#nancy lang

[fluffyyewon]

[#습콕📌] 공개 연애 안하는걸 공개한 김종민💗을 조여오는 돌싱포맨 수사망🔍! #신발벗고돌싱포맨 #InvitationfromBacheloragains #SBSenter

[hexag0ne]

[elainiisms]

i have a disease that makes me see every female character as a lesbian and its called being smarter than everyone

[summersmithlatinxgyatt]

To whoever cares: Which ship is peak??

(Ignore how small her arm would be in that other picture okay I never finished it and was like whatever YOU GET THE IDEA)

[badlaw]

listen to my ladies of country-ish playlist and embrace the pleasures of twang and melodrama and being sad and/or in love and/or on the road

[indiafishydish]

Nancy will cut has nerve damage probably and that is not cool so Dr. Lang and Dennis will cut you need to both understand that I will cut you both today and I’m not even insecure about that it’s just a matter of finding the right people because these games are not funny and clearly I need to find a new doctor with a brain but we are going to have to really rise above all together because people like Dennis Wilcott and Dr. Lang are the past they don’t need to be practising medicine in the future and we will clean up the mess so you guys light and refusing treatment all you want Dr. Lang I will still win in the end

A little boys who never want to grow up and then they want the ego drive of South Africa and all of that hell well that’s not yours Dennis you’re really really pissing me off Dennis you’re pissing a lot of people off Dennis pretty soon I might have one of my friends accidentally on purpose, potato you

Dr. Lang do you think it’s funny if Nancy will cut has nerve damage since she is so much older is that funny tell me what’s funny about that Dr. Lang I don’t know I mean maybe you know something about this bitch that I don’t know

I guess Teresa Cooper and other people heard that my daddy left me with a parachute rich daddy left me with a parachute. I’m sorry. Well that’s a good damn thing because there’s a lot of lies to save lives. No lies you’re not gonna keep those lies.

Obviously Nancy is not gonna bomb Saudi Arabia but neither is Dennis Dennis said he’s gonna get me killed and then he’s gonna get killed and apparently Dr. Lang also wants that future for himself

Well Nancy, I want to say I’m sorry if that’s what you’re going through and if I didn’t know I am really sorry because it’s not fun to see this and anybody and all of these people all of these idiot people and the doctors won’t even help because they think it’s a joke and they don’t ever have to grow up and they don’t ever have to practice real medicine

So because they don’t want to read these long things, they miss all of the meat and potatoes

Some of your kids need to stop right now this is that situation that Chris Hoffman could’ve been telling somebody look you don’t need to hit that child and he is absolutely right

Don’t tell my daddy what to do! Well, when your daddy is wrong, your daddy is going to be told what to do. I’m sorry United States of America that your parents are racist bags of shit.

[sinceileftyoublog]

SZA Album Review: SOS

(Top Dawg Entertainment/RCA)

BY JORDAN MAINZER

On “Nobody Gets Me”, a song in the middle of SZA’s much anticipated second album SOS, she reveals a failed engagement, a man that left her when she was on the road due to his own insecurities. It’s the type of heartbreak that spawns entire records--and maybe it did, here--but she spends more time in the details, setting the scene than delving into the ins and outs of her relationship. “You were balls-deep, now we beefin’ / Had me butt-naked at the MGM / So wasted, screamin’, ‘Fuck that’ / Blurry now but I meant it then / Hurry now, baby, stick it in / ‘Fore the memories get to kickin’ in,” she sings, her carnal humor as blunt as it is sardonic. In the build up to the release of SOS, during an interview with HOT 97, she remarked she wants it to be understood from the album that, simply, she’s pissed. Pissed at specific men, yes, but also at men in general, at the music industry, at the collective forces that try to bring her down. SOS is a distress signal. It’s no coincidence its opening track begins with that specific Morse code while built around a sample of the Gabriel Hardeman Delegation’s gospel song “Until I Found the Lord (My Soul Couldn’t Rest)”. That is, in looking back at specific moments, SZA’s pleading with herself to overcome.

SZA heals by evaluating past versions of herself and sometimes comparing herself to various revenge-takers throughout culture. “Low” builds on her feature last year on Summer Walker’s “No Love”, reinforcing her sole interest in the physical side of a relationship, her steadfastness mirrored in the song’s dark, forceful trap beat. On “Kill Bill”, she likens herself to the title villain of the Quentin Tarantino films of the same name. “I might kill my ex,” she casually admits, before clarifying, “I still love him, though / Rather be in jail than alone.” (Producer Rob Bisel and Carter Lang’s guitar lines even echo the melody of “Bang Bang (My Baby Shot Me Down)”, a song whose Nancy Sinatra version is famously used in the opening credits of Kill Bill: Volume 1.) SZA identifies with the protagonist of Gone Girl. And to be fair, on “Snooze”, she throws some sympathy the other way, suggesting that when she’s infatuated with someone so much, they could be a murderer and she wouldn’t care--only as long as they were infatuated with her, too. 

Sure, there are moments of bleakness on SOS, like on “Used”, where SZA shares she’s essentially used to feeling used, the amount of death she’s experienced in her personal life and witnessed along with the world making her numb to exploitation. When she sings, “My pussy precedes me,” on “Blind”, it’s a flex, but it’s also delivered with a sigh, as if this is all that there is. But the more she lets her voice soar, the closer she gets to self-acceptance, if not self-actualization. She bends around the skitter of the hi hats and the whirring synths on the subtly thrilling “Notice Me”. Her flow is better than it’s ever been on “Blind”; the pitch-shifted melisma of the title in the chorus sounds like she’s traversing the page as well as the scales, showing what she can be in one fell swoop. Most impressive is how effortlessly SZA fronts rock instrumentals, whether the pop punk bursts of “F2F” or the “Fade Into You”-esque strumming of “Nobody Gets Me”.

When SZA brags, it’s sometimes sandwiched between bouts of insecurity, and both sides of her internal monologue are all the more powerful because of it. “Nobody Gets Me” and the finger-snapped “Special” are buoyed by the “I might steal your girl” confidence of “Conceited” and it’s refrain of “I’m bettin’ on me”. “Far” samples words from Sadhguru, a famous yogi she met, saying, “If nobody wants you, you’re free”, as if SZA is rising to the top alone. What follows, though, is a broadcast dialogue over whether that very mode of thought is even worth it. Ultimately, it’s the words of folks since departed that ring truest. Her late grandmother Norma Rowe introduces “Open Arms” with, “When you do your best...that’s all you can do,” a breakthrough that allows SZA to realize “I’m the only one that’s holdin’ me down”. And then there’s album closer “Forgiveless”, which features samples of “The Stomp” by Ol’ Dirty Bastard and Bjork’s “Hidden Place”, songs by two of the most iconoclastic figures of the 90s and early 2000s with whom SZA likely feels a kinship. “I don’t mind burnin’ bridges,” SZA declares. ODB’s closing words profess love for everyone. SZA has that love to give, but on SOS, she’s unafraid to let you know when you’re impeding her ability to love herself.

[pathetic-gamer]

Pentiment's Complete Bibliography, with links to some hard-to-find items:

I've seen some people post screenshots of the game's bibliography, but I hadn't found a plain text version (which would be much easier to work from), so I put together a complete typed version - citation style irregularities included lol. I checked through the full list and found that only four of the forty sources can't be found easily through a search engine. One has no English translation and I'm not even close to fluent enough in German to be able to actually translate an academic article, so I can't help there. For the other three (a museum exhibit book, a master's thesis, and portions of a primary source that has not been entirely translated into English), I tracked down links to them, which are included with their entries on the list.

If you want to read one of the journal articles but can't access it due to paywalls, try out 12ft.io or the unpaywall browser extension (works on Firefox and most chromium browsers). If there's something you have interest in reading but can't track down, let me know, and I can try to help! I'm pretty good at finding things lmao

Okay, happy reading, love you bye

Beach, Alison I. Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge Univeristy Press, 2004.

Berger, Jutta Maria. Die Geschichterder Gastfreundschaft im hochmittel alterlichen Monchtum: die Cistercienser. Akademie Verlag GmbH, 1999. [No translation found.]

Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985.

Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol 62, no. 2., 1990. pp.298-314.

Brandl, Rainer. “Art or Craft: Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-1550. The Metropolitan Museum of Art, 1986. [LINK]

Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Bercelona.” Masters Theses. Western Michigan University, 1997. [LINK]

Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol 2, no. 1-2, 2010.

de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986.

Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014.

Eco, Umberto. Baudolino. Translated by William Weaver. Mariner Books, 2003.

Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork. Jan Jose Univeristy, 2020. [LINK]

Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140

Harrington, Joel F. The Faithrul Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013.

Hertzka, Gottfired and Wighard Strehlow. Grosse Hildegard-Apotheke. Christiana-Verlag, 2017.

Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010.

Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford Univeristy Press, 2015.

Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017.

Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boudell Press, 2007.

Kieckhefer, Richard. Forbidden rites: a necromancer’s manual of the fifteenth century. Sutton, 1997.

Kuemin, Beat and B. Ann Tlusty, The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017.

Ilner, Thomas, et al. The Economy of Duerrnberg-Bei-Hallein: An Iron Age Salt-mining Center in the Austrian Alps. The Antiquaries Journal, vol 83, 2003. pp. 123-194

Lang, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008

Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2019.

Lowe, Kate. “’Representing’ Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol 17, 2007. pp. 101-128

Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv fuer Reformationsgenshichte, vol. 89, 1998. pp. 125-143.

Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol 23, no. 191. Springer, October 2021. pp. 1-27.

Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32.

Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests, and Occullt Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013.

Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissectionin Renaissance Italy.” Renaissance Quarterly, vol 47, no. 1, Spring 1994. pp. 1-33.

Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983.

Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present,vol. 150, no. 1, February 1996.

Salvador, Matteo. “The Ethiopian Age of Exploration: Prester John’s Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp.593-627.

Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli.” The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.

Throop, Priscilla. Hildegarde von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998.

Usher, Abbott Payson. “The Origins of Banking: The Brimitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4. 1934. pp.399-428.

Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Peter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp.427-501.

Wendt, Ulrich. Kultur and Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907.

Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp.751-777.

Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008.

Yardeni, Ada. The Book of Hebrew Script: History, Palaeography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010.

[deutsche-bahn]

In dem "ich hab von dir geträumt!"-ask hat ja jemand meine ständigen Oliver Twist-Vergleiche als eine Art shoelaces-Erkennungswort benutzt. god that sentence makes no sense does it? anyways. Oliver Twist. Stellt euch also den Moment der Panik vor, wenn dich zwei Tage später jemand persönlich fragt: "Hm. Wenn du dich mit Oliver Twist vergleichst, bin ich dann für dich Dodger oder Fagin?" und dann zufrieden vor sich hin grinst. Abort mission, what the fuck, mein Stresstremor kommt augenblicklich aus dem Exil zurück. Ok, fine, er meint die Frage ernst. Das ist bis dato halt auch einer der wenigen Menschen, die auf meine nie abreißenden, mittelmäßigen Literatur-Anspielungen eingehen. Jetzt muss ich ihm nur irgendwie beibringen dass die Oliver Twist Masche mehr so 'ne verbale Übersprungshandlung ist, und keine durchdachte Metapher für mein Sozialleben. Außerdem ist er Nancy.

Er redet viel, macht Bemerkungen in treffsicherem Stakkato und schenkt mir dabei eine so durchdringende Aufmerksamkeit, dass ich mich am liebsten darunter wegducken würde. Meine Strategie, mich mit einem fröhlich sinnfreien, niemals abbrechenden Redefluss irgendwo zwischen Absurdizismen und Loriot-Dialog rauszureden funktioniert erstmals nicht. jesus fucking christ, es ist als wäre ich mit einem Deck Pokemonkarten zu einem Schachturnier aufgekreuzt. Beste Voraussetzungen.

Irgendwann sitzen wir frühmorgens nebeneinander am Feuer. Er spielt Leonard Cohen auf dem Akkordeon, ich schlafe in zwei-Minuten-Intervallen ein. Es hätte fast idyllisch sein können. Leider entscheidet er sich, um vier Uhr morgens das verbale Äquivalent eines Kavallerieangriffs durchzuführen: "Warum landest du am Ende eigentlich immer ausgerechnet neben mir?" Great, ich bin dann auch wieder augenblicklich hellwach. Hm?? Der Akkordeonspieler stochert im Feuer und sieht mich wartend über die Schulter an. "...weil du dann spielst?" antworte ich. Er sieht mich immer noch stumm an. Ok, falsche Antwort. "Weil du dann ausnahmsweise mal ruhig sitzen bleibst...?". Er muss lachen. "Lass das" "Hä?" Mir fällt ausnahmsweise nicht ein, was ich falsch gemacht habe. "Du versuchst zu erraten was ich hören will. Wie'n Hund der einfach alle Kommandos abspult". Er wartet kurz. Wenn's nicht so ein abgenutztes Bild wäre würde ich hier was vom Reh im Scheinwerferlicht faseln. Oder vom Zwergkaninchen, das jemand am Nackenfell hochhebt. "You can't just say that" sage ich. "My bad". Das Akkordeon seufzt voller Anteilnahme. "Nein, sorry. Ich weiß ja, warum". Dramatische Pause. Gerade lang genug damit mir wieder die komplette Mimik entgleisen kann, wie nett. "Weil ich immer 'ne Jacke für dich mitnehme". Er grinst. Ok, ich... habe irgendwie schlimmeres erwartet? Eine Konversation ohne stechende Pointe? In my social life? ok wild

Ich vergesse fast mich darüber zu wundern was zur Hölle das jetzt wieder bedeuten soll. Fast. Ein paar Stunden später, es ist längst wieder hell, verschwinde ich um die Ecke um Sand für die Feuerstelle zu holen. Auf dem Rückweg schnappe ich ein kurzes Gespräch auf: "Rennt er gerade mit deiner Jacke rum?" "Und mit meiner Mütze". Ich höre den Akkordeonspieler leise lachen. "Er hat's halt drauf". Ganz ehrlich, ich wünschte ich wüsste welche Sprache sie da sprechen.

"Und wo ist jetzt das Problem?" fragt mich eine alte Freundin, als ich ihr von meinen neuesten Verstrickungen erzähle. Frag meinen Stresstremor, ich will's nicht aussprechen.

Ich bin zwischendurch, zwischen beruflichem Terror, der Aussicht, schon wieder umzuziehen, dem familiären beinahe-Armageddon und einem gottverdammten Akkordeonspieler, so überfordert dass ich bei dem Ornithologen aufschlage. Wenigstens lässt der mich einschlafen ohne nachts existenzielle Fragen auszupacken.

Währenddessen: spiderman_pointing_meme.png Der Akkordeonspieler offenbart mir aus Versehen, dass er die gleiche Essstörung hatte wie ich, mit dem gleichen, minimal unpraktischen overlap aus queer body image issues und Kontrollzwang. Es ist das erste Mal dass ich ihn irgendwie sprachlos sehe. Kein triumphales Grinsen, er steht einfach nur regungslos da und sieht mich an. Sweet, das emotionale Abhängigkeitsverhältnis nimmt gerade ganz ungeplante Ausmaße an. cool cool cool cool cool. why is my eyelid twitching

"Und wo ist jetzt das Problem?" fragt sie. Idk buddy alles passiert gleichzeitig und meine zwei Gehirnzellen sind immer noch mit der beschissenen Anspielung auf die Jacke bschäftigt

[xxdjsunsetxdxx-blog]

Random Ships I Like In No Particular Order:

-

* Loubbie- Lou Miller x Debbie Ocean- Ocean’s 8

* Sabina x Elena- Charlie’s Angels (2019)

* Macgyver x Riley- MacGyver (2016)

* Magnum x Higgins- Magnum PI (2018)

* Shoot- Shaw x Root- Person of Interest

* Rizzles- Rizzoli x Isles- Rizzoli & Isles

* Wondercheetah- Wonder Woman x Cheetah- DC

* Camren- Camila x Lauren- Fifth Harmony

* Blackhill- Natasha Romanoff x Maria Hill- Marvel

* Xialing x Katy- Shang-Chi

* Peggy Carter x Dottie Underwood- Agent Carter

* Supercorp- Kara Danvers x Lena Luthor- Supergirl

* Daniela x Carla- In The Heights

* Mira Harberg x Laurie- Irma Vep

* Judy Hale x Jen Harding- Dead To Me

* Florence x Madeleine- Gunpowder Milkshake

* Ronance- Robin Buckley x Nancy Wheeler- Stranger Things

* Eleanor x Drea- Do Revenge

* Harlivy- Harley Quinn x Poison Ivy- DC

* Wenclair- Wednesday Addams x Enid Sinclair- Wednesday

* Meddison- Meredith x Addison- Grey’s Anatomy

* Emily x Stephanie- A Simple Favor

* Mercymaker- Mercy x Widowmaker- Overwatch

* Akko x Diana- Little Witch Academia

* Dovesso- Professor Dovey x Lady Lesso- The School for Good and Evil

* Cassie Lang x Jentorra - Quantumania

* Spideypool- Spider-Man x Deadpool- Marvel

* Superbat- Superman x Batman- DC

* Batman x Catwoman- DC

* Princess Audrey x Wonder Woman- DCAU

* Jon Stewart (Green Lantern) x Hawkgirl (Shayera Hol)- DCAU

* StephCass- Stephanie Brown x Cassandra Cain- DC

* DinahBabs- Black Canary (Dinah Lance) x Oracle (Barbara Gordon)- DC

* DicKory- Nightwing (Dick Grayson) x Starfire (Koriand’r)- DC

* Wondermagic- Wonder Woman x Zatanna- DC

* Daphne x Velma- Scooby-Doo

* Cassie Dewell x Jenny Hoyt- Big Sky

* Choni- Cheryl Blossom x Toni Topaz- Riverdale

* Bechloe- Beca Mitchell x Chloe Beale-Pitch Perfect

* Khalopatra- Kleopatra x Frida Khalo- Clone High

* Talia Burns x Margot Fairmont- First Kill

* Question x Huntress- DCAU

* SuperWonderBat- Superman x Wonder Woman x Batman- DCAU

* Wonderhawk- Wonder Woman x Hawkgirl (Shayera Hol)- DCAU

* Dana Scully x Monica Reyes- X-Files

* Barbara (Barbie) Handler x Gloria- Barbie

* Julethief- Carmen Sandiego x Julia (Jules) Argent- Carmen Sandiego

* Seven Of Nine x Raffi Musiker- Star Trek

* Larissa Weems x Morticia Addams- The Addams Family

* Swanqueen- Emma Swan x Regina Mills- Once Upon A Time

* Alicia Florrick x Kalinda Sharma- The Good Wife

* Danny James x Cable McCrory- Bull

* Kim Possible x Shego- Kim Possible

-

talk to me abt them if you want :)

couldn’t fit all the tags lol

[summersmithlatinxgyatt]

Wet Kuat Amortican Summer is so gay like actually

Always felt like Tricia was for sure checking out Summer like look at their EYES THIS IS NOT JUST BEING IMPRESSED it was for sure the muscles for Tricia

Summer also obviously goes to flirt with a guy cause she's bi duh

I posted a screenshot of this episode already but this is another moment of Nancy being around a girl. And I mention Nancy cause she's never around guys EVER. Only time would be Rick and Morty but besides that it's girls and Summer, especially some place Summer would be. SHE PULLED THIS SHIT THE FIRST TIME SHE APPEARED THIS IS ANOTHER PARTY SUMMER IS ATTENDING SHE FOLLOWED HER TOO

And ofc we have Summer's (implied) girlfriend to top it all off

Every girl here has a bi moment or lesbian moment (Nancy and Summer's GF) and I love that weird detail. I swear there's more but you get it. I believe this is FORESHADOWING for the end

[natti-ice]

Request Rules.

Navigation

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Requests are closed!

Any requests fulfilled will probably be drabbles/blurbs!

If a character you want isn't listed, please send in an ask! there are some characters I don't write for.

Regular fics:

My only rules are that I won't write anything triggering like SA or SH, angsty themes are fine just please do not request anything gory.

My default writing is fem!reader, I do gender neutral upon request. Relationships can be romantic, platonic, or parental. Also any trope is allowed, as long as it coincides with my rules.

Smut fics:

Must be 18+ to request smut!

All smut fics will be written for fem!reader

I will write most things except for:

Incest (stepcest is fine), dubcon/non-con, age play (age gaps are fine), scat, piss, underage characters

If I am uncomfortable with your request I will deny it, politely of course.

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Fandoms I write for:

Bridgerton:

Anthony Bridgerton, Benedict Bridgerton, Colin Bridgerton + others please ask first!

Criminal Minds:

Aaron Hotchner, Spencer Reid, Tara Lewis, Emily Prentiss, Jennifer Jareau, Luke Alvez, Penelope Garcia, Derek Morgan.

The hunger games:

Peeta Mellark, Katniss Everdeen, Coriolanus Snow, Lucy Gray Baird, Finnick Odair

Marauders era:

Sirius Black, James Potter, Remus Lupin, Regulus Black.

Tom Riddle

The walking dead:

Rick Grimes, Michonne Grimes, Daryl Dixon, Negan Smith, Alden, Maggie Rhee, Glenn Rhee, + others please ask first!

Marvel:

Peter Parker (all 3), Pietro Maximoff, Wanda Maximoff, MJ, Natasha Romanoff, Yelena Belova, Kate Bishop, Steve Rogers, Matt Murdock, Sam Wilson, Bruce Banner, Thor Odinson, Carol Danvers, Scott Lang, + others please ask first!

Agents of shield characters!

Supernatural:

Dean Winchester, Sam Winchester, Castiel, Gabriel.

Stranger things:

Steve Harrington, Eddie Munson, Nancy Wheeler, Robin Buckley, Jim Hopper

Outer Banks:

Rafe Cameron, JJ Maybank, Sarah Cameron, Pope Hayward.

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[girlfriendsofthegalaxy]

tuesday again 4/2/2024

in which i try to clean two different boxes with varying success

new people: hello! the tuesdaypost is a weekly roundup of stuff i've been listening, reading, watching, playing, and making. it is NOT a recommendation series, although i sometimes dabble in critique. when im firing on all cylinders i ask "what is the core concept of this? does it succeed in what i think it's trying to do and what it says it's doing?is it well-made but i dislike it/beautiful but not for me? why? what parts Really Work?"

if you are into purity culture, yelling at other people about the problematic media they consume, or are under 18 i am going to have very little patience for you.

listening

now that i live in houston i am legally obliged to loop the new beyonce album 24/7. there is absolutely truly nobody fucking doing it like her. every song is a multimedia art piece. goddamn do i miss the album as a tool to convey a specific concept/listening order/flow. sometimes (chappell roan most recently comes to mind, although it does feel unfair to compare anyone to beyonce) every individual song is pretty good but the listening experience if you sit down and listen all the way through the album is unpleasant and choppy. not so here. NEVER here.

my favorite like Dance Number is YA YA (it samples nancy sinatra's boots! and the beach boys' good vibrations! wildly different tones despite coming out a year apart!)

the one that goes on four different character/tone playlists is BODYGUARD.

great early roundup of influences, samples, and collaborators. delighted to see five fingers for marseilles listed, a rocky but underrated south african neo-western free on tubi rn for americans

-

reading

also very texas-relevant with the recent pornhub lawsuits! pornhub and sex tech (among other things) have been samantha cole's beat for almost ten years. i trust her to report sensitively and not for like. shock clicks

this site has a free paywall (sign up with your email for a link to the full article) so bots have a harder time scraping articles: this is a journalist-founded site with only the four founders running it and writing articles. while annoying i do think this is a reasonable measure

The platform still has problems, but after years of critical reporting and a litany of legal and reputational consequences, Pornhub is now more heavily moderated than any other porn platform, and most major social media platforms, for that matter. A growing list of age verification laws has put Pornhub in a position where it is compelled to block access to its site in seven states and counting. In theory, these laws are designed to prevent children from being able to access pornography online. In reality, what is going to happen is that children are going to end up on pornographic sites that don’t care what the law says, and where some of the most harmful content that exists online is actively promoted to them.

she's also got a new limited series podcast with CBC about the rise and fall of pornhub, which was fascinating and kept me company during an extremely early morning drive

-

watching

i'm lukewarm about this one but i spend a lot of time getting there, much like this movie

ive been watching a lot of frankly dogshit thrillers, which has made me wonder: what's the deal with supervillans? where did they come from? and thence arrived at the prototypical film Dr Mabuse the Gambler (1922, dir. Lang). the four and a half hour cut on Kanopy is two normal-length movies superglued together, which makes sense as a streaming product but it is sort of a terrifying runtime and took me three days to get through.

sometimes, as we know, i get a real bee in my bonnet about visiting the early versions of things. dr mabuse is the blueprint for every james bond and mission impossible villain, or really any shadowy supervillain with power over [INDUSTRY] or [THE MARKET]. it is a four and a half hour long cat and mouse game through lavish, eccentric sets between mabuse and prosecutor wenk. it has some trouble sustaining itself bc it is four and a half hours long but does deliver on the cat and mouse aspects. this letterboxed review has interesting things to say about the political climate of 1922 germany and how lang subverts the formula of the pulp serial.

really the film opens with mabuse yelling at his cocaine-addicted assistant, but the film properly gets going with mabuse's henchmen stealing a trade agreement (nothing really carbon dates a movie more than a missing trade agreement. vanishingly few post-early-30s movies have missing trade agreements as plot points) and then he crashes the stock market. for fun and profit.

however. i think every time you see an evil man who is a banker or stockbroker or generally uses money as power you have to interrogate whether it's antisemitic. the answer here is "maybe" but i'm not sure if intent matters when contemporary nazi critics were eager to hold mabuse up as "this is the typical jewish criminal". (sorry about the link directly to wikipedia, it's been touch finding online sources for this section). mabuse is not specifically jewish, but there are certainly elements of stereotype. i am still not good at being presented with "this movie has a shadowy behind the scenes figure manipulating the government and all the money ever" and going "hey wait a minute".

after that tremendous glaring caveat, for which i read more contemporary reviews and reviews in general than i ever read for movies in these posts, is it good? eh. a contemporary VARIETY review remarked (and i largely agree)

The direction of Fritz Lang has moments – but Lang somewhat negates his good technical effects by twenty forty-word captions of a ludicrous unconciseness.

the night scenes are particularly well done, and imo are better than many modern night scenes--other contemporary reviews remarked

In this film the techniques of the film camera (Carl Hoffmann’s brilliant photography) are brought to perfection. The problem of how to film lit-up streets at night has been solved for the first time. It is unbelievably impressive to see the glaring lights of speeding cars flash through the night or the rapid passing of an elevated train of the initially blurred, then gradually focussed glimpse through a pair of opera glasses on to the variety stage, the nuances of light and shade—these things alone prove the value of film documentary.

look at this shit! filmed from within the cars! in 1922!!!

this film asks you to believe hypnotism is real and really effective, so i don't think it's that big of a leap when it asks you to believe in ghosts. i don't understand that quibble from contemporary viewers. there are several on screen suicides with like. specific methods. which is not currently regarded as good filmmaking practice. im curious to know what contemporary audiences thought but couldn't immediately turn anything up, and wading through masters’ theses on cinematic suicide is a little beyond my current mental health.

if i were a more content-minded woman this would turn into a clickbait video essay about the antisemitic origins of every supervillan. however i am unqualified and untalented at video editing and i'm sure there are forty theses on this already. this movie is a hard sell to anyone jewish or employed. it is also a stunning example of cutting-edge film technology and part of the genesis of the modern supervillan. Fritz Lang films tend to fall in the category of “movies i am happy to see once and feel no need to revisit”.

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playing

playing what is effectively the same game three times back to back (breath of the wild, tears of the kingdom, genshin impact) has sort of burned me out on open world games with a focus on battle skill progression and stumbling across little puzzles in the overworld. i have to get itch.io up and running on this pc and find the most linear jankiest possible one-sitting indie thing. or several of them. i might try the solo ttrpg Gentleman Bandit i seem to have acquired in one of the giant charity bundles

brief breath of the wild update bc i don't want to pull screenshots off my switch: i have gotten to the boss fight for the gerudo and goron regions, have not completed them bc my focus in this game is NOT hearts, and am in the middle of the zora temple. despite the quality of life improvements and new regions in totk i think i prefer botw: progression is a bit easier, there are fewer mmo-style hub quests and repeatable quests. things like the stable photos are cute but very repetitive, so are the sign bracing puzzles, and the sky crystal quests for sky shrines feel VERY samey. also dislike how the CLEAR OUT: [REGION] quests with the monster suppression squads reset at the blood moon.

anyway! to genshin! there was an exceptionally fun little event with a surprisingly involved management sim tacked onto the game??? you make and sell potions fulfilling different requirements, and can eventually stock travelling merchants all over the continent. the actual act of making the potions was this block-filling 1010! style thing (screenshot from polygon)

the new region, a port town and tea-growing area called Chenyu Vale, is maybe the prettiest one in the game so far? it's the one that feels the most picturesque and Designed, like this is one huge mansion garden studded with follies. they also added background chatter and noise in the cities and towns, which really startled me and makes them feels much more lived in! this is a fun trick to avoid putting in a thousand NPCs and making everyone's framerate crash. the less stuff in your game, the less shit can go wrong.

also pulled for and got chiyori, a geo-aligned seamstress (and sometime spy???) swordswoman who has what i can only call domme voice

-

making

ok now we'll talk about boxes. i was rearranging my kitchen, as unemployed women are known to do, and noticed this recipe box i picked up back in mass was disgusting. the finish is starting to fail but it was genuinely grody and last summer i packed my kitchen in a blind panic inside an hour and did not have time to address it. i have never seen a recipe box at an estate sale before or since and it made me desperately sad.

it was full of a lot of stuff.

i went at it with a somewhat inadvisable combination of things: wood soap didn't budge it, so i dampened a paper towel in vinegar and wiped it down in the vain hope it would do something. the thing that worked, and would be inadvisable for anything veneered or less densely textured, was baking soda paste and the scrubby side of a sponge. it still smells Very musty even after 48h of loose baking soda inside with several changes, but that might be partly the recipe cards' fault. i would like to refinish this at some point but i don't have polyurethane on hand and the fun little project budget is empty until further notice/i get a job.

the hinge did rust a bit despite my best efforts but that has since been lightly steel wooled and oiled. a well loved object! it's possible the lady who died just fucking sucked and that's why literally her entire estate including many other things families usually keep was on sale, but i would like to think perhaps she simply had no other family? a well loved/used object even if all the recipes are for semi-horrifying fifties new england recipes.

the other box, pre-acids but post-washing: this topp trading card box with seven episode one packets of cards was intact with the original seal. i have verified it was not worth much more than the $5 i paid for it with the trading card obsessed man in my best friend's husband's friendgroup. i bought this three months ago but the man was unavailable to open it until uhhh last week. some sort of liquid got inside it at some point and it was super corroded. i was going to store embroidery floss in here but even with all my powers (barkeepers friend. brasso.) i cannot completely remove the corrosion. it's not corroded Through but it looks bad and feels rough. so it goes. it'll probably hold the tiedown straps in my car bc that plastic bucket is rapidly failing

[peach-and-bugs]

Masterlist

∘₊✧──────✧₊∘∘₊✧──────✧₊∘∘₊✧──────✧₊∘

∘₊✧──────✧₊∘∘₊✧──────✧₊∘∘₊✧──────✧₊∘

characters that I write for are organized in alphabetical order by fandom and by name. links will lead to my complete list of posted work for said character:

willing to write for characters: romantically (➵ ) platonically (✸) or nsfw (✧)

Character Alphabets (sfw ✸ & nsfw ✧)

Ask Box Headcanons and Blurbes

Agents of shield

Bobbi Morse ✸ ➵ ✧

Daisy Johnson/Quake ✸ ➵ ✧

Jemma Simmons ✸ ➵ ✧

Jiaying ✸ ➵ ✧

Leo Fitz ✸ ➵

Malinda May ✸ ➵ ✧

Phil Coulson ✸ ➵

Chilling Adventures of Sabrina 

Hilda Spellman ✸ ➵ ✧

Madam Satan/Lilith ✸ ➵ ✧

Sabrina Spellman ✸ ➵

Zelda Spellman ✸ ➵ ✧

Doctor Who

Amy Pond ✸ ➵ ✧

Bill Pots ✸ ➵

Clara/Clara Oswald/Oswin ✸ ➵ ✧

Eleven/Smith!Doctor ✸ ➵

Jack Harkness ✸ ➵

Missy/Gomez!Master ✸ ➵ ✧

River Song/Melody Pond ✸ ➵ ✧

Simm!Master ✸ ➵

Thirteen/Whittaker!Doctor ✸ ➵ ✧

Twelve/Capaldi!Doctor ✸ ➵

Five Nights at Freddy (movie)

romantic (➵) platonic (✸) nsfw (✧)

Mike Schmidt ➵ ✸

William Afton ➵ ✸

Vanessa Shelly/Afton ➵ ✸ ✧

Killing Eve 

Eve Polastrí ✸ ➵ ✧

Villanelle ✸ ➵ ✧

The Legend Of Korra

Asami Sato ✸ ➵ ✧

Bolin ✸ ➵

Bumi ✸ ➵

Izumi ✸ ➵ ✧

Korra ✸ ➵ ✧

Kuvira ✸ ➵ ✧

Kya ✸ ➵ ✧

Kyoshi ✸ ➵ ✧

Lin Beifong ✸ ➵ ✧

Mako ✸ ➵

Opal ✸ ➵

Tenzin ✸ ➵

The Last Of Us (Games)

Abby Anderson ✸ ➵ ✧

Dina ✸ ➵ ✧

Ellie Williams ✸ ➵ ✧

Joel Miller ✸ ➵

Tommy Miller ✸ ➵

Marvel 

Agatha Harkness ✸ ➵ ✧

Bucky Barns/Winter Soldier ✸ ➵

Bruce Banner ✸ ➵

Carol Danvers/Captain Marvel ✸ ➵ ✧

Darcy Lewis ✸ ➵ ✧

Drax ✸ ➵

Gamora ✸ ➵ ✧

Hela Odendottir ✸ ➵ ✧

Hope van Dyne/Wasp ✸ ➵ ✧

Jane Foster/Mighty Thor ✸ ➵ ✧

Kate Bishop ✸ ➵ ✧

Layla El-Faouly/Scarlet Scarab ✸ ➵ ✧

May Parker ✸ ➵ ✧

Mantis ✸ ➵ ✧

Maria hill ✸ ➵ ✧

Monica Ranbough ✸ ➵ ✧

Natasha Romanov/Black Widow ✸ ➵ ✧

Nebula ✸ ➵ ✧

Okoye ✸ ➵ ✧

Peggy Carter/Captain Carter ✸ ➵ ✧

Peter Parker/Spider-Man ✸ ➵

Sam Wilson/Falcon/Captain America ✸ ➵

Scott Lang/Ant-man ✸ ➵

Sharon Carter/Powerbroker ✸ ➵ ✧

Sylvie Laufeydottir ✸ ➵ ✧

Thor Odenson ✸ ➵

Valkyrie ✸ ➵ ✧

Wanda Maximoff/Scarlet Witch ✸ ➵ ✧

Yelena Belova ✸ ➵ ✧

Parks and Recreation 

Ann Perkins ✸ ➵ ✧

April Ludgate ✸ ➵ ✧

Donna Meagle ✸ ➵ ✧

Jennifer Barkley ✸ ➵ ✧

Leslie Knope ✸ ➵ ✧

Star Wars 

Ahsoka ✸ ➵ ✧

Captain Phasma ✸ ➵ ✧

Finn/FN-2187 ✸ ➵

General Hux ✸ ➵

Han Solo ✸ ➵

Leia Organa ✸ ➵ ✧

Luke Skywalker ✸ ➵

Padmé Amidala ✸ ➵ ✧

Rey ✸ ➵ ✧

Rose ✸ ➵ ✧

Stranger things  

Argyle ✸ ➵

Chrissy Cunningham✸ ➵

Dustin Henderson ✸ ➵

Eddie Munson ✸ ➵

El/Eleven/Jane ✸ ➵

Erica Sinclair ✸

Jim Hopper ✸ ➵

Johnathan Byers ✸ ➵

Joyce Byers ✸ ➵ ✧

Karen Wheeler ✸ ➵ ✧

Lucas Sinclair ✸ ➵

Max Mayfield ✸ ➵

Murray Bauman ✸ ➵

Nancy Wheeler ✸ ➵ ✧

Steve Harrington ✸ ➵

Will Byers ✸ ➵

misc.

Alma LeFay Peregrine (mrs peregrine's home of peculiar children)✸ ➵ ✧

Elizabeth Corday (ER) ✸ ➵ ✧

Laura DeMille/Madame Rouge (Doom Patrol) ✸ ➵ ✧

Lily Lebowski (Crossing Jordan) ✸ ➵ ✧

Marilyn Thornhill/Laurel Gates (Wednesday) ✸ ➵ ✧

Millie Rusk/MolotovGirl (Free Guy) ✸ ➵ ✧

Miranda Croft (The Flight Attendant)✸ ➵ ✧

Dr. Olivia Octaviouse (Spiderman: Into the Spiderverse)✸ ➵ ✧

Yellowjackets

Jackie Tayler (1996) ✸ ➵

Laura Lee (1996) ✸ ➵

Lottie Mattews (1996/2021) ✸ ➵ ✧

Misty Quigley (1996/2021) ✸ ➵ ✧

"Nat" Natalie Scatorccio (1996/2021) ✸ ➵ ✧

Shauna Sadecki (1996/2021) ✸ ➵ ✧

Taissa Turner (1996/2021) ✸ ➵ ✧

Travis Martinez (1996/2021) ✸ ➵

"Van" Vanessa Palmer (1996/2021) ✸ ➵ ✧

[bebemoon]

feel something; winter edition

<<a mix for when the days are diabolically short and you want to feel a gentle stirring>>

o1. the mentor by sleeping at last | o2. náttsǫngr by susanne sundfør | o3. banquet hall by loreena mckennitt | o4. december 13, 2017: geminid meteor shower by sleeping at last | o5. amour by jean-michel blais | o6. the call by regina spektor | o7. angel wings by patrick doyle | o8. you're easy to dance with by fred astaire | o9. when the lord by susanne sundfør | 1o. vinter by myrkur | 11. 20 years by the civil wars | 12. once upon a december by emile pandolfi | 13. utopia by george fenton | 14. i feel by the sundays | 15. auld lang syne by ian wong | 16. the parting glass by boygenius, ye vagabonds | 17. gaudete by mediaeval baebes | 18. love by nancy adams | 19. there is a light that never goes out by the smiths | 2o. swan upon leda by hozier

[the-irrelevant-trumpeter]

my headcanons for if cornley put on a production of tgwdlm, for @marvelmaniac715 and any other cornley/hatchetfield folks <3

under a readmore because i have a lot to say sorry

chris plays paul because we know he loves that leading role. paul is supposed to show his love for his friends more and more as the show progresses, but because of everything going wrong, paul ends up becoming more and more angry at everything.

emma is initially played by vanessa (because as i have said before, my favourite goes wrongisms come from people playing characters they are ill suited for, and vanessa playing characters with much more attitude than she has is always funny to me). however, at the end of act 1 somewhere (probably somehow during join us and die), she gets bonked over the head and is knocked unconscious, leaving her unavailable for the second act.

this means that they have to understudy, and who’s the only understudy they have? trevor of course (a la nick lang understudying for lauren lopez). unlike nick lang, trevor doesn’t have a single clue what he’s supposed to be doing, and delivers a monotonous performance.

during the bit near the end where paul and emma almost kiss, trevor forgets to take the blood capsule that he is supposed to spit out. (idk how they do it in the real thing but just go with me on this please). this leaves no reason for paul and emma NOT to kiss. and therefore, they very awkwardly end up actually kissing. for the christrev fans out there <3

just before inevitable starts, vanessa gains consciousness. trevor doesn’t realise. this leaves everyone in confusion as they try to deal with TWO emma’s onstage as they sing.

max plays ted, because once again, cornley playing characters that do not suit them is my favourite thing. ted does not come across as a sleezeball at all, and during the ‘kick my head’ bit, it does not feel like ted is making fun of bill in any way.

however, ted’s enjoyment of show stoppin’ number is not an act at ALL. max is genuinely just having a good time. trevor is very put off by it all. life imitates art and vice versa.

by the time ted finally dies, chris is about ready to strangle max.

bill is played by jonathan, because jonathan canonically has a daughter and i feel like the not my seed angst would feel a bit more real. because as well as making fake cornley productions go wrong, i have to make them a little bit angsty as well. for the soul.

it also means that jonathan/bill is a bit late to all of his scenes (he got stuck behind a door). i feel like there’s many scenes where bill is the first to speak, meaning that the rest of the cast is awkwardly standing there while they wait for jonathan to get in.

sandra does the alice/zoey/greenpeace girl track, as she thinks it will be a good opportunity to show off her abilities in character work. no one comments on the fact that zoey isn’t really a character for her, just kind of how she is in real life.

there’s also a certain awkwardness about jonathan and sandra playing father and daughter that i think is fun.

robert plays hidgens. obviously. the most grandiose part for the most grandiose man. he goes full-out on show stoppin’ number, but then refuses to let hidgens die, wanting to continue his musical number. this causes problems.

annie plays charlotte. the main reason for this is because i want to hear nancy zamit belt join us and die <3 but apart from that i also think it has comedic potential.

the last track left to fill is mr davidson/sam/mcnamara. the only actor left is dennis. i will let you fill in the blanks.

KIDDING i will say more because i cannot shut up about anything. anyway there is a lot of responsibility on dennis because jeff blim has a LOT of singing and a LOT of parts. why dennis was cast in this role is a mystery (in-universe. in real life it’s because i think it would cause so many problems).

he does not come in on time during the title track, which messes the whole thing up for everyone.

he gets confused during what do you want paul, and starts singing it as ‘what do you want chris?’ instead. this brings a lot of confusion to the scene.

sam does not come across as sleazy in his first scene, and instead gets mixed up about which character he is. this makes sandra as zoey’s life very difficult.

during show me your hands, he accidentally starts pointing the gun at sandra and robert as the other cops instead. he also forgets to pretend to be unconscious once he gets knocked over the head, and adds unwanted commentary about the situation (“i think they should go to the hospital, because my brain shouldn’t be blue. even if it’s not my real brain. do you think my real brain is blue too?”)

he forgets what he’s doing in you tied up my heart, meaning annie has to instruct him on what to do throughout. this creates a rather unusual dynamic between charlotte and sam, where charlotte is highly frustrated as she falls for sam’s manipulation, which isn’t very convincing.

chris has to feed him lines during the mcnamara scene. dennis gets confused and throws the watch offstage instead of the phone.

as you may have guessed, america is great again is also a disaster. (“why is america great again? we live in england!”)

also at the very end the entire set falls down. because it’s cornley and they have to end with a bang!!!

anyway if anyone else has any headcanons, feel free to add on. hope you enjoyed <3