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#novae terrae
bleakqblake · 1 year
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Hehe Novae Terrae Imagine time again!
Imagine the Oracle (reader) when they first come into contact with their powers, it comes in bursts.
It’s powerful— the ability to predict and manipulate the future.
Imagine them not realizing they’re having a vision because the scene wasn’t one of danger— and they get stuck in it for days, because of how powerful it is.
Only to wake up once they start seeing the differences of theirs and their visions reality.
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ltwilliammowett · 9 months
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'The "Terra Nova" icebound. Photograph by Herbert G Ponting -shows the ship of the British Antarctic Expedition of 1910-1913 stranded in Antarctic ice
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polarpics · 8 months
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Officers of the Terra Nova enjoying a sunny day on the way to Antarctica, 1910
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worstjourney · 1 month
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NEW PHOTOS KLAXON
Or at least new to me!
The Canterbury Museum in Christchurch has the photos of J.R. Dennistoun, friend of the Expedition and the Kiwi who joined the Terra Nova for her relief trip in 1911, in charge of the mules.
Annoyingly I can't copy/paste the link to the collection directly, but if you go here and click on an object, then scroll down on the object details to "Named collection: DENNISTOUN, James R" you can click on his name and see all his stuff that way. I think some of the photos might have been taken by others, such as the product placement ones, but our pal JRD has been quite good at labelling people!
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johntorrington · 7 months
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men will have one pose
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nopickls · 1 year
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The heroic age of Antarctic exploration - after The Terror opening credits
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i’m reading worst journey in the world again and I can’t get enough of these little dudes
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ephraimwaite · 2 months
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torukmaktoskxawng · 19 days
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My feed is now full of Quaritch, Stephen Lang, and Terra Nova. I remember watching that show as a kid and just thinking the whole time, "This is just Quaritch if he was actually decent" 🤣
Taglist: @mooniequeen @avatar-lover @anemonelovesfiction
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bleakqblake · 1 year
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Hey it’s been a bit since the last one of these…
But since I’m currently going through intense brain-rot over it …
ITS TIME FOR ANOTHER “I HAD AN IDEA” POST!!!! Ninjago edition as always~
Garmadon having nightmares about the final battle and the day he was bitten by The Great Devourer;
In my fanfic I have a few mapped out relationship dynamics that I want to solidify through different moments.
One of those is the shared friendship between Garmadon and the MC. Both being caring of Lloyd, Garmadon acknowledging that the MC was there for Lloyd when not even his own mother would be. They form a PLATONIC bond that’s more so a chiller parental version of a “Lloyd protection squad” (Kai soon joins after his big moment saving Lloyd in the volcano).
So they’re friends, and friends confide in each-other no?
So when the MC stays with Garmadon during the time he’s recovering from after the final battle, when he has his own dojo— they meet him face to face at midnight. Both waking up from extreme nightmares, the MC’s being about the injuries they’ve gained from protecting Lloyd and the others.
Garmadon’s stem from the ones he got from harming them.
When the MC gets him to finally open up, they learn about the fear he felt— even back in his early years he was always being controlled. Manipulated by something far beyond his power. From being corrupted by the snake bite, to being taken over by the Overlord.
The MC is unable to comfort him past the basics, knowing they’d never be able to understand the type of pain he had to endure— but assuring him that they are always there to listen.
They both drink their tea and continue to talk— when Garmadon finally asks what kept them up, what the nightmares entailed. A sense of guilt is stricken through him.
The MC was just a kid, like the rest of the team— none of which should have ever gone through the things they have. Bear the scares they own. But it was even more terrifying to know that a very large majority, where his fault.
Yet they still stayed with him, treated him with respect— even when they were supposed to be enemies.
He knew the day you chose to stay at the dojo with him you were doing it to check on him, make sure he didn’t succumb to misery. Unknowing how able he was to survive on his own without his demonic strength. But you said nothing, only making it seem like you wanted a break— when you were clearly doing the opposite from what he’s heard from his students that live in the village that recently had ALL OF THEIR CRIMINALS caught and turned in on the same day.
He felt something there, a warm kindness that reminded him of Lloyd, and himself. Your sense of justice was just as fucked as his, breaking every rule and restriction if it meant protecting the ones you love. It made him wonder what your life was like back in your original world… did you have anyone you were forced to leave? Did anyone hurt you?
The painful look in your eyes told him more than he needed to know. But it’ll be alright, he’ll make sure to protect you and Lloyd from everything from now on.
It’s what a father does after all.
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ltwilliammowett · 10 months
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Terra Nova' in the ice. from 'Scott's Last Expedition', by Herbert Ponting, 1910
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kdramamilfs · 4 months
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simone kessell as alicia washington in terra nova (2011)
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worstjourney · 10 months
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The Millennials' Polar Expedition
A year ago today (23 Nov 2022), I launched Worst Journey Vol.1 at the Scott Polar Research Institute. This is the text of the speech I gave to the lovely people who turned up to celebrate.
As many of you know, my interest in the Terra Nova Expedition was sparked by Radio 4’s dramatisation of The Worst Journey in the World, now 14 years ago.  The story is an incredible story, and it got its claws into me, but what kept me coming back again and again were the people.  I couldn’t believe anyone so wonderful had ever really existed.  So when I finally succumbed to obsession and started reading all the books, it was the expedition members’ own words which I most cherished.  These were not always easy to come by, though, so plenty of popular histories were consumed as well.  Reading both in tandem, it soon became clear that, while there were some good books out there, there was a lot of sloppy research in the polar echo chamber as well.
I also discovered that no adaptation had attempted to get across the full scope of the expedition.  There has never been a full and fair dramatic retelling, all having been limited by time, budget, or ideology from telling the whole story truthfully.  I was determined that my adaptation would be both complete and accurate, and be as accountable as possible to those precious primary documents and the people who wrote them.
So the years of research began.  I moved to Cambridge to be able to drop in at SPRI and make the most of the archives.  Getting to Antarctica seemed impossible, but I went to New Zealand to get at least that much right, and on the way back stayed with relatives in Alberta, the most Antarctic place I could realistically visit.  I gathered reference for objects wherever I could.  Because Vol.1 takes place mainly on the Terra Nova, which is now a patch of sludge on the seabed off Greenland, I cobbled together a Franken-Nova in my mind, between the Discovery up in Dundee and the Star of India in San Diego.  I spent a week on a Jubilee Sailing Trust ship in order to depict tall-ship sailing correctly.  I’m sure I’ve still got loads of things wrong, but I did all I could, to get as much as I could, right.
But still, everyone I met who had been to Antarctica said, “you can’t understand Antarctica until you’ve been there, and you can’t tell the story without understanding Antarctica; you have to go.”  So I applied to the USAP’s Antarctic Artists and Writers Program, with faint hope, as they do “Ahrt” and I draw cartoons.  But I must have blagged a good grant proposal, because a year after applying, I was stepping out of a C-17 onto the Ross Ice Shelf.  The whole trip would have been worth it just to stand there, turn in a circle, and see how all the familiar photographs fit together.  But the USAP’s generosity didn’t stop there, and in the next month I saw Hut Point, Arrival Heights, the Beardmore Glacier (including the moraine on which the Polar Party stopped to “geologise”), and Cape Crozier, and made three visits to the Cape Evans hut.  Three!  On top of the visual reference I got priceless qualitative data.  The hardness of the sound.  The surprising warmth of the sun. The sugary texture of the snow.  The keen edge on a slight breeze.  The way your fingertips and toes can start to go when the rest of you is perfectly warm.  The SHEER INSANITY of Cape Crozier.  The veterans were right – I couldn’t have drawn it without having been there, but now I have, and can, and I am more grateful than I can ever adequately express.  With all these resources laid so copiously at my feet, all I had to do was sit down and draw the darn thing.  Luckily I have some very sound training to back me up on that.
Now, this is all very well for the how of making the book, and, I hope, interesting enough. But why?  Why am I putting so much effort into telling this story, and why now?
Well, it means a lot to me personally.  To begin to understand why, you need to know that I grew up in the 80s and 90s, at the height of individualist, goal-oriented, success-driven, dog-eat-dog, devil-take-the-hindmost neoliberalism.  It was just assumed that humans, when you get right down to it, were basically self-interested jerks, and I saw plenty of them around so I had no reason to question this assumption.  The idea was that if you did everything right, and worked really hard, you could retire at 45 to a yacht in the Bahamas, and if you didn’t retire to a yacht, well, you just hadn’t tried hard enough.  Character, in the sense of rigorous personal virtue, was for schmucks.  What mattered was success.  Even as my politics evolved, I still took it as a given that this was how the world worked, and that was how people generally were – after all, there was no lack of corroborating evidence.  So: I worked really hard.  I single-mindedly pursued my self-interest.  I made sacrifices, and put in the time, and fought my way into my dream job and all the success I could have asked for.
And then I met the Terra Nova guys.
What struck me most about them was that even when everything was going wrong, when their expectations were shattered and they had to face the cruellest reality, they were still kind.  Not backbiting, recriminating, blame-throwing, defensive, or mean, as one would expect – they were lovely to each other, patient, supportive, self-sacrificing; in fact the worse things got, the better they were.  They still treated each other as friends even when it wasn’t in their self-interest, was even contrary to their self-interest.  I didn’t know people could be like that.  But there they were, in plain writing, being thoroughly, bafflingly, decent.  Not just the Polar Party – everyone had to face their own brutal realities at some point, and they all did so with a grace I never thought possible.
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It presented a very important question:
When everything goes belly-up, and you’re facing the worst, what sort of person will you be?
Or perhaps more acutely: What sort of person would you rather be with?
It was so contrary to the world I lived in, to the reality I knew – it was a peek into an alternate dimension, populated entirely with lovely, lovely people, who really, genuinely believed that “it’s not whether you win or lose, but how you play the game,” and behaved accordingly.  It couldn’t be real.  There had to be a deeper, unpleasant truth: that was how the world worked, after all.  I kept digging, expecting to hit bottom at some point, but I only found more gold, all the way down.  How could I not spend my life on this?
Mythology exists to pass on a culture’s values, moral code, and survival information – how to face challenges and prevail.  Scott’s story entered the British mythology, and had staying power, because it exemplified those things so profoundly for the culture that created and received it.  But the culture changed, and there were new values; Scott’s legacy was first inverted and then cast aside.  The new culture needed a new epic hero.  You’d think it would be Amundsen, the epitome of ruthless success, but “Make Plan – Execute Plan – Go Home” has no mythic value, so he didn’t stick.  The hero needed challenges, he needed setbacks, and he needed to win, on our terms.
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Shackleton!  Shackleton was a winner!  Shackleton told us what we knew to be true and wanted to hear at epic volume: that if you want something badly enough, and try really hard, you will succeed!  (Especially if you can control the narrative.)  Scott, on the other hand, tells us that if you want something badly enough, and try really hard . . . you may nevertheless die horribly in the snow.  Nobody wants to hear that!  What a downer!  I think it’s no coincidence that Shackleton exploded into popular culture in the late 90s and has dominated it ever since: he is the mythic hero of the zeitgeist. I am always being asked if I’ll be doing Shackleton next.  He has six graphic novels already!  That is plenty!  But people still want to tell and be told his story, because it’s a heroic myth that validates our worldview.
That’s why I am so determined to tell the Scott story, because Scott is who we don’t realise we need right now – and Wilson, and Bowers, and Cherry, and Atch, and all the rest.  The Terra Nova Expedition is the Millennials’ polar expedition.  We’ve worked really hard, we’ve done everything we were supposed to, we made what appeared to be the right decisions at the time, and we’re still losing.  Nothing in the mythology we’ve been fed has prepared us for this.  No amount of positive attitude is going to change it.  We have all the aphorisms in the world, but what we need is an example of how to behave when the chips are down, when the Boss is not sailing into the tempest to rescue us, when the Yelcho is not on the horizon.  When circumstances are beyond your power to change, how do you make the best of your bad situation?  What does that look like? Even if you can’t fix anything, how do you make it better for the people around you – or at the very least, not worse?  Scott tells us: you can be patient, supportive, and humble; see who needs help and offer it; be realistic but don’t give in to despair; and if you’re up against a wall with no hope of rescue, go out in a blaze of kindness.  We learn by imitation: it’s easy to say these things, but to see them in action, in much harder circumstances than we will ever face, is a far greater help.  And to see them exemplified by real, flawed, complicated people like us is better still; they are not fairy-tale ideals, they are achievable. Real people achieved them.
My upbringing in the 80s milieu of selfishness, which set me up to receive the Scott story so gratefully, is hardly unique.  There are millions of us who are hungry for a counter-narrative.  My generation is desperate for demonstrations of caring, whether it’s activism or social justice or government policies that don’t abandon the vulnerable.  We’ve seen selfishness poison the world, and we want an alternative.  The time for competition is past; we must cooperate or perish, but we don’t know how to do it because our mythology is founded on competition.  The Scott story, if told properly, explodes the Just World Fallacy, and liberates us from the lie that has ruled our lives: that you make your own luck.  What happens, happens: what matters is how you respond to it.  My obsession with accuracy is in part to honour the men, and in part because Cherry was the ultimate stickler and he’d give me a hard time if I didn’t, but also because, if I’m telling the story to a new generation, I’m damn well going to make sure we get that much RIGHT.  It’s been really interesting to see, online, how my generation and the next have glommed onto polar exploration narratives, not as thrilling feats of derring-do, but as emotional explorations of found family and cooperative resilience.  We love them because they love each other, and loving each other helps get them through, and we want – we need – to see how that’s done.  It’s time to give them the Terra Nova story, and to tell it fully, fairly, and honestly, in all its complexity, because that is how their example is most useful to us.  Not as gods, and not as fools, but as real human beings who were excellent to each other in the face of disaster.  I only hope that I, a latecomer to their ways, can do them justice.
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areyougonnabe · 4 months
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did you know that the screenplay for The Last Place On Earth by known socialist trevor griffiths (rip) is up on archive.org and you too can read the extremely insane and completely unfilmable original "play" (he consistently refers to it as a play) originally called Judgement Over The Dead (lmao) full of deleted scenes and historical easter eggs that somehow became the iconic* (*citation needed) 1985 miniseries???? well now you do
featuring, first and foremost, The Piano Twinks:
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and amundsen/nansen???
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and MY GOD BILLY WE ALL HAD SCURVY and BILL'S IMPLACABLE SYMPATHY
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and deranged montages that surely he did not imagine would ever make it into the final version
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and Young Bodies Begin To Glisten
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and amundsen's hemorrhoids (???!?)
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and BILLCON
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and cherry (as played by twink hugh grant) swooning delicately post-winter journey
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AND MORE BILLCON
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and tom crean :'''))))))))
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and The Canonical Canadian Exclamation
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anyway that's all barely the tip of the iceberg (lol) so if you're looking for a crazymaking way to spend the next few hours i highly recommend diving in
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nopickls · 9 months
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[WH Auden]
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amundsenxcook · 8 months
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edward wilsons illustration of mcmurdo sound
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