#nadav guedj

[guysofeurovision]

[gaymer-hag-stan]

Okay so, when Netta was competing with Eleni Foureira in the 2018 Contest, she did say that Eleni's songs were popular in Israel and that Ti Kitas (What Are You Looking At) was a hit but I didn't realise that apparently Noa Kirel has released a cover

On the flip side, Foureira herself had released a cover version of Nadav Guedj's Golden Boy

Just thought this was cool

[danielfuckingricciardo]

Because I’m in the Eurovision mood I thought I’d share my favourite song from each country (past and present!)

1. Albania 🇦🇱

2022 - Sekret // Ronela Hajati

2. Andorra 🇦🇩

2006 - Sense Tu // Jennifer

3. Armenia 🇦🇲

2014 - Not Alone // Aram MP3

4. Australia 🇦🇺

2015 - Tonight Again // Guy Sebastian

5. Austria 🇦🇹

2014 - Rise Like a Phoenix // Conchita Wurst

(This song makes me feel emotions every time damn it!)

6. Azerbaijan 🇦🇿

2021 - Mata Hari // Efendi

7. Belarus 🇧🇾

2014 - Cheesecake // Teo

(Underrated tune fr)

8. Belgium 🇧🇪

2015 - Rhythm Inside // Loïc Nottet

9. Bosnia and Herzegovina 🇧🇦

2011 - Love in Rewind // Dino Merlín

10. Bulgaria 🇧🇬

2017 - Beautiful Mess // Kristian Kostov

11. Croatia 🇭🇷

2023 - Mama ŠČ! // Let 3

12. Cyprus 🇨🇾

2018 - Fuego // Eleni Foureira

13. Czechia 🇨🇿

2019 - Friend of a Friend // Lake Malawi

(Was very hard to choose between this one and Lie To Me. It’s a very close second)

14. Denmark 🇩🇰

2021 - Øve Os På Hinanden // Fyr Og Flamme

(Was robbed in the semi-finals imo)

15. Estonia 🇪🇪

2015 - Goodbye to Yesterday // Elina Born + Stig Rästa

16. Finland 🇫🇮

2022 - Jezebel // The Rasmus

(Should have done so much better imo)

17. France 🇫🇷

2016 - J’ai Cherché // Amir

18. Georgia 🇬🇪

2011 - One More Day // Eldrine

19. Germany 🇩🇪

2011 - Taken by a Stranger // Lena

(Better than Satellite for sure, but Satellite slaps too)

20. Greece 🇬🇷

2008 - Secret Combination // Kalomira

21. Hungary 🇭🇺

2018 - Viszlát Nyár // AWS

22. Iceland 🇮🇸

2020 - Think About Things // Daði og Gagnamagnið

(Basic I know but it’s just such a good tune)

23. Ireland 🇮🇪

2011 - Lipstick // Jedward

(Not sorry about this one it slaps and Jedward are my kings)

24. Israel 🇮🇱

2015 - Golden Boy // Nadav Guedj

25. Italy 🇮🇹

(Gonna have to do a top five because I have such a thing for Italy in Eurovision I can’t pick just one oop)

2017 - Occidentali’s Karma // Francesco Gabbani

2015 - Grande Amore // Il Volo

2018 - Non Mi Avette Fatto Niente // Ermal Meta + Fabrizio Moro

2021 - Zitti E Buoni // Måneskin

2019 - Soldi // Mahmood

26. Latvia 🇱🇻

2022 - Eat Your Salad // Citi Zēni

(As a vegetarian and a bisexual I approve this message)

27. Lithuania 🇱🇹

2021 - Discotheque // The Roop

28. Luxembourg 🇱🇺

1988 - Croire // Lara Fabian

29. Malta 🇲🇹

2022 - Je Me Casse // Destiny

30. Moldova 🇲🇩

(My second favourite Eurovision country so here’s a top three)

2022 - Trenulețul // Zdob şi Zdub & Advahov Brothers

2018 - My Lucky Day // DoReDos

2017 - Hey Mamma // Sunstroke Project

31. Monaco 🇲🇨

1964 - Où Sont-elles Passées? // Romuald

(When I say I have an obsession with this song I mean it. PS Monaco plz come back we miss you!!)

32. Montenegro 🇲🇪

2015 - Adio // Knez

- Ranking Morocco doesn’t really feel fair because they only participated once lol -

33. The Netherlands 🇳🇱

2016 - Slow Down // Douwe Bob

(Hehe 33 Max Verstappen number it’s fate fr)

34. North Macedonia 🇲🇰

2012 - Crno I Belo // Kaliopi

35. Norway 🇳🇴

2009 - Fairytale // Alexander Rybak

(Listen I know it’s a basic choice but this song is iconic for a reason y’know? It slaps)

36. Poland 🇵🇱

2022 - River // Ochman

(King of the vocals fr brings me to tears every time)

37. Portugal 🇵🇹

2021 - Love is On My Side // The Black Mamba

38. Romania 🇷🇴

2010 - Playing With Fire // Paula Seling + Ovi

39. Russia 🇷🇺

2016 - You are the Only One // Sergey Lazarev

(Listen I’m a Sergey Lazarev stan first and human second. Between 2016 and 2018 I almost exclusively listened to his back catalogue and nothing else)

40. San Marino 🇸🇲

(Underrated country fr no one gets them like I do so they also get a top three)

2022 - Stripper // Achille Lauro

2021 - Adrenalina // Senhit + Flo-Rida

2019 - Say Na Na Na // Serhat

41. Serbia 🇷🇸

2023 - Samo Mi Se Spava // Luke Black

- Also not counting Serbia and Montenegro because they don’t have an emoji flag and they only participated twice -

42. Slovakia 🇸🇰

2010 - Horehronie // Kristina Pelakova

43. Slovenia 🇸🇮

2023 - Carpe Diem // Joker Out

44. Spain 🇪🇸

2019 - La Venda // Miki

(When I say this song was robbed I mean it. One of the biggest injustices faced in Eurovision was Miki coming 22nd)

45. Sweden 🇸🇪

(Sweden get a top three because they’re Sweden… they always slay)

2015 - Heroes // Måns Zelmerlöw

2012 - Euphoria // Loreen

2017 - I Can’t Go On // Robin Bengtsson

46. Switzerland 🇨🇭

2021 - Tout l'Univers // Gjon’s Tears

47. Türkiye 🇹🇷

2010 - We Could Be The Same // maNga

(Türkiye come back we miss you!!)

48. Ukraine 🇺🇦

(Another slay country so here’s a top three)

2018 - Under the Ladder // MELOVIN

2007 - Dancing Lasha Tumbai // Verka Serduchka

2021 - Shum // Go_A

49. United Kingdom 🇬🇧

(In the name of patriotism, of which I have very little, let’s do a top five + an honourable mention)

2012 - Love Will Set You Free // Engelbert Humperdinck

2022 - SPACE MAN // Sam Ryder

1981 - Making Your Mind Up // Buck’s Fizz

1968 - Congratulations // Cliff Richard

1976 - Save Your Kisses for Me // Brotherhood of Man

+ my honourable mention, Freaks // Jordan Clarke which should have been our song for 2019 but the British general public have no taste. I firmly believe this is why they no longer trust us to hold a national selection anymore lol

50. Yugoslavia *insert flag here*

1989 - Rock Me // Riva

(Basic choice I know, to pick their only winning song, but it slaps)

And that’s everyone!! Feel free to judge me hard for my tastes lol 😂

[helladirections]

I’m sending this to you because you are one of my favorite people on this app. 🌼 What are a few of your all-time favorite songs so I can make a playlist with a little piece of all of my favorite people?

Aw this is so sweet! I haven't gotten a message in so long I had assumed this was spam lol

I'm assuming you want songs outside of 1D/Harry/Niall (/Lizzo), so I just went through my liked songs on Spotify: Friendly Fire - Holly Humberstone Werewolf - Peter Thomas In My Apartment - Philip Labes Orange Hoodie - Angus Maude Joshua Tree - Rozzi Pancakes for Dinner - Lizzy mcAlpine Pennsylvania Skies - LULLANAS Asking the Aspens - Kathleen Poison Oak - Bright Eyes (this one someone sent me in HS) All the Animals I Drew as a Kid - Valley t-shirt - Alec Benjamin (love everything of his) always, i'll care - Jeremy Zucker i think too much - Christian French smiling when i die - Sasha Alex Sloan Painkiller - Ruel all the kids are depressed - Jeremy Zucker 21 - Mitch James Anti-Everything - Lost Kings, Loren Gray

Honorable mentions: How Do You Spell Channukkahh? - The LeeVees A Little Bit Alexis (From Schitt's Creek) - Annie Murphy Coming Home (Oregon) - Mat Kearney Golden Boy - Nadav Guedj (yes, I used to know the Hebrew words) Riptide - Vance Joy (2012 summer camp classic) I'm Like A Bird - Alessia Cara What Do I Know? - Ed Sheeran (my activist anthem in HS)

Anyway... I'm clearly a sucker

[whenitsdarkweilluminate]

Tel Aviv 2019 – Grand Final

Host: Israel Slogan: “Dare to Dream” Participants: 41 Voting method: 12-point system (50/50 system - separated) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 5 + host

Winner: Duncan Laurence - Arcade Country: Netherlands Points: 498 (51.9% of highest score possible) Language: English

General Overview:

I regret taking long breaks because now I have to review Tel Aviv 2019 during late 2023… but I'll just focus on the music and the show, same as when I dealt with Moscow and Baku.

Anyways, I'm nostalgic for 2019. It was the first year I felt like a real adult. It was those last moments before we entered into a parallel universe. And years ending in -9 just hit different. Pop music feels fresher; while in Eurovision context: 2009 reinstated the juries and expanded the stage, 1999 removed the orchestra and language rules, 1979 was the first contest held outside western Europe, and 1969 had 4 winners. As for 2019? It's the technology. It's a great year for staging.

It's also a very competitive top 10. Sure, “Arcade” is an obvious winner in hindsight, but Italy came close. I absolutely LOVE my top 10 as well. But the bottom half of my ranking… meh. 2019 is somehow a strong year and a weak year at the same time.

The Grand Final is EXTREMELY bloated. The opening sequence involves Netta piloting a plane that supposedly carries the 26 finalists, while Jon Ola Sand acts as the air traffic controller. Then, different groups of people set-up jeeps, vans, buoys, bicycles, drones, glow sticks, and paper lanterns to act as runway guiding lights. The plane appears to land in the arena, with a split-up LED illusion. Then Netta appears on stage with dancing flight attendants, as the “Toy” instrumental plays. This starts the Flag Parade, where one flight attendant twirls the flags, creating holograms of swirly sparks that shoot upwards; while Dana International, Ilanit, and Nadav Guedj perform. I mean, “Golden Boy” does mention Tel Aviv. This is another hype opener. There's also a montage of past hosts introducing the voting.

I found the hosts funny this year. In the final, there's Erez and Bar bantering about junk food and Madonna, Assi's romantic dinner joke, Netta flirting with Bar, “Lucy used all 20 of my votes”, and Bar surprising Erez at the voting table.

The interval is LONG. First, Conchita, Måns, Eleni, and Verka play song switcharoo. Eleni's version of “Dancing Lasha Tumbai” is a moment, but Måns made “Fuego” boring somehow. At the end, they all join Gali Atari in singing “Hallelujah”. Also lol at Assi startling Verka. Then Assi awkwardly interviews Madonna, but her telling the artists they're all winners was nice. Next, Idan Raichel Project performs “Boee”. I liked this one – it's a smooth atmosphere of cultural elements that turns into great energy. Erez interviews Quavo next. Then it's the mentalist again (UGH!) This time, he gets 3 random finalists to pick a year/song/artist. They just happen to choose 1974/“Waterloo”/ABBA. After that, Netta performs “Nana Banana”, where she's dressed in banana yellow. She sits at the head of the table, then walks across it, showing she's the star. Meanwhile, there's dancers in formal attire, who later reveal more yellow outfits. This song is pretty annoying too (“OWW!”).

FINALLY, we get to the infamous Madonna performance. The intro is cool, with the cloaked chanting monks and church bells, but Madonna's vocals are iffy during “Like a Prayer” (trap remix) and I've never seen someone take so long to walk down a staircase. Then the dancers are in gas masks during the spoken word “Dark Ballet”. Then it's the excessively auto-tuned “Future” featuring Quavo. Madonna and Quavo's dancing is cringe-y here. We aren't done though! There's still a video of Gal Gadot showcasing Tel Aviv. I swear, Israel flaunted every celebrity possible. Jean Paul Gaultier made an appearance too.

The postcards begin with a graphic of the flags in rotating triangles. Then the artists explore Israel, as the same piano notes play every time. After a moment, they press a triangle play button hologram that says “PLAY”, and they dance with a group of people, with a different instrumental for every country. At the end, they throw a triangle forward. And the arena's ceiling structure shows the flag colours in triangular lights, with a piano sequence + “WAH” sound.

Did I mention the 2019 design involves triangles??? The logo itself is a star made of 3 triangles. And the stage is a triangular platform pointing forwards, with a triangular archway overhead, and a V-shaped audience ramp. That archway disappears for many of the performances though, which is a wise decision. Tel Aviv also steals the bridges from Lisbon. And the LED screen returns, which can split into vertical turning sections.

The jury voting was very close. Italy and Russia lead early on, but eventually North Macedonia wouldn't budge from #1, until Sweden overtook on the very last country. 2nd place kept flipping too. And the Netherlands was close to winning the jury. However, it was revealed post-contest that Belarus's top 10 jury points were actually their bottom 10. Meaning North Macedonia should've won the jury. What a random jury winner. Otherwise, the map uses glitter-light country shapes. Izhar Cohen was the Israeli spokesperson, meaning all 4 Israeli winners appeared tonight. And the EBU switched to revealing the televote points in jury vote order. Oh, and Hatari upset the audience with Palestinian flags.

Malta: Michela - Chameleon

Albania: Jonida Maliqi - Ktheju tokës Of course Albania is second in the running order. I also just realized this song gives me “1944” vibes.

Czech Republic: Lake Malawi - Friend of a Friend

Germany: S!sters - Sister “I'm sorry, 0 points”. I guess 2018 was an anomaly, as Germany returns to the bottom 2. “Sister” is just a bland entry. It wants to be an epic inspirational ballad, but the composition is as inoffensive as possible and refuses to be distinct. The song starts with a music box, followed by piano dings. Then the drums march until the music box returns to pause the build-up, with cymbal shimmer transitions; then foot-taps and strikes ensue. Verse 2 adds foot-taps and light guitar after a second. Then the song peaks with heavier drums and that “SISTER... OOH WAH OOH” bit... which is a very flat climax. The bridge resumes the music box again. The drums are boring, the melody is basic, and the music box is whatever. The lyrics promote non-familial sisterhood. Indeed, S!sters aren't even real sisters. The duo urges women to support each other instead of trying to knock the competition down. The narrator sighs “I'm tired” of it. She tried to inhibit her sister but couldn't. She wouldn't share her success, saw her as an enemy, and feared her power. But she empowers her sister in the chorus, and apologizes in verse 2. The staging is basic as well. It starts dark, with the pair on opposite sides of the ramp, as they change leads. And the LED shows their sad faces singing (*eye roll*) They then meet in the middle, and yell “SISTER” at each other while amateurishly bouncing. There's also an unearned fire rain finale and they excitedly embrace at the end. Their vocal sounds emotional, but in a saccharine way.

Russia: Sergey Lazarev - Scream The bad running order slot didn't hurt this.

Denmark: Leonora - Love Is Forever

San Marino: Serhat - Say Na Na Na I can't hate on people having the time of their lives.

North Macedonia: Tamara Todevska - Proud

Sweden: John Lundvik - Too Late for Love John's charisma (and the Mamas) really elevate this.

Slovenia: Zalagasper - Sebi

Cyprus: Tamta - Replay

Netherlands: Duncan Laurence - Arcade (winner review below)

Greece: Katerine Duska - Better Love

Israel: Kobi Marimi - Home This just screams “we don't want to host again”. It's a dated song with a formal performance, and Kobi's voice is excruciating (“I AM SOMEOoOoOoONE”). I just want him to STOP. He gargles the word “bruise” too. The orchestral string intro is from the 1950s. Then a gentle piano follows, as he sounds choked up. A small, anxious running beat appears next, with a bit of guitar and snowy echoes. Then the first chorus rests after a cymbal shimmer. Meanwhile, there's 3-way split-screens of Kobi and jagged screens showing the music video. The backing choir comes out during verse 2 and they stand close to him. It's an intense visual. The instrumental stays gently anxious until the bridge, where the strings grow and the melody shifts, as Kobi walks across the bridge. The slow drums enter at the climax, with fire rain and him walking across the ramp. Plus a rising bit and a pause. The song ends gently again, and with another big gargling vocal. Kobi is an over-singing, over-emoting showman. The lyrics are about personal growth. Kobi is focused on the current moment for the rest of his life. He runs “barefoot to the mountain tops” and hugs cold water (ie. facing extreme and uncomfortable challenges). And now that he found his identity, he's coming home. He used to listen to others and waited for time to pass. It was a long, suffering journey and he's done with letting that hurt affect him. It's a nice message, but the song is too theatrical and formal to make me feel anything.

Norway: Keiino - Spirit in the Sky

United Kingdom: Michael Rice - Bigger than Us A bland and forgettable entry puts the UK in last place. John Lundvik clearly kept the better song for himself. “Bigger than Us” wants to be an epic inspirational ballad, like Germany. It's more stimulating than “Sister” at least, and it has an innocent, uplifting vibe. But it's still formulaic and predictable. The song starts with a warm, hopeful piano, as the audio skips on “me and you”. The kicks and snaps come next. Then the song suddenly slam-stops, and the “anthemic” chorus brings the percussion and distorted “oh oh oh” responses. The backing lifts the last “it's bigger!” The second chorus extends into a back-and-forth “bigger (bigger)” with the backing. The bridge quiets to a pretty piano, leading to a drum breakdown, where the choir comes on stage giving “hah-oh”s. The last chorus is elevated by strings and stage sparks. And they stand around a fiery circle. The stage starts grayscale, as Michael walks forward with smoke behind him. Then the LED lights up with outer space imagery. He also shows his vocals on “ONLY HOPE”, “WE SEEEE YEAH”, and “UUUUS”. The lyrics lack depth though. The word “bigger” is said 47 times. Michael wants the subject to hear him. He says that love is attainable between them. He offers his hand and promises he won't give up. While the chorus proclaims that their love is bigger than everything. It's a bit trite. His performance is fine, the backing choir improves things, and the chorus shift kinda works. But yeah, this is bland.

Iceland: Hatari - Hatrið mun sigra

Estonia: Victor Crone - Storm Uhh was that a camera fuck up?

Belarus: Zena - Like It Zena cannot sing. The chorus is kinda annoying too.

Azerbaijan: Chingiz - Truth The verses are better than the chorus.

France: Bilal Hassani - Roi I view France's 2017/18/19 entries as a trilogy. Madame Monsieur even helped write this one. “Requiem” and “Mercy” told unique stories, but “Roi”'s message of self-love has 0 subtly. Especially the staging. It starts with a flashlight on Bilal's face, with colourful tears and words. Then, teen ballerina Lizzy Howell walks out, twirls, and shakily pushes wrists with Bilal. Then he comforts deaf dancer Lin Ching-lan. Meanwhile, the LED shows quotes, news headlines and videos of the dancers; as well as an empty throne room. Bilal also kneels during the bridge. While at the end, they all stand together making hand-crowns, as the LED shows a child video of Bilal + “We are all Kings/Queens”. The lyrics alternate English and French frequently. Bilal asserts “I will always be [me]”. She decides her own path. He lives life despite judgement. It bothers people and they tell her how to be, but she defies it; retorting “you cannot change me boo”. The term “king” is used to empower. Verse 2 questions why they hurt for nothing. We choose many things, but not who we are, it's no one's business. Bilal projects self-love, security and confidence. And the “I'M NOT RICH...” and “know-oh-oh-oh” hooks are fine, but the chorus suffers from the plain modern drum beat. The verses follow an active piano, with fist-pounding ticks partway. The post-chorus adds some strings and fluttery metal bits. Verse 2 has some drumstick echos midway. And the bridge reduces to low vibrations.

* Bilal uses both he/him and she/her pronouns, so I alternated

Italy: Mahmood - Soldi This is so addictive. The “come va, come va, come va” and “Soldi, Soldi” repetitions are catchy AF. The handclaps get the audience involved. It sounds fresh and modern. And it changes gears so cleverly. There's an Arabic guitar that keeps reappearing, mixed with assertive foot stomps. The verses follow “dun... dun-dun” piano notes, with more stomps. There's a pause on “AH UH”. The pre-chorus piano races with smooth strings, and the vocal jumps out midway with taps. Then the sludgy bass drops with double handclaps. And the Arabic guitar cuts this off effectively. The bridge has a more cluttered sound, ending in more strings. Mahmood crams a lot of words into this, but it doesn't harm the melody. The lyrics tell a personal story with a justifiably bitter tone. It's about his deceitful father, who walked out on his family, and only cares about money. Mahmood reassures his mom he's on his way home to see him. She thought it was love. The father is breaking Ramadan and smoking a hookah, and there's a Jackie Chan reference. Upon seeing him, Mahmood sings quickly since his mind is racing. He doesn't trust him. He doesn't care to explain. He decries “you only cared about the money, as if I have any”. The father won't say the right words. Mahmood rejects his offer. And the bridge inserts an Arabic phrase that his dad used to say. The staging involves Mahmood and the dancers leaning backwards during the chorus, as the LED shows a clapping silhouette. It also shows flaming banknotes, a sad boy, translated lyrics, and his face breaking. Plus beggars' hands on the floor. The dancers have some interesting choreo as well. But yeah, I just love how the different parts work together here.

Serbia: Nevena Božović - Kruna This is pretty epic by the end of it. It's grown on me! I love the part when the strings stop.

Switzerland: Luca Hänni - She Got Me

Australia: Kate Miller-Heidke - Zero Gravity

Spain: Miki - La venda This is an insanely energetic, joyous, and fun song. It sounds like a World Cup theme. It does burn out after repeated listens (I need to catch my breath!), and it is repetitive, but those “LA VENDA YA CAYÓOOOOOOOOOOOOOO” shouts are really catchy. The celebratory trumpet intro stands out too. And there's many quick “woo” pauses for breathers. Most of the song has fast, summery guitar and drums. The verses add backing “ohhhhh” to it, while the chorus adds horns and “HEY”s. The bridge retreats into rapid claps and Spanish guitar, then escalates with drum slams and horns, leading to a hollow drum breakdown. And it repeats “Lo que ere” 12 times. The song energizes the arena, but the choreo is kinda messy. They jump and raise their arms to hype up the crowd. And they run to the bridge and ramp at the end. The stage includes a 3x2 structure of 6 rooms with hand-drawn decor, and a frozen person in each. Miki turns around and visits them. The LED shows bold colours, including paint splatters and fingerprints. There's also a moving, lit-up, mummy thing. They brace against gravity during the camera tilts. Miki holds a camera at one point. The lyrics are trying too hard to be deep though. It's about removing the “blindfold” to live happy and free. Every verse line starts with “Te”. Miki remarks “They buy you because you're for sale”. You have excess to sell. You're lost because there's a way to be. He says there's other options – love and choose yourself. You're enough without forcing it.

The Winner:

The Netherlands achieves their 5th victory, and their first in 44 years. Austria still holds the record at 48 years between 1966 & 2014. However, Spain or France could break that in the near future. The Netherlands were one of my favourite countries during the '70s, '80s, and '90s, but they dropped off in the new millennium. They didn't even qualify for 8 years in a row. But then “Birds” changed everything; and “Calm After the Storm” did even better. Since then, the Netherlands winning again felt inevitable. Duncan's win is the culmination of their revival. Switching to internal selections has worked out pretty well.

“Arcade” is probably the least controversial winner of 2014-2023. There's nothing divisive about it. Although, at the time, I wasn't feeling the studio version. I was sick of hearing songs with big loud percussion. I didn't want a OneRepublic clone winning Eurovision. But after seeing Duncan's sensitive performance, I changed my mind. I can FEEL the emotion in this song clearly. Those “AHHHHHHHHH OHHHHHHHHH”s and “ALL I KNOW”s wouldn't leave my brain either. It's catchy! There's a very noticeable verse/chorus contrast too. The song opens with a piano sequence and vocal howls, creating a cold night forest atmosphere. Then the introverted verse expresses Duncan's sadness and vulnerability, with the soft melancholic piano and lower vocal. The howls return with boops and Duncan's voice rises. Then the guitar and snaps get the pre-chorus moving. While the heavy drums slam down in the chorus, with some clicks. The second verse adds low drum booms and skips the pre-chorus. The later choruses are doubled. The bridge is a delicate moment. There's a dense drum breakdown. The last chorus adds moody strings. And the song ends where it started.

The chorus is like pounding your fists against the wall in agony because you can't take it anymore. It represents Duncan's frustration. His broken heart has unfixed cracks. He lost some pieces while returning home. He's afraid of himself. His mind feels different. He begs to be carried home. While the chorus surmises that loving this person is a losing game. The relationship was destined to fail, and he knew it (“I saw the end before it begun”), but he carried on. He was addicted. The “How many pennies in the slot?” line questions how invested his ex was, since they gave up easily. The “Small-town boy in a big arcade” line implies Duncan was out of his depth. But then he calls it quits in the bridge (“Get me off this rollercoaster”). It was a turbulent relationship. The lyrics contain several game metaphors: “lost a couple of pieces”, “pennies in the slot”, “Game Over”; but not in a corny way.

The staging keeps it simple, but still visually satisfying. Emotional ballads don't need anything extra. Duncan spends the entire performance playing a piano that's positioned sideways, while the dark blue lighting establishes the mood. It begins pitch black until the first line. Then the camera slowly zooms in as he looks down at the piano. He only really looks up during the close-ups. A blue spotlight shines on him next. Then a moon orb descends in front of him and he stares at it during the bridge. Then he throws his arms behind him as a blinding white light beams in the background. The stage has a nighttime aesthetic. It fits the song perfectly and I wouldn't change anything about it.

This became a viral TikTok hit, and the first Eurovision song to chart in America since Gina G. It's currently the most streamed Eurovision song ever on Spotify at over 1 billion plays.

Verdict: “A” Tier.

My Ranking:

Grand Final: 01. Italy: Mahmood - Soldi 02. Norway: Keiino - Spirit in the Sky 03. Switzerland: Luca Hänni - She Got Me 04. Albania: Jonida Maliqi - Ktheju tokës 05. Netherlands: Duncan Laurence - Arcade 06. Slovenia: Zalagasper - Sebi 07. Australia: Kate Miller-Heidke - Zero Gravity 08. Malta: Michela - Chameleon 09. Spain: Miki - La venda 10. Sweden: John Lundvik - Too Late for Love

11. Cyprus: Tamta - Replay 12. Azerbaijan: Chingiz - Truth 13. Serbia: Nevena Božović - Kruna 14. Greece: Katerine Duska - Better Love 15. North Macedonia: Tamara Todevska - Proud 16. France: Bilal Hassani - Roi 17. San Marino: Serhat - Say Na Na Na 18. Russia: Sergey Lazarev - Scream 19. Belarus: Zena - Like It 20. Estonia: Victor Crone - Storm 21. United Kingdom: Michael Rice - Bigger than Us 22. Germany: S!sters - Sister 23. Iceland: Hatari - Hatrið mun sigra 24. Denmark: Leonora - Love Is Forever 25. Czech Republic: Lake Malawi - Friend of a Friend 26. Israel: Kobi Marimi - Home

Full Ranking: 01. Italy: Mahmood - Soldi 02. Norway: Keiino - Spirit in the Sky 03. Switzerland: Luca Hänni - She Got Me 04. Albania: Jonida Maliqi - Ktheju tokës 05. Netherlands: Duncan Laurence - Arcade 06. Slovenia: Zalagasper - Sebi 07. Australia: Kate Miller-Heidke - Zero Gravity 08. Malta: Michela - Chameleon 09. Spain: Miki - La venda 10. Sweden: John Lundvik - Too Late for Love 11. Cyprus: Tamta - Replay 12. Romania: Ester Peony - On a Sunday 13. Belgium: Eliot - Wake Up 14. Armenia: Srbuk - Walking Out 15. Azerbaijan: Chingiz - Truth 16. Serbia: Nevena Božović - Kruna 17. Greece: Katerine Duska - Better Love 18. Hungary: Joci Pápai - Az én apám 19. Lithuania: Jurij Veklenko - Run with the Lions 20. North Macedonia: Tamara Todevska - Proud 21. France: Bilal Hassani - Roi 22. Moldova: Anna Odobescu - Stay 23. Portugal: Conan Osíris - Telemóveis 24. Austria: Pænda - Limits 25. San Marino: Serhat - Say Na Na Na 26. Russia: Sergey Lazarev - Scream 27. Belarus: Zena - Like It 28. Estonia: Victor Crone - Storm 29. Latvia: Carousel - That Night 30. United Kingdom: Michael Rice - Bigger than Us 31. Poland: Tulia - Fire of Love (Pali się) 32. Finland: Darude feat. Sebastian Rejman - Look Away 33. Ireland: Sarah McTernan - 22 34. Georgia: Oto Nemsadze - Keep On Going 35. Germany: S!sters - Sister 36. Iceland: Hatari - Hatrið mun sigra 37. Denmark: Leonora - Love Is Forever 38. Czech Republic: Lake Malawi - Friend of a Friend 39. Israel: Kobi Marimi - Home 40. Croatia: Roko - The Dream 41. Montenegro: D mol - Heaven

[lana0605]

Israel in Eurovision: my top 3 songs of the last decade (2014-2023)

2018 Netta "Toy"

2015 Nadav Guedj "Golden Boy"

2016 Hovi Star "Made of Stars"

[lookthetart]

I was listening to older Eurovision songs when I stumbled upon Golden Boy by Nadav Guedj. Very nice song, I remember I loved it at the time, but the shock when I realized that I always got the lyrics wrong. 2015 me was in her room singing: "I'm a gooolden boy, come here to enjoy, I'm the king of Fraaance (fun), let me show you how we do it! And before I leave let me show you c'est la vie (Tel Aviv)".

Just wow, I may have failed listening comprehension, but that's one highly creative way of non recognizing Istrael

[polikszena]

Okay but how about Lars and Lemtov having a dance-off to this:

[julesbranddt]

Nadav finally showed us Tel Aviv

[borisbubbles]

Eurovision 2010: 35 - 31

35. KEiiNO - “Spirit in the sky” Norway 2019

During the preshow I posited that "Spearwhil”  would be the Rasmussen but as it turned out-

I HEAR YOU CALLING ME AT NIGHT

No, Tom NOT NOW!!! I’m in the middle of my sentence. 🙄 Wait your turn Anyway, it turned out that ‘the Rasmussen’ really ought to be called ‘the KEiiNO’. Observe this Michal-esque rise up the scoreboard:

OutSzpak’ing Spzak. 😍 Let’s be honest though, it was-

I HEAR YOU CALLING ME AT NI-

- COMPLETELY DESERVED TOO.  Fred was especially great, who delivered EPIC yoik solo that I am sure won KEiiNO the televote on the spot. 😍

This particularly pleases me because I was worried Tom & Alexandra (who are both very good performers) would take the spotlight away from Fred, but no did the weakest link pre-show turned not only turn out to be the strongest one, but he was arguable the single strongest performer of finale night. SO PROUD OF THEM ANGELS. 😍 Let us all sing along

*cough* I said, “let us all sing along”

... 

(k Tom, now is ur cue)

I HEAR YOU CALLING ME AT NIIIIIGHT

THE NORTHERN LIGHTS ARE DANCING

HÅ LA HEI LOI LÅ

A lot of the criticism from KEiiNO comes from your typical value-seekers who can only enjoy themselves in public if their shallow trash comes coated in a thick layer of novelty gimmicks and Deep Meaning, so they don’t have to admit to others and themselves than they tune in to have fun, like everyone else. There’s nothing wrong with novelty gimmicks & the like, but applying that standard to everything is taking it a tad too far. Sometimes, simplicity is key and that’s exactly what KEiiNO were: unpretentious, highly-addictive EDM adorned with epic yoiking. 😍 

_______________________________________________________________

34. Gianluca - “Tomorrow” Malta 2013

"Tomorrow” is, to use Gianluca’s own words, a curious delight: I always, always, always forget about it. Then I rewatch 2013 as I do at least once per year, and each time it’s like a Céline Dion song IT’S ALL COMING BACK TO ME and I’m in love again. 😍 “Tomorrow” is such a clever twist of the typical love song by telling the story from the THIRD PERSON PERSPECTIVE by an all-knowing narrator. It’s world’s merriest audiobook. 😍

Naturally, this works because Gianluca has TONS of charisma. He’s one of the most magnetic humans ever on a Eurovision Stage? 

It’s hard to believe that he ages like the rest of us, I’d assume he was birthed fully formed and clothed, at age thirteen, in whatever rests at the end of a Neverlandian rainbow. 

“Tomorrow” could’ve so easily been one of those “Annoyingly Positive songs”, but because he’s so relentlessly jolly, Gianluca injects “Tomorrow” with limitless happy energy, enough to melt the polar icecaps. I am happy that I don’t revisit Gianluca between watches, as I do with others, because each time I rediscover him it’s like finding a four-leaf-clover. 🍀

________________________________________________________________

33. Elitsa Todorova & Stoyan Yankoulov - “Samo shampioni” Bulgaria 2013

IMA LI MLADI? IMA LI LYUDI? TSYALO SELO DOIDE PEITE NE SE BOITE

Let us continue with one of the most glorious trainwrecks EVER in Eurovision. 😍 Of course, this being the GOD-tier the severity of wreckage (aka the Sennek Factor) is even higher than normal. In the case of “Samo shampioni” the messiness began DURING THE PRESELECTIONS. 😍 Okay you may not remember or know this backstory, so allow me to enlighten you:

Okay, so *initially* BNT selected Elitsa & Stoyan and for some reason decided to hold an NF: They introduced: first a terrible rapbomination, second a boring ethnoballad (think Iriao + percussion) and then pulled out an experimental fusion of ethnic bagpipes, polyphonic singing and dubstep, which Elitsa openly pointed as her favourite. 😍 Obviously, the audience had to choose for the latter? NOPE The audience chose the iriao-esque ballad 😍 and in one of the most hilariously open displays of riggage, LESS THAN A DAY AFTER THE NF (and after Elitsa allegedly threw a huge backstage temper tantrum threatening to withdraw LMFAO), BNT produced a statement that was all like “well. we can’t send “Kismet”. 🤓 You see... it has come under our attention that... the songwriter from Argentina (lmao) can’t agree to the copyright terms we demanded of him 🤓but that’s fine because it means we can send “SAMO SHAMPIONI” instead 😊‘ <3333333333333333333333456789 who the fuck is Christer Björkman, fucking NOBODY that’s who. And of course, once “Samo Shampioni” finally got to Malmö it was an utter disaster. 😍 I say "disaster” in the best meaning of the word though. I LOVE when countries showcase their musical traditions, but Elitsa and Stoyan do it so aggressively, BLASTING the unassuming viewer with loud af bagpipe noises, following it up with a menuet of polyphony, a clarion of “AAAAAAAAAAAA-YUUUU” and a finale of dubstep and mayumaniacal percussion. “Samo Sampioni” was loud, abrasive, a clamour of ethnic noise but by the same token such a catchy, infectuous, delightful fucking BOP. No surprise it got jurypwned but it was well worth the effort. 😍

________________________________________________________________

32. Nadav Guedj - “Golden boy” Israel 2015

Welcome to the Dicedrome, ladies and gentlemen: Introducing the man who put Israel back on the map after four straight NQs. But Nadav is more than just a Hebrew Tom Dice. 

For starters, “Golden boy” is also the first time we were ever subjected to Doron Medalie (and also Imri Ziv but lol Imri), who is at his BEST here (apart from that moment when he brusquely shoved Cesár out of the way as if he were Krisse Salminen lmfao 😍): “Golden boy” has everything I could want in an uptempo party song: Drama, catchy rhythm, limitless fun, chanting, dancing and an absolutely ridiculous premise: sixteen year old boy gets wasted after fruitlessly flirting with all sorts of femfolk on his first night out. Yes, THIS

is sixteen years old. 😍 But what I mostly love about “Golden boy” is the humour. Intentional humour is really hard to get right and “Golden boy” NAILS it for me. From self-deprecating one-liners, to that choreography to b-roll material like the sound effect of beer being pourn as Nadav gets further into the song, to of course the epic finale of “THREE MINUTES! BYE :selfie”. 😍

A wild ride which, as serendipity demands, is topped off by Nadav kicking off a strong Israeli streak that indeed ENDS up with Israel winning the contest (with a worse Doron composition :-/) and him showing us around in Tel Aviv. Funny how life works sometimes, huh? 

OKAY GOTTA GO  THREE PARAGRAPHS BYEBYE

_______________________________________________________________

31. Jessy Matador - “Allez ola olé” France 2010

Did you know “Matador” is Eurospeak for “SLAYER”?  😉

Speaking of EPIC party songs, I was looking “Allez Ola Olé” up for my usual ranking purposes and this song.. is one of the most successful Eurovision songs EVER? I am not surprised, because “Allez olla olé” OWNS, but at the same time random 12th placers becoming massive off-season hits <3

(yes I am aware it’s because it was the French “Waka Waka” but that’s even more hilar, actually. What on earth is it doing in Eurovision <3)

Anyway, “Allez ola olé” definitely DESERVES all praise it can get. ETERNAL THORN IN THE SIDE OF THE EUROVISION ELITISTS <3 it is of course the anti-Proud, being all rhythm and no story, literally having no purpose other than making people dance (which I LOVE doing to “Allez Ola Olé”... within the confines of my bedroom, with the curtains closed because I have the dancing skills of drunk JarJar Binks) and honestly, what a spectacle. 😍

It features, in order of ascending awesomeness, male twerking (gender equality <3)

witty references to sex (which I don’t mind here because it’s clearly consentual, and therefore, healthy, ICKOLAS)

“Je sens le truc monter/..😏 ALLEEEEZ 😱”. 

DAM BA DAM BA DAM BA DAM DAM

A fucking HAKA????? (btw, the female backing doing a salute is also lowkey great <3)

Actually, TWO HAKA’S????

This song may not have relevant meaning but my weave flew all the way to French Polynesia. “Allez, ola, olé” is nothing less than fucking AWESOME. 

In this update, we pay our final respects to Norway, Malta and France: Read more about them below:

NORWAY

I don’t feel like this chart reflects my true feelings on Norway, because I like them a LOT more than what their average implies. They’re largely just dragged down by a few bad entries in the first half of the decade. Norway in the second half of this decade has shown a lot of promise and they are on my list of countries that I expect to win in the upcoming decade. 

MALTA

Malta are a very average Eurovision country imo. As you can see, they very often select songs that are not worth giving a fuck about, but conversely the few times that they do, they’re usually excellent happy-go-lucky gems. I could see them winning if they find that rare 1-in-50 entry (by one of their jesc winners preferably), but only if they keep internally selecting their entrant because lmao MES(s)C <3

FRANCE

This is a really good chart for France and roughly what I expected. Not my favourite country but solidly upper tier. France really have reinvented themselves post 2016 and are reaping the rewards with generally higher results. I hope it gets topped off with another win soon. They deserve it. 

[guysofeurovision]

[youre-my-shine-xoxo]

Okay but when is the self-proclaimed king of fun, Nadav Guedj, going to show us Tel Aviv like he promised in 2015 ???

[toranochi]

It's already friday, I'm here in bed and I was thinking... Where is the golden boy showing us tel aviv????

[sherlock-is-ace]

If you want to make me happy just play Golden Boy by Nadav Guedj from Eurovision 2015 and it’s done

[taschiiin]

I'm not in the mood for a broken heart

Gonna dance tonight, forget her

No, she doesn't know

What I'm doing on the floor

Golden Boy (Eurovision 2015 - Israel) Nadav Guedj

[artemismatchalatte]

Nadav Guedj - Golden Boy (Israel) 2015 Eurovision Song Contest