#miki rich

[rageisinourveins]

STAND ATLANTIC | DUMB idobi Session

[tomsmusictaste]

Stand Atlantic // doomsday

[im-tripping-on-your-wavelength]

jurassic park // june gloom

stand atlantic hot milk

[hotmilkmari]

STAT ON TOUR 2022

[jonnolovesfob]

i speak in solidarity with bassists who paint their nails

[bad-entertainment]

Stand Atlantic in Montreal, Quebec - 06/14/2022

[potsticker1234]

YUH YUH

[yamujiburo]

You said you like sharing Team Rocket facts, sooo, what are some of your favourite facts that you don't get to share often or think not many people know? :D

Yam's Top 10 Team Rocket Fun Facts!

Jessie and James are both 25 years old

Jessie and James are NOT siblings (you'd be surprised how many people think they are). They have almost polar opposite backstories from each other.

James grew up rich but ran away from home at a young age because of all the pressure as well as his arranged marriage with Jessebelle (who looks exactly like Jessie funnily enough)

Jessie's mother, referred to as Miyamoto, was also a Team Rocket operative who worked directly under Giovanni's mother Madame Boss. However Miyamoto went MIA while on a mission looking for Mew and never came back, leaving Jessie to grow up in foster care

Jessie and James in English are named after the outlaw Jesse James which most people seem to know about. Buuut in Japanese, they're called Musashi and Kojiro, named after the famous swordsmen Miyamoto Musashi and Sasaki Kojiro. Musashi kills Kojiro so do with that what you will. Sub fun fact: Musashi and Kojiro's duel is referenced in Sun and Moon with Jessie battling Ash and using the sun to temporarily blind him and Pikachu before striking.

The Team Rocket trio are based off of the Time Skeletons from Time Bokan, who are probably the earliest version of the very specific trope "san-aku" (literally translated to three evil). The trope usually depicts one female leader and two bumbling men, one short and one tall. They also regularly build mechs/robots and beef with kids. In Sun in Moon, they DIRECTLY reference the Time Skeletons!

When the Johto series came to an end a decision had to be made on whether Misty or Team Rocket would leave the series. Head writer Takeshi Shudo fought really hard to keep Team Rocket (I think it's safe to say that they were his favorite characters). Seeing how Team Rocket stayed in the series till the very end, I think it's obvious to see what the end result of that decision was

The reason Jessie, in later seasons of Pokémon doesn't smack around James and Meowth as much/at all is because her voice actress, Megumi Hayashibara personally requested that the writers make her less violent. She felt it went against the "good natured villain" concept Takeshi Shudo originally had for them. On Hayashibara, Jessie's "failed nurse" backstory is based on Hayashibara's experience in trying to become a nurse.

James' love for sports and racing is often depicted in the show and is a reference to his VA, Shinichiro Miki's, love for cars and racing.

The reason Team Rocket crossdresses is literally just because the artists thought James looked better in a dress than Jessie did and ran with it

[castlehark]

why does everyone have handkerchiefs ... i was trying to make a list about it but it seems like it’s different whenever convenient ...

[tyrantisterror]

I've seen Utena and Evangelion get compared to each other for both being 1. dark coming of age stories that get increasingly surreal as time goes on and 2. supposedly deconstructing their respective genres. And I think there's a good basis for comparison in there, definitely, and they've both become anime I've made a point to revisit because they struck a very strong chord with me.

I think what gets me when comparing them, though, is that Utena gets to do what Evangelion sets up but never managed to finish - and some people inexplicably criticize Utena for it?

Cause Evangelion was clearly meant to be a longer series. They establish early on that there are eight Evas and eight teenage pilots for them. In the series itself we see four - well, five, technically, since an angel posing as a human named Kaworu tricks everyone into letting him pilot an eva, but still. There three side character teenagers introduced early, one of which pilots an eva (to disastrous results) while the other two remain supporting cast. It's possible they were intended to eventually be eva pilots too, but it's also possible the mystery pilots might have been foreignors like Asuka.

Either way, it's clear the story was meant to become bigger, but because of various behind the scenes reasons it didn't - it ultimately remains focused primarily on Shinji, Gendo (the true antagonist), Asuka, Rei, and to a lesser extent, Misato. And don't get me wrong, that still makes for an incredibly engaging show - I wouldn't trade any of the episodes and scenes focused on those cast members for the world, the depth to which those characters are explored is a huge part of what makes the series meaningful for me.

But Utena, while being a similarly character-focused series, does get to expand its scope in the way Evangelion set up but never paid off. The cast of Utena does get larger, and while the focus remains primarily on Utena, Anthy, the true antagonist Dio, and to a lesser extent Touga and Nanami, it finds time to shine the spotlight on a very rich supporting cast of characters. The Black Rose arc in particular is great for this, because it gives the supporting cast members introduced in the first arc - Juri, Miki, Nanami, garbage boy Saionji, and Wakaba - their own arcs and, in many cases, their own relationships with characters outside of Utena and Anthy's direct orbit. The lives and relationships of all these characters become really rich and interesting, with their own quirks and problems to overcome.

And, like, I've seen some people say this is a flaw - that these are "filler" episodes, that you can skip the Black Rose arc entirely, and it's baffling to me. The way all of these characters interplay with each other, how their struggles and arcs mirror and complement each other, is what makes the world and story of Utena so rich. It's still about Utena and Anthy in the end, but Utena and Anthy's arc is also made so much more meaningful by how it reflects the arcs of everyone around them - that ultimately all these characters are sharing facets of the same struggle, and if there's hope for Utena and Anthy at the end (and there is, especially in the movie), then there's hope for all these characters and, indeed, everyone in the audience who sympathized with them.

One thing that'll plague my imagination till the end of my days is the concept of what Evangelion would be if it could have broadened its scope the way they originally planned, and the way Utena broadens the scope of its narrative only fuels that wonder more. I'd kill to see Evangelion's Black Rose arc, and I'm so glad Utena got to have its world grow.

[james-kojirou]

James from Team Rocket is a truly complex character and very difficult to understand. At first glance, he appears confident and arrogant, but that's a role he plays as the "Team Rocket villain" and on stage, as explained in episodes DP 139: "A Faux Oak Finish" and DP 146: "Dressed for Jess Success!"

In private, outside his Team Rocket role, he is calm, rather shy, he is very anxious and follows his teammates' ideas even when he doesn't fully agree with their plans.

In the episode "A Hole Lotta Trouble," Brock and Ash tell James that he must learn to assert himself without his teammates.

James had a childhood in the high aristocracy, where he could have anything material he wanted, but his parents gave him no affection, demeaned him, and forced him to follow strict and severe discipline like in the Victorian era. They also forced him into an arranged engagement with Jessiebelle, allowing her to train him with whips. He kept a deep trauma from this period of his life.

He joined Team Rocket to rebel against the rules and proper conduct imposed on him in his childhood.

In an interview, the Japanese voice actors of Team Rocket: Megumi Hayashibara, Inuko Inuyama, and Miki Shinichiro, revealed that Jessie's goal in Team Rocket is to become rich or an important woman (which is why she dislikes Matori), Meowth also wishes to be important by taking the place of the boss's favorite Pokémon, replacing Persian. However, James's objective is solely to support and help his two friends achieve their goals and dreams, making them happy.

When James gains a little confidence in himself or engages in an activity he's passionate about and sure he can succeed, he becomes overly enthusiastic. However, he quickly falls into depression if he fails. An episode that shows this aspect of his personality is 'The Fortune Hunters' when James imagines himself as a powerful Moltres due to the description in a Pokemon horoscope book, which turns out to be false.

He is also willing to wholeheartedly encourage people he admires, like Jessie during her Kalos contests or 'The Royal Mask' (under the pseudonym Fire-Kojiro, reminiscent of when he felt strong and proud like a Moltres).

Yet, when he has to put himself in the spotlight outside of Team Rocket missions, he feels terribly uncomfortable and automatically convinces himself that he will lose or isn't capable (The Battlefield of Truth and Love!, Dressed for Jess Success, Party Dancecapades)."

Unlike Jessie, who thinks she's the best at everything, James has very low self-esteem and undervalues himself: believing for example others can take better care of his own Pokemon like Gardenia with Cacnea or Mareanie with her ex-boyfriend. He also thinks Jessie will be happier with Dr. White than with him in Team Rocket.

As demonstrated in episode 19 of "Pokémon Journeys" - A Talent for Imitation! Jessie is an excellent self-confidence coach, pushing her teammates and Pokémon to go beyond their limits and overcome their fears and apprehensions.

Jessie and Meowth are both invaluable support for James. Through their friendship and the trust they give him, he finally feels loved and respected for who he truly is. They are more than just friends; they are his family!

James may appear naive and childish, often being very emotional and crybaby. Despite this, he excels in a lot of various fields, such as being an excellent technician, a talented actor, a poet, and well-informed about Pokemon… He's also skilled in computer science and hacking. On rare occasions when he's involved in a Pokemon battle or contest, he performs remarkably well.

When he forgot his fear under the effect of adrenaline to protect his Mareanie, he even demonstrated incredible strength!

Even though he is part of Team Rocket, James doesn't have a truly evil nature. In reality, he is a compassionate Pokemon trainer, loving his Pokemon so much that their affection hurts him physically, yet he always lets them show their love to him in this way. 💖

[rageisinourveins]

STAND ATLANTIC // PITY PARTY

[tomsmusictaste]

Stand Atlantic // bloodclot

[im-tripping-on-your-wavelength]

lost my cool // wavelength

- stand atlantic

[the-disastrous-life-of-miki]

[wip] JJK acting agency au fanfic

read me ⤷ () is like y/n or where my oc will be !! ⤷ and please excuse my grammar i havent really proofread it yet ⤷ mainly nanami x reader/oc - but also some geto x reader, gojo x reader, satosugu, toji x reader n more!! ⤷ edit: made a cute little banner!!!!

At Star Crossed Acting Agency (Or SCAA) there are only 300 cubicles. Not including offices, meeting rooms or board rooms. But actual cubicles. So of course () scratched her head pacing around the 15th floor wondering where her cubicle would be. She was assigned Cubicle 707.

There were countless employees at the agency and there were even more clients too, but more then 700 cubicles? Even SCAA couldn’t manage that, even as one of the biggest acting agencies in the world. …No, THE biggest. You’re guaranteed stardom if you just were signed to SCAA, there were countless famous actors and there was even a sister company called Star Crossed Modelling Agency (Or SCMA). It was like a huge safety net for the rich and famous. Diligent PR, connections with many big directors, brands and studios.

Maybe not a safety net for its employees. Because if there was one thing () couldn’t say is that  she wasn't stressed. Her old manager was notorious for being picky, arrogant and a tyrant. Work was hell on earth but it paid well.

It's no wonder the offices were all well decorated with the same moody blue paint used throughout as accents. Curtains framing the floor to ceiling windows, overhanging lamps, arched door frames, beautiful natural light. An office worker’s dream to be working brutally at least somewhere somewhat aesthetically pleasing.

But that wasn’t the only perk in this hell hole. 

The actors.

Every once in a while one of your favorite (And somewhat narcissistic) celebrity crushes could be just roaming the halls, talking to employees, and their managers. It’s not rare for somewhere like SCAA.

hey guys!! so heres the first bit of my jjk acting agency au fanfic. this is a nanami x reader/oc focused story, but really it also includes toji, geto, and gojo and appearances of more of the jjk cast!!

not sure if want this to be x reader or oc..

and still thinking abt the title!! might be cubicle 707 but still not sure..

luv miki!

˚ʚ♡ɞ˚

[aroanthy]

thinking about kanae and her relationship with her parents and akio and his relationship with her parents and just like…. ideas about patriarchs and fathers and family in utena. and incest obviously. you know there’s something so horrifying about kanae’s situation, beyond the obvious fact that she’s not yet graduated high school and she’s being married off to a child predator who is using their relationship to levy more power over more children. and her mum. and the fact that we don’t ever SEE her dad. fathers in utena have, shall we say, the worst track record in the book. i have so many things that i want to say about representations of Adult Men in rgu and specifically representations of fathers but it all circles back to their absence and imitation.

like, okay. i think the only (non-silhouetted, ie Actual Flesh) father we see is miki’s, and even then we don’t see his face. similarly we don’t see kanae’s mum’ face though she too is a Flesh Parent. don’t even get me started on how the only two visual representation of utena’s parents are their coffins and graves. also don’t get me started on that One shot from episode 10 that i use in all of my amvs of the silhouetted kiryuu parents because as you can probably tell from my heavy use of it in my amvs, i find it a deeply fascinating shot. swagever. all of this is to say, dads are not In The Flesh in utena.

im excluding the movie from this discussion bc whilst im a diehard aou lover and would never normally eclipse it from my analysis like this, the choices it makes in representing touga’s father break with rgu’s typical stylistic choices in a way that i honestly think is less effective. that whole sequence is incredibly visually rich in every other way and includes symbology that is some of the most compelling in all of rgu, imho, but it’s like. gahhh. i know it’s an active choice to represent him as Just A Guy, and you could argue ‘well akio’s Just A Guy’ but it’s. it just irritates me. i don’t think it’s meaningful in the way that utena likes to be meaningful. id argue that seeing his face doesn’t contribute anything, but idk maybe i just don’t like looking at his horrible face. it’s probably just that but also im right it’s a lacking stylistic choice

rambling side note aside, i get to my actual point that i technically already alluded to: akio. akio’s not a dad but akio is positioned as a (pseudo?)father figure to (checks notes) anthy, utena, kanae (hey remember she’s what started this post lol), touga, id throw nanami in, you could probably make a tangential argument for miki and kozue, ruka’s an interesting one, and mikage (maybe??). this is for a couple of reasons. he’s the (acting) chairman of the school that all the characters i just listed attend, he’s the guardian/caregiver for three or four of them, and, fundamentally, he guides and governs their lives to the best of his ability (not in the sense that he’s trying really hard to raise these kids, in the sense that he’s trying to control them. lol). BUT. crucially. he is an approximation of a father, an imitation of the patriarch, even and especially to anthy.

why does this matter? well, funnily(?) enough it circles back to why i dislike aou’s choice to portray touga’s father as A Guy. the powerful men in ohtori— and when i say ‘powerful’ here, i specifically mean men who are not marginalised, men who are not racialised, men who come from money and have never had to reach the top of the tower, rather always resided at its summit— are not seen by us. akio is the acting chairman, the acting father, the stand-in who stood up for something that is altogether worse than him, that made him who he is in such an insidious way. and i just think that’s really fucking interesting to think about wrt his status as a brown man, being racialised, being The Thing That We See when everything else— the inappropriate vice principal, miki’s piano teacher, mr ohtori, mr kiryuu (anime version), even off-hand dialogue from shadow girls about adult men in positions of power like mr judge (papa! daddy! god!!)— is obfuscated and implied. and i don’t want to suggest that that’s an intentional commentary on the racist mythologising of brown and black men as innately sexually violent, because. It’s Not. and utena massively drops the ball wrt race, but because of that lack of explicit, intentional commentary, it creates this strange dynamic between akio, the only racialised man in the show, and Every Other Guy. and that’s a very long-winded way of saying ‘maybe poisoning mr ohtori was a good thing actually’