Just watched Brokeback Mountain for the first time and I need to talk about it.
Throughout the movie, we see Ennis experience a lot of intense discomfort and fear at the idea of being intimate with a man, despite it becoming abundantly clear in the details and based on his actions that that is indeed what he wants. He even admits to Jack that this fear stems from an experience he had at a young age, when his father showed him two men who were presumed to be lovers (they were roommates vibes), murdered and castrated, with him basically using it as a lesson to show Ennis that being gay was wrong and would get you killed.
Jack on the other hand was a little less discomforted or fearful at the idea of being with a man, in that we actually saw him return the following summer to Brokeback Mountain hoping Ennis would be there, only for him to show up alone. We saw how after this he confidently approached a man at the bar hoping to get to know him, only to get rejected and risk getting hate crimed (foreshadowing 😭). And we saw how, over time, Jack’s struggle had more to do with being hurt over Ennis’ unwillingness to commit or even just consider the possibility of them being together long term, even despite the risk of being gay in the 60’s.
Near the end of the film, upon Jack’s death, Ennis discovers from his father that over the past 20 years since they met at Brokeback Mountain, Jack constantly brought it up to his folks, how Ennis, his friend, was going to move up to their ranch and they were going to build a cabin and live together and take over for the family.
Jack was often the one in the moment taking the chances for them to be together. He was the one who mentioned that they could go to Mexico, with Ennis furiously rejecting it saying ‘you know what happens to people like you there??’
But what’s even more painful, is that in this same scene, Ennis’ acknowledges the truth more directly, and why it’s so painful is because it ends up ironically coming true:
Here, Ennis is basically saying that if he decides to be with Jack for real, aka faces his queerness head on, that’s going to be the thing that gets them (Jack) killed. Shortly after this, Jack loses it and has that infamous ass monologue, followed by Ennis breaking down over how it’s Jack’s fault that he’s this way in the first place.
In the end, when Jack dies, Ennis finds out about what happened from Jack’s wife, Lureen Newsome, who said Jack was pumping up a flat out on a backroad when his tire blew up, with the rim of the tire slamming his face, breaking his nose and jaw, and knocking him unconscious on his back. By the time someone drove by on the deserted backroad, he had drowned in his own blood.
The audience might’ve believed this story, if it wasn’t for how rehearsed it sounded coming out of Lureen’s mouth, but it also doesn’t help that images of Jack being hate crimed as his true cause of death are flashing across Ennis’s mind in real time while Lureen is telling him about the ‘accident’.
While it’s left up to interpretation, it’s implied from what his wife and father said, that Jack was hate-crimed by his father in law, with it being covered up.
Broken nose? Broken jaw?… Those are the kinds of wounds someone endures after being beaten up. And if it’s happening to the point of death, then he was essentially beaten to death.
This then fits into what Jack’s father said, because apparently, shortly before he died, he’d told his father he’d found a different friend that was going to come up there to the ranch with him. And so it’s very likely Lureen’s father caught wind of this as his plans to leave neared, leading to his murder (Jack also bitched his father in law tf out in an epic way, which on its own felt unnecessary in the moment, but within the context of this makes a whole lot more sense).
Either way, it seems Jack waited for Ennis to change his mind. 20 years he waited, and when Ennis didn’t, Jack finally moved on with someone else who made an offer of his own years before, only to get murdered just as Ennis feared he would if he decided to live his life authentically.
Ennis initially found out like this, in a postcard that bounced of him inquiring Jack about seeing each other again after that last massive fall out where they had, only for Ennis’s worst fear to be realized:
Nov 7th with deceased stamped across it has me spiraling 😭
Now, obviously Brokeback Mountain is one of the most well known queer films of all time, like there’s no denying that. So it’s fairly easy to assume ST could be taking some inspiration from this film just like they have with hundreds upon hundreds of other films. But especially if they are planning to go the queer route, homage to this film is pretty much guaranteed (there’s also one more reason it might be guaranteed, but I’m saving that for the end 🤣).
Regardless, as you can probably already tell, it’s very easy to see similarities between Ennis with Mike and Jack with Will.
Mike getting the ‘you see Michael? You see what happens?’ treatment from his father, in the first episode in the series, is very Ennis coded in that this is a TV show that follows that up with seasons of Mike pushing Will away from him, with it leading to a boiling point where he says, ‘What did you think? Really? That we were never gonna get girlfriends? That we were just gonna sit in my basement in play games for the rest of our lives?’ with Will responding, ‘Yeah. I guess I did. I really did,’ aka extremely Jack coded.
The really epic thing about this though, is that ST is clearly going on a different journey than Brokeback Mountain did, in that it’s simply subverting the bury your gays trope. While they are acknowledging the risk of being queer in the 80’s, they’re not letting it end ‘realistically’ like many people have insisted it must because that is the only option. And this will be a satisfying ending because it’s coming as a response to all those heartbreaking stories before it that have reinforced this idea that happy endings just aren’t an option for gay people who simply want to be together.
While Ennis and Jack didnt get their happy ending like they wanted, Mike and Will on the other hand 😏
And last but not least, on a more hilariously ironic note, the guy who Jack was going to settle for in the end instead of Ennis, was a guy named Randall Malone, played by none other than David fucking Harbour.
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HI!!!
it’s been a long time since the last doctor au. Can we get something new, please?
Thena eyes the woman chatting up her Gilgamesh. He's making friendly conversation, she knows. But the woman is obviously aiming for more than just friendly, the way she keeps laughing and smiling and putting her hand on his arm.
She has no one to blame but herself, Thena knows. The hospital fundraiser has been scheduled for months, and she's the one insisting their relationship remain secret from their coworkers. And of course Gil agreed, because it's Gil.
But watching women be all over him all night has been one hell of a just desserts. She takes a sip of her drink. Gil catches her eye and makes a bit of a face. He shrugs, which fits into the woman's story enough that she doesn't notice. But he's apologising to her - Thena - for it.
But she has no one to blame but herself.
Maybe the secrecy is overrated. She looks over to the dance floor, where Sersi is happily tucked into her husband's embrace as they sway to the music. They seem to make it work. Thena doesn't know how someone as sweet as Sersi is with someone as bullheaded as the orthopaedic specialist himself. But maybe the same could be said of her and Gil.
Thena tosses back the last of her champagne and walks straight towards Gil's table. This is why people don't like her socially--she's overly direct, chilly, has no bedside manner when it comes to her colleagues. She stares at them, "mind if I cut in?"
"Uh, yeah?"
"Not at all," Gil smiles though, and it's all the assurance she needs. He even pulls out the chair next to him for her.
His visitor visibly and audibly scoffs and rolls her eyes. Thena thinks she recognises her from HR or accounting or some other level of administration. She gets up in a huff anyway. Thena seats herself, tugging her dress around without a thought to the delicacy of the material.
But Gil sorts out the skirt of it more nicely. He even lets his hand brush the side of her leg where the slit allows him to. He sneaks his eyes up to hers, "you look beautiful."
She's glad that woman got up in a huff as she feels her face warm up several degrees. "Nothing you haven't seen before."
Because he helped her get ready, after they'd had a few good rounds in her bed, and before arriving in separate cars. Still, he compliments her, because of course he does. He swirls his own champagne, looking quite smart in his dark green suit.
All the doctors are in tuxes, but she likes how this colour brings out his eyes.
"Are you making any good connections?" he asks, like any of their colleagues would. It's as much a night for them to have off as it is for them to schmooze wealthy benefactors into donating to the hospital.
"None," she deadpans, and he laughs from his belly in response. She loves his laugh. "You?"
He snorts and throws back the last of his flute. "No one even knows us."
"That's not true," she nudges his arm as she leans back in her chair in a very unladylike way. She gestures, "Kingo knows how to work a crowd."
True, the man of the hour is in the centre of a circle of people listening to his stories. She's quite sure he's trying to convince someone to write a medical drama about his stories as an EMT.
"Well, I'm no Kingo," Gil shakes his head at his partner, not that they would have him any other way.
Thena spares a furtive glance around them, although most have moved on from the tables to search for more finger food or hit the dance floor. She risks brushing her hand over his casually, "you're better."
Gil matches her energy, though, letting his hand cup hers for just as brief a moment, "you're in a good mood tonight."
She can say it's the booze, but she's only had the one glass. It's not to her taste, but it's part of the atmosphere. "When was the last time we got a night off to do this?"
He gives her a grin that's a little mischievous on the tail end. "Our first date?"
She looks away again, because sometimes these little moments still make her feel like she's liking him from afar again. "That was a good night."
"Our only date, in some ways," he corrects, although there's no malice or ill will behind it. Even though he would love to have more proper dates to their name as a couple.
Thena sighs, though, because he deserves that. He deserves to go wild to his romantic heart's desire, no matter how overwhelmed it makes her feel. She leans forward against the table, "Gil-"
"Oh, Gil!" a shrill voice singsongs over the music.
Thena scowls as her whole body knots up. His friend is back, and she's brought company. "Eros."
"Thena, darling, looking ravishing as always," the self-proclaimed 'god of love' himself grins at her. He is one of the doctors in a full blown tuxedo. "Gotten any donations?"
"No, no one donates to an emergency room unless it guarantees benefits to them personally." The two newcomers look at her uncomfortably but it's true; no one ever donates to the emergency room because it's for the public, not for the highest insured patients.
"Well, what if I make a donation?" Eros grandstands, putting on his most winsome smile and even reaching into his suit jacket pocket. Does he really have his checkbook just...in there?
Thena points, "admin will take it."
The woman gets tired of playing this game. She sidesteps Eros to put her hands on Gil's shoulders. "Oh, enough business! It's time for you two to take to the floor."
Gil just stares. Just because he's big doesn't mean he likes getting climbed on like a children's jungle gym. He shakes his head faintly at her; he's asking what to do.
Thena sighs. That's why she brought Eros with her; he's a distraction to keep her from stealing Gil's attention again. Stealing attention from her own partner is an amusing thought. But she hasn't had enough to drink for it to be thoroughly entertaining.
The woman backs up as she stands. She and Eros watch as Thena grasps Gil's tie, pulling it out from his suit jacket and using it to turn his head and drag his lips to hers. She even makes a dramatic little moan just for them.
Gil is happy to oblige. He responds, sliding his hands up her body in the way that's familiar to them. They were doing exactly this a few short hours ago. When they part he doesn't even look to see if their audience has stuck around. "Thought you'd never ask, honey."
Thena keeps her hold on Gil's tie as she moves towards the dance floor, abandoning her clutch on the table. There's nothing in it but her phone and, well, a few contraceptives (in case Gil got ahead of himself on the way home).
"Y'know, sweetie, I have no complaints," Gil voices as he closes the distance and fixes his tie again. "But you could just ask."
She sighs as they turn towards each other to dance properly. He pulls her against him as her temper simmers itself dry. "I got the feeling she wasn't going to take no for an answer."
"Well, she would have had to," he assures her, even as they begin swaying to the music. She doesn't really know how to dance, but he takes the lead, holding her hip and her hand out in his. "Although watching my girlfriend grab me like that will probably haunt her for a while."
"Good," Thena mutters darkly, still off-put by the memory of her latching onto Gil's shoulders (like she has any right).
"Are you sure?" he whispers, still holding his head up if she wants more discretion. "If she doesn't have everyone knowing before we leave for the night then Eros certainly will. I wouldn't be surprised if he's crying to HR right now."
She does laugh faintly at the mental image of Eros snotting and whining like the little boy he is. "We're technically in different departments."
Gil chuckles, "guess you're right. But I'm asking you."
He's asking if she really wants to go public, or if she wants to deny their claims to the very end. Because he'll be with her, if she does, because of course he will.
Gil is receptive as she leans up to kiss him again. Maybe she can - somewhat! - understand what people see in the romance of it all. Swaying to music, Gil's arms around her, kissing him without a care in the world. There is something that makes the pleasure centres in her brain explode with euphoria.
"I'll take that as a yes," he smiles at her, even swaying a little more in his elation.
She tries to keep her head held high instead of shrinking away from the people observing them during their own dances. She clears her throat, pretending she can't feel how hot the tips of her ears are. "If it keeps her off of you, then yes."
He bends his head down, kissing the side of her neck. But it's not any invitation to mischief or show of dominance. He emerges again and kisses her on the forehead. "Can I tell those orderlies that check you out all the time that you're my girlfriend, now?"
She smiles, because it's Gil, and their relationship is no different now than it's been for the past several months. "You don't tell them I'm your wife?"
"Oh, I do," he answers instantly, and now she laughs. And sometimes when she laughs, she catches him looking at her in a way that makes all of her insides feel like jello. "But everyone knows you're my wife. Not everyone knows you're my girlfriend."
That is true. They were long ago anointed work husband and work wife. People are used to it, and it somewhat muddies the waters on what their relationship to each other actually is. And Thena will not be un-muddying them any time soon.
She moves Gil's arm more around her for herself, tucking herself into his chest in a way that makes moving more awkward instead of easier. But he folds around her comfortingly, happy to shift from foot to foot rather than really dance. "Then all the world can know I'm your partner."
She sighs as he presses a kiss to the top of her head, "I like the sound of that."
There's no going back from this. She always says that their personal lives have no place in the hospital. But she can't think about any of that, drowning in the endorphins this one man overtakes her brain with every time he smiles. And she has no one to blame but herself.
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