A masterlist of muses that I have played throughout the years, that I am always willing to play. I do need to go over some of the FC's and probably make some changes since this list is YEARS old. But I will do that and update it!!
UHHHH HI. EXPLOSION EMOJI. love your blog btw :3 found it via sneep snorping through a follower of one of my sideblogs's tumblr (b!david is very cool)
SO BASICALLY i have these four little guys who are in a BAND together !! their names are BENNETT, PIPER, NATHOS, AND ASH !! i plan to make a videogame about them and one of my closest friends helped design two of them (more like redesign really, i made the four guys before i decided on them being in a band together and so their designs were all over the place and so i made their designs more coordinated with eachother, and my friend redesigned piper and ash with me mentioning the basic things i had in mind) (i also very slightly changed the redesigns (as in i literally just made ash's eyes purple to match with xer jacket color and some other tiny things HGJFIKM))
gonna just copy and paste their artfight bios here, wouldve done the links but you need an account to actually view the links HGANKFJN
Name: Bennett Hubbard
Nickname/s: Benny Boy (jokingly)
Age: 21
Birthday: November 3rd
Species: Human
Height: 6'2
Gender: Male
Pronouns: he/him
Sexuality: No one knows
Relationship status: Single
Occupation: Bassist for the band The Drawing Board, burger flipper on the side
Personality: A bit blunt, but means well. Will stand up for what is right.
Likes: Music, his friends, sweet and spicy food (not at the same time), bugs
Dislikes: Ignorant people, pickles (will only eat them when he absolutely has to)
Name: Piper Cline
Nickname/s: N/A
Age: 21
Birthday: May 24th
Species: Human
Height: 5'5
Gender: Female
Pronouns: she/her
Sexuality: Pansexual
Relationship status: Single
Occupation: Keyboardist for the band The Drawing Board, repairwoman on the side
Personality: A bit shy at first, but once she knows you well enough, she'll trust you with her life! She's a bit of a nerd.
Likes: Music, her friends, science
Dislikes: Pretty much anything wet and squishy. Sensory issues </3
Name: Nathos McBride
Nickname/s: Nate, Natorade
Age: 21
Birthday: July 14th
Species: Human
Height: 6'4
Gender: Male (transmasc)
Pronouns: he/it
Sexuality: Pansexual
Relationship status: Single
Occupation: Drummer for the band The Drawing Board, side job TBD
Personality: Super sweet! He's calm and collected, and ready to take on anything, as long as it isn't too caught off guard by anything that comes across.
Likes: Music, its friends, stuffed animals
Dislikes: Rude and arrogant people
Name: Ash Lopez
Nickname/s: N/A
Age: 21
Birthday: February 16th
Species: Human
Height: 6'4
Gender: Non-binary
Pronouns: xe/xem
Sexuality: Greysexual
Relationship status: Single
Occupation: Guitarist for the band The Drawing Board, side job TBD
Personality: Literally the silliest guy ever. Chronic practical joker.
Likes: Music, xer friends, bright colors
Dislikes: Being taken advantage of
i also put the 4 of them into separate rps !! the one bennett is in is the only one thats started. also that where i got the nickname benny boy from (but the things that happen in their respective rps arent considered canon, more like an au, also that would be wayyy too much trauma to stuff into them when im already gonna give them trauma in the videogame story itself HGAKFJNDCJKM)
ANYWAY !! here they are, bennett piper nathos and ash respectively :] formatting is bad so have One Giant Ash
and heres piper and ash, drawn by @pastel-bleu-art !!!
a bit hard to tell from the pics (ILL MAKE A BETTER REF SOMEDAY ...) but piper is a bit chubby :] ANYWAY thats about all i have to say about em because i dont wanna say too much because of GAME SPOILERS ... but just. quick synopsis: they are chosen by the great goddess oda to save the universe by defeating the cacophonous six !! but shit goes down. oh and btw i feel that it's important to mention that they are essentially weezer but gay /silly
The Heaven and Earth Grocery Store by James McBride
This book was SO MUCH FUN to read! I generally do not like books with too many characters; it's hard for me to keep track of a bunch of names of usually minor characters who can oftentimes be combined into one character. On the other hand, it's also irritating when there are several characters whose only defining feature is a catchphrase or uniform (think: cartoon characters).
Before we get too far into this, I would like to point out that this book contains two individual scenes of sexual assault.
However. This book blew me away with how vivid and detailed each character was. I had no trouble keeping track of who was who, remembering each character's backstory and goals, and the way McBride handled dialogue was excellent. The psychic distance was kind of zoomed out, but with so many intertwining characters and plot lines going, it was necessary not to get too close to any one particular character. McBride did a great job of weaving a complex plot without being predictable or too unbelievable. With every page, something new was revealed.
I wished that the ending had been different. Spoilers below the cut.
I knew that Dodo would be rescued, but I really wanted the conversation between him and Nate in which Dodo understood that he wasn't in trouble and someone explained why no one came to visit him. We never got it. I will say, though, that the epilogue was satisfying as far as the Dodo plotline was concerned.
The other thing I liked was that Malachi's presence was never explained. I was torn on whether this added or detracted from my enjoyment of the novel, and I think it was additive in the end. A little bit of mystery can be good sometimes.
And if you're wondering, the characters who commit sexual assault get punished in the end.
BEN WOLFE with NICOLE GLOVER, Brandon Goldberg, and Aaron Kimmel, 9 FEBRUARY 2024, 9 pm
DAVY MOONEY with JOHN ELLIS, Glenn Zaleski, Matt Clohessy, and Jimmy McBride, 7 FEBRUARY 2024, 7:30 pm
Despite having JOHN ELLIS on my list to keep an eye out for, I hadn’t seen him on a Small’s gig for months. He has a dry, spare tone and weaves thoughtful melodic solos. Whatever minimal insights the Coleman Hawkins/Lester Young dichotomy yields, sorting players into one camp or another doesn’t help one bit. Still, I came upon else as I was reappreciating the likes of Stan Getz, Warne Marsh, and Mark Turner, imagining that it was the muscular, bluesy players that I liked. Though not particularly bluesy, the NICOLE GLOVER I became a fan of was “a bad ass” in Nate Chinen’s estimations who would regularly pin my ears back in front of a trio, her big sound replacing the piano. I’ve seen her often enough over the past year when she stepped away from her regular late night slot at Small’s. Those gigs, including with her tasty trio of Tyrone Allen and Kayvon Gordon with whom she doesn’t have to roar, reveal an even subtler player who can let the music come to her. Further, free of being the leader, she can just play.
BEN WOLFE is a fellow Portland, Oregon, native who writes worthwhile tunes for a solid band to play. GLOVER though is the standout, particularly as her style deepens and breathes. She synced up with Wolfe’s bass and/or Brandon Goldberg’s piano figures or held notes or played the jaunty line on Unjust (while hinting at the Monk tune Evidence for which it was a contrafact making it a contra contrafact of Just Me, Just You, or swinging along before hitting a double time section without breaking a sweat. As at the last gig I saw her at, she took on Body and Soul in her newer lighter not Coleman Hawkins style.
Before I might have seen JOHN ELLIS at the other end of tenor spectrum from Glover, but now I’m not so sure. He was the point of interest, though his bandmates, reliable Small’s regulars, were stronger than Glover’s support overall. But, I’m afraid, DAVY MOONEY’s tunes were less substantial. They suggested the right things—samba, New Orleans strut, pop song, even Bach—but there was just less there. His guitar work, similarly, was out of Pat Matheny but was just lighter. Still Ellis was smart and gave the material a good run. Seeing him as leader with Glenn Zaleski, Matt Clohessy, and Jimmy McBride (worthwhile to see him without partner and Partner Miki Yamanaka to fix just how much he contributes) would be very promising.
fandom: the wayhaven chronicles
pairing: nate sewell x f!detective (ramona mcbride)
notes: farah asks unit bravo’s resident human exactly how her rebellious youth lead her to become a detective at wayhaven pd.
* this is a repost from my old blog *
“So,” Farah muses into the comfortable silence that had been permeating the Unit Bravo living room, “Ramona.”
The detective looks up from the book she’d been reading—borrowed by Nate’s insistence from his collection—and raises an eyebrow. Morgan, who had been quietly typing away on the keys of her laptop and ashing her cigarette in a nearby ashtray every so often, looks up at her teammate, as do Adam and Nate from their place at the table behind the couch. There’s a certain energy about the young vampire that the rest of Unit Bravo knows suggests some small amount of mischief with whatever it is she wants to say.
“Yes, Farah?” Ramona replies, closing her book but keeping its place with her finger. She has an amused smile on her face, catching onto the energy everyone else seems to recognize.
Farah leans half out of the armchair towards Ramona, steepling her fingers while that familiar smile spreads across her face, “Remember when you told us about how you joined the force? About your ‘troubled youth’ and how you were almost arrested?”
There’s no judgement in her words, but an amused curiosity instead. Despite this, Nate gives her a reprimanding look and says, “Farah, don’t pry. It’s impolite.”
Ramona looks over the couch at him and smiles, shrugging her shoulders.
“No, it’s fine, I don’t mind,” she says, then turns back to Farah, “It was an…interesting time in my life. What do you want to know?”
Farah’s grin gets bigger, if possible, “What kinda stuff did you get up to? How’d you almost get arrested?”
Ramona laughs a little at the other woman’s eagerness to know about all of the suspect activities she used to get up to in her youth. Looking back on it, a lot of it was regrettable and not something she’d wish to fall back into, but it did give her fun stories to tell at parties.
“When I was a teenager, it was mostly graffiti on the sides of train cars and acting how loud, dumb teenagers usually act in public, but worse,” she begins, putting the abandoned book on the coffee table as Farah hangs off her every word. Nate and Adam pause their work to listen, and even Morgan has long since stopped typing, giving away her attention despite the fact that she was still staring at her screen.
“When I was in high school, I, uh, kinda fell in with the wrong crowd,” Ramona continues, “Wayhaven’s delinquent rich kids noticed me and started inviting me to hang out, mostly because I knew the best places to hide out if we got caught.”
“It’s still hard to picture you as a misguided youth,” Nate says. He’s smiling, but it’s tinted with concern as he listens, “You’ve certainly grown from it.”
Ramona grins back at him, giving him a wink that has his smile broadening before she goes on, “It was fun for a while, to be completely honest. Late nights spent doing things delinquent teens do and feeling invincible. With my mom always away on Agency business, I took to crashing at my so-called friend’s houses after the parties they threw. I even got a few of my ear piercings done at them.”
She pushes a few strands of dark brown hair away from her ear and tugs lightly at the black metal hoops on the top of it, and Morgan gives a slight hum of approval.
“Man, I want a piercing,” Farah says with twinkling amber eyes, “Oh! Can we go get our noses pierced?”
“No,” Adam and Nate say in unison, but Ramona turns her head to give her a wink where they can’t see.
“You’re giving her ideas,” Morgan mutters, going back to lightly typing on her laptop. Farah sticks her tongue out at her before turning back to Ramona.
“Please, go on,” she says, “What else did you do?”
“At that point I’d gotten into trouble with the Wayhaven PD a few times, but my friends had their parents handle it usually, though one time my mom found out about me skipping school to go throw rocks in the quarry, and she was livid.”
“Throw rocks?” Adam asks almost incredulously, “You skipped school to throw rocks?”
“Listen, there wasn’t—isn’t—much to do in Wayhaven for a couple of bored teenagers, alright?” Ramona replies, putting her hands up in defense, “Besides, it was technically trespassing and truancy, so my mom wasn’t exactly pleased.”
“But how did you end up almost getting arrested?” Farah presses, now mostly out of the armchair she’d been in, her upper body managing to stretch and rest on the opposite arm of the couch from Ramona.
Ramona leans back on the couch enough to where she can get everyone’s reaction when she says, “I stole a car.”
All of Unit Bravo’s heads snap to look at Ramona, who wears a sheepish but playful smile as she leans back into the couch.
“You what?” Nate sputters while Adam shakes his head and Farah cheers. A small breath of laughter leaves Morgan, who had evidently still been listening.
“I stole a car,” Ramona says again, albeit a little bit softer and with a hint of shame.
“How’d you do it?” Farah demands, fully launching herself out of the armchair and onto the couch next to Ramona, “Did you hot wire it? Was there a high speed chase?”
“No, there wasn’t a high speed chase and I didn’t hot wire anything,” Ramona says with a shake of her head, much to her friend’s dismay, “I had just graduated college, gone through a pretty shitty breakup, and fell back in with the kids I hung out with in high school. It was a dare from them, kind of like a hazing for being gone for so long. And I wasn’t gonna let them down.
“So we pulled up into their neighborhood, trying to decide what kind of fancy sports car they wanted me to take. We eventually decided on a cherry red vintage convertible worth more than my entire college education. The top was popped and the keys were tucked into the sun visor, so it’s not like it was hard to take. We hopped in, started the engine, and peeled out of the neighborhood as fast as it would take us, which, mind you, was pretty damn fast,” she says, an almost wistful look on her face.
“How did you eventually get caught?” Nate asks, a single eyebrow raised and a teasing expression on his face.
“One of the neighbors heard us skulking about before we took the car,” she admits, her cheeks flushing a little, “We weren’t very quiet about it. Some of them were a little drunk, too, so that didn’t help. We got pulled over a few roads from where we’d started and they hauled all of us off to the station. The sober ones got off easy, the drunk ones had to be hit with public intoxication just so they wouldn’t walk away without some sort of punishment, and for me, well…They kinda knew I was a troubled kid. One without the resources to get out of everything like my friends did and a mom that was gone most of the time. They knew I was acting out. So, they gave me an option: go through police academy or face up to a year in jail. I got off incredibly easy compared to most people.”
“And now you’re a fully-fledged detective and reformed human being,” Nate says with a laugh, looking over at Ramona with nothing but fondness in his deep brown eyes.
“I wouldn’t be so sure of that if I were you,” she retorts with an easy smirk, “I’ve still got a few wild tendencies you’ve yet to see, just waiting to be unleashed.”
“You’ll have to show them to me sometime, then,” Nate replies just as easily, causing Ramona’s flirtatious confidence to falter a little, if the growing redness on her face is anything to go by.
“Ahem, uh, seriously though,” Ramona continues through her flustering, “I think I really did come out the other side of it a better person. The training gave me the structure that I needed. Besides, I had a unique perspective when it came to dealing with kids like me that ended up in the station. When my colleagues noticed I got through to them more often than not, they started sending them my way specifically. A few times talking with me and it was rare that they ended up in the same spot again.”
“How nice,” Nate says with genuine feeling behind it. His and Ramona’s gazes connect from across the room, that familiar, fluttery feeling starting up in Ramona’s chest as they do before Farah’s voice pulls her out of it.
“…I want to drive a convertible.”
“Farah, we are literally apart of a government agency.”
NPR Music and Jazz Night in America debuted an hour-long set from shows Joshua Redman, Brad Mehldau, Christian McBride, and Brian Blade played at The Falcon in Marlboro, NY, just before recording their new album, RoundAgain, last September. The premiere event on Wednesday also included a live Q&A with the musicians and NPR Music's Nate Chinen. You can watch both again here.
A list with black artists who have a song in the Unknown Songs That Should Be Known-playlist
(Can be a black artist in a band or just solo-artist) (no specific genre)
Bull’s Eye - Blacknuss, Prince Prime - Funk
Aftershow - Joe Fox - Alternative Hip-hop
Strangers in the Night - Ben L’Oncle Soul - Soul
Explore - Mack Wilds - R&B
Something To Do - IGBO - Funk
Down With The Trumpets - Rizzle Kicks - Pop
Dans ta ville - Dub Inc. - Reggae
Dance or Die - Brooklyn Funk Essentials - Funk
FACELESS - The PLAYlist, Glenn Lewis - R&B
Tell Me Father - Jeangu Macrooy - Soul
Southern Boy - John The Conquerer - Blues Hard Rock
Savannah Grass - Kes - Dancehall
Dr. Funk - The Main Squeeze - Funk
Seems I’m Never Tired of Loving You - Lizz Wright - Jazz
Out of My Hands - TheColorGrey, Oddisee - Hip-Hop/Pop
Raised Up in Arkansas - Michael Burks - Blues
Black Times - Sean Kuti, Egypt 80, Carlos Santana - Afrobeat
Cornerstone - Benjamin Clementine - Indie
Shine On - R.I.O., Madcon - Electronic Pop
Bass On The Line - Bernie Worrell - Funk
When We Love - Jhené Aiko - R&B
Need Your Love - Curtis Harding - Soul
Too Dry to Cry - Willis Earl Beal - Folk
Your House - Steel Pulse - Reggae
Power - Moon Boots, Black Gatsby - Deep House
Vinyl Is My Bible - Brother Strut - Funk
Diamond - Izzy Biu - R&B
Elusive - blackwave., David Ngyah - Hip-hop
Don’t Ever Let Nobody Drag Your Spirit Down - Heritage Blues Orchestra - Blues
Sastanàqqàm - Tinariwen - Psychedelic Rock
Disco To Go - Brides of Funkenstein - Funk/Soul
Circles - Durand Jones & The Indications - Retro Pop
Cheesin’ - Cautious Clay, Remi Wolf, sophie meiers - R&B
Changes - Charles Bradley - Soul
The Sweetest Sin - RAEVE - House
Gyae Su - Pat Thomas, Kwashibu Area Band - Funk
What Am I to Do - Ezra Collective, Loyle Carner - Hip-hop
Get Your Groove On - Cedric Burnside - Blues
Old Enough To Know Better - Steffen Morrisson - Soul
Wassiye - Habib Koité - Khassonke musique
Dance Floor - Zapp - Funk
Wake Up - Brass Against, Sophia Urista - Brass Hard-Rock
BIG LOVE - Black Eyed Peas - Pop
The Greatest - Raleigh Ritchie - R&B
DYSFUNCTIONAL - KAYTRANADA, VanJess - Soul
See You Leave - RJD2, STS, Khari Mateen - Hip-hop
Sing A Simple Song - Maceo Parker - Jazz/Funk
Have Mercy - Eryn Allen Kane - Soul
Homenage - Brownout - Latin Funk
Can’t Sleep - Gary Clark Jr. - Blues Rock
Toast - Koffee - Dancehall
Freedom - Ester Dean - R&B
Iskaba - Wande Coal, DJ Tunez - Afropop
High Road - Anthony Riley - Alternative Christian
Sunny Days - Sabrina Starke - Soul
The Talking Fish - Ibibio Sound Machine - Funk
Paralyzed - KWAYE - Indie
Purple Heart Blvd - Sebastian Kole - Pop
WORSHIP - The Knocks, MNEK - Deep House
BMO - Ari Lennox - R&B
Promises - Myles Sanko - Soul
.img - Brother Theodore - Funk
Singing the Blues - Ruthie Foster, Meshell Ndegeocello - Blues
Nobody Like You - Amartey, SBMG, The Livingtons - Hip-hop
Starship - Afriquoi, Shabaka Hutchings, Moussa Dembele - Deep House
Lay My Troubles Down - Aaron Taylor - Funk
Bloodstream - Tokio Myers - Classic
Sticky - Ravyn Lenae - R&B
Why I Try - Jalen N’Gonda - Soul
Motivation - Benjamin Booker - Folk
quand c’est - Stromae - Pop
Let Me Down (Shy FX Remix) - Jorja Smith, Stormzy, SHY FX - Reggae
Funny - Gerald Levert - R&B
Salt in my Wounds - Shemekia Copeland - Blues
Our Love - Samm Henshaw - Soul
Make You Feel That Way - Blackalicious - Jazz Hip-hop
Knock Me Out - Vintage Trouble - Funk
Take the Time - Ronald Bruner, Jr., Thundercat - Alternative
Thru The Night - Phonte, Eric Roberson - R&B
Keep Marchin’ - Raphael Saadiq - Soul
Shake Me In Your Arms - Taj Mahal, Keb’ Mo’ - Blues
Meet Me In The Middle - Jodie Abascus - Pop
Raise Hell - Sir the Baptist, ChurchPpl - Gospel Pop
Mogoya - Oumou Sangaré - Wassoulou
Where’s Yesterday - Slakah The Beatchild - Hip-hop
Lose My Cool - Amber Mark - R&B
New Funk - Big Sam’s Funky Nation - Funk
I Got Love - Nate Dogg - Hip-hop
Nothing’s Real But Love - Rebecca Ferguson - Soul
Crazy Race - The RH Factor - Jazz
Spies Are Watching Me - Voilaaa, Sir Jean - Funk
The Leaders - Boka de Banjul - Afrobeat
Fast Lane - Rationale - House
Conundrum - Hak Baker - Folk
Don’t Make It Harder On Me - Chloe x Halle - R&B
Plastic Hamburgers - Fantastic Negrito - Hardrock
Beyond - Leon Bridges - Pop
God Knows - Dornik - Soul
Soleil de volt - Baloji - Afrofunk
Do You Remember - Darryl Williams, Michael Lington - Jazz
Get Back - McClenney - Alternative
Three Words - Aaron Marcellus - Soul
Spotify playlist
In memory of:
Aaron Bailey
Adam
Addie Mae Collins
Ahmaud Arbery
Aiyana Stanley Jones
Akai Gurley
Alberta Odell Jones
Alexia Christian
Alfonso Ferguson
Alteria Woods
Alton Sterling
Amadou Diallo
Amos Miller
Anarcha Westcott
Anton de Kom
Anthony Hill
Antonio Martin
Antronie Scott
Antwon Rose Jr.
Arthur St. Clair
Atatiana Jefferson
Aubrey Pollard
Aura Rosser
Bennie Simons
Berry Washington
Bert Dennis
Bettie Jones
Betsey
Billy Ray Davis
Bobby Russ
Botham Jean
Brandon Jones
Breffu
Brendon Glenn
Breonna Taylor
Bud Johnson
Bussa
Calin Roquemore
Calvin McDowell
Calvin Mike and his family
Carl Cooper
Carlos Carson
Carlotta Lucumi
Carol Denise McNair
Carol Jenkins
Carole Robertson
Charles Curry
Charles Ferguson
Charles Lewis
Charles Wright
Charly Leundeu Keunang
Chime Riley
Christian Taylor
Christopher Sheels
Claude Neal
Clementa Pickney
Clifford Glover
Clifton Walker
Clinton Briggs
Clinton R. Allen
Cordella Stevenson
Corey Carter
Corey Jones
Cynthia Marie Graham Hurd
Cynthia Wesley
Daniel L. Simmons
Danny Bryant
Darius Randell Robinson
Darius Tarver
Darrien Hunt
Darrius Stewart
David Felix
David Joseph
David McAtee
David Walker and his family
Deandre Brunston
Deborah Danner
Delano Herman Middleton
Demarcus Semer
Demetrius DuBose
Depayne Middleton-Doctor
Dion Johnson
Dominique Clayton
Dontre Hamilton
Dred Scott
Edmund Scott
Ejaz Choudry
Elbert Williams
Eleanor Bumpurs
Elias Clayton
Elijah McClain
Eliza Woods
Elizabeth Lawrence
Elliot Brooks
Ellis Hudson
Elmer Jackson
Elmore Bolling
Emantic Fitzgerald Bradford Jr.
Emmett Till
Eric Garner
Eric Harris
Eric Reason
Ernest Lacy
Ernest Thomas
Ervin Jones
Eugene Rice
Eugene Williams
Ethel Lee Lance
Ezell Ford
Felix Kumi
Frank Livingston
Frank Morris
Frank Smart
Frazier B. Baker
Fred Hampton
Fred Rochelle
Fred Temple
Freddie Carlos Gray Jr.
George Floyd
George Grant
George Junius Stinney Jr.
George Meadows
George Waddell
George Washington Lee
Gregory Gunn
Harriette Vyda Simms Moore
Harry Tyson Moore
Hazel “Hayes” Turner
Henry Ezekial Smith
Henry Lowery
Henry Ruffin
Henry Scott
Hosea W. Allen
India Kager
Isaac McGhie
Isadore Banks
Italia Marie Kelly
Jack Turner
Jamar Clark
Jamel Floyd
James Byrd Jr.
James Craig Anderson
James Earl Chaney
James Powell
James Ramseur
James Tolliver
James T. Scott
Janet Wilson
Jason Harrison
Javier Ambler
J.C. Farmer
Jemel Roberson
Jerame Reid
Jesse Thornton
Jessie Jefferson
Jim Eastman
Joe Nathan Roberts
John Cecil Jones
John Crawford III
John J. Gilbert
John Ruffin
John Taylor
Johnny Robinson
Jonathan Ferrell
Jonathan Sanders
Jordan Edwards
Joseph Mann
Julia Baker
Julius Jones
July Perry
Junior Prosper
Kalief Browder
Karvas Gamble Jr.
Keith Childress, Jr.
Kelly Gist
Kelso Benjamin Cochrane
Kendrick Johnson
Kenneth Chamberlain Sr.
Kenny Long
Kevin Hicks
Kevin Matthews
Kiwane Albert Carrington
Lacy Mitchell
Lamar Smith
Laquan McDonald
Laura Nelson
Laura Wood
L.B. Reed
L.D. Nelson
Lemuel Penn
Lemuel Walters
Leonard Deadwyler
Leroy Foley
Levi Harrington
Lila Bella Carter
Lloyd Clay
Louis Allen
Lucy
M.A. Santa Cruz
Maceo Snipes
Malcom X
Malice Green
Malissa Williams
Manuel Ellis
Marcus Deon Smith
Marcus Foster
Marielle Franco
Mark Clark
Maria
Martin Lee Anderson
Martin Luther King Jr.
Matthew Avery
Mary Dennis
Mary Turner
Matthew Ajibade
May Noyes
Mckenzie Adams
Medgar Wiley Evers
Michael Brown
Michael Donald
Michael Griffith
Michael Lee Marshall
Michael Lorenzo Dean
Michael Noel
Michael Sabbie
Michael Stewart
Michelle Cusseaux
Miles Hall
Moses Green
Mya Hall
Myra Thompson
Nathaniel Harris Pickett Jr.
Natasha McKenna
Nicey Brown
Nicholas Heyward Jr.
O’Day Short family
Orion Anderson
Oscar Grant III
Otis Newsom
Pamela Turner
Paterson Brown Jr.
Patrick Dorismond
Philando Castile
Phillip Pannell
Phillip White
Phinizee Summerour
Quaco
Ramarley Graham
Randy Nelson
Raymond Couser
Raymond Gunn
Regis Korchinski-Paquet
Rekia Boyd
Renisha McBride
Riah Milton
Robert Hicks
Robert Mallard
Robert Truett
Rodney King
Roe Nathan Roberts
Roger Malcolm and his wife
Roger Owensby Jr.
Ronell Foster
Roy Cyril Brooks
Rumain Brisbon
Ryan Matthew Smith
Sam Carter
Sam McFadden
Samuel DuBose
Samuel Ephesians Hammond Jr.
Samuel Hammond Jr.
Samuel Leamon Younge Jr.
Sandra Bland
Sean Bell
Shali Tilson
Sharonda Coleman-Singleton
Shukri Abdi
Simon Schuman
Slab Pitts
Stella Young
Stephon Clark
Susie Jackson
T.A. Allen
Tamir Rice
Tamla Horsford
Tanisha Anderson
Timothy Caughman
Timothy Hood
Timothy Russell
Timothy Stansbury Jr.
Timothy Thomas
Terrence Crutcher
Terrill Thomas
Tom Jones
Tom Moss
Tony McDade
Tony Terrell Robinson Jr.
Trayvon Martin
Troy Hodge
Troy Robinson
Tula
Tyler Gerth
Tyre King
Tywanza Sanders
Victor Duffy Jr.
Victor White III
Walter Lamar Scott
Wayne Arnold Jones
Wesley Thomas
Wilbert Cohen
Wilbur Bundley
Will Brown
Will Head
Will Stanley
Will Stewart
Will Thompson
Willie James Howard
Willie Johnson
Willie McCoy
Willie Palmer
Willie Turks
William Brooks
William Butler
William Daniels
William Fambro
William Green
William L. Chapman II
William Miller
William Pittman
Wyatt Outlaw
Yusef Kirriem Hawkins
The victims of LaLaurie (1830s)
The black victims of the Opelousas massacre (1868)
The black victims of the Thibodaux massacre (1887)
The black victims of the Wilmington insurrection (1898)
The black victims of the Johnson-Jeffries riots (1910)
The black victims of the Red summer (1919)
The black victims of the Elaine massacre (1919)
The black victims of the Ocoee massacre (1920)
The victims of the MOVE bombing (1985)
All the people who died during the Atlantic slave trade, be it due to abuse or disease.
All the unnamed victims of mass-incarceration, who were put into jail without the committing of a crime and died while in jail or died after due to mental illness.
All the unnamed victims of racial violence and discrimination.
...
My apologies for all the people missing on this list. Feel free to add more names and stories.
Listen, learn and read about discrimination, racism and black history: (feel free to add more)
Documentaries:
13th (Netflix)
The Innocence Files (Netflix)
Who Killed Malcolm X? (Netflix)
Time: The Kalief Browder Story (Netflix)
I Am Not Your Negro
YouTube videos:
We Cannot Stay Silent about George Floyd
Waarom ook Nederlanders de straat op gaan tegen racisme (Dutch)
Wit is ook een kleur (Dutch) (documentaire)
Books:
Biased by Jennifer Eberhardt
Don’t Touch My Hair by Emma Dabiri
Freedom Is A Constant Struggle by Angela Davis
How To Be An Anti-Racist by Ibram X. Kendi
I Know Why The Caged Bird Sings by Maya Angelou
Me and White Supremacy by Layla Saad
So You Want To Talk About Race by Ijeoma Oluo
They Can’t Kill Us All by Wesley Lowery
White Fragility by Robin Deangelo
Why I’m No Longer Talking To White People About Race by Reni Eddo-Lodge
Woman, Race and Class by Angela Davis
I'm guessing that for most of you, reading books was either a comfort or a near impossibility during this unprecedentedly long and tough year. For me, I got some good reading in earlier in the year and then, as my focus shifted to writing about and researching the pandemic for this site and managing the logistics of safely navigating this new world, my energy for books waned. The last thing I wanted to do at the end of most days was more reading, especially anything challenging.
I also kinda didn't know what to read, aside from the few obvious choices that were impossible to ignore. As I'm sure it is for many of you, a big part of my "getting the lay of the land" w/r/t books is seeing what my favorite bookstores were putting on their front tables -- and that's been difficult for the past several months. Looking through a bunch of end-of-2020 lists for what books everyone else recommended was especially valuable for me -- there really were so so many good books published this year that are worth seeking out. So, here's a selection of the best books of 2020 and links to the lists I used to find them. I hope you find this useful.
Let's start with the NY Times. Their 10 Best Books of 2020 includes Deacon King Kong by James McBride while their larger list of 100 Notable Books of 2020 has both Maria Konnikova's The Biggest Bluff and The End of Everything: (Astrophysically Speaking) by Katie Mack on it. The Times' critics have their own list for some reason; one of the books they featured is Anna Wiener's Uncanny Valley.
Isabel Wilkerson's masterful Caste: The Origins of Our Discontents and The Mirror & the Light by Hilary Mantel (two books I actually read this year) deservedly made almost every list out there, including Time's 100 Must-Read Books of 2020. Those two books are also, respectively, on Time's lists of The 10 Best Nonfiction Books of 2020 and The 10 Best Fiction Books of 2020.
The Guardian breaks down their list of the Best Books of 2020 into several categories. The list of the best science fiction and fantasy books of 2020 includes The Ministry for the Future by Kim Stanley Robinson and Kacen Callender's King of the Rising.
The year-end lists on Goodreads (Best Books of 2020, Most Popular Books Published In 2020) typically cast a wider net on what a broader audience is reading. Suzanne Collins' Hunger Games prequel The Ballad of Songbirds and Snakes and The Vanishing Half by Brit Bennett made their lists this year.
Kirkus has a bunch of categories in their Best Books of 2020 as well, including the timely Best Fiction for Quarantine Reading in 2020 -- I found What Are You Going Through by Sigrid Nunez ("Dryly funny and deeply tender; draining and worth it") on there.
The NYPL's Best Books of 2020 has separate lists for adults, teens, and kids. For adult poetry, Nate Marshall's Finna made their list. And for teen historical fiction: We Are Not Free by Traci Chee.
Some recommended books for kids from various lists (NYPL, NY Times, NPR): Shinsuke Yoshitake's There Must Be More Than That!, Before the Ever After by Jacqueline Woodson (my daughter is reading this one right now for her book club), and Echo Mountain by Lauren Wolk.
YA novel Clap When You Land by Elizabeth Acevedo and Homie by Danez Smith both made Book Riot's Best Books of 2020. Oh, and I'd missed that Zadie Smith published a book of pandemic-inspired essays called Intimations.
NPR's Book Concierge is always a great resource for finding gems across a wide spectrum of interests. Erik Larson's The Splendid and the Vile and The Lying Life of Adults by Elena Ferrante both made their Seriously Great Writing list and their Cookbooks & Food list includes Ottolenghi Flavor by Yotam Ottolenghi & Ixta Belfrage and Eat A Peach by David Chang.
Speaking of cookbooks and food, among the top titles for 2020 were In Bibi's Kitchen by Hawa Hassan & Julia Turshen and Falastin by Sami Tamimi & Tara Wigley. (Culled from Food & Wine's Favorite Cookbooks of 2020 and The Guardian's Best Cookbooks and Food Writing of 2020.
I saw Mexican Gothic by Silvia Moreno-Garcia on several lists, including Library Journal's Best Books 2020.
The Book of Eels by Patrik Svensson and The Alchemy of Us by Ainissa Ramirez both made Smithsonian Magazine's The Ten Best Science Books of 2020.
Hyperallergic has selected Some of the Best Art Books of 2020, including Kuniyoshi by Matthi Forrer.
For the Times Literary Supplement's Books of the Year 2020, dozens of writers selected their favorite reads of the year. Elizabeth Lowry recommended Artemisia, the companion book to the exhibition of Artemisia Gentileschi's at The National Gallery and sadly the best way for most of us to be able to enjoy this show.
More lists: Audible's The Best of 2020 and Washington Post's The 10 Best Books of 2020. I'll update this post a couple of times in the next week with more lists as I run across them.
If you'd like to check out what I've read recently, take a look at my list on Bookshop.org.
Note: When you buy through links on kottke.org, I may earn an affiliate commission. This year, I'm linking mostly to Bookshop.org but if you read on the Kindle or Bookshop is out of stock, you can try Amazon. Thanks for supporting the site!
Chick Corea, Jazz Keyboardist and Innovator, Dies at 79
When jazz and rock fused in the 1970s, he was at the forefront of the movement. But he never abandoned his love of the acoustic piano.
The pianist, composer and bandleader Chick Corea at the Blue Note in Manhattan in 2012. In his long career, he recorded close to 90 albums as a bandleader or co-leader and won 23 Grammys.Credit...Karsten Moran for The New York Times
By Giovanni Russonello
Published Feb. 11, 2021
Updated Feb. 12, 2021, 12:35 a.m. ET
Chick Corea, an architect of the jazz-rock fusion boom of the 1970s who spent more than a half century as one of the foremost pianists in jazz, died on Tuesday at his home in Tampa, Fla. He was 79.
The cause was cancer, said Dan Muse, a spokesman for Mr. Corea’s family.
Mr. Corea’s best-known band was Return to Forever, a collective with a rotating membership that nudged the genre of fusion into greater contact with Brazilian, Spanish and other global influences. It also provided Mr. Corea with a palette on which to experiment with a growing arsenal of new technologies.
But throughout his career he never abandoned his first love, the acoustic piano, on which his punctilious touch and crisp sense of harmony made his playing immediately distinctive.
Mr. Corea in 2006 at the Blue Note, where his performances often combined reunions with longtime associates and collaborations with younger accompanists.Credit...Michelle V. Agins/The New York Times
A number of his compositions, including “Spain,” “500 Miles High” and “Tones for Joan’s Bones,” have become jazz standards, marked by his dreamy but brightly illuminated harmonies and ear-grabbing melodies.
By the late 1960s, Mr. Corea, still in his 20s, had already established himself as a force to be reckoned with. He gigged and recorded with some of the leading names in straight-ahead and Latin jazz, including Dizzy Gillespie, Stan Getz, Mongo Santamaria and Sarah Vaughan. His first two albums as a leader, “Tones for Joan’s Bones” (1966) and “Now He Sings, Now He Sobs” (1968), earned rave reviews. Both are now thought of as classics.
But it was playing in Miles Davis’s ensembles that set Mr. Corea on the path that would most define his role in jazz. He played the electric piano on Davis’s “In a Silent Way” (1969) and “Bitches Brew” (1970), the albums that sounded the opening bell for the fusion era.
From left, Dave Holland, Miles Davis and Mr. Corea in 1969. Mr. Corea played electric piano in Davis’s band and on the Davis albums widely considered to have sounded the opening bell for the fusion era.Credit...Tad Hershorn/Hulton Archive, via Getty Images
Soon after leaving Davis’s group, he helped found Return to Forever, and he spent much of the 1970s touring and recording with the band, which became one of the most popular instrumental ensembles of its era.
Reviewing a performance at the Blue Note in New York in 2006, the critic Nate Chinen, writing in The New York Times, recalled the innovative sound that Mr. Corea had honed with Return to Forever three decades before: “His Fender Rhodes piano chimed and chirruped over Latin American rhythms; female vocals commingled with the soothing flutter of a flute. Then the ensemble muscled up and morphed into a hyperactive fusion band, establishing pop-chart presence and a fan base to match. To the extent that there is a Return to Forever legacy, it encompasses both these dynamic extremes, each a facet of Mr. Corea’s personality.”
By the time of that Blue Note show, Mr. Corea’s career was entering a chapter of happy reminiscence, full of reunion concerts and retrospective projects. But he continued to build out from the groundwork he had laid.
In 2013, for instance, he released two albums introducing new bands: “The Vigil,” featuring an electrified quintet of younger musicians, and “Trilogy,” an acoustic-trio album on which he was joined by the bassist Christian McBride and the drummer Brian Blade.
Return to Forever, one of the most popular instrumental ensembles of its era, in 1976. From left: Lenny White, Stanley Clarke, Al Di Meola and Mr. Corea.Credit...Dick Barnatt/Redferns, via Getty Images
He kept up a busy touring schedule well into his late 70s, and his performances at the Blue Note in particular often combined reunions with longtime associates and collaborations with younger accompanists, mixing nostalgia with a will to forge ahead. Those performances often found their way onto albums, including “The Musician” (2017), a three-disc collection drawn from his nearly two-month-long residency at the club in 2011, when he was celebrating his 70th birthday in the company of such fellow luminaries as the pianist Herbie Hancock, the bassist and Return to Forever co-founder Stanley Clarke and the vocalist Bobby McFerrin.
By the end of his career Mr. Corea had recorded close to 90 albums as a bandleader or co-leader and raked in 23 Grammys, more than almost any other musician. He also won three Latin Grammys.
In 2006 he was named a National Endowment for the Arts Jazz Master, the highest honor available to an American jazz musician.
Though he had become symbolic of the fusion movement, Mr. Corea never put much stock in musical categories. “It’s the media that are so interested in categorizing music,” he told The Times in 1983, “the media and the businessmen, who, after all, have a vested interest in keeping marketing clear cut and separate. If critics would ask musicians their views about what is happening, you would find that there is always a fusion of sorts taking place. All this means is a continual development — a continual merging of different streams.”
Mr. Corea’s first marriage ended in divorce. He met Gayle Moran, who became his second wife, in the 1970s, when he was in Return to Forever and she was a singer and keyboardist with the Mahavishnu Orchestra, another top-flight fusion band.
She survives him, as do a son, Thaddeus Corea; a daughter, Liana Corea; and two grandchildren.
In the early 1970s, Mr. Corea converted to Scientology, and the religion’s teachings informed much of his music from then on, including his work with Return to Forever.
Mr. Corea in 1978. “If critics would ask musicians their views about what is happening,” he once said, “you would find that there is always a fusion of sorts taking place.” Credit...Chuck Fishman
Armando Anthony Corea was born on June 12, 1941, in Chelsea, Mass., near Boston. His father, also named Armando Corea, was a trumpeter and bandleader in Boston, and his mother, Anna (Zaccone) Corea, was a homemaker. He began studying piano when he was 4.
He picked up his nickname from an aunt, who often pinched his big cheeks and called him “cheeky.” The name eventually morphed into the pithier “Chick.”
He moved to New York City to study at Columbia University and Juilliard, but that lasted only a few months. As Miles Davis had a generation before, when he arrived at Juilliard from East St. Louis, Ill., Mr. Corea quickly found himself lured out of the classroom and into the clubs. Some of his earliest gigs came in the bands of the famed Latin jazz percussionists Mongo Santamaría and Willie Bobo, as well as with the swing-era vocalist and bandleader Cab Calloway.
In 1968 he assumed the piano chair in Davis’s influential quintet, replacing Mr. Hancock. The band quickly went into the studio to record the final tracks that would round out “Filles de Kilimanjaro,” Davis’s first album to feature an electric piano. It signaled the trumpeter’s growing embrace of rock and funk music, a move encouraged by his second wife, the vocalist Betty Davis. (One of the two tracks featuring Mr. Corea is a tribute to her, the 16 ½-minute “Mademoiselle Mabry.”)
The group gradually expanded in size as Davis wandered deeper into the murky, wriggling sound world of his early fusion albums. He brought a version of the “Bitches Brew” band to the Isle of Wight festival in 1970, the largest gig of his career, before an audience of 600,000.
Soon after playing that concert, Mr. Corea and the bassist Dave Holland left Davis’s ensemble and joined with the drummer Barry Altschul and the saxophonist Anthony Braxton to found Circle, a short-lived but influential group that embraced an avant-garde approach.
Mr. Corea founded Return to Forever in 1971 with Mr. Clarke, the saxophonist and flutist Joe Farrell, the percussionist Airto Moreira and the vocalist Flora Purim. The following year, the band released its Brazilian-tinged debut album, titled simply “Return to Forever,” on the ECM label.
Also in 1972, Mr. Corea teamed up for the first time with the vibraphonist Gary Burton to record another album for the same label, “Crystal Silence.” The two became longtime friends and collaborators. Taken together, the two ECM albums represented something close to the full breadth of Mr. Corea’s identity as a musician — ranging from the serene and meditative to the zesty and driving.
“We made that record in three hours; every song but one was a first take,” Mr. Burton said in an interview, recalling the “Crystal Silence” sessions. They would go on to record seven duet albums, and they continued performing together until Mr. Burton’s recent retirement.
“I kept thinking, ‘Surely it’s going to run out of steam here at some point,’” Mr. Burton said. “And it never did. Even at the end, we would still come offstage excited and thrilled by what we were doing.”
Return to Forever changed personnel frequently, but its most enduring lineup featured Mr. Corea, Mr. Clarke, the guitarist Al Di Meola and the drummer Lenny White. That quartet iteration released a string of popular albums — “Where Have I Known You Before” (1974), “No Mystery” (1975) and “Romantic Warrior” (1976) — that leaned into a blazing, hard-rock-influenced style, and each reached the Top 40 on the Billboard albums chart.
Mr. Corea released a number of other influential fusion albums on his own, including “My Spanish Heart” (1976) and a string of recordings with his Elektric Band and his Akoustic Band. Later in his career he also delved deeply into the Western classical tradition, recording works by canonical composers like Mozart and Chopin, and composing an entire concerto for classical orchestra.
“His versatility is second to none when it comes to the jazz world,” Mr. Burton said. “He played in so many styles and settings and collaborations.”
In 1997, delivering a commencement address at Berklee College of Music, Mr. Corea told the members of the graduating class to insist on blazing their own path. “It’s all right to be yourself,” he said. “In fact, the more yourself you are, the more money you make.”
Alex Traub contributed reporting.
A version of this article appears in print on Feb. 12, 2021, Section A, Page 21 of the New York edition with the headline: Chick Corea, Innovator Of ’70s Jazz-Rock Fusion And Pianist, Dies at 79. Order Reprints | Today’s Paper | Subscribe