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bearseokie · 4 years

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boyfriend! oneus

[ gender-neutral! ]

oneus m.list | navi. | nsfw! bf! oneus (M)

Ravn:

selfie game, strong! between his insane visuals and like-minded camera angles, you're never let down by his pretty selfies that he sends you throughout the day. mainly paired with his chin to his chest while he's pouting and a silly caption.

if you think his selfies are good, the way he takes couple pictures? chef's kiss. you're never low on pics to post to social media or to put on your fridge. even the embarrassing ones, but he'll whine about those later.

matching onesies or couple pajamas.

walks up to you just to rest his chin on your head or shoulder and breathe you in.

holds your hand in the way that his entire hand envelops the width of your fingers while you hold on to his thumb.

asks for you to buy him flowers more than he gets them for you. you can't help but want to see his eyes sparkle at the sight of a dozen roses, though.

is probably biting his lip unwillingly but also on purpose. it's a habit you learn to enjoy. he does it when he's focused too, so you always know if he's paying attention or not. as confident as he is, he blushes when you call him out for it.

wraps his arms all the way around your torso and picks you up in a hug just because he can.

will see something out of the corner of his eye and make a whole circle to turn towards it. usually it's a gift of a random item he thinks you'll adore, and you always do. you'll gain a little collection of things you never imagined you'd own being with him.

genuinely not used to physical contact and tends to be rougher than he means to be. he's a temperate boy that has a habit of patting your head or kissing you a little too hard because he's in love and is still learning.

talks your ears off when you're alone. if you don't pull his beanie over his face, he won't shut up.

comes across as intimidating, but is literally the most considerate person. like he will physically reel you backwards just to gently push away an eyelash from your cheek and kiss your lips.

big pant, big shirt. aka his and your big pant and big shirt. sharing is caring. he gets butterflies in his stomach watching your hand caress over the clothes hanging in his closet as you search for something to wear.

unintentional - but completely intentional - lip locking. like he'll bend over to reach across your form laying on the bed when you’re distracted and he’ll be right in your face. before you know it, you're sitting up and your lips are colliding. especially loves doing this in public because your warm face is his rapid beating heart.

will admit to others how much he loves you but will be so stubborn behind closed doors. says things like "are you sure we're talking about the same person? me, wait— me? I'm in love with you? no— no, you're right. I'm guilty."

pouty boy with big, pleading eyes all the time.

runs his fingertips over the lines of your hands. you catch him mimicking them on his own and smiling like an idiot when they match.

take his flannels. do it.

late nights where he bursts through your door while you're sleeping and shakes you awake to run a few lyrics by you. always second guesses himself, but when he sees that you're actually taken back by the words, he gets all smiley bolts back to work.

snuggles into your pillow until you lay down with him, then you're his true cuddle buddy.

Seoho:

dramatically pulls his coats off to put over your shoulders. his constant body heat can warm you up immediately.

takes you on movie dates just to sit in the very back and have heavy make outs with you. like panting, fingers laced in each other's hair, bodies fighting to get into each other’s seats — make out sessions.

his! laugh! the way you can get him to laugh is definitely one of his favorite things in the world, and his smile could light up a room. also has the tendency to laugh at you even when you're not being funny.

pushes his face into the crook of your neck to fall asleep. his breath on your skin can make you feel weird and loved at the same time, but his sound sleeps are worth it. also pushes you to lay on your back so he can curl up beside you and rub his forehead against you.

more chaotic dates where he does things you're afraid of just to show you not to be so scared. hugs you like a koala for the rest of the day.

matching outfits like crazy. even down to the accessories. loves spoiling you with new outfits even if you tell him you hate getting gifts so often.

hugs your waist and lifts you up to reach something instead of getting it down himself.

will have the same pic of you and him set as everything. his phone’s lockscreen, wallpaper, his laptop’s lockscreen, wallpaper, profile pics, it’s the only post on his social media.

so in love that it can come across as icky. blushing cheeks, sweaty palms, a bounce in his step.

mocks you like you’re already an old married couple. but his loving banter comes off as charming.

the saying 'know you like the back of my hand' had to have been written by him, himself, because he does, in fact, know you that well. he knows the different sounds of your sneezes - aka whether you have a cold or not. he knows the change of your morning voice versus the tone you have in the middle of the day. anything going through your mind, this man has down pact.

random night calls where he just goes 'I'm at the door, let me in." because his hands are too full to reach for his key. stumbles in with bags full of snacks and treats just to have you both sit on the floor eating and ranting until dawn.

the softest kisses. and I mean the softest kisses. like michael angelo adding details to his paintings, type soft. you can hardly ever feel them and barely knows he's there until he starts laughing or vibrating from the sudden eye contact you're giving him.

would rather waddle side to side in a back hug than let you go to walk somewhere alone.

has a list of everything he loves to share with you over time. movies, music, random memos in his phone.

included in those phone memos are literally so many details about you that it can make your eyes roll. he has the smallest details noted and little asterisks to remind him to write them down in a physical journal one day, but you might have to do that for him.

a lot quieter than he makes himself out to be. is basically a ghost when you're around him. the only way you really ever know where he is is if he's lugging around a bluetooth speaker with music playing.

messy! hair! he will literally refuse to brush his own hair until you do it for him. loves it more if you just use your fingers to comb his locks.

squinted eyes because he's smiling at you so hard that he'll probably bump into something in the process.

lets you hold both sides of his face in your palms. especially if he's cold. sometimes you can squish.

Leedo:

being with gunhak — it is literally a love novel.

warm eyes that sparkle when he looks at you. you notice it and keep quiet just to bask in his affection, but it’s always the first thing people mention when they talk about your relationship.

can’t help but reach his hand across the table to hold yours while you eat.

scrunches his nose when you say silly things.

the most attentive person when you’re telling a story. will sit with his chin in his palm and his eyes going between your gaze and lips as you speak. makes constant “mhm” and “ohh” sounds to let you know he’s right in the story with you. stops you to laugh at the way you say a specific word. you both spend hours sitting somewhere together just telling stories back and forth until the sun rises or sets.

can’t go a single day without throwing you over his shoulder and carrying you around.

has his hand on your lower back all day. like all day. in public, at home, in bed while you're sleeping. as long as his hand is on your back, you know he’s next to you.

his face is always a hotter temperature than the rest of his body, especially if you’ve been looking at him all day. crimson cheeks, red-tipped ears, reddened lips because he can’t stop kissing you.

sleeps with you laying in between his legs and your head on his chest. you fall asleep to the beat of his heartbeat while he plays with your fingers and listens to your breathing.

puts you in the shopping cart before any items just so he can wheel you around and listen to you laugh when he pretends he’s going to ram into something.

will pull the shirt/jacket/top he was wearing over his head and toss it to you to wear or hug if he’s leaving so you don’t miss him too much.

isn’t extremely good with speaking words to express what he wants to say, so oftentimes you find little notebook pages folded around the house with love notes written on them. him telling you how much he appreciates how much you do for him. him saying ‘i love you’ in different colored ink in different kinds of ways. sometimes a smashed flower in between the pages just for added scents. completely a cheesy romantic with love notes.

likes to let you drive so he can put his elbow against the window and stare at you from across the front of the vehicle. while you’re focused he’s grinning and giggling because it’s ‘super adorable’.

sends flowers to your work at the most inappropriate times in order to keep anyone that’s been flirting with you in their place. very subtle about being protective, and thankfully never has to make large leaps to have others understand you’re unavailable. thinks it’s the best thing in the world when someone is eyeing you and you come running to him to dramatically toss your arms around his neck and place a kiss on his lips.

enjoys having cleverly matching pieces. a pair of earrings shared between the two of you. matching bracelets. soft cotton shirts you can wear on your days off. two blankets of the same designs but different colors.

severely embraces breaking his shyness when it comes to pda. will pull you into his arms and kiss you while walking down the street. lets you sit on his lap in a busy place. carries you on his back around big stores.

works out with you around him. if he wants to do sit ups, you're holding his feet. if he wants to do push ups, you're laying under him giving him kisses every time he comes down.

forehead kisses. temple kisses. cheek kisses. literally all of the softest kisses.

terribly difficult to wake up, but the sound of your voice will draw his lids to open in an instant so he can see your smiling face.

super nervous about the entire relationship so you have to guide him at a reasonable pace. hold his hand first, kiss him first, even say 'i love you' first, but he'll return it all in a beat after you express your love.

Hwanwoong:

would be the one to have that situation where you met by running into each other at full force and had to laugh it off despite how much pain you were both in. he does something like offer to buy you a drink as an apology and then he never leaves your side.

sits with him between your legs and his back pressed into your front so you can hug him around his waist and lean on him.

smells are a huge deal to him. hoards light scented candles and renames them with comic titles or references to your relationship just to make you laugh when he calls them out in conversations.

runs his fingers through your hair as a way of showing affection on a regular basis. if you’re in public, he’ll sneak in a quick kiss just because he isn’t huge on pda.

but not liking pda doesn't mean he won't cling to you behind closed doors. he can't go very long without brushing his skin against your own, even in a subtle way.

physically capable of making meals on his own, or with you, but he's too lazy. enjoy the take out! also huge on getting snack foods to feed you in a romantic way without it being intentional.

quiet. very quiet. he enjoys silence while holding you or waking up in the midst of the night just to hear you sleeping peacefully. it's his solace.

although he gets whiny, he will let you do anything you want to him. test out makeup looks on him, play with his hair, make him dress up for you. just as long as you can reciprocate by going on sweet dates with him or let him read his favorite stories to you, he's all for it.

gets you random, very personal gifts. his attentiveness is insane, so he'll give you something like a better-formed pillow to help you sleep or a journal of your silly inside jokes to keep around when you have to be apart.

pretends he's not emotional during the day only to spill the deepest things to you at night. you're his diary and he loves you for that.

but with his distant state, you're still the one to notice things first. if he's too tired, if he's hungry - you know the tell-tale signs and can quietly get him back on his feet. you’re basically his weakness and muse all at once.

he might be the last one to wake up, but that's just because he enjoys knowing you slept by his side all night.

tilts your head to the side to kiss you because he thinks it's romantic.

doesn't care who you think you are, he will give you a piggyback ride.

does that thing where you'll be doing something important and he'll be sat next to you whispering jokes into your ear to keep you from getting stressed. also has to hold your hand the entire time or else he'll get up.

intuitive to your emotions and feelings. if you're in pain somewhere, he's in pain. if you're laughing, he's laughing.

the most pleasing, deep morning voice ever. doesn't even have to try. it's like two octaves lower than his regular voice and will always give you the shivers.

instead of big things for dates he does tasks like have all of your house chores done when you return or studies up on your school work to help you out. it's his way of showing affection and appreciation. but he does bigger things too like cover your bathroom in flower petals with a nice bath running when you get home.

has a tendency of saying your name the most when he’s sleeping.

makes choreography and dedicates them to you all the time. will tug you into the practice room to show you moves. but then he's giggling uncontrollably and starts complimenting you until you kiss him.

Keonhee:

records everything all the time. has backup storage just so he can film everything you both do or take a thousand pictures. spends literal hours printing out the pictures to make photo albums or put them on his wall so he never has to go a moment without seeing you. carries around a physical, mini album just to stare at while he’s traveling or feels lonely.

loves showering with you. will take the showerhead off of the wall and hold it over you while making lightsaber sounds.

loves the sound of you saying his name more than anything. when he's happy, upset, angry - just a call of his name can settle his emotions. and maybe a kiss too.

will sit or lay somewhere and just stare at you with a big, goofy grin on his face and loving sparkles in his eyes for no particular reason.

claps your hands together before he holds them.

makes music playlists titled with hysterical names that are more distracting than the chaos of the actual list. names them with emojis and such to see if you can code his secret love messages.

his lips are always redder than normal around you. quite literally doesn't know when or how to stop kissing you.

cannot comprehend how he could love someone more than you. it's that dumb love like he'll trip over his own two feet, say your name instead of his own when ordering something, or even intentionally get something he hates just because you like it.

changes the color of the led lights to define the mood. happy, sad, sexy time. the room is a rainbow every week.

contrary to popular belief of the cancer man, he's not clingy until you tell him to be. postpones all physical contact to the last moment when you ask why he's distant and give him consent to holding you whenever he wants. then he never lets you go.

has to be even in height with you ninety percent of the day, even if you're off by a few centimeters. helps you sit on the kitchen counter, hunches to kiss you, lifts you up by your waist.

being on opposite ends of a room while he's doing hand gestures and silently singing you the song stuck in his head.

his most genuine habit is giving away all of his emotions in his eyes. one glance and you know exactly how he feels, even if he isn't speaking about it aloud.

thinks being out in the rain is extremely romantic but will pull you back inside at the first drop because "you might get a cold".

hardly wears clothes when he starts getting seriously comfortable with you. no shirt, maybe some pajama pants, maybe some socks with random patterns on them. if he gets hot at any point, shield your eyes.

pouts without actually pouting. you'll hear a little huff from beside you instead.

put your belongings into the rips of his jeans instead of his pockets. they're 'safe'.

visibly shudders when he gets to hold your hand after a long day.

so many shoulder kisses you can't even keep up with them anymore.

you have a collection of him scrunching his nose when you're trying to get soft couple pictures because he can't take it seriously.

Xion:

if you fall asleep on him at any point during the day, he'll wrap you in his jacket or a blanket around you and carry you to bed. he'll let you rest comfortably while he lays beside you and watches you sleep while running his fingers across your face in a loving way.

sleeps holding your hand no matter what position you're both in.

dates are basically: carnivals to sit at the top of the ferris wheel and make out peacefully, picnics in the park to pick flowers and put them in your hair, going to bookstores just to shuffle through the comics and mangas.

bites you. slowly. he’s not the type to just bite into your skin randomly, more like you’ll get big puppy eyes and know he’s up to something before you feel a little nibble.

competitive in an ‘i’ll let you win if you give me a kiss’ way. guess who always wins. sike it’s him because he can use it as an excuse to make you pouty and then kiss you until you can’t even pretend to be angry anymore.

loves singing to you and only you.

hand-makes you jewelry because he finds it more endearing than buying them. plus it's sentimental.

hates blushing in front of others, but you can make him blush from a few words. loves the pet names you come up with. they sound like common conversation pieces so no one questions why you said them until they notice his face is nearly crimson.

unintentionally does romantic stuff. plays ballads over a speaker while prancing around until you take his hand and dance with him. finds a rose bush and gently clips a single flower to put in a vase for you. absentmindedly kisses your knuckles when he sees you for the first time in a while.

has the hardest time showing emotions, but does have the tendency to cry when parting or send you chain texts about how much he misses you when he's away.

random cheek kisses throughout the day.

sweater paws because you're both wearing his large hoodies and holding hands.

has more soft objects than you've ever witnessed a person own. now they're partially yours, so choose a stuffed animal.

random store dates where you go inside and find the strangest items you both fall in love with and get to put on display at home. you know when you go to someone's house and see an object that makes you question how it got there? he gets a lot of those for the two of you. 'conversation pieces', he says.

remembers cheesy quotes to tell you throughout the day to make you smile. if he wasn't in love, he'd never think twice about memorizing them.

probably thinking about kissing you every second of every day, but he uses his kisses wisely.

steals your shirts to sleep with when he's away because they smell like you.

cannot handle more than holding your hand in public at first, but he'll learn to love pda very quickly if you enjoy it.

where has all his phone's storage gone? oh, they're just pictures of you sleeping.

so adorned by you that his eyes literally sparkle, even if you're in his peripheral.

#oneus #oneus headcanon #oneus headcanons #oneus imagines #oneus scenarios #ravn #kim youngjo #seoho #lee seoho #leedo #kim gunhak #kim geonhak #hwanwoong #yeo hwanwoong #keonhee #lee keonhee #xion #son dongju #oneus.headcanon

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thisplace-ishaunted · 4 years

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Tagging system for your browsing (or snooping) convenience:

((If you just want to reblog the beautiful and nifty gifset above, here is the link for the gifset without all of this junk below it.))

I have tagged the majority of my posts, beginning January 2019, for reference purposes for myself and others. Click the link, or if you are on mobile, use the handy dandy search feature (hoping it works) to search the following tags to find them.

…

#mine contains all of my original posts, some of which is content I made myself, some of which is not. Just because I use #mine is not me claiming the content is something I made myself, it might be a reupload from something I found elsewhere.

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Motionless in White (all): #MIW

Chris: #CTC

Ricky: #RAO3

Ryan: #RCS

Vinny: #VM

Justin: #JM and #JDM

Balz: #JJB

Angelo: #AJP

Other tags: #thighs (Chris) #fuck Ricky and his legs #otp (Cricky) #softboi Chris #Chris the inside of your mouth looks delicious #deadstream #goth spice 💋 #ignore the stain #MIW memes #Christopher Thomas Tonka Truck Cerulli

Other Band Tags: #MCR (My Chemical Romance) #GAW (Gerard Way) #BHW (Marilyn Manson, although I no longer rb Manson content) #tim (Tim Skold), #HIM #VHV (Ville Valo) #NIN (Nine Inch Nails and Trent Reznor) #INK (Ice Nine Kills and Spencer Charnas) #BVB (Black Veil Brides and Andy Biersack) #Isle of Flightless Cowards (Twenty One Pilots) #Marina (Marina and the Diamonds) #Beartooth (Beartooth and Caleb Shomo) #MSI (Mindless Self Indulgence, no longer rb MSI content) #Creeper #INXS (and Michael Hutchence)

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Other Tags: #be just and fear not (Rocky Horror) #Twin Sp00ks (Twin Peaks) #SOA (Sons of Anarchy) #Ozark #DFTBA (John and Hank Green, Vlogbrothers, Nerdfighteria) #NGE (Neon Genesis Evangelion) #tag games #so lets sinnn #I see the tummy and I pounce

...

There are currently a couple of things I tag for trigger warning purposes. If you follow me and would like me to begin tagging something specific for you to blacklist, please let me know!!

#mine #dont lose #eventually I will go back and backtag things like slipknot and murderdolls #but until then those dont have a tag I am sorry #tw flashing

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bleedingccity · 4 years

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THE SHADOWS OF REBELLION CHARACTER INTRO (1/5)

ANGELO ABRAHAMS.

“no masters and kings when the ritual begins,

there is no sweeter innocence than our gentle sins,”

- hozier.

“What makes you think I will not hesitate to kill you with my bare hands? I was born with a burning flame at the core of my being. When I was younger, it was just a gentle, flickering flame, swaying with the wind, able to be extinguished with my mother’s touch. Now that I’m older, it has grown into a raging fire, so bright and beautiful. If only you knew how quickly you would crumble into a pile of ashes at my touch, you would never dare to come near me again. The violence in my veins is running wild, I’m waiting for the day it finally breaks free from its thinning walls, and I lose every part of me that is human. I will run to the devil at the ends of the earth, he will greet me with open arms.”

ABOUT

Angelo is often described as quiet and hostile by his class. A lover of the Renaissance era. An extremely talented painter, no one is allowed in his studio at the Abrahams Mansion. However, his professor dislikes him greatly as he often refuses to adhere to the college approved format of creating artwork. The only reason he hasn’t been kicked out of school is because the Abrahams family made a huge donation to the school, in exchange for Angelo’s admission to the school. Always wears a brooding and thoughtful expression. No one truly knows Angelo inside out, a living enigma. Has a battered journal where he sketches and writes, no one has ever seen the contents of the notebook. Only speaks when necessary. A genius, and is good at everything he does, he is very much aware of this and prides himself on it. Does not have any other friends except for Michael, Leonardo, and Jackson, but prefers to be alone. A lover of tragedy. Can speak multiple languages (Latin, French, English, Greek, English being his native language).

APPEARANCE

Dark hair, and dark eyes. His fringe is often in his eyes. A strong build, tall. Slender, ink-stained fingers. Often dresses in black coats. Walks in a calm, composed manner. Has an elegant air about him, just like his father. Constantly wears a thoughtful, brooding expression. Despite his preference to remain unseen, one can’t help but notice his presence every time he steps into a room. A hush would fall upon the room, all eyes fixed on him, accompanied by curious stares. However, Angelo never returns these looks.

RELATIONSHIPS WITH OTHER CHARACTERS

strained relationship with younger sister, Ava Abrahams

best friends with Michael Collins, close confidant

friends with Jackson Adler

is often annoyed by Leonardo Wiley

TAGLIST GANG

@ladyymacbcth @aelenko @aphronysus @peachiekittenwrites

drop an ask / message to be added / removed!

COMING SOON

character intro for Michael Collins

character intro for Ava Abrahams

wip page // pinterest (still in progress and a little messy though!)

#oc intro #original character #writeblr wip #writeblr wips #wips #character wip #angelo abrahams #the shadows of rebellion #tsor #repost cuz there were too many mistakes arghh #tsor character intro

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hectorrubilarcolors · 4 years

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Pencils by J. Scoot Campell.

Inks by Vitali Iakovlev.

Flats by Michael Angelo Arbon.

#Coloring DigitalPainting Rendering colors hector rubilar art JScott Campbell Disney LitteMermaid

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criticalthinkingedu-blog · 6 years

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The Last Leaf

In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One Street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account!

So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a "colony."

At the top of a squatty, three-story brick Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at the table d'hôte of an Eighth Street "Delmonico's," and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted.

That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers. Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown "places."

Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house.

One morning the busy doctor invited Sue into the hallway with a shaggy, grey eyebrow.

"She has one chance in - let us say, ten," he said, as he shook down the mercury in his clinical thermometer. " And that chance is for her to want to live. This way people have of lining-u on the side of the undertaker makes the entire pharmacopoeia look silly. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?"

"She - she wanted to paint the Bay of Naples some day." said Sue.

"Paint? - bosh! Has she anything on her mind worth thinking twice - a man for instance?"

"A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth - but, no, doctor; there is nothing of the kind."

"Well, it is the weakness, then," said the doctor. "I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten."

After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing board, whistling ragtime.

Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep.

She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature.

As Sue was sketching a pair of elegant horseshow riding trousers and a monocle of the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside.

Johnsy's eyes were open wide. She was looking out the window and counting - counting backward.

"Twelve," she said, and little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven", almost together.

Sue look solicitously out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks.

"What is it, dear?" asked Sue.

"Six," said Johnsy, in almost a whisper. "They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now."

"Five what, dear? Tell your Sudie."

"Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?"

"Oh, I never heard of such nonsense," complained Sue, with magnificent scorn. "What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were - let's see exactly what he said - he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and pork chops for her greedy self."

"You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too."

"Johnsy, dear," said Sue, bending over her, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down."

"Couldn't you draw in the other room?" asked Johnsy, coldly.

"I'd rather be here by you," said Sue. "Beside, I don't want you to keep looking at those silly ivy leaves."

"Tell me as soon as you have finished," said Johnsy, closing her eyes, and lying white and still as fallen statue, "because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."

"Try to sleep," said Sue. "I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'til I come back."

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along with the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.

Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker.

Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings.

"Vass!" he cried. "Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy."

"She is very ill and weak," said Sue, "and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibbertigibbet."

"You are just like a woman!" yelled Behrman. "Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes."

Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock.

When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

"Pull it up; I want to see," she ordered, in a whisper.

Wearily Sue obeyed.

But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last one on the vine. Still dark green near its stem, with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from the branch some twenty feet above the ground.

"It is the last one," said Johnsy. "I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time."

"Dear, dear!" said Sue, leaning her worn face down to the pillow, "think of me, if you won't think of yourself. What would I do?"

But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed.

The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.

When it was light enough Johnsy, the merciless, commanded that the shade be raised.

The ivy leaf was still there.

Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove.

"I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring a me a little broth now, and some milk with a little port in it, and - no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook."

And hour later she said:

"Sudie, some day I hope to paint the Bay of Naples."

The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

"Even chances," said the doctor, taking Sue's thin, shaking hand in his. "With good nursing you'll win." And now I must see another case I have downstairs. Behrman, his name is - some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable."

The next day the doctor said to Sue: "She's out of danger. You won. Nutrition and care now - that's all."

And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all.

"I have something to tell you, white mouse," she said. "Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colours mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell."

#the last leaf #o`henry

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animalstours · 2 years

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Library of the British Museum

Every reader is familiar with the consummate perfection of the Library of the British Museum, the glory of British, the envy of foreign scholars. And it gives one an awful sense of the growth of this form of purism to watch it invading our noble library. Go to the Catalogue and turn to Voltaire, and you will read ‘ Voltaire, see Arouet;and you will have to trudge to the other end of the enormous alphabet. Why Arouet? What has his legal name to do with a writer who put his name, Voltaire, on the title-page of thousands of editions, and never on one, Arouett And Molilre?—is not Molibre, as a name, a part of modern literature? Mr. Andrew Lang tells a most delightful story of a printer, who found in his ‘ copy ’ some reference to ‘the Scapin of Poquelin.’ This hopelessly puzzled him, till a bright idea struck his inventive mind, and he printed it — ‘the Scapiu of M. Coquelin.’

Turn, in the Reference Catalogue of the Museum, to Madame de Slvigtri, and we read: — Sivign, Marie de Rabutin-Chantal, Marchioness de:— see Rabutin-Chantal.’ Why should we ‘see’ Rabutin-Chantal? That was her maiden-name; and since she married at eighteen, and her works are letters to her daughter, it seems a little odd to dub an elderly mamma of rank by her maiden-name. And what in the name of precision is ‘ Marchioness de ’? It is like saying ‘ Mister Von Goethe.’ Once attempt a minute heraldic accuracy, and endless confusion results. Why need ‘ Mrs. Nicholls’ appear in the catalogue of the works of Currer Bell? And why need George Eliot be entered as Marian Evans—a name which the great novelist did not bear either in literature or in private life?

If we apply the baptismal-certificate theory strictly to history, universal confusion will result. Law students will have to study the Digest of Uprauda. His great general will be Beli- Tzar. And by the same rule, the heroic Sala- din becomes Salah-cd-deen, or rather, Malek-Nasser-Yousouf; Dante becomes Durante Alighieri; Copernicus is Kopernik; and Columbus becomes CristSbal Colon. If baptismal registers are decisive, we must turn ‘ Erasmus’ into Gerhardt Praet; ‘ Melancthon ‘ into Schwarzerd; and ‘ Scaliger’ into Bordoni. There is no more reason to change Alfred into AElfred and Frederick into Friedrich than there would be to transform the great sailor into Cristobal Colon, and to talk about the Code of Uprauda.

Vecellio, Vannucci

And the dear old painters, almost every one of whom has a familiar cognomen which has made the tour of the civilised world. What a nuisance it is to read in galleries and catalogues, Vecellio, Vannucci, and Cagliari, in lieu of our old friends Titian, Perugino, and Veronese sightseeing turkey! Raphael and Michael Angelo, Masaccio and Tintoretto are no more: ‘ restorers ’ in oil are renewing for us the original brilliancy of their hues; whilst restorers ’ in ink are erasing the friendly old nick-names with vera copias of the baptismal certificates in their hands. Every chit of an aesthete will talk to you about the Cenacolo, or the Sposalizio, of Sanzio; and the Paradiso in the Palazzo Dncale; though these words are nearly the limit of his entire Italian vocabulary. This new polyglott language of historians and artists is becoming, in fact, the speech which is known to the curious as maccaronic. It recalls the famous lines of our youth:— Trumpeter unus erat, coatum qui scarlet habebat.

There are two fatal impediments to this attempt at reproducing archaic sounds. It is at best but a clumsy symbolism of unpronounceable vocables, and it never is, and never can be, consistently applied. Althelthryth, Hrofesceaster, and Gruffydd are grotesque agglomerations of letters to represent sounds which are not familiar to English ears or utterable by English lips. The ‘ Old-Eng- lish ’ school pur sang do not hesitate to fill whole sentences of what is meant to be modern and popular English with these choking words. Professor Freeman used obsolete letters in an English sentence. Now, I venture to say that English literature requires a work which is intended to take a place in it, to be written in the English language. In mere glossaries, commentaries, and philological treatises, the obsolete letters and obsolete spelling have their place. But in literature, as completely dead as a Greek Digamma.

#Library of the British Museum

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yourtour · 2 years

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Library of the British Museum

Vecellio, Vannucci

#Library of the British Museum

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