⎯⎯⎯⎯⎯⎯ 🌺┊ ❝ YOU ARE MISTAKEN. ❞ Such a casual decline to one's accusations accompanied tranquility in half - lidded eyes, their voice a harmony rolling off tongue. Gold eyes persist upon their fellow student, hand slowly inching behind their back. ❝ I did not "take" anyone's heart. They are being ... given to me. ❞
A wink. ❝ Ask for yourself. Never would I steal from another. ❞ Shielded by the literal definition, mischief obscured by fingertips muffling giggles. Residing behind them was the object of their affinity — the prize they sought: attention, respect, accolades. All condensed within a delicate ball of light.
﹙ @fatedprincess ⎯ 🌺 ﹚
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I HAD TO GIVE HIM HIS SILLY ANTENNAE BUT YAHOO
AAA HIS LIL ANTENNEA IS CUTE OHMYGOD
I love the way you drew him so much;AAAA; !!!! He is my wet cat creature and I adore everything about the way you draw him, also the close up is so pretty too !!! I'm so happy you liked my design this much!!! Your art is adorable! <3
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btw i will make a sona for myself based on your favorite animal but you have to draw yourself as a jackalope in return
im dead serious
you can be a bunny or a hare, doesn't matter. look up different breeds and species and colors if you want and then give them some kind of horns or antlers (wolpertingers are also fine but they have to be rabbit/hare based it's the rules.) it can also be a hybrid in general and not have strictly rabbit features, i dont wanna limit people too much
my conditions are i wont do bugs for mine (unless its a moth!)
i like bugs but i rly dont like looking at photos of some kinds too much and some bugs are too intricate for me to do justice for comfortably in anthro form. i havent practiced that enough
also: no open species type things. actual animals or general cryptids please i don't get into open species stuff at all
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2/3 of my primary TES OCs! Here's Po, my HOK!
Here's the link to Sven, my Nerevarine!
And a link to Val, my LDB!
IDs under cut!
[ID: Two character reference images, both for the same character, done digitally in Procreate.
The first image shows the character, Apollo, from the chest up. He's a pale-skinned human, with a round face; round nose; different colored eyes, his left being golden, and his right being a muted purple; short, brown hair, graying at the scalp, strong sideburns, and a goatee; and he has a small scar across his nose. He's wearing the leather armor as depicted in Oblivion. Notes around the portrait read: "Apollo (as he appears by 4E 201) / The Hero of Kvatch, Champion of Cyrodiil, who disappeared as the third era ended. / Became the Gray Fox before retreating to the Isles and mantling Sheogorath."
The second image is a full body picture of Apollo, depicted as a broad, fat man, with selective coloring, designating any marks or scars Apollo has. Around his stomach, chest, underarms, and inner thighs are blue squiggly lines meant to represent stretch marks. In red can be seen a variety of other scars, notably the scar on his nose, and the top surgery scars on his chest, among others. He also has some minor scarring on his arms and legs. There are many notes surrounding the image, the first reads: "Scar Reference for Po / Info: / Blue are stretch marks. / Red is scarring." A general note reads: "Most of the scarring doesn't have a big story to it. They just happened in battle and stuck - but a few have some significance." Regarding his top scars, a note reads: "The scars under his chest are obviously top scars. They're actually two different colors, golden on the left and purple on the right - Mania and Dementia, Sheo's two tits." Next to a scar on his right chest, a note reads: "The scar almost directly over his heart there - that was done by the shadowy figure of himself within the Grove of Reflection. Perhaps there's a symbolism to it - he just remembered it hurt like shit." Next to his legs, the final note reads: "The ones on his arms and hands are mostly battle related, while the ones on his legs here are just because he's not very careful at all. Because same." END ID.]
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this morning at work I was standing near our entry door trying to figure out a machine problem when a loud man walked in and kind of cheerfully demanded I tell him everything we've got going on, so half-annoyed I tried to balance addressing the non-emergency problem while also giving him our spiel, and he asked me about a hundred questions, showed genuine interest in our work, ranted about how teachers should get paid more, referred to me as 'them' with zero prompting, and promised to send our info to his news station friends to boost give us free advertising
so
I'm not sure what that was about but he might have been my fairy godparent??
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I discovered Richard Siken’s poetry a while back and I don’t believe I’ve ever read something so raw and beautiful. Every one of it is a fucking masterpiece like jesus fuck i. am. in love.
Scheherazade was the first work of Siken’s that I read and I just knew that I couldn’t leave it there. His words coiled around my heart and stayed there, rusting in my blood.
I’ve had a distaste for poetry for a good bit of time (you can thank school for that) but i do remember the first time i fell in love with a poem was when i read ‘The Raven’ along with most of Poe’s work.
The next significant one to come after Edgar Allan was My Papa’s Waltz by Theodore Roethke, months after my unexpected interest in poetry. I'm not quite sure why i remember it so distinctly.
I’ve read more since then, some of it downright terrible and some, like these, stay.
“So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.”
-Robert Frost
A single word,
you turn my heart into a beating grenade,
The metallic circle of death clinging to your fingers,
winking as my flesh catches flame.
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