#my toxic trait is saying i love ambiguous endings but actually can only stand them if there’s the smallest chance of hope

[fluffypotatey]

God merlin ending is so depressing. They could have at least shown the Merlin Arthur reunion in modern times, but no just old sad Merlin walking in present day still waiting for Arthur

i honestly would have been good with a voiced-over “Merlin” right as credits roll, like for real

[lady-bluebird-luv]

Digesting Chapter 138

Don't get me wrong, there were moments in chapter 138 that fucked me up (cough Connie and Jean cough), and I love the art. Eren and Armin’s fight and the final panel with Mikasa, which I want to dig into in a bit, are both especially powerful drawings. Overall, though, I feel much calmer after reading this chapter than I thought I would. I’ve been trying to figure out why that is, and one reason is probably that I expected some of it. The rumbling was going to continue, the explosion wouldn’t have killed Eren, and he was probably going to die in either this chapter or the next one. 

But I also think that part of why I feel so normal is because I’m not thrilled about this chapter. Which is rare for me. I won’t say that I’ve never been peeved about a chapter, since I definitely have been and I just can’t remember the specifics, but it’s been a while. 138 is confusing, it’s disgruntling, and it didn’t pack as much of a punch as AoT usually does. I don’t hate it, but I’m also not here for it, and there are a couple specific moments that make me feel that way.

First, the titanization. 

Like I said, Jean and Connie’s last moments cracked my heart, but even though that last panel of them standing together, watching Falco fly away, was beautiful and painful, I’m so confused about how the titanization happened. The chapter heavily implies that the gas which infects the characters comes from the Hallucigenia-worm-neck-thing.

Okay, bet. I can accept that the spine worm primed the Eldians for titanization. What confuses me, though, is that it’s not clear that the worm triggers the titanization. If anything, it looks like Falco did, which I don’t understand. 

As Falco flies away with Mikasa and Levi on his back, leaving the other characters behind to become titans, Falco screams. After he screams, the Eldians turn into titans. It’s not clear what else could trigger the transformation. There’s no panel of, say, Eren screaming, and from past chapters, titanization is trigged by a scream, not because of exposure to gas or spinal fluid alone. 

So, the chapter looks like it implies that... Falco screams? 

Maybe that’s not what’s going on, but that’s what it looks like, so the titanization makes no sense to me. If Falco screamed The Scream, why? Screaming turns the people that he wants to protect and free, e.g. Gabi and his family, into titans devoid of autonomy. If Falco is the trigger, that also means the titanization was preventable, which is incredibly frustrating given that so many important characters were transformed. 

Maybe someone could say this is a highly dramatized scream of anguish, and that the gas was strong enough to turn the Eldians through exposure alone. Maybe the worm is just insanely powerful. But that sounds like a cop-out, so this is a really confusing, frustrating scene. 

The confusion about the Hallucigenia and its role in titanization is part of a bigger problem with this final arc and this chapter: Ymir and the lore.

 The more I see of the Hallucigenia and Ymir, especially after the weird origin story last chapter, the less sense everything makes. I have a lot to say about Eren’s death, and I’ll get into it more some other time, but for now, I want to focus on Ymir’s reaction to it.

Putting aside how morbidly funny I think her presence is, why is she smiling? Ymir has either helped or controlled Eren, I’m still not completely sure which, for a long time at this point. She’s invested in him. His death seems like it would be a massive loss for her own objectives, but when Eren fails, Ymir just... watches. 

Her smile definitely makes me think that there’s much more going on here than she’s letting on, but I also can’t figure out what the hell that “more” is. At this point, watching her react this way, I don’t understand what she wants or her dynamic with Eren. Last chapter’s lore confused me, too, so this chapter’s weirdness exacerbated my frustration with not knowing what’s going on. 

Why this panel from last chapter confuses me is a whole other text post, and I don’t want to go off on a tangent, but basically, if she made the titans/ Hallucigenia to have an undying body, and if she meant to escape to a free world, whether that’s the paths or something else, she didn’t succeed. It’s also not clear to me whether she completely controls the thing in Eren’s neck, or if she only made it. 

Ymir and the founding titan’s powers are massive components of the rumbling and Eren’s behavior. They also don’t make sense. After last chapter’s lore threw me off, I hoped that 138 and 139 might shed some more light on the titans’ origins and Ymir. After reading 138, I’m more confused, and I’m started to give up on trying to wrap my head around any of it. It’s still intriguing, but I’m increasingly frustrated, and it makes the series’ ending feel rushed. 

Beyond Ymir, I’m not into the ending in general. And yeah, it’s because of That Final Panel. 

Like I said at the beginning of this post, I LOVE the imagery. It’s so dramatic and macabre, and I’m excited about what fanart it might inspire. I don’t also love it thematically. 

I’ve seen a lot of really vitriolic reactions to it, especially from people who dislike EreMika. For me, I’m just bummed about it means for Mikasa’s character.

One of, if not her greatest, defining traits for YEARS has been her love for Eren. Especially after Eren’s rampage in Liberio, it became more and more clear that her development would have to mean letting go of that devotion, or at least not let it keep her from stopping his plans. 

Mikasa rejecting the dream and killing Eren fulfills that development, but the kiss undermines it.

The kiss is closure. A goodbye. It is also still a kiss on the lips, which, at least for me and in the culture I grew up in, reads as romantic. Since Eren is dead, it’s also unreciprocated. The scene is both as Mikasa letting go of Eren and perpetuating the same (recently toxic) devotion she’s had for the whole series.

I’m not saying that I don’t think she should have closure. It makes sense that, after such an intense relationship, her goodbye is going to be tender. Nevertheless, I don’t think that the kiss is the form that closure had to take. Even if it took the form of a kiss, I don’t think that it needed to be on the lips. It’s like Yams can’t decide whether he really wants Mikasa to lose her love interest or not. Or, by extension, to not be defined by Eren. 

Over the years, I’ve gotten exasperated with how much Yams writes Mikasa focusing on Eren. This end doesn’t read like she breaks free the way she needs to. Saying “see you later” instead of “goodbye” right before she kills Eren also reflects her attachment, although the dream/vision/??? is a WHOLE different rabbit hole and that line is up for a shit ton of interpretation. 

As you can see from the watermarked panels, I’m not using an official English translation, so maybe the official English pages might clarify some things when they come out. I doubt it, though, since my frustrations don’t hinge on interpreting slight differences in wording. It’s also true that this is a pretty raw reaction, so my opinions might still develop, and I might figure out some of the lore and confusing panels that I’m stumped on. 

Nevertheless, this is how I feel right now, and based on what I’ve seen, I’m not the only one. If you liked the chapter, you do you. This is just my opinion. Everyone values and focuses on different elements of a story. Even though I just slammed the chapter for about 1400 words, I also liked some parts of it. 

In the end, it still doesn’t bode well for the manga’s ending. An author doesn’t have to explain every mystery and ambiguity for me to like a story. Grey areas and space for interpretation actually make a series stronger, in my opinion, but only to a point. Right now, there’s just too much that seems out of reach. I don’t blame Yams for wanting to be done with the manga after, as of about a week and a half from now, 11 years. At the same time, when I read this chapter, it felt like it was written by someone who was ready for it to be over, and not in a good way. I’ll wait and see how everything ends, but so far, I think the ending is... kind of underwhelming, unfortunately. 

[astro-b-o-y-d]

Gyro Gearloose, Poe De Spell, and the Tumblr Sexyman Label

So before I start this, I want to state that none of this is meant to be a mean jab at anyone interested in these characters, or even the Tumblr Sexyman label in general. This is all just affectionate observation I’ve noticed over the past day, along with some thoughts I’ve had regarding Gyro for a while. Also semi-tired ramblings, as I have only been up for an hour or so.

I say this as someone who only recently started to like Gyro: I am SO SHOCKED he didn’t end up being the designated ‘Tumblr Sexyman’ of Ducktales before Poe came along.

I am aware he does have a lot of fans (even if I wasn’t one for the longest time, I knew they existed and I understand why), but like........as far as I can tell, he doesn’t have much reach outside the fandom itself. Which to me, is an important part of the Tumblr Sexyman label. Being so popular, they’re known outside their fandom and across various sections of Tumblr.

My guess is that it was because while he did have his morally questionable moments in the show, he never really leaned too far into being an ‘evil’ scientist. Being unapologetically evil tends to be a characteristic for a lot of the more popular Sexymen (Onceler in his ‘greed’ form, Bill Cipher, that dickhead from that bad hotel cartoon that I don’t like but will at least acknowledge). It’s not one all of them have, but it tends to be something that causes fans to gravitate to them. Heck, we could also list Sans in that category with his glowing blue eye, even if he wasn’t so much evil as he was POWERFUL. Which, you know, evil and power often go hand in hand.

But DT17 Gyro was not evil. He was an ass and very toxic at times, but those traits do not an evil person make, depending on what path they take with their lives. And as Astro Boyd revealed, Gyro is DEFINTIELY not evil. Just a guy who was manipulated and gaslit at a young age by his mentor and didn’t have a healthy way of confronting his toxic behavior towards others up until very recently.

Heck, one of his more memorable quotes from that episode was “Not all my inventions are evil. Some are just wildly misunderstood!” Right before a big turn in his character arc where he makes the choice to stop following his toxic mentor’s footsteps and actually work on treating people with respect, specifically Boyd in that episode and Fenton in Beaks In The Shell (an arc I personally loved, because GOD, he was horrid up until there. No shame to you, Gyro fans, I just couldn’t stand him).

Which makes for a very, very, VERY good character, but probably not a well-received Sexyman outside the fandom.

Meanwhile Poe shows up in an episode preview, 100% evil and loving it, and everyone goes nuts in the span of a day. His appearance probably helped a ton (skinny and gender ambiguous tends to go over well with those drawn to a specific branch of Sexymen), but I also do think him just being completely evil and relishing in it (at least from what we’ve seen in the trailer) helped a lot with that, too.

But this is all focusing on their personalities in canon, and not appearances alone. Which is probably what would draw a crowd to the character, or at least get people interested in Sexymen talking, as it is clearly doing with Poe.  And even when I hated Gyro with every fiber of my being, I couldn’t deny he had one of my favorite character designs in all of DT17.

So why didn’t he, as far as I’m aware, break out of the fandom circles?

Let’s bring up a version of Gyro from an old comic (Paperinik and the Friendly Threat, translated here). Meet Mad Ducktor. Gyro’s evil personality who ended up becoming his own person.

I’m FULLY convinced that if (or I suppose when, they do have a handful of episodes left and anything’s possible) Ducktales brought him into the show, or perhaps made Gyro’s character arc lead to turning into this dude, Gyro would’ve definitely been slapped with the Sexyman label that canon Gyro seemed to dodge while Poe did not.

Also yeah yeah, save me the whole ‘You’re calling THAT design a Tumblr Sexyman?’ speech, you’ve seen Poe’s current design when this is what he originally looked like.

Compared to

I think they could’ve easily given Mad Ducktor this treatment as well, had he made an appearance. And people would’ve gone absolutely wild for him.

Now would that have been a bad thing? Absolutely not. Poe looks like a fun bastard and I can’t wait to see more of him. And I would’ve been very invested in seeing them do the same with Gyro. Maybe they will before the series ends. Gyro canonly has had clones in the show, maybe one of them turned evil off screen and will make an appearance before the end. We’ll just have to see!

Apologies if a lot of this is wrong. Again, I’ve only been up an hour and I never really had much of an eye on the DT fandom (I only started watching the show back when season two had ended because Boyd existed so for all I know, Gyro HAD been a Tumblr Sexyman and I just didn’t pay attention) But I just felt like rambling about some things I HAVE noticed regarding Gyro, Poe’s DT17 debut, and some thoughts regarding the Tumblr Sexyman treatment for both.

[silver-wield]

tbh after playing the remake, I get the appeal of CA, because it's a familiar manic pixie dream girlfriend type love story. It even plays into the tragic boy loses girl trope which helps frame it as some grand romantic story. and yeah they're cute, and they definitely have a special connection. I think I could ship it if not for the whole rest of the story. It's a relationship that has the potential to become romantic, but it doesn't exist in a vacuum. 1/5

The remake is doing a great job on untangling a lot of the ambiguity the OG left us with. Yes, Cloud could develop feelings for Aerith and vice versa, but the remake is planting so many seeds that confirm he currently has feelings for Tifa (which she reciprocates) and I don't think it's possible for any feelings he might develop for Aerith to overcome these feelings he has harboured since childhood. 2/5

Unfortunately those feelings are something he cannot fully understand because of his comprimised mental state. But you can clearly see that his deep affections for Tifa and desire to protect her stay with him despite that (as can Aerith). The problem with the OG (other than having to potray this incredibly complex subversive nuanced story through text and polygons) is that the LS scene recontextualize so much of who Cloud is, but by that time people had already made their conclusions. 3/5

With the remake you can see them trying to fix this by having a constant thread of romantic undertones to all of cloti's interactions. The CA relationship meanwhile is potrayed with these moments that play into romantic tropes and expectations. The bridge scene is flashy and grand and draws the attention, but it doesn't carry the substance that a single hand-clech does. 4/5

It's meant to be a smokescreen to the real story - just as Cloud is not the hero you think he is, the love story is also not the one you think it is. And that's what makes FF7 so great. It's all about the subversions of what you expect - it's about the truth underneath these grand and compelling illusions that is complicated and real but still just as beautiful. 5/5

Okay, first off I don’t see how anyone can play Remake with Cloud being biggest mood around Aerith and find that appealing. Personally I think it’s the most toxic and harmful behaviour in the entire game when he’s alone with her and she’s literally trying to force him to act like her dead boyfriend. There is zero appeal in that and it’s not cute how she behaves, it’s arrogant and self serving. Like I said in a different post (or maybe a tweet) both Sephiroth and Aerith use Cloud to fulfill their own selfish desires. Sephiroth needs Cloud to destroy the planet by getting him the black materia, and Aerith wants Cloud to emulate Zack so she can fool herself into believing he didn’t die. In both cases what Cloud wants doesn’t even factor into things. That harmful dynamic doesn’t give them a special relationship. It mirrors Cloud’s relationship with Sephiroth in that it hurts him. Aerith and Sephiroth are two sides of a coin and the whole isn’t anything that benefits Cloud. Even after they’re both dead they continue to harm him through their obsession with him. It’s only at the end of AC when they’re both truly gone from his life completely that he’s able to smile and be at peace. He has no stalkers in DC and that’s why he’s so cheerful. He gets to live happily with Tifa and not worry about ghosts coming after him. It has zero potential to become anything because to make that a thing, you need to totally destroy everything else about the story and characters themselves. You have to take away Zack being Cloud’s best friend and saviour, at which point he’s just dead. You have to take away Tifa being his motivation to become a soldier, at which point he’s dead cause Sephiroth still comes to Nibelheim and burns it. Point is, there is no way that dumdum dinghy is possible without removing Cloud and most of his personality from FF7, at which point he’s just a pretty face, so people should just go write AU fanfiction and admit they wanna bang the pretty boy and not deal with his canon personality and story. 

There wasn’t any ambiguity in OG because 7R is FF7 and the devs have said multiple times the story is the same as before. The problem back then was a poor translation, bad advertising and people refusing to follow the narrative to its proper conclusion. Cloud at no point in OG or any of the compilation could develop feelings because it’s shown in the entire compilation that he has always and will always love Tifa. Before Crisis he loves Tifa. Crisis Core he loves Tifa. OG he loves Tifa. AC he loves Tifa. DC he loves Tifa and Remake he loves Tifa. There’s zero room for anything with Aerith because his entire character arc is consumed with his desire for Tifa. It’s literally shown in the damn game that he’s in love with her. So, no, there never was any chance for Aerith, and I’m tired of people trying to entertain one by saying “if she lived”. Sorry, not sorry, if she lived Cloud is still in love with Tifa, so he never would, could or want to develop any feelings for Aerith. 

Cloud loves Tifa. It’s the goddamn plot. 

There isn’t any problem with the lifestream scene being the big reveal at that point in that game. The problem, again, is that people refused to follow the narrative to its logical conclusion and got hung up on their dumbass headcanon about Aerith. The entire premise of the game is built on illusion vs reality and yet some people still refuse to wake up and see reality. The game spells it out for everyone. They got so triggered over her dying that they acted like the game ended at that point instead of it carrying on and reaching the actual true culminating arc where we find out Cloud wasn’t himself this entire time. People seem to think Aerith dying is the plot and that she’s the main character or something. It’s Cloud’s game. The plot revolves around him. That’s why the lifestream scene is the apex of it. 

It’s Cloud’s story, not Aerith’s. 

I’ve pointed out several times how Aerith’s optional scenes in Remake show that Cloud is barely even a fixture. Her language of flowers you barely have Cloud in shot while she’s doing all that talking. She’s basically talking to the player. Her optional dress scenes show the illusion for what it is. That bridge is tiny and yet in the red dress is looks like this massive structure. I laughed my ass off when I spotted it. The pink dresses perspective shortens drastically for each one, with the funeral dress having Cloud standing nearest to Aerith, so that one’s probably closer to reality than that ott scene with random fireworks and fans popping up from nowhere. Not to mention the fact Aerith’s entire figure is padded out to fill that dress and she’s got hair extensions in and a ton of make up and the ost is actually called a mess of makeup or something like that and not a certain gaudiness. I mean, Madam M tried to turn Aerith into Tifa to win the bride contest and beat Sam. The game makes things very clear that the illusion is Aerith and the reality is Tifa, and players can’t turn Aerith into Tifa to make Cloud notice her no matter how hard they wanna believe they can. Her resolution literally has her repeating her OG lines from the GS about how Cloud isn’t himself, but she also arrogantly assumes he fell in love with her or would because she’s arrogant. It’s a character trait that again mirrors Sephiroth’s arrogance. It’s what gets them both killed in the end. Aerith underestimates Sephiroth and Sephiroth underestimates Cloud. 

And we already saw what Cloud had to say about her declaration cause he only ever refers to her as a friend and didn’t show any romantic behaviour when he rescued her. Unless “Yep” is the height of romance now. It’s not that the romance isn’t the one you think it is. It’s that it’s the one you ignored and acted like wasn’t important because you hate the heroine. Tifa and Cloud are together from start to finish, but because people decided the pink girl was more important they acted like Tifa had no right to what was hers from the beginning. She didn’t get between Cloud and Aerith. There never was any Cloud and Aerith. It was always Tifa. She just took what was always hers and kept it. 

Anyone who doesn’t understand that should try playing the game cause it’s clear they didn’t.

[buffythedragonqueen]

Why do they keep telling us we should stop dreaming of a better world? The Game of Thrones Finale

I will not lie: I am a nerd, and I had really studied before the last season started. In addition to that, for full disclosure, I had already bent the knee to Daenerys Targaryen in book 1, I stand by her, always will, and wanted Daenerys and Jon to rule together (I know, they are related, but it is the Middle Ages in Europe, it does not matter). However, the ending of Game of Thrones has been ... confusing. Confusing for me as a human really. 

I shall be forever grateful to the actors and the crew: all aspects of the show (but the writing)  were unbelievable, glorious, and should be covered, showered, with awards, but the writing ... should not.  MIND THE SPOILERS Aside from what was already said - the rushed plot that made no sense (so all the studying I did went out of the window), the trashed 10-years-long character developments, and countless wasted opportunities for potentially amazing dialogues (e.g. Daenerys and Cersei, Sansa and Cersei, etc.) - I was left bewildered and angry, with many questions about society, and the role of art in changing the world. Isn’t the role of art to remind us, and teach us, how to fight for ideas? For freedom, for equality, for justice?

I will be even more honest. I was triggered by the last 3 episodes, yet I kept watching, in the hope that the ending would have showed me what I had hoped to see. Eventually, to cope with the loss of Daenerys Targaryen (which never happened in my head, denial is always the way),

 and the disappointment, and the anger, and for the sole purpose of catharsis, I even dared to start writing what I would have wanted to see as conclusion of the show, which I linked here. And probably I will write myself a season 9 as a sequel for the show:  I am no writer, no psychologist, so this is merely my attempt to overwrite that last season in my brain, with the messages I would have wanted to see delivered by the end of the show, as opposed to what I saw.  I am mildly ashamed of what I am writing, it is maybe sentimental, possibly derivative,  maybe poorly written, but that is not the point here: I  had to express somewhere the ideas for which I wanted this show to fight, instead of perpetrating restraining and negative cliches. Watching the finale, I was left with many questions:

Why do they keep showing us toxic masculinity, instead of nice men?

Why are sex addicts sold as “average men”? The final all- males-council discussing brothels was appalling, not funny, appalling!

Why did they have one of the most powerful glorious female character in the history of literature gaslighted and killed by her boyfriend, who until that moment was one of the best positive male character ever written in the history of literature; he was courageous and sweet, generous and just and non-ambitious, a non-macho positive nice man. Why did they turn a perfectly nice guy into a murderer? Is there no way out? Why did they need to ruin Jon Snow, and leave us with Bronn and Tyrion? Seriously, Bronn? Seriously….Bronn? Jon, previously lovely Jon, left the stage to these sex addicts, for a spiral of hopelessness: should I infer from this that men are spineless, murderers, rapist, sex addicts, gamblers, liars, otherwise women put them in the firendzone (e.g. Jorah, Daario). 

So gents, those of you who are nice, will never be loved. Ladies, pets (cats, dogs, ferrets,…) are the solution. Pets.  

Why do we keep seeing sexism, instead of feminism? Specifically:

 Why do we keep seeing double standards: if a male ruler executes traitors is acceptable, but if a female ruler does the same thing it means she is mad? Daenerys had executed a bunch of enemies, as any king would do, yet in her case these were clues of madness. Oh well, we women are too emotional, aren’t we? (sense the sarcasm there) Sit still, look pretty, ladies. And do not forget to smile.

Why do we keep seeing that men judge women for every. single. thing. even though they are not really in a position to talk? Why did we see Tyrion and Varys (two men) discussing whether Daenerys was fit to rule, after she gathered the biggest army ever seen, saved everybody from the dead, actually fought into battle (while Tyrion and Varys were hiding in the crypts)? And why did we see a male character suggesting a man is more suitable than a woman to rule? It was one of the most appalling misogynist scenes I have ever watched in my life. Until a man told a man to execute a woman, without a trial, which brings me to my next question;

Is it ok that if man kills a woman, if he thinks it is right? Why was it represented as a heroic decision? She could have died in thousands of ways, yet the manipulated boyfriend, the only person she trusted, that killed her when she was vulnerable, with no explanation at all, no discussion aside from some ambiguous questions, seemed like a good idea; why?

Why did we see Brienne of Tarth, a warrior, writing about the man who had dumped her. in her nightgown. for his sister. after a superfluous-for-the-narrative one night thing. Why didn’t she write about herself? Why was she crying? Why did Cersei Lannister die crying? And of a death by brick, of all deaths? Why were all the women - warriors, mind- crying, pouring their hearts to undeserving men?

Between us, I was already angry at the conversation Daenerys had with the King in the North Jon, when he decided to bend the knee after Daenerys flew beyond the wall to save him (7thseason, episode “Beyond the Wall”). Daenerys says “I hope I deserve it”. OK. You raised 3 dragons, endured starvation, violence, gathered armies and fleets, freed cities from slavers, and lost a dragon to save him from his idiotic decisions: You bl**dy fu***ng do deserve it! Why did we see her asking for his approval?

Why are people with mental health issues feared and abandoned, instead of helped and supported? The mad-queen-twist was justified by the writers with a “there were clues” chorus. In my opinion it was not justified at all: there were clues she had occasional, and rare, anger management issues, and, in season 8, depression and anxiety; these could be a result of her PTSD, since she was sold and raped, and starved, and had to dodge people who wanted to kill her in many occasions, and not necessarily it had to be a hereditary trait. The people around her, and also the man who was supposed to love her, instead of building a support network around her and helping her, killed her. Too often individuals with mental health issues are ostracised, and treated with contempt, rather than sustained, so to me it would have been interesting to see a resolution of her problems (assuming she had any), rather than her impending doom.

Why was rape described as an occasion to become stronger? Why are we afraid to say what rape actually does to women? To victims? Why do we need to think that women recover and become stronger? Some do not recover at all. Some kill themselves. Why are we afraid of saying it?  It is not true that all that does not kill you makes you stronger: if it does not kill you as a whole, sometimes it has killed a part of you. As for the strength, I think that pain makes you impervious. It is love that makes you stronger. 

Why do they keep showing us competition between women, instead of sisterhood? Seeing Sansa and Arya fighting Daenerys for no apparent reason, was very disappointing. Seeing Sansa plotting against Daenerys, after the growth her character had in season 7 (”I am a slow learner, but I learn.”) was really sad: I was looking forward to team Dany-Sansa-Arya-Missandei-Brienne against the world, with packs of wolves and dragons as weapons.  That did not happen. Of course.

Why did we see weird racist scenes? The only woman of colour of the show died in chains. In chains. I do not think I have to add anything. 

Humans came out destroyed in this finale, as, apparently, one cannot change, ever: one is stuck with the hand one was dealt in the beginning, no matter the experiences, the fighting, the hopes, the work one has done on oneself; if one is born a slave, will die a slave; if born with anger management issues will not stop until everybody is dead (even though one had a spoiler about it years before, at the House of the Undying); there is no way out from toxic relationships; if born alone, even if technically the king, will still die alone; love does not conquer all, if one gets manipulated  well enough; and men can judge a woman, and, even without a trial, sentence her to death.

To me, the misogyny, the emotional and physical abuse, and toxic masculinity represented in the last three episodes of the show, represent the culture we are trying to fight, not the one that I would have wanted to stream to 60000000 people, including young adults, abused women, and people that hoped to see a message of hope, giving the dark times we are living: brave, sweet, courageous, honest, generous, smart, and mighty women and men, that work together for a better world; a world where there is redemption, freedom, diversity, and where people fight for what is important. 

For some reason, at some point, happy endings have started to be considered derivative. But people need hope. Young people need to be inspired, people who suffer need role models to help them overcome their pain. “Then they should not have watched Game of Thrones.” you say? I disagree. The show left the classic dichotomy between good and evil, and had complex characters that lived in the spectrum in between. The characters had the complexity of life into them.  

The greatness of the show, to me, was that most characters had overturned their destiny. If the final season had been written differently, GoT finale could have been the script for the resistance against violence, injustice, sexism, toxic relationships, defeat. It was not. 

I just want to add this: what they showed us is not true. Never stop fighting for what is important, even if it seems silly (like  getting angry for the last episode of a TV show): it does not mean one will necessarily win, it does not mean there will not be pain, but we can change this world into a better one. We can change ourselves, we can be kind to one another, we can support people who suffer, we can support  minorities. We can defeat the monsters, the ones in others, the ones in ourselves. We can break the wheel.

“Ah, but a man's reach should exceed his grasp, Or what's a heaven for?”  Robert Browning

“Our fathers were evil men. All of us here. They left the world worse than they found it. We’re not going to do that. We’re going to leave the world better than we found it” – Daenerys Targaryen