“I’ll show you insubordination you son of a bitch!” While running at a guy is reason enough to watch Predator 2 tbh
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Nimona was great, great animation, good story and even better message(s) of course. But I really have a problem with the overacting. It's like what DreamWorks, Pixar, Disney, etc, are doing: it's too much. The characters are overacting every single expression, every single gesture, every single line. It's tiring to watch. It's also a personal opinion, I know a lot of people like this kind of acting in animation, and that's alright, I'm not the animation authority. It's just feels like animated = overacting to show it's not real people.
It's a shame because the voice acting is good (great cast), the animation is good, and combined, it's absolutely good enough to show emotions, even with a bit of emphasis. The writing is enough to make us feel the angst, the fear, the sadness... And the soundtrack is also bringing all this together nicely. They did a good job! So I don't know why the US animation industry insists on making all the characters act like clowns, like mimes. They're already telling a story, there's no need for all those faces, those big gestures... and it's still can have this funny but also serious tone without having to overact every single expression and movement.
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Actually yknow now that I’m thinking about Belle, I’m not sure I’ve ever seen in media another situation where a character goes in for a kiss, realizes the other person is uncomfortable without that character overtly reacting or saying anything, and then backs off to go for a hug instead.
Honestly there’s a lot to love about Belle, but the way it reframes things, both in universe and out, are some of my favorites about it. I feel like those who felt as though the ‘romantic buildup’ led them on and were dissatisfied when it instead became platonic… kind of missed the point. It was never meant to be romantic, and it used those cues to make you question your assumptions- and moreover make you notice that something was off. honestly I think the movie and it’s themes work far better without it. It’s a really elegant demonstration of realizing the importance of someone without automatically assuming romance, that not being romantic does not mean lesser, and that, well, things aren’t always what they seem. Really what better tale to draw inspiration from for that kind of story?
As for my own experience watching it, honestly I can’t really quantify why I got the feeling early on that the whole romance thing wasn’t very romantic. I had nigglings of doubt as early as the beast crashing the concert (yes, actually. No, I really cannot tell you why. I didn’t think much of it at the time, assuming it would smooth out later) but by the time the dance rolled around all I could think was ‘this is either a horribly executed romance or it’s not supposed to be one at all’.
So of course when we got the twist I was delighted, because I’d been right. The pieces all slotted together in a wonderful harmony befitting a movie where music is such a central device.
I’m just gonna go ahead and blame kingdom hearts for this. It’s taught me too well to listen to my gut when it comes to the tone of a scene lol.
Belle took all these romantic tropes, the very direct homages to beauty and the beast, the roses and dances and imagery, and so smoothly shifted them from romantic potential to platonic ideal that I’m legitimately impressed. What’s more is that not for a second did that shift to platonic ever feel like a downgrade. The characters feelings did not lessen, only given new context and understanding both by the audience and the characters themselves, nor were they treated differently by the narrative. I don’t know if people understand how rare that is.
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skimming some asm (650-651, 658 etc) as reference for a suit
and god
there's a reason dan slott is one of my least favorite marvel writers lmfao
650-651 were okay.
658 is not even okay. It just sucks. And it's a great precursor example of the exact same shit that plagued his Fantastic Four run. Just, completely unfunny, uncaring, and shallow. Reading this, how can I be surprised he whiffed Johnny so badly in vol. 6? The night and day difference between these, and his Spider-Man/Human Torch comic, is baffling to behold. ASM 658 is dogshit by comparison lmao (and most of Johnny's treatment in Slott's F4 run is just as bad.)
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