#no but also it's super interesting bc the play was written in a society that wasn't a democracy so also their view of those historical

[iamnmbr3]

if i want to write anything historical I'm so obcessive about the details. like 'omg i can't set this story in ancient Rome. what if I get some detail about Roman fashion wrong? it would be so embarassing!'

Meanwhile Shakespeare was like 'Julius Caesar's violent seizure of power and subsequent rule by force? haven't heard of it. my little meow meow would never.'

[aingeal98]

so, steph in the canon text choose to carry her pregnancy to term and give her child up for adoption. this is generally understood to be bc the writer of that issue/run was pro life, but taking the text at face value, what does it say that steph chose what she chose? is it coherent with her character? could it be read as another symptom of internalized mysoginy? or is it incoherent with her character/would it be more thematically interesting to have her have an abortion?

Really really good question I've been mulling this over in my head for weeks. To answer the last question first, I honestly think the issue with the pregnancy arc is less about the choices Steph makes and more to do with how clunkily anti abortion Chuck Dixon is. Like I do think it's very possible to be fully pro choice but also unwilling to abort your own pregnancy. I fought alongside my friends to repeal the abortion ban in Ireland but at the same time I can never picture myself ever getting one, because for me the second I become aware of it it's real to me, not just a clump of cells. But I know full well that's just my own sentimentality and there's no scientific backing, like logically it IS just a clump of cells and also there's a whole patriarchal society dedicated to stopping women from having bodily autonomy, which is why I'd never try and push that belief on others or discourage them from whatever choice they feel is best. So basically I would struggle hard to ever do it, but if you want to, hell yeah abort that thang! No judgement from me or moral reasoning needed from you.

And because of this I could see Steph being the same. I could even see certain story beats playing out the same if they were allowed just a bit more nuance instead of being a conservative after school special. Steph lashing out at her mom and counsellor for suggesting an abortion, not because it's a Bad Thing to do but because it feels to her like her mom is already trying to sweep this under the rug like it never happened, and Steph herself hasn't even come to terms with it. Steph feeling isolated from her peers, again highly plausible it just needs better dialogue than what we got in the original. We could even have scenes of Steph grappling with the idea of an abortion, and wondering how much of her aversion to it is her own choice and how much is internalized misogyny. I think her arc of deciding to have the baby and give it up works best, although a well written abortion au would be super interesting to read.

So basically for me the choices Steph makes in the original run are very coherent with her character, and what actually makes it fall flat is the clunky dialogue and heavy handed anti abortion writing. If Steph was written by someone other than Chuck Dixon during that time, I could see her being pro choice while also being unwilling to abort the baby herself. And it could have been written with a lot more nuance and acknowledgement of what teen mothers go through, instead of just what Chuck Dixon thought Good Teen Moms should do and say in this filthy world of liberal values.

From what we got in canon, I'd say Steph probably grew out of the anti abortion mindset as she got older. I don't think she'd ever regret her decision, but I do see her looking back and cringing at some of the ways she acted because wow the internalized misogyny JUMPED out. And if she ever came across another sobbing teenager with a positive pregnancy test, I'd say modern adult Steph would make sure they knew all their options with zero judgement. And helping that young girl would probably dredge up a million different emotions that she would struggle to name.

So tl:dr, taking the text at face value Steph has boatloads of internalized misogyny specifically around abortion. But I don't actually think her choices are out of character, more so that the entire narrative is written less as a story and more as a moralizing conservative rant on pro life where everyone feels like a caricature. It would actually be quite simple to tweak the dialogue and clunky scenes and end up with similar character choices just... better written. Where her mom and counsellors aren't evil for suggesting abortion but Steph still feels hurt and lashes out anyway. Where her peers say the wrong things and leave her feeling alienated. Where she weighs her options and gets more narrative space to mull over all the consequences. It would be my preferred way to rewrite the arc, but there are a lot of changes that could be made and I'm open to reading about all of them.

Thank you for the ask! Sorry it took so long to respond I was chewing over the whole concept haha.

[sillyandquiteawkward]

I'm super late to the party but did you watch the fallout show? And what are your thoughts? I have a few little ones like:

How well they portrayed the BOS as a militant cult

The prewar stuff. First 7 minutes of the pilot episode had me so on edge

The video-gamey hyperviolence was gross, sure, accurately translated from game to cinema

me and ray have watched about half of it and we mystery science theater-ed it the whole way and heckled the fuck out of it. needless to say, not a big fan.

but thats so funny the first prewar segment i was so pissed off. the bombs dropping immediately right next to them was written so stupid. just took out any grounding in reality and grace i had just immediately. really did set the tone for the whole thing that it would not be for me. like. i thought the sole survivor and the vault 111 people seeing and getting blasted (yet remaining perfectly fine) as they went down was stupid too. this was just ten times worse bc it was SO focused on. GAH

not even mentioning they branded the black main character on screen for no reason, named the enclave scientist directly after a real life holocaust survivor (to the point it muddies his google results) and then carried his decapitated head around as the macguffin (bc they invented a disgusting prosthetic leg to be so cruel that he killed himself over it. way to go honoring a holocaust concentration camp survivor???), the uncaring anti-recovery view on ghoul/drug recovery and weird parallels they tried to equivilate it to turning feral and drug addicts having a point of no return, plus more im sure bc we hadnt even finished the series? lots of people have written more in depth posts about the weird n bad shit the fallout tv show decided to do for some reason.

that said, i did really like in broad strokes how they were characterizing maximus and his relationship with the bos and how power and expectation and cycles of abuse corrupt. but i also havent seen how his arc ends. however the writers view that the wasteland is just a suffering machine i think fails to consider that fallout doesnt have to just be about lets blow each other up with nukes and kill each other for fun. functioning society exists in this post post apocalyptic world and theres plenty of interesting stories to be told about THAT.

i havent played classic fallouts yet but when i learned about the narrative repercussion of the original bloody mess trait, i think it fundamentally changed my view on how modern fallouts idea of gore and savagery for just the spectacle. without saying anything about it. fallout nowadays feels like it rings hollow, but the tv show tended to ring with like. really weird things to say that i wish it didnt.

anyway yeah.

[pinepickled]

❄️ ⇢ what's your dream theme/plot for a fic, and who would write it best?

🥤 ⇢ recommend an author or fanfic you love

🌵 ⇢ share the link to a playlist you love

❤❤❤

❄️❄️❄️

THIS IS HARD!!!! When I dream of a fic, I simply write it.... there is one genre of fic that I really adore but can't bring myself to write and it's daemon aus, as in His Dark Materials. I *adore* the sort of "spirit animal" concept but I just can't write it myself! And this AU is so rare I can barely find any fics for it, especially in modern fandoms!!! It's such a dilemma for me, I'm begging *anyone* willing to write it.

I find myself wanting existing fics to update more, though. For instance, Whumpbby has a couple fics they haven't updated in years (no hate obviously, that's just how the cookie crumbles sometimes) but their Reaper76 one and Voltron Gijinka ones are really good and I am BEGGING for more. [Linked below)

🥤🥤🥤

Well, I can't recommend enough! Aside from the ones above, there's:

want to see your animal side by blackkat (but blackkat has said they want to distance themselves from this fandom so.... sigh). It's a Naruto yokai au Kakashi/Zabuza fic that's deliciously spicy and builds on Naruto's lore nicely. This is the fic that inspired my own fic series In the Snowfields!

Pretty Hyung Who Buys Me Food by InBooks which is a S Classes that I raised fic, Sung Hyunjae/Han Yoojin ofc, where instead of regressing 5 years, he regressed 20 and lost his memories 👀 sweet and funny and adorable, highly recommend

Never Ever by LostOzian (their archive) is a Tiger and Bunny fic, Omegaverse bc that's how we roll, where Tiger hasn't smelled a compatible Alpha that he liked ever, until Barnaby came along. The tension is so tight it could be a yaoi uke's asshole. Highly, highly recommend if you like slow burn and forced-proximity

A World of One Color by The Big Roman (Hammocker) is a Roman Sionis (Black Mask)/Jason Todd fic series that I drool over every time I think about it. Sadistic yet caring Roman and a Jason desperate to be loved, muah. Chefs kiss. Honestly anything in the Jason/Roman ao3 tag is perfect.

Designation: Miracle by Umisabaku is a kuroko no basket fic with all the classic pairings (and a curveball with my favorite, Akashi/Furihata) which is a sci fi au of KNB. Her summary is the best so I'll just copy:

"It's been three years since seven human experiments, called "Miracles," escaped Teiko Industries, alerting the world to the presence of super-powered children. Now they're finally integrating into society-- going to normal high schools, playing basketball, falling in love-- and trying to find out if it's possible to truly escape their past."

I find it so difficult to get into plot-heavy fic, especially these days, but this fic is a downright masterpiece. I can't emphasize enough: if you're going to read anything on this list, read this. The plots emotional and technical beats never disappoint, and Umisabaku has a rich and wonderful range of OCs that are just as if not more interesting than the characters we know. They've also written stunning original fiction you can find on their Tumblr!!! @/umisabaku

Tear into your Soul by Nirejseki. Just kinky fucked up Hashirama/Madara/Tobirama goodness.

🌵

Phew, that last section got long. Believe it or not, I don't really listen to Playlists! I let YouTube Recommended decide lmao. Here's one I enjoy though: https://youtu.be/nGjtdh5T9II

Thank you for the asks <3<3<3<3<3<3 I love doing these!

[redrocketpanda]

Thanks for answering my ask before. If you don't mind me asking (again), can I ask, what are your top 10 (or top 7) favorite media (can be books/ manga/ anime/movies/tv series)? Why do you love them? Sorry if you've answered this question before......

Hello again - thanks so much for all of these questions!

Hmmmm, I have so many favourite things across so many different forms of media that choosing a top 7/10 is super hard. I've gone with my gut of the first things I thought of that I love, but the list could easily be wayyyyyy longer. I'm sorry - I tried to keep this as short as I could... In no particular order:

My Hero Academia (anime + manga) MHA is the first anime that I think I ever really properly enjoyed. I watched it in 2021/2022, immediately fell in love with it, and proceeded to devour both the anime and almost all of the manga. I obviously adore all of the characters, but I also love the way that MHA portrays superpowers - both in terms of how they function (w/ there being unique limitations to them) as well as how it depicts/explores superhero society. I don't normally go in for superhero type media anymore, but the combination of all of the above (plus literally the sickest soundtrack from Yuki Hayashi) easily makes it one of my fave ever things

The Wayfarers series by Becky Chambers (books) I could write an entire dissertation on why this is one of my favourite series of all time, and why Becky Chambers is one of my favourite authors. But the shorter answer is: literally everything about them. Chambers' writing is beautiful, her narratives are full of love, hope and community, and her characters are incredibly diverse and well written. My fave book from the series is Record of a Spaceborn Few.

Dragon Age series (video games) I first came across Dragon Age at a fan convention back in 2016/2017 during a panel on queer media (I think). In addition to the panel discussing the general queer relationships/characters in the series, they specifically highlighted Dorian and Krem in DA: Inquisition. The following day I went out, purchased all the games, and then played them through from the first game. IThe games are super fun to play, the writing is *chefs kiss*, and I love the themes that the games explore. I love them so much I've even written an article and done a podcast episode about them!

Jurassic Park franchise (films, books, games) Jurassic Park is one of the franchises that I was raised on (along with Star Wars) and I have been obsessed with it ever since. I've seen all the films (up to Jurassic World), read the books, own books about JP, played a bunch of the games, and even have a poster map of Isla Nublar on my wall. Dinosaurs are one of the big reasons I love them, but also I think the films have always been very interesting to me for how they give us a lens in which to think about animal rights + conservation in a science fictional setting (something else I have also done a paper on!)

Final Fantasy XV (video game) I'll keep this one short and sweet: best boys on a roadtrip that will both make your heart full of joy but will ultimately leave you a sobbing mess on the floor (Honestly I didn't play FFXV until the end of 2022 and I am still !!!!!!! over it)

Haikyuu!! (anime) sksalkkljsa. I don't even know what to say about this. HQ is just the fucking best.

I Was a Teenage Exocolonist (video game) I don't talk about it so much anymore, but Exocolonist is still one of my favourite games and it makes my heart feel so much whenever I think about it. I love the entire aesthetic of it. I love how impactful your choices feel and how many different routes you can go down. I love how inclusive the game is, not just in terms of gender, race and sexuality but also with polyamoury + family/community dynamics. The worldbuilding is beautiful, the soundtrack is *cries*. Just...it's such a wonderful game.

Manic (film) There are a lot of films I could choose for this list, but if I can only choose one (bc space) then I think Manic is a good pick. It's the 2001 indie film with Joseph Gordon-Levitt, Zooey Deschanel, Don Cheadle, etc, and is set in an adolescent psychiatric ward. This film means a lot to me personally, I'll just leave it at that.

Xandri Corelel series (books) I spoke a bit about why I love the series so much in response to your favourite characters question but to summarise: cool as fuck science fiction series where cool as fuck autistic bisexual polyam protagonist, Xandri, is the head of the xeno-liaisons team. It's got stellar worldbuilding, excellent characters, and explores lots of interesting issues. Also, my favourite book is Tone of Voice (2nd in the series) partly bc its got space whales in it.

Mass Effect (video games) I think by now its pretty clear I love science fiction, so Mass Effect was always gonna be a big hit with me. I actually played Dragon Age first, and then a friend told me I had to play ME. The entire series is just sooooo good for very similar reasons to a lot of my other favourites: well-written, beloved characters, cool ass narrative/s, choice-based, fun FPS moments, cool worldbuilding, sick soundtrack!

[toadstool32]

TINY FIC REC

Im making a tiny (pun intended) rec list of crossover fics bc i realized like, yesterday that my fav fics are either time travel fics or crossovers and i think sometimes ppl just skip on those bc idk they r not familiar with the other fandom yknow? anyway this is mostly just me putting all my favs on a list and releasing em into the wild, go check em out if u have similar tastes than me, or not, i dont care. on to the list!!!:

Dedication Through Light And Darkness by lalunaticscribe

Fandoms: Yugioh Duel Monsters and Dresden Files

Rated Teen and up

Summary:

The Door to Darkness has opened. The Light is missing. The Chicago Anarchy-gasm has begun, as Duel Monsters come out to play. As the titans clash,in the midst of it all is...Dark Magician? "There is no way in hell any wizard would wear that, Molly".

I read this one a whiiiiiile back but its like, my fave fic ever, im not even into dresden files i have no idea what happens there but the characters are interesting and the way they all interact is super interesting, the supernatural elements really blend incredibly well and THE DUELS OMG, some yugioh fics dont bother writting duels or just do the minimun but the duels here actually serve a purpose and AUGH its just so good, the author has another 5ds/marvel crossover but i have not read that one yet LOL.

Let the Darkness Bring Us Into the Light by arinrowan

Fandoms: Yugioh Duel Monsters and My Hero Academia

Rated Teen and up

Summary:

Yuugi was never interested in becoming a hero. But he's always wanted friends. Friends who he could rely on, and who could rely on him, no matter what. And after meeting Izuku, Yuugi's determined to support Izuku as Izuku becomes a hero. Even if it means getting involved in heroics, getting dragged into way too many fights, being around way too many loud people, and winding up involved with too many dumb secrets.

this one makes me insane it scratches my brain in a very specific way i loveloveLOVE how its written and its a series!, im biased towards yugi but even from a bnha bg u can enjoy this one! the quirk talk and hero society commentary is amazing and so great, the sequel its on goin and has got even better. read this if u like quirk talk or like seeing yugi and or izuku having friends.

I have measured out my life with coffee spoons by Tenka

Fandoms: Yugioh Duel Monsters, GX, 5DS, Zexal, Arc V, VRAINS

Rated Teen and up

Summary:

It's a small restaurant. They shouldn't be able to get into nearly as much trouble as they do. In which Atem and Yugi run a small business with some eccentric workers in their midst. [Restaurant!AU]

Does it count a as a crossover if its the same franchise? i think so!, remember all those silly "and they all live in the same building" old time fandom thing? this is literally it but they work in a restaurant, its good u dont even need to have watched all of the series to get it this is such silly fun times, unfinished/on going.

King's Jackal by esama

Fandoms Yugioh Duel Monsters and Harry Potter

Rated Teen and up

Summary:

Wrecking all of Dumbledore's plans, the Power Dark Lord Knows Not walks up to Harry in the summer before his fifth year, and asks for directions.

ok i know what u think but i think this is the one that originated the whole shadow court thing? thats such a sick concept man augh what the hell this one is from 2011 so that alone speaks by itself but still! the charm in this one is the ygo characters like theres something goin on here that i like about it i tend to look very closely and just go euugh if anything seems OOC but this one is just fun old fuck the source material (both of them?????) incredible. also yugi is just fun here thats all i rest my case the fics abandoned btw, esama also wrote that one fic where yugi gains more shadows after atem goes away that one made me scream. not a crossover but read that one too

Bye Bye Yesterday by princessesandangels

Fandoms: Assassination Classroom and My Hero Academia

Rated Teen and up

Summary:

After the assassination of Koro-sensei, Shiro survived to continue his experiments. And he kidnapped all of 3-E to be his first test subjects. His first Nomu. But something went wrong. Very wrong. And now, 27 terrified teenagers, one femme fatale and a terminally overworked government agent are waking up in a world unlike anything their assassination classroom could have prepared them for. *** Ritsu looked close to happy tears and Tsukauchi was just staring back and forth between the two of them, shocked. “We’ll get them out, get them safe, I promise,” she said. “We… Ritsu, what are you doing here? Since when do you hack into police stations?” And Ritsu suddenly looked very sad. “Karasuma-sensei… I’m not really sure how to tell you this… But I haven’t seen anyone from 3-E in 232 years.”

part of an on goin series! ive linked this one before, ive made fanart to this, it makes me insane it makes me irrovocably sad it gets my brain thinkin up shenaningans, i love ensemble casts i love when theres just a bunch of guys running around, this fic is both fun and tragic bc of the nature of how the author went around to making it a plausible crossover. good stuff!!

stay in my eyelids for a little longer by stubborn_jerk

Fandoms: Mob psycho 100 and My hero academia

Rated Teen and up

Summary:

"Psychic powers don’t give us Quirks. Being born with one does." Kageyama Shigeo, nicknamed "Mob," had known this at a young age. This did not stop him from applying to two of the most prestigious Hero schools in Japan because, although he seems like an inconspicuous person, he, is in fact, a powerful ESPer.

are u seeing a pattern here? im seeing a patter here, dude what if mob was a UA student, came here for the plot stayed for the domestic terumob, its sweet and its fun seeing mob being mob in a hero obsessed society, part of a series if u want more!

100 Percent Hero by CiscoTheSoto

Fandoms: Mob psycho 100 and My hero academia

Rated Gen

Summary: A boy born with all the power he never wanted, Shigeo Kageyama didn't view himself as a hero. Although he saved innocent people from villains and spirits countless times, he never thought about how many lives he saved. But when he goes to a world where people with powers save others regularly, he will come to realize the impact he could have and what it really means to be a hero.

oh this one is great its on goin btw, while the last one is sweet this one just hits u in the face under the pretense that its good for u (it is) idk man what do i even tell u mob is so fucking sweet and the world around him is so fucking not. it pulls at my shounen protag loving ass.

This is the part where u start to realize i either really like mha or really hate it.

DCstuck by Vinnocent

Fandoms: Homestuck and the DC universe

Rated Teen and up

Summary:

Mr. Crocker raises an eyebrow. “Young man, are you suggesting we blackmail Batman?” he demands.

Read that summary again and tell me that doesnt sound sick as fuck tell me that to my face. Unfinished/on goin its fun times! u dont have to have read a single comic in ur life i actually read this one before even touching a single comic panel, whats better than this, just a bunch of guys running around im like a puppy running after its tail, go read this its like 50 ish chapters long so far

A Lullaby For Gods by inkteacup

Fandoms: Homestuck and Marvel (the movies not the comics but idk the difference)

Rated Teen and up

Summary:

Five gods rent a flat in Manhattan. That sounded like the start of a bad joke. In which Loki Silvertongue is not the only lost god who falls to a world that isn’t his own.

oh this is like, so fucking long, and hurts my brain this feels like homework but like, fun homework u know, i dont care about marvel im here for the kids, this pull in every single character u can think off and gives them a purpose its great , i love when theres just so many characters running around and whats this??? it also has some original human characters! even more guys to meet! its on goin and has 166 chapters so far but u already knew that , everyone and their grandma has read this i think.

"tiny all there are so fucking long ur insane" im not denying that now go read my faves pussy.

thats all for now might update this later bc i remember reading more crossovers i like but these r the only ones i found on my bookmarks,ok bye

[ryansjane]

Women in general don’t get enough love and respect. Can you please list your favorite female-driven shows or name some of your favorite actresses so I can look them up and watch some of their shows or movies? Thank you <3

yes yes YES I absolutely can!!!

FEMALE-DRIVEN SHOWS:

p.s. I hate you: so this show hasn’t ended yet but I absolutely love it. not only is the writing, acting & cinematography on point, but it’s an amazing female-led show. in fact it might be my favorite female-led show ever?? it allows its female characters to all be messy & deeply flawed, yet the audience still roots for them bc they’re all humanized as well. their interpersonal relationships are also super well developed & this show is just a pleasure to watch, especially since it’s very much pro-women and deals with topics like sa & mental health extremely well compared to other shows. couldn’t recommend it more!

wake up chanee: more focused on comedy, wake up chanee is a great show to portray female friendship. it’s one of the funniest thai comedies & has very interesting and fully fleshed out characters. it’s not the best show ever but it will always stay to me one of the most iconic earlier thai dramas & I love it very much :) (do not watch the sequel though!)

sleepless society insomnia: despite having multiple characters it focuses on, this is definitely a female-led show since its main character is a woman & the other female main characters are imo much more explored & complex than the male characters. this is also one of my favorite underrated thai dramas & I couldn’t recommend it more in general!

the debut: so the debut is one of the most underrated thai dramas out there despite being one of my absolute favorites. with a mostly female cast, it’s an investigation into a t-pop girl group with lots of plot twists & gritty stuff. it’s a really, really well done show, and what’s interesting is that you don’t even really root for the main character by the end of the show. it’s just one of the most innovative thai dramas out there imo & everyone should watch it!

who are you: even though this is a kdrama remake so technically it’s not really a thai story, this show is a really good female-led story. there are male characters in the show but they definitely take a backseat for the female characters to shine, particularly those played by namtan & jan. also most people who have seen the original kdrama prefer the thai version so like... I’d definitely recommend!

girl next room: a romantic series centering female characters. it’s super cute, really light & the romances work really well, while also dealing with different deeper topics like depression, anxiety, inferiority complex & oversexualization.

daughters: this show sadly disappointed me with its few last episodes, but it’s still definitely one of the best female-led shows. it deals with many incredibly interesting topics around young women like oversexualization, and has very well written characters. it could’ve been one of my all time favorite shows if it didn’t fumble the bag with the ending, but it’s still a good show and extremely well excuted otherwise.

the comments: mini-series that mostly focuses around female characters who are multi-dimensional and very well acted. it’s not the most revolutionary series out there but it’s still really good imo!

46 days: while 46 days is a romance, for me the show mostly focuses on the two main characters, yingying & noina, and their friendship as well as their quest for love. it’s a really good example of female bond & friendship in a romcom and this show is in general very good :)

the underclass: this show is 99% women so it really fits the definition of female-led haha. it’s the female equivalent of blacklist, but definitely better. I especially loved the friendships in it, and while it is a pretty childish show at times & far from one of my favorites, it’s still very enjoyable.

secret seven: a woman with 7 suitors, so in terms of ratio there is definitely more male characters than female in this show, yet the female characters are definitely more developed and focused on, and there’s also a focus on friendship as well. it’s a really cute show despite me not liking who she ends up with lol!

the judgement: this isn’t really a show I would recommend bc it’s pretty fucked up & not necessarily greatly executed, but this is definitely a show that focuses on its 2 out of 3 main female characters a lot, and it also deals with a topic that women especially have learned to fear since basically birth. so if you can stomach it, give it a try. but I wouldn’t really recommend it, though I still wanted to include it in this list.

girl from nowhere: while nanno is more of a supernatural entity than a human girl, this show is still deeply feminine in both the issues it tackles and its focus on female characters. it’s also a must watch if you’re a thai drama fan in general!

shows with non female characters that still center women: 3 will be free, angel beside me, bad genius (both the movie & series), I hate you I love you, friend zone, mama gogo, remember 15

MY FAVORITE THAI ACTRESSES:

mild lapassalan: not only is she definitely one of the best actresses out there & insanely pretty, but I love how she chooses a variety of different roles, from a sex worker on the run in 3 will be free, an sa victim in the judgement, a literal fucking ghost in happy birthday to crazy fun romantic girls in girl next room & 46 days. she has the best range imo <3

pat chayanit: so I'm a simp for pat bc not only is she absolutely gorgeous on top of being a great actress, but she's been in my favorite show of all time, project s: sos, that has literally changed my entire life. I also think her acting style is quite different from pretty much everyone else & feels very natural, and I LOVE her ig page where she creates memes out of her every day life.

namtan tipnaree: once again, she’s beautiful & an incredible actress, but also I love her personality! she just seems so down to earth & sassy and I just feel like she’d be the best friend ever :)

jan ployshompoo: I’ve loved jan for a long, long while. like all of the other girlies in this list, she is gorgeous & has great acting skills, but she’s also literally the thai actress I’ve seen in the most shows. hell, she was in sotus, my first thai show ever, playing a lesbian icon! so yeah, not only does she often take on queer roles which I love, this woman is just good vibes, she’s so down to earth, so fun & so lovely, and seeing her literally always puts a smile on my face :)

jennie panhan: though jennie hasn’t had many opportunities to show off her acting, her role in 3 will be free was absolutely great & I still hope we can get more roles in this vein from her! she’s also ALWAYS slaying like... the outfits, makeup & hair are always on point <3 and she’s just so lovely & funny, idk how you couldn’t love jennie!!!

aye sarunchana: I LOVE aye so much!!! not only is she a great actress & an amazing singer, she seems like just SUCH a sweet person <3 I love her lives on ig too, and I hope she gets more famous soon bc she truly deserves it!

ciize apichaya: ciize is SUCH a cutie!!! not only do I love her style & outfits and find her super beautiful, but I honestly think she’s great actress who hasn’t gotten enough opportunities to show off her acting yet. I want to see more from her bc I just KNOW the material is there!!!

gigie sarocha: ugh, gigie is just my crush, I’m sorry. this woman is so beautiful & random af but I love how she speaks thai as a non thai-woman, I find her cadence when speaking thai so cute!!! I also think she’s a good actress but I wanna see her in more serious roles & would love to see her in a very intense, emotional scene soon!

film rachanun: film has captured my attention since her role in the debut. she clearly is a great actress & has been since she entered the industry, but I also love that she chooses very challenging & different roles every time. she has clearly wanted to push her acting further since the very beginning and I love that for her. from all the newbies I’ve seen, she’s honestly the actress I have the most expectations for :)

other actresses I love: ployphat phatchatorn, lookjun bhasidi, preen ravisrarat, mook worranit, jane ramida, kapook phatchara, neen suwanamas, puimek napasorn

xxx

[jostenneil]

Hello! I saw your post about the well-written female characters so i would like to know if you have more suggestions? Any genre would do! Thank you! ( ◠‿◠ )

sure! i am going to assume you'd still like it to be anime / manga since that's what the original post centered on as well

ooku by yoshinaga fumi (manga) → this series basically operates by a reworking of jp history wherein the shogunate is largely female and served by harems of men, due to a disease several decades prior that nearly wiped out men and left women needing to fill their roles in society. the way it subverts gender roles and explores how women act when they saturate positions of power is pretty engrossing to read about!

asahinagu by kozaki ai (manga/film) → the dynamics between the girls in this are so endearing and inspiring! the protag is a timid girl who decides to join the naginata club (think japanese fencing) when its strongest member saves her from a pervert, as a way to build up her own confidence and strength. it's rly nice to see that she isn't bullied into "manning" up, rather the positive but stubborn reinforcement of her teammates pushes her to change

tokimeki tonight by ikeno koi (manga/anime) → follows the daughter of a vampire and werewolf who has the odd power of being able to change into a carbon copy of anything she bites lol! ranze has to navigate a normal life around this ability, all while falling for a human pretty boy, despite the fact that she's not allowed to fall for a human. great shenanigans, later serious arcs that are engrossing and divine, and ranze is just a rly easy to love character whom i think a lot of girls can relate to

emma by mori kaoru (manga) → good one if you're a fan of historical romance novels, although not as much wish fulfillment. follows two protags, emma and william, who fall in love in victorian england despite class differences. emma's a maid while william's part of the gentry, and obv, that complicates things. really love this one bc i think it grounds itself in a lot of realism. emma's a very well built protag, and it's interesting to see the interplay between her desire to be with william and her recognition of society's reality

skip beat by nakamura yoshiki (manga) → i mean, ok. this is a no brainer, but i'll put it here anyway since it's been running so long, there's bound to be newer audiences unaware of it. kyoko imo is one of the most awe-inspiring shoujo protags at present. she's stubborn and relentless in terms of work ethic but also very humbled by the fact that she's a newcomer to the entertainment industry with much left to learn in order to succeed. the slow burn between her and ren is Agonizing and why i ended up dropping the manga, but nonetheless, she's a wonder to watch evolve

guardian of the spirit by uehashi nahoko (novel/anime) → the protag, balsa, sets out to atone for eight deaths by deciding to save eight lives. she becomes bodyguard to a prince in the process, who's targeted for murder by his dad. balsa's very much the maker of her own life and someone who stands by her decisions regardless of others' influence, which i rly appreciate! it's also rare to see a female warrior protagonist so that's nice too lol

eureka seven (anime) → [plays days by flow and cries] i watched this over a decade ago so my memory is shite but eureka and anemone are my complicated DAUGHTERS whom i would die for please just take my word for it. it's crazy that eureka is kinda the forgotten mecha series on the western side of things bc it became so popular in japan there's like multiple animes and movies and everything idek

the ancient magus' bride by yamazaki kore (manga/anime) → aside from the fact that the anime for this is gorgeously animated and has one of the best osts i've ever heard, chise is a really unique protagonist to watch grow. she's a bit subdued in demeanor due to prior trauma from people treating her poorly due to her lack of control over her magic, but being under elias's (the ancient magus) tutelage allows her to build confidence, control, and a love for the world that she nearly lost due to people rejecting her

claymore by yagi norihiro (manga) → haven't read this in years so my memory's hazy but if you're a fan of berserk or the dark fantasy genre in general, and would like a full female cast, hello! also fun little piece of trivia but when claymores reach like peak power the feeling is likened to a "climax" and the series posits that only women were good at this so. male claymores are no more. idk it's just hilarious to me like yes men are bad at sex!

oresama teacher by tsubaki izumi (manga) → by gsnk's mangaka! about a girl gang leader who gets expelled and has to restart at a new school where a teacher encourages her to head the public morals club, which aims to reform delinquents and improve the school's enrollment figures since it's doomed with drop outs. super funny and from what i remember not rly romance focused so if you're looking for a female mc with slightly different priorities and a less standard personality in terms of shoujo, it's pretty neat

[marimopeace]

there's a limit on how much you can be an isekai intellectual...

a bunch of analyses have been popping up before me all day so i wanted to throw my hat into the ring. all love to ppl who are exercising their creative minds + ppl like geoff here who just talk about these things because of fan interest but i feel like there reaches a point where exploring the "types" of isekai is pointless? i've seen ppl list out the different types of villainess revenge isekai or fantasy mmorpg isekai but eh why fit them all into separate boxes like that?

i think it's easier to think of isekai as a "type" (genre) of itself with only two categories: 1) a focus on isekai (lit. another world) 2) tensei (lit. to be reborn). this allows for a variety of applications and thus tropes that ppl see so many trends of!

with isekai - in another world

you see everything from:

pure fantasy (inuyasha, digimon wait maybe not the best example but in my childhood mind i count digimon as pure fantasy, fushigi yugi)

mmorpg inspired fantasy/adventure (.hack//legend of twilight, sao ugh, log horizon, overlord (LOVE OVERLORD!)

otome game-esque worlds >>> this is where it gets complicated with "villainess routes" since i admit there are multiple villainess tropes but this is why it's nice to not think of this as a "sub-type/genre" bc it frees you from those complications! (the saint's magic power is omnipotent, the white cat's revenge as plotted from the dragon king's lap soso cute!, the savior's book cafe in another world, i'm a villainous daughter so i'm going to keep the last boss wait i can't remember if she's reborn in this one lmaooo see this is why rules make everything hard)

with tensei storylines - being reincarnated/reborn in another world as *insert character/role*

you see...

the same tropes!!

pure fantasy (a returner's magic should be special, reminiscence adonis, the lady and the beast, light and shadow, i can't think of a manga off the top of my head for this ah)

mmorpg inspired fantasy/adventure (so i'm a spider so what i stan kumoko so hard, her majesty's swarm, can't name another off the top of my head ah i hate lists shorter than two things...)

self-insert based games/novels (fiance's observation log of a self-proclaimed villainess, who made me a princess, death is the only ending for the villainess, the villainess wants to marry a commoner, honestly games vs novels are different applications but i'm not in the headspace to try to remember a bunch of both lol)

*insert line break to give random ppl a break from scrolling but tl; dr just enjoy things for what they are no need to micro analyze*

similar variations occur in both genres (if ppl want to be super technical i guess i'm arguing that isekai itself is a massive genre that has the "another world" subgenre and "reincarnation" subgenre tl; dr) so i think it's honestly a huge pain to try to separate all these trends into so many different types of stories. for me personally it's easier to not get overwhelmed by this gigantic umbrella of "isekai" that spans light novels, manhwa, manga, and mobile games by just stripping each story down into its trademark tropes (aka character archetypes, story structures) and slapping "oh this is a person going to a world that's not ours" and "this person gets reborn as blank in another world". none of this "omg this power fantasy is such a this kind of isekai moment" or "there are 14 different types of villainess revenge stories and this series fits into this" bc AH labels! limitations! circle-jerks via ppl trying to compartmentalize everything and sound smart for leaving a comment on story analysis instead of ooh-ahhing over a character's face! dividing things into light novel manga vs manga vs korean manhwa ft. female characters!

the last bit is mainly why i feel frustrated by ppl's insistence to group everything?

the video linked at the beginning of the post (honestly good video essay, i enjoyed it, i just kept thinking in my head the whole time "marimo these are tropes do not take the genre talk literally") has a baby comment thread talking about "korean isekai manhwas" as a genre featuring nothing but reincarnated villainess' and i can't.

like i cannot acknowledge that as a genre of any sort. the energy i felt reading through some of those insights takes me back to 2012 when all yt americans discovered k-pop and deemed all korean music k-pop from then on! (ppl still do this now, yes you are seen and don't talk to me pls i don't like you. k-pop is korean pop music and nothing less and nothing more. take a few seconds and try to parse apart aspects of korean culture instead of slamming everything into a monolithic label that has the letter k and a hyphen.) it feels so odd to see a bunch of young ppl on ig and tiktok acknowledge korean media that happens to be in the form of a webtoon as "oh stories all about young girls becoming villains in stories they made/played" bc it feels so reductive u.u

(positionality disclaimer that i'm praying isn't actually necessary: i am a 3rd-generation korean of japanese descent do not fite me i am exhausted irl of ppl asking for validation/verification bc massive shove off.)

breaking news! korean manhwa...is just as multifaceted as japanese manga...bc how can comics as an art-form not have multiple genres...huh such a shocker?!?! same likely applies to media in other parts of the world like chinese manhwa and french comics--not my place to explain either of those i just know those industries exist bc of wakfu and donghua shows by Tencent.

at the end of the day it's not like analyzing any kind of isekai is wrong--absolutely not!! i think it can be super fun to think about how isekai elements complicate a story (MCs trying to go back home, ppl from the og world, reincarnation plot-twists) or maybe even bash a series for including some kind of other world element when they could have just written a super fun fantasy.

insert marimo's brief ramble that hey you can get sick of truck-kun's hitting disillusioned guys who happen to be super duper smart or girls who happen to be master chefs/craftsmen but transporting a fully-grown being into a fantasy setting is the ultimate cheat code for making mundane modern technology seem cool and overpowered, and being reincarnated as a fully grown person in a world with a pre-made story/game set-up completely bypasses the need for an author to slowly flesh out world-building in a natural progression so isekai is actually a really smart writing tool it's just that there are some series where the author didn't use it well at all and it's cheesy or clearly isekai was misused as a vehicle for character/story development and it was pointless *DEEP BREATH OUT*

in this essay i will argue...lol i am such a culture studies major!! if i were an english major i would be talking all about writing but here i am having a side-tangent about world-building via someone being reborn wow i love this for me (don't get me started on when an author has someone reincarnate as a baby and the story is mostly them having warm fluffy moments with their family--typically father figures--and getting lots of powers i could and would and probably will rant about east asian toxicity)

but anyway am i crazy????? like yes for being passionate about the technical use of a word like genre (i am a scorpio rising let me be fussy pls) but i don't think it's a lot to ask for ppl to not unironically see "villainess revenge isekai" as the definition of korean manhwa.

idk as someone who resonates with why japanese isekai is so popular domestically + why a lot of korean manhwa feat. the same tropes (it's not for great reasons lads it's actually depressing tbh) i'm just starting to feel kind of pained by the generalization and need to separate "cute japanese girl in an otome game"/"japanese boy finds a harem in another world" from "korean girl dies and comes back as a villainess" bc they are just! applications to the same story device!!

recommendations for any who makes it this far down below <3

// also gladly recommend any of the examples i've listed in the above rant as i've read/watched all of them and adore them v much! //

save me princess

super refreshing fantasy manhwa ft. a princess and her ex-boyfriend having to save the world!

the beginning after the end

an AMERICAN web novel turned into a comic (but see it being not korean/japanese doesn't really matter when you just consider isekai as a genre...isn't it nice to not overthink it?) ft. a super-powerful wizard king reincarnated into another world and starting from scratch--gives mushoku tensei vibes but huge twists!

the reason why raeliana ended up at the duke's mansion

love love LOVE this story--read the title and you'll learn how this girl reincarnated as the character raeliana in a book gets married to a duke!

trash of the count's family

such a good novel!! a guy gets reborn as a lazy oaf and he takes the hero of the story under his wing...plot twists come up later on!

this time i will definitely be happy!

v good and refreshing for a shorter series! she's been reborn 3 times and remembers every time the hero's stabbed her in the back, and now she just wants to break up with him!

silver diamond

older manga but v good adventure w intrigue! a boy who loves plants get sucked into a desert world with demonic lizards and a mysterious bodyguard by his side. shonen-ai not BL but wonderful vibes nonetheless + great side characters!

the princess imprints a traitor

adore everything in this from the world (not in that way this society makes me so angry) to the machinations at play and the dynamic between the fl and ml

[strawberry1212]

“IU - Celebrity” Analysis

THE QUEEN HAS RETURNED!!!

I know it’s unhealthy to simp for celebrities...but IU is an exception. I have been rewatching her new comeback an unhealthy amount of times so I thought I’d share some things/details/background info :))

1) Background

So IU wrote about the lyric writing process this time and OMG I have to copy and paste her whole statement bc it’s so beautiful:

"I have a friend who has often been treated as an eccentric person due to her eye-catching outfit, her unique taste, dynamic talents, defensive mechanisms stemming from shyness, and a personality that clearly knows her preferences. I loved her even more because of these unique characteristics of hers, but for the same reasons, she has been living under more scrutiny and hateful eyes. These are the words I wanted to tell my 'unusual friend' that turned into the lyrics to this song but as I worked on the song, I realized that this is also my story as well. After completing the song, I thought that anyone can be the main character to this song. I'm sure everyone has felt left out at least once in their lives because they dont' meet the standards others have made. I want to tell everyone, including my friend, who were born rough around the edges but special. You are not a person from the star (common saying in Korea to mean someone weird/different) but are like a star."

OK THIS IS SO CUTE!! Because like first of all it’s so poetic...the play on words with you are not from the star, but a star yourself. And the fact that we are getting yet another song from IU that is not another romantic song. One of my long standing frustrations with the music industry (American, Korean, and Japanese), is songs tend to always center around romance, and IU tends to break those stereotypes (Bbibbi, Palette, 23, I-Land, 8, just to name her title tracks), and not only that but the fact that this is about her friend is just so beautiful T_T. Also did anyone else think of Sulli when they read this? Sulli was known for her eccentricity, different style, and being misunderstood, but the translation writes “I have a friend” in the present tense...so idk. 

And just her wanting her fans/listeners to feel like the main character (ಥ﹏ಥ) (I’m not crying you are). This is especially such an important message for Korean and Asian fans in general. I only have my experience in Japan to speak to, but Asian collectivist cultures really punish those who stray from the norm, which not only ends up discouraging those from being unique and themselves, but also impedes social progress (feminism, environmentalism, social justice, animal rights, etc.). 

And I also think it’s key where she wrote “as I worked on the song, I realized that this is also my story as well,”--more on that theme later when I break down the music video.

2) Music Video Analysis

The star motif

So she sort of does a play on words by putting a lot of star stuff in, star being another word for celebrity. And as the lyrics “You're a star painted with a left hand,” she’s talking about how this person isn’t the perfect/usual star, but perhaps a crooked/left-handed one...like the one shown to dot the “i” in the first image of the music video:

The star motif also features later around 1:09 in her dance, she draws a star with her finger.

The music video story

So basically it seems IU is playing two people--one is herself, a celebrity type figure dressed in glam clothes, and the other is the unique, “star” character (a stand in for her friend that she wrote the lyrics about). IU sings about the “star,” “A troubled outsider The walk, the style Through the earphones The music is all minor You have no idea Above your lowered head What the bright lights are Shining towards.”

The music video shows IU in glamorous clothes:

While this “star” character is in her unique/non-glam clothing, walking through the crowd.

We can also sense IU’s isolation, she’s dressed like a princess in this glamorous pastel pink room, but she is alone, and the lights flash almost ominously outside, like the constant threat of paparazzi/people always surrounding her wanting to look in on her life:

Or how the clothing racks gradually disappear, revealing her standing alone worriedly:

The next we see IU standing off to to the side (I believe it’s IU bc she’s in an undercover outfit, but it’s clearly very glamorous), as she hides from fans chasing her:

When the crowd passes, she looks around and catches sight of “star” IU, and is seemingly very taken by her unique beauty:

IU chases the “star,” but loses sight of her, and is once again alone:

The irony here is that a) despite being adored and chased by many, the celebrity IU feels alone, and that b) despite being this glamorous celebrity, celebrity IU adores this unique “star,” that is just living her life, and not universally adored like celebrity IU. Celebrity IU almost seems envious of her freedom and unique style. But as the lyrics say, she also is upset at the way society treats the unique “star:”

“Your weary face looks like/ Someone powered you off/ The heartbeat went too quiet/ The glow you have/ The imagination, identity/ Are on a diet” “

These lyrics I had the most trouble with...I think it means the “star”’s imagination and unique identity are being starved/mistreated by society, like they are being forced to put on a diet. 

Next we have:

“You have no idea/ Still not fully bloomed/ Written for you/ A bygone love poem” as celebrity IU works, it seems, on a love poem for the “star.”

Here the star motif features pretty literally, as she is surrounded by her poem writing as the stars fall across the sky. The “written for you, a bygone love poem” could also be a reference to IU’s other song, Love Poem? Also going back to how this could reference Sulli, I could help but be reminded of how IU wrote the song “Peach” about Sulli’s beauty and how much she adored her friend. 

Next we see IU in front of this huge tapestry of celebrity IU, but this time she is wearing a dress studded with stars, and looking further up. She passes through the tapestry, and this could be like a sign of her growth? Like moving past her huge blown up celebrity image of herself to find her true self in a star studded dress?

She then enters into a dark vacuum where she is surrounded by people dancing with lights (another continuation of the star motif):

I think this is the turning point to the music video. Because now it is celebrity IU surrounded by stars. The next scene shows the people (all the people that once chased her) simply walking past her on the steps, perhaps alluding to how fame is ephemeral. She looks unsure and insecure here.

The next scene is most steeped in symbolism; she is in the same room that she was in alone before looking out at the city, but now the curtains are drawn (symbolizing privacy?) and IU reaches out towards an identical version of herself. Now the line between celebrity IU and “star” IU becomes blurred:

It seems that the left is “star” IU, and the right is celebrity IU, who continues to pine and look up to an almost indifferent “star” IU. “Star” IU gets up to leave, and morphs back into her “star” outfit from the beginning of the video, re-affirming that this is in fact “star” IU.

When celebrity IU notices she’s gone, she rushes up to find her (again paralleling her chase at the beginning of the music video), but when she goes to where “star” IU disappears, she is simply confronted with a mirror: she was the unique star all along!

In a sense, the message here could be that our own unique beauty may seem obvious to everyone else (the viewer knew that “star” IU was the same person (IU) as celebrity IU all along, but it took celebrity IU the whole music video to figure it out.

Almost as if this whole sequence has been inside celebrity IU’s head, she seems to come to this realization on a red carpet surrounded by flashing cameras:

Here she breaks the fourth wall, looking directly at the camera, as if to now realize: “I have been my own unique “star” all along.” She looks at the camera as the music sings, “you are my celebrity,” perhaps to mean that the viewer is her celebrity, or that she herself is her own celebrity, and runs off, away from the cameras (as if running away from her fame for a moment), in her beautiful red dress, free and confident at last. In the past she has always been running to chase “star” IU, but now she seems to be running simply for herself:

Messages/themes:

I think there are a couple of final messages here, and it is truly to IU’s credit that she was able to pack so many themes/messages into one music video. I think the dynamic I’m most interested in is how it runs the age old theme of the harms of celebrity fame, but it puts a very unique twist on it. While it shows the isolating aspects of fame, it also has a positive spin, that the love and affection bestowed upon celebrities isn’t necessarily a bad thing, but rather that we should redistribute that love and affection towards those closest to us, and see each other the way IU saw her friend. It also shows that fame and adoration don’t matter when you are insecure in yourself, given the irony of celebrity IU chasing after “star” IU.

This message that what matters most is cherishing and being cherished by those closest to you is interesting, because it can apply to both celebrities and non-celebrities. Celebrities may be adored, but it can be superficial, so they need the genuine love of close friends. Conversely, non-celebrities may feel super connected to their celebrities, but ultimately they need real life close friends. I think the message serves to both humanize celebrities in this way, while also saying that non-celebrities, and even weird/eccentric people, are deserving of the love and adoration we usually only reserve for picture-perfect celebrities.

I think perhaps the most poignant part, is the message of self-love: how at the end she realized that perhaps despite being pigeon-holed in certain ways as a public figure, she can reclaim her unique, beautiful parts. How we can be envious of others who seem set on their unique path and unafraid, but that we are unique and different too.

Also can we talk about how she served LOOKS!!! All of those outfits were GOLD. Anyways, I hope her music and its message reverberate with people who feel undeserving as “outsiders” and being eccentric. Being different is amazing. And as IU suggests, even though we may not be pop stars, we are all “celebrities” to someone. As the saying goes, “to the world you may just be one person, but to one person you may be the world.”

[dodgefred]

(u wanted questions sooooo) If you could rewrite the spring awakening musical, what things from the play would you include? (and what from the current musical would you eliminate?)

this is such a good question it took me a rlly long time to figure out how i wanted to answer lol but basically i just wish the musical included a lot of the important points the play established. the musical does this fun thing where we see the outcome of a lot of the things the play brings us to, but we don’t see the buildup that the original play had.

for example, the beating scene. in the musical, without any context at all, it seems like just a weird random bdsm thing and melchior runs away out of fear of being caught. that’s how it’s perceived by a lot of audience members because we don’t get to see the context the play builds up. the play establishes melchior as having a nightmare that he hit his dog and then spiraled, and we find out that this is his biggest fear. therefore, after that scene he’s so disgusted with himself and he is a lot more resentful. he doesn’t want to cause anyone genuine pain- and this even works with how sater romanticized the hayloft scene! obviously he shouldn’t have but it’s kind of silly he didn’t use this plot point to humanize melchior even more than he did, because again with just the context we are given in the musical, melchior is still a really gross person and not a kid who has made mistakes and has fears just like every other kid.

i also wish the musical kept a lot of the smaller details. i really wish moritz’s death monologue was longer. i studied it for class recently and it’s such a heartbreakingly good monologue and i think sater could have definitely brought more into that scene in the musical. my favorite part of that scene, though, and the reason i bring it up is when moritz burns frau gabor’s final letter to him. i think that’s so impactful to moritz’s arc especially and i wish it had been kept, whether they used physical fire or not.

i wish the vineyard scene was longer, and less portrayed as a joke. hanschen and ernst are foils to melchior and wendla and while melchior and wendla are openly discovering their sexuality with each other, hanschen and ernst are doing the same thing but much more privately and much more tentatively due to the society they’re in. therefore hanschen snd ernst’s interactions, while hanschen does get some sexual innuendos, seem to be a lot more innocent and are perceived as much more tender, and i think this is an awesome contrast to how queer men are typically portrayed in terms of the homophobic predator stereotypes and all. this is why the vineyard scene is so impactful in the original play (esp bc of the time it was originally written!!!) and why i wish steve had made it longer and why i wish actors milked the beats a little bit longer than they do. the scene is so brief but it could say a lot and i wish sater took the time to do that.

i also wish ilse was included more. her arc is so interesting and we barely get to see it at all. she runs away from her abusive childhood home, only to move in with artists who are probably older men and who probably groom her and drug her up every day and we don’t get to see that beyond her small scene with moritz before his death.

there are a lot more things like that but they’re mostly much smaller details and stuff. as for stuff i’d keep, i really like how the mama who bore me scene is at the beginning. i think it’s really impactful foreshadowing and it was such a strong decision to establish right from the start that sex education isn’t taken seriously by society. i’m obsessed with the way the audience is treated as society throughout the show and when we laugh at a joke onstage, 9/10 times that means that society wouldn’t be taking it seriously either. and that especially works here, in this scene, where we’re currently laughing at how frau bergmann is avoiding teaching wendla about sex, but we aren’t laughing at the end when wendla is pregnant and being dragged to an abortion against her own will. the parallels between mama who bore me and whispering are literally CINEMATIC, especially how wendla’s first and last lines while alive are “mama.” i think that works so well. sater is so so so smart when it comes to small callbacks to other songs and that’s a quality i’m obsessed with in musicals.

i like how there are less characters? this is a super dumb one but i literally cannot keep up with the play WHO is robert WHO is lammermeier WHO are these people.:.... but i like how in the musical it’s a much smaller ensemble and there’s a clear Boy Squad and Girl Squad. we have enough ensemble to paint a picture of various people’s views, but we don’t have too much ensemble to be overwhelming. i like that choice a lot.

i like the way he cut the mysterious man holy shit the mysterious man is so strange and on the roundabout workshop album he freaks me the fuck out so i’m so glad he was cut LMAO. he’s an interesting narrator but i don’t think the story needs a narrator. i think the kids can and should tell their own stories.

this is getting to be super long and it’s just a bunch of word vomit that prob doesn’t make sense so i think i’ll cut it off here but thank you for this question anon it made me think a lot (: the play and musical both have their redeeming qualities and i don’t think i favor one over the other but i think it’s really interesting to look at the differences between the two, esp in terms of characterization. someday i’ll talk in-depth abt how queer-coded moritz is in the original but for now i’ll shut up abt the play LOL

[swordmaid]

Brienne / Jaime / Samwise / Eowyn

brienne

favorite thing about them: difficult to answer because i talk about them everyday but i enjoy how the presence of choice is always present in her everything. it was her choice to follow renly, to serve catelyn, to keep her promise to catelyn, to find jaime’s honor. she is never forced to do anything; everything she has done is by her own choice which is such an interesting juxtaposition to characters like catelyn where they are very much tied down and limited by their society and how they expect women to be. brienne on the other hand, has the luxury of choice--which is a freedom on itself, but that is not to say she isn’t limited by their society. she still IS, but it’s interesting how she managed to achieve that semblance of freedom even though it isn’t since she’ll still being evaluated to their standards (and unlike cat, she’s being evaluated as both a knight and a woman and she’s seen as a failure of both). i also like how--despite the cruelties thrown her way--she never perpetuates it even though she could have!!! easily!! and it’d be understandable if she does but she chooses not to do it. she even feels sympathy for the people who played the bet on her when she heard what happened to them which is super crazy like those dudes didn’t give a shit about her but here she is giving a shit about them even if it’s just for a moment and it’s just like...........wow. you are choosing to be like that and i love you for it

least favorite thing about them: worst taste in men.

favorite line: her whole speech in the quiet isle is so heartbreaking and also one of my favorite passages in the whole story. her saying that selwyn deserved to have daughters who will sing and dance in his halls, and a son that would give him honor but all he is left with is the freakish one that’s not fit to be a son or daughter first of all heartbreaking ): second of all the underlying implication that if she’s the one who died but her other siblings--whether it be galladon, arianne or alysanne--that lived then maybe selwyn wouldn’t be so dishonored is so!!!!! the survivor’s guilt of it all even though it’s not her fault!!!! and it’s really the way that she DID try to be alysanne/arianne, and she DID try to be galladon for him but none of the roles fit because she’s meant for something greater 😭😭😭😭

brOTP: pod and brienne ofc! next to pia and brienne, then sandor and brienne, and then sam and brienne.

OTP: jb

nOTP: tormund x brienne LOL we dont do that here

random headcanon: brienne likes to write poetry and she wrote a bunch dedicated to renly LOL. her old poems are stashed in the bottom of her trunk, collecting dust in her childhood room.

unpopular opinion: brienne’s self-righteous, judgemental and stubborn nature is not as explored nor brought up when talking about her character tbh and i feel like that facet of her character shouldn’t be ignored. when we explore her flaws, it’s usually about her naiveté which is fair since she IS naive--but that’s not her only flaw lol

song i associate with them: rabbit heart (raise it up) by florence + the machine

favorite picture of them: erika’s drawing of brienne in her tarth armour is one of my favourite pieces ever + this one with dunk’s shield!!!

jaime

favorite thing about them: his pov in asos is what made me like him tbh he is just SO well written, and his character is compelling and interesting. his relationship with knighthood is so interesting too like he is THE stereotypical knight in shining armor except he’s not that. he is just so disillusioned by knighthood but he still continues to follow it despite all, and it’s really the way that his identity has been formed and given to him to wear!! from being tywin’s son, then cersei’s mirror, then the kingsguard then the kingslayer and it’s like none of these identities were made by his own hands but he wears them because they’re a role to play and that’s what he knows what to do, but then he suddenly learns to step back and craft his own identity and be whoever what he wants to be it’s like..........what are u gonna be huh!!!!! it’s like there is a mirror but the person on the other side has never been HIM till now i am going insane. and i was talking about the presence of choice being present for brienne but for jaime.........it isn’t .....not really.............not till now.

least favorite thing about them: that scene where he touched cleos’ mushy head was disgusting

favorite line: how can such a night be beautiful? he asked himself. why would the stars want to look down on such as me? which is so WAAH THE DRAMA. but it’s also the loneliness and the yearning and it’s grasping for something that he can never hold, arms outstretched to hold on to something so far away and it’s also about the celestial imagery of the stars and it’s relationship with brienne (the evenstar) and arthur dayne (star of the morning) and how those two are honorable knights but jaime is not!!! and why would they look down on someone such as him!!!! fuck.

brOTP: his relationship with tyrion ): i also like ilyn and jaime, and pia and jaime. sandor and jaime would be interesting as well since that’s like ~the two beasts~ for their respective batb

OTP: jb :\

nOTP: jaime/sansa lmao

random headcanon: jaime has a fat ass. like i know he’s canonically skinny now because of his imprisonment but you’re gonna have to pry jaime with thick thighs and fat ass away from my cold dead manicured fingernails

unpopular opinion: he’s going to live by the end <3

song i associate with them: time in a tree by raleigh ritchie

favorite picture of them: fawn’s drawing of jaime being a dilf ):

samwise

mind you i haven’t read the books so im going by the film lol

favorite thing about them: their everything <3 )):

least favorite thing about them: i dont think im allowed to say shit about sam tbh i feel like im gonna be tasered if i do

favorite line: it’s your sam!!!!!!!! and also i can’t carry it for you but i can carry you waaah

brOTP: frodo/sam

OTP: frodo/sam

nOTP: um idk

random headcanon: they’re super hot but that’s not a headcanon

unpopular opinion: nothing i love them

song i associate with them: i think how was your day? by mellow fellow fits them

favorite picture of them: this one bc it’s so cute kekeke

eowyn

favorite thing about them: they had very cute outfits honestly i think her wardrobe was my favorite out of everyone

least favorite thing about them: not enough screen time

favorite line: her iconic i am no man line ig

brOTP: eowyn and merry!

OTP: i would say with that guy she ended up with but i also dont know HOW they got together?? like 🧍

nOTP: n/a

random headcanon: idk enough about her to make hcs

unpopular opinion: i thought the aragorn one-sided romance was a bit ? lol like why are you hitting on him he already told you he got someone else

song i associate with them: king and lionheart by of monster and men ig but im not so sure and that’s so general

favorite picture of them: i haven’t seen much eowyn content to have a fave pic sorry!!

[staggeringsmite]

ooh, top 5 moments you've had/witnessed as a DM? (please use this an excuse to hype yourself up if you want!!)

my players make dm’ing beyond worth it, so i really have to give credit to them for the joy of what they bring to a lot of these scenes <3 (also this is all wandering isles bc it’s been my most narratively satisfying and invested dm experience) Buckle Up it’s a long one!!!

bonus: i’m very proud of my individual character moments! throughout the campaign we’ve had about four of these (the intro session scenes, two dream sequences for every pc, and a set of individual trial scenes). we’re a pretty big party so it’s hard to narrow it down, but i just love writing and running those longer narrative moments bc i think it’s a v interesting insight into each character and gives them each a separate moment to shine <3

5. “promise you’ll come back to her” / burning of contingency letters

i put these moments together perhaps to cheat a little bit, but also because they deserve it. xarus, the party’s barbarian whose family was abandoned by his mother at a young age pulls theresa, a forge knitting cleric about to board the airship he is a quartermaster of in order to find a cure for her sick wife. he asks theresa to promise him one thing, that no matter what she will come back to her wife. along the way they write contingency letters to their loved ones in and outside of the party as their adventures grow more and more dangerous, and eventually, exhausted and worn, theresa and xarus find each other in the den of a safehouse to talk. recognizing each other’s willingness to self-sacrifice, their conversation ends with them burning the contingency letters they’ve written, committing to life. these scenes come together because it shows how far they have come together, and the theresa and xarus relationship will always be a highlight of the wandering isles to witness. sometimes the players do all the best work for you, and it’s so wonderful to sit back and watch <3

4. miles is missing

damien returns to the university he works at after an unprecedented amount time away to check on his office before he heads back out on another adventure with the party. while there he moves to put a sticky note (canonically a magical item in the wandering isles universe) on his rival colleague’s (and gay lover/roommate of 20 years) door only to find it entirely emptied without a trace. despite their bickering, miles and damien are very close, and miles would never pack up his things and go without telling damien.

this was a more subtle cliff-hanger for the session, but it was made so much fun as a dm because the players were excited and joking the whole session about miles’ second appearance (and only since the very first session) so his sudden disappearance was made much more severe based on everyone’s anticipation of meeting and having a light-hearted interaction with him.

3. the infamous sex rave

sometimes things go very right as a dm and sometimes things spiral out of control when a pc mislabels a situation which becomes a running joke of the campaign. either way i love being stubborn in my defense of “it isn’t a sex rave!!” whenever they bring it up (and immediately playing an npc who also calls it a sex rave). basically the players had a heist encounter in which they were hired to break a group of pirate prisoner’s out of a secret underground information center (where magical artifacts were also being held and studied, and there was pertinent information stored for the party to take a swipe at). the group split and one subset of party members were forced to hide from guards on the outskirts of a large, gladiatorial style ring within the compound, in which prisoners were competitively battling in order to test the abilities of certain unknown artifacts for the entertainment of anonymous nobles in masquerade getup. based on the magical lighting effects, the strangely dressed noble onlookers, and the,,,, Fighting Noises being some of the only things the pc’s perceived from the level of the auditorium they hid at, it was unfortunately misnomer’ed the “weird sex rave” and has only been referred to it as that ever since.

2. mother abel’s goodbye

hmmm am i making players cry again? yeah maybe. mother abel was an elder cleric of nosa crossing, the starting city of the campaign. she’d lived through its settlement, destruction, rebuilding, and given her all not only to the city but also to the jilted creed (a secret society dedicated to disrupting geline, a large and dangerously powerful island-state which is one of the campaign’s greatest evils). in the last use of her strength she took on a role as a conduit for a powerful plane shift ritual to transport the residents of the city to safety in the feywild as nosa crossing began to be overrun by potent wild magics in the prime material plane. as a low-level cleric, the spell took its toll on her, and as the party arrived in the feywild via a similar ritual to find the inhabitants, they were led to her side. theresa, a native of nosa crossing now reunited with her wife yodean, went to abel’s side with yodean. as yodean sat on the foot of the bed, theresa kneeled as though praying to hold abel’s hand cleric to cleric, confessing her gratitude but admitting that she cannot give as freely as mother abel did, that she and yodean deserve to live for themselves as much as they choose everyday to live for other people. with her final words in a soft, weak message, mother abel comforted theresa in her decision. the scene as a whole was so wonderfully sad, and the best dm moment of something so raw as telling aj, theresa’s player, that while there was no way to confirm it in any real capacity, something in theresa felt that perhaps mother abel held out a little while longer to make sure she was safe one last time and make sure she’d truly gotten everyone home.

1. rosa’s betrayal / lian’s resurrection

enough of that sad shit let’s get mean babey!! aslkjglfk i will be riding the high of this session for an eternity, but it’s quite a lot to break down. rosa rucksaw is the captain of the crew the party rescues in the heist sequence, who eventually reveals herself to in fact be xarus’ mom who fully left to assume a new identity and is Pretty Horrible as a person. at the safehouse, the party is asked by the people they were hired if they would be willing to take the crew to a longer term safehouse island, and the decision is left to xarus. not wanting to be like his mom, xarus agrees to endure a little more time with them in order to them this service out of convenience and kindness. a few hours from their destination, rosa finds xarus on the deck and honestly? kinda begins to admit some amount of guilt for all the shit she did,,,, literally seconds before she reveals that when her and her crew were caught by geline, she struck a deal in order to keep them alive, saying to her biological son “out on the cloudsea your crew is your family, and son, believe me, i’d do anything for my family” before her crew on the deck anchored the ship to an invisible gelinish war vessel and we snapped to roll20 for combat. the look of horror and betrayal on everyone’s face as her monologue hit those final lines, ugh and the fact that no one was super suspicious made it even better!! sometimes it Really Works, and this was one of those times!

flash forward in the battle, and an npc (it’s miles, the gay lover from a few numbers ago) being held hostage by the gelinish vessel is killed, as he is resurrected by two party members (damien and theresa) damien reaches for his soul, as theresa, who multi-classed into divination wizard after a pc named lian died (with failed attempts from theresa and xarus to hold her back) feels another presence in the grey, misty beyond. lian died in session four, and when i said her name to reference jack’s character everyone lost it mostly out of confusion before i began to narrate lian feeling restless in the afterlife, eventually reaching out and forming a celestial warlock pact with miles through his connection to damien and being called upon by her goddess sune as theresa reached out, offering lian the chance to go back. theresa returning to that moment with both her clerical and divinatory abilities, with the blessing of sune, lian emerging on the battlefield, now a vengeance paladin instead of life cleric, with a flaming sword and celestial wings at her back was such an incredible highlight to set up and run,, i just, <333 very proud of myself (and very thankful jack was on board for her coming back) for this moment

thank you so so much!! this was a long ramble, but i hope it was somewhat interesting to people not in the wandering isles <33

send a top 5 or 10?

[pinepickled]

Hello Pine! I hope things are going well. If you're still accepting asks for the Fanfic Ask game, I have a few. C,D,K,S,T and X? You don't have to answer them all if you don't want to.

Thank you for the ask Shy! And I never feel bad about answering these, so don't worry! They're super fun~

C: what character do you identify with most?

Hmm. I identify in part with many characters, but one sole character who I identify with the most just doesn't exist, I'm afraid. I identify with Mammon for his simultaneous stress reliever role in his family and how ostracized he is. I identify with Rei, from 3 Gatsu No Lion (March Comes In Like A Lion) for his quiet participation in his own life, trudging in an endless march with no reprieve in sight and pain wherever he turns. I identify with Natsume from Natsume Yuujinchoh for his need to hide the ugly, misunderstood parts of his life, even from those who live that very same life and seek to help him, or seek to drag him along the path they walked.

D: is there a song or Playlist you associate with a fic?

I dont listen to worded music when I write 🤣 I usually watch TV or have a lofi beat in the background. I'd say Monochrome Kiss is the closest I've come to listening to a song while writing, and it's a banger.

The song:

The fic it helped me write:

K: what's the angstiest plot you've ever come up with?

Aha, so many. One I currently have the first two chapters written for and I'm just procrastinating on publishing is a dark one for sure. It's a/b/o bc that's just how I roll, and the protagonist has to reckon with the fact that he is constantly at the mercy of Alphas more powerful than him, not because of his own gender as an Omega, but because of the shackles put on him as a consequence of his desire to help people. He needs to abandon his ideals of self sufficiency that arose from the abuse he endured trying to save his kingdom, and rely on the people that society has demanded he rely on from the beginning. It's like?? A double full-circle, I guess. He starts out wanting to help people and being able to ask for help to do so, while also being pressured to give up his ideals and become the good mate he's supposedly supposed to be. In the middle of this circle, he gets brutally beaten into giving up his ideals and is forced to live with the person who ripped this part of his soul out, but as time goes on he begins to sympathize with that man. The man eventually let's him go, but not before he has thoroughly given up his dreams of helping people, deeming them stupid and childish, and has lost all capability to ask for help when he is in pain or danger. Hundreds of years pass, the second love interest (first one being the man that slaughtered his dreams) comes into play, and he regresses/moves forward to relying on the people who hurt him for the power they lend to him out of good will to help people once more. He cannot help people without relying on these people, he cannot rely on these people without crushing his own mental structure again to fit into this mold. He snaps because of this, losing all ability to be upset at his situation, and happily indulges in the privileges of the people he is submissive to. It's a happy ending by all other means, but the journey to get there was long and brutal. Did he win? Depends on how you look at it.

(It should be up on ao3 after Kakashi Bingo and Whoregumi)

Then there's my personal story, a novel I'm writing in hopes of getting it done for NaNoWriMo. My MC, Clyde, has severe anxiety and paranoia. He cannot function without using his husband, Kai, as a crutch- but Kai dies in a freak accident. Clyde, unable to function in the city he currently lives in without Kai, goes back to his home country. The home country isn't very religious in general, as their religion does not really call for much worship and such outside of simply knowing the legends, but Clyde comes across one of their religious symbols: a suit of armor known to drive it's wearer insane yet gifting great power in return. The more unstable your mental state when first putting it on, the more power you gain in return. It immediately latches onto Clyde, and the other suits of armor deem him too dangerous to live. It's really just a chase story. Clyde is being chased by his husband's corrupted spirit, the other suits of armor, and the looming mind break. He wants to live... but he doesn't. Not without his husband, not like this, but he has no other choice because whether these spirits chasing him are the product of the death of his husband or a prank on Kai's part, Clyde can't tell. All he knows is Kai didn't die, and Clyde can't die until he finds him and gives him a solid punch to the face for doing this. It's dark on the sole premise that Clyde's mental space goes down, down, down, and it doesn't really get better till the finale. If you can call it better.

S: any fandom tropes you can't resist?

~SO breaks your heart so you fuck their dad~

T: any fandom tropes you can't stand?

Taking characters wronged by the narrative and excusing their behavior by imagining a world where they didn't rebel. Take Sasuke for example: his entire clan was ostracized, the jobs they could get regulated to police work only so the village would hate them, their children stolen and brainwashed into the military, their precious eyes ripped out to further the village heads power, and then the entire clan was genocided by one brainwashed teenager from their own clan, whom they refused to fight against due to his age and the fact he was from the clan. These are all reasons for the sole survivor, Sasuke, to be upset, yes?

Yet time and time again I see AUs where people "fix it" by "making Sasuke a good guy" and having him live peacefully in the village that killed his people. Like. Fuck off. Sasuke, despite what shitlords like to say, is not the antagonist of Naruto. He is a companion to Naruto, the one that says "you have been wronged. Be angry. Don't hate me, join me."

But kishi doesn't know how to write for shit so that plot was lost very early on.

X: a character you enjoy making suffer:

Uh, let's see

Mammon, Lucifer, Xie Lian, Kaeya, Toji, Kakashi, and Natsume.

Thank you again for the asks Shy!

[dabistits]

im super conflicted abt hawks atm but i was thinking abt his parallels with shigaraki and i was wondering kinda why there's a difference between wanting 'redemption' (i dont think this is the right word but i cant think of a better one 'want better' maybe?) for shigaraki but not for hawks? is it bc he made a permanent decision to kill twice as essentially an agent of the state?

Just to preface, I don’t think I’m objectively right for just wanting Hawks to eat shit immediately in the next chapter. I’m just complaining because a lot of people who “love both Hawks and Twice” and “think Hawks was wrong, but…” are hard to get away from without going in the other direction toward a group of people who have shitty fandom behavior, whose opinions about the Hawks/Twice situation are (unfortunately) much closer to my own. I don’t think there’s necessarily a “correct” way to feel about Hawks, but I feel differently than a lot of people I see around (who, ironically, are the ones insisting that there’s a “correct” way to feel about Hawks), and that’s frustrating. I want to be done with Hawks. I don’t want him to get any more focus in canon, I don’t want to see more posts about how Hawks committing murder is an indication of inner turmoil instead of him choosing a side, I don’t want to keep running into posts that tack on “but Hawks is also sad/a victim” in discussing what’s pretty clearly a tragedy for Jin and the LOV that Hawks was completely and 100% solely responsible for.

But, yeah, sure. I’ll also explain what I think is the difference between Tomura and Hawks:

1. Part of it is emotional and not logical for sure. I love Jin a lot. He embodies the person who has faced incredible adversity, and still comes out on the other side ready to love and open his heart to others, moreover to protect others. I’m not like that at all, but I think it’s very admirable. So in that sense, it hurts on a personal level to lose him over anyone else, and I can’t not associate that with Hawks, since he’s the killer.

2. Jin is a significant death. The nameless minions that Tomura has killed (many of whom were active “Quirk supremacists”) don’t mean anything to me compared to Jin, and?? Through the lens of narrative, I think that makes Tomura more forgivable, because I genuinely have no interest in there being any plot “resolution” with, like, the dead anti-mutant cultists, because I just do not care about them.

3. Tomura, especially early Tomura, has threatened to go places that are unforgivable, like leaving All Might’s students dead and forcibly bringing Bakugou over to their side (whatever terrible procedure that may have entailed). The difference is that the narrative never actually allowed him to cross that line by actually killing the kids, who we do care about as characters, so while the intent in itself is pretty awful, he was never allowed to complete the action that would take him over to the point of no return. Hawks, however, did cross the line by killing someone who we care about and who is narratively established as a “good person,” who even Hawks concedes is a good person.

3. a. I don’t like the MLA ideologically and I don’t like the decision to have the LOV team up with them. But, again, their takeover plan has been stopped in its tracks, which I’m actually fine with to prevent the LOV from crossing the moral event horizon, but that’s, like… completely irrelevant to me thinking Hawks shouldn’t have killed Jin.

3. b. Though there’s still a chance for Tomura to cross the moral event horizon, and I’m not going to convince myself that it won’t happen. If it’s going to happen, I think it’s highly possible that it might happen in this arc, because now Jin is dead and we know how Tomura and the LOV have historically responded to their friends getting hurt. I, and many others, have called Jin the “heart” of the LOV (his name is also literally written with the kanji for “benevolence”), and now without him, there is no remaining heart nor goodwill.

4. Although both Tomura and Hawks are, on one level, fighting on behalf of the ideals that they were “raised into,” their fights happen in very different ways. The MLA arc in particular made clear that the villains are, in part, fighting for their very survival in ways heroes just aren’t. The threat that the LOV were living under was constant—when it wasn’t heroes or other villain groups, it was trying to find money and shelter and essential upkeep. Hawks may not be “free” from the HPSC or the occasional villain attack, but he’s free from those constant material struggles. He’s not an “underdog.” 

4. a. Tomura is also, in part, fighting to protect his marginalized friends. It’s for sure not on behalf of every marginalized person, but it’s certainly more than we’ve seen any pro hero fight for. The people Tomura is surrounded with are people who have never been protected nor cared for before, because they were not deemed “innocent” enough to deserve that care and protection, and Tomura continued to care for them even when it was troublesome for him to do so, when they disagreed with him, when they threatened him, and when they fucked up very, very badly. 

4. a. i. Eri is an example of a victim who the heroes fought for, but she’s an easy case to want to love and protect: Overhaul was inarguably an abuser who wanted to elevate the yakuza, she was being used in extended torture-experiment sessions, she killed her father on accident, she’s a child, she’s innocent, she’s selfless, she’s well-behaved. It’s basically not even a question whether or not she “deserves” help.

4. b. It’s people who are difficult who get overlooked. Hawks and hero society are completely unprepared to protect and care for people who don’t behave as they’re supposed to. Hawks did not care for the LOV who didn’t personally befriend him. For the one he did, when Jin didn’t cooperate the way Hawks wanted, he went for the kill. It’s either being easy and “manageable,” or die.

4. b. i. Tomura has specifically spared two people who tried to kill him or actually succeeded in killing his ally, people who he explicitly hated or did not care for. So make of that what you will, I guess.

5. From a leftist perspective, it’s just impossible not to account for the fact that Hawks helps maintain a social structure that creates so much suffering. The question isn’t really whether AFO’s teachings to Tomura are better (they’re not, and I want Tomura to break away from them), but it can’t really be ignored that Hawks is enforcing an ideal that’s wildly popular. Why this matters is that Tomura doing the wrong things will be roundly condemned, and he’ll probably be “punished” for them; but heroes are very unlikely to be punished or held accountable for committing murder, especially if it’s “justified.” 

5. a. This is problematic because it allows heroes, and the state, to define what a justified “emergency situation” is, and who can die in those emergencies. The people who are deemed killable “in an emergency” are usually those who are already marginalized; hence heroes can wait until those marginalized people get desperate enough to commit villainous acts, and then they can swoop in to arrest or kill them to widespread public acclaim.

5. b. Heroes (and law enforcement IRL) don’t address the roots of crime that lie in overarching oppressive structures like misogyny and capitalism. They don’t prevent theft by bringing people financial stability; they arrest people who were desperate enough to steal, and use those people to send a message to poor people everywhere. They make these conditions of desperation more permanent by punishing the most vulnerable people when they slip up, while doing absolutely nothing until the slip-up happens.

5. c. Heroes are punching down, and villains are punching up. That may not be the case with AFO, but I believe it with the LOV specifically, and I believe this matters because it’s exemplified between Hawks and Twice. Hawks targets someone who reached out to him, despite being hurt over and over again by types like him, who has dealt with poverty and fantasy mentally illness completely on his own, and kills him in defense of the very society that allowed all those things to happen to Jin. Hawks was given a choice: sympathize and relate to Jin, and acknowledge his well-founded grievances toward a dysfunctional society, or prioritize the safety and security of that dysfunctional society by permanently removing Jin from the equation. The choice he believes in is the choice he made.

5. d. In order for Tomura to make the same choice with the same implications, they’d have to be living in an alternate universe, in the Kingdom of AFO, where Tomura is a respected noble who infiltrates a rebel group who were going to “commit atrocities,” kills the one person who offered him a way out of AFO’s control, and possibly screws the rebels altogether, but everyone is happy that the rebels are gone. Even if you think Tomura is capable of that, it’s irrelevant because canon!BNHA has completely different power dynamics. Because Tomura’s violence will always be unpopular and persecuted, rather than justified and glorified by the state, he physically cannot replicate a choice like Hawks’. Tomura can approximate it, but even if he does, he’ll be hunted down by heroes for doing so. The circumstances and consequences for making such a choice are totally different.

So. That’s why I don’t think Tomura and Hawks can be equated. Suggesting that this is a level playing field is essentially believing that criminals and law enforcement exist on level playing fields, and they absolutely do not at all. Hawks is particularly abhorrent because he’s already followed through with his choice. He holds power by being part of the policing class, and regardless of how he came into it, he behaves exactly the same as everyone else who “freely” joined, and in his position of power he made the choice to eliminate someone who was socially powerless.

[whitmore]

there was a really great interview with neil jackson on cbr about stargirl/icicle if you were interested! it looks like we're getting a season 2 based on what he said in it!

i don’t usually keep up w stargirl news but anon u were right this was a wonderful interview

also i want to like. follow up to some of my previous asks bc i don’t hate jordan at all and i think he’s a really well written villain w the exception of the immigrant thing. neil jackson does a really good job at playing him, and the fact that he thinks of himself as a hero is a really nice spin on his character. i love a good conflict where both of the conflictees believe they’re doing the right thing

anyway here’s the interview & here are some of my highlights - “His wife died, and she died because [of] this tragic event and essentially murdered” (it’s a really nice insight into jordan’s character and i think it’s nice to know that jordan doesn’t see her death as an accident, giving him even more motive but making his villainous actions more understandable) - jordan seeks retribution “through Project New America, through injecting capital into underprivileged communities to try to build them up, and he does it through the Injustice Society, through a plan that's going to get revealed in episodes four and five” (finally some good fucking clear villainous plan) - “As I'm sure you know, there's been talks with Greg Berlanti about doing a Green Lantern series” and “if there ends up being a spinoff and Icicle ends up traveling the cosmos, then I wouldn't be opposed to it” and johns saying in the live q&a that he plans to launch more dcu series from stargirl just. idk how i feel about it yet but they all have the same theme so they get the same bullet point - “Jordan is an absentee father.” and (referring to cameron & jordan) “They're two strangers that are cohabiting and there's a real sadness to that, I think.” - “But ultimately -- and I believe this doesn't come at the end of this season; it will be next season -- ultimately, Cameron is gonna find out who Jordan is.” IS SUPER INTERESTING !!! #confirmstargirlS2 - “But yeah, people don't need to be worried for [Barbara]. She's not in danger.” good to kno barbara survives the season - “there is a scene where we get a glimpse of why Jordan has been away for so long, and what he's been doing while he's been gone from Blue Valley. It's a gorgeous, menacing scene. But it's a scene that, when you watch it -- when I read it, I was like, "God, I wish I had these powers for certain people that I've met in my life who deserve this." It's completely justified from his perspective” this whole para was rly interesting !!! i’m interested to see what this scene actually is lmao - “Nelson Lee is on board to play Dragon King. He gets introduced in the next episode, I believe, episode four.”