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#obsessed with these two and working on more stuff
0ne-eyed-ghost · 2 days
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HI uhhmmm hi :grin: n0.2 of the jashlings..... The mr Mind himself...... I gave him his own silly font isn't it wonderful These were completed so back to back what obsession even is this ANYWAY Soul will have to be in a bit he's still being concepted !!!! For now enjoy this loser........ /aff Loud thank you to my friends who helped me decide colors this took so many different re-tries on coloring????? Gold's hard to work with!!! I strongly associate Mind with lightning and storms from his songs alone, his voice is so gravelly and deep like thunder on the horizon... <3 He's a littttle bit more complex than my Heart ? Mostly due to like . His wish to be strong and a pillar for the group even if he's not all that. Main note being covering himself up to hide any of the vulnerabilities, Even those of which are just slight tremors in his hands and tucking in the extra wiring :] There's a little mechanism I made up for his masks specifically!!! The sun that hovers above his crown can sink down into it, connecting with a solid 'click' sound and disconnects whatever mask he had attached at that moment! Masks are supposed to resemble whatever 'emotion' he's trying to 'express' :] Similar to tragedy and comedy masks, but add an extra for aggression or anger something like that - Uhh Lastly he's got a couple different extra eyes for extra sight abilities ? Such as night vision, ultraviolet, and thermal ! All to come to deductions sooner or to calculate the variables on what could fuck stuff up :boom: would not want to be the other two at night walkin' around and just see bright blue eyes in the corner [teeth included] that'd be an experience
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hauntingrabbits · 2 days
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Happy Batman day! Went back and finished the last batch of the MLP AU I had sketched way back in May.
Part 1, Part 2
More info under the cut!
Enigma/The Riddler (Edward Nygma)
Intelligence and puzzle-solving are deeply valued among sphinxes, and those who fall short of their standards are often ridiculed and cast out. Among some (prejudiced) Sphinxes, other sapient, non-Sphinx species such as ponies are looked down-upon or seen as fundamentally inferior for not putting as much stock in puzzles and the like as sphinxes do.
Enigma, though considered a prodigy for his remarkable intelligence and skill with puzzles even among his fellow Sphinxes, was ostracized when a pony unfamiliar with Sphinx culture (a younger Sundown traveling Equestria for his training), humiliated Enigma by unraveling a puzzle of his that was meant to be judged as his final submission in a prestigious event, permanently staining his reputation and wounding his massive ego.
After years of quiet ridicule from his peers and his own growing obsession over the event, Enigma eventually snapped and fled to Gotham for revenge. His contempt has since spread far beyond that of the original pony he wished to prove his superiority over, and he now makes all of Gotham the target of his obsessive schemes, constantly trying to prove his superiority and feed his ego by putting ponies through his elaborate puzzles and riddle-based traps. He sees Batpony’s skill and determination in foiling him as both an inherent challenge to and a slight against his own abilities, reminding him far too much of that original pony from so long ago. 
Other notes:
-Apparently sphinxes in MLP have pony heads instead of human heads which makes sense I guess but it threw me through such a loop man.
-Whilst traversing the wiki I ended up with the same problem I had with chimeras in the first post where only one ever shows up in the series and there's no other info on them. So I made stuff up again.
- I imagine Sphinxes live a very long time, so the event Enigma was embarrassed at would probably take a long time to roll around again and he'd be forced to stew with his anger and wounded ego for far too long. I'm not sure what the puzzle was exactly or how Sundown dismantled it, but I imagine he did something extremely simple that a Sphinx would never have thought of (a la that software engineering joke), making it feel far more unfair and humiliating than if he'd solved in the intended way.
-His naturally crooked tail settles into the shape of a question mark, and the pattern on his arm is meant to look like a stylized question mark wrapping around his forearm (the "dot" is the white of his paw).
2. Miss Friday (Miss Tuesday)
Enigma’s teenaged assistant, Miss Friday seems to be the only pony the sphinx enjoys (or perhaps simply tolerates) the company of. Beyond her having met Enigma in Tartarus during their simultaneous imprisonments, the exact origins of her relationship to and exceptional status with her boss are a bit of a riddle in of themselves. Regardless, the two seem to have something of a mutual understanding, and Miss Friday’s mental prowess and dubious moral code are more than a match for Enigma’s own.
Other Notes:
-Yes this is a "The horse's name was Friday" joke. I'm sorry it was just too good to pass up.
-Miss Tuesday already sounded like a MLP name, but the horse named Friday thing was just too perfect for somebody who works under a guy who's whole thing is riddles. Also I relistened to the BTAA episode where she's introduced while coloring her and I noticed they reference His Girl Friday several times, so fun coincidence?
-The candy-striped leg patterns are based on her canon costume's striped pants & are meant to mirror the Riddler's wrapped leg pattern. The dark patterns on her face are supposed to be reminiscent of eye bags.
3. Mania (Bat-Mite)
Bat-Pony’s self-proclaimed biggest fan, Mania is a Draconequus embodying the spirit of obsession. Normally he watches the hero from his own dimension, but at times he tries to insert himself into the narrative or help Sundown fight, both to varying degrees of success. Though he genuinely adores Bat-Pony, Mania is usually more of a hindrance than a help, and can even be directly antagonistic at times when his obsession goes too far. 
Other notes:
-Similar issue to Chimeras and Sphinxes, only two Draconequuses (Draconequui?) show up in the series, one being Discord (embodying chaos), the other being a comics-only villain known as Cosmos (embodying malice), but honestly what little we're given worked super well for the character anyway. Discord seems to come from his own unique plane of existence/dimension and Cosmos has similarly strange origins; both have penchants for causing mischief with incredible reality-warping powers; and both embody non-physical concepts. Bat-Mite being a reality warping 5th dimensional creature obsessed with Batman was surprisingly easy to adapt.
-He has the head of a pony, a ferret-like body, two front rat paws, mite antennae, an insectoid wing, a bat wing, a pigeon foot, a chevrotain (mouse deer) foot, and a monkey tail. I tried to have him mostly made up of animals that were very small, seen as mischievous, and/or seen as pests.
4. Poison Ivy (Pamela Isley)
Said to be more plant than pony, Poison Ivy is the self-proclaimed princess of the Green. Though once a regular Earth pony, she began to spiral after receiving her cutie mark and fully coming into her powerful natural attunement to plant life. Fleeing into the nearby forests on the outskirts of Gotham, she wasn’t seen again until many years later when Gotham’s city refurbishment and expansion efforts began to encroach on the forests borders, where she reemerged with strange new powerful magic and retaliated violently.
Though she isn’t recognized politically or physically as an alicorn, plants grow from the flesh of her body in the pattern of a horn and wings characteristic of those born into or bestowed with royalty, and the strange natural magic that accompanies them seems to almost rival that of a true alicorn’s.
Other notes:
-I dont really have anything to add to this one I just thought a false alicorn would be a cool concept.
-the whole alicorn royalty thing is very strange to think about isnt it? I feel like the ruling class having such insane amounts of physical and magical power probably has much more pressing ramifications than ever was, would, or should be addressed in a kids show but they are fun to think about.
-Her actual name is Poison Ivy, yes. It sounded like a pony name. I don't know what that says about her parents.
-The leaf wings are folded down in the graphic but I think they are flighted, or at the very least useful for gliding and expressing emotions.
5. Saltbrine (Oswald Cobblepot)
Short, stout, and flightless, Saltbrine’s moniker of “The Penguin” has its origins in the taunts of his peers from his youth. Though the title has persisted into the current day, it’s often spoken with far more fear and trepidation throughout the alleys and backstreets of Gotham than ridicule. Saltbrine owns two of Gothams most well-known businesses, one being the luxurious, high-class Iceberg Lounge…and the other being the organized crime syndicate the former acts as a front for.
Other notes:
-Again don't have much to add to this one. One of my favorite designs though, I love the giant beak face.
-The bird half is actually based on a puffin, because a penguin felt too on the nose for Oswald and too strange for a hippogriff (I couldn't get the wings or face to look right at all either). I feel like the title being an insult works a little better if he's not literally half-penguin.
-he's the same color my club penguin avatar used to be (RIP)
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simpjaes · 3 days
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i feel like a stalker reader fic with a plot twist of sunghoon being a stalker even before reader was obsessed with him (kind of like a mastermind where he plotted how and when they would meet first) AND A FREAKY ONE AT THAT is only a fic that you could possibly write
and you're right about that bc i do believe i'd slay that shit if I ever got around to it.
a/n: this was meant to just be a thought but i got a lil lost in it lmfao.
Like, the idea of Sunghoon being obsessed with you since fuckin' senior year of high school because he transferred there. He was vulnerable when he transferred due to home life stuff forcing the move, and he had close to no one save for a dad who was never home. You were the first person to say hello to him and that singular greeting made him grow attached.
and he'd like, watch week after week. sometimes you'd greet him in passing but never really approach him or anything. he would be too far attached already to approach you himself too, because he feels socially awkward. he is socially awkward. No one back at home liked him much either so his confidence isn't quite high enough to peruse you.
anyway, shoot to college. maybe....he's been like...yknow....doing his research on you since he transferred back in highschool. maybe he's doing the same degree path as you.....maybe he did some snooping to land in the same university, taking the same classes....at the same times as you.........
he's grown very smart about this tho bc like, you'd never second guess why you're always seeing that handsome guy everywhere. maybe you guys are just more alike than you could have thought. and you wouldn't grow your own little crush turned obsession until he you noticed how he ignored you.
you never saw him glance or stare. he'd brush you off any time you try to greet him, he'd always speak in class with confidence, making you feel like he's...very very very intelligent. and it's like, woah, he acts so different compared to high school. you're into him kinda....there's nothing wrong with a lil crush right?
lil crush turns HUGE crush when he ends up at all the same parties you attend. always lurking in a corner by himself looking handsome and untouchable, sometimes with other girls approaching him. these are the moments you'd catch his drunken eyes on you from time to time. Or maybe he's just catching you staring. you're not sure of yourself anymore by this point.
still he wouldn't make any moves or efforts to talk to you. little crush turns to big crush. big crush turns to you wanting to learn more about him...and learning more about him turns to you consistently checking in on his social medias that he rarely updates....asking about him around campus when you manage to land in a room where he isn't, hoping he shows up to more parties..etc.
you wouldn't realize the stalker behavior you're exhibiting til it was too late. he'd be all too fond of it though, knowing he's managed to catch your attention by giving you none at all. what a needy little doll.
It's not until you dead ass find out where he works part time and you're filling out your own application before you realize that maybe you're going a bit too far. when he ends up being there during your interview though, you're a bit too blinded by wanting to know more about him to think too hard about it.
and so, the two of you are working together, going to classes together, attending parties together...except separate. and it's driving you up a fucking wall because surely it's because he has a girlfriend right? but you never see her. you can't find any trace of someone he's with on social media. never on campus, at work, no where. so, lets say you guys end up at a party again and you really do lose it.
lots of alcohol in your system, sunghoon looming in a corner, side eyeing pretty girls who stare at him. you'd be the one staring the most, walking up to him while forgetting how to breathe, only realizing you might actually be in love with him when you try to reach for his shoulder with a brain so empty you forgot what you wanted to say. "Hm?" he'd hum at you with a raised, unbothered brow. His skin prickling at the way your shaking hand grabs at him. He calms himself through it though, having jerked off enough to the mere thought of these hands on him nightly since he met you. He knows how to calm down now. "I'm like, in love with you, maybe." You'd slur out, stupidly with an embarrassed but hopeful expression. Sunghoon's unbothered demeanor wouldn't change, but the setting would. He'd take your hand and guide you without a word, outside, into his car, and he wouldn't say a anything to you through it until he'd driven and parked somewhere entirely secluded. [He's sober btw, you make him drunk enough.] "Do you even know how much I want you?" He'd mumble so quietly you wouldn't be able to hear him over the thumping of your heart, but you stare at him, watching his lips move as he tries to speak. You watch him the whole time, feeling safe in this secluded spot with a man you've grown obsessed with. Your body reacts and moves on instinct as he sits there. You can't fucking stand being so close yet so far from him. "I don't know what you're saying to me." You'd mumble and slur out to him, far too drunk than you originally thought now that there is no loud and booming music to drown your thoughts out. "You never do." He frowns, leaning towards you and practically pinning you to your seat by energy alone. His entire body feels like it's on fire, cock twitching, heart jumping. "You want me?" You nod, breathing softly and deeply as you look at him. Of course you want him. "How bad?" He follows up. "As badly as I've wanted you?" You nod again. "You sure?" Another nod.
His eyes go vacant now as he stares at you, adjusting his body on top of yours in the cramped space of his car. You feel his nose nuzzle against your neck as he inhales deeply. He groans slightly at the scent, never able to smell you so fully except for in passing. This alone could satisfy him for life if he wanted it to. "Show me then." He nearly demands, wanting you to be the one to prove all of his work to get to this point is truly coming to fruition. Wanting you to make all of the first moves. Wanting you to do it all for him.
And, well...you do.
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ssa-dado · 3 days
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4 - Thesis
Aaron Hotchner x bau!fem!reader
Genre: fluff, slow burn
Summary: Gideon urgently pulls Hotch and you into a complex case, leading to a sleepless night of intense work discovering the unsub's fascination with a symbolic, twisted version of a note design. Despite exhaustion, your insights prove invaluable, strengthening your bond with Hotch as partners as something seems to shift. As Rossi and Gideon joke about their own partnership comparing it to your own with Hotch, it’s clear that a deeper connection is unfolding. Warnings: Usual CM case stuff described in detail, Sapio intoxicating chemistry, Rossi going wild.
Word Count: 6.1k Dado's Corner: Is it fair for me to say that I'm obsessed with the two of them? Like c'mon get together already. Note to self: never study for your history of architecture exam again while being obsessed with a crime show, even if this dream I had inspired this chapter. I am afraid of my own mind. Enjoy these bigger breadcrums while you can
previous part ; masterlist
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Thesis - Hotch’s smile widened, his eyes crinkling in that way that had become increasingly familiar. “Maybe. But we make a strong duo, and I wouldn’t change that."
Gideon appeared in the doorway of his office, his usually calm demeanor slightly more tense, he scanned the room, his eyes settling first on Hotch, who was engrossed in a case file, and then on you. There was a look of deliberation on his face, as if he’d been weighing this decision for some time.
“Hotch, Y/N,” Gideon’s voice cut sharply through the bullpen, laced with urgency that left no room for hesitation. “I need you both at the train station in 30. Grab your go-bag, there’s no time.”
Hotch’s head snapped up, a flash of confusion in his eyes that matched your own. You exchanged a fleeting look, a mix of surprise and adrenaline sparking between you. It was only your second time being directly pulled into one of Gideon’s cases, and you couldn’t deny the rush of nerves mingling with excitement. This was what you had been working so hard for: to be trusted, to be out there on the field.
You didn’t waste a second. Hotch nodded at you, a silent agreement to move quickly, and the two of you scrambled to collect your go-bags, the weight of the situation palpable. Gideon was already halfway out the door, and you barely had time to sling your bag over your shoulder before sprinting after him, Hotch close on your heels.
The ride to the station was a blur, Gideon’s SUV tearing through traffic as if the urgency of the case had seeped into the very engine. The city whirled past in a smear of lights and noise, each stoplight feeling like an eternity as the clock ticked down.
“We’re cutting it close,” Hotch muttered under his breath, his gaze locked on the navugator as he calculated every second lost to traffic.
You glanced over at him, his usually calm demeanor strained by the pace. “We’ll make it,” you said, more to convince yourself than him, feeling the SUV lurch forward as Gideon pushed the gas harder.
The station finally loomed into view, the blare of train horns filling your ears, Gideon pulled to an abrupt stop, the SUV barely parked before you and Hotch were out the door, sprinting towards the platform.
“Which track?” you asked, your voice edged with urgency as you scanned the sea of people.
“Track 4,” Gideon called out, his tone clipped as he led the way, dodging through the crowd with a precision that only came from years in the field. Hotch was right behind him, his stride purposeful, and you kept up, adrenaline driving you forward.
Inside, Rossi was already seated scooted newt to the window, a wry smile tugging at his lips as he flipped through a stack of manila folders filled with crime scene photos. He looked up as you, Hotch, and Gideon rushed into the coach, sarcasm lacing his voice. “Well, well, look who decided to show up. Another minute later, and you’d have had to wait six hours to catch the next train by sheer coincidence.”
Gideon ignored the jab, his focus entirely on the case as he took the seat beside Rossi. Hotch gave you a quick, knowing glance, Rossi’s dark humor was just his way of dealing with the tension, and you both settled in, bracing for what was about to unfold.
Rossi slid thefolders toward you, each one packed with gruesome crime scene photos, autopsy reports, and detailed maps dotted with red marks. The images were laid out in stark, brutal clarity: victims of varying ages, genders, and backgrounds, each one more unsettling than the last. It was clear from the first glance that this was no ordinary case.
Gideon broke the ice, addressing you all. “We’ve been tracking a series of murders across five states. Each one is escalating in both violence and complexity. The victims seem random: different ages, genders, backgrounds. But there’s a pattern here, one that’s been slipping through the cracks.” He pointed to a topographical map spread across the table, each crime scene marked by a pin as the locations created a road map of horrors that the unsub was crafting.
“We’re missing something,” Gideon continued, his eyes scanning the photos again. “And we need to find it before this turns into something even worse.”
Rossi leaned back, his eyes narrowing at the map as he considered the gruesome puzzle before them. “Hope you two are ready,” he added, his voice losing the sarcasm, now laced with a hint of urgency. “We’re running out of time, and this guy isn’t waiting around for us to catch up.”
Gideon continued: "This unsub is not just killing for the sake of it, he’s making a statement.”
Hotch studied the pictures in his file intently, his eyes narrowing as he analyzed the data. “What kind of statement?”
Rossi leaned forward, setting down the photos. “He’s treating these murders like a grand design, but what that is, we haven’t figured out yet. That’s why we need fresh eyes on this, someone who can see what we might be missing.”
Gideon’s gaze shifted between you and Hotch, and you could feel the unspoken pressure settle over you. “That’s why I’m bringing the two of you in on this, we need different perspectives: Hotch, your tactical and organizational expertise and Y/N, your philosophical insight. We believe this unsub’s actions are possibly influenced by a deeper intellectual motive, they are too calculated.”
Your heart quickened at the prospect of tackling a case of this magnitude. You had been itching to prove yourself on something more complex, and this seemed like the perfect opportunity. Hotch, meanwhile, maintained his calm, analytical demeanor, though you could tell by the way he was already flipping through the photos, his fingers on his right hand fidgeting, that his mind was churning with possibilities.
“What do we know about the victims?” Hotch asked, breaking the silence.
Rossi clicked again, bringing up individual profiles of the victims: names, ages, occupations. “They range from college students to retired professionals, all abducted within a few miles of their homes and found in remote locations weeks later. Cause of death varies: strangulation, blunt force trauma, some even poisoned. The one constant is the way they’re buried: each positioned carefully, with their hands folded as if in a state of peace.”
Hotch glanced at you, his eyes flickering with a hint of something, was it respect, or perhaps curiosity? “What do you think, Y/N?”
You leaned in, your eyes scanning the screen as you absorbed the details. “This isn’t just about control. He’s performing, staging these bodies in a way that reflects some internal logic or belief system, making each victim part of a larger narrative.”
Hotch agreed, his voice firm. “We need to visit these sites. We can start with the most recent site. We need to get ahead of this guy before he escalates again.”
As you arrived to the police station, you immediately gathered your notes and headed out to the SUVs, your mind racing with theories and questions. The drive to the first burial site was tense, each of you lost in your thoughts. Hotch was focused, his eyes fixed on the road, while you sifted through the case file, trying to absorb every detail. When you finally arrived, the scene was breathtaking: a hillside with a clear view of the surrounding landscape, marked by the telltale signs of the unsub’s careful work.
You and Hotch began analyzing the site, marking the locations of the victims and sketching the layout. It was slow, painstaking work, but every detail mattered. The entire time, you felt Hotch’s eyes on you, analyzing your every move, testing your instincts. You overcompensated by diving into every bit of evidence, pushing yourself harder than usual. You wanted to show them that despite your academic background, you could handle the practical side of profiling just as well.
“What do you see?” he asked, crouching beside one of the markers. “Anything that stands out?”
You squinted at the slope, trying to piece together the bigger picture. The way the victims were positioned, the spacing between them: it wasn’t random.
“He’s not just picking random spots,” you said, more to yourself than to Hotch. “The bodies are placed with a purpose, almost like... coordinates on a map.”
Hotch looked up, intrigued. “Coordinates?”
You nodded, pointing to the markers. “Think of it like a blueprint. He’s not just killing; he’s mapping something out. The hill, the elevation, even the orientation of the bodies, they all look like elements of a larger design.”
Hotch studied the scene, his expression intense. “A design that only he understands.”
You stood side by side, feeling the weight of the case settling over you both. And as you exchanged a look with Hotch, you realized that whatever this unsub was building, you were determined to tear it down, together, even if this was only the beginning.
By the time you returned to the accommodation that night, you were beyond exhausted, but rest wasn’t an option. The case had drained not only your energy but also the BAU’s humble budget, most of the funds had gone to buying last-minute train tickets to get the team out there as fast as possible, leaving little room for comfort. Rossi’s expectation of privacy had taken another hit, and at that point you were convinced the Bureau was skimping on accommodations just to see how long it would take for him to snap. At this rate, if they kept pushing, being aware of Rossi’s sassy side, you were sure he’d threaten to leave the BAU over it.
“You’ll be sharing with Hotch,” Gideon had said without much ceremony as you stood in the cramped hallway, barely keeping your eyes open. “Rossi and I have the other room.”
You exchanged a quick, knowing look with Hotch, both of you too worn out to even joke about the fresh material handed to you on a silver platter: Rossi and Gideon sharing a room yet again, practically married at that point. But the urgency of the case weighed heavily on everyone’s shoulders, and you didn’t have the energy to tease, not when the job ahead was still so daunting. You both simply nodded, both of you being aware that it wasn’t the best time to make light of the situation. Hopefully there would be time for that later, if you ever got a chance to catch your breath.
When you and Hotch arrived at the room, he carried himself with the same cool composure he always did. "You can take the bed by the window," he said, setting his go-bag down on the other bed. "I don’t mind."
"Thanks," you muttered, grateful for the small gesture. You unpacked your things in silence, acutely aware of every sound, every movement as the daunting images of the day still haunted your mind. Hotch didn’t seem bothered at all, which you found almost impressive. He had this remarkable ability to compartmentalize everything, to keep his personal and professional lives neatly separated, while you were still trying to learn that.
The night stretched on, but sleep remained elusive. You and Hotch sat in the dimly lit hotel room, the hum of the overhead lamp the only sound besides the steady scratching of pen on paper as you pored over the case files. The victims’ faces stared back at you from the photographs, haunting in their stillness, each one a piece of the gruesome puzzle you were trying to solve.
"We need to reconsider the pattern of these burial sites," Hotch said, his voice low, as though speaking too loudly might disturb the dead. He rubbed the bridge of his nose, his eyes tired but focused. "There's something deliberate here."
You nodded, flipping through the photos. "It’s too precise to be random."
Hotch spread out the map on the desk, meticulously marking the locations where each body had been found, his movements precise and controlled. “If we can figure out the geographical connection, we’ll be closer to understanding the unsub’s mindset. He’s organized, methodical. This guy sees himself as superior, smarter than everyone else. But it’s not just about the killing. He’s making a statement, flashing his intellect.”
You studied the photos and map intently, feeling a strange pull as you tried to make sense of the unsub’s pattern. “It’s intellectual arrogance,” you said, your voice edged with conviction. “He’s not just trying to get away with it; he’s challenging us to keep up. He wants us to see how clever he is.”
Hotch glanced at you, he could sense you were onto something, something that went beyond the surface details.
Meanwhile, your focus returned to the crime scene photos, and your attention locked onto the contours of the hill where the bodies had been buried. The arrangement was far from random, there was a disturbing intentionality in the layout, as if every placement had been meticulously planned.
“The hill’s shape,” you murmured, more to yourself than to Hotch. “It’s not just any hill. There’s an intentional pattern here. It’s like he’s using the terrain itself to say something.”
Hotch leaned in, catching the shift in your tone. He was intrigued, but he knew better than to interrupt your thought process. “What are you thinking?” he asked, his voice low, patient, almost coaxing you to continue.
Without responding directly, you grabbed a blank sheet of paper and laid it flat on the desk. Hotch watched as you began sketching an axonometric view of the hill, marking each burial site with quick, deliberate strokes. His brow furrowed as you connected the dots, each line revealing something more intricate.
“You’re mapping it topographically?” Hotch asked, leaning closer, the shift in his body language showing his growing interest. “Like a three-dimensional geographical profile?”
You nodded, the thrill of discovery pushing you forward. “Yes. The placements aren’t just random; they’re about the shape of the land. Look here.” You pointed at the locations marked on your sketch. “If you connect the burial sites, they form a spiral, a descending path down the hill.”
Hotch’s gaze sharpened as he traced the spiral with his eyes. “A spiral… That’s deliberate. It’s not a shape we see often in criminal cases. It suggests precision, control, narcissism. He’s not just killing, he’s orchestrating a narrative. He’s not just above everyone but also he’s putting himself on display, like an artist with his masterpiece.”
You nodded, and a familiar philosophical concept began to take shape in your mind. “This isn’t just about his ego—it’s about his worldview. It reminds me of Hegel’s dialectics, which are often geometrically visualized as a spiral. Think of it like climbing a mountain: each step forward, the thesis, faces resistance - the antithesis - and then finds a way forward, the synthesis. The journey isn’t linear. It’s about overcoming obstacles, each one contributing to a higher level of understanding.”
Hotch’s expression tightened, understanding where you were going with this. “But he’s twisting that. Instead of climbing, he’s descending. He’s turning the idea of progress on its head. This isn’t evolution; it’s devolution. He’s rewriting the narrative, making his own rules.”
You paused, something clicking into place as you stared at the drawing. You turned the page slightly, looking at it from a new angle. “But why a spiral? Why this particular hill?” you murmured, almost thinking aloud.
Hotch watched you closely, seeing the wheels turning in your mind. “What do you see?”
You flipped the drawing around, angling it from his perspective. Your pulse quickened as the shape of the spiral took on a new form, one that tugged at your memory. “Look at it upside-down.”
Hotch tilted his head, his eyes following yours as the spiral transformed before him. It wasn’t just a path on a hill—it was something far more deliberate and grandiose.
“This hill…” You traced the lines again, pointing out the specific angles, the calculated precision. “The way the bodies are arranged, the proportions between the hight and the width of each turn, the precise slope that the path follows. The way each of these elements have been designed in a human scale"
"It's architectural, something grand and of cultural importance, like a temple, a church, a museum..." Hotch finally understands.
"Yes, you're right! Wait, what if it resembled the structure of the Guggenheim Museum in New York? Wright designed the volume of the main exhibition hall as an inverted hollow truncated cone, the distribution corresponds to a ramp spiraling upward. But our unsub has flipped that idea on its head.”
Hotch’s brows shot up, surprise flashing across his face. “The Guggenheim? You’re saying he’s mimicking Frank Lloyd Wright’s design?”
“Not exactly,” you replied, your excitement spilling over. “It’s not a copy, but it’s inspired. Think about it: the Guggenheim is all about ascension, showcasing art as you move upward. But here, the unsub’s using the land to create a reverse. The bodies are placed almost like the artworks displayed on the walls of the museum, but instead of ascending, they’re spiraling down, each one a grotesque ‘exhibit’ in his twisted gallery.”
Hotch looked at you, a rare smile tugging at his lips, something warmer than his usual stoic demeanor. “Are you sure you secretaly also don't have an architecture degree?”
You laughed, caught off guard by his sudden lightness, you teased him starting an over the top philosophical rant “Nope, just psycology, linguistics and philosophy. Although architecture and philosophy aren’t so different. For Hegel, architecture represents humanity’s attempt to impose order on the natural world, creating structures that embody collective meaning. It’s not just about function, but about revealing the spirit of a specific time, showing how men connect with their environment through design and symbolism.”
Hotch chuckled softly, the sound low and unexpected, and it made you smile wider. “Keep talking like this, and I might have to suggest you take up teaching. You’ve got the lecture style nailed.”
Feigning mock offense, you shot back, “Careful, Hotch, or I’ll end up rewriting your whole syllabus."
Hotch’s eyes softened, a playful glint flashing in them, something uncharacteristic but welcome. “You rewrite my syllabus, and I’ll make sure to audit your classes. Fair trade?”
You shared a brief moment, the light banter cutting through the tension that had weighed on you both throughout the case. It was quick, but it left a lingering warmth, a connection that felt deeper than the job itself, a quiet intimacy that spoke volumes without needing any more words.
You cleared your throat, bringing the focus back. “We need to verify this before we present it. I need to check the actual measurements of the Guggenheim floors, just to be sure we're not reading too much into this.”
Hotch glanced at his watch, calculating the remaining hours of the night. “There’s a library a few miles from here. If we hurry, we can make it before it closes.” He grabbed his jacket, already moving toward the door, pausing only to look back at you with a determined expression. “I’ll drive.”
You smirked, brushing past him as he held the door open. “You always do.”
It was nothing grand, just a small, familiar gesture in the stillness of the night, but it carried a weight that lingered in the air between you, subtle yet undeniable.
Walking side by side, you couldn’t quite pinpoint the shift, but it was there, a quiet, unspoken connection that felt like uncharted territory. This case, and whatever was unfolding between you and Hotch, was leading you somewhere neither of you expected.
The drive to the library was filled with a comfortable silence, Hotch’s expression still carefully composed, but there was a softness in his features now, a slight relaxation in his usually tense posture. It was a small change, almost imperceptible, but you noticed, and though neither of you would acknowledge it, something was shifting.
Arriving at the library, you quickly located a book on modern American architecture and flipped to the section on the Guggenheim. You traced the diagrams and floor heights, your finger running over the details as you compared them to your axonometric drawing of the hill. But as you scanned the measurements, your heart sank, the pieces not fitting the way you’d hoped.
“The measurements don’t match,” you murmured, the weight of disappointment settling in. “We were wrong.”
Hotch stood beside you, close enough that you could feel his presence, grounding you. He didn’t seem fazed by your frustration, instead, he studied the diagrams with calm determination, his brow furrowing slightly. “Wait,” he said, his voice steady. “What if the unsub isn’t using American measurements? What if he’s thinking in meters instead of feet?”
You looked up at him, your eyes meeting his as the realization clicked. There was a spark of something that passed between you, lingering longer than it should. “Of course. If he’s from a country that uses the metric system, he’d think in meters.”
Your fingers moved quickly, recalculating the heights and converting them into meters. As the numbers shifted, everything started to fall into place: the spiral, the Guggenheim, the inverted truncated cone. It all made sense. The measurements lined up perfectly with the victims’ positions on the hill, validating the theory that had seemed so impossible just moments before.
“We were right,” you whispered, relief and amazement flooding through you. “He must have studied or lived in a country that uses the metric system. His entire design is based on that.”
Hotch’s eyes met yours, a rare warmth flickering there as he gave a small nod of approval. “Good work,” he said softly, his voice carrying a note of pride that sent a flutter through your chest. “We’ve got the final piece.”
As you left the library, the first light of dawn painted the sky in soft hues, a quiet promise of a new day. You and Hotch exchanged a glance, something unspoken passing between you. The night had been long and exhausting, but the shared victory left a sweet spark lingering in the early morning air. Neither of you could put a name to it, not yet, and neither of you seemed ready to let go of whatever was unfolding.
As you and Hotch entered the hotel lobby, Rossi and Gideon were waiting, both looking ready for the day’s briefing despite the early hour. Rossi leaned against the reception desk, watching the two of you with a bemused expression.
Gideon glanced at his watch and then back at you both, his eyebrow lifting in mock surprise. “Did you two even sleep, or are you trying to set a new BAU record for consecutive hours worked?”
Rossi smirked, shaking his head as he took in the sight of you and Hotch, the unspoken exhaustion clear in both of your eyes. “I’m starting to think you two don’t even know what a bed looks like. Or maybe you’re just having too much fun playing detective all night?”
You and Hotch exchanged a knowing look, a silent acknowledgment of the sleepless night. The bond between you had been growing steadily, marked by subtle shifts and stolen moments, and while neither of you would admit it, you were becoming more in tune with each other’s rhythms, especially when it came to the job.
“Not exactly,” Hotch replied, his tone dry and laced with just the faintest hint of a smile. You couldn’t help but notice the way his eyes crinkled slightly at the corners, the way he carried himself: focused, determined, and maybe just a touch lighter in your company. “But we cracked the code.”
Rossi chuckled, crossing his arms. “Next time you two decide to pull an all-nighter, let me know. I could use your room and finally get some privacy around here.”
Gideon’s usual sternness softened slightly at Rossi’s jab about the lack of personal space, though his focus remained sharp. “So, what’s the breakthrough? You’ve been at this all night.”
You and Hotch launched into your explanation, laying out the theory behind the inverted spiral, the Guggenheim, and the unsub’s likely academic background. As you spoke, you couldn’t help but steal glances at him, noticing the way there was a certain intensity about him when he spoke, an underlying passion that only surfaced when the pieces of a case started to align.
Hotch continued, drawing the connections between the spiral and the unsub’s obsession. “We read at the library that Frank Lloyd Wright’s designs are not just architectural; they’re philosophical. Wright didn’t just build structures, he crafted experiences, integrating his work with nature in a way that transcended the ordinary. Our unsub is attempting something similar, but in a twisted, lethal manner.”
Rossi leaned back in his chair, stroking his chin thoughtfully. “So, he sees himself as an architect of death. He’s not just killing, he’s designing each murder, making it a part of a grand, dark statement.”
“Exactly,” Hotch agreed, his voice steady yet charged with conviction. “He believes he’s creating something monumental. The spiral is his signature, an artistic flourish that he believes sets him apart. And the use of the metric system? That narrows our pool of suspects significantly. He’s likely foreign or has spent a significant amount of time studying abroad, probably in Europe where Wright’s influence still holds sway.”
You nodded, and as your attention drifted to Hotch, you couldn’t help but notice something captivating; Every time his gaze shifted toward Rossi, standing in front of the window with the morning light filtering in, the usual dark intensity of Hotch’s eyes softened, revealing an unexpected depth. What you had always thought of as a near-black now transformed into a rich, warm chestnut, flecks of amber catching the light. It was a subtle shift, but one that unveiled an unexpected beauty you hadn’t fully appreciated until now.
As your mind kept wandering, another thought emerged - one that eroded the edges of your consciousness. “There’s one more thing,” you said, your tone laced with urgency. “If the unsub is using the spiral as a symbol of his intellect and superiority, he’s not finished. He’s building toward something, a final project. If we can figure out what that is, we can anticipate his next move.”
Hotch exchanged a look with you, as if you stole the words that still hadn't left his mouth yet, a flicker of shared understanding passing between you both. You had spent enough time working together that night you could read his thoughts before he spoke, and he could anticipate yours.
“We need to revisit the burial site” Hotch said, his tone thoughtful yet precise. “Pay close attention to any symbolic references, especially those linked to architecture. He’s not just mimicking Wright’s designs; he’s embracing Wright’s philosophy. Y/N pointed out that Wright believed architecture was an extension of the self, an embodiment of personal ideals. This unsub sees his work the same way.”
“Wright’s designs were about breaking the mold,” you said, adding to Hotch’s theory. “Wright was a revolutionary who viewed his designs as more than just buildings, they were personal expressions, challenges to traditional norms, and a reflection of his unique vision of the world. He wanted to create spaces that defied conventional expectations. Our unsub has a similar mindset: a desire to be seen as intellectually superior, someone whose ‘work’ can’t be understood by the average person.”
Rossi leaned back, a thoughtful look crossing his face. "Did he work on residential projects or did some urban planning of his has been realised by any means?"
You understood where Rossi was going “What about the Usonian Houses project?" You turned to Hotch, eager to know if he thought the same thing as well.
He nodded, his focus sharp as he continued explaining to the seasoned profilers. “Usonian Houses were Wright’s vision of the future, simple yet sophisticated homes designed to revolutionize American living. Each one was crafted with meticulous attention to detail, they weren’t just houses; they were statements. Wright designed each to be unique, tailored to the landscape and the needs of the homeowner. If our unsub idolizes Wright this deeply, it’s likely he lives in one of these homes himself. To him, it would embody everything he values: elegance, meticulous control, and the feeling of being distinctly set apart from everyone else.”
As Hotch spoke, his voice steady and assured, you couldn’t help but be drawn in, not just by his words but by the way he delivered them. There was a quiet passion in his explanation, Hotch’s understanding of Wright’s philosophy wasn’t just an analytical connection; it was something he seemed to grasp on a deeper level, and as you listened, you couldn’t help but feel captivated by when he hit on something that truly fascinated him.
“He’s not just living in a house,” Hotch continued, his gaze flicking to you for a brief moment before returning to the team. “He’s living in a symbol of his superiority. A Usonian House would be his sanctuary, a place where he can manipulate, control, and perfect every detail, just like he’s doing with his crimes.”
You watched him as he spoke, noting the way his hands gestured slightly when he was particularly engaged. It was easy to get lost in his presence, to feel the pull of his passion for the subject as much as the pull of the case itself.
The realization struck you like a jolt of electricity. “And the Usonian Houses were Wright’s vision of perfection. Our unsub is killing according to those values. His admiration for Wright is more than just an interest, it’s a driving force in his crimes.”
Gideon, who had been listening intently, chimed in. “Then that’s where we start. We need to find any Usonian Houses in the area. Let's also focus on finding previous owners, or people curating them.”
The team moved swiftly, sifting through public records and historical registries. It didn’t take long for Hotch to uncover a promising lead: a privately owned Usonian House on the outskirts of a nearby town, linked to a man who fit the unsub’s profile perfectly. He was a reclusive former adjunct professor of architectural history, Victor Langley, with a history of erratic behavior and academic conflicts.
Rossi scanned the details, his eyes narrowing. “Victor Langley. Let go from his teaching position two years ago for increasingly bizarre behavior and clashes with his colleagues. Neighbors say he’s practically a ghost, only seen when he’s making strange modifications to his house.”
Gideon hung up the phone, his expression grave. “He’s barely seen outside. This house isn’t just where he lives, it’s his world, where he feels in total control.”
Hotch glanced at the three of you, his gaze intense, his determination unmistakable. You noticed the set of his jaw, the unwavering focus that drew you in every time he spoke. “This is his base, where he plans everything. Just like Wright used his designs to reshape the world, Langley is using his house to orchestrate his murders, and that’s where we’re going to find him.”
As Hotch turned to you, his eyes locked on yours with a newfound intensity. The nature of the sudden shift you had on him was becoming impossible to ignore, but for now, there was a job to finish before you could tackle it with some healthy dose of introspection.
The team mobilized quickly, setting up a perimeter around the property. As you approached, the Usonian House loomed in the distance, its low-slung roof and natural stone walls blending into the landscape. It was a beautiful, breathtaking reminder of Wright’s genius, but now, a testament to Langley’s horrors.
Rossi led the team as you breached the property, moving swiftly and silently. The house was meticulously kept, with architectural books stacked neatly on shelves, blueprints scattered on a large oak desk, and walls adorned with sketches of spirals and complex designs.
As you watched Langley being taken away, you couldn’t help but feel a strange sense of finality. The case had been riddled with the unsub’s twisted interpretations, but you had seen through his façade, piecing together the puzzle of his mind in a way that Wright himself might have appreciated, if only for the sheer madness of it all.
Back at the precinct, the team gathered for the debriefing, dissecting every detail of Langley’s motives and the psychological profile that had driven him down such a twisted path. As each member contributed their insights, you found your gaze drifting toward Hotch more than once, catching the subtle way he absorbed every detail, his mind always one step ahead. As the meeting wrapped up, Hotch made his way over to you, his usual stoic expression softening as he nodded in approval.
“You did very well on this one” Hotch said, his voice low but carrying a rare warmth.
You felt a flicker of pride, buoyed by his words, and met his gaze with a smile. “Thanks, Hotch. But honestly, I was amazed at how much you knew about Wright. The way you absorbed everything at the library and explained it with such passion… it was impressive.”
Hotch’s lips curved into a rare, genuine smile, one that made his eyes light up in a way you couldn’t help but notice. “Guess I’m a quick study, or maybe I had a great teacher last night” he replied, the faintest trace of humor in his voice.
Before either of you could linger too long in the moment, Rossi strolled over, wearing a teasing grin. “You two are becoming quite the dynamic duo. But if you keep pulling these all-nighters, it’s gonna be the death of you both. I’m starting to think you two might need separate rooms next time.”
Gideon joined in, smirking as he gave you both a knowing look. “You work well together. Almost too well, if we’re not careful. The sleepless nights aren’t exactly in the job description.”
Hotch glanced at you, a glimmer of humor in his eyes as he replied, “Guess we’ll just have to be careful not to wear each other out.”
Rossi walked by, overhearing just enough to join in on the banter. “You two keep up these all-nighters, and one of you is bound to keel over. I’m starting to think you two might need separate rooms next time, I don’t think the Bureau’s budget covers whatever happens if you both get too lost in academic theories.”
Gideon, passing by with a knowing grin, chimed in. “Or we’ll have to start charging for private architecture lectures. Next time, just tell us before you decide to pull an impromptu masterclass, you work well together. Almost too well, if we’re not careful. The sleepless nights aren’t exactly in the job description.”
You laughed, sharing a quick look with Hotch that spoke volumes about the night spent working side by side, both of you pushing the boundaries of professional detachment. “Yeah, I guess we need to make it a rule: no more overnight research sessions unless we’re getting hazard pay.”
Hotch shook his head, a soft laugh escaping as he tucked his hands into his pockets, the moment light but undeniably intimate. "I’m starting to think we’re a bad influence on each other.” You affirmed
Hotch’s smile widened, his eyes crinkling in that way that had become increasingly familiar. “Maybe. But we make a strong duo, and I wouldn’t change that.”
The words hung between you, and as the team dispersed, you and Hotch headed to a quiet room to finish filing the last reports. The precinct buzzed with the usual post-case atmosphere, but as you worked side by side, the world seemed a little quieter, the connection between you both impossible to ignore.
Meanwhile, back in the main room, Gideon leaned against the wall, his eyes fixed on you and Hotch through the glass. A faint smile crossed his lips as he watched the two of you working seamlessly together. “They remind me of us, don’t they?”
Rossi glanced up, following Gideon’s gaze, and let out a low chuckle. “Oh, absolutely. But let’s get one thing straight: I might love you, Jason, but I promise I’m never going to end up jumping your bones. That’s where the similarities end.”
Gideon rolled his eyes, unable to hold back his laughter. “Relax, Dave. I think we’re safe there.”
Rossi clapped him on the back, still grinning. “But hey, they’re young and still full of energy. Let’s hope their late nights together work out better than ours ever did.”
As you and Hotch finished up in the other room, you both instinctively glanced over your shoulders, catching the tail end of Rossi and Gideon’s playful banter. Almost at the same moment, you felt the warmth of Hotch’s chestnut eyes searching for yours, a silent connection sparking between you. Without saying a word, you both knew exactly how the next five minutes would unfold - the lingering of your inside joke used as a comfortable distraction to brush aside the undeniable chemistry that was quietly growing between you.
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aria-greenhoodie · 2 days
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Hey guys did you know I have a gravity falls oc. They’re definitely not wish fulfillment self insert material don’t worry about it. Don’t even worry about it, man.
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Click for Quality! Silly backstory stuff below the cut ↓
- They’re a little cartoon creature from a pocket universe! They’re an immortal creature like Bill, but way less powerful.
- They actually used to work at the theraprism, but went crazy and had a mid-immortality crisis leading to a manic crime-spree. During this turbulent time, they also developed their love for “projects.”
- A “project” to them is basically becoming obsessed with a person they find interesting and getting closer to them by any means necessary in order to study them like a bug. This isn’t romantic, and it isn’t even friendship, but instead a secret third evil thing.
- When they have a project going on, they’ll devote most of their time and energy to the person(s) involved, and they typically seem very content while doing so. Once a project stops interesting them, or if a project is cut short by outside forces (death if the person, sudden change of heart from the person, being caught and dragged to the theraprism, etc) they become restless, easily irritated, and sometimes mildly violent. Their little projects are basically the only thing that keeps them sane.
- Doesn’t really do “friends.” Used to, but it always ended poorly. Prefers their projects; if they loose interest, they can just leave!
- Had a mentor-apprentice type relationship with the Axolotl before their mental decline. Is now VERY conflicted about him; doesn’t like the disappointment in his eyes when he looks at them.
- Was Bill’s Roommate for a time. Was absolutely FASCINATED by Bill’s fucked up mentality. Instantly became one of their favorite projects.
- Bill HATED them like crazy. They would not stop talking to them and had an uncanny ability to make him open up about things he did NOT want to open up about.
- Lost access to Bill after the TBOB incident, since he was moved to solitary confinement.
- Did not take the sudden cancellation of their project well. Ended up breaking out of the Theraprism shortly after.
- Ended up in Gravity Falls by sheer coincidence. Immediately took a liking to the place for its weirdness (felt at home).
- Met the Pines family and became ENRAPTURED with Stanley. Started off just seeing him as a project, but eventually came to view him as something closer to a friend (or perhaps more :3).
- Mabel and them are BESTIES. Mabel loves to treat them like a little dress up doll and they love to model all of Mabel’s mini fashion creations. They also respect her chaos.
- Has a huge respect for Dipper’s curiosity. Has gladly acted as a test subject for him so he can be like Ford and research weird creatures.
- Ford does NOT trust their ass. They eventually form an (somewhat uneasy but otherwise amicable) alliance as time goes on, but Ford never fully bonds with them. He’s been burned by a chaotic multi-dimensional immortal criminal before, he doesn’t want to do that again. Curly gets it. They heard how Bill treated him from Bill’s own mouth (eye?) and have no plans to play copy-cat.
- Stan didn’t like them at first. They reminded him too much of Bill, and acted far too chummy with him specifically far too fast.
- Eventually the two grew closer, realized they had a lot in common (both criminals familiar with the grift, both have a tiny bit of a flair for showmanship, both have similar senses of humor, etc.) and became friendlier.
- The Axolotl knows where they are and is monitoring them closely. They don’t know he’s doing this. He plans to keep it that way.
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deep-hearts-core · 1 day
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The Competitive Barbershop Music Explainer, and Why More of Tumblr Should Be Obsessed With It.
I've been threatening this for now almost a year, so here it is. You probably have an idea in your head of what a barbershop quartet is: maybe you’ve seen The Music Man, or possibly the Louie Zong Hatsune Miku song. But barbershop exists as a hobby these days, too, and there are parts of it that are deeply cool and nerdy. Some of you--gasp--might actually enjoy it. 
What the hell is barbershop music?
Barbershop music got its name from the Black barbershop social space out of which it evolved. In the early 20th century, groups of guys would get together and harmonize as a way to pass the time. The style later got appropriated into white culture (I’m going to come back to this, keep reading) and evolved into what most people think of when they hear the phrase “barbershop quartet”. 
Barbershop got a lot less popular after the 1960s or so, but it’s not gone! Today, it’s overseen primarily by the Barbershop Harmony Society (formerly the Society and Preservation for Barbershop Quartet Singing in America, but… that’s long…), which organizes contests and codifies the “rules” of what barbershop is and how it’s different from other a cappella. Those rules are mostly music theory stuff, which I won’t go into here for fear of boring people, but if anyone is curious my askbox is open :D 
It’s not just quartets, either. There are also choruses that sing in the same four-part style, following the same music rules as the quartets, and they compete too. This is how I got involved.
Why is Tumblr supposed to enjoy this?
Reason #1: The competition. I’ve been on Tumblr for several years, and do you know what we love? Ranking things, picking favorites, and watching talented people do their thing. It’s actually kind of similar to Eurovision--there’s a jury and a points system, and people get mad about it every year; there’s a qualifying round and a nerve-wracking calloff; it’s even international! BHS operates in the US and Canada, and most competing groups are from here, but there are sizable scenes in the UK, Sweden, Australia, and Aotearoa, as well as smaller organizations across Western Europe and beyond. The Japanese organization held its first ever competition this year! Regional contests happen all over once or twice a year, culminating in the international competition the first week of July, where quartets and choruses battle it out to be the best of the best. People have favorite groups and try to guess where people are going to place each year. If you’re me, you can even do the Eurovision fan thing and overanalyze the running order. 
Reason #2: The talent. Listen, many of these people are incredibly talented singers. Take The Clementones from Denmark, for example, who delivered amazing Addams Family character work this year. Or Smoke Ring, the New York City-based quartet trying to singlehandedly make barbershop sexy again. I could give you so many examples of singers who can hold long notes forever and ever, but I’ll show restraint and only link two: Vocal Spectrum and Midtown. And of course I have to link this fucking amazing Hunchback of Notre Dame medley. Many singers also arrange songs specifically for their own groups. If you’re a music nerd in any way, this is for you.
Also, if you enjoy niche subcultures or #hobbydrama, there’s so much to rotate in your brain. This is part of what hooked me initially. 
But it's racist/culturally appropriated!
Well, you’re not wrong… but so are a lot of things. Bear with me for a second. I'm not going to come out and blindly defend the history and say oh there's nothing wrong with the organization we can't blame them. The organization was segregated for a long time. Women were only allowed to join as full members in 2018. The Black origins of barbershop singing were actively obscured by SPEBSQSA for decades and have only recently become well-known to most members. Hell, when the BHS went co-ed a splinter organization formed to try and keep the hobby all-male. There is bad history.
BUT. People are trying. There's a sizable contingent of young queer people who do well and become well-connected within BHS--including Smoke Ring, who I linked above. They’re causing a nonzero amount of controversy and are visibly queer and something new and unapologetic about that. More and more nonwhite people are joining and finding success competitively. Academics on the subject actively spread the history that barbershop is a Black genre, and this is increasingly common knowledge especially among young barbershoppers. The most successful barbershoppers in Aotearoa (BHNZ) are predominantly Māori and Pasifika. The BHS board, while they do not have any real understanding about how to execute this at all, does at least want to reckon with the history and is, in theory, trying. For all its many, many faults, there are good people here who are making change.
Ok fine, you've got me. Now what?
Go click on all the links in this post and then let the YouTube algorithm do its work. Also, send me asks! I can go on about this shit forever and ever.
Here are some more suggestions for you:
the chorus performance that first got me interested
Panic! at the Disco but it’s barbershop
these guys also do Spiderman! 
girls who will step on you and you will like it
the air raid warden song from that one tumblr post
air raid warden guys sing about ducks
totally not never gonna give you up. what? what are you talking about?
the first ssaa group to medal in bhs have since changed their lineup but this performance reigns eternal
And if you like to sing, see if there's a chorus (click here for SSAA only) or chapter nearby. I won't get preachy and say you'll have a great experience no matter what. Sometimes people suck; I have the luck to live in a major city on the East Coast and I can say with reasonable confidence that not everyone is going to be as chill as my people are. However, this is such a small space that everyone will be excited about a new person coming in and will likely give you a little leeway. 
I've only been doing this for a year and a half, but I can easily say that I love it and it's changed me. So, even if you scrolled to the bottom of this post rolling your eyes because I should just shut up about this already, thanks for listening. <3
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vevobly · 2 days
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Being Jackie Taylor's Girlfriend Headcanons (Pre-Crash) [Part 1]
A/N: I honestly don't know what to think of Jeff. I mean, he's a completely good guy in my opinion if you take away the fact he cheated on his ex-girlfriend with her own best friend and proceeded to pose as someone else while blackmailing his wife about the trauma she went through as an angsty problematic teen later on as an adult in his life.
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Given Jackie's desire to maintain a perfect image and the fact that it's 1996, your relationship with her is undoubtedly kept a secret from most people.
You occasionally ask her if you'll ever make your relationship public, and she always insists that she wants to, but she can't—at least, not now. Both of you know how difficult it would be if your relationship were out in the open.
Jackie makes promises to you about going public, but when you bring it up, she either changes the subject or ignores it entirely. You guys get into arguments because of it sometimes. But nothing you and Jackie would ever dwell on for too long.
With Jackie constantly trying to live up to everyone's expectations about her, you're the only person she can truly let her guard down with. Of course, Shauna is there for her too but it's different. You're her support, the one person (other than Shauna) who sees through behind the whole image she works so hard to maintain.
If it wasn't already obvious, you're Jackie's escape from her life. With you, she can be herself. She doesn't have to be perfect or in control—she can just be Jackie. And I mean, she can be like that too with Shauna, but it's different. It's just different, okay? She doesn't always share everything going on in her life with Shauna, contrary to what everyone else thinks.
She often vents to you about the pressure she's under, the expectations placed on her, and everything else. Sometimes it's more of a rant, but you listen either way. You're always there to comfort her, reminding her that she doesn't have to be perfect. That you, along with Shauna and other people. will always love her for who she really is. You don't care if she's perfect or not, she'll always be your girlfriend no matter what.
You're not a big of sports but when it comes to Jackie and soccer? You are her biggest fan. Whether you're watching her practice, attending her games, or cheering for her on the sidelines; Jackie LOVES having you there. It gives her a huge boost of confidence knowing you're there to support her.
You two even have a little tradition: after her big wins, you two go somewhere private and share these really cute moments together. Sappy stuff, very incredibly sappy stuff.
Despite how she usually is, Jackie can be extremely protective of you. She makes sure to keep it very subtle but she keeps an eye on anyone who gets too close or questions your relationship.
When someone flirts with you? Jackie tries really hard to keep it cool, but her jealousy just gets the better of her sometimes. And since she can't exactly confront the person flirting with you, she resorts to other ways. Usually passive aggressive behavior. And if she's feeling petty, she might even direct some of that passive aggressiveness toward you. But she'll ignore you mainly for a few hours or days.
Balancing her relationship with you and the expectations placed on her only makes things harder for Jackie. You don't always bring it up, but you can sense just how torn she is between wanting to be with you and maintaining her "perfect" image. It makes you question your relationship sometimes, which one does she value more: you or her image?
While you TRY to be understanding, there are times when her desire (if you didn't know any better - obsession) with perfection frustrates you. I mean, it doesn't happen all the time. But when it does? It generally led to the two of you arguing or fighting. You both tend to ignore each other until one of you finally gets tired of it and apologizes.
Despite those rough moments between the two of you, you know Jackie really does care deeply about you—she's just struggling a lot. (Natalie tells you that's no excuse for her to be such a piece of shit towards you sometimes though)
Since your relationship is a secret, you guys both rely heavily on subtle gestures to show your love in public. Jackie will give you lingering touches when no one's looking, place a hand on your arm, brush her shoulder against yours, or sneak glances at you from across the room. Small things, yet they never fail to make your cheeks heat up.
Oh, and she also writes you these sweet little notes from time to time! Either slipping it into your locker or leaving it in your bag. It's nothing big, but it sure does make your heart flutter.
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I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol
#wax seal#crafts#wax stamp#stationery#Window one is kind of stinky.. I was imagining like a swirly night sky sort of looking thing so it would be a surreal contrast of a night#sky with a window in the middle that shows a daytime sky - but the silver and purple wax kind of mixed too much together#with the black and it just looks very plain black and not all that starry or anything hjbhj.. Of course the eye is probably my favorite#since all I ever do is draw eyes and still like eye imagery for some reason. The four leaf clover is very lumpy and skrunkty but also it wa#the smallest in size out of all of them so was easier to do multiple stamps of just to try it out.#The heart with eyes wax is actually more swirly in person. I wanted it to be a mix of light pink and red and white. and the wax#did kind of all blend together but in person you can definitely see MORE of the intentional swirlyness. in this it just looks plain pink.#I was going to do one eye in the heart but it looked weird. but now two seems too plain. i could have done 3?? in a pattern.. hmm#alas. I wish I could make actual metal ones. With the clay i have to paint them in a thin layer of olive oil before stamping because#otherwise the wax just kind of gets stuck in the grooves of the clay and then you can't pull it up. Very wacky ''unprofessional'' looking#set up where I'm hot gluing circles of sculpey clay to short stumps of a wooden dowel that I sawed apart with a serrated bread knife#and then using an old paintbrush to put olive oil on them whilst holding a spoon over a yankee candle flame hjbjh#ANYWAY.. I think if I were middle class/rich/etc. this would be one of the main things in my crafting room is like.. SO many colors#of wax. and all different custom made stamps designed by me. which could be much more elaborate in actual metal.. muahaha.... >:)c#RHGghhh... I actually don't want to talk much about it since (this is probably just my Obsessed With My Own World Artist Delusions) I#think I have a really cool idea for a game that could genuinely be successful if i ever get to make it and I don't want to give#everything away and spoil the whole plot/concept in hopes that one day I can actually do it - BUT - a game that I'd like to make after the#visual novel I'm making now has partially to do with the main character working as a sort of writer/scribe/artist assistant in an elven#city (set in my world/with my worldbuilding species and versions of elves and etc) and I was thinking of maybe incorporating#somehow being able to collect little writing type items like these like.. you can get different wax seal patterns or pens or etc. when I do#stuff like this in Real Life it always makes me think of that like.. ouh... this is good research.. what it shall be like to be a littol#elf collecting wax seals and such.. indeed... GRR i need to be finished with my current game NOWWW... i MUST work on other#thingss... aughh... ANYWAY.. yay. accomplishment to do One Single Thing other than Sit In The Summer Heat And Rot#though also hilarious as this was the first cool-ish day that was below 80F in a while hgvh#waking up like 'wow.. i actually feel okay today?? like I could do things?? how mysterious.. I wonder why..?? :0'' Its The Weather You Fool#Tis Always The Weather
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whenyoulosesmallmind · 5 months
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Nicklas Bäckström + Alexander Ovechkin ― Ho sceso, dandoti il braccio, almeno un milione di scale, Eugenio Montale (trans. William Arrowsmith)
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3416 · 3 months
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contemplating making a whole separate blog to basically act as a 1634 primer instead of the written out ones i have... is that psychotic or am i onto smth---
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h-doodles · 1 year
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STOP!!!
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HI HIIIIIIII all <3 this is a PSA to all the Larissa Weems x Reader (or any Gwendoline Christie character x Reader) & Marilyn Thornhill x Reader authors & creators bc i am only but a simp for all and any writing/idea/hcs and any other content 🥺👉🏻👈🏻💕
I'm currently so obsessed with these two and I would v much appreciate being tagged to any of ur stuff ft. them! and also i PROMMY to read & reread ur works (and rebagel them esp those that catch me in the gut on my sideblog @itsthequeueplace <3)
Thank you, and I hope you all have a v great day~☆
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waywardsalt · 3 months
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a fun little thing about the main post-ph cast is that we get some nice green-blue-yellow-red color coding with em
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statementlou · 7 months
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twosunscreative
THE SNUTS 2024 - LIVE SHOW VISUALS 🌞 📺
A pleasure working with @thesnuts on the video screen content for their Glasgow ‘MILLENNIALS’ album launch shows at Barrowlands.
Lighting / Production Design - @jackfonelvd Visuals / Screen Content - @tobiaslever Two Suns
And shout out to everyone else behind the scenes that worked hard to make these shows so special 💥 📸- @dumivisuals
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todayisafridaynight · 11 months
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mine thing im crazy about today: the strained grin he gives when pretending like hes not about to attempt murder on his subordinate hes literally What did something good happen :)
in his defense (the only one he gets) kinda stupid to be talking shit about the chairman for being young when the chairman of the company YOURE in (whos 2 feet in front of you and known to be nutty) is younger lol
ITS LEGITIMATELY SOOOOO GOOD mine's the most valid person on earth for stabbing a wank right after his Cinnamon Apple (platonic) just presumably kicked the bucket and this twat's cheerin bout it. WHILE SAYIN HE WAS TOO YOUNG TO BE IN THAT POSITION OF POWER BUT THEN THE NEXT BREATH SAYIN HIS BOSS (WHO IS YOUNGER) SHOULD BE NEXT IN LINE ☠️☠️ absolute kissasses the lot of em..
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quietwingsinthesky · 7 months
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hi not to complain about a poorly written game from a decade ago, but can we please talk about how egregious it is setting the dinner chapter directly after separation in beyond: two souls? i have gripes about how poorly this game utilizes it’s non-linear narrative in a lot of places, but this stands out as the worst offender to me while replaying it. directly after we reveal Ryan (already the face of the CIA that we know will later go on to hunt Jodie down and who “used her”) as also the man who tears Jodie away from the only home/family she’s really had, we jump directly into. them in a romantic relationship.
Ryan is not just some guy Jodie could have as a love interest. He represents a very negative, very exploitative force in her life. Hell, going linearly, you have Jodie yelling at him not to touch her in The Embassy straight into the hijinks of The Dinner. It’s jarring and not in a meaningful way. Not purposefully, at least. Like, Aiden getting Ryan to leave the apartment during The dinner is one of the requirements for the “be evil whenever you can” achievement, right next to literally trying to kill children. There’s so much dissonance between what we’re told (Jodie and Ryan’s relationship is Normal And Fun And Sexy, Actually) and what we’re shown (Ryan is the face of the agency that takes and uses and hounds Jodie all game, and no relationship they could possibly have would ever be on equal footing.)
I really think, and bear with me because I know this chapter has Issues™️ too, that The Dinner would have benefitted greatly from being directly after Like Other Girls and taking place before we learn just how the CIA got ahold of Jodie in Separation. The two chapters obviously tie-in together with the consequences of the events of Like Other Girls falling directly on Jodie’s relationship with Ryan in The Dinner, while also having a thematic tie in Jodie desperately wanting to pretend, if only for a night, that she can be a normal person with normal relationships. It would also have led to a stomach-sinking moment in Separation where Jodie meets Ryan for the first time chronologically and you realize just how connected that relationship is to Jodie’s exploitation by the CIA. If you got Aiden to ruin their chances, then you might feel a little better about that. If you let them get together, you’re going to feel uncomfortable, and you should! (And if Like Other Girls prevented that outcome, again, poorly handled in-game, but at least it would come full circle just how violating this has been for Jodie. I cannot emphasize enough how much Jodie is seventeen in Separation, and the first line Ryan says to her (not about her. to her.) is for her to quit her adolescent whining and pack up to get drafted.)
(I also think that if the game was half as good as its potential, we wouldn’t have gotten some random SWAT guy hunting Jodie down. We would have gotten Ryan doing it. I think that would have provided a much needed layer to their relationship that’s hinted at at the end of Separation and The Mission. Ryan has manipulated her, but at the end of the day, Jodie & Aiden can fuck him and anyone else up that tries to harm her.)
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starbuck · 2 years
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