Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !
Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)
I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!
someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)
uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE
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cleo and etho and grian all basically scream laughing as they climb a ladder they know is a death trap together to make a dripstone trap GOD. I AM LOSING MY MIND. SORRY I AM LOSING MY MIND OVER THIS. THEY SOUND SO... HAPPY. within the first five minutes of the episode cleo puts on screen "this is about when we realized how this was going to go", implying that's when they decided they were going to die, and yet THEY'RE UP HERE CACKLING TOGETHER ANYWAY... sorry i'm just going to make so many posts about this i LOVE THEM. THE ROOMIES.
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going into manner of death you may think this is a show about an adult man with an adult job (performing autopsies on his childhood friends), but the further you get, the more clear it becomes that this is actually a show about an adult man with way too many adult jobs (he also treats patients in the ER, gets called in for emergency surgery, and juggles several potentially connected murder investigations as an unpaid side gig). no wonder literally every single person around him keeps randomly handing him food, even though we know he's a good cook. with only twenty-four hours in a day, it's a miracle he even finds the time to be weird and domestic with his prime murder suspect and their pet cactus
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*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
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I have started watching the german dub of phineas and ferb for fun (or should I say phineas und ferb)
- the va for german candace is pretty good. however I’m fairly sure she is also the va for stacy so whenever they’re together it sounds like she’s talking to herself. she does a good job with the craziness though
- german phineas is kind of annoying I don’t much care for his voice
- german ferb sounds nothing like the og
- german doof is good. idk I don’t have anything to say about him. I prefer the english voice of course (probably cuz I’m just used to it) and I think the spanish dub does a better job at sounding like the og but it’s not bad
- german baljeet sounds exactly the same
- I like the dubs of the songs. they even dubbed the quirky worky song which like they didn’t have to do that but it’s cool
- “perry das schnabeltier” is very fun to say
- the episode titles are mostly way different from the english titles. like for example “don’t even blink” is “der unsichtbare beweis” which translated to english means “the invisible proof.” kind of interesting
- update apparently they changed the name of gimmelshtump to “dunkeldorf” that’s hilarious
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Overwhelming Urges
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Technus curses Danny after he spends a little too long in Soup Jail.
Until Danny can break the curse, every piece of technology he touches will react badly-come to life, try to eat him, send his embarrassing Facebook photos to all his coworkers, delete his high score on Doomed, etc. He’s miserable.
And because he uses technology quite often to help him with his rogues, Danny has had to do things the old fashioned way by physically manhandling all the ghosts that come through the portal. It’s been putting a damper on everyone’s moods, but Technus refuses to release the curse.
(At least he can turn intangible, so the buildings he visits don’t try to burn him alive. Technically, he’s not touching anything!)
Danny’s coworkers eventually get involved when Victor Stone, AKA Cyborg, locks eyes with him at a Justice League meeting and immediately tries to shoot him.
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