis changes his tune by the power of… well, the Power of Four forevermore, I guess. I love that every version of Three Musketeers features precisely 0 muskets, and the Barbie version took that new heights with one of them fully just having ribbons.
4: The Fairytopia Trilogy. I think they get better and better with each iteration. I love the story of a wingless fairy getting wings, and then giving them up selflessly in 1 and 2, and I love that the ultimate message is that of kindness and courage. It’s also absolutely just me being blinded by childhood nostalgia, but Laverna is a top tier villain too.
3: Magic of Pegasus. I have a lot of positive thoughts about this one, but the main one is Aiden!! I think his story is quite unique and complex and he’s one of the strongest love interests of any of th Barbie movies. I also think this one is so pretty and purple, and Cloud Kingdom is glorious, and the quest plot is fantastic.
2: Princess and the Pauper. Now I know this one will not be controversial, except that it’s nt number one! Annaliese and Erika are both delightful, Julian and Dominic too, and even the characters lower on the roster are fun. Not to mention the best songs that make me want to do a full stage production.
1: Princess Charm School. This probably comes as no surprise if you’ve read my essay. I think that the socioeconomic implications are intense, I think that the murder plot is exciting, I think Hadley and Isla as Gardania Unsolved have to be among my favourite Friend Characters, and I think Blair is actually a great character too. I also love Delancey’s redemption, and how it comes from being faced with real-world consequences.
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