#okay if someone wants a art analysis here i go

[reiderwriter]

Hey lovely! Hope you’re doing good! I was listening to bad idea right? By Olivia Rodrigo and thought it would be a good idea for a Spencer fic, was thinking something something with a little angst, smut and possibly a fluffy ending! ♥️

Ps love your writing 🖤

A/N: Most relatable song released this year, if we're being totally honest with ourselves, right 💀 I hope you enjoy this!

Warnings: (Munch Spencer Truthers, I'm throwing yourself another bone here), Oral (f receiving), fingering, masturbation (male), slight hand job at the end, penetrative sex, cum play, etc. Minors DNI 18+

Your fling with Spencer Reid from the BAU ended abruptly when he fell off the face of the earth.

You weren't sure how someone who had described himself as technophobic had managed to perfect the art of ghosting someone, but boy had he, and you were still a little bit angry about it.

Even angrier when you saw him plastered over the local news out on a case, explaining to the people how fake tips to the FBI hindered cases more than helped them.

You were angry because he looked so good. His hair was shorter, displaying his all too pretty features prominently, and pissing you off to no end as you still felt your heart beat out of your chest until he'd disappeared into a crime scene again.

You brushed it off and berated yourself until the text came.

It wasn't much, just a quick hello, but you waited for a few minutes anyway to see if he'd say anything else.

When he didn't, you grew frustrated and text him a response.

“Who is this?”

It was petty, but four months of radio silence deserved less, in all honesty.

You weren't expecting the phone to vibrate out of your hand as you waited for a response, but it lit up with his call and you scrambled to wait enough time to pick it up.

“Hello.”

“Hi. It's Spencer. Spencer Reid. Doctor Spencer Reid, from the Behavioural Analysis Unit, this is Y/N right?”

“Yes, Spencer, it's me. My number didn't change after four months.”

“Okay, that was deserved.”

“Why are you calling Spencer?”

“Because I'm a burnt out child prodigy who didn't cure schizophrenia by age 25 and my friends missed my birthday. And because I really wanted to see you.”

The line went quiet as you contemplated what the hell you would say to that.

“It would be stupid to ask if you remembered my address, right?”

“Y/N, I remember what you taste like, and I'll never forget it.”

“Good. I'm locking the door in half an hour.” You didn't give him time to respond before exiting the call and running to your bathroom.

Maybe it wasn't the best idea entertaining a fling from months ago on a whim at 7pm on a Wednesday evening, but you had nothing else to be doing with your time.

It wasn't illegal for people to reconnect, and you were not going to mention this to any close or mutual friends of yours, so one conversation (or whatever this was) probably wouldn't have any consequences anyway.

Caution blown to the wind, you replaced your work clothes with a comfortable dress, fixed your hair and poured a glass of wine and waited.

As if on queue, 27 minutes later, Spencer was at your door. Or more accurately in your house.

Your threat to lock the doors had obviously spurred him on, and you heard the door handle twist as he stepped into the space.

“Spencer. How lovely, to what do I owe the honor?”

The adrenaline of making sure the door was unlocked had obviously worn off for him, as you saw him shift awkwardly in the doorway of your living room, sat comfortably on your couch, your skirt just riding high enough to distract.

“I was thinking. Well, I suppose the correct term would be overthinking. Emily had to snap me out of it, because I was kicking myself and doubting myself and worrying so much that we almost lost the unsub…”

“What I’m trying to say is I’ve regretted not doing too many things to think coming to beg you to kiss me again is a bad idea. It’s not a bad idea, right?”

“That depends, Spencer.” You replied, setting your glass of wine down and standing up. You took a wobbly step towards him, eager to blame your hesitancy on the wine rather than the things his gaze, his words and his simple presence was doing to your body.

“On if you only want a kiss.” Your hand gingerly slipped up his chest until it was hooked into his hair, exploring the shorter locks as he grabbed you by the waist.

“Or if you aren't satisfied with just that.”

“I can't seem to come up with an answer. Perhaps you should kiss me and it'll jog my memory.”

You finally cracked a smile, and saw his face instantly bloom into ot as well.

“Nu-uh Spencer. I think you have to take that chance this time.”

He hesitated only a second before his hands were cradling your face, tipping your chin up to him as he bent to kiss you. You immediately responded, letting your hands grab fistfuls of his shirt as you pulled each other closer.

It sent you off balance, but you let yourself follow the motion of you tipping backwards, letting him catch you as you began moving in the direction of your bed.

“Not a bad idea,” he mumbled between deep kisses, letting loose a stray moan when your hands trailed down to his belt and below. “Definitely not a bad idea.”

Somehow in the clash of lips and hands, you managed to make it back to your bed, his hands already managing to find themselves under your dress as his lips diverted your attention.

“Four months, Spencer.” You growled the words into his mouth as your tongues battled for dominance. “Four months without this. I thought I'd go insane.”

You felt him smile as he lifted you, and grinned too as you wrapped your legs around him just as he began climbing onto the bed, softly lowering you down until he was on top of you.

His tongue travelled down your neck, making his way back up towards your ear.

“I did go a bit insane, you know?”

His hands flipped up your skirt as he ground his dick against your crotch, pushing it up further until the bottoms of your breasts were peaking out of the scraps of material as well.

“Let me make it up to you?” It was phrased like a question he didn't care about the answer to, as he pushed off of you and completely rid your body of the material that was hindering it completely.

“That's better.” You swore you heard a sigh of contentment as he held your thighs apart and lowered his head, one kiss at a time, to your neglected pussy.

He hooked a ginger under your panties, and pushed them off to the side, but he'd never been the most patient, and he'd already spread your legs. He'd just work around the impediment, you knew.

And he did, starting with a casual flick of the tongue as he looked up at you from his place at your cunt, smiling at you as he began to feast.

You'd never thought of yourself as a pillow princess before Spencer, enjoying giving love as much as receiving but he gave you the perfect royal treatment, and enjoying it so much it was impossible to deny.

After getting so spoiled, it was a wonder that you even knew how to adapt to life without him, nothing compared to the care and attention he showed you in bed.

Your thoughts blended together as he pressed a finger into you, already sneaked with his spit and your wetness, collected from between his lips and your soaked cunt. His pace was steady, repetitive, and driving you fucking insane.

Never a demanding lover, before you would have simply let him enjoy his time between your legs, enjoying just how much he enjoyed it himself as he lapped up all of your juices.

But four months clean from your addiction to Spencer Reid and you were snapping.

Your hands gripped at his hair, pressing his face further into your cunt than he'd been before, enjoying the muffled moans and the sound of his tongue generously lapping up all you had to offer.

You started humping his mouth, holding his head still as you used him as a tool to get yourself off, finally cumming on his mouth with a shudder and an unfiltered moan.

It would've been embarrassing if it wa anyone else, just how loud you'd been for your ex-boyfriend.

“You taste the same.” He said, wiping the remainders of your cum from his lips as he stroked himself, having loosed his cock from his pants sometime between you moaning like a wanton whore and using his face as a sex toy.

A single glance at him over you pleasuring himself was enough to get you ready for round two.

He had sat up on his knees, head and torso tilted slightly back to give you a better view of his cock being pumped hard and fast.

“Spencer Reid, don't you dare make yourself cum.” You thought the words were joking, light even but even you were shocked by the sheer lust dripping from your throat.

Wrapping your legs around him again, you pulled yourself up into his lap, holding yourself still as you quickly unfastened each of his shirt buttons, pushing it away and chucking it so far that he wouldn't be able to use it to cover up anything else.

It took you a minute more to properly situate yourself, but soon you were sinking down onto his cock and allowing the stretch to rule your mind and movements for a minute.

You gently started riding him, letting each gasp and moan reach your ears and spur you on, not holding back on your side either, telling him just how good it felt to have him in you raw once again.

Your stamina wasn't great though especially after having had one powerful orgasm already, and your movements soon became sloppy.

He kissed you softly on the lips, and you let go of the tension in your body as he pushed you onto your back, made sure you were comfortable, and started beating his cock into you with such a force that you were sure the bed was going to break.

It was this intensity that you craved, this complete change from his insistence on putting you first so to speak, and then using you as a human sexton when it suited him, allowing his cock to push you to your limits and beyond.

It wasn't like you could protest anyway, mouth hanging limply open in a scream of pleasure as sparks shot up your spine.

Entertaining Spencer Reid was never a bad idea. You decided then and there that if he left you again for whatever reason, you'd hunt him to the ends of the earth and beg for another chance at this feeling of pleasure.

You came again, of course, not sure if it was his cock or his exploring hands that was tethering you to the moment as you died a little death.

His own orgasm wasn't far behind your own, but he'd always been a bit messy. You weren't surprised when he gave a small panicked moan, pulling out at the last second as his cum spurted out. You helped him ride it out, wrapping a hand around him to stroke him until his dick was drained, the contents sprayed across your chest and breasts, a single drop even making it to the side of your mouth, but that was quickly lapped up.

His aftercare was almost as good as his foreplay, as he took pains to wash you diligently, even as all you wished to do was sleep well into the night directly after feeling his hot cum pour onto you.

He'd gathered a wash cloth, fresh set of pyjamas and an extra blanket to cocoon you both in before you could even lift a finger, and climbed into bed before you could even think of asking if he was staying the night.

With the satisfaction of multiple orgasms finally catching you, you fell asleep in his arms, a grin plastered on your lips, his hands possessively surrounding you.

Needless to say, when you woke in the morning, he was still there.

[aimfor-theheart]

Why is it that dc such as r@pe, sa, and incest is totally okay to write about and romanticize but y’all draw the line at racism, fat phobia, and homophobia *talking about the writings creators make, not personal beliefs*? Whats the difference between these things? All of them are hurtful and affect people in real life, so why is everybody on here choosing and picking one and not the other? Do writers on here think that they are not comparable or that one is okay to romanticize and the other is going way too far?

Im just genuinely curious as I have seen this topic be brought up again and again, which has made me realize this and Id like to see it from someone else's pov.

hi! there is a lot to answer and unpack here and i have every intention of doing so underneath the cut. forgive me if this gets long, but you’ve asked me 4 very massive questions that i think warrant detail, nuance, and thought. there is a lot i’d like to say here.

that being said, mind the content warnings and protect yourself.

cw: mentions of rape, incest, racism, homophobia, fat phobia, discourse in general

firstly, i am going to choose to give you the benefit of the doubt in assuming you are actually curious in hearing another side and you are not simply looking to stir a pot or pick a fight with beliefs you have no intention of changing or having an open discussion on. your accusatory tone in the first half indicates otherwise and kindly, i am not an idiot. but i want to earnestly talk to you about this and again, will think better of you than you perhaps have indicated you think of me.

secondly, you do not have to censor words like rape in my inbox. that sort of censorship has become wildly popular because of tik tok and other money-hungry social media that also desperately want to silence people. do you know why you have to censor words like that on tik tok? or words like genocide? suicide? racism? 1. so that they can make money and market and push their squeaky clean algorithms but 2. and perhaps worse, so they can silence victims. if social media platforms and capitalism and the systems of powers had it their way, you would never utter these words again—whether to call someone out for justice or to have an open discussion like this one. i encourage you greatly to think critically about this and how you choose to use censorship and why.

now, to your questions.

to preface, i am interpreting this ask as being anti-dark content in fiction as you state that ALL these subjects harm people in real life. or at least, you are being critical of all dark content in fiction and the way writers engage with them, effectively ‘picking and choosing’ which are deemed acceptable and which aren’t, when they are all hurtful. i apologize if that wasn’t your intention/what you believe, but regardless, i’ll endeavor to answer you.

i personally have drawn no lines about dark content nor spoken about any of these topics specifically really, which indicates to me you have a different narrative and/or are coming from more inflammatory arguments that are always circling fandom lately. in the post i most recently reblogged, i spoke mostly of violence. which, of course, all of those things can be. but i didn’t name one of those topics in particular.

regardless, i don’t believe in the censorship of any dark content in art, but rather advocate strongly for critical analysis on a case-by-case basis. in general, i encourage thinking critically about every aspect of the world around you.

i do not believe that rape, incest, and sa are okay to write about or create art about but racism, homophobia, and fat phobia are not. i believe all of those topics are ones that can, should, and will be explored in the safety of art. all to varying degrees of success, earnestness, impact, and intent. you’re right that these are real things, that can hurt people, and the fictional work about them can have impact on our society that is tangible but the actual art or fiction created is not real. and again, this is all to varying degrees on a case-by-case basis.

art and fiction also historically and massively do discuss these dark content topics and have actively swayed the public’s opinion on matters, whether for better or for worse. throwing away all dark content in art and fiction because it is ‘harmful’ is deeply, deeply dangerous and reductive. a lot of art that engages with dark content actually makes very succinct points about it—i think of vladimir nabokov’s lolita or octavia butler’s bloodchild or speak by laurie halse anderson.

this is where we must exorcise critical thinking. some pieces of work will handle dark content poorly—white saviors making art on racism. men making art about a woman’s experiences that (as you are so interested in) romanticize her pain. etc. etc. and some art will handle it’s dark content incredibly and be transformative, perhaps even revolutionary in how we talk, perceive, or acknowledge systems of oppression, violence, and dark content in this world. some dark content in fiction will have damaging beliefs and effects on society, some will not—we must also look at scope for this, at the writer perhaps, the historical moment, their audience etc.

(for example, there is a significant difference in a main stream male writer, writing of a woman’s experience with rape in a published book in a way that makes it sound romanticized, sold to thousands and thousands of general public vs. a woman using fanfic to explore rape, take control of it, or whatever in a fanfic for a small online community where there are warnings on it. indicating she is aware of its potential damage in a way her male counterpart is not…)

but i still believe in dark contents’ existence in art. of course there is differences between all of these topics you brought up, but i don’t think their differences matter in this answer. i believe in their right to be explored in art. i am talking broadly of media/art here, which i think is the more relevant conversation, but i think you are actually more interested in a much smaller scale of people. ie. fandom. ie. mostly marginalized people in small communities online writing and creating dark content.

people will choose and pick which ones they’d like to create art over and which ones they don’t, which ones they read and which ones they don’t. there’s no ‘hard line’ drawn anywhere. and i can’t control it and neither can you. perhaps you think violence is okay to be explored in fanfic, but racism isn’t. someone else will have different preferences. i do not believe in its censorship.

now, let’s move onto your interest in romanticization and what i think you are more pointing to, which is fandom. you are specifically referring to people in fandom who write about rape, incest, etc. and ‘romanticize’ it—ie. they write about it in a way that is a fantasy. it is perhaps supposed to be horny or sexy. so let’s talk about it.

i must remind you that these topics you’ve brought up (rape, incest, sa) being written are fiction and it is (most often) done by someone marginalized who has either experienced this or is in threat of experiencing this under a patriarchy. i assure you, they are aware of its harm. hence the copious warnings in fandom spaces.

if i can be candid, sometimes i think that people forget how systems of oppression work when discussing fandom and whether dark content being created should be allowed or not.

for example, i sometimes think people who are anti-dark content in fandom believe that a woman or afab person writing a fictional fanfic about rape or sexual violence then influences people to go out and rape people or that women actually like it. when the reality, in fandom spaces, is that rape and sexual violence happen frequently under the patriarchy and then these women in fandom write fictional fanfic in response to cope, explore, take control of, etc. etc.

to insinuate that women or afab people (which fandom mostly is) exploring dark content safely in fiction then causes their own oppression and harm or trauma is rather victim-blame-y to me. fandom exploring dark content does not cause these things to happen in our society….these actions (rape, incest, sa) happen in our society or systems of power and fandom reacts to them in their art by exploring it in dark content. do you understand what i’m trying to say?

it’s not a matter of what is ‘okay’ to romanticize and what isn’t. i do not think the romanticization that fandom does with dark content (ie. my kidnapper actually loves me! or this sexual act that i did not consent to…maybe feels good) is not actually romanticizing but coping because of the systems of power that i described above. and this can be coping with anything—shame of sexuality, shame of fantasies, trauma, fear, etc. etc.

as i said in my tags in that post i reblogged and as plato said, dark content in art is a safe place to explore what would otherwise be harmful and dangerous in real life. it is cathartic. potentially even, a purging.

and even if it isn’t all that—maybe it just is trashy fantasy. it is still playing pretend. it is still fiction and in fandom spaces, it is still most likely being created by a marginalized person. and again, even if it isn’t, we don’t get to censor it. we can be critical of it or wary or whatever, but to censor it, is a slippery, slippery slope. do deem some topics as “acceptable” and others as “unacceptable” is dangerous.

just like kids play pretend where they ‘fight’ or ‘kill’ or ‘kidnap’ or ‘shoot’ each other in games of cops and robbers or heroes and villains, they are safely exploring adventure, dark content, fantasy, tragedy, and higher emotions. adults can do the same in fiction and with adult topics like sex.

and at the end of the day, we don’t get to demand the credentials to do so either. we don’t get to censor them or control them and nor should we be allowed to. i cannot stress enough that i encourage you to be critical of censorship or the absolute disgust in dark content and at those (again—often marginalized people) who engage with it in fandom. i believe it is deeply puritanical, conservative, and dangerous.

you don’t have to like dark content or consume it at all and fandom makes it easy not to with all the warnings and tags, but you cannot control others or police them. nor should you want to.

and at the end of the day, i have some questions for you. you don’t have to respond to this, perhaps they’re just things to think about. what is the end goal here? what is the point in harassing, shaming, attacking, criticizing, or interrogating people in fandom spaces who create or support dark content? do you believe that if it is purged from fandom, it will be purged from our society? if you want it purged from society—shouldn’t you start there rather than in the inbox of marginalized writers in fandom? people in fandom did not create rape, incest, and sa nor do they in their exploration of fiction…they are merely reacting to a world that did create it.

i hope at no point i came off as rude to you, as was not my intention. i intended to stand up for myself and respectfully state my opinions and thoughts on this matter. i’m sorry it got long, but also i don’t believe in being brief on such complex matters. i am a writer who engages critically with the world around me and sometimes, things cannot be made into short, snappy answers. sometimes, we must unpack.

genuinely wishing you well.

[queenburd]

The use of color in The Stanley Parable: HD and Ultra Deluxe (with honorable mentions to the Demo)

dedicated to @squuote who needs more TSP analysis to rotate

A little over a year ago, I (only somewhat jokingly) lay out the argument that while The Stanley Parable is notorious in its use of yellow, the color yellow is not actually associated to the Narrator. The color most associated with him, I argued, was red. [1, 2]

I've had plenty of thoughts regarding color and TSP in the interim and I want to go over those thoughts today in as much depth as I can manage. You know, for fun. None of this is to argue about creator intent, but it's a fun way to stretch the critical thinking and literary analysis portions of my brain. It's also super cool if you don't agree with my readings, since the point is to get you thinking about these things and studying them to interpret for yourself.

Anyway let's gooooooo

(note: all images are embedded with a link to the source page I pulled them from. For those on mobile, be careful with your scrolling and tapping!)

Yellow

Okay let's start with the “obvious” one. Yellow is seen as one of the main colors in the game, it's the color of the main office and the primary assets associated with the Parable. We see yellow PRIMARILY in the beginning of the office, before the two doors room. It lines the cubicles and the walls are often interpreted as yellow (eh, they're more of an off-white. They're actually absorbing color from the brown-yellow carpet, and they do the same in the lounge).

It's the color of the Line(TM), it's the color of the cargo lift in the warehouse, and, most strikingly, it's the color of the SKIP Button.

We'll get to you.

Okay, so yellow is a color with conflicting interpretations, which is par for the course for all of them, we're not going TOO insane on color theory and color psychology we will be here ALL DAY and I was an ART student. So let's just look at the most basic reading. Bright, oversaturated yellow is a color that can exhaust the eyes easily. It grabs our attention like a highlighter and burns our retinas.

It can be a color of excitement, but it can also be a color of sickness. I've been thinking about the short story The Yellow Wallpaper the past couple days. Or maybe I've been thinking about it for longer. It's just that I haven't reread it in actual years, but every time I saw someone talk about the wallpaper in TSP, I thought about the story. Here's some passing thoughts on the short story in comparison to TSP. [3]

Sickness, and madness, and beginnings, and infinity. In the end, yellow, to me, is the color of the Parable grabbing the player (and by extension the Narrator) by the nose and saying “let's get moving. We have a story to play. Play the game, and keep playing.” Notable to me is how the SKIP button is almost scathingly yellow in contrast to the room it's in, and as the room gets darker the glow gets more foreboding. The Parable did this. The Narrator might think he made it, but he doesn't control it. Yellow isn't his color, and it never was.

Red

“Stanley walked through the RED. DOOR.”

The use of red in TSP is probably the most interesting and fun to analyze for me. It's used extremely intentionally and it's commonly associated with power, anger, and passion. We see red in the Boss's Office, in the Countdown ending, as the door to the Starry Dome, and a TON in the TSP2 Expo. There's red doors and signs in the Escape Pod Bay.

So I've joked that the color red is the Narrator's color, and while it's still a fun interpretation, it's not one I'm married to. I think it's more accurate to say red symbolizes control. The Zending Door is you letting him control the story. The Countdown screens are him taking control from you. And TSP2 is the Narrator trying to exert control over what the developers have made. It's a response to New Content and to the SKIP button. I have a million trillion thoughts about the TSP2 Expo but I won't get into them here.

Anyway, red feels very obviously to me associated with the Narrator trying to take control, or things only being possible when he has control. I'm thinking about the signs in the Escape Pod Bay telling you that it won't work without him. (I'm thinking about how the same door asset for the Zending is used in the Escape Pod Bay. No. shhh. Staying on topic.) So I don't have much more to say on the matter because I feel like I've tread this ground before. Red is about control, and it is held in direct contrast with blue.

Blue

Oh, blue. Soothing blue, sweet relaxing lounge and ocean paintings and boss's bathroom and blue door that leads to broken textures and an irritable Voice.

If red is the color of control, then blue is the color of rebellion. Small rebellion, sure. Rebellion that means nothing in the scheme of things. Blue is the stepping stone to bigger deviations from the path. I mean, the lounge is only the first step to the right, and you can still get on the “correct” path. The blue door you have to go through repeatedly, you have to make the choice multiple times, for it to lead to the Games ending. The boss's bathroom doesn't GO anywhere until after the epilogue. These are “rebellious choices” in a game where you don't really have a choice, and it's the closest you get to defiance.

I like to make it Stanley's favorite color for obvious reasons.

(Hey, fandom, why you keep associating it with the Curator? The only blue in the Museum is in a couple assets on display.)

Green

I gotta admit, while there's definitely something to green and its use in TSP, a clear meaning for it is eluding me, and I've been thinking about it on and off for a couple days now. It's a fairly infrequent color in TSP as a whole, but it does make an appearance. Besides being the color of plants (such as the ever important fern, the potted plants scattered through the office and the ones in the TSP2 expo, and of course the growth in the SKIP button room), it's also the wallpaper in the Demo, and the same wallpaper is used in the Boss's Office in the Real Person Ending. Thinking further, it also appears in the small room before the stage in the Press Conference Ending, and it's the color of the carpet in the HL2 Office that is found under the Games ending. (It was also brought up by my pal glitch that green is the color of the cursor on Stanley's screen, the first thing you see before gameplay begins. Good catch!)

Thinking about it, it's hard to find a throughline. There's something familiar about the green. Not necessarily safe, but it usually comes before something much bigger. Maybe this is a bit of a stretch, though. Let's say for now green is associated with the familiar in the face of the unfamiliar.

(There's possibly a thesis here about green being associated with gifts and surprises. The Narrator makes the Press Conference ending something that teases but also praises Stanley, the Green Room in the Demo is the space where the Demo is meant to be revealed to you, and that alternate Boss's Office is supposed to, in the Narrator's mind, be the first step to a wonderful story made just for you.)

White

Most people, when they think of white in The Stanley Parable, immediately think of the Museum. And they're right to! It's one of the most prominent environments that uses white. With that in mind, we can't forget the other places it appears, since it's best to keep everything in mind when trying to formulate a meaning for it.

So, other places where white is prominent: We have the out-of-bounds ending, and the Art ending (aka play that Baby game for four hours). We also have a massive part of the TSP2 expo.

Honestly, there is a lot of white in the rest of the office, but it tends to be absorbing the colors of the environment in ways that make it less noticeable. White's really good at that, which means the times where it's by itself as the outstanding color are outliers and feel intentional. So what do these things have in common?

Well, they kind of show the seams of the game? Take this with a grain of salt, but the Museum is designed to show you some of the design process for the game, effectively taking you out of the setting to give you a top-down perspective (hehe, literally in the case of the diorama of the office up to the two doors), and the out-of-bounds ending is a joke about breaking the map, falling out of the world , which can break immersion in other games. The TSP2 Expo is the Narrator showing off all the features for his sequel idea, giving a “sneak peek” of what will be included.

The Art ending doesn't fit with this thesis, but it does involve the... revelation, I suppose, of the “character” of the Essence of Divine Art. What I'm trying to get to is that white is a color of revelation and display.

Gray

Gray is not a color that tends to stand on its own merit in The Stanley Parable, and that in itself is intentional. Gray is used as a texture of “unfinished” things, things the Narrator doesn't want you to look closely at, and would prefer you move past Right Now Right This Second Please.

It's the walls of the Broom Closet, as well as the walls of the maintenance room. It's also the walls of the room right outside the Starry Dome—the hall that leads right to the stairs. (Honorable mention, @chirpbudgie brought up that the desks in the office are gray, which is also an implication of the way Stanley's coworkers seemed to disappear with work unfinished. There is a sense of “wrongness” in how they've all vanished. Nice eye, bud.)

You're not supposed to dwell in these places. Go back to the story, please!

Black

“Blackness, and a rising chill of uncertainty. Was it over?”

Last and least is black, less used as a color in its own right and more a use of shadow. It really stars primarily in the Mind Control Facility, dark rooms with a sense of foreboding. Honestly, what is there to say about black?

Only, I tell a lie. You see quite a lot of black in this game, don't you? After all:

It's the Loading screen.

Blackness is uncertainty, and mystery, like the game tells us, because anything could be hiding in the darkness, and anything could happen when that screen is finished loading. It's white's opposite not just in value but in meaning. You don't know what's going on, you just have to wait and see. Any time you might have an answer, or an ending, here comes that loading screen to wipe the slate clean and say “hey, what haven't you found yet? What haven't you tried? What tricks does this game still have up its sleeve?”

(And now I'm thinking about the Figurines ending, and how the Narrator shouts to stop the loading screen, to go back and stay in the familiar please!! Because the fellow hates uncertainty, really he does. But that's a thesis for another day.)

(We also can't forget that Ultra Deluxe's Setting the Time is also set on a black background, and there's always, to me, a sense of foreboding and uncertainty there too. What happens after this is the game, right? Is this for something? Is this doing anything? Is it changing anything?)

Silver

It's a bucket :)

Okay that's the end of this post. There's probably plenty more to say about this subject, this isn't exhaustive by any means. Color is an incredible tool, and visual storytelling and color interpretation is not in any way a science. As I posted bits of this in my server for extra feedback and examples of color, other folks brought up an entirely different interpretation of the color green. And I didn't even bring up Mariella being dressed in full green!

Anyway I didn't bring up orange because there's only a couple instances of it in the game but its always about unfinished things/assets (Baby game, just a lot of Games ending things) but it also shows up in the TSP2 Expo (Button That Says The Name of the Player Playing The Game (Jim)) for features that uuuuuh. Aren't done. So that's funny.

Like I said, there's almost certainly more to say about color theory and the game, but this thing is hitting 4 pages long and that's not including images oops.

I hope this was a fun read! Some of this stuff has been percolating in my brain for a while and it's good to finally get it on the page. Talk to me about TSP I love this game.

[abyssalzones]

hey anon! I debated most of this morning what the best way to respond to your ask would be because I'm not going to lie to you it almost made me cry. hopefully a drawing is okay. I wasn't sure whether it was my place to share what you've sent but I did want to answer you properly, and it ended up getting kind of long... so I'll put that under the cut here (sa mention)

First of all you definitely have nothing to apologize for, a major element of my analysis (and what had made me so nervous to post it to begin with) was that it came from a very personal place, and I knew if I posted it I was going to be opening up a lot of doors. good or bad I honestly had no idea but I really hadn't anticipated such an overwhelmingly positive response, and I especially hadn't imagined so many people to share their own experiences with abuse and how what I wrote meant something in relation to that. it makes me extremely glad I bit the bullet and allowed myself to be a little vulnerable about something I enjoy.

there's something almost uniquely weird about being a victim and seeing yourself in a story but not knowing how to express that. it feels like one of those things you can't really say without crossing an extreme line, and any parallels you might be able to draw are therefore Reaching, biased by your own experiences. I've struggled with this a lot as someone who uses art not only as an outlet but a voice for my experiences- and what experiences I think deserve to not only be treated with respect but honesty. there's a lot to be said about the alienation of the victim from the rest of society when sexual assault is so overwhelmingly common in our world, and how difficult it can be to find truthful and respectful depictions of these experiences in... anything, pretty much.

I have no idea if that's what they were trying to do specifically, from a textual angle. but I do think it's possible, and am confident that they at least drew on the subject (both in the instance of Bill coercing Ford to drink and the scene later where Ford is paralyzed), which was honestly what led me to write the analysis in the first place. That "he's kinda like me" moment you describe is something I'd had for a long time but had never been able to say confidently without feeling like I was reading between the lines. But I think you're right. and I think there is a real reason why such a story could speak to people in that way, could be so important for the process of recovery... we can't always conceptualize what happens to us from our own perspective, y'know? we're trapped in our own minds for the most part. so I think fiction works excellently as a way to work through these things and see our worst struggles in someone else- and to come to vitally important realizations of our own.

anyway, all that to say I'm so glad what I wrote helped you come to that realization. hearing that makes me feel like I've done something not only to help myself find some closure, but for others to as well :] healing is always, always possible and I sincerely hope you find your happiness as Ford has, and as I've found mine.

[chocolatepot]

While I'm ranting about fandom, I have really mixed feelings about posts that are like "back in the day, we never cared about what anyone else was doing and you could write/draw/ship whatever you wanted with no backlash."

Because on the one hand, yeah, there was a much higher tolerance for dark content 10+ years ago, and I do miss that. Antis are bad, sui-baiting people for drawing cute art on one account and NSFW on another is bad, whump is excellent and I wish there were more of it.

On the other, said tolerance didn't exist everywhere and you're kidding yourself if you think it was a fandom-wide virtue. Ship wars were vicious and frequently involved judging female characters as sluts unworthy of $hero because they'd kissed another guy onscreen one time. There were plenty of places you weren't allowed to write anything but fluffy canon het or get judged. I think it mainly feels like there was some golden time of everyone being Okay With Anything just because we didn't have these massive sites where you were rubbing shoulders with everybody. On LJ, it was very easy to just interact with the other people who liked the same stuff as you.

And also on the other, the rise of antis/criticism of dark stuff/etc. went hand-in-hand with the rise of social justice awareness in fandom, and I have strong memories of people really resisting any analysis or discussion relating to bigotry or subconscious bias in canon or fanon because get out of here SJW! It's all made up and meaningless! Pretty much everyone was sorted into either the social-justice-aware camp or the called-people-SJW-unironically camp, and the former was going to be critical of what message your fic or fandom participation was carrying (in terms of sexist tropes, ship statistics, and so on) while the latter was going to be hostile to you saying you were offended or disturbed by anything at all.

I remember one time toward the end of Fandom_Wank (after UnfunnyBusiness had been split off to talk about conflicts involving -isms because people had come to recognize that not all drama is equal) when someone brought up an old wank involving people upset that in a particular fandom's AUs, the characters of color would frequently be turned into literal animals while the white characters were still human. Originally, they had been mocked because this was obviously trivial and not racist, it was just random chance which characters got turned into animals, etc. But at that time, post-RaceFail, everyone agreed that it was really messed up. And that's what I think about every time the "people used to not care about what you wrote" topic comes up.

[where-does-the-heart-lie]

Can we have a deeper analysis in Sabo's shape language study please? It's amazing how you make him give different vibes with just his hair and I like to understand how does that work.

Oh. I'm SO glad you asked.

(The Post In Question)

Okay so this isnt the first post ive made about shape language,

Here are the others:

ASL Shapes Strawhats Shapes

i'm just gonna copy and paste the definition i have for shape language from those posts here so i dont have to write it all again.

Shape language is defined as “a concept used in art and animation to communicate meaning based on shapes we are familiar with” (source). This concept uses circles, triangles, and squares to convey an idea of the “personality” of the design without using any words.

In designs, using circles and rounded edges in your silhouette and detailing gives the design a soft and squishy look. They tend to be harmless, approachable, or changeable.

Designs using squares gives the design a solid, sturdy, and strong look. They are supportive, reliable, and inflexible

Lastly, triangle designs are sharp and directional. They are dynamic, dangerous, and unpredictable.

That's base level but here's more in depth description of each design for ya:

this one is up first!

You may notice how in this design, his hair isnt in large clumps like the others are. His hair falls delicately and waves gently with little to no hard angles.

In this design, i was trying to convey the idea of "he wasnt born to fight, but he's molded himself into someone who will." I tried to depict that by making his hair all light and feathery, his facial features soft and rounded, but also showing how he's modified his body in a pointy and aggressive way.

I didn't want to only go hard edges with the piercings though because much like he's strayed from his mold of being delicate, he's also strayed from his mold of being a cruel noble. so some of his piercings are rings, AKA: Circles.

You may also notice the different in how I've drawn the collars of these guys. the collar of this Babo's black coat falls softly, and its' arc is rounded. The shoulders don't have any padding and it rounds at the corner.

This Man Is Round.

Next up is this Freak

This is supposed to be Triangle Him.

His hair is in larger, hard angled clumps. Indicating that he probably cut his hair himself. He did... greattt. I already headcannon him as someone who cuts his own hair, but i dont think this one ever gets any better at it.

The hard angles on his teeth, his scar, his jaw, his collar, that line i forgot to erase on the left, and his coat all give indication that this guy is Dangerous and you probably shouldnt mess with him.

I didn't have any real deeper meaning to this version, I just wanted to make him look as opposing as I could. this guy is "what you see is pretty much what you get."

Even though he doesn't have a lot of deeper meaning, I think this one is my favorite of the designs. I really love these colors on him and his hair was really fun to draw. I think I wanna draw him again at some point. I think this version of him would be very funny paired with Koala. I'm chuckling thinking about it:

Koala and her Armed and On Fire kindergartener

And lastly this guy

Sabo's base design is very rectangle coded. From his Hat, to his face shape, to his coat. So this version was very easy to make as I didn't actually need to change that much!

I think maybe I could've made his design a little more complex? But also I think there is a beauty in simplicity for this one. He looks straightforward, reliable, and kind. He seems like the kind of guy who gets his hands dirty, not because he likes doing it, but because he does what he must for the greater good.

I really love his hazel eyes, too. I think it brings a nice warmth to his design that is really nice.

Additional comments:

I love talking about this stuff. I love designing. I love art. I love drawing so much it's so fun

Everytime I get to sit down and make some funky doodles my brain feels like 🧠🤸🧘🧜🧚🙋‍♀️🙋‍♀️🧚💃💃💃💃💃💃

If you got this far thanks for reading :)

I usually have a description for my designs and my choices and stuff and I forgot to do one for this post, it makes me happy to see that it was missed :)

[katerinaaqu]

The Humanity of Odysseus: Fear, Pity and Honor (an analysis based on Sophocles's "Ajax")

This analysis has been suggested/requested by my amazing friend @artsofmetamoor with whom we are dealing with various of projects, mainly W.I.T.C.H high fantasy related material! Please visit her profile and check her amazing art!

So as you see from various accounts and much more my recent analysis in regards to whether Odysseus is someone without actual essence of right or wrong, we have one of the few cases in which we have a more complicated Odysseus rather than the usual anti-hero figure we have in post-homeric tradition. Sophocles in his tragedy "Ajax" tells the story of Telamonian Aias, how he lost his sanity when he became furious that the armor of Achilles was not given to him. It wouldn't be an exaggeration to say that Odysseus opens and closes the tragedy by being in both the first and the last scene. In the first scene we have one of the most hilarious (and daresay extremely modern even for today's standards) dialog between Athena and himself. Athena has just explained to Odysseus what happened to Aias and then proceeds to call him, earning this HILARIOUS reaction by Odysseus!

Odysseus: What are you doing, Athena?! Don't call him to come out! Athena: Easy there! (Lit: Hold up, or Keep your posture), are you taken over by cowardice? Odysseus: Don't, by gods! If you please, let him stay inside! Athena: What's the matter? Isn't he the same man he was? Odysseus: A man who was an enemy, especially now

(Translation by me)

Okay, other than the fact we have the absolutely HILARIOUS moment of Athena going in a "What are you? Chicken?" mode with Odysseus (which has me laughing to this day!) we also have an increasingly panicking Odysseus! From the moment he hears Athena go "Hey, Ajax!" from outside you can almost see him jumping out of his skin! We even have him go increasingly more panicked when he says "By gods, don't!" like the last thing he wants is to come face to face with a 2m tall behemoth of a man who not only has a personal grudge against him but also now he is mad and murderous. And his anxiety is also shown by some low-key homor he does even when Athena talks again:

Athena: Certainly isn't it the sweetest taunt, the taunt of one's enemy? Odysseus: For me is enough that he stays inside his chambers! Athena: Are you afraid to see the madman? Odysseus: I wouldn't be so terrfied of him if he were sane (Lit: If he were in fact, sane, I would lift my fear) Athena: But now he won't see you being present near Odysseus: How? If he sees with his own eyes?

(Translation by me)

Okay we have once more Athena being cheeky (like a very interesting trope) basically sayng "why? don't you want to laugh at your enemy?" and Odysseus answering with equal humor in a "thanks but no thanks!" manner! Like "nah I'll pass!" but I find it also interesting how honestly Odysseus speaks with Athena. If other people call him coward he retaliates and in fact most of the time he is prudent but now he is truly terrified and he is not afraid to admit that to Athena who, let's face it, knows his soul. He is so afraid to the point of forgetting that gods can do stuff humans find impossible and he even asks her how she would achieve that Aias won't see him. He doesn't ask if she will protect him. He asks HOW she'll do it! XD

Athena: I will darken his eyes so he won't see clearly Odysseus: Indeed, everything is possible when the gods are acting Athena: Then, be silent now and stay where you are! Odysseus: I'll stay: even if I'd rather be anywhere but here!

(Translation by me)

Honestly...I love this to no ends! Odysseus finding some composture in a "Oh! Right!" mode as he remembers it's Athena we are talking about, Athena basically be like "Shut up and stay still!" mode as if she talks to a dog and Odysseus whom I can so imagine mumbling that last part to himself is just an amazingly human roller coaster for Odysseus who even if he has the wits that all people would wish to have, he still is blocked by fear like everyone else. And then we have another amazing detail and scene here;

Aias comes out in all his mad glory, covered in blood of the sheep he killed and holding a bloody whip. Athena asks him questions and Aias answers how he ellegedly killed the greeks and how he captured Odysseus in his tent! He then proceeds speaking on the gruesome death he has in store for his rival, that he wil whip him to death (And again cheeky Athena inserting some dark humor like "Don't hit the poor man too hard!") She then turns to Odysseus as if expecting praise! She basically asks him "Well? What do you think of the power of the gods?"

And how does Odysseus respond?

Odysseus: Well, I don't know of anyone: however I pity him, the poor man, even if he is an enemy, for he is taken over by this devastating delusion. Neither do I think myself better than this purpose; I can see that we who live are nothing more than deaf shadows.

(Translation by me)

Not only does he recover from the shock and fear even after he heard all the horrendous things mad Aias wants to do to him but he now pities Aias; He knows he used to be a powerful dignified king who is now reduced to a shadow of himself in madness and he pities his condition but he also PUTS HIMSELF IN HIS SHOES! He sees that he as well can easily become him! He admits that he doesn't feel any better than him, that he is also weak before the gods and he even speaks on how humans basically are pointless, temporary existences on earth compared to the immortals.

Athena even closes the scenes with a threat. She threats Odysseus never to be blasphemous to the gods because the gods can do this and much more to a man. In a way we also have a foreshadowing or an "easter egg" of the Odyssey here. In a way that threat or warning coming out of Athena coming in place.

However his humanity for his elleged enemy doesn't stop there for later he is the only one of the offended party of greeks to actually insist upon allowing Aias to be buried with honor. I will not speak on the moments where he says some of the most iconic things like "I hated him when it was honorable to hate him" which was done by another tumblr creator @ilions-end here

The clip that this analysis talks about is not his unparalleled diplomatic nature but rather the humaity that we analize here. And some of the phrases he uses to put himself in Aias's shoes as well as the people who love him and want to see him get honors after death. One of the phrases he uses, which seems to reflect to the words he gives to his wetnurse Euryclea (you can see in my other analysis) in which basically he advises her not to take pleasure upon the face of death. Sophocles seems to place a similar word to his mouth here with:

Odysseus: Do not rejoice, Son of Atreus, to take benefit from something not good

(Translation by me)

Basically Odysseus here shows once more the other side of his; the need to be just to others. He advises Agamemnon that he should never be happy by taking revenge with an unholy act such as leaving someone without a decent funeral. Despite the fact that in Iliad for example in the heat of battle he often threatened to leave someone without a funeral, in reality here in a calm environment he realzes that one must be just before the gods. Despite the fact that Aias threatened to do unspeacable things to him, he seems to recognize not only his pain and misery but also the nobility of his spirit to which he feels sorry to see derranged like that. Odysseus KNOWS it is not noble or right to leave someone yet alone such an honorable man without a funeral and he knows the consequences of that act would anger the gods and make them become something they ellegedly should be looking down upon.

Odysseus advises against feeling joy with such type of revenge.

Of course one can argue that it would be for his own personal benefit as well to do some last act of kindness to the man that felt wronged by the decision to hand the arms of Achilles to him (and depending on the source seems that the anger was quite righteous). However it seems to me that it is his genuine drive to do it right at least in the end, in a way showcasing one more time the complexity of character in Odysseus; a man who often makes severe mistakes or even brings controversy to the table but at the same time he has a large fose of humanity inside him and a strong will to make things right

Quite frankly Sophocles is ranking as one of my favorite post-homeric sources for Odysseus's persona and inspiration apart from my top favorite Homeric version exactly for this reason. Because we can experience the many different human emotions of this character called Odysseus of Ithaca! In this one play we see Odysseus freeze in fear even his mind having trouble to work for a second in his worry, then he experiences pity and compassion for the man that had murderous intentions towards him and finally the final tribute to that said man; having surpassed all the previous carousel of emotions he experienced and finally seeing clearly what is the right decision to make.

But what do you guys think? Let me know! ^_^

[sampofan28]

(apologies it wouldn't let me save this in better quality)

No but okay I want to start a discussion about this lightcone, because it feels very important to me, but also I don't have a solidified idea of what its trying to symbolize/tell us. Like the puppet imagery is a very specific choice, and in retrospect you could argue it has to do with the way Sparkle puts up a fake persona/Aha themselves controls her (i think, im not big into Sparkle lore so correct me if I'm wrong.) But like, then we go to the Sampo puppet. So is he controlled by Aha? Or was he? Or is it about the fake persona he also puts up? Also I think it's important to note the details of their outfits: Sparkle's puppet is in her normal outfit, and Sampo...is in a suit? He doesn't have his grey hair? To me this implies this is what he looked like when he was last with the Masked Fools closely OR this puppet was made a while ago. WHICH IS SO INTERESTING.

ALSO THE DESCRIPTION IS RLLY CRYPTIC. Here it is copied over: "-Who witnessed his death?" -Me! I spied it with my little eyes! -Who took his blood? -Me! I used my little saucer! -Who dug his grave? -Me! Using my chisel and shovel! The wise uses all techniques in their arsenal, the sovereign soothes their heart with power, the hero views themselves to be righteous, and the fool laughs ceaselessly- "Now let us welcome Ms. Sparkle to bring us the performance of the years-Penacony's Night of Fright!" SO LIKE COPYING IT OVER FROM IN-GAME MADE ME REALIZE IT MENTIONS PENACONY??? AND ALL THE LIGHTCONES TAKE PLACE BEFORE WE GET THEM SO??? HAS SHE BEEN IN PENACONY A WHILE OR JUST A BIT BEFORE WE GOT THERE? I MEAN THE LIGHTCONE ITSELF HAS LIKE A WHOLE GROUP OF MASKED FOOLS WATCHING SO I IMAGINE IT HAD TO BE A WHILE AGO WHICH IS JUST FASCINATING. Also whose the he their referencing??? Immediately I think Sampo but I guess it could be someone else, or not representative of anything and just meant to be her being a bit of an oddball, BUT I DONT KNOW IT FEELS DEEPER THAN THAT TO ME. This lightcone stays in my mind a lot, LIKE EVER SINCE IT WAS LEAKED I THINK ABOUT IT SO MUCH. It also has some of my favorite lightcone art in-game im not gonna lie, its just so funny. (Also I love Sampo wearing a suit and dancing. This is not relevant to any analysis I just need to say it.) ANYWAYS I WANT TO HEAR SOME OTHER INTERPRETATIONS/TAKES ON THIS LC SO PLEASE GIMME ANY TAKE YOU HAVE :)

[allyriadayne]

will someone explain to me what the deal is with asoiaf lore? i'll see someone talking about something and it will come from martin responding to a fan letter from the 90s? and this is canon?? like who found and compilates all of the stuff he has said besides released books and interviews i guess. i've never been a fan of a series like this, is this common?

this has me genuinely in tears sorry 😭😭😭

okay serious now. i genuinely don't know if this is normal or expected in fantasy book series, at least i don't think it's that common in modern fantasy where the fashion has gone other ways from the expansive sword & sorcery type from the 20th century. i could not tell you if other fantasy authors are as involved as grrm is because i haven't been involved with any other fandom like this either (maybe lotr fans can say something different), but considering the years between publications (let this one be the last 🤞), the massive fanbase and fame of the source material, i think it's normal that his interviews, comments, and fanmail has been archived in the internet.

strictly speaking, everything outside asoiaf (books 1-5), fire and blood, and the dunk & egg books is not considered canon. BUT if the info comes from people like elio and linda like twoiaf book, or like the calendars, cookbooks, official art etc it's considered semi-canonical, just like anything grrm says /outside/ of the books. famous example, it's like when jk rowling said dumbledore was gay /after/ the books were done. it's semi canonical bc it comes from the author themselves, it doesn't affect the main body of work so it can be taken or discarded.

the thing is, martin has done A LOT of interviews and answered A LOT of fanmail and worked closely in answering doubts from the westeros dot org site for their rpg games set in westeros (girl, the dream) during the more than 30 years since the publication of agot. all this is considered semi canon and this archive is called "so spake martin" (SSM), which i think was started by elio & linda in the 90s and it's still collecting info. if you go to the awoiaf wiki, esp in the main series characters you'll see this citation (from tyrion's page):

most will be things like "martin has said tyrion has similarities to richard iii" (i mean duh) but other will be really neat like saying tyrion has been trained in arms, which while not something new (he does fight more or less ably during the blackwater battle) it's interesting to point out when it's a detail that may be lost in the series. it goes from character trivia to how casterly rock is different from the show. most fans take what he says seriously but i know there are people that only consider what's in the book and that's it, which is fine. in any case, most of these is used to enrich theories or character analysis, it's why you will see trivia from a fanmail from 1996 or whatever. i myself haven't read SSM completely one by one but i do like to peruse the wiki often, even if it's not complete.

i've seen a few blogs on here who also "collect" grrm's words like nobodysuspectsthebutterfly's "so spake martin" tag (mostly analysis but really interesting read if u don't want to go thru the westeros org page) or georgescitadel that has specific info about characters or themes in asoiaf.

[melodiclune]

Boo!!! Have a curse on ye!!!

To breakth the spell, name thou mutuals and what you like about them!!!

(not all of them. Minimum 5)

Melmel do you hate me. What if I forget someone. They're gonna hate me forever. I'm literally going to go through my mutuals list and have to do this. FEAR. PLEASE I DON'T MEAN TO FORGET ANYONE I SWEAR I LIKE ALL OF YOU OR ELSE WE WOULDN'T BE MUTUALS

1. Marigolds Buddies, 2. Discord Gang, 3. Blue Lock Gang

1. @noname-nonartist Hi you're the menace to society and thorn in my side (affectionate) for the past three years. Your art is stunning and you're an awesome person to talk to and it's always a chill great time when I get to brainrot with you over ShuAke. Even if I'm not into Project Sekai it's hilarious seeing how into it you are and I'm happy for you

@himi-wiz Do I really need to tell you what I like about you? You already know my heart inside out, there's really not much else to say. I love you to the moon and back. Drink water, Fool.

@sunflowerswithtea MY TEA BUDDY you're the best friend I've had in our academic suffering together. I'm so proud of you, you never give up and try your hardest in everything. You're one of the actual nicest people I know :> I love waking up to your absolute spam of texts on discord even if we don't share the same fandoms atm! I know for a fact that you're going to drag me back into MLB with you though. FEAR.

2.

@rainingstorms1220 Total bean. Take care of yourself more. Your art is stunning, you have some amazing stories and I can't wait to see more of them. Despite all your downs you've never given up, always held your head high, and you're one of the most dedicated, passionate people I know. You're welcome for the hermitcraft brainrot <3 Love you lots Stormy

@chibihobbitlore MARIAAAA MY BELOVED Your art is inspirationally beautiful!! You're so positive every time I talk to you, one of the nicest people ever and it's always such a nice time hanging out with you. Bullying Elder with you is one of my favourite past times :DDDD You're not on Tumblr much but seeing you on discord always makes me go "!!! HI MARI ILY" hehehehe

@eldestofdragon You. You are most definitely not on Tumblr much, part of why I'm tagging you here. Little shit. You're witty, always pull a laugh out of me every time we talk, and I love hearing you ramble about your DnD campaigns and lore filled stories. You're not positive, but you're not negative either, which is right up my alley when I need someone to talk to. <3 I'll see you on discord later today! Worry less, sleep more.

@a-mel-tomelts Menace to society x2. Do I need to tell you too, why I love you? You're witty, happy, excitable and so passionate about the stuff you love. Despite your ups and downs every time I get to chat to you about our shared interests and experiences it's always a great time. Hange to my Levi, Sumi to my Akechi. Nothing else says it better! :D You already know why I love you, twat, ask me on discord if you want details again

3.

@someprettyname THE most chaotic person I know. Passionate, determined, steadfast, and really proud of what you stand for. It's really nice to see that. Every time I open tumblr and see like 30 texts in my message box I'm like "oh no, what's happened to nami this time," and no matter what I see, I like chatting with you when I get the chance <3 Seeing you in my notifs always makes me happy

@blue-thief I swear sometimes it's like we're telepathic with how often we have the same views on things. It's always great chatting chaos or media analysis with you. It's so easy to fall into conversation with you, and seeing you be so certain in your skin sometimes is honestly really nice. You care about your friends so much it's so wholesome. I hope your exam went okay!! I hope I can support you in any way you need from me :3 I'M STILL WAITING ON THAT ASK I SENT TO BE ANSWERED, BEN /j

@zendersenders Fellow Rinsagi enjoyer, again shares a lot of the same views as me so it's always a super fun conversation to have. Fanfic buddy, I have almost dragged you into Persona hell with me. Whenever I see you in my notifications it's like "oh hey, zender's here!! hi!! :DDDD" little dopamine hit. You're a total sweetheart. Except when you decide to terrorise me with Mel, then not so much smh

@galaxynajma Fellow birb enjoyer, has the same media taste as I do which is great to see on my dash, one of the most lovely people on this damned website. One of the rare other KaiSae enjoyers. Talking to Najma is like.. a peaceful chat on a picnic blanket, with a clear sky and cool lemonade in our hands. It's like a moment of reprieve amongst all the chaos of the Blue Lock community. I love these moments dearly :>

@getosugurusbangs Plushie Menace #1. A great person to talk to, even with all the chaos that you dump into my inbox lmao. One of the few people here that understands my Persona references!! I haven't interacted you with much outside of that, but the little interaction we've had has been absolutely lovely. We seem to have the same media taste again, although I'm not too surprised considering everything else hehehe. Your art is absolutely beautiful!! It has a uniquely Eli flavour to it that I always love seeing on my dash :D

I got Kitkat, Elle, and Chen on discord so that this post doesn't get ridiculously long 😭 I should've done the discord people on discord too but it's too late now I'm too far into this.

Good lord. I hope I haven't forgotten anyone? If I have, my deepest apologies, send me a DM or a reply or something and I'll reply immediately or else I will be a very very sad Lune

MEL YOU LITTLE SHIT JUST YOU WAIT UNTIL I POST THIS AND FINALLY LOG BACK ONTO DISCORD TO RIP INTO YOU ABOUT THIS

[ygodmyy20]

Opps this post got forgotten! But if I don't post it today when will I!?

Okay so, I've been thinking for awhile on the question: why do I like terumob and why did it take over my brain? What is it about it...what caught my interest. As someone who was very NOT into ships when i first got into mp100, why did I crashland into this one?

This post has been in progress for like....weeks now? Nearly a month? 3 months? Yea.

Okay so. Here we go. THOUGHTS! On terumob and why the fuck I like it. Below the cut.

Like I mentioned, when I first finished Mob Psycho 100 in June of this year I wasn't into any ship. I was actually REALLY NOT into ships. I really liked gen. I wanted to explore the characters and I loved the complex relationships between everyone but I didn't want it to be overshadowed by romance. I purposely steered clear of any and all ship art.

But then I started to see some TeruMob fanart and I was like "Aw man, they are so cute and squishy." And I started to like them....just a lil bit. ONLY A LITTLE BIT.

BUT then I read more Teru-centric fics, read Teru analysis' and then I was like. Oh shit, Teru is 100% so into Mob it's like....this kid has it bad. He has a major crush. And even on the rewatch I am like WOW yep, confirmed in my brain, Teru has it bad. The subtext of his pinning is JUST so there for me. I didn't even have to look hard for it. I suddenly was very in on the Teru-one-sidded part of the ship.

But here's the thing, I'm not a big fan of ships like that... feels too unrequited. Hard for me to really like it. I need to have some level of something from both sides. Just how I am.

So that still leaves the question.

When and how does Shiego liking Teru work? Is there any subtext for that or am I just making it all up because I want the ship to work for me?

(which also is fine ya'll, no judgement if you ship two characters that barely interact, thats the fun of fandom stuff!)

I mean, all things considered, Shigeo likes Tsubomi. Scratch that, he REALLY likes Tsubomi. Shiego loves very strongly, like all his emotions. And he definitely likes Teru, they are good friends, so I kept thinking: where and how does that cross into a crush to me, for these characters?

Teru cares a lot, he adores Shigeo—Shigeo is kind, he is powerful, he is everything Teru wants to be. But are there places where I see this same level of intensity from Shigeo?

Annnnnnnnd then I got to their fight in season 3.

Everything Shiego did to Teru was so pointed. So raw and angry. Like I said, I think Shigeo feels his feelings very strongly and, I don't know, just the fact that he PERSUED Teru to humiliate him EXACTLY in the same way again, tells me that their first meeting had an intense impact on him. We don't see a lot of his feelings on his meeting with Teru, besides the brief ??? in that episode. After meeting Teru, it's just...life goes on as normal for them. But deep down I don't think Shigeo ever really tackled his complex feelings about Teru and their first meeting.

So it all comes out, its all be stewing for AGES, and what comes out is mean. It's aggressive. It's almost sarcastic? It's what happens when we let things chew us up inside and comes out all twisted.

Teru evoked such a strong reaction from Shigeo, even if Shigeo didn't admit it or express it, that I can't help but think, after things have settled, after he has spent more time adjusting to his whole self...after they both take time to really examine themselves and grow....

....that Shigeo wouldn't develop stronger feelings for this boy who also turned his world upside down. Who made him feel such strong emotions, who changed his world too.

Teru was forever changed by meeting another esper his age.

I think Shiego was too.

And I think where I started to love them was after the finale, after Teru's acceptance of Shiego for who he was.

I don't want to pigeonhole any of the espers into only being able to date other espers. But I also....yes, Shiego is a normal kid, but he is also Shiego.

Teru is a person who understands the strength it takes to keep that power, who has seen Shiego at all sides. His best and his worst.

But gosh this scene....

OUGHGGH

JUST THROW ME IN A RIVER WHY DON"T YOU

Yeah this whole scene just.....just yea. OUGH.

But yeah I just feel like Teru's crush would only grow after that. He would see Shigeo as a person over an all powerful esper.

While I like to think Shigeo's would develop over time and them smack into him like a runaway freight train. Because Shigeo FEELS so strongly, for all his emotions. He feels sadness strongly, he feels love strongly, he feels anger strongly—he just feels everything SO strongly. That is why he is powerful, that is why he is who he is, that is why ??? became what it is.

Anyway. My thoughts have ended and that's all i got. Thanks for coming to my ted talk of rambling mess that has been in progress for months that I realized whelp with the anniversary of the end of S3 nearly here, mind as well post it.

[greenerteacups]

Hey GTC, I have always been such a fan of your Tumblr and your engagement with the fandom. However I must say that as of late, the questions you’re being asked most often are essentially variants of “Will X happen?” or “Will Y character do Z like in the book?” or even, “I’m noticing Theme A, will it continue in future chapters?”

A significant element of the fun that you’ve created for Lionheart readers is that we don’t know which elements and events of the JKR texts you’ll preserve untouched and which you’ll turn into the sixth and seventh year Lionheart storylines. I adore making my guesses to which parts of canon you’ll play with and which parts you’ll completely and utterly upend. Unfortunately, questions that ask about canon events in books 5-7 ruin so much of the fun.

Historically, you’ve used the Ask box to provide us with analyses of your own work and characterizations, but I feel as if recently you are often indulging questions about books 5, 6, and 7. I hate to say it, but I even feel that your answers veer into spoiler territory. I used to lurk your Tumblr incessantly, but since I’ve started to see this influx in predictive questions these past couple weeks, I’ve been avoiding the app.

It’s such a gift that we get to engage with your work on such a vibrant epistolary and interactive space as your Tumblr. I know that you can’t control what fans ask, but I humbly request that you please consider refusing to answer questions that ask you to ponder future events. Thank you for your tender care to everyone in the fandom. ❤️‍🔥🦁🧡

Hey, what's up, dude. I hear you. Sorry about that.

The problem is that the line between spoilers and not spoilers is totally subjective, and the line between "spoilers that are fine" and "spoilers that bother me" is also totally subjective. I don't know where you are on it, but we probably don't line up, and that's okay. I just don't know how I'd begin to sort out questions that one person considers "too much" from what someone else just thinks is fun analysis. My hard rules are as follows: I don't answer any questions about future ships, events, or arcs (and I get a lot). I haven't revealed anything that I would be unhappy to discover in a Tumblr askbox instead of a fic itself. True, I've dropped teaser/trailer stuff for 6 and 7, but to be honest, even looking over the stuff I've posted recently — I hate to say it, but I disagree with you. It isn't spoilers. Not to me, anyway.

But that's just me! There's no right or wrong answer here, it's just a coordination problem of how we can both cultivate social media experiences that make us happy. For instance: I like answering questions about my fic. It makes me happy to talk to people who want to know what happens. It encourages me and gets me excited to write about it, and I don't believe that any of the content on my Tumblr spoils what's going to happen. I don't really want to stop doing that, so I'm not going to. If that means you and other readers whose spoiler thresholds are below mine can't engage with my Tumblr, that's a natural consequence of us having different attitudes about media, and it was bound to happen. I'm sorry that that's the case, but it would bring me much more grief for you to injure your reading experience than it would for you to avoid my (largely irrelevant) e-journal full of random metatext. I love my fic, and I love my readers, you most certainly included; I do not, candidly speaking, love my Tumblr account. And for what it's worth, I absolutely do not think anything I've written on here is worth diminishing your experience of a story you enjoy. It wouldn't jive with my philosophy of literature and art.

So here's what I got: I'll continue tagging spoilers about past and current events as [#lionheart spoilers], and if a question makes reference to events not published, I'll use the tag [#prognosticating]. That way you can block the tag, and other readers can enjoy content that fits under their threshold of non-spoilerism. If our thresholds still don't line up, then I think the only solution may really be to block the [#lionheart spoilers] tag altogether. That's probably not the answer you're looking for, but it's the best I can do.

[thatoneguy031]

Real talk? Real?? Real?!

Why on EARTH was the cast of The Owl House so drippy?!

(A sort of breakdown from someone that's only kinda sorta kept up with the show... Me, Guy.)

Spoilers too, I guess...

Look at our favorite witch-in-training, Luz Noceda. As we can all see here, she's wearing Eda's varsity jacket when she attended Hexside. Level with me, the jacket alone was enough to be a super-dope outfit, but she took it one step further and even wore matching pants, too! Heck, she even tied up her hair in a bun, for crying out loud! She kept the aesthetic of "I'm able to stay calm, but I'm not afraid to kick your butt when the time comes."

And here's another frame of yet another scene...

Luz dancing with Amity during that one Grom episode...

She wanted to look fancy while she boogied with her soon-to-be girlfriend(At the time, anyway), so she decided to wear what exactly? A tutu, and a frickin' tuxedo! Wonderful! Fabulous! It's all so wild, but you can see that not only did Luz have a plan, it worked danged-near flawlessly! And of course, she decided to wear dance shoes, as well.

And you know what?!

I'm still not done.

I'm going to be real with you here. This is where the spoilers for the end of the show REALLY, REALLY begin! If you really want to watch the show without witnessing the beauty of Luz during [REDACTED], I HIGHLY suggest that you stay away from this post, and move on with your day! Please, leave!

...Are you still here?

Are you sure you wanna be here for [REDACTED]?

Alrightie, then...

3...

2...

1...

...

Okay, you asked for it.

Don't say I didn't warn you.

Freaking. Bam. Meet Titan Luz.

This is near perfection in cartoon form. Luz looks like she told Amity's parents, "Your daughter calls me mommy, too." She looks deranged in the best way possible.

First and foremost, the cloak nearly perfectly displays everything she's done throughout the series. The glyph on her chest, the bones appearing along the tips and edges of it, referencing her "magic donor", Arin Hanson- I mean Papa Titan(...Is he just called Papa King by the TOH fandom, or am I being dumb? Since, y'know, he's King's dad? I don't know, but back to the comedic analysis).

For Hootie's sake, she even somehow has longer, puffier hair, giving Eda a wink-wink-nudge-nudge without saying a thing. Even further, her eyes turned a pitch-black with yellow irises, making sure that King himself is involved with references as well.

Y'know, this reminds me of a character that I've had written out for a while. Y'all won't see her for a long, long while, but just know that she's tied to this in a way. Backstory aside, she has this one... form, let's call it, where she kind of becomes a vampire. This aspect of her is derived from an art account I follow, I won't say who until the time comes, but she also likes using her legs as her main means of attack, not only calling back to Izuku from MHA, but to her friend who she loves dearly, like a family member.

Back to the main point, I love characters that reference multiple other characters they have a connection to without being overbearing, which is why I love Titan Luz's design. Above all else, this proves that Luz really cared for everyone that has helped carry her this far, and was willing to fight for them, even after her death. And Eda even teaches her magic the way she said she would as early as the second episode of the series, iirc. And, something even more wild, is that Luz sort of looks like Azura, as well, even using one of her quotes for the finishing blow on Belos...

"...NOW EAT THIS, SUCKAAA!"

Admittedly, I don't know much about Luz's palisman, but I do indeed see that they're a cute little snek dude! ...Like how Luz freaked out the school and her principal with those snakes in the first episode(At least, I recall it being the first episode)! Everything about Luz's design is just... It's all just. So. Good.

...Look. I originally wanted to make a fun little ha-ha post about how stylish the characters from The Owl House were, as I highly respect this show and loved it, from the moment I saw King, to the very end of the series where the Collector gave Luz and the Hexsquad the ability to travel between realms, but seeing this transformation and taking the time to dissect her Titan Form design... It really brought me to tears. Not just because the show's actually over, but because I loved it with everything I could give. The way the show handled its characters, even with the rushed development that Disney demanded(Those freaking warm toilet seats), was phenomenal, given the circumstances.

I'll make a post talking more about King and just... him, I guess, but this post is already long enough as it is. Maybe even Eda, Hunter, Gus and Willow as well, if this post really makes its rounds.

[peculiar-potato]

Among Us animated series trailer analysis post!

(+ a theory on who dies first and who the impostor might be!)

here’s the trailer if you want to watch it yourself :)

This is going to be pretty long, whoops.

~~~~

Firstly, overall impressions on the tone/artstyle!

I mentioned a lot about the art style and everything in my first analysis post, but I just want to reiterate that it’s fun and I like it, and I like seeing how they take details of the game and translate them into the show.

From what I can tell the tone seems pretty lighthearted, well, as lighthearted as a murder mystery can be. It’s a little silly but in a charming way- but with a slight hint of dread. Kinda what I expected.

I think there’s still probably a little way to go before the show is ready considering there were no voice lines in the trailer, and it seemed more like “these are the characters look how fun they are” then actual plot/scenes, but that’s okay I actually really like that we’re not really seeing any glimpses of the plot or voice acting yet!

Anyways, now to the actual trailer!

So opening shot here is The Skeld. We already kinda knew it was going to be set there, but confirmation! At the moment I don’t think the planet/moon/asteroid thing behind them is important, it’s probably just to fill up the background, but who knows, it could be something!

Maybe impostor(s) come from there or something… or maybe it’s just a rock in space.

(My theories get better I promise)

With this image, we finally have an answer to my question from last time- what kind of pizza do the beans eat?

I noticed immediately that there was prosciutto and arugula (a specific kind of bitter lettuce) on the pizza, and with a little googling and a few subsequent suggested searches, I managed to find recipes for fig and prosciutto pizza with, you guessed it, arugula and cheese. (There were multiple kinds of cheese it could be- goat, gorgonzola, mozzarella to name a few)

So those round things are figs. Who would have thought?

Next up we see our first glance of the additional room they added to the Skeld for the show- the kitchen! And the first glance at a depiction of an impostor!

Yellow and Brown seem like good buddies. I wonder how long that friendship will last when impostor stuff starts happening.

My guess is the depiction of the impostor here is a bit more figurative- Nobody really notices them (expect one bean, but we’ll get to that later), and they just kinda seem to be lurking around being scary. Feels more like, idk the idea of an impostor than the actual impostor? I don’t know if I’m explaining that super well.

Maybe this is like the impostor checking out the crew before they start actually impostoring. Idk.

Also, seems like one shadow (although who knows honestly). Maybe it’s a sign of there just being one among the crew? …or maybe I’ve flipped the other way and am interpreting this too literally now.

Regardless, the impostor(s) do/does certainly seem very alieny.

(Alternate impostor conspiracy theories- impostor switches between crewmates/they’re all impostors (which would kinda defeat the purpose tho) or everyone’s just paranoid and there is no impostor (I feel like people would get disappointed by that though so they wouldn’t do it)).

After that we head to navigation.

Here, Red is slacking off playing video games (oddly enough with a human in them- as someone pointed out in the Innersloth discord server, which has some interesting implications. To expand on that myself, it seems like a kind of ancient-civilization human, which is interesting. I tried to figure out what game this is with a reverse image search but I couldn’t, I wonder if it’s a real game or something one of the devs made or something else.)

Anyways Red receives a call from a shadowy figure, presumably a boss of some sort, and scrambles to look like they’re doing what they’re supposed to. The image looks kinda similar to how they’re animating the impostor, but this could be an intentional red herring or just how they’re showing an unrevealed character or an “everyman” type being. Regardless, vaguely ominous.

As for navigation itself, I like the vibes honestly. I want to go there. I love the little headslug bobble head and a lot of the details in the background. Can’t assign everything there directly to a task, but it does have the three consoles and the chair. Also I noticed the bright yellow sticky note- like the “dum” visor cosmetic! I wonder what those papers on the floor say.

Next we’re in the cafeteria. (You can tell by the coloring of the wall, this is probably the vent near weapons)

A couple things I noticed here!

First of all, everyone’s very nonchalant about Lime venting. That seems to mean it’s established that Lime is an engineer like the role in the game (honestly I’m a little surprised a new role was included here!) and that the crew knows this and doesn’t think Lime traveling though vents is a big deal. Will this extend to other crewmembers? Will this put suspicion on Lime as things progress? Who knows!

Also, small thing here, but Cyan signs Orange’s waiver (on the clipboard they seem to carry with them everywhere) simply as “Cyan”. I assumed they would just be going by colors the whole time and not have names or anything, but this kinda confirms that.

(By extension, maybe colors aren’t even codenames or anything for them lore-wise, maybe their names are literally their colors. Also makes me think there may be just one of each color in the entire series if they sign simply as a color. Then again, here I am over analyzing small details again.)

We follow Lime through a vent and into the reactor, which is being watched on the cameras by Purple.

I don’t have a ton to say about Purple, they just seem to be doing their job here. I do find it interesting that the shadow blocks out the reactor camera and then makes it malfunction (is something going to happen in there?) but it may just be a kind of moving the trailer forward type thing.

Also, side note, what’s Lime’s deal with the reactor? They run up to it and snuggle it with hearts floating above them. Engineer really loves their engine I guess haha. I know people have to have already been meming this.

Next is a scene in the medbay.

They do seem to have the medical scanner in the background there, so I wonder if that visual task will ever come into play.

Also I see the MIRA logo on a poster in the background, so my guess is they are somehow under/related to the MIRA corporation.

Green is blushing as Blue checks their reflexes. I remember Blue’s character being described as very attractive, so it could be possible that everyone gets that way around them, or it could just be Green. Idk I’m not here to navigate the minefield that is shipping beans.

White is busy swirling around wine(?) until of course, the impostor shadow thing creeps in as with all the other scenes.

This time, however, someone notices. White.

My guess is White is going to die, and they’re going to die pretty early on.

I was already kinda suspecting White was going to die first simply because of how their character is described. Rich, here because they won some kind of contest, seems to be a bit of a jerk. Feels like the kind of person who would die first idk, just a vibe I’ve had for a while.

Also, I was thinking that 11 is kind of an interesting number, especially considering there were 12 original colors. (Side note, my guess is they’re waiting to include Pink alongside Coral and Rose as “the pinks” or something if they add the new colors in a later season). I feel like maybe they wanted a main crew of ten (because that is what the original lobby size is and thus what a lot of people associate with the game), but needed someone to die early to set up the plot so they needed up with 11.

Now, White being the first and only one to notice the shadow creeping around, and to immediately look terrified and be overtaken by it on screen? My guess is they’re the first to go.

One could also argue that this is an indication of them being an impostor, but idk that feels too obvious of a way to reveal that. (Also I have a different theory as to who it could be). My guess is we won’t know who the impostor is as the audience for a while.

Finally we have this image. I have quite a bit to say about this one!

First of all, I just love this image in general. Makes me so happy to see all the beans!

Anyways, the impostor shadow thing comes in and covers the “not” in “we’re not dead” and I love that I think that’s fun. Also, again, love the falling apart blinds (why are there blinds on a spaceship?) and the balloons duct taped to the window.

We also see them eating the aforementioned fig and prosciutto pizza. There are also a lot of red spheres on the table, which I haven’t quite figured out yet. Fruits of some kind? Or decorations perhaps? Maybe all red gumballs? Whatever they are, Orange is holding one. There’s bologna or summer sausage or something near Brown, and a gray disk in front of it. Not sure about that either, looks kinda like a giant coin, or one of those round lights you tap to turn on and off. Red’s reading what seems to be a rule book (they really don’t seem prepared aha), and there’s also an image of a crewmate on the other side. I can’t tell if it’s supposed to be Pink or Tan.

Blue has a piece of paper with a skull on it which looks pretty ominous, and Brown is holding a knife, but I think those are just red herrings related to their professions. Blue’s a doctor and Brown’s a chef, and Yellow is also holding a cooking implement.

Also, once again, no sign of an emergency meeting button. (Unless the weird gray circle is related somehow?)

With that I was almost ready to wrap up the analysis…

but then I noticed something.

Idk if it’s just me but this image is giving the vibe of the Leonardo Da Vinci painting The Last Supper. I don’t know where my mind pulled this from, but I just kinda looked at it was like… wait this looks familiar. At first I thought it was just my brain making connections, but when you look at the two images right beside each other, it seems like a pretty deliberate parallel.

If it is intentional… Orange is in almost the exact same position that Judas (the betrayer) was in in the painting.

Just saying ¯\_(ツ)_/¯

Maybe the red gumball thing made them an impostor /s

Also, just spitballing here, not really part of the theory, if Orange is working against the crew (either as an impostor or an accomplice), and they’re apparently affiliated with HR… what kind of implications could this have for the lore as a whole? Red’s probably just talking to their boss or something, but it feels ominous- what if MIRA (assuming that’s who’s in charge here) is in on the whole impostor thing?

But again, this is also kind of obvious of a hint, so I’m slightly skeptical of it.

Anyways, lots to think about with this, as you can tell I’m pretty excited.

[midnightluck]

Aventurine is Rom-Coded

Back on my bullshit with more over-analysis for my best blorbo LET'S GO

DISCLAIMER I am not Rom, I am just an interested party, pls correct me if i'm wrong or disrespectful here it's been a long time since I got to deep dive this topic. Will be also discussing the slur as context with full knowledge of the context. ALSO I am BIASED take this with a barrel of salt, and I haven't cited my sources since I did this research in high school for writing Dick Grayson fic okAY HERE WE GO

So like, can we talk about Sigonia??? Like???? What the fuck kind of culture has "may your schemes remain hidden" as a general wellwish? Can we talk about how "Sigonian" is a slur????? and ALSO they are so Rom-coded, CAN WE TALK ABOUT THE CULTURAL GENOCIDE PARALLELS PLEASE--

So FIRST OFF, Romani != Romanian, Romani != "gypsy", Romani != criminal. Romani is a tribe, is a culture, is a way of life. It's nomadic and art-centric and Romani, as a language, is not Romanian, no matter what some folk use in fic (sources: 1, 2, 3). It's a language that borrows from most European languages, and because Rom are nomadic, they then spread that back to those countries. For example, the English word "love" is used in Rom to mean "money," possibly the basis for the idiom "show me some love" meaning "pay up". (also, side note: as there are different groups and traditions, there are some pretty widely varying dialects; here's some more about that if you're interested.)

The Rom culture involves moving on and traveling. This is fascinating for townies (derogatory) and for the vast majority of people because it's an alternative lifestyle, and often children or teens or young adults would fall in love with the people or the lifestyle and follow the caravan, at least for a while. This led to the Rom's reputation as babythieves and childstealers. "Lock up your children," people used to say, "because the gypsies are coming to town." Maybe some caravans did take kids, we don't know, because fresh blood is important to continue family lines? But citation needed and A N Y WAY

So the Rom would roll into town, half-show and half-trading, perform for money, spend money, and move on. Because they were transient, there was less pressure to maintain a reputation, and a lot of the "tricks" and bad trades led to the term "getting gypped" being coined from the word "gypsy," which is why it's a slur; it literally means "someone who is intending to steal from you". One such common trick was Ekkeri, akkery, u-kéry an, which was a "magic spell". Put your money into this handkerchief, say the spell, it doubles. Do it again; it doubles again. Oh, you want me to do it with all your life savings? Sure, here's the hankie, the longer you wait to open it, the more it'll grow, buh-bye! Ekeri Aikeri is likely the original basis for the common rhyme Hickory Dickory Dock, and like all nursey rhymes was presumably a warning: if you hear this, be wary. (sources: 1, 2, 3)

So the Rom became more and more marginalized, and as any marginalized group will tell you, that's not a winning recipe for longevity. There's currently an inherent, unexamined bias all modern kids are taught, to be wary of strangers, to be wary of "gypsies" because they're enchanting magical creatures who will walk into town one day and leave with your money or your heart or your dreams (see Shakira's Gypsy), but they're not, the Rom are people, and people are not one thing. The stereotype of a "gypsy" is constantly enforced and as the population dwindles, more and more people are assuming that the Rom aren't real people, that the way of life has died out, and why be careful when there's no one left to harm? Only there is and they are trying but they no longer have the infrastructure to support themselves outside of society and they have to give up their culture to be a part of society because society thinks they're extinct fairy tales. It's a lot like what happened with Native Americans in the US, except that there were more Native Americans, they had settled land and history, and they fought back. The Rom didn't have a place to defend because nomads, couldn't point to history because oral traditions, and now there's so little to prove they ever travelled the entire continent of Euraisa and spread culture and art and magic. The only things the wider world has left of Rom culture are in our words, and even then those are carelessly used and more weapon than word.

TL;DR I have a lot of feelings on this but LET'S GET TO AVENTURINE.

Unlike real Rom, he's got the eyes--everyone can see at a glance that he's a schemer, a liar, a storyteller and a gambler. He wears his heritage on his face and he doesn't try to hide it, just like he doesn't try to hide his serial number. Someone tried to own him, and he beat them. Someone tried to kill his culture, and he won't let it die. He's been a foreigner longer than he'd ever been Avgin, but that kind of heritage doesn't die, even when everyone else does. Take Sparkle looking at him and saying "What's one of your kind doing here?"

Sigonia IV is the planet; there were multiple races on it, according to the lore, and Aventurine was an Avgin, a race that was wiped out. "Sigonian" is like calling someone an "earthling"; you're not wrong, but you are grouping everyone in together, and the Avgin and the Katican are terrible enemies who would not appreicate that in the least, I assume.

In-game characters use "Signonian" over "Avgin" which feels like "gypsy" over "Rom". Aven is presenting himself as a "gypsy," letting people call him that, embracing the stereotype and leaning the fuck in because it's better to be a Sigonian than to let the entire Avgin culture die entirely.

It's a lot of weight to carry, but that's the thing about a magic trick: the real trick is hiding how hard it all is. Magic is the art of making the impossible seem easy and natural, after all; look at this shiny pretty distraction, isn't it flashy? Isn't it bright and pretty and so easy? Just a twist of the wrist to produce anything your heart desires, and never mind how long it took to set it all up (we'll discuss performative luck build next time!)

Anyway so that's my take on his identity and cultural issues; he's too visibly an outsider to ever be trusted, but he's too alone to ever be supported in a culture. He knows he's alone, and what's more, he knows that everyone is looking to him as their only example of what an Avgin is, of what they were. He is defining his entire culture, in defiance of society, and all he has to do that with is childhood memory. There's this fuckoff big weight on his shoulders which is part of why he can't die; his reputation is every Avgin's reputation, and he will defend that more bitterly than his own. Aventurine doesn't lose because Avgin don't lose.

[jujumin-translates]

[18TRIP] Event Story | WE ARE M・T・T・B | TRACK. 3

Characters: 🫰 Chihiro Natsuyaki, ☁️ Ten Murakumo, 🎨 Kiroku Kinugawa, 🌕 Muneuji Kaguya, 🔮 Toi Shiramitsu

Location: HAMA House - Lesson Room

Muneuji: …I think I can move, but I don’t feel like this is just about being able to move.

Chihiro: (Munechi already said this in his own self-analysis, but he’s stiff as ever. …He’s treating it too much like a martial arts match.)

Toi: Haah, haah, haah…

Chihiro: (Toonya lacks physical strength. The more he tries to copy my dance perfectly, the more it seems like his body can’t keep up.)

Kiroku: …

Chihiro: (Kirokkuma’s got great reflexes. But his sensitive and shy personality comes out and he immediately hunches over and looks unsure of himself. I feel like he’s not making the most of his physical abilities.)

Chihiro: (Wait! I was about to make the producer face again! That’s not what they need right now!)

Ten: …

Chihiro: C’mon~, I can’t have all of you looking so gloomy! Dancing is supposed to be fun ♪ It’s totally normal not to be able to get it down right away ♪ 

Muneuji & Toi & Kiroku: …!

Chihiro: It’s all okay! Tenchamu and Chii are gonna teach you well, so don’t worry! So let’s have fun and get hyped~!

Ten: Ah, so I’m supposed to be a teacher too.

Toi: Chii-sama…

Kiroku: …

Muneuji: …May I ask a question? Chihiro: Hm~? What’s up?

Muneuji: As of now, our level is considerably low.

Muneuji: I know it’s not necessarily my place to say this, but I’m sure you must internally be feeling awful seeing the state we’re in now, Natsuyaki-san.

Muneuji: It is still essential that we have fun, however. So I was wondering if you could give us some clear guidance as to what parts you feel aren’t working.

Chihiro: Hm~, well… Dontcha think you’re being too hard on yourselves?

Chihiro: There’s nothing wrong with what you’re doing~! You’re slowly improving, so just keep doing your best!

Muneuji & Toi & Kiroku: …

Chihiro: (...Huh. What’s with the looks of disbelief on everyone’s faces? Hm~m, I don’t want the vibes in here to get any worse, so…)

Chihiro: It’s a little early, but let’s call things here for today! Our dancing won’t get any better if we’re all too worn out!

Ten: Sure thi~ng, I agree~.

Chihiro: Ah, Chii sorta feels like having a little snack~. Can someone run to the convenience store with me~?

Muneuji: My apologies.

Kiroku: Ah, I’m… also kinda…

Toi: I-I can go another time…!

· • —– ٠ ✤ ٠ —– • ·

Location: HAMA Downtown

Ten: Mh. This new ice cream’s pretty good~. I’m buying this again next time.

Chihiro: …

Ten: You sure bought a lot of food to eat alone. What’s with that?

Chihiro: Ah, this is for everyone, but… …

Ten: Damn, why so grim-sounding?

Chihiro: I didn’t mean to sound grim, it’s just…

Parent Cat: Mrrooow.

Kitten: Nya.

Chihiro: Ah, konnichinyan.

Ten: A stray cat?

Chihiro: I’ve seen this parent-and-kid combo around here a lot lately~. They’re really friendly.

Ten: Ah~..., then I might know one of ‘em too.

Chihiro: …Mama meow-meow~, will you let me pet you today~?

Mama Cat: Mrrrw, mrrw.

Kitten: Purr.

Chihiro: Hehe, do you want pets too, baby meow-meow? You’re both so cute.

Ten: You’re right about that.

Chihiro: …

Chihiro: (Those three having gloomy expressions… That was my fault, wasn’t it?)

Chihiro: (I thought I gave the best response I could’ve earlier, but…)

Chihiro: …, I’m a failure~.

Ten: ?

Chihiro: (I def have my concerns about their dancing abilities. But if I start putting on my producer face and tell them to start doing this and that, and pointing things out, and stuff—.)

Chihiro: (Things might end up being complicated again, just like back with the Evening Group. And I really don’t want that to happen…)

Ten: …

Ten: Well, I think just making good memories is good enough, you don’t gotta be so high-strung about it. Isn’t having fu~n supposed to be our motto? So I think things are fine.

Chihiro: Tenchamu…

Ten: If you get too strict dealing with amateurs, it’s just gonna lead to fights. And that’d just be a pain in the ass… And awkward, y’know?

Chihiro: Fights… …

Chihiro: (I absolutely don’t want that…)

Chihiro: Hm, that’s true. And everyone’s got different motivations for dancing.

Ten: Yep, yep.

Chihiro: Thanksies, Tenchamu!

Ten: Haha, I didn’t really do anything, but I’m glad you’re feeling better, Chihiro. Cool, let’s just say things are settled and head back home.

Chihiro: Yep, let’s go~!

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