#obviously there are more songs like this

[wibbly-wobbly-kylie-wylie-blog]

oh yes, my favorite kpop songs WA DA DA, BOM BI DI BOM, DDU-DU DDU-DU, DADADA, LA DI DA, DamDaDi, Dumhdurum, DUMDi DUMDi, and DARARI

[ranna-alga]

"Do the Evolution" - Pearl Jam

[michelle-jacksons-art-blog]

Amorcito corazón

Yo tengo tentación

De un beso

[nicollekidman]

as an enormous fan. one of the worst things about taylor swift is how deeply cowardly she is when it comes to Avoiding Upset and how this + the vacuum of her life makes every interview/public appearance just. devoid of any real meaning. just absolute crafted nothingness.

[chokopoppo]

Lies down on the ground.

Jack Jackrum is probably named after the famous folk song Jackaroe (also occasionally called "Jackaroo" or "Jackarum"). Which is my favorite 'woman crossdresses to join the army' folk song of all time bar none.

How did I fucking MISS TH-

[unamusedyams]

amayo no seppun (kisses on a rainy night) ~ 🌂🌸🪻

also made a small edit! :>

Translation | Live Performance

[safifonhasstrel]

The Eras - Dany's Version

[stone-stars]

a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.

[lungthief]

sorry but no allyship from any corporate friendly sexually ambiguous pop star will ever be as meaningful to me as whatever the fuck my chemical romance has going on. frank iero notesapp binder merch tweet. gerard way bloody suit motor oil short shorts wizard cloak clown costume. ray toro tenderly kissing his bandmates. mikey way designing gay porn merch. “i am not a lesbian in the classical sense” “people want something from you” no one is doing it like them no one will ever do it like them

[grimoireguardian]

river song saying « an archaeologist /is/just a thief! » in dr who was soooo real of her like yeah absolutely

[sleepanonymous]

I am never forgiving Vessel for closing Sundowning with the song Blood Sport and opening This Place Will Become Your Tomb with Atlantic. Sir how could you do that to your fans? This is just too painful 😭😭

[mango-dolphin]

Rubber Human by Mili is a very Dante song actually

[sorrelpaws]

i love a duo that is just so stupid

[jakeperalta]

i think sometimes swifties can unintentionally have a weird reaction to taylor working with more than one or two cowriters on a song. like i get that we all love solo written stuff but it’s not 2010 anymore we all know she can easily write entire albums by herself... clearly if she has a higher number of people in the room it’s because she wants them there to push her creatively or bring out a different side to her as a writer or just because she enjoys the experience of collaborating!

[irrealisms]

so like the thing is. in many ways the dsmp seems like it ought to be more similar to film acting than it is to theatre-- you've got a close-up camera on you! a lot of the differences are often boiled down to that: theatre is more exaggerated, more full-body, because you're performing to an audience that is far away. film has a camera close on you so it tends more realistic and subtle. BUT the dsmp is actually!! way more like theatre in a lot of ways!!! to the point of REINVENTING theatrical devices that have largely fallen by the wayside in film

the dsmp has soliloquies. it's got asides. you see the same actors playing different characters. you have the tacit understanding that what you see on stage is not always what is literally happening in the story's world, but a symbolic representation. it's aware of audience, it interacts with and talks to the live-reacting audience!!

which i am. obsessed with, tbh! when tommy mutes in conversation with sapnap to say to chat "we're not going to team with him, chat, obviously we're not" before unmuting and saying "yeah, okay, let's team"--when wilbur on the 16th looks at the camera and holds up his hand when they're asking who the traitor is--when technoblade types and deletes "INVIS POTS DONT LAST THAT LONG" in in-game chat while talking to dream--these are all giving information to the audience abt the characters' internal thoughts, in ways that are much more typical of stage theatre than film! it's unusual for a character in a movie or tv show to say things (or take actions) in a conversation that are inaudible to the other characters in that conversation and intended for the audience. film tends to convey information about the characters' thoughts in other ways! it's a very Stage sort of thing, and i doubt they were thinking of it that way, it just sort of naturally emerges from having a live audience that they're entertaining + the ability with livestream technology to communicate things to the audience while being actually imperceptible to the other characters

and ofc whenever they are alone they are not silent, nor do they rely on voiceover or framing devices such as a diary to communicate their inner thoughts--they narrate their thoughts aloud, to the audience. they walk around and sometimes they have conversations with their donos but just as often they soliloquize! i'd include examples here as well but it's so ubiquitous, tbh, tommy does this, sam does this, ranboo does this, techno does this, wilbur does this, jack manifold does this, niki does this, everyone does this constantly. and it makes sense given the medium but that's also so fascinating to me! because again i really doubt they were thinking of it that way, it's just the obvious thing to do, the obvious extension of streaming commentary!

point is. dsmp stage show. I'm Normal About It

[j1913]

me when aventurine☹️☹️

lyrics from this song