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inoreuct · 7 months

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would you agree that we all need more Sanji getting nosebleeds over Zoro in this fandom?

YES *pelting down a hill waving the proposal for this in my hand like a madman* YESSSSSS

the first time sanji gets a nosebleed over zoro is his clue-in that oh. i’m not straight, am i. the swordsman’s doing a bench press (shirtless, as always) as sanji walks by (and sanji sneaks a look, as always, because who wouldn’t?) and when he glances over the plates he has to do a double take because what the fuck. zoro’s pressing more than twice his body weight. zoro’s repping more than twice his body weight. he’s just registered that maybe he’s stared for a bit too long when he feels something warm and wet on his upper lip, iron dripping over his mouth, and he books it for the galley.

he slams the door shut and presses his back against it before he slides to the ground and screams into his knees because what. the fuck. it’s not even that he’s getting hot and bothered over a guy; it’s just that the guy’s zoro. he’s not supposed to get nosebleeds over zoro.

but he does.

and it gets worse.

zoro walking around shirtless on deck? nosebleed. zoro re-tying the sails and just hanging on with his legs around the mast? nosebleed. zoro strutting out of the shower door, damp with steam and hair dripping wet and a towel around his waist? nosebleed. zoro tsking irritably and grabbing all of sanji’s food and packages from him to haul the whole lot over his shoulder? NOSEBLEED.

and not even that. he starts getting breathless around zoro and his chest hurts. he kicks zoro back while they’re sparring one day and the swordsman grins, feral and unrestrained and all challenge and teeth, and sanji’s heart spasms so hard that he actually wonders if he’s about to go into cardiac arrest. he’s barely twenty, he isn’t ready to die— much less because of some stupid marimo. chiselled abs and a nice set of biceps are only worth so much of sanji’s dignity. he twists and smashes the sole of his shoe right into zoro’s pretty face.

still, it gets so, so bad that he’s elected to just. avoid zoro completely. he’s sneaking around corners and running across open expanses ducked low like some kind of goofy thief and he knows it’s so fucking stupid but he doesn’t. he doesn’t know if zoro likes— no. he doesn’t even think about it. there’s no way, and if he gives himself false hope he’ll just break his own heart. he doesn’t know if zoro likes men, or anyone, much less him; nobody in their right mind would, not really. he's nice to have but not to keep and he's come to terms with it.

…until zoro corners him in the galley and demands to know what the fuck’s going on.

sanji stays facing away, slowly washing the dishes even as his heart pounds so hard it hurts. he is painfully aware of the way zoro’s seething like an over-boiled kettle in one of the chairs behind him, arms crossed over his stupidly broad chest and stock-still because he never, ever shakes his leg even though sanji knows he wants to.

his sponge squeaks across ceramic. the water’s warm against his fingertips, and his eyes flick up to meet his own reflection in the porthole window; he looks… well, he doesn’t know. scared, maybe. nervous. his mouth is thin, eyes wide, cheeks flushed, a shudder running its fingers down his spine even as his heartbeat thumps between his ribs and god, fuck, it aches. and he knows. he looks himself in the eyes and he knows that somewhere along the line nosebleeds had turned into falling in love and he was the stupid idiot who had just let it happen because he was too weak to pry zoro out of his thoughts.

his gaze flicks down sharply when he hears the sudden scrape of the chair, and zoro spits, “look, i can’t fix whatever i did wrong if you don’t tell me what it is.”

sanji’s heart throbs. “what?”

he can hear zoro’s scowl. “what, what? i obviously did something. you’ve been avoiding me like the plague.”

the cook almost laughs. he bites it down and swallows his words, salty-sweet at the back of his throat. guilt nips at him; zoro’s his rival and and his personal annoyance and a blockhead but he might also, maybe, just maybe, be sanji’s best friend. and sanji hasn’t been very fair to him lately.

he swallows again, clears his throat silently. “you didn’t do anything, marimo,” he murmurs to the plate in his hands, trying for airy and getting more somewhat vaguely strangled. he coughs. “just forget about it. sorry i’ve been weird.”

sanji will deal. he will, somehow; he’d been careless and careless is dangerous and for perhaps the first time in his life, he has too much to lose. he’ll squash his heart into a box and lock it down tight like he always has and it’ll hurt, but when does it ever not? he mentally declares the matter done and dusted as he shakes off the plate and gently sets it on the drying rack.

his lungs hitch as a callused hand cups his elbow.

zoro pulls him around. he’s too weak to resist. the edge of the sink digs into his hip as stormy grey eyes scan his face and zoro looks tense, his jaw set in the way it only is when he faces off with a particularly vexing foe.

“did i not look happy enough at dinner?" he asks, and it could be mockery but it isn't, not with that edge to his voice; not desperation, but damn near. like filter paper burning its way to ash. "was it my clothes on the floor? my boots on the bed? what?”

sanji can't stand it anymore. he looks away, tries to twist out of the invisible bonds zoro has him trapped in, but fingers looped around his wrist are all it takes to make him stay and fuck, fuck, he's so fucked.

"sanji, what did i do?” zoro breathes, brow furrowed, voice too near and too damn earnest, and sanji's throat bobs as he digs the heel of his palm into his eye.

this isn't how it's supposed to go. zoro isn't supposed to care. zoro isn't supposed to be standing here in the galley saying his name in that tone of voice. a hand carefully pulls his own away from his face, and zoro doesn't fucking let go, and sanji feels too much like he's been stripped down to the bone.

"i know," zoro continues, gruff like he doesn't know how to be anything else, "that i upset you. so would you please tell me what i did so i can fix it?" he bends lower still, ducking to try and catch sanji’s line of sight but sanji just can't look at him. "i'll fix it, i—"

"you can't fix this." the words are out and in the air before he can stop them, and a bittersweet smile curves his mouth. "there's nothing to fix, so you can't fix it. just let it go, alright?"

zoro wants to argue. sanji can tell. but the swordsman lets out a measured exhale after a long moment and pulls back, face carefully neutral. "at least tell me what's going on, cook."

sanji looks down at his feet. "...i can't."

"like hell you can't," zoro replies immediately, and it's such an abrupt reminder of their normal banter that it wrenches a rough noise from sanji's chest. "i was the one who held your hair back after you had, like, seven margaritas too many. don't think you could tell me anything worse than the experience of trying to stop you from falling into your own puke."

"oh, jesus fuck," sanji swears on instinct, then laughs. it's unfortunately hollow. "that was one time, asshole."

"one time too many," zoro hums, raising an eyebrow. "so you gonna tell me what's going on, or do i have to make it a captain's order?"

sanji grits his teeth.

"i will drag luffy in here, i don't care—"

"fucking—" he holds his breath, flipping around to white-knuckle the edge of the sink and letting it out slow. "fine. you ever loved someone, marimo?"

"sure." zoro shrugs easily, crossing his arms as he looks out the window. "kuina, but i think i learned to love her memory more than anything else. luffy, nami—" a near-unnoticeable flutter of thick lashes. "you."

sanji exhales through his nose as he rocks back on his heels. squeezes out air till it hurts. "you know that's not what i meant."

"what did you mean, then?"

he turns to look at where zoro has settled lazily against the counter, the moon turning his eyes to silver. "I mean the kind of love that makes your blood race. that makes you want more even when you know you'll never take more than you're allowed. the kind that makes your heart hurt so badly you feel empty without it."

the swordsman's face is unreadable as he tilts his head slowly. "i did say i love you."

it hits sanji like a bullet. he sucks in a sharp breath, and his throat burns as he turns away and tries to stop his shoulders from heaving up. "don't fuck with me, zoro. not about this."

it feels rather like a cruel cosmic joke. he's so near yet so far, just one step away with a gauzy curtain between but he can't touch it. he won't. he's got too many things on the line and yet he can't even name one of them.

"hey."

he squeezes his eyes shut against the burn of salt that shouldn't even be there, and look at that. little sanji's gone and broken his own heart again.

"hey," zoro tries again, more insistent, one hand hovering in the space between them and sanji feels the pull of it like a magnet.

he doesn't turn away as it cups his cheek. doesn't run as fingers slide through the short hairs at his nape, a thumb behind his jaw. his lashes are damp. it is everything he wants and everything he cannot have and he can't—

"look at me."

"i can't," he breathes, lungs rising fast and shallow. he's afraid to open his eyes. he's afraid of what he'll see.

"yes, you can." zoro shifts closer and another hand joins the first. it's big and rough and warm and he holds sanji's face like he's the moon herself. "look at me, curly."

he can't.

he does.

zoro's gaze is almost painful to meet straight-on with how intense it is. he seems to realise, face softening as he leans closer, closer, posture loose enough that it would be no problem for sanji to shove him away. "you love me," he breathes. "yes or no?"

sanji's heart stops. his tongue is clumsy in his mouth, his brain a mess of yesnoyesyesnoiwon'tican’tido—

"don't think." zoro's voice cuts through the haze as he shakes his head slowly; a sword through smoke, silver-bright, singing in the air and leaving silence. "don't think. you love me, yes or no."

the galley swims around sanji as his vision blurs. he feels his tears spill hot down his cheek, knows the way zoro aches to brush them away and yet stays still. he opens his mouth and it feels like stepping out of the only shelter he's ever known; he is an open fucking wound and he's raw and everything hurts, everything but zoro. zoro. zoro. "yes."

just one word, three simple letters, and still it feels like damnation; if he'd never said it he could deny it but now it's real. the swordsman relaxes, shoulders dropping enough that his forehead brushes sanji's, and sanji tracks the way his throat bobs. the way steel-grey eyes flicker over his face, molten in the light of the electric lamps and the moonlight spilling through the window, gilding zoro like something out of a dream. a fairytale sanji read as a child until the edges of the pages fitted familiar to his thumbs as his little hands reached for a happy ending that was never meant to be his.

he shakes, now, as zoro reaches up to run tentative fingers through straw-pale hair. "let me love you. yes or no."

"i—" the sound that twists from his mouth is cracked jagged down the middle, unpolished as a common pebble picked up off the damn street. "you don't—"

"yes or no."

"i'm not what you want," he gasps, his face wet.

"yes or no."

sanji wants to break apart. because zoro sounds like he's begging, and he cannot fathom anybody possibly wanting him that much. he wants to scream and cry and claw at the walls until his nails break. he wants to shatter into pieces all over the floor without having to worry about putting himself back together. he wants. he wants, and zoro's looking at him with the closest thing to reverence he's seen in his life, and even that isn't enough for him to believe it. "i'm not what you want."

he can barely look at zoro. he can barely look at himself. the shame is clawing a pit into his stomach, and he lets it, feels every inch of it, because what kind of person doesn't know how to be loved? his breath catches wetly as zoro cups his jaw in both hands, tilting his face up, and once again sanji is too weak to pull away.

"you are everything i want."

the words are so fierce, so sure, and sanji is cracking apart at the seams. the stitches pulled tight by his own hand are unravelling and he can't stop it—

"yes or no."

zoro's breath ghosts warm across his mouth, fingertips in his hair, just far away enough for sanji to see the way his eyes are blazing and yet he waits. his thumb on sanji's cheek is the gentlest thing sanji has ever known.

"you'll get tired of me," he tries weakly, one last time for good measure, and zoro just shakes his head. the resolve in his expression does not waver even once.

sanji breaks.

"yes." the word scrapes itself out of his throat seconds before arms are going around him, and he sobs. lets the swordsman bring them both to the kitchen floor as he curls up in zoro's lap, fingers clawing into his white shirt, numb with how hard he cries because nobody, nobody has ever stayed. not without him getting hurt in the process. he pushes them away when he gets scared and they let him and then it becomes his fault when it all blows up in his face, but zoro's not leaving, and it's so foreign to him that he's shaking so badly and he can't stop.

a warm, heavy palm smooths over his spine and he lets himself be shifted closer, settles sideways as zoro wraps an arm over his shins and rocks them until his breathing evens out. the embarrassment hits like a gut punch; he knows he looks like a mess, face blotchy and hair everywhere and eyes puffy as hell, but zoro cards his bangs out of his eyes and looks at him like he doesn't care, and sanji turns away.

he feels... fragile. like he's made of tinted glass and spun sugar, like he'll cave in at the slightest touch. there is something melting in his chest and it drips down over his ribs; pools fresh as a river in spring, offset by the grounding presence of zoro's hands on his skin. "don't say i didn't warn you," he mumbles, masking his very real fear behind a layer of watery bravado as he hides his face in zoro's shoulder, and of course, of course zoro sees right through him.

the swordsman's thumb traces the swirl of his eyebrow before zoro rests his chin on top of sanji's head. "i don’t listen. you know that."

you know me, is what goes unsaid, and sanji doesn't deign to reply. he buries his face into zoro's chest and breathes in the smell of steel and sword oil and— he sits up slightly, eyes narrowing. "you've been stealing my deodorant, yes or no." the way zoro stills momentarily is a dead giveaway, and he yelps when the swordsman flicks his forehead.

"would you rather i be stinky?" zoro scoffs, rolling his eyes gently as sanji settles back down with a huff.

"you still are stinky. if we're gonna be together i'm expecting you to shower at least once every two days—" zoro groans, and he powers through, raising his voice, "—and if you aren't fussy i'll let you shower with me."

the way zoro instantly stops complaining cracks a laugh out of him. it's weak and watered-down, but it's a start. zoro's hands slide back into his hair and he hums as he lets his eyes fall shut.

the moon's full tonight. their ship rocks gently, and sanji gets comfortable; zoro's warm and solid and happens to make a perfectly respectable pillow. the thought that he can have this now sends a thrill through him.

he's not a fool. he's not optimistic when it comes to this. when it comes to love.

but with zoro's thumb rubbing mindless circles against the side of his thigh and a kiss pressed to the top of his head, he's got a pretty good feeling about this time around.

#er. this dragged me down the hill and i let it #this got so off-topic anon i apologise #but to be fair even after they start dating sanij gets absolutely HORRIFIC nosebleeds #like hello?? that man is hot as hell?? and he's MY man??? good lordy #cue him leaning against the wall in a dramatic swoon and yelling for zoro to catch him #(zoro does not catch him. sanji falls on his ass.)#(he does get a forehead kiss before zoro walks away cackling though so. a win is a win!)#black leg sanji #zosan #one piece zosan #zoro x sanji #roronoa zoro #one piece zoro #one piece sanji #one piece #ino writes #ino's ask box #sanji's issues deserve a tag of their own #my habit of segueing from chill fun rambling to emotionally damaging content should be studied. jesus christ.

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thejakeformerlyknownasprince · 1 year

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Errors, “Errors,” and Sci Fi

@strawberry-crocodile

tvtropes calls stuff like the wolf example "science matches on" which I think is a pretty fair shake

This. This is what’s got me thinking so much about errors. There’s a certain danger, here. A certain way that this particular effect — delicious dramatic irony — tempts the mind when reading old stories, even true ones.

What do you know about R.M.S. Titanic? I ask my class every year, and the first hand rises. “It was unsinkable,” the student inevitably says, and everyone is nodding, “or so they thought.” I write the word UNSINKABLE on the board, underneath my crude drawing of a ship with four smokestacks. It will be crossed out before the end of the hour, but not for the reason they expect.

“I find no evidence,” Walter Lord, preeminent biographer of the ship’s survivors, wrote, “that Titanic was ever advertised as unsinkable. This detail seems to have entered the collective mind so as to create a more perfect irony.” Indeed, historians’ examinations of White Star Line documents show the shipbuilders themselves worried it would be so large as to risk collision; they stocked several more lifeboats than 1910s regulations required.

The War to End All Wars (deep breath, satisfied exhale), also known as World War ONE. Chuckle. Shake of the head. What if I told you that this phrase, used primarily in American newspapers after the fact, wasn’t meant to be literal? Nowadays we’d say The Mother of All Wars, or One Hell of a Fucking War, but we wouldn’t mean literal motherhood, literal intercourse. What if I said the armistice and the Lost Generation and the Roaring 20s were all braced for another outbreak of European conflict, and yet we still failed to prevent it?

Did you know they were so confident in the safety of the S.S. Challenger that they put a civilian schoolteacher onboard? I do, because I’ve heard that one repeated many times. Only, see, it’s got the cause and effect reversed. Challenger launched on a day the shuttle’s engineers knew to be dangerously cold, because the first civilian in space was on board. And NASA knew its shuttle project would be cancelled entirely, if they couldn’t get that civilian’s much-delayed entry into space in the next two weeks. So they launched on a cold day, and killed her instead.

These are all what cognitive science calls Hindsight Bias on the personal level, what sociology calls Presentism on the cultural level. Social psychology’s a little of both, is primarily interested in why you’re sitting on your couch in a Colonize Mars shirt watching PBS and chuckling at the fools who believed in El Dorado. It wants to know why the mind flees straight from “marijuana will kill you” to “marijuana will cure cancer” without so much as a pause on the middle ground of its real benefits and drawbacks, its real (mild) risks and rewards.

And they can paralyze the sci-fi writer, if you think too much about them. Jetsons is futurist one decade, retro the next. “There are no bathrooms on the Enterprise,” the creators of Serenity say smugly, as if Gene Roddenberry should’ve simply known that decades later it’d be acceptable to show a man peeing in full view of the camera, nothing but the curve of the actor’s hand to protect his modesty. “No sound in space,” the Fandom Menace says, “No explosions in space,” and “A space station can’t collapse in zero-G.” Only then NASA burns a paper napkin outside of atmosphere, transmits music using only the ghost of nearby planets’ gravities, and logs onto Reddit long enough to point out the Death Star would implode in its own gravity field. And now we’re the ones pointing, the ones laughing, at those earlier point-and-laughers. Self-satisfied, smug in superiority. As if we did the work to find out ourselves, instead of just happening to be born a little later than George Lucas.

#errors #continuity #sci fi #presentism #star wars #titanic #world war i #science marches on #history #started a new post because i got waaaaaay off topic here #if you think the dinosaurs in Jurassic Park (1993) should've had feathers #you're a lot more ignorant about paleontology than the people you're trying to criticize #science was not handed down to us in its perfect complete form circa 1943 #stop for a second before you call out someone else's reptilian denonychus #someone else's oxygenated moon #and ask: am i better read #or am i just more recently born?

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saintobio · 2 months

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gojo, akemi, and sachiro all snuggled together in one giant bed, with sachi nestled close to auntie ‘kemi who’s softly singing him to sleep, while dada satoru watches them both, holding them in his arms and feeling this warmth in his heart at the sight of their bond >>>

#sy canon #angst lol #also off topic but #can i just say #that so many of u guys leave me in absolute awe #whenever i read ur comments/reblogs/asks they’re always detailed and well-put together like ???#i’m always so grateful to read those 🥹 and like to have people who really read the story at its fullest #and take the time to write down such thorough analyses #whether it’s the plot or the character #amazing is all i can say

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cupophrogs · 3 months

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Hey DD. How have you been. You��ve been quiet.

“Thankfully, most of the vending machines are intact and full, so we won’t be starving while Cherub’s leg heals. Thing has caught him trying to sneak out far too many times.”

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dragon-ball-meta · 25 days

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Are you more of a dog person or cat person?

Both. Very much both. I love the pups and the kittens.

#asks #ask #not meta #off-topic asks

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crow-n-tell · 1 year

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Now I am wondering how it would be if it was sun a moon human crashing and finding yn

Sun and moon would have crash landed together, and being that moon is more mechanically inclined he’d probably get everything built, while sun does the majority of exploring. Eventually sun would drag moon out and of course the one time they go out.

BIEG FISH. Sun would be all over that, new friend, bestie really. And reader would probably eventually come poke their head into sun and moons base, watch moon work and talk. They’d come around to each other eventually.

As for eclipse, I figure they would meet later.

#my art #ask #mermaid au #jellyfish!sun #kraken!moon #tiding over #au???????#again #I feel bad for going so off topic #thank you for the ask!!!

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shepscapades · 4 months

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Hey! i’m really into the dbch story and i was wondering if doc and xisuma ever tell bdubs the specifics of why etho lost his memories, cause if they do that is prime self blaming angst for bdubs

I’m inclined to believe they don’t. Actually (and maybe I should do a small comic for this so more people see it) I imagine, once a month or a few pass and they finally return etho to bdubs as reset, I imagine they are VERY serious about warning bdubs not to try to force Etho to re-deviate— they don’t go into specifics, but they probably tell bdubs that whatever happened had to do with something that was emotionally overwhelming, and that forcing him to redeviate/not letting it happen naturally could trigger the same error. They have no idea what could happen so bdubs needs to be very careful and let Etho find himself again on his own.

Whether or not bdubs gets impatient or can only go so long before he doubts it would be that bad if he tried pushing Etho in the right direction is another story.

But yeah. I don’t think Xisuma or Doc really… tell anyone that this happened. Etho’s error seemed like a very specific one-off scenario, so it’s not something the other hermits should be trying to avoid or be careful about happening to their own android friends, and the only thing telling people would do is make them worried about the situation. All they need to know is that etho was broken and that they need to be careful with him. I don’t agree with their decision to keep what happened to themselves but I understand it I think. Xisuma “i don’t want to worry the hermits” Void and Docm “eh this isn’t the first time I’ve replaced this arm, people won’t question it” 77

#that’s a lie actually I think xisuma ends up telling Cleo :>#but only because Cleo is very smart and I think they should be close in this au :]#but no she would clock Tired Overworked Existential Crisis Xisuma in an instant #Cleo calls them both idiots and gives them big hugs and tells them they need therapy. also that they’re welcome by her place anytime to talk #it’s very sweet and healing to me #this is where “all things end’’ on Xisuma’s playlist comes in actually #oh my god I got so off topic #BDUBS IS GOING TO FEEL GUILTY NO MATTER WHAT THOUGH #like okay. technically #the reason etho shut down is because he was freaking out that everything was his fault #(last life—not giving bdubs a heart— trying to win for bdubs and then losing— coming back to s8 feeling like he can’t face bdubs—>#ending up leaving him alone when the moon hit #and bdubs was hurt by these things. no doubt #but bdubs just wants his friend back and maybe he’s a little reckless about it #bdubs hides his emotions behind cartoonish frustration and complaining but he feels bad #he feels like he should be doing more to ‘save’ etho and bring him back even though he was to #told* he shouldn’t #dbhc ask #dbhc #dbhc bdubs #dbhc etho #dbhc doc #dbhc xisuma #ask #anon

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shakingparadigm · 1 month

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no one’s talking about that half-naked alien petting till and i am both glad but also haunted by that. please tell me that wasn’t implying what i think it is. till has gone through wayyy too much and i will literally sob if it turns out he’s gone through this too

I had a post drafted about that but I didn't know how to feel about posting it at first. I'm just gonna reiterate it here though.

The entire first verse of ROUND 6 was actually pretty uncomfortable to watch, at least for me. I genuinely thought we were going to delve into that territory, you know. And I wouldn't put it past VIVINOS of all people to do it. The dim lighting, alcohol bottles, the very familiar environment of private rooms and drunk cruelty, it all resembles certain acts and situations that are unfortunately common within the performance industry. ALIEN STAGE obviously emphasizes the horrific aspects of stardom and could be read as a commentary on that kind of culture as a whole (constant performativity, lack of autonomy, performers as objects possessed by those of higher power, literal cutthroat competition, etc.), so exploring the topic of assault isn't unlikely, especially when it's so prevalent in that kind of fame. Still, I was jarred when I first watched the video.

The way that they handled Till was upsettingly familiar to me. It was slightly easier to bypass when Urak was simply shoving him via telekinesis. But a group of large, drunk aliens violently putting their hands on him, grabbing him by the neck and bending him on the table (it was at this point I began to feel a bit squeamish), it became a little too real? For me at least. And then there's your main point, the assaulting alien that was clothed in the scene before is now naked in the next, save for the open, unbuttoned shirt. And Till is on the ground next to him, his hair carded through and scratched by giant hands. Till is disheveled and sweating. It seems this was the lowest point of his night, seeing as how he dreams up an angelic apparition of Mizi. An escape, a salvation. Someone that could offer him a soft, gentle respite to balm the pain of his abuse. The way he desperately reaches out, shaking and exhausted, it's painful.

I know it's not explicitly shown in the video. It's not implied in posts (although from what I hear, there's traces of something similar in the Anakt Kit book), but you can't deny the thoughts that the imagery brings to mind, especially when said imagery is so vivid and visceral. I won't claim that this is the absolute message the team was trying to convey, nor that this is the correct way to perceive that scene, just that the pieces leading to this interpretation are there. VIVINOS videos are meticulously crafted, and the whole collection deals with disturbing concepts and topics. If they wanted to imply something, they'd know how to do it. Anyway, the first scenes struck a chord in me, to say the least.

#i hope this doesnt come off as negative? i think media is allowed to delve into darker and uncomfortable topics #they were reaching to invoke certain feelings and thoughts with that scene and i think they succeeded. it was meant to be uncomfortable #god till cant catch a single break can he #alnst #alien stage #alien stage till #alien stage round 6 #asks #tw implied sa #cw implied sa #tw sa mention

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