“-and that's why I ain't allowed in Pier Point no more!” Boothill throws his head back and cackles, somehow completely comfortable on the bare floor of the archives. He's the very picture of ease, his arms behind his head, his legs bent and crossed.
Dan Heng barely looks up from his notebook, not much surprises him anymore after the first few tales of lawless exploits. “So they really have that many laws and restrictions there.”
“And prob’ly a few more now that I've been through there! Heck, ya think they named any after me? I'm hopin’ so.” There's so much smug cockiness seeping through his voice Dan Heng could bottle it.
Silence settles in, stretches out. Dan Heng doodles pensive circles in the corner of his page.
He shouldn't ask. It's a private matter. It's none of his business. He of all people should know-
Something pokes his shoe, and when he looks up, Boothill has stretched one arm up to tap metallic fingertips against his foot. “Ain't like ya to hesitate.” With his head tipped back on the tiles and gazing at him upside down, Boothill's hair is out of his face and spooling out all over the floor, offering a rare view of his right side. His right eye is sealed over with a pitch-black patch, stark against his skin. Dan Heng wonders what he looks like behind it. “C'mon, then, out with it. Spill the beans, brother, just say it.”
“What does ‘Boothill’ mean?”
The man blinks at him, the crosshair in his cybernetic left eye flickering. Dan Heng shifts, smooths out his long coat. “I tried to look it up once. It's not in any database as a name...other than your wanted posters.” There's a thread beginning to fray near the hem, he should sew it up. “I couldn't find it anywhere.”
He nearly takes it back, but- “Heh, ya that curious about me, darlin’?”
Dan Heng quickly levels his face into the most impassive, nonplussed expression he can muster, but Boothill has already turned away, head pillowed on his arms and face once again turned to the ceiling.
“But nah, ya wouldn't. Hah, like they'd allow any record of the language, fudgeheads.” One arm sweeps around blindly until it finds the edge of Boothill's hat, sets it back where it belongs on his head. Dan Heng shuffles around, scoots a little closer, but the brim is pulled too low to see his eyes anymore.
“It's ‘cause it's not a name. It's a noun.” All that's visible of his face is a sharp grin, pulled too tight at the edges.
“It's my people's word for a grave.”
Dan Heng's pencil stops.
“It's the kinda grave fer someone who died with their boots on. If ya catch my drift there.” Boothill's foot starts to bounce. “There was a war, and it got reeeeeal intense, yup. Folks started droppin’ like flies, ‘n’ there was bodies faster'n what we could bury ‘em.” A cooling fan kicks on somewhere. Dan Heng is pretty sure it's not any of the Express equipment.
“We lost some real good people there, real good. Mighty shame.” His hidden Vidyadhara ears detect a quiet metallic click, a whir, pressurized gas. Boothill's next words waft steam from his angry circuits into the air. “When I left, I decided to leave my name there, too. Didn't feel right otherwise. The life I lead now is a whole ‘nother existence.” And then Boothill turns his head, raises his hat, and Dan Heng suddenly feels pinned dead center, caught in that crosshair.
“Ya know what I mean, don'tcha?”
Dan Heng swallows.
Does Boothill know? Who he is and who came before him? There had been that moment in the Penacony Grand Theater, after he activated the Jade Abacus… Dan Heng had tried to shoo him out, keep him from seeing anything, but Boothill has the astounding ability to turn up exactly wherever people are trying to keep him away from.
If he did see, does he actually understand it? Does he know what a High Elder is? Does he know about the sedition of Imbibitor Lunae, the transmutation arcanum, everything Dan Feng had done and Dan Heng was punished for?
He doesn't want to explain it all. Not now. Possibly not ever, truth be told.
And it's not the same as Boothill leaving behind his old identity when whatever event happened that caused him to leave home. Not really. But…
But so far, Boothill has slid so easily into Dan Heng’s routine. His presence never feels like an intrusion. He's already figured out what he can push and when to back down. And even Dan Heng finds himself able to roll with whatever punches Boothill throws with baffling ease. They share too much in their methods and ideologies, and sometimes Dan Heng knows what Boothill will do seemingly before even Boothill himself knows.
“...Tell me about Talia and the Nailscrap Town.” Boothill must know he's avoiding the topic. He must. But the man just throws his head back and cackles, melting easily back into what they had been doing before, as he speaks fondly of a planet that Dan Heng has never visited.
Not today. But.
Dan Heng inches just a little closer, just enough to nudge his foot against a metal leg. Boothill doesn't pull away.
Maybe someday.
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I think the theme of "home", while not always in the forefront, is something that interests me about the Sonic Movie Universe (in a similar way it interested me during Prime)
For Movie!Sonic, home is where you make it first and where your family is second. After his guardian died, he presumably jumped from place to place, and it was a while before he had a stable home. He made himself a home on earth and fell in love with the land and the culture. But you get the sense that as long as he's in hiding and ostracized all the time, it never fully feels like home. So it's important that he got to really experience earth and living in Movie 1 with Tom. It's important that he made earth his home, and then made the Wachowski household his base. No matter where he goes on earth and beyond, he has a family he chose and who chose him he can come back to and be himself around. "Home" for Movie!Sonic began with necessity, progressed due to his growing attachment to earth and what it offers, and fully settled in with him having a more permanent place in this world and support.
For Movie Tails, I surmise that "home" to him is where Sonic is. He was ostracized (possibly even bullied/picked on) back home for his two tails. After listening to some of his lines in movie 2, Tails read to me like a character who'd been treated as weird or an outcast and ended up isolating himself as a result. I got the impression that when he wasn't indulging in his love of technology/mechanics (or perhaps even at the same time) he was holed up in his base, watching a live stream of Sonic and his adventures, even after the conclusion of the first movie's events. He knows everything about Sonic, down to knowing that he doesn’t take showers, before even meeting him properly. Tails is not at home on earth nor particularly entranced by earth itself (in opposition to Sonic, who became entranced with it). He only even goes there to warn Sonic and to help him out. But Sonic's place—Sonic's home—is on Earth, in Green Hills, with Tom and Maddie, and Tails has formed an actual bond of friendship with the hedgehog he formed a possibly parasocial relationship with used to watch on a screen. Before, I think Tails was just content with watching or being helpful. But now? Now that he's spent time with Sonic, Sonic makes him feel normal. Sonic makes him feel like even "weirdos" can do great things. Sonic makes him feel valued. He's no longer content just watching because Sonic is more his home than the place he grew up in ever was. Home to him is with the people you choose, the people who make you feel at home, the people you want to be around. The Wachowski household is Sonic's home because he loves earth, green hills, and because he has mutually taken Tom and Maddie as his parents. Earth and the Wachowski household are only Tails' home as long as Sonic is there.
And for Knuckles... He has the set up to fall in love with earth in a similar way Sonic did. He grew up/was born in a similar place to him. And yet, all of the beautiful nature on earth doesn't matter to him. Knuckles, as of the beginning of the Knuckles series, had adopted a different approach to Sonic. Sonic tried to make home for himself wherever he could, no matter how many worlds he'd jumped to. In contrast, Knuckles never bothered to do this. He only pursued the mission, never bothering to make a home when he'd be off to the next world soon enough (especially if it seemed trivial in the face of his life's mission). And it's pointed that although he's able to participate in what earth offers the same way Sonic is in movie 1 (Knuckles learning how to bowl or Sonic going to a bar), he is not at home because of those things. He's able to slow down and appreciate what earth offers, the same things he couldn't bring himself to acknowledge before, and yet he's not at home on earth because it's beautiful or because it has food he likes or whatever. He very pointedly makes a connection with Wade and his family. The Whipple family is home. Not the earth, not even the house itself. He feels comfortable when with them, he enjoys the time on earth he spends with them, and he is able to appreciate Earth better when he experiences it with them (in contrast to Tails, who never had any sort of arc of appreciating what one can experience on earth to me). Home to Knuckles isn't easily quantifiable (more of a feeling really), but it’s about the people who make you feel at home. It's about the people who helped him relax and feel more comfortable not always putting his focus into the mission.
Sonic, who can make home anywhere, who always appreciated what was great about living on earth, and whose "home" was finally made permanent when he spent time with Tom and Maddie.
Tails, who never truly felt home until he spent time with Sonic, who doesn't particularly care for what earth has to offer, whose home is wherever Sonic is.
Knuckles, who never allowed himself to feel at home or tried to make a home until he began to travel with Wade and open up to new experiences, who began to enjoy earth and yet considers his home with the Whipple family specifically.
Sonic would protect the earth he lives on even if everyone he cared about was gone. Tails would protect the earth he lives on so long as it's Sonic's home. Knuckles would protect the world he lives on not just to keep the master emerald secured, but so long as this place is home to the Whipple family, with whom he enjoys experiencing Earth with.
Do you... Do you get me?
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@desperuntion | plotted starter.
"Did he enjoy you, Daniel?" Armand asks, turning his head to the approaching figure in the blue glow of the television sets. He's muted the volume of two warring sets of dialogue to focus on his lover, newly awoken, and he's even curled his legs up beneath him on the couch to suggest that Daniel claim the emptied space beside him.
Did he enjoy you? Louis, he means. Daniel had stayed out until after sunrise, and so Armand had not been able to see him off to sleep when he came home from his rendezvous. (With Armand's one-time companion. They're all being very modern about the mutually felt interest. That's what Daniel had called it. 'Very modern.' Armand thinks the understanding seems more like that of the ancients.) But the glass of water and bottle of ibuprofen on Daniel's nightstand were the quiet vestiges of Armand's care, even after the coming of the day had relegated him to his coffin. And late to bed, late to rise, as it followed; Daniel had not emerged from his room until well after nightfall, before which time Armand readily occupied himself with his screens. Now, however, he's eager to exchange the TVs for Daniel's conversation.
He might have asked if Daniel had enjoyed himself, but knows that this degrading alternative will excite him. And Armand has to play along, show his approval of Daniel's extracurricular engagement; he can feel a quiet nervousness radiating from him the second he enters the room, even without peering into his mind. Perhaps he frets that in the hours apart Armand had changed his mind and revoked his permission? He must be assured that this is not the case — that even the giving of permission was in some way theatrical, unreal. There is precious little Armand would not allow Daniel, really.
"Come, sit. Regale me."
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Soulmates AU in which when your soulmate is in a situation that can result in their death you get to see through their eyes. Like, I don't know how to explain this- it kind of flashes between what you see and what your soulmate sees. You know those edits where there's a scene going on and there's another one faded in the background happening at the same time? Similar to that. The idea is that you get to see what your soulmate sees too, on top of what you're seeing.
Now, this AU but JeanMarco. With Marco asking the others where's Jean, just for him to start seeing a corpse right in front of his eyes not even a second after asking. Seeing through Jean's eyes as he's trying to get hold of that gear and stuff. And once Jean's safe, once it clicks that you know his best friend is his soulmate Marco can't wait for them to graduate so he can you know tell him that.
Then, you know. That happens. And Jean is so fucking confused because he keeps seeing Annie crying, looking down on him. Only when Annie starts getting off the gear, when his soulmate starts moving around trying to get away he starts panicking, starts moving around faster than before. And maybe he's too late. Or maybe he shows up in time and kills the titan. I don't know. That's not where I'm trying to get, but to the second option AKA Marco pulling an UNO reverse on Annie because he's a smart sneaky bastard like that and being like 'Hey you can't kill me, my soulmate will know it was you' which makes her stop trying to take off his gear. Reiner keeps telling her to do it, Bertholdt keeps yelling about that titan coming closer, but Annie... she has seen things, at some point. Flashes of moments that weren't hers, happening right in Trost- right in that moment. And she didn't give them too much thought until that moment, until it got confirmed that it has nothing to do with her titan powers.
'What do you mean by that?' she asks, because she needs to know more. Because she wants to know more. And Marco starts explaining how it works. Tells them that he has found his soulmate, that they will put all the blame on them for his death. Reiner doesn't believe him, keeps insisting that he's playing them around - he, and anyone born and raised on Marley, has never heard of something like that before, it doesn't exist - but Annie tells him to shut up and to let Marco go. Cue to the plot of any fic in which Marco doesn't straight up die after finding up their secret.
Anyway I don't know man, just,,, We need more soulmate aus for JeanMarco. That's an order.
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