Mama you know I am gonna need Rio’s ig account too cmon now!
To Be CLEAR his account is definitely private and he's the type to post throwbacks of his Abuelita, and his childhood with her, random photos of Marcus, the boxing gym, Epiphany & Marcus, and Epiphany
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𝒎𝒂𝒏𝒏𝒚 𝒎𝒐𝒏𝒕𝒂𝒏𝒂 𝒈𝒊𝒇 𝒑𝒂𝒄𝒌 !
by clicking on the source link below, you will find #356 hq gifs ( 268 x 150 ) of manny montana in mayans mc: season 4. all of the provided content was created from scratch to finish by 𝒂𝒔𝒕𝒓𝒐𝒈𝒊𝒇𝒔 and are for roleplaying purposes only; however, you’re more than welcome to use them as sidebar and reaction gifs as well. please do not include them in gif hunts, redistribute (publicly or privately), repost in gifsets, edit in any way (publicly) or claim them as your own.
purchase on payhip: $7.50
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NICOLEMAIINES’ ALTERNATE FCS: MANNY MONTANA EDITION
listed below are some fcs I think would be a good replacement for manny. since the tags are broken, I haven’t included gif hunt links but I’m happy to help find gif hunts or make gif packs of any of the below suggestions if needed!
aaron diaz (40)
adan canto (41)
alex meraz (37)
benjamin bratt (59)
bobby wilson (38)
brandon jay mclaren (40)
charles michael davis (38)
clayton cardenas (38)
david castaneda (33)
edgar ramirez (45)
guillermo diaz (47)
iko uwais (39)
jd pardo (42)
j.r. ramirez (42)
luis roberto guzman (49)
marwan kenzari (39)
miguel gomez (37)
miguel angel silvestre (40)
richard cabral (38)
rick gonzalez (43)
ricky whittle (42)
santiago cabrera (44)
tenoch huerta (41)
wilson cruz (48)
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Al Pacino in Scarface (Brian De Palma, 1983)
Cast: Al Pacino, Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, Robert Loggia, Miriam Colon, F. Murray Abraham, Paul Shenar, Harris Yulin. Screenplay: Oliver Stone, based on a screenplay by Ben Hecht, Seton I. Miller, John Lee Mahin, W.R. Burnett adapted from a novel by Armitage Trail. Cinematography: John A. Alonzo. Art direction: Edward Richardson. Film editing: Gerald B. Greenberg, David Ray. Music: Giorgio Moroder.
Brian De Palma's Scarface ends with a dedication of the film to Howard Hawks and Ben Hecht, the director and the author of the story for the 1932 Scarface. As well it might, for De Palma's film and Oliver Stone's screenplay follow the outlined action and many of the characters of the earlier film far more closely than many remakes do. Most of the major characters have counterparts in the 1932 film: the Italian Tony Camonte becomes the Cuban Tony Montana; the first Tony's best friend, Guino Rinaldo, becomes Manny Ribera; Tony's sister, Cesca, becomes Gina; his boss Johnny Lovo's mistress, Poppy, becomes Tony Montana's boss Frank Lopez's mistress, Elvira. Both Mama Camonte and Mama Montana are sternly disapproving presences, and the appropriate characters are bumped off in more or less the same sequence and circumstances as in the earlier film. Because of the relaxation of censorship, there's a little heightening of some subtext from the first film: Gina (Mary Elizabeth Mastrantonio) taunts Tony Montana (Al Pacino) with having incestuous feelings for her more explicitly than Cesca ever dares with Tony Camonte. And although the earlier film was thought to be excessively violent, the remake goes boldly where it didn't dare, starting with a chainsaw murder and ending with a veritable orgy of gunfire, including that of Tony's "little friend," a grenade launcher. The violence of De Palma's film first earned it an X rating, which was bargained down to an R after some suggested cuts -- although De Palma has claimed that he actually released the film without the cuts, and no one noticed. The remake's violence also turned off many of the critics, although it received a strong thumbs up from Roger Ebert. Since then, of course, the movie has become a cult classic, and more people have seen the remake than have ever seen the original. Which is a shame, because the original, despite some occasional slack pacing and the inevitable antique feeling that lingers in even pre-Production Code movies, is a genuine classic, while De Palma's version feels like a rather studied attempt to go over the top. Screenwriter Stone was never noted for subtlety, and while Al Pacino is one of the great movie actors, De Palma lets him venture into self-caricature, especially with what might be called his Cubanoid accent. On the other hand, Steven Bauer -- who was born in Cuba and sounds nothing like Pacino's Tony -- is a more appealing sidekick than George Raft was, and Michelle Pfeiffer, in one of her first major film roles, makes a good deal more of Elvira than Karen Morley did of Poppy, even though Pfeiffer is asked to do little more than look beautifully sullen and bored throughout the film. Scarface is at best a trash classic, a movie whose impact is stronger than one wants it to be.
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