#new senshi generation

[poorly-drawn-mdzs]

Dog Meshi.

[lgbtlunaverse]

I've seen a good number of people ask a question along the lines of "why do characters like Falin and hate Laios when they're so similar?" and i've also seen good analysis on the differences in how the touden siblings carry themselves that would, despite their shared traits, make a person gravitate to one more than the other.

But i feel like we've overseen one very central thing here.

People don't like Falin

Like... the average person in dungeon meshi doesn't like Falin. She was deeply ostrasized by her home village, in magic school she had zero friends before Marcille and the others generally saw her as strange and a bit offputting.

Characters like Namari and Chilchuck like her well enough but not necessarily more than any other member of their party, including Laios. Neither Kabru nor his party think much of her. The canaries don't give a fuck about her. Toshiro's retainers don't see her as anything else than the weird foreign girl their boss has a crush on.

The reason we think everyone loves Falin is because, despite all the indifferent side characters, the 2 most important and central characters of the story are Laios and Marcille. Who are NOT representative of the average attitudes to Falin! But necromancy georg number 1 and 2 are our main eyes into the story and they love Falin so much that it colours our perspective of the whole world.

The only side character who qualifies as liking Falin and not Laios is Toshiro (at least at first, as he ends the story on much better terms with Laios) and that says a lot about his character, with him drifting to the quiet Falin precisely because of her oddness but being both uncomfortable with and deeply jealous of Laios' much more open expression of that oddness. Because he's a repressed guy from a culture where etiquette is incredibly important.

But like I said, that's a specific aspect of him, not to the world at large.

Because there's also people that click more with laios than with Falin.

Kabru, for one, who is initially distrustful of laios but clearly also deeply fascinated by him and drawn to him.

Minor spoilers, and you don't have to read too deeply into this, because I don't think Kabru particularly dislikes Falin or anything. But it's interesting that when he talks about his distrust of the toudens in ch.32 he's talking about them both. But his big friendship declaration in chapter 76 is aimed squarely at Laios, he doesn't say "you and your sister" he says "you"

And Senshi!! He instantly clicks with Laios, well before he does so with anyone else in the party– who he also becomes friends with, it just takes a bit longer– specifically because they bond over their shared special interest in monsters!! Senshi is kind towards Falin and cares for her wellbeing, but he also... doesn't know her. The reason he is even here, helping to save her, is because he and Laios bonded over monsters and he wants to help his new friends out!

Of course, the theme of neurodivergent isolation is very present in Laios' story. I'm not denying that. He does turn people off, without meaning to and unable to fully understand why! But so does Falin. And just like there are people who like her despite of or even because of those traits, there are people who do the same with him.

In conclusion: "Average person loves Falin and hates Laios" factoid actually statistical error. Average person is neutral on both Falin and Laios. Georcille, Laiorg and Geoshiro, who live in the dungeon and think over 10,000 Falin-loving thoughts a day, are statistical outliers adn should not have been counted.

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[lady-boketto]

Being a Bard within the group! (Dungeon Meshi)

A/n: I recently watched Dungeon Meshi (I also started playing Baldur's Gate 3) and I have been enjoying everything so far and I had the idea to write a relationship dynamic between a bard reader and the rest of the Dungeon Meshi group (I also might write a Barbarian/Fighter type of reader)

Laios:

He is amazed at how you can compose such lively tunes and respects how much time and effort you put into your craft

Will be amused if you choose to try to write a song about him (He smiles to himself when he overhears you trying to find a word that rhymes with his name)

He will not like it if you were to ever sing about him in front of others (his facial expression will not be a happy one, more of a nervous one since he doesn't like it when he's in the center of attention)

Laios really likes it when everyone is resting at camp after a meal and you play your instrument to pass the time (he likes to tap his foot along to the melody)

Laios is happy to provide you with monster names and rhyming words to help you complete your song (or parts your stuck on)

Marcille:

She is very glad that you are with their group since when you play your instrument for the group it calms her nerves a little with each note you play (her ears slightly twitch when you play a more cheerful songs since her hearing is more sensitive)

Marcille gets as sad as you when you break your instrument, but is just as eager to use her magic to repair the instrument (maybe it fell from a high place or that it took on a bit of water damage, but most likely you smashed it over a monster's/person's head and it broke)

She also likes it when you write songs about their adventures (especially if you sing/write about how powerful she can be with her magic, but like Laios is very flustered if you sing about her in front of a crowd, she will turn red and try to hide behind her staff)

Your soft songs without words, or humming at most, settle her nicely into her sleep (she sometimes gets the tune stuck in her head for hours until she begs you to play that one song for her again)

Chilchuck:

Chilchuck values you as a companion since you sometimes use your skills to get the group out of tough situations (sometimes you use your charms talk your way out tough situations, which is a RELIEF because he has no trust in the others abilities. Laios...)

this one time you talked your way into a free night's stay at the local pub the group frequents in exchange to entertain guest all night long, in which you were happy to since you also sometimes get extra coins from generous people passing by

He probably won't say it directly to you but he really enjoys listening you compose new songs (his ears are also quite sensitive just like Marcille's, so when he hears you trying to figure out which notes sound good together, he has a small smile on his face while he continues to polish and make sure his lockpicks are in good condition)

Chilchuck also can't hold back his laughter when you mock people when they are being disrespectful to someone in your party and you jump in to defend them (He manages to slap his hand over his mouth just before he lets out an ugly laugh since he doesn't expect you to roast your opponent so hard. Sometimes even managing to cry so hard he winds himself)

Senshi:

Doesn't really get why you are traveling in the dungeon in the first place, since this is the last place he would think someone with your skills would ever be

Senshi is not used to hearing the soft melodies coming from your instrument. Instead of the usual noises of whatever creature on the current floor he was on would make or the occasional screaming parties that travel by (or he is so used to the silence that he doesn't notice how much he misses the warmth and sound of another soul)

He admires any carving or engraving you have on your instrument and asks you if there's a story behind it or if it was for aesthetic purpose (wants to ask if he can hold your instrument so that he learn more about you as a person based on how you handle it while asking you how you came to play such an instrument)

Senshi takes note of how well you seem to take care of your work and takes the time compliment you on your hard work (He learns from you how to properly maintain your instrument and keeps an eye out for anything that might help when he gets the chance)

He comes to love when you play songs while he cooks a meal for the group to enjoy, He sometimes gets concentrated in what he's doing that he doesn't realize that he's softly humming along to the melody your currently playing (He likes to slightly sway along with the tune while he dices things or when he's waiting for the dish to finish cooking)

[loriache]

Butch up that Elf: my Marcille manifesto

TBQH, this came into being because the Falin "dragoness" fanart rewired my brain completely. It's sillytimes, but we're going to make a serious argument: trying out being a little butch would Fix Her.

1. Marcille Gender Discomfort

Now, Marcille LOVES feminity. She loves playing dressup, she loves elaborate gowns, she spends her free time going to the spa - the absolute last thing I want is to deny that. However, there's also a definite vibe that this isn't just a preference. Specifically, the way that she pushes Falin towards femininity suggests that she isn't comfortable with gender nonconformity in the people around her.

If this was something she was 100% confident about ("I'm doing this for myself and nobody else!") surely what other people do wouldn't be a big deal? Of course, you can read this as a little bit of solipsism; "what works for me must work for you too! I think this is so cute and would suit you - wouldn't you agree?"

But for the sake of this argument, all I'm trying to suggest is that gender nonconformity (and probably sexual nonconformity... well, frankly, any kind of sexuality at all) is unlikely to be something that's on Marcille's "radar". She hasn't tried out other ways of presenting and decided she doesn't like them. I do think she'd be a very flamboyant butch - "ouji lolita" vibes, you know? It's a whole new set of wardrobe options she could play dress-up in, even.

After the story ends, she starts dressing like her mother in all black, which makes sense - her mother was also a court magician, so she's probably emulating her in order to project confidence and authority. But I can't say I think she should stick with this. Break away and be your own person, Marcille! Try a fancy waistcoat and frilled jacket!

2. Haircut

This is another potential hard sell, I'm sure. The people she loves doing her hair is a cute symbol of their care for her, and her hair is key to her magic - so there's plenty of reason for her to keep it long. But like... think practically. Having someone do your hair every morning, for the whole of her long life, while it gets messier over the day (because she can't remember to keep it neat)... That's got to be such a pain. My hair gets messy when I put a hoodie on. And I have short hair.

It would require her to go through a change of mind, and probably a little more growth in how secure she feels in her relationships, but - the hairdo's a symbol. The more important thing is the relationships themselves. Eventually I think there might be something liberating about cutting it off, even if she might eventually decide to grow it out again.

The lion, her trauma, took something away from her which was really important to her. The people around her are able to make that easier, and make up for it, and soften that loss, but... Mithrun isn't the person he was before, you know? He's a new person. The relationship he has with his brother is new, and I don't know if it's one that the person he was before could have had. If Falin hadn't died, they wouldn't have gone on that wonderful adventure! They wouldn't have met Senshi or saved Izutsumi and Laios and Marcille wouldn't have gotten so close. So I think it's totally congruent with the themes of the story that the burning away of this part of Marcille's self might eventually create the potential for new growth in a new direction, not clinging onto the parts that are gone.

This also isn't totally out of the norm for elven mages - both Otta and Flamela have short hair. Otta is canonically butch, and potentially Flamela reads that way to elves too, but the point is it clearly is possible to be an accomplished mage without long hair.

3. Desiring (to be) a chivalrous prince

Marcille's succubus is clearly General Halleus from her favourite book series, the Daltian Clan. The fact that this is her ideal man.... it certainly plays into readings of her as Not Straight. But at least, this conveys the way her conception of sex and romance is strongly idealised, dissociated from the bodily and from physical desire.

There are many ways to interpret that, including thinking about what types of desire this fixation is obstructing because she is not comfortable with it, but I am going to focus here on what this desire does signify. She likes the trappings of courtly romance, and is clearly comfortable putting herself in the role of the princess, being taken away on a white horse by a noble (but tormented; eyepatch has "death" on it lmao) prince. (Though I think he's actually the token male lead who isn't royalty; he's a General. There's always one in Romfan, lmao. IYKYK)

A kiss on the hand - this is so chaste, I think it's clear it's more about desire to play a role in a dynamic than it is about desire in a physical sense. There is undoubtedly a big part of Marcille that wants to be a beloved and chased-after princess, but I think it isn't at all impossible that she'd also enjoy being the powerful, cool, and chivalrous "prince" to someone (a pretty girl, perhaps) who needs her protection.

This is a little silly, because it's clearly just aping the shoujo artstyle that articulates basically the same idea as her succubus, that Marcille is attached to highly abstracted and idealised romantic (and Romantic) tropes and ideas. But the imaginary "successful" Marcille from chapter 4 looks quite similar to her succubus. (Another thing I noticed is that in the fantasy she has sharp ears... like full elves have. Despite what she says, I think the cultural messaging that this trait is "attractive" and hers are inferior got to her at least a bit. 😥)

Also, the way that she treats Falin, scolding her indulgently, trying to look after her and wanting to be looked up to and respected by her... that aligns more with the "masculine" role in the trope that her succubus is referencing. "What are we going to do with you...?" I can imagine her saying this to Falin, word for word. Whereas, if anyone real started talking down to her, even affectionately, I don't think she'd like it, given the negative way she reacts when people don't respect her or her skills. Especially after canon, given the way the Winged Lion was treating her.

Her attitude to Falin is partially down to her reluctance to acknowledge Falin as an adult, who is independent and can grow beyond her and leave her behind. But I think even as they move on from that unhealthy dynamic, Marcille is still going to get pleasure from feeling capable, reliable, able to look after and protect Falin. She'd like to pull the chair out for her in a restaurant on a date, you know?

4. Conclusion

Even after the growth she goes through during the story, there are parts of Marcille's character that are very much obstructed. Romance, sexuality, and gender, feel like one of those to me. The way that her discomfort with the messy origins of food betrayed a deeper, more significant discomfort with the cycles of life and death.

Much in the same way, I'd argue that the simplified, idealistic, and safely fantastical way that she views romance, as well as her very "safe" gender presentation and tendency to push it onto others as well, suggest an underlying discomfort in her own gender and sexuality. The character growth she goes through leaves her in a place where it may be possible to safely re-evaluate her relationship with Falin, as well as her choice of clothing and hairstyle, both things that go through a change at the end of the manga. Neither, I think, reach a sustainable stopping point that we see - there will be a point when it's more servants doing her hair than friends, just out of practicality, because they're all going to be so, so busy. The black clothing to copy her mum is cute, but once she gets some more self-confidence in her own skills as a court magician, I think she'll move on from it. And... who knows what direction her relationship with Falin will develop, over the years? I'm rooting for them, anyway.

In all those cases, I think moving outside of the things she's done before, into something really different from the things that are "safe" and expected, will be the most rewarding path for her. Like in the dungeon, things that she would initially reject were actually able to sustain her and broaden her tastes. She loves dressing up, looking after people, and "princely romance". So I say: Butch Marcille! It'll be good for her!!

[lightfeltmemories]

dungeon meshi | delicious in dungeon; reactions to reader having a crush on them / having a crush on reader

dungeon meshi various x gender neutral reader

note: hey everyone, please be mindful that this is the very first time writing for these characters, i have watched every available episode but i am still reading the manga (though i do have a general idea about the setting and the characters backstories and personalities) so if any characters are ooc to you my apologies, don't be harsh im new here lol. sorry some of them are shorter than others i kind of ran out of ideas when it came to certain characters :p let me know in the comments or reblogs or more preferably in my ask box if you want me to do any other character.

characters: laois, falin, chilchuck, marcille, senshi, namari, shuro, izutsumi (i'm adding her here because feels weird leaving her out when i've added former members of the party, also this is purely sfw so nothing weird will be aimed towards her.)

trigger warnings: nothing out of the ordinary but just read the manga or watch the anime before reading this.

if you like this and my other fanfics, please be considerate to reblog my work, it not only helps reach a broader audience but it also motivates me to make more content like this!

laois touden

reader's crush: when laois finds out that you have a crush on him, his reaction is.. well, how do we put it this way? is he flattered? yes and no, he doesn't see himself as ugly but also doesn't look at himself as the most handsome guy in the world, but someone straight up having a crush on him is kind of new, he doesn't really care much for relationships at the very moment but has thought about settling down with someone he likes, will it be you?

laois' crush: when it comes to having a crush, he tries to be his normal self around you, but sometimes can't help but be a little nervous especially when the two of you are alone, sooner or later he comes to the conclusion of realizing the he indeed, likes you, but confessing is the hard part, he's never thought much about rejection, it is a normal part of life after all, but when it comes to you? it's an entirely different ball game.

falin touden

reader's crush: falin already has someone chasing after her; shuro, theres a 50/50 chance of her reaction to reader's crush being the same as shuro's, but could there be a different reaction this time?

falin's reaction: surprisingly less shy than her brother, when she comes to this conclusion she'll build up the right time to actually confess, not wanting to rush things, just watch out for shuro i guess.

chilchuck tims

reader's crush: chilchuck learning about reader's crush is a bit sad, though he's no stranger to romance as he not only had a wife but also three whole kids, he's not really good with emotions so he's kind of scared you'll leave him just like his wife did, so, if reader confesses, there's gonna be a high chance that you'll be rejected, just give it some time.

chilchuck's crush: this weird feeling in his chest whenever he see's you will confuse him at first.. there's no way he has a crush on you?? after his wife leaving him he didn't really have any interest in romance, he might as well just focus on his work at the moment, one of these days he'll bring up the courage to confess, just not right now.

marcille donato

reader's crush: she can't really decide on whether she'll return the feelings or not, definitely flattered is what i'll say.

marcille's crush: she's similar to falin, she'll build up a better relationship with you for the right time to confess, she tries to make it seem as if she's not into you but it's quite obvious to the other party members.

senshi of izganda

reader's crush: out of everyone, he'll definitely be the most flattered, someone having a crush on him wasn't something he put much thought into, not to mention romance kind of isn't his thing, nor does he think he have the time for a significant other.

senshi's crush: i don't think this is the very first time he's ever had feelings for someone, but it's definitely a special feeling, he's not nervous of confessing his feelings at all actually, and he's not that sensitive to rejection.

namari

reader's crush: namari wouldn't really know how to react, honestly, she's never given the idea of someone having a crush on her much thought, she won't care much about rejecting the reader, at least she's honest.

namari's crush: her crush will be a bit hard to spot but when it comes to you, there will be a notable soft spot, she treats you like everyone else and isn't afraid to scold you if you do something wrong.

shuro | toshiro nakamoto

reader's crush: in an au where he still has feelings for falin, he immediately rejects you, telling you boldly that his heart is for falin and falin alone, but lets go to an au where he either loses interest in her or doesn't like her at all; definitely flattered, someone liking him (back) isn't unheard of but it is... nice?

shuro's crush: just look at what he does with falin, he will propose to you at some point, of course when time goes by and he starts to fall for you harder and harder, until he just can't contain it anymore.

izutsumi

reader's crush: very, very strange, someone having a crush on her is.. almost unheard of, or she doesn't pay much attention, anywho, she doesn't know... how to react? she knows what to do if she doesn't return the feelings but... someone liking her is just weird lmao.

izutsumi's crush: she won't make it obvious.... or try to at least, she accepts affection from you much more than she does from the others and sticks by your side more.

[room-surprise]

hi! i was wondering if in dunmeshi, before falin was eaten by the dragon and before present events, laios and his party were earning money for k*lling monsters in the dungeon? i don't understand if someone was paying them, how they were making money and how it worked

I want to write a proper, thorough reply to this with citations to specific references and mentions in the story, but uh, a tree fell on my house so I've been a bit too busy to do that lmao.

BUT, to give an incomplete answer:

Yes, adventurers get paid for work they do inside of the dungeon, or, they just harvest monsters/plants/treasure that they find. The dungeons are a kind of boom town, similar to a gold or silver rush, which means that the entire local economy is based on people trying to extract wealth from the dungeon, since it's dangerous but easy work, anyone can try to do it with very little resources, and the potential for profit is huge.

Someone with almost no money could, potentially, go into the dungeon and walk away with enough money to start a business, or buy a house or a boat. If they don't die. If they're lucky. Desperate people cling to the hope that they will be one of the lucky ones who become insanely wealthy.

Based on things Kui's told us in the manga and the extra materials, we know:

You pay a fee or a toll to be allowed to go into the dungeon. Access is controlled by the local government. Some people avoid this, like Senshi and the orcs since they just live in the dungeon and avoid leaving.

Many people die, give up, or fail to accomplish anything useful in the dungeon. These people probably generate a good, steady income for the island, since they pay fees but don't have to be rewarded. The lure of trying to strike it rich keeps huge hoards of people flowing in steadily. Most money in boom towns is generated by all the people who are trying and failing to get rich buying things from local people (food, supplies, lodging).

When a dungeon first appears, it is full of easy to harvest gold and treasure. "Gold peeling" is how Laios and Falin started out, and it's literally going into the dungeon and peeling gold off of the walls and statues, and taking any easy to transport treasure with you.

Various tasks need to be done in the dungeon to keep it safe, clean and accessible, and all of these result in a person either being paid by the lord of the island, or the person who they have saved. Killing dangerous monsters, finding people who have died and taking their corpses to the resurrection office, reporting changes to the dungeon, discovering new paths, etc.

When gold and treasure that is easy to find starts to run out, people turn primarily to harvesting monsters. They are probably paid a bounty for every monster they can prove they killed (bring back some body part that a monster only has one of, like a tail), and then they can also sell anything else they harvested from the monster in the market (meat, the rest of the hide, horns, teeth, claws.)

You want the dungeon to stay safe with a well-managed monster population to prevent something like Utaya from happening.

But if you kill too many monsters, now that the treasure is gone, there won't be any profit reason for people to go into the dungeon anymore, and your economy will collapse.

So you need to manage the dungeon and keep the monster population high, but not too high. This is what the Shadow Lord was complaining about. He thinks that if they evacuate the dungeon the expensive monsters they are currently harvesting may stop manifesting/spawning/being born, and all that will be left to harvest is mushrooms and slimes, which are not worth a lot of money.

Laios' group had an assignment from the island lord to try and find the giant doors on the 6th floor that nobody had been able to get past. That was what they were trying to do when they ran into the red dragon and Falin got eaten!

Despite everything, at that time Laios' party was the number one team on the island, capable of going the deepest into the dungeon.

Kabru's team is also considered pretty good, despite how often we see them dying - this should tell you how bad many of the teams that go in are! Most of them don't accomplish much or anything... Just like a boom town, where most miners go into debt trying to find gold, and only a few strike it rich.

This is what Rin is talking about in her first appearance, when she scolds Kabru for being too modest around other adventurers. She wants those other people to know that they are not going into the dungeon for profit and that they're not like the rest of them, dream-chasing fools hoping to make a payday.

She's offended anyone would mistake them for people like that, meanwhile Kabru would rather keep their motivations obscure and not advertise that they're in the dungeon on a moral crusade, not a financial one.

It should also be noted that the dungeon has a lot of criminal activity going on inside of it, because it's not well monitored and it's easy to conceal your activities. There's also a population of people who can "no longer live on the surface" for various reasons, such as being wanted criminals, exiles hiding to avoid vigilante justice, people too poor to leave because they wasted all their money trying to get rich and now they can't afford to live on the surface, or leave the island.

Essentially there is a population of homeless people living in the dungeon, eating anything they can scavenge, begging and stealing to stay alive. This could even be part of the taboo on eating monsters in the dungeon - that's something poor and desperate people do, and doing it is seen as a sign of how low Laios' party has fallen.

This is also why Kabru is so worried about the Touden party: their financials are a mess, but they keep going into the dungeon. Why? People think they are good, but maybe they're secretly criminals? Are they on the run from the law? Kabru has no idea, since "they just really love monsters and this is fun" is not a motivation ANYONE ELSE ON EARTH HAS.

The Toudens can't even say "we're monster researchers trying to write a book on monsters." They're just hobbyists, they just like them a lot. Kui tells us that Laios was encouraged to become a monster researcher but the studying was too intense for him.

It would be like finding out someone who works in a coal mine that kills 80% of the miners doesn't actually care about being paid, they just loooove coal and want to be around coal all the time.

[swampjawn]

Character Acting > Action Sakuga (sometimes)

There's nothing like a sudden burst of 24-fps action sakuga insanery to convince people that the animation in a show is good,

but Dungeon Meshi Episode 23 shows that attention to detail in the subtler character acting moments can be just as, if not more important to telling a compelling story because while there is some great action animation too, the most crucial moment in the episode is a dwarf eating some soup:

This bit is done by the mysterious animator just credited as "Haruki," also known as Haruki Sakamoto, another relatively young talent like Ichigo Kanno, and in fact the two apparently studied together and collaborated on this project as students:

Haruki trained at Kyoto Animation and you can see the influence plainly in his style which, much unlike the flashy, snappy, grandiose style of his friend Ichigo Kanno, is characterized by very smooth motion and attention to realistic detail in nuances that might otherwise go overlooked.

Even starting from the anticipation (and here I mean that in the normal sense, not the technical animation sense) the attention to detail is on point from the incredibly consistent shapes of the spoon and bowl which each rotate toward and away from the camera, to the subtle rotation of his head not only when he actually lifts the spoon to his mouth, but also even earlier as he brings the bowl up to his face, to the little half blink as his expression goes from worry to determination, there's SO much nuance in the series of facial expressions

Senshi has generally been depicted as the most cartoony of the bunch; a stoic but goofy little teddy bear who's often silent and almost always has almost his entire face obscured, so it's all the more powerful to see his face with so much detail and expression in this cathartic, emotional moment that finally solidifies this group as his new family.

And there's more where that came from, you sick fuck. This post is an excerpt from this video where I broke down the whole episode, so go watch it!

[dunmeshistash]

I just finished reading the first volume, and something I noticed is that senshi doesn't seem to remember/use people's names until they've kind of "proven" themselves. If I'm remembering correctly, the first time he uses Marcille's name is after the mandrake incident, where the one she got tasted less bitter. And the first time I remember him using chilchucks name was after the first trap room.

I'm curious to see how consistent it is, but it definitely seems like a character choice for senshi!

I noticed that too! I wonder if Senshi has trouble with names, one of the things he does in his diary is always write down the name of the new people he meets.

He even put down the family tree of the orcs because he has known them for generations <3

You mentioned the trap room and that's also the one where he wrote his name down several times to get it the right way !

[ponett]

Do you have any advice for people making OCs/sonas? Yours are really well rounded and unique and I'd greatly appreciate the insight of someone who got a passion project off the ground!

So this is a very broad topic, and it varies a lot based on your own creative goals, what kind of characters you're creating, and where you want to use them. Creating an OC to be used in furry pinups is a little different than creating one for a dramatic story. But I'll try to give some general advice on how I do things for the types of characters and stories I tend to work with

Heads up: this will be kinda long lol

The germ of an idea

For me, I'll generally be inspired to create a character starting with a small number of core traits. These could be anything. A color scheme, a body type, a job, a hobby, a personality archetype, an outfit, a visual motif, a functional role in a story I'm working on, a noteworthy facial feature, a weapon, a relationship of some sort to an existing character, a single scene or joke I want to use them for. For furries and fantasy characters, species is usually one of the first things I'll have an idea for, which tends to get the ball rolling fairly easily since we have all sorts of cultural associations with different animals and fantasy creatures.

Any standout character trait like this that you find compelling can serve as that initial spark. The inspiration can come from anywhere, but it's often just a matter of knowing yourself and your own tastes. What do you like? What are the people in your life like? What really speaks to you in a character? What's an existing fictional character that you'd like to rewrite and take in a different direction? What's an aspect of yourself that you would like to see represented more often in fiction? It doesn't have to be something super deep or fleshed out right from the start, though. You can start with something as simple as "I want a black cat character" or "I want a character who dresses like an arcade carpet" or "I want a character who looks scary but is actually nice." Whatever it is, it's something that differentiates the new character from the ones I already have, because otherwise I'd just be using them.

Contrast

From there, you can start brainstorming other traits that might go with those core traits. Some of those may be traits that naturally complement each other. Continuing with the black cat example, maybe you wanna play into the common cultural perception of black cats and say that this character brings bad luck, or is associated with witchcraft. However, I often like to give characters contrasting or even seemingly contradictory traits, which can help elevate a character beyond a stock archetype. Real people tend to be a walking ball of contradictions, after all.

I've talked a lot about how I did this with the main cast of SLARPG. Melody is a fox, traditionally a crafty and untrustworthy predator, but she's extremely introverted and gentle. Allison is a bunny, but instead of being a meek and cuddly little prey animal she's an outgoing fighter who loves a challenge, and she has a muscular build. I think this kind of thing gives characters some fun flavor, and can be really effective for both comedy and drama. For an example from something I didn't write, take Senshi from Dungeon Meshi. He's a dwarf, and he embodies certain stereotypical aspects of dwarves - he's a short, buff man with a big bushy beard, he lives underground, he's stubborn and doesn't like elven magic - but he also goes against some of them. Instead of being an expert on mining and blacksmithing, Senshi is a culinary expert who has a deep appreciation for the natural ecosystem of the dungeon. He's a weirdo among dwarves for not caring about the wellbeing of his axe and for using his super awesome shield primarily as a giant wok. And that's what makes Senshi fun and interesting.

So going back to our example, instead of going with the stereotype, we could make a black cat character who has comically good luck, or who's superstitious and afraid of witchcraft, or who's an extremely rational person who always believes in science over superstition. Or maybe you roll with the bad luck angle, but instead make the black cat be the victim of their own bad luck in some interesting way. Maybe this black cat has terrible luck with love and can't hold down a relationship. Maybe this black cat is an aspiring speedrunner who consistently gets the absolute worst RNG possible in every video game due to their own bad luck. Maybe this black cat has accrued a horrendous gambling debt after a long losing streak and has loan sharks coming after them.

These are all just hypothetical examples, of course. I don't exclusively make characters with ironic contradictions like this. The idea is just to build on those core traits you started with in interesting ways, and that's one of my favorite ways to do so. But honestly, a lot of the time execution is more important than the sheer originality of an idea, and sometimes really putting your all into playing a trope you love straight is the right move.

Specificity

Regardless of what direction I take a character in past that initial seed of an idea, the key ingredient tends to be specificity. To give them specific details beyond the most stock possible version of that core idea you started with.

This is something I internalized from Tim Schafer, via a blog post in the behind-the-scenes backer material for Broken Age. Sadly I'm not sure if that stuff is still available, but I did save this particular post about creating characters since it really helped me, so I'll directly quote a chunk of that post here:

No two characters would approach a problem or react to events in the same way. At least, not if you’ve designed the characters well. If you’ve left them too vague or superficial, if they are merely functional elements in your story instead of individuals, then they might react in the same way. And that’s a problem. So to avoid that, I’m going to talk about one the most important parts of character development: specificity. Making sure your character is a specific individual, not a stereotype. A unique character, different from anyone else in the world. It doesn’t mean that they have to have wacky gimmicks, eyepatches and crazy accents. It just means they have to be specific. For example, let's create a new character. Let's say your story has a scene where your main character gets in trouble in school. So you’re probably going to need a school teacher. Imagine a school teacher for a bit. Do you see her in a little red schoolhouse? Maybe a bun in her hair? An apple on her desk? Thick black glasses? Let’s put a ruler in her hand for good measure. Done! We have our teacher character. She’s ready to be in the scene where our hero goes to school and the teacher sends her to the principal’s office for passing notes. Right? I mean, this character doesn’t have too many lines, so why develop her character any more? The problem is that this teacher is a very shallow stereotype of a teacher. She has no specific attributes that make her memorable. She’s the teacher you would get in a set of free clip art. She might not have many lines, but if all your supporting characters are this way, your story will be more bland than it should be. Even if this teacher is only onscreen for a minute, she should be unique and different from any other teacher in the world. Luckily, it's not actually that hard to make her so. You just have to ask some very basic, specific questions.

Tim goes on to explain how simple exercises like filling out character sheets with basic questions about your character (there are a million of these online) can help push a character beyond a stock archetype, even if it's a minor supporting character. Questions about where they're from, their likes and dislikes, their beliefs, their goals in life, that sort of thing. For minor characters especially, a lot of these details may never actually come up in a story, but just asking even a few of these questions and giving them specific answers helps you see them less like an archetype and more like a real person in your head. Maybe you never bring up your character's backstory or their favorite sport or what kind of music they listen to, but just having a specific answer for questions like that might help color the way you depict that character in subtle ways. It makes it feel like they aren't defined by just that one core trait you started with, and helps make the characters and world feel more alive, like there's stuff going on with them beyond the bounds of the story or the drawing.

It's a careful balancing act, though. It's easy for a character to feel like they're a collection of too many unrelated gimmicks and quirks. Again, like Tim said, these specifics don't have to make for the craziest, most original character ever, there just has to be something there.

Let's go back to SLARPG as an example, where I combined broad character archetypes I liked with more specific personal elements that I felt like I wasn't seeing enough in the fiction I liked. Melody is riffing on the common idea of the reserved healer character in the RPG or MMO party and the shy girl archetype, but she's the main hero instead of a supporting player in another person's story, and she's also a fat bisexual trans woman who draws a lot of little details from my own life. Her interests, her relationships, her opinions on things, her personal hangups and dreams, these all set Melody apart from other fantasy healer characters and define her as Melody Amaranth. Specificity!

But it doesn't always have to be super deep, especially if you just want some characters to draw for fun and aren't planning on writing a story with them. Take my fursona. I've always loved dogs, so I made my fursona a dog. I chose a Samoyed in particular because I think Samoyeds are the cutest, and I hadn't seen hardly any anthro Samoyed OCs at the time. I leaned into the breed's signature fluffiness to help my fursona stand out from other canine OCs. She has simple identifying traits like being fat like me, wearing glasses like mine, and having a hairstyle kinda like mine (when I tied my hair up in a bun, at least). And there you go. Fursona achieved. She's not a wildly high concept character, but she doesn't need to be

Anyway I realize that this is mostly about the writing aspect, so here's a few quick bullet points about designing a character's appearance:

Face and body type variety are good, but personally I would say lack of body type variety is worse than same face syndrome

Knowing some stuff about shape language is good, but you don't have to be completely beholden to the "circles are friendly, squares are sturdy, triangles are scary" shit. I'm generally more interested in using repeated shaping in different parts of a character's design as sort of a shape motif. Melody's body, hair, and tail are all made of round, swooping shapes, for example. (This is more applicable if you're designing cartoonier characters as opposed to realistic humans, obviously.)

Knowing some basics of color theory is also good. I like using complementary and contiguous color schemes on characters and generally try not to use too many distinct colors on one design. Black and white and grey and various browns are good as neutral colors to balance out the colors of the rainbow, and gold can be a nice accent color

A small handful of identifying accessories can be fun, but don't rely on those to make a design stand out. Ideally your character should still be identifiable even when not wearing their default outfit, or even in silhouette

Aaaaaand I'm gonna call it a wrap there! This is a huge topic, so hopefully this helps with at least some of the basics! At the end of the day, though, don't beat yourself up if you can't sit down and force yourself to come up with the most crazy awesome OC ever. Just have fun and be yourself!

[toxycodone]

GOD modern Laios would make such a good little trophy/house husband 🥺 he LOVES cooking dinner for you when you come home after a long day of being the breadwinner. you get to spoil and dote on him and he gets to spend all day doing nerd shit and taking care of the house (he LOVES cooking you dinner and seeing the look of relief on your face coming home to a clean house & warm meal after a long day)

on your anniversary you come home and he's cooked a fucking 5 star meal- like the kinda shit you only get at some fancy ass overpriced restaurant . After dinner you suprise him with a huge intricate Lego set you know he's been wanting but wouldn't ask for because it's soooo expensive & he nearly cries.

He spends like 2 hours going down on you out of pure joy alone before letting you tie him to the bed and ride him until he DOES cry- whimpering "thank you" and "I love you"'s over and over before you've even let him cum. tears falling down his flushed cheeks and eyes rolling back in his head as he writhes against the restraints, so desperate and grateful for whatever you give him. such a good boy, your perfect little house husband 😌

GOOOOOOD YES

okay. Since we got minimum wage retail Laios confirmed by Kui. House husband Laios is so fucking real.

Laios who’s a total part timer since meeting you, he works for pocket change and like. Bare minimum benefits just to keep things comfy for the two of you while he basically puts everything in savings. (Until like one day he just quits tbh when yall are really settled in)

But like in my mind he works under the table at Senshi’s restaurant for cash + to learn about cooking! They go on fishing/hunting/hiking trips together and go to the farmers market to get fresh produce and Senshi teaches Laios everything he knows.

He cleans up your apartment every day. Like, he’s not the best or a maid or anything. He’s just a dude. But he does recognize that he’s immensely privileged and does his best to show you hey. He does care. And he wants you to not have to bust your ass after coming from a full time shift. He does basic things like dishes and stuff and on the weekends you guys maybe spend an hour or two maximum cleaning on the weekends together

LAIOS. PACKS YOUR LUNCH. He love love LOVES doing this and he has little sandwich shapers to make them into little dinosaurs or dolphins or something. And he does bentos with cute little pins and molds and he lovingly spends time on this. I think he genuinely enjoys doing this stuff and testing out new recipes.

And cooking in general!! Like that is how Laios shows he loves you forreal. He genuinely pays attention to your tastes and tries to “gourmet” your favorite foods. (I’ve been rereading the manga and when Marcille’s upset he offers to try his best to make whatever she wants to eat out of monsters and it’s so cute…). Like you want grilled cheese? How about grilled Brie on fresh made bread? Bagels? Oh yeah he tried a new recipe at Senshi’s at 4 am, here’s fresh out of the oven pastries. It’s so cute.

I think. He loves like those random ass kitchen gadgets too. He 100% has an ice cream maker and he makes custom flavors for you.

And he just loves watching you eat. It’s such an expression of love. He works so damn hard to make you smile and make you happy. And his food never sucks because 1. Senshi teaches him everything 2. He ALWAYS tests recipes before going way too hard with them. Like he pays attention to your palette so if he made something gross or something just. Not to your tastes you’d let him know in the trial stage.

And GOD. Laios is just a fucking sex toy I swear. He’s genuinely like. A subby service top. He wants you to absolutely use him however you want but he likes to be the one that’s doing most of the work because he likes to spoil you with his body…(also he cums super easily in my hc so if he tops he’s able to like. Pull out and give you head or switch positions when he’s getting too close)

But when you spoil him and ride him…tell him how handsome he is and how much you love him. yeah he’s crying and whimpering about how much he loves you and how you’re just so fucking perfect. It makes your head spin because Laios genuinely makes you feel like you’re the only person on earth for him.

[ambrosialdesire]

hedonic

18+ DARK CONTENT BELOW, MINORS + BLANK BLOGS DNI

pairing: laios x fem!monster reader word count: 5k warnings + tags: general yandere and/or dark themes, kinda gory descriptions, cannibalistic ideas/thoughts/temptations, probably ooc laios, delusional ideas, monster reader w/ large breasts (i mean, it comes with the kind of monster she is tbh but this is the only physical descriptor of the reader), brief bodily mutilation + removal mention, breast milk consumption, accidental peeping (?), breast fixation, blood kink kinda, biting mention, all characters are 18+ synopsis: he's always been the type with an insatiable appetite when it comes to any monsters, but he promised to never ever eat any demi-humans when it comes down to it. the temptation when it comes to you has became irresistible to try and ignore. a/n: in request of 🌷 anon and my fueled want for laios, i have made my first dungeon meshi/delicious in dungeon yan fic! i decided to do it in laios pov cause i feel it'll make for an interesting perspective. not really nsfw this time around lol since i'm still new and keeping up with the anime and learning about the characters SO IM ONLY CAUGHT UP ANIME-WISE OK LOL AND THE MONSTER I'M USING FOR THE READER ARE CONSCIOUS BEASTS THAT CAN COMMUNICATE AND SHIT LIKE THAT CAUSE IT'S SO VAGUE ON THE WIKI 😭😭 also i'm making shit up as i go okay so anything food related is like entirely made-up 💀 AND YEAH I MADE IT ABOUT BREAST MILK OKAY LMFAOOO tbh i've always wanted to try a dnd-related game but literally have no where to start (ik there's baldur's gate but i am a broke full-time student lol) hope y'all enjoy and hope i can make some more of laios cause he's so 🏃‍♀️💨💨 note: please keep in mind of the tags above and do not proceed if triggering or uncomfortable, especially if you are a minor!! do not read my or any other writers' dark content if you are underaged. this is a fictional work and does not reflect irl morals, do not believe this is how a real romance works or functions.

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ.───

Laios made a promise to never consume a demi-human, no matter the circumstances. It made sense, they were on the cusp of something that was human but not. They could have similar features like the races they respectively belonged to, could bleed red and have had a beating heart, yet in the end, they were still a monster inside and out. Morally or ethically — whichever which belonged to which — according to Chilchuck, it was still wrong to try and consume them.

He understood that completely once it got explained and stuck into his head, but then you came into question.

When you came into Laios's party during the search for his sister, you were almost attacked from how you meekly approached the small group in one of the dungeon’s levels. They were right to be cautious of course, many human-like monsters had previously attacked them when their guard was down, but once they realized you genuinely meant no harm, they let you join in. Marcille was overjoyed that another girl had joined the party, though both Laios and Chilchuck had their valid doubts about you. Senshi didn't really mind, long as you could pull your own weight and never tried to attack them.

Were you trying to play the long game? Did it make them taste better when you waited to strike? Were you eyeing your pick in the group? Senshi and him both have a lot of meat on their person, Chilchuck was definitely the least desirable since he was so small and had less meat on his body; to be honest, Marcille was in a similar boat as him too.

Food-wise, you ate whatever Senshi made with a happy smile, not even being deterred once from having to eat something that was considered to be closely related to you. He wondered if it was something you were used to, something that you had to be doing in order to survive down here. Then, if it came to other parties that came before them and being forced to defend yourself, did you ever had to... consume them?

Laios hoped it never had to occur, but he couldn't blame you if you had no other choice. He could imagine you being trapped for days before your kind could get to you, maybe one or two bodies from an adventuring party were with you from a previous scuffle and the pangs of hunger were getting to you. The thought of the remaining party members finding the torn apart limbs and strewn, chewed on bones surrounding a bloody starving monster made his stomach flip and a shiver go down his spine. Maybe it's because that's how he last remembered Falin right before she teleported them out of the dungeon, her midst of her body trapped in the toothy maw of that Red Dragon.

Because of this now since your alliance with them combined with the many questions in his head about your diet, there was one that he can't quite get rid of, no matter how much he tried.

What did a human taste like to a monster?

It's been a few weeks since they've ventured in the dungeon and Laios still had some doubts with your intentions for joining. A monster is a monster and cannot be trusted no matter what, but you didn't cause trouble or held them back from their search so he let you be... for now at least. He'd be a hypocrite for not letting you stay since he's been keeping Kensuke around, but it's only temporary and it can't really harm him without the other parts of the Living Armor. You're a moving... person? Half of one. Actually more a third-fourth of one? He doesn't quite know but still rather fascinated by your existence.

You were similar to them in conscious thought and speech, as well as appearance-wise. Well, appearance-wise, you definitely weren't human. Small, bilateral curved horns made their home on the sides of your head, floppy brown ears swung around with every step you took, a long bovine tail whipped around the bottom of your legs, and finally, your legs were curved into two thick cow-like stumps with hooves at the end as a replacement of feet. Minotaur, or that's what you said what you were, though you were smaller than those massive farm animal adjacent beasts, about a few inches taller than Marcille.

And not to sound like a perv or anything remotely similar to that, but you didn't really have udders either, unless your more than well-endowed breasts compensated for the lack thereof.

"Ow! Laios!" He snapped out of his thoughts, looking down at his metal shoe and seeing the fluffy end of your tail on the bottom of it.

"Oh, sorry." Slowly, he lifted his foot off of it, the appendage whipping around and twitching. It wrapped around your waist, almost completely hidden as a fuzzy brown and white belt.

"It's bad to get distracted here, are you hungry? Thirsty? I have some bread and milk in the pack if you want to snack on it." As you walked on forwards, you pulled the bag off of your shoulders and began to rummage through it with one hand. You finally found what you were looking for, handing it over to him without hesitation, slinging your bag back where it belonged. He stared at the milk as he chewed on the bread, the texture soft and light with each bite.

Did... did this come from you? You mentioned to them before in the beginning stages of joining that they can drink your milk if they needed to, but the horrified looks of both the elven mage and the Half-foot locksmith prevented you from trying any further. Both him and Senshi was of course curious, Minotaur milk was both difficult to come across and retrieve, but the two told the dwarf that they absolutely refused to eat anything that he cooked if it came from your body.

"Gross, don't tell me that came from you Y/N." Chilchuck grimaced as he walked on by and you shook your head.

"No! Of course not. I know you people humans are a little weird but I wouldn't give something that came from me without telling you. It's just cow milk, er... not from me." Laios felt a little disappointed as he opened the top of the bottle, wondering if it tasted different from normal cow's milk. According to the Dungeon Gourmet Guide, Minotaur milk was thicker and sweeter compared to the average cattle's; then again, this precious book of his wasn't really that accurate unfortunately.

What about your flesh?

He came to a sudden standstill, almost causing Marcille to bump into him.

"If you're gonna stop out of nowhere, at least move to the side Laios!" She grumbled, moving past him as he stood there in confusion. What was he thinking? Why would he even go so far as to think that? He started moving again, carefully watching you click on forwards. His mind began to wander at the thought again, which parts of you would be edible?

Your legs definitely, there's so much muscle built upon you there. He'd seen you strike down stone pillars and enemies in a single blow without even flinching. Maybe even your thin tail, could be tough and stringy though. Your ears would take a while to feast upon, cartilaginous but still a good source of protein. Horns are a no-go, too small and were most likely hollower than meaty. Cow hooves are a delicacy in some parts of the world, so it was possible that yours were consumable too.

Would the "human" parts of you count? You hadn't revealed if you were full or half-monster, maybe even if you were cursed, so it was hard to truly determine what you were. If you were a full monster, that meant that every bit and piece of you was edible meat.

Meat.

Meat.

Meat.

"Laios, you’re drooling! I can hear your stomach rumbling too," Your giggling voice rang clearly in his mind, his gaze snapping downwards as he wiped his mouth quickly. "I have more bread if you want."

"No, no. It's better if we stop now and make something more nutritionally beneficial to continue forwards," Senshi stopped with the two of you, turning his head around to find a suitable room for cooking. "Think I still have some of those Harpy eggs and Kelpie flesh, would you two be so kind to try and find some more ingredients on this floor? Any vegetation would do this meal some good."

And here the two of you were, walking around the floor's grounds to spot for anything of use. It was almost completely quiet minus the shifting of his armor and the clicks of your hooves echoing throughout the stone hallway, reducing that awkward silence just a little. Your weapon, a sharpened scythe, swung around on your back as if you were a cow grim reaper; the thought of a cow dressed up in a black robe with a menacing skull mask made him chuckle in his head a little.

"Oh! Up ahead, I see something leafy." The hoof-clicking went faster as you picked up your pace, ducking your head from the fallen wooden structures that were in the way. Compared to the average Minotaur, you moved and reacted quicker, most likely because of your smaller stature and having a little less muscle in your body to heave around. That could make you vulnerable on the other hand, having less muscle everywhere else minus your legs meant diminished strength and being unable to defeat enemies in a more timely manner. Interesting.

"Laios, do you think this enough for all five of us?" You shuffled out of the crevice in a huff with bundles of thick purple, triangular leaves in your arms and he took a pinch from one of the leaves, inspecting it before placing it in his mouth. He winced, his face contorting to a pucker as you laughed at his expression. Dungeon oxalis, edible but strongly tasted similarly to citrus.

"We could work with it, could make up for lemons since they're pretty sour. Here, place it in your bag and we can search for other things." You nodded after wiping your eyes from your boisterous laughter, following his instructions and getting back up from the ground.

You dusted yourself off before picking the bag back up, smiling at him as the two of you began to move deeper into the dungeon. "I hope we find some Night Lucernes but I think since we're already so low underground, it's getting more unlikely they can grow here."

"Oh we can't eat those, they make us sluggish and gives us stomach cramps for weeks."

Blinking at him, you tilted your head in confusion. He never noticed how long your eyelashes were, is that common in your kind? "Really? They're like vitamins for me or was it something about the blood—"

"Why are you not like the other Minotaurs?"

"Huh?" The question was out of the blue, interrupting her talking as the two of you had stopped in the middle of the hallway, eyes locked with one another.

"Why are you not like the other Minotaurs?" Laios repeated, not skipping a beat and leaning down closer to you. "You're not massively built, you don't have a cow's head, you don't have large horns. You don't strictly eat vegetation, is it even good for you to eat monster meat so often? There's so very few things that are Minotaur-like on you, are you really one of their kind?"

Your eyelids fluttered in shock, each question wrapping around your brain before you leaned away from him, scratching the back of your neck. "Well... I-I don't really know why myself."

"...What?"

"Uh yeah. One day, when I was still young, I woke up in this dungeon alone without a single memory in my mind. I don't even remember who named me either, but I vaguely remember being told that I'm a Minotaur. Maybe it's the Mad Mage's fault but I'm sorry Laios, I really can't explain why I'm not more like them."

Did that even satisfy his question on whether you were edible as a Minotaur or not?

"I do know is that I am a monster," You put a hand over where your heart is, clenching it tightly into a fist. "I ain't like you people humans and I'm sure not like those other animal humans you coexist with, so I am nothing but a monster. I may look a little different from my kind but inside and out, I have the Minotaur’s blood in me. And the strictly herbivore thing isn't really true, I can eat meat if I have no other choice to, it's not all that bad though. Doesn't really freak me out and I'm always grateful to have the opportunity to eat a good meal."

"So have you eaten other adventurers before meeting us? I won't judge, I'm genuinely curious and I won't tell the others if you have."

You froze, eyes casting downwards suddenly as your fists gripped onto the coat you wore. "I... I don't really want to talk about it Laios, sorry. I'll answer your other questions but some things are better left off unsaid, okay? Please respect that."

His lips were pulled into a thin line, the nagging voice in his head still ever curious on whether you've eaten human before, but you really did seem uncomfortable talking about the topic. "Sorry."

He then put a hand under his chin, thinking about what you've said previously slowly. Inside and out... Does that mean you are edible? I mean, you basically said it yourself, despite you being more on the human-appearance spectrum of monsters. Then again, they met more human-like monsters like the Harpies and the Dryads, and they've eaten them before! (Well... sorta.) The mermen were edible too (despite Chilchuck stopping him from taking more of the parts), so that means—

"Can I drink your milk then?"

"Wha— H-huh?!" The apples of your cheeks glowed a dark shade of red, but his gaze remained determined, sparkling in excitement even.

"You offered it before, didn't you? Chilchuck and Marcille aren't here so they won't judge us and I've been curious since my book said that it's different from normal cow's milk." You looked around, even peeking behind him, before sighing and bashfully pouting.

"I did! I know I did! But, I have to make it fresh since I threw out the ones I had on hand a week ago and I don't have any on my person right now so..."

"It's okay, I can wait." He bluntly replied, oblivious to your wording. Laios just wanted a little taste, nothing more and nothing less.

You mumbled something under your breath, his ears catching a few words of him being 'too eager' and 'quick to answer'. Was he? He was just answering your question honestly, and he’s been ever so curious about it ever since you’ve offered it before.

"Let me find a room, just wait outside for a bit."

You were flushed, clicking away to find a place to hide out so you could produce what he wanted. Of course he followed shortly after you left, staying outside just like you told him to and it would serve as extra security. If Minotaur milk tasted as good as they say, he might just keep asking you for it when some certain party members aren't nearby. Hell, he might even be able to sneak some to Senshi since he's been curious about it too! It's only right to share a magnificent discovery to the best monster chef. Actually, he might be the only monster chef he knew but he was still the best by default.

He waited.

And waited.

And waited…

Laios started to sit down next to the door due to how long you were taking to produce a small bottle. Was it difficult to get milk out of the body by yourself? He had to ask about that too since he’s only seen male Minotaurs depicted in his book; there was nothing but a small and vague paragraph that explained about the female Minotaurs, but it was mostly about their milk.

He closed his eyes, leaning his head against the stone wall. You really were a strange individual, someone that he can’t quite understand. Your very being makes his mouth salivate whenever he thinks about you as a next meal, even if it shouldn’t. Was it because all they’ve been eating has been monster-related? His strange fixation on trying them was slowly being satiated with every step down the dungeon, so he chalked it up to just being morbidly curious.

It has to be that reason, it must be, because what kind of sick individual constantly thinks about consuming his friend?

Opening back his eyes, he took another quick glance at the wooden door. Laios was extremely curious on how the whole process worked, if you really had extra udders or if the hidden parts of your body were furry or skin. Plus, you really were taking a long time, one of the three were bound to come over soon and he wouldn't be able to try the milk! Actually... you know what? What if you had gotten attacked in there by a whole group of Mimics?! Or any other monster group, like the ghosts! You were strong but you can’t take all of them at once, and monsters aren't able to revive here. Wait...

Monsters don’t revive here.

He scrambled up on his feet at the realization, quickly knocking on the door, the sound of stumbling and thuds causing him to immediately panic and start pushing it open.

"Are you oka—" Laios froze, his eyes widening.

Your eyes were wide open as well, mouth partially parted open in dumbfounded shock. At least you looked okay and it seemed there wasn't any harmful enemies around, just some old furniture that had fallen over. It's weird though. There you sat on the ground in the midst of the mess, one arm covering your bare chest while the other was holding a partially filled glass. He stood there in puzzlement as your face grew redder by the second, placing the glass down slowly before reaching for your weapon that was right next to you.

Oh.

Oh...

OH!

"LAIOS!!!"

"I'M SO SORRY!!!" He slammed the door back shut as the scythe made its way towards his head, the sharp blade slicing through the old wood, the tip just barely missing his nose. His heart pounded against the metal chest plate like a beating drum, his lungs completely drained of all air. He began to kneel on the ground for some support since his legs started to give out from the revelation. His body was burning up, like he just got lit on fire from the Red Dragon or was a little too close to one of Marcille's explosion spells.

He just saw you naked. Not completely, but still, he just saw your breasts. He was used to and never cared about seeing others nude or topless, whether they be male or female — monster or not — it's just parts but seeing you?

Despite being here for most of your life, the skin from what he saw was quite smooth and rather mostly unblemished. It's like scars weren't able to attach onto the surface, as if they weren't allowed to. And the curvature of your heavy breasts, the noticeable suppleness of both when you moved and inadvertently squeezed them with your arm. They weren't udders at all either like he thought they were, they were undeniably humanlike, no fur included. He imagined biting into them, wondering if it'll be easy to sink his teeth into the squishy fat while he sucked on both the spilling blood and milk, thinking about the mix of sweetness and tangy that'll occur if he did. He'd be especially lucky to leave any mark on your pristine skin during the process, his body tingling at the idea of being the only one — the only human — to permanently leave something behind.

Laios couldn't stop salivating, a hand over his mouth to prevent him from drooling all over himself. He's shaking, why was he shaking? Was it from the fear of these unstoppable thoughts of his? Because of the leaf he ate not a moment ago? No. It's because of these recent developments and the answers he was getting from them, he was becoming... excited.

What the fuck was wrong with him?

‘•.¸♡ ♡¸.•’'•.¸♡ ♡¸.•’'•.¸♡ ♡¸.•’

The door finally creaked open, a small glass bottle being pushed towards him from the barely ajar entrance. He looked up to where your head would be, your eyes nervously staring down to the side. You started to apologize in a soft mumble as you slowly revealed yourself, now completely dressed.

"Sorry for throwing my weapon at you earlier, but this is all I can give right now. If I had eaten Night Lucernes prior, it would've been better quality. Um... enjoy I guess?"

"Thank you for the drink." Laios smiled and took the bottle in his hands, staring at the liquid. It was warm, which was expected since it just came out of your body, and it wasn't fully white like he thought it would be, the color just had the faintest tinge of yellow that could be missed if he wasn't looking close enough. He took the glass's edge to his lips and finally, he took a small swig of it.

Sweet, precisely as he thought it would be, but not as overtly strong to make him sick or give him an immediate cavity. The book was right to say that it was thick, almost similar to a honey-like consistency but still light enough to not choke at the heavy feeling of it go down his throat. He didn't realize that he quickly drank all of it at once, his tongue running across his lips to catch any remaining liquid left. You said that this wasn't the best quality, but he couldn't imagine it being any better than what he just drank.

"That was..." Laios paused, smacking his lips to try and remember the taste once more. Your face slightly fell, eyebrows worriedly scrunching together. "Amazing!"

"R-really?" The slightly-afraid look melted off in relief, your eyes glowing in happiness. "No one ever said that it tasted amazing before... Actually, no one actually tried it before except you Laios."

He... he was the first one that tried your milk? The fleeting thoughts he had prior ran through his mind again, his cheeks flushing a slight pink. If he really was the first one that drank something of yours... then it's only right that it would be specially reserved for him right? It's really selfish of him to keep this amazing beverage from his dear party, but something like this should be cherished by the one that adores you the most.

He quickly grabbed your hands, holding them up as he squeezed them tightly in excitement. "Can I have more later? I won't tell our party, it'll be our little secret exchange between the two of us."

Laios watched your expression turned from complete shock to shy awe, your tail twitching around and thumping against your legs. You were silent for a bit before looking up at him, a determined glint in your eyes. "W-what's in it for me? I can't just be the only one giving you something.

Shit. That was fair of you to bring up but him as a normal Tall-man, there was very little he could give you in return for your breast milk. "What would you want from me anyway?"

His mind immediately went into the gutter: you wanted to eat something off of him. It could be considered a fair exchange, consumable body part for consumable bodily fluid. Maybe you were getting tired of eating monsters, needing your actual nutrition from people. He started to get nervous, what would he be able to give you from his body? Would a finger satiate you or would you need something larger? Laios can't really give up his arms or legs, he'd need them in order to get through the dungeon and save Falin. Tongue was completely out of the question, he can't imagine not being able to taste food in both normal and monster dishes.

The idea of giving you his dick to consume suddenly popped up in his mind, the thought of trying to cut it off caused him to pale. He didn't use it much compared to his other body parts, only needing it to use to take a leak; he wasn't really the sexually active type either, being able to count the partners he previously had on only one hand. Technically and hesitantly, that would be the only large body part that he can give up for you.

Briefly, he imagined how'd you eat it. You weren't an messy eater when it came to Senshi's food — despite having to learn how to use utensils but still preferring to make use of your hands — so you'd probably be as neat as possible with it. You'd eat it raw, as soon as he managed to slice it off his person, warm crimson slipping down your fingers as you bite down through the layers of skin and muscle.

Or there was the possibility that you wanted to take it off yourself, kneeling right down in-between his legs, hands slowly sliding up his thighs to his hips as you approached his lower half. He'd be forced to watch you take his soft cock into your mouth, probably struggling if he accidentally got hard during the process. The last thing that Laios would feel would be your mouth's warmth wrapping around it before chomping down.

A shiver went down his spine, though it didn't feel as horrid as it was supposed to be.

With your big lashed eyes, you slowly blinked once more as a small smile grew on your lips. "Knowledge. I want to learn about the outside world. I've never left the dungeon before, all the adventurers that came before your party prevented me from ever trying."

Oh... That's actually not a bad exchange request, simple in nature. At least he gets to keep his junk, despite his heart still pounding from what his fucked-up mind just mustered up.

"Okay deal. I'll teach you about my world in exchange for milk." He put out his hand, letting you reach out and shake it. Your eyes relaxed as you smiled warmly up at him, finally letting him go. Laios then went over and patted your head, rubbing the top gently. You stiffened lightly at the gesture, his fingers brushing over the horns. They were smooth with faint ring-like indentations, almost an ivory-creamy color. Truly a fascinating feeling.

"There you guys are! You've been gone for so long that we were starting to get worried." Marcille. You batted his hand off of your head quickly, turned around with a tautly-pulled grin towards the elven girl.

"Must've lost track of time finding what Senshi wanted, sorry about the wait. You guys must be starving by now." The two of you started to chat walking back to the temporary camp, Laios watching and following from behind. You pulled out the oxalis in your bag to show her, a proud expression beaming off your face as you brought up his face when he first tried it. His stomach twisted, his hand resting on the top of his armor-covered abdomen.

There were very few monsters he found cute, most being out-of-this-world frightening to gaze upon, but you truly were one of the cuter ones around. He felt hungry again as your hips swayed from side to side, tail flicking around. He brushed the fingers that he touched your horns with against his lips, reminiscing on the texture. How sensitive were they? You did go rigid when he brushed against them, but it could be just from the shock.

Saliva was building up in his mouth again, and he could only harshly swallow back the feeling.

Deplorable he was with this appetite, the desire to consume you piece by piece. Would you accept that as one of your final fates? Rather than being killed and left behind with little to no chance of being revived, he'd pick up every raw part of you and eat it, savoring each bite in respect for what you've sacrificed to help him find his sister. Laios would try to bring the inedible bits of you with him — bones, teeth, horns, nails, hooves, hair — for the rest of this dungeon's journey and back into his world. Your wish would be granted, despite not being able to fully witness it yourself; you might even thank him for that bit of kindness too.

This thing the two of you had was special, unbeknownst to the others. A friendship that couldn't be understood by the other members of the party, but was completely comprehensible to only you and him. Symbiotic, just almost mutualistic. A love of one's flesh in exchange for the love of another's world.

Love.

Though Laios has expressed his heavy interest and passion in monsters, he never had said he loved them. Most were mindlessly dangerous, no matter how small or large they were, acting on base instinct. Yet, you were different. In fact, he could say that you were the opposite of him. Instead of being grouped together with your fellow monster-kind, you were more interested in being around outsiders. Different sides of the same golden coin.

A realization hit him, his eyes widening. The strange feelings in his body, the perverse, obsessive fantasies he's been having about you... It could only mean that he—

"Jeez Laios, you've been spacing out all day. Are you okay?"

He snapped out of it, staring at the concerned looks of both you and Marcille. Laios only smiled, his golden eyes focused completely on your form. Both your ear and tail tip was twitching, flicking in the air as if a fly was nearby.

"I'm just hungry, that's all."

[saccharineomens]

i've been poking at this too long to care how visually appealing it is anymore. My headcanons for the main characters' sexualities, based on canon information! (has no bearing on ships.) Canon speculation below the cut.

marcille (bi): fascinated by romance and loves romance. we only see her show explicit interest in a male (fictional character (General Halleus from the book series she loves)), but i don't think she's fully straight.

falin (aro? ace? lesbian? genderqueer?): falin's only interest in relationships in canon is 'she considered accepting shuro's proposal because she was afraid nobody else would want her, but felt it'd be unfair to him because she had no feelings for him'. i consider whether she's aroace or a lesbian or maybe bi/pan, and she also seems like she might have some genderqueer feelings, based on some of her discomfort with her body and wearing certain types of femme clothing. (Also the fact that she‘s part male dragon.) Since she ends the story going on a journey for herself, it feels like she'll finally get the chance to figure out what she wants.

laios (pan, demi): he hasn't shown explicit interest in men, but similar to marcille, i don't feel he's fully straight. He’s aesthetically attracted to monsters, at the very least, so gender probably doesn’t factor in for him. romance/sex just don’t seem to be much of a high priority to him in general, but he did think his ex-fiance was cute and didn't seem uncomfortable with the idea of marriage (just seemed unhappy with being trapped in his hometown), so i feel like demisexuality fits him well.

About his succubus: He was very noticeably not stopped in his tracks by it like Chilchuck and Marcille, but that could possibly be because it just….looked exactly like Marcille, not an obvious fantasy. He started blushing and stammering heavily when it turned into a monster, which like….this boy is definitely a furry/monsterfucker, if anything, but that doesn’t speak on his attraction to actual humans.

I think it speaks for something that the succubi are able to literally read minds and craft the perfect fantasy for their specific target. And for Laios, it wasn’t just “his friend Marcille”. It was a version of his friend Marcille that wasn’t grossed out by monsters, didn’t think he was weird for wanting to be one, and was able to turn Laios into one. It was a Marcille who understood him at his deepest level that made him become a blushing, stammering mess to rival Chilchuck. Which is why I think he’s Demi, and needs a strong emotional connection with someone before he finds them attractive.

kabru (pan): his special interest is people, and he's bold enough with his sexuality to kiss rin despite not being in a relationship with her. so being pan/bi feels appropriate.

chilchuck (bi): he has a wife, and they were childhood friends, so he's definitely allo. but his comments and behavior towards senshi makes me suspect he might be bi, and just never considered the possibility due to being in a committed relationship.

senshi (gay, ace): this is 90% off of vibes. he keeps to himself in the dungeon and doesn't seem to have any need for social company, he's a complete hermit. Being ace makes sense to me, but so would him just having a low social drive. His succubus was 'a woman he hadn't seen since he was a child', but his journal implies it wasn't a romantic/sexual attraction.

namari (bi/lesbian): she is at the very least attracted to women, given her behavior with kiki, but she does make a point to say that kaka is also attractive to her, and her friends at the bar tease her about Kaka being her “new” boyfriend (implying previous boyfriends).

shuro: the token straight (in love with falin, asked her to marry him). i love you shuro <3 (but i can also see him being into men. there's no evidence to the contrary)

izutsumi: aroace. literally no question. her succubus is her mother.

[zandraxofnebulon]

A dungeon meshi rpg-style video game adaptation wouldn't work unless it had extremely dedicated systems for cooking the monsters you slay. I'm talking the ability to cut apart the monster in any way you want, any part of the monster that could conceivably be edible can be cooked if you find the right way to do it, with every part having pre assigned ideal cooking methods to give the best flavor and nutrition. (The cutting apart and cooking would have actual physics and gameplay, no simple cooking animation/minigame.) The better you cook the food, the better your stats are for the next part of your journey.

The actual rpg combat could be fleshed out or barebones, but the meat (lol) of the experience HAS to be in the cooking. Maybe you start out only knowing a few very basic cooking methods and learn more as you go through the game (if you come back to earlier areas after getting far into the dungeon, you can cook parts of monsters you couldnt before, create new recipes, etc.)

Maybe there could be a whole bespoke system for keeping track of/labeling each recipe you make (breath of the wild style), with records on the nutritional values (the stat octagon) for each. The nutrition would generally be enhanced by how good the flavor is, with penalties if things are burnt/cooked incorrectly/etc.

Story wise, maybe you wouldnt play as laios' party during the events of dunmesh, but as a group of adventurers post-epilogue who're exploring a dungeon at king laios' behest, and, taking inspiration from his adventure, decide to survive by eating monsters. Maybe laios would gift them a copy of the Dungeon Gourmet Guide, with notes and corrections from senshi here and there. As the party progresses into the dungeon, they unlock more entries in the guide, adding their own notes as they go. Idk where the story would end up going but if ryoko kui is involved it would probably be pretty sick

[savaralyn2]

Regarding the topic of monsters outside dungeons, there is a good deal of evidence to suggest that they are not outlandish or exceptional, but also not super common. For example (some spoilers below):

There is a notable amount of culture, beliefs etc surrounding monsters (they exist in suitable numbers to have implications for the lives of people semi-regularly).

Senshi discusses the taste difference of monsters in the dungeon and outside (seeming to suggest that various monsters exist both in dungeons and in the outside world).

Melini has monsters along its border in such numbers that they present a kind of unintentional defense against outside aggressions (seemingly because Laios' influence pushes them out of Melini itself, but they have no reason to wander farther than that), seeming to indicate that monsters can survive in the outside world rather decently, and exist in non-trivial numbers. Laios also notes that monsters, specifically, seem to be able to survive in environments unlivable for normal animals (for example in a salted wasteland with no sources of food).

There's other stuff too, but that comes to mind quickly. My rough estimation would be that a normal person in a settled area might not expect to see monsters with regularity, but most people likely have encountered a monster, or know about someone in their sphere who did (and in certain places this is likely much more common).

Sometimes in fan circles, there's a kind of assumption that the supernatural elements in DunMeshi are almost solely in the dungeons, but there's plenty of magic and supernatural elements depicted as part of the various cultures that clearly aren't just for dungeons (for example, a trained mage might become a graveyard keeper due to the restless dead, and the Eastern Archipelago has magic systems, despite explicitly being very poor in dungeons and monsters).

I would also, like you, assume it has to do with mana density between areas, in large parts. Since dungeons are what tends to generate mana (due to the ecosystem inside it allowing a lot of mana sprites to spawn and all that, essentially), we may assume that a dungeon "leaks" mana into the world. Natural dungeons likely form when a suitably sheltered location attracts monsters that form an ecosystem inside, stabilizing into a kind of new mana sprite breeding ground.

Good takes, honestly.

Only thing I'd say is that modern Melini may be something of an outlier due to the fact that the dungeon implosion flooding basically that whole area with magic power would presumably having a lasting effect (as we see with the fact that Yaad and the GK residents are still alive a year past the end of the manga), even if it slowly ebbs back to normal over time. Laios's monster repelling aura keeps monsters out of the kingdom/main city itself, but them gathering around the outskirts definitely shows that the land steeped with magic is drawing them in like a magnet anyways. I'd guess once enough time passes the country won't really NEED Laios's power to keep monsters away since the magic will have reached a point where the monsters go back to regular numbers along with the regular magic levels.

[fumifooms]

Namalin

Namari x Falin

Easy short rarepair spotlight post for prosperity~ This one I didn’t think of on my own for once, I don’t know if it’s just I forgot the decided-on ship name or what but I remember seeing really nice art and a couple posts about it that I can’t find again 💔 Namalin warrior you are out there and not forgotten ty for making me see the light

I like that Namari’s critical of Falin! I have a whole character analysis on Falin if you’re interested, but it’s generally well noticed that people around Falin idealize her a lot. Laios, Marcille and Toshiro all put her on a pedestral of ultimate goodness in the world, a saintess if nothing short of perfection. Sounds like Chilchuck felt sort of creeped out by her vibes, uncomfortable because he couldn’t read her, so unlike Namari it seems he preferred steering clear of her rather than debate opposed ideologies like he usually does. Makes sense if unlike Namari his issue is with her cryptic aura rather than the stances she does show. "… The dungeon is no place for soft hearts" my ultimate namalin scene <333 It’s fun because while this scene is there to show us a lot of things, mostly to establish Falin’s characters better as it’s the first flashback of her we get, the conflict in it is more than anything else Falin vs Namari in how they contrast and clash and approach situations differently. Namari wants security in swift effective violence and thinks Falin too soft for her own good when she prefers a pacifist approach and promotes compassion even for the "undeserving" in Namari’s eyes. Falin steps between the battle ready Namari and the ghost, fearless. Falin effortlessly gently exorcises the ghost without one step back, quickly. Falin proves someone wrong. Falin proves someone wrong.

I love thinking of Namari being surprised when she learns new aspects of Falin. I like Falin having the power to shape people’s views on her. With Falin ships the most fun part for me is usually that point where Falin/the relationship becomes a clean slate: the person realizes they haven’t been seeing all of her, realizes there’s more of her they hadn’t noticed or that she hadn’t shown, that there’s change, a shift in the views on each other and the dynamic a bit.

Namari often feels like an external view looking in to me… I need to make a proper analysis on her but like. I made a lamari post once (analytic more than personally invested rip sorry) and I go with the same Namari take here, I think she’s someone who tends to have an outsider view on people and relationships if that makes sense, she’s a coworker before anything else and she’s content staying at a distance, she’s not objective per se but she tries to keep feelings out of her choices and how she sees people (her lil arc on not staying to save Falin despite the existing camaderie but in the end asking to work for the Flokes more because she wants to stay with them). She’s serious no nonsense on the job but friendly off the job and likes having casual friends, but she’s not… She doesn’t really feel connected to the group. She’s so focused on doing her job, even if she does get impulsive and passionate and too assertive for her bosses’ tastes, so focused on working her reputation and life from the ground up that that professionalism and attitude limits her social life. It doesn’t help that her reputation makes her widely judged, so she probably enters social spaces on the derensive. The closest person she was to pre-canon as far as we knew was Chilchuck and even they have a very "coworker I get along with" dynamic more than friends, with a similar sense of boundaries, humor and world view. Also like canon says a few time, the party didn’t really try to get to know each other well pre-canon, didn’t hang out after work often no one knew where Marcille was from and no one thought that was weird (also how no one had the instinct to ask about Senshi’s past) etc, the notable exception is we’re shown Namari and Chilchuck hitting taverns together and having a grand time. Everyone’s fine with things as they are, they get along decent even if not everyone considers each other friends exactly. Where I’m getting at is that to me, it feels like she tries keeping emotional distance. Emotional distance from people in general being something which in my interpretation of Falin is also present, which would make it a theme and common thread interesting to explore imo. But yes like, Namari looking at Falin, and how everyone treats her, and being more skeptical, seeing her for what she is a little more, maybe even uncharitable. "Why is everyone treating her like she’s all that? She’s gentle sure but seems like a doormat to me" and then one day she comes running up with her mace ready to cave in someone’s face to protect Laios. So yeah… Keeping her distance but one day Falin offering her some gentleness that feels very too personal for someone who’s not used to being genuine and simply showing that they care… Them talking a bit which leaves her stumped and mindblown in a quiet way when Falin defies her expectations. Namari growing on Falin when she stays and decides to open herself up more, or when Falin ends up reading her really well like she’s shown to do with her parents and Marcille’s worries. She’s very attuned to worrying and why and when different people do it especially when it comes to when they worry for others, perhaps because she does a lot of that too, so I think she’d nail down how Namari does care for the rest of the party and it’d make Namari feel seen both in a warm validating way and in a scared naked way.

We see in the tentacles chapter that she’s someone’s who’s very protective and looks out for her peers in a tough love way. She’s overbearing but it’s because she wants everyone to have the best chances. I like that she’s very confrontational and somewhat pushy and rude, but it’s tough love, it’s protective care: asserting herself to better protect and defend. The opposite of Falin’s type of care, quiet and self-sacrificial devotion. They’re barbarian x healer but they’re also bodyguard x bodyguard in their attitude and role. … What I want for them is slow burn slice of life of being coworkers and slowly getting to know each other better, pretty fluffy, but god, put this way they’d have the potential to be such a hot layered mess of insanely mutually devoted codependence… Falin taking a hit for Namari and Namari being scarred by it forever, lots of arguments about it, my god.

I like that she’s the fighter to Falin’s healer. I looove thinking of scenes of Falin healing Namari, necessitating touch and like, a moment of slowing down and sitting together in silence, too intimate, the perfect opportunity to connect that neither truly want to take until one day they do. I love how onesided I imagine the relationship would be at first. Again, as per my interpretation of Falin, I think Namari would have all these little observations and opinions on Falin meanwhile Falin really doesn’t think of Namari much at first. So Namari thinks a lot about Falin and thinks she’s got her pinned down but hasn’t (not that she’s fully wrong, she’d have credit and confront Falin on some of her flaws like the doormat thing), while Falin is very passive about Namari and doesn’t think deeply about her or anything but she read Namari’s insecurities and logic well. Not unlike how Laios was the one who seemed to understand Namari’s way of care the best in the party in the tentacles episode, and how he was very understanding of her choice and reasons. In Falin’s case it’s more like, the objectivity of passivity… She cares about Namari less than Laios who generally seeks to form bonds, so her lack of investment allows her a neutral perspective. In that way another parallel with Namari that I’m drawing, except Namari lets feelings from her opinions seeps in more… Onesided beef my beloved. I’m going insane save me this post was a mistake. I think Falin takes the crumbs of friendship and love where she can without expecting or asking for anything more than what’s offered, and I think her relationship with Namari (or anyone really) would start out the way it did with Marcille: the other takes the initiative and they end up spending time together, Falin is friendly but unattached until the bond gets gradually and wordlessly strenghtened through regularly spending moments together. So! I think Namari would need to take a lot of the first steps, which since again she’s confrontational & argumentative and doesn’t hold herself back on that front that could spark a lot of conversations I think. Ooor since Falin cares about Namari less than Laios and Marcille she allows herself to be bolder herself lol. Or also circumstances force them to spend time together like dungeon party getting separated shenanigans.

I think their personalities match cutely, I think falin would try to protect namari like she does others but also Namari simply doesn’t need protection, just support. And I think they’re complementary in that way that Namari’s friendly but also won’t sugarcoat things, and I think if she takes an interest in Falin it could go from there and she could develop some understanding of her and idk like an intrigued crush….

Namari wants stability & security & to, like, not be judged and rejected and exiled lol, to find her nest her pack the place where she feels good and wanted in. I think having a fitting partner would help in that (similarly to how the found family with the Flokes seemed to. Oh another parallel, Falin’s top priority is protecting Laios her brother and what Namari are a family figure) and I think Falin would fulfill that cozy protection and that warm ‘being seen and not judged’ feeling. But also Namari would run up to her and yell about her trying to sacrifice herself ever.

Another fun thread to explore: post-canon guilt for not having gone to save her. Sure, they weren’t close, but they had some nice memories, didn’t they? Namari cares, and it stings despite herself when it feels like people think she doesn’t. Oh it wasn’t a lost cause after all, oh it’d have worked out, oh I could have stayed loyal and it wouldn’t have compromised myself in the end. Wanting to apologize to Falin, or just ahnging out with her and sharing a moment after she wakes up. And tangent but that’s interesting to think about… Narratively, I think the purpose of Namari and Toshiro in the story, beyond strenghtening the theme of "seek to understand what is different from you and promote unity despite them" and fleshing the cast and worldbuilding, is Toshiro’s purpose was being a foil & tool in Laios’ arc (trouble connecting with people) while Namari’s was being and a foil & tool in Marcille’s arc (standing up for ideals without being out of touch with harsh realities and needs). They are the conflict that push our protagonists to grow— and they explore different ways of dealing with a situation or topic, different ways of growing into themselves on that end: Laios needing to listen to others more and Toshiro needing to focus on voicing himself more to be able to connect, Marcille needing to learn ideals sometimes cost too much and Namari needing to internalize that ideals are sometimes worth risks (not only to be able to find a reasonable but fulfilling life balance, but also to get in touch with their compassion: Namari restricts her own too much and Marcille is too harsh on people she deems to be breaking values, like Namari not risking her life and career for a friend with no promise of success, or even like how Namari is harsh on Falin’s way of doing things : too gentle, too soft, too idealistic) (similarly to Chilchuck’s arc with Marcille too, and he also plays a hand in advancing that arc in the Namari chapters). We are getting far from namalin sorry ummm preview for future analyses like Toshiro’s contrasting approach to grief and accepting loss.

More post-canon namalin! Thinking about a timeline where… Namari is fond of Falin finding herself and going off to do her thing. "Finally!" she thinks. If she’s still for hire, maybe Falin would want her to come along, either as guide or bodyguard <3, she knows Namari has a lot of good avice on a lot of things to give, plus they’ve worked together before. She hires Namari and they travel for a bit. Travel would do Namari good too I think, even if her end goal is to settle and I think Falin’s would be too eventually. Seeing sights that light her wonder for the world and going places where people don’t know her story, don’t recognize her face or her name. Them, feeling free. Finding a companionship that feels uplifting instead of stifling or charged. Namari having been too in her head about reputation and social games and money that they hit the roads and spend time in nature and it’s like, woah. I’ve been living in a small world with made up rules.

Ahh yes romance, Namari and Falin kissing after 3 years of not really knowing each other despite seeing each other every day then 2 months of wanting to spend more and more time together until they’re an inseparable duo! Workwives. I want them to stand next to each other during campire time and Namari cracks little jokes and Namari laughs. I want Namari to gift Falin a bug caught in amber and for it to be their wedding/promised to each other thing.

TLDR

Rowdy but levelheaded barbarian x gentle healer that will also cave your face in with a mace I like it…… They’re an interesting duo of mixed stuff. Protection being your purpose and what you’re worth for, literally being a meat shield (Laios, Tansu), finding your individuality recognized and validated through a growing bond with the other. Sticking around as a love language. Also bug immortalized in amber and it being beautiful.

Nevermind this wasn’t short. Um! Anyways.