#one year AS ONE CLASS OUT OF LIKE EIGHT

[definitelynotplanetfall]

How do other countries do history education?

I know I'm doing the cringe thing but Americans are basically not taught about israel in school, at all. If it comes up it'll likely be in the context of literature class, not history.

Do you split up history classes over multiple years? Because the thing about history class is that it's just mostly a huge number of raw facts to remember. It's not like math where if you know certain procedures you can re-derive things you've forgotten; pretty much any such proposed rule of history is likely to be bunk.

So if you take the number of years of history you have to teach times the detail level you're aiming for times the size of the region you're trying to study, you have an estimate (in vague terms, I don't think you can necessarily get an objective number but you can certainly do simple mathematical reasoning on vague variables) for Total History Facts. And then depending on the age of your students and pedagogical methods and probably other factors, you have a Maximum Facts Per Year. You can use these values to determine the level of detail that allows you to cover your desired subject matter within a school year. If this level of detail is unacceptably low, make the full history education take more years and solve for the detail level again.

And someone - teachers, standards writers, textbook writers, whoever - consistently sets the target detail level such that it's impossible for a given US history class to get past the civil war, or they realize they're going too slow and do a really slipshod tour of the events most pertinent to any understanding of the modern world after a really detail-heavy examination of the differences between the 13 colonies. World history is even worse, I don't even remember how far we got because everyone's brain was leaking out their ears by the end but we absolutely did not make it to the present day. World History was the only class where I failed the AP exam, because it's world fucking history dumbass, you can't teach all of it in a year!

And then, of course, when you get to your next history class they just start over from the beginning at a higher level of detail that also peters out around the Civil War, so you never actually learn anything about the 20th century.

So the options are

a) it's actually exactly like this everywhere. (plausible tbh. there is simply a lot of history.)

b) american students are uniquely lazy and stupid. (seems pretty unlikely, and also the failure is pretty consistent - you could argue that even if student ability is the limiting factor, if it happens this reliably it's educators' responsibility to just make the curriculum easier)

c) american educators are uniquely incompetent. (this is less of a judgement against teachers than it sounds like, it could be that they are ordered to do things in a way that sucks by higher ups and there is no mechanism to inform the decisionmakers that anything is wrong. I don't know if the education system is uniquely dysfunctional but it certainly is dysfunctional at all.)

d) some kind of fucking conspiracy or something. (This doesn't seem likely because who could possibly benefit from this particular problem that wouldn't benefit even more from schools dispensing explicit propaganda about events in the 20th century.)

This feels like a really obvious problem with a really obvious solution (more history classes, less total facts per class), everyone who has taken or taught a history class experiences this, and afaict this is not just a mistake that new history teachers make that they calibrate for after teaching for a while. This is EVERYONE'S experience of history classes in the US, it's kind of an open secret, and pretty much nobody ever fucking does anything about it or even mentions it as a thing it might be possible or desirable to do things about.

[wavesoutbeingtossed]

Screaming from the crypt (or how the past haunts the present on Midnights)

I know it's been discussed so much since Midnights came out but just.

I love how there is such a clear narrative throughout the album (and perhaps especially on the 3am/Vault tracks). About questioning and regret and choices and coming to terms with all of it. It is one long story about how we're all a mosaic of the choices we make, each one taking something from us and leaving something else in its place.

(And now a disclaimer: I'm looking at this mostly through a narrator/subject lens, and trying not to dive too deeply into real-life events or speculation except for in a general sense. For this purpose I like to look at the body of work as art, like literature, because I find it makes it easier to see the common threads in the different songs and cohesion in the narrative.)

In looking at the 3am+ tracks in particular, it's fascinating how some turns of phrases or themes repeat themselves in different songs, in different contexts. (I'm only focusing on the non-standard tracks because there are too many songs and I'd be here all day but I bet I could do a part two lol.) I know many people have pointed out the parallels throughout her discography already and I’m not saying anything groundbreaking by writing this, but I love how these parallels run through in the same album, because it makes it seem like it's one long story, or at least, one long rumination on many different stories that are coalescing into a single narrative.

Battle (let’s go)

For instance, the one that jumped out at me when I started writing this post the other week was, "Tore your banners down, took the battle underground," in The Great War and "If clarity's in death, then why won't this die? Years of tearing down our banners, you and I," in Would've, Could've Should've. It's a story about staying stuck in the same cycle of reliving trauma and coping mechanisms and bad habits over and over again and fantasizing about how taking the “antagonist” out and gaining the upper hand for good would bring closure (WCS), but the truth is that nothing ever will. All that cycle does, though, is repeat itself in other situations, and in this case pushes someone away the narrator cares for (TGW). The difference is that the imagined battle in WCS is a two-way street in her mind (that is ultimately unwinnable because it was never a fair fight), but in TGW it's one-sided -- she's the one fighting dirty, taking shots, the way she'd been doing in her imagination (or nightmares) all these years. But the person in front of her isn't fighting back the way the person in her mind in WCS would, because their intentions are honourable instead of exploitative.

And that's paralleled in another pair of lyrics from the two songs, "And maybe it's the past talking, screaming from the crypt, telling me to punish you for things you never did," (in TGW) and "The tomb won't close, I fight with you in my sleep," (in WCS). In both cases, the funeral imagery makes it seem like this past event should be dead and buried in WCS, but it keeps rising from the dead, haunting her no matter what she does and in TGW, another (or perhaps the same?) tomb that won't close keeps unleashing new ways to hurt her and in turn the new person in her life. In other words, the trauma from the past continues to bleed into the present.

(Again from a literary point of view, I'm not saying the events of the two songs are linked IRL, but they're fascinating textual parallels on the album as a string of chapters, which is why Dear Reader is so compelling, but that's a whole other essay.)

To keep the battle motif going, there’s yet another parallel, this time between TGW’s "[You were a] soldier down on that icy ground, looked up at me with honor and truth," and You’re Losing Me’s "All I did was bleed as I tried to be the bravest soldier, fighting in only your army.” In the former, the subject is laying down his armour in the war she’s projecting onto him, waving the white flag, and she realizes that she’s about to destroy something if she doesn’t put her sword down too. By the time we get to YLM, the roles are almost reversed; at the very least they’re supposed to be on the same team, but in this case she’s doing all the heavy lifting, fighting for their relationship in contrast to his apathy killing it. It’s also pretty interesting (if not outright intentional) that one of the 3am+ editions of the albums starts with The Great War, where they find themselves in conflict (even if it’s in her head) that ends in a truce, and ends with You’re Losing Me signalling the end of the relationship, evidence that the resolution in the first song wasn’t an ending but merely a ceasefire before the last battle.

Putting the rest under a cut because this is waaaaay too long now ⤵️

(There’s also another metaphor there in The Great War with its battle imagery: World War I, aka The Great War, was supposed to be the war to end all wars, because loss on its scale was never seen before and when it ended, most thought never again would the world embroil itself in such battle, the horrors and implications were so devastating. Two decades later, the world found itself in WWII, with an even larger scope and more horrific consequences, the intervening time between the two a period of festering conflicts and resentment leading to some of the worst acts the world would see. Bringing real life into it for a second, there’s something a little poetic, though sad, about The Great War the song being about a fight that could have ended the relationship that they ultimately resolved and was meant to be evidence of the strength of their love, but so too did it end up being a period of détente, the greater battle coming for them years later. But that is not the point of this post.)

If one thing had been different

Another major theme in these editions is pondering the "what ifs?" of life, but I think it takes on even more significance in the broader context of the album in the lyrics of "I'm never gonna meet what could've been, would've been, should've been you," in Bigger than the Whole Sky and the repetition of would've/could've in Would've, Could've, Should've (I would've looked away at the first glance, I would've stayed on my knees, I would've gone along with the righteous, I could've gone on as I was, would've could've should've if I'd only played it safe, etc.) In both songs, the narrator is mourning an alternate course their life could have taken* and questioning what they could have done differently, in the aftermath of trauma and loss, and the regret that comes with that loss, and with the loss of agency in the situation because ultimately it was never in their hands. In an album full of questions, wondering about the path not taken, or the forks in the road that have led to a different version of your life, it's digging deeper into the contrast of choice vs. fate, action vs. reaction, dwelling on the past vs. moving on. When you're supposed to let go of the past, what do you do when it is holding your future hostage?

(*I know there are different interpretations/speculation about BTTWS which I am not getting into on main. I'm just saying that whatever the song is about, it's grieving something that never came to be. The literal origin of the song is less important to the album than the sense of loss it portrays. Whatever the inspiration is, it's crafted to tell part of the story of Midnights of ruminating over how, to borrow from her previous work, if one thing had been different, would everything be different?)

(Also I was today years old when I realized that the words are inverted in the two songs. Apparently I've been hearing BTTWS wrong this whole time.)

There's also an interesting tangent in the role of faith in both songs: in WCS, the events of the story cause her to lose her faith (e.g. "All I used to do was pray," "you're a crisis of my faith,") and question all the things she felt had been unquestionable until that point in her life (e.g. "I could have gone along with the righteous"), whereas in BTTWS, she questions whether that very lack of faith is to blame for the loss in that song ("did some force take you because I didn't pray? [...] It's not meant to be, so I'll say words I don't believe"). It's like pinpointing the moment her life changed and upended her beliefs (WCS), but as a result then leaving her unmoored in times of crisis because ultimately there's no explanation or comfort to be taken from what she used to hold true before that (BTTWS). The words she once relied upon to guide her have long since lost their meaning, but in times of trouble it leaves her wondering if that faith she once held then lost could have prevented this pain.

(Shoutout to WCS for being Catholic guilt personified lol.)

To keep on with the vaguely faith-y notions, an obvious parallel is the line in Would’ve Could’ve Should’ve about, “I damn sure never would've danced with the devil at nineteen,” and, "When you aim at the devil, make sure you don't miss," in Dear Reader. All of WCS is about her fighting with an antagonist who haunts her, with whom she wholly regrets ever becoming involved. DR could be seen as a reflection on that fall from grace, warning the audience that if you choose to go after the person (or thing) haunting you, make sure you do so clearheaded enough to be decisive. Again, these “devils” may not be related in real life: the IRL devil in DR could be speaking about her naysayers, or Kim*ye, or Scott & Scooter B, etc., meaning not to cross your enemies until you know you can win. But taking real life out of it and looking at it textually, I am intrigued by the link between WCS and DR, so that’s what I’m going with here. And perhaps that’s even the point in a wider sense; there will be multiple “devils” in your life, or threats to your well-being. If you’re going to commit to taking them down — whether it’s an actual person, or the demons inside you that refuse to let you go — make sure you have the right ammo so that they can no longer hurt you. (Of course, one lesson from these experiences is that sometimes you can’t win, and you have to live with the fallout.)

(Sidebar: I know that “dancing with the devil” is a turn of phrase that means being led into temptation and engaging in risky behaviour, as opposed to describing the actual person. Given the religious metaphors in the song, that could very well be/is the intention, particularly when it’s preceded by, “I would have stayed on my knees” as in she would have continued to follow her faith — in whatever sense that means — had she never met this person, which could also be a more eloquent way of saying she would have continued to be live her life in a way that was righteous (even naive) and seen the world in black and white. Either way, it’s a force she wholly rejects. Like I said, multiple devils, same fight.)

Regret comes up too: in WCS, she says, "I regret you all the time," obviously directed at the person who manipulated her and led to her perceived downfall, citing him as the one impulse she wished she'd never followed, because it won't leave her no matter how hard she’s tried. In High Infidelity, she tells the person to, "put on your records and regret me," and on the surface, it’s like she’s turning the tables, painting herself as the one now causing the regret in someone else, the one inflicting the pain this time. Yet the verse preceding it and the lines following it in the chorus depict a partner who is also emotionally manipulative and vindictive like in WCS (“you said I was freeloading, I didn’t know you were keeping count,” “put on your headphones and burn my city,”). It’s not so much that she’s intentionally harming the person (the way the person in WCS does to her), but rather that the venom in the subject’s feelings towards her seeps through; she’s imagining the way he’s going to feel about her when she leaves, hating her just for by being who she is. (There could be another tangent about how in both songs she’s there to be a “token” in a game for both of the men, who play her for their own purposes.) The regret is dripping with disdain. It’s as though she’s picturing how the person is going to hate her for doing what she’s thinking of doing the way she hates the person who first hurt her.

Sadness, unsurprisingly, shows up in a few lyrics. In BTTWS, “Everything I touch becomes sick with sadness,” sets the scene of a person so overcome with grief that it permeates everything around them; they cannot see their way out of it and feel like the fog will never lift. In Hits Different, it’s, “My sadness is contagious,” the result of a breakup where the person’s grief again touches everything and everyone around them, pushing them further in their despair and loneliness. The reason behind the grief in either case may vary, but regardless of the source, the feeling is overpowering and isolating. They may be different chapters in the story, but the devastation is hauntingly familiar. (As is a recurring theme in Midnights as a whole: there are situations and feelings that present themselves at different points in her journey and colour in the lines in different ways along the road. Like revisiting an old vice and realizing the hit isn’t quite the same as it was in the past.)

Death by a thousand cuts

She also writes about wounds on this album, which isn't surprising I suppose given that the whole conceit is that these are things that have kept her up at night over the years. WCS is perhaps the driving narrative on this never ending hurt when she sings, “The wound won't close, I keep on waiting for a sign, I regret you all the time,” suggesting that no matter what she does, the pain of this experience has permeated everything she’s done afterwards. (Not unlike the overwhelming grief in BTTWS, for instance.) Elsewhere, in High Infidelity she sings, "Lock broken, slur spoken, wound open, game token," and in Hits Different, "Make it make some sense why the wound is still bleeding.” Again I'm not suggesting they're about the same events; the line in HI is about a situation where a partner crosses a boundary, hits below the belt, picks at an insecurity (or creates a new one) and treats the relationship like it's transactional, opening the floodgates in turn. In HD, the wound seems to be more self-inflicted, where she's pushed the person away. (Over a situation real or imagined she feels she needs distance from.) But again, something has picked at her like a raw nerve, and just like in the past, she's hurting, even in a different time and place and person. Almost like the wounds of the past break open over and over again to create new scars. If one were to extrapolate further, it wouldn’t be the biggest leap to wonder if the wound open in WCS, then torn apart in HI makes the one in HD hurt even more.

(I once wrote a post about how I think as time goes on, WCS is going to turn into one of those songs that will be found to drive so much of her work, because it’s just… kind of the unsaid thesis statement of so much of her songwriting.)

Another repeated theme is that of the empty home and loneliness. In High Infidelity, she sings, "At the house lonely, good money I'd pay if you just know me, seemed like the right thing at the time," painting a picture of someone who may have everything they'd want to the outside world, but in reality feels metaphorically trapped in their home (or at least alone amidst abundance), a symbol of a relationship gone sour and a failure to build connection. She just wants someone to understand her, want her for her, but as she's written earlier in the song, she's just a pawn in the game, a trophy from the hunt. Home, in this case, is lonely, isolated, an emblem of her fears. In Dear Reader, she continues this thread, then singing, "You wouldn't take my word for it if you knew who was talking, if you knew where I was walking, to a house not a home, all alone 'cause nobody's there, where I pace in my pen and my friends found friends who care, no one sees you lose when you're playing solitaire." It's the same idea, admitting to listeners that the gilded cage she lived in kept her distanced from her loved ones and real connection, keeping her struggles close to the vest but feeling desperately lonely amidst her crowning success. She's pushed people away and it may have felt like the right thing at the time, but in the end maybe felt like she was trapped. And when you push people away, eventually they take you at your word and stop pushing back; you’re a victim of your own success at isolating yourself. What starts out of self-preservation then further perpetuates the underlying problems.

(There's another interesting link about "home" also feeling unsafe with HI's "Your picket fence is sharp as knives," which further leads into the theme of marriage/domesticity feeling dangerous, which is a whole other thing I won't get into here because it's another discussion and may derail this already gargantuan word salad.)

In a slightly similar vein, we have the metaphor of bad weather for a rocky road or unstable relationship, in High Infidelity again with, "Storm coming, good husband, bad omen, dragged my feet right down the aisle" and You’re Losing Me’s "every morning I glared at you with storms in my eyes.” They aren’t speaking of the same situation or even same kind of breakdown, but it is pretty interesting how the idea of clouds/storms/floods/etc. play such a role in Taylor’s music to signal depression, apprehension, fear, uncertainty, etc. In HI, I think the “storm” coming is the looming threat of commitment to a partner who makes the narrator uneasy (if not fearful). In this case, the idea of making a life with this person is not one that incites joy or comfort, but instead makes the narrator feel that dark times are ahead if she continues down this path. Perhaps in some way, the “storms” in YLM have made good on the threat in HI in a different way; it’s a different home, a different relationship, but the clouds have settled in regardless, and some of her fears have come to fruition in ways she did not expect. The person she once trusted no longer sees her or her struggles (or worse, doesn’t care), and the resentment and pain build with each passing day.

Coming back to heartbreak, one of the obvious "full circle" moments is the beginning of a relationship in Paris, where she says that, "I'm so in love that I might stop breathing," clearly enthralled in a new love that allows her to shut the world out and grow in private, capturing the all-encompassing nature of the relationship. This infatuation has consumed her in the most wonderful way (in contrast to the sorrow of some of the previous songs), and it feels like a life-altering (or even life-sustaining?) force that is so strong she may forget what it’s like to breathe. (Metaphorically speaking, of course.) By the end of the album, though, in You're Losing Me, that heart-stopping love has become a threat: "my heart won't start anymore for you." In the former, her racing heart is full of excitement, but by the latter, her heart has given out completely under the weight of the pain she bears. (YLM is full of death/illness imagery which I already wrote about awhile ago so I won't hear, but needless to say that song deserves its own essay for so many reasons.) She's gone from the unbridled joy of the beginnings of a relationship to the unrelenting sorrow of its end, two sides of the same coin.

Love as death appears elsewhere in the music too, for instance, in High Infidelity’s, “You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough" and You’re Losing Me’s “How can you say that you love someone you can't tell is dying? […] My face was gray, but you wouldn't admit that we were sick.” Though not completely analogous situations, they both tell the tale of one partner’s apathy (or at least denial) destroying the other. In the former, the partner’s actions (or inaction) are more insidious, if not sinister; in the latter, the lack of momentum (or admission of a problem) is passive. In both cases, the end result is the narrator’s demise; it’s a drawn out affair that chips away at her morale and her health and her sense of self. (Breaking my own rule about bringing in alleged actual events into the discussion, but the idea that the relationship in High Infidelity, which was obviously fraught with unease and even fear, ended in a similarly excruciatingly slow and hurtful death by a thousand cuts as the relationship in You’re Losing Me almost did at that time must have been so painful. It almost feels like YLM is wondering why what used to be a source of light in her life was mirroring a situation that caused her such pain in the past.)

From the same little breaks in your soul

I said early on that part of what is so compelling about Midnights is that it feels like an album about ruminating — on choices, on events, on people — and the two final “bonus” tracks of the album depict that as well. In Hits Different, she sings that, “they say if it’s right, you know,” an ode to the confusion of a breakup and struggling with the aftermath of calling it quits. It’s a line that has always intrigued me, because the typical use of the phrase is in the sense of, “you’ll know when you meet the one,” but here it seems to have a double meaning, a reassurance perhaps from the friends (who later on tell her that "love is a lie") that she’ll know if she’s made the right decision in calling it off, but could also be her wondering if the relationship is right, she’ll know, and want to reconcile. In the final bonus track, You’re Losing Me, she sings, “now I just sit in the dark and wonder if it’s time,” this time leaving no doubt about the dilemma she faces, though it’s no less fraught. She’s wondering, perhaps for the last time, if now is finally the moment to end the relationship for good. They say that if it’s right she’ll know, and now she’s wondering if that feeling inside her (that once told her her partner was the one, which is why it hit differently), is telling her that it’s time to go for good. Wait Alexa play “It’s Time To Go.” These are not only the things that keep her up at night, but the things that play over in her mind like a film reel in her waking hours.

Midnights as a whole is a deeply personal album, as is most of Taylor's work, but the 3am+ edition tracks seem to dig even deeper to a lot of the issues raised on the standard album. Almost like the standard tracks are the things she wonders about on sleepless nights, but the bonus tracks are the things that haunt her in the aftermath. The regret, anger, sadness, grief, relief, even joy— they’re the price she pays for the memories she keeps reliving. Midnights might be the most cohesive narrative of all her albums, and really does feel like we’re watching someone work through her journal over time, stopping short of outright naming those giant fears and intrusive thoughts (except for when she does) but making them plain as day when you connect the songs together, and perhaps never more clearly than in the expanded album. It��s incredible how the songs stand on their own to relay a specific moment in time, but that they are also self-referential to each other (whether thematically or overtly) to weave a larger web over the entire work. We’re so lucky as fans to have these stories and to keep peeling back these layers as time passes. (And my literature-analysis-loving ass loves her even more for it.)

This is obviously by no means an exhaustive list, and I know there are more parallels and probably even stronger links (particularly when you add the standard version into the mix), but these were the ones that particularly struck me and I’m just glad I’ve had a chance to sit with this and think it through. ❤️

[flowersdiceandlove]

The burial mounds, a place of mystery, the place of the dead, cannot be comprehended by humans. It is a place warped by time and resentful energy and the intentions of those who inhabit it and who knows what else. It is sentient and has a strong will of its own. It’s said that no one can leave the Burial Mounds, and that is true as much as it’s not. The burial mounds keeps what is theirs; protects what is theirs. No one can escape from the Burial Mounds bc more often than not, once you enter, the Burial Mounds see you as theirs. It does not take well to people hurting and taking what is theirs. (And, maybe this is why a certain demonic cultivator was able to survive and leave that place. Maybe he understood this will and resentment bc he too would do anything to protect those he loves. For him as well, once he considers someone family, they are family. And nothing will change that. No matter what happens, his family is his family, and those under his protection are fully under his protection. They can see a kindred spirit in each other, and so the Burial Mounds let him go, knowing that he will always carry part of the Burial Mounds with him. The souls in his sleeves and the resentful energy he welcomes into his body. The boon that the Burial Mounds grants him.)

It is for these reasons that WWX knows to bring the Wen remnants there. Not only does he know he can defend them if needed in that place teeming with resentment, he knows the Burial Mounds themselves will protect them. It protects its own, and the Burial Mounds knows these people that WWX brought are his, so they are its. It’s as simple as that. And, the Burial Mounds likes it. It likes having these people here, milling about and carving a life on it. It likes how they turns its soil from barren to fruitful. It likes how they are happy and content. It likes being their home and haven. It will do anything to protect them.

When the first siege comes, the Burial Mounds try to protect what is theirs. These people who have made a home on it. But, they are all grieving deeply, and it’s beautiful child, the first to even understand them and want to make peace with them instead of destroying them, is breaking apart. He is breaking apart with the weight of someone who could not protect that which is most precious to him. And he has been breaking with this weight for months now, every day chipping another piece of himself away, every day pulling further and further into himself, every day driving him just a little more insane. The Burial Mounds have no problem with madness. They will still embrace him fully and without question, but it pains them to see him like this. They are all breaking under the pressure of what the world outside its borders do. This is no longer their haven, but now their place of imminent doom. It is only a matter of time until the cultivators attack. The Burial Mounds fights back as it always does to protect those that are its. But, some of these living cultivators attacking are family of WWX and it cannot attack family. And, it knows that even should he wipe all these harmful intruders out, that will not stop more from coming, and more after that. The Burial Mounds would fight every wave they send, but that is not the issue. The issue is that its people are grieving and breaking. The issue is that it cannot do anything to fix that and every attack will break their spirits just that much more.

So instead, the Burial Mounds decide to change it. As the cultivators pour in, the Burial Mounds pulls its energy from defending and into charging its intention.  Some of its people get cut down, but that is fine, it will still work, they do not have to be alive. Just as WWX is about to destroy the Stygian Tiger Amulet (oh, and look at their brave boy, but don’t do that, my child, it will tear you apart) a large pulse of resentful energy ripples out over the battlefield, shaking the ground and seeping into all that is theirs. The air and ground starts to ripple, unstable and warping like swirls of marble, until none can stay standing in this odd happening, toppling over, nauseous from the swirling. Those that are theirs are sucked into the soil, deep into its power, and it embraces them into its depths.

Then—

They open their eyes.

WWX is seven, on the streets of Yiling, and turns his head to the Burial Mounds so close by, calling to him. Come home, my child, it whispers. Come to me; I will protect you.

Wen Ning is eight and Wen Qing 14. They also look in the direction of Yiling—of the Burial Mounds. They too hear the call. There are gasps rippling around their home, and people bursting through doors, embracing each other, crying in joy. Eyes flick around at everyone. They know. All those that were on the Burial Mounds, as well as Wen Qing and Wen Ning remember. They know what Wen Ruohan is planning. They also know what will happen to their real family.

They go to Yiling. Just a few at first. They lost many people in their branch before they were saved by WWX, and those people are more than hesitant to go to that cursed place. Those that remember can’t simply leave them to their fates again. So, some go, while some stay. They will convince the rest later. When they arrive at the base of the Burial Mounds, there is already a large collapse in the wall surrounding it looking to be made recently. The paths open up for them as they start their ascent. The path is just as they remember, the corpses and spirits howling, but leaving them be. They know they are already part of them. Granny Wen and Wen Qing are at the front of the group, leading the way. Wen Qing wishes her brother was there, but that was not something their parents would budge on. They barely let her go, and only because Granny was insisting as well and promised to look after her.

They reach the clearing where their homes were, and there they are. Their little shacks that barely stay standing. The patches of land they’d tilled and toiled over. And there, perched on a tree stump by the side of the road is a boy, even smaller than A-Ning, covered in dirt and grime that can’t all be from the Burial Mounds, spinning a black, bamboo dizi in his tiny hands. He watches them with shining eyes and a large smile they’d know anywhere breaks out on his face, then—

He laughs. The boy laughs loud and clear and bright as he topples off the stump in his joy. Many of them join in the laughter as well. Amazed and in disbelief. Wen Qing, granny, and a few others rush over to the little Wei Wuxian and pull him into a crushing embrace. The laughter soon turns to wracking sobs as they all cling to each other and let it all sink in. 

They are alive. They are together.

And, they will make sure it stays that way.

The Burial Mounds hum around them, welcoming them home.

[theoldaeroplane]

I need things to stop HAPPENING

[yangjeongin]

.

[maddy-ferguson]

i was so ahead of the curve the curve became a sphere is literally me i skipped a grade and now my friends from high school are done with school and are getting their first jobs and stuff and i'm in school with people who were born two years after me. like i lost three full years lmaooo

[milo-is-rambling]

Who was gonna tell me that reading is fun sometimes

[tyrannuspitch]

it's been said many times before but it is interesting that patriarchy means the rule of fathers, not just men, but in so many discussions it's treated as if it's entirely about gender, and not at all about. you know. ageism.

[wonryllis]

the hot dad next door (m) | park sunghoon.

﹙ 🎬 ﹚ ぃ ────𝗶𝗳 𝘁𝗵𝗲 𝗵𝗼𝘁 𝗱𝗮𝗱 𝗻𝗲𝘅𝘁 𝗱𝗼𝗼𝗿 𝘄𝗮𝗻𝘁𝘀 𝘆𝗼𝘂?

preview. the ever quintessential first time dad moves in next door with his five year old and finds it impossible not to fall for you, the pretty girl who gives his daughter cookies and him; the doll eyes. obsessed with your entire being, unable to keep his hands off you, park sunghoon questions if he's just crazy or he's crazy over you.

or where, he notices the way you look at his hands a little too long for it to be innocent.

meet the cast. single dad!park sunghoon with his pretty neighbour fem!reader.

genre. DILFF AUU !!, SMUT MDNI, fluff, neighbours to lovers, sunghoon is quite literally yes insanely crazed over you and for the sake of god can't keep his dick soft, domestic a little bit i guess, i want to make her my wife trope EEEKKK, slight age gap (hoon in late twenties and reader in early twenties) more to be added.

word count. est around 20k or more

warnings. inaccuracies about parenting cause i aint a parent, i got no idea. more will be mentioned in the actual post.

releasing. very soon!! .. progress update tag

park sunghoon was hot, he was a walking greek god. was single and wore these fitted suits that had you weak in the knees. if that wasn't hot enough, park sunghoon also had the cutest baby girl you had ever come across and it just made him hotter than he could ever have been.

"hey, um .. is ji—" sunghoon stands at the threshold of your open apartment door, one hand holding his creased blazer and the other rubbing at the back of his neck. embarrassed and shy at having to show up at yours looking like a mess after work because his daughter ran off while he was busy on a call and taking out her school bag from the backseat. and because everytime his daughter ran off, it was to the pretty girl next door who gives away sweet cookies all the time.

"is jia here? yeah she's in the kitchen," you answer, smiling soft and knowingly at the worried guy who barely looked like a dad. he worked in a corporate editorial, out before eight in the morning just as you prepared ingredients for your bakery. taking his daughter along to school, her excited voice resonating through the halls talking about how they were going to play with clay in class. around seven in the evening you'd hear her again, this time alone as she would skip over to your door because dada was too slow.

on weekends it'd be impossible to ignore the ruckus they made playing around, sometimes inviting you over for lunch because sunghoon apparently made too much and jia wanted to share her dada's delicious food. on some occasional weekends when he'd be called in to work for a few hours, jia would promise him to stay home and behave only to call you through the landline the moment he'd step out the door. and you would text sunghoon to come over to yours after work, his daughter munching on the new flavored cupcakes you made, unbothered about her dad and his scoldings.

"come on in, i made some almond lime tart, you could give me some feedbacks along with jia. you know she always says it's good and i can never know if it's actually good," sunghoon can't help but chuckle at that, slipping off his shoes by the front and walking inside. his eyes following your figure with a fond look as you tend to his daughter delicately, and might he admit— even more so than him.

you're sweet, you know how to handle kids; cue that one time jia was crying her eyes out after school and he had no idea what to do to comfort her, knocking at your door frantically and having his mind blown at how quickly you figured things out and calmed her down.

you're sweet, you know how to handle kids, you treat them both so well, always ready to help him out with jia, giving them sweet treats every other day and most of all— you're fucking pretty. way too pretty for him to handle.

FIRST TAGLIST (open.) @s00buwu @lilyuwon @pockyyasii @nctislifue @shawnyle @enhastolemyheart @belowbun @aaa-sia @niniissus @tobiosbbyghorl @imjakes-wifeofc1 @youresolivlie @eun-cherry @kimsunoops @aiden2001 @brownsugarbaybee @pockettwinzz @bangtancultsposts @diorikis @heelvsted @crimnalseung @iselltulips @yzzyhee @woniebae @river-demon-slayer @lovingvoidgoatee @antonsgirlfriend @kpopslover @bugcattie @slut4hee @yunjinswifee @woniefull @nanaheex @soobs-things @dammit-jjk @starlvcieszsq @mnxnii @skylaly @mintdsunoo @uyuchoco @anittamaxwynnn @rikiwaify-blog @kill4jl @ggparkjh @sstephenzz @judeduartewannabe @jungwoneez @aye2611-blog @hybeboyenthusisast @minjaexvz

[yuwuta]

RODEO STATION, 1 — MEGUMI FUSHIGURO 

A collection of you and Megumi, through the years, through Gojo’s eyes. 

content, warnings: friends to lovers, fluff, sort of canon-adjacent, satoru adopts megumi and tsumiki, reader has a cursed technique but it’s not mentioned in depth here, really just you and megumi falling in love and gojo watching

word count: 1.1k

part i: first years, jujutsu tech. fits in the timeline around when nobara first joins the class

When Satoru first finds him, Megumi has two conditions. First, that Tsumiki would be kept safe and happy, and far away from the Zenin clan if they weren’t going to be good to her—safe and far away from all jujutsu society if Gojo could help it; and that she would never have to worry about feeding herself or Megumi ever again. Satoru agreed right away, he would have done that without the request. 

For his second condition, an eight year old Megumi looked Satoru straight in the eye and told him that he would absolutely not be separated from you. Satoru thought it was cute, sweet, in the bratty, and naive but determined kind of way that seemed to be everything that kid stood for, and Satoru couldn’t fault him for it. Megumi’s evident childlike adoration of you aside, Satoru saw potential in you, too, so he accepted Megumi’s conditions, happy to welcome the two of you to the world of sorcery. 

It’s not until a week before you both start at Jujutsu Tech, that Satoru really asks Megumi why he wants you here (never mind the fact that you had already also made up your mind about being a sorcerer, and if there is anything that Satoru has learned about you in the past decade, it’s that: one, you have the magical ability to make Megumi do anything you say; and two, you’re incredible persuasive and very stubborn). Megumi doesn’t look him in the eye when he answers, fidgeting with his melting ice cream instead when he says, “Well, she saved my life.” 

Satoru doesn’t tease when he hears this, only digging his spoon in for a scoop of Megumi’s toffee butter, smiling to himself when the cold hits his tongue, because he’d heard the message loud and clear: Megumi believes he owes you his life, and to keep yours protected, he wants you by his side.

Satoru quickly learns that Megumi truly has his work cut out for him as he watches you burst through a top-floor window of a high-rise building, falling carelessly with the object of your mission—a special-grade cursed object—clutched in your grasp. Second later, there’s a loud explosion, as the ugly head of a large cursed falls limp in the hole in the broken glass that you’d left behind. Satoru chuckles when he sees you smile, and the faint cheer of weeeeeeeee as you fall. He knew you were wild and stubborn by the way you bossed Megumi around without a care, but seeing you in action proved that you were also in your own league of crazy, a fantastic sorceress in the making. 

To his left, Yuuji gapes wildly as he looks up, shielding his eyes with his hand, and then flinching back when Nobara bursts through the ground floor door, not without a nail going flying into the curse that had been chasing her. She looks angry, then wide eyed, then up to where Yuuji and Megumi were also staring and starts squealing alongside him. 

“Gojo-sensei, what are you standing there smiling about—do something!” Nobara shouts, pointing an accusatory finger up in the air at your flying body. 

Yuuji gasps again, like he’d just figured out the consequence of you falling from a building, spewing on his own cries, “Hey, seriously, what the hell are we doing—she can’t fly,” he shouts, turning to shake his sensei, then pausing, “Wait, Fushiguro, can she fly? You know her.” 

“Idiot,” Nobara spits, “If she could fly then she’d be flying, not falling.”

“Then why aren’t we doing any—you know what, I think I can catch her,” Yuuji boasts, rolling up his sleeves, prepared to position himself underneath your descending body, and that’s when Satoru steps in, extending an arm in front of his students. 

“You all worry too much,” he smiles, lifting his blindfold just enough to look the pair in the eye, and tilt his head up slightly, “Besides, Megumi’s handled it.” 

Three heads turn back up to the sky, where you’re no longer in freefall, instead have had your shoulders snatched by Nue’s talons. You’ve still got that wild smile on your face, wider now as you descend much more elegantly via Megumi’s shikigami. Nobara and Yuuji wince as Nue’s wings flap widely when you’re set on the ground. You shift the box with the cursed object to one hand, reaching your free one around to pet the bird’s feathers. It crows happily, and Satoru snickers, much to Megumi’s dismay. You always did treat his shikigami like pets. 

“Hey, you’re okay!” Yuuji cheers, eyes sparkling, “What’s in the box? A sword—actually, I don’t want to know. If it’s another finger, keep it away from me.” 

“Hand it here,” Nobara demands. You’re happy to hand over the box and have another hand available for petting Nue. 

Satoru watches fondly as Yuuji and Nobara fuss over the box. They should probably exercise more caution, but he’s there, so the worst can’t happen. Meanwhile, you step closer to Megumi with Nue fluttering behind you. 

“You’re the one who told me there would be no need to get involved,” Megumi says, voice soft, hands falling comfortably at his side. 

“I said that you wouldn’t have to get involved with the curses,” you correct, standing on your tiptoes to nuzzles your head into the bird’s feathers, “I said nothing about not getting involved with me.” 

Satoru does his best not to choke out a loud laugh as Megumi’s face becomes increasingly pink when you reach forward to pinch his cheeks, his grumbling drowned in the sound of Yuuji and Nobara’s bickering. Satory sighs, content. He cares for all his students, but there’s a certain weight lifted on his shoulders knowing that when it came to you, there was truly nothing to worry about—Megumi would always be there for you. Honestly, he thinks Megumi might fight him to protect you if it came down to it. 

That thought does bring an audible chuckle to his lips, Megumi’s pinched expression calling to him, “What are you laughing about?” 

To which Satoru only hums, sticking his hands in his pockets. Megumi’s eyebrows furrow deeper, but it’s quickly dissolved when you catch his attention again, saying your farewells to Nue before giving Megumi the okay to let him recede into his shadows. 

“Oh, nothing,” Satoru chirps, turning to lead the group back to Ichiji’s car, “Come on, who’s still up for revolving sushi!”  

Cheers follow him as the veil dispels. You question Yuuji about whether or not you think the restaurant will have grilled eel, and Nobara pretends to throw up, arguing that eel is the worst, that you all should stick to hand rolls instead. Megumi stays quiet, walking on your outside, and humming along with all of your suggestions, and Satoru can’t help but wonder whether or not you knew that Nue had been out from the moment you’d stepped in the building. 

Honestly, he thinks Megumi might win that fight—might win any fight if it meant being with you.

[whirlybirbs]

— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍

summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.

You never did go pro.

Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 

The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:

What if someone helped Tenko Shimura?

How different would his life have been? How different would history have spun? 

You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 

Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 

You see it differently.

Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 

You could easily use your quirk with nefarious intent. 

You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 

Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.

What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 

Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 

He's just a boy given a quirk that needs more care. 

He isn't a villain-in-training. 

None of them are.

It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 

So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 

You usually keep your history as a graduated member of Class 1-A quiet. 

After all, you never did go pro.

And even still, Shoto Todoroki never stopped thinking about you.

He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 

It was the beginning of the end, then.

His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 

Touya's elbow digs into Shoto's side.

It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 

Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:

Endeavor's wing. 

There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 

Very different.

Touya scoffs. "I thought this wing wasn't open to the public yet."

"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"

"Oh, ho, no way!"

Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 

"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"

"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."

It is you.

You look... good. 

Happy. 

You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 

For a second, it's like he's seventeen again.

It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 

"It's prom, man! C'mon, this could be your last chance—"

Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.

Shoto is on the move.

The crescendo of gasps draws your attention first.

Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 

Shoto Todoroki.

He looks... good. 

Really good.

He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.

For a second, you're seventeen again.

It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.

They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.

There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.

"I think you and Shoto would be, like, the cutest couple ever." 

You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 

Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 

"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"

"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 

"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"

"Old classmates," you confirm, not daring to get into the finer details.

Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 

"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"

There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 

You're using him as a teaching moment.

Shoto's smile is soft.

You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."

"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"

Touya thinks this whole thing is just too cute. 

You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 

He hangs back. 

He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 

...It's kinda cute.

Just about as cute as Fuyumi said it was. 

Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 

And he deserves to be happy.

Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.

You hang back. 

Shoto's heart is hammering in his chest.

"Hey."

"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."

"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."

His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."

You gesture up at the statue, then wave around to the rest of the installation.

Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."

"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."

"He's happy, I think. Touya and I are working together and... things are...  good."

Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 

And the underdog in question can read a room. 

This is getting a little too sexually tense for even him.

"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"

You jump.

How long has he even been there?

"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.

"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"

"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."

Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.

"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"

"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."

Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."

"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."

There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 

It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 

"Would you like to—"

"Are you free—"

Hesitant, slow grins bloom on both your faces.

"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"

You make yourself available.

Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.

Little bro is nervous. Touya can tell. 

From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.

"Seriously, Sho'? A suit?" 

"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 

"Who the hell told you t' do that?" Touya quirks a skeptical brow.

"Father was the one who suggested it."

"...That old dog." 

Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"

The ones in Natsuo's hands have his graduation year on them.

Shoto winces.

"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.

"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."

Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.

"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.

Fuyumi nods, popping down beside Touya. 

"He asked. I'm not gonna lie to him."

"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"

"Yes," Shoto grumbles, "I called her earlier—"

"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."

"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 

"She wants me to call her after—"

"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"

Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.

"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."

Shoto lets out a long breath. 

Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"

"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"

It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."

Easier said than done.

You never did go pro.

Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 

You answer the door and he forgets how to breathe.

He has flowers for you. They're blue and blooming and beautiful. 

Fuyumi's contribution. 

You settled then you were going to kiss him at the end of the night.

The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 

It feels like you've been lit on fire.

You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 

Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 

The waiter is pouring you a glass of the chef's suggested pairing of sake.

You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 

For a second, you're seventeen again.

Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 

You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 

A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 

He was always so nervous around you. Now, he just seemed... happy. 

"I can't believe there is only one week left until graduation."

Graduation day was the last time you saw him. 

Until this morning, that is. 

You smile into your drink. 

"What?" you ask when his eyes never leave your face.

His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."

"Nothing?" you press playfully, cocking your head to the side.

"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."

Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."

He manages a half-smile. "Touya had me worried the suit was a bit much."

The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."

You rake your eyes up and down him. On purpose.

He notices.

Shoto's face feels hot. 

He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 

Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.

Now, less so. 

It's adorable. 

Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 

While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 

Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.

His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 

His face is close. It's so... intimate. Very. Nearly better than a kiss. 

But, you've wanted to kiss Shoto Todoroki since you were seventeen. 

The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 

It's sweet.

Really sweet. 

The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 

"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.

His hand settles there. 

Your stomach does a flip. 

You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 

Keep it together. 

He isn't seventeen.

He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 

...Right?

Green light.

His hand is still on your thigh when he pulls up to your apartment. 

The touch is relinquished in favor of putting the sports car in park. 

It makes your chest ache.

Shoto swallows thickly.

Do not chicken out on kissing her at the end of the night.

He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.

What if you don't want to kiss him?

When would he even kiss you? Now? Or at the door?

Why does he feel like he's going to die?

"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 

"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."

You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."

"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."

"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"

Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."

"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"

"I'm not being weird—"

"Then what's wrong, Shoto?" you tease in a sing-song voice.

"I'm nervous because I want to kiss you."

His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 

It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?

Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 

"You don't need to be."

Shoto's breath catches at that.

So, he makes his move.

His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 

Truth be told, he thinks he might be blacking out.

Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 

He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 

The touch pulls you in like he's got his own personal orbit.  

Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 

Then, his eyes stick to your lips.

"Can I kiss you?" he whispers, his breath fanning across your face. 

You never did go pro.

But, Shoto did. 

It shows. 

Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—

His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 

It's better than anything he could have ever imagined. 

And then you whimper. 

It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 

You melt against him, this time your hands trembling to grip his wrists.

He needs to slow down.

He is not having sex with you in his father's car.

That's shameless.

He needs to slow down.

He has to, or he'll lose himself in this and he refuses to fuck this up. 

Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 

You're glad you didn't do this when you were seventeen.

It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 

He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 

"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."

A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 

"Are you serious?"

"Very," he says, chastely pressing another to your other cheek as he leans back.

"Me too," you admit shyly, "Can we... do it again sometime?"

Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 

"Are you free this weekend?"

"I can be," you reply easily with a honeyed look, "And I will be. For you."

"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"

"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."

Shoto scoffs. 

Then, as you open the door and swing a leg out:

"Oh, and tell Touya I thought the suit sexy."

Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.

Then it hits him. He has another date with you this weekend. 

Not so seventeen anymore, Shoto Todoroki. 

[ms-demeanor]

Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

[foldingfittedsheets]

I’ve always been a pretty good liar. As an adult I’ve come to a moral place in which I don’t use that skill set unless it will explicitly benefit someone. But when I was a kid all bets were off.

I think tiny child me was doing their little autistic best but recognized that some situations would be best navigated by lying as telling the truth never netted positive results. Whether it was because my needs often went unmet or ignored, or because I didn’t see any reason not to lie if it would be more favorable, I’m not sure.

This is the story of my proudest lie. The best lie I ever did. A lie that looking back I still go, damn, I was eight.

Our story begins in second grade. I was eight. My school was having a book fair and I spent my small stipend on Gulliver’s Travels. No idea why. Lacking further funds I wandered the fair and came upon the greatest sight known to man. Frog erasers. They were so cute and I was extremely into animals of all kinds.

The whimsy. Who could have known they made erasers in such wonderful shapes? I mourned that I’d spent my money already, and played quietly with the little frogs in their bin. That’s when I was approached by a few other kids from my class.

I didn’t know most of them very well, but enough that it was civil when they asked me, “Are you going to buy those frogs?”

“I’d like to,” I admitted, “but I spent all my money.”

“Why don’t you steal them?”

“I thought about that, but I don’t have pockets.” Indeed, stealing had crossed my mind but it had been a brief temptation. I wasn’t even scandalized that the other girls suggested it.

“Caitlin has pockets,” the leader of the pack said. And indeed, Caitlin in her purple overalls did have pocket space for two frogs. So Caitlin and I became partners. My role in the escapade was just... wanting frogs and walking out with her. We stole two frogs, a yellow and a purple, and united by the misdeed we played together with them at recess despite not really being friendly prior.

After lunch I was called from class to the library. The principal herself was there waiting for me. She had a somber air, almost mournful that she needed to punish me. It was self evident to me that I was here for frog crimes. Caitlin had cracked and taken the fastest route to forgiveness- snitching on an accomplice. Despite the fact that my role was just: wanted frogs, I knew I was going to be in trouble.

Now, I could have told the truth. Pulled a Caitlin and ratted on the girl who told us to steal them. But clearly I’d still be in trouble for having gone along with the morally bereft plan. I was mad at Caitlin for telling but not enough to foist the onus back into her.

“Do you know why you’re here?” The principal asked kindly.

“Is it about the frogs?”

“Yes, Caitlin told us you stole the frogs.”

I quivered my lip and drew myself up indignantly. “I didn’t steal them!”

She blinked at my vehemence but since I looked near tears she carefully asked, “What happened?”

“I really wanted the frogs, but I didn’t have any money. So I asked the librarian if I could take them and bring the money tomorrow! But she was really busy and lots of people were talking to her, and she said yes! But maybe she was saying yes to someone else? And I thought it was to me but Caitlin didn’t, but I was going to bring money tomorrow!”

The principal. Was flummoxed. This was a situation in which I clearly thought I’d done no wrong, in which she couldn’t prove I had done anything wrong, and which the librarian would almost certainly not be able to weigh in. She regarded me not with suspicion but rather vaguely confused as to how to handle me.

I got off with a slight warning that I should pay for things before taking them, despite not having been the one to take things in the first place, and the frogs were confiscated.

I was vaguely worried they’d call my parents but years later when I admitted the story to my mom as an adult she laughed herself sick and said she’d never gotten a call.

[weeknd-ogoc]

LOOK AFTER YOU ✩ MAX VERSTAPPEN

SUMMARY: in which max and you have always found it really hard to move on from each other.

(inspired by the fray's song, look after you.)

FACE CLAIM: cindy kimberly

CONTAINS: reader!alonso, spanish!reader, angst due to past memories of your relationship with max, emotional cheating, use of y/n, could possibly trigger your daddy issues lols & kind of right person, wrong time trope!

AUTHOR'S NOTE: kinda felt like i rushed it and didn't go the way i wanted idk lol but hope you guys like it anyways! also i'm close to 1k followers, you guys are truly the best & ilysm !! 😭

yn_alonso

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yn_alonso as my father says class not ass 🎀 #26

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posted on may 27th, 2023

✩

ever since you were born your father had been super protective over you, even at your grown age he was still meddling in your life whenever he possibly could but you couldn't complain about it because you liked to meddle in his life just as much too.

"if you don't quit eating that burrito..." you told your father as you took the burrito out of his hands just for him to snatch it back. "you're going to stink up my kitchen."

he rolled his eyes and put the burrito down. "which i paid for so technically speaking this is my kitchen too."

now here you were in paris on a date that your father had set up for you and on the phone with him.

"i'm with lance right now at an ice cream shop." you told your father through the phone while lance was picking at your ice cream cone. "no, lance is driving us."

he chuckled when you passed your phone towards to him and he put it up to his ear for a few seconds before speaking. "yes sir, i will drive carefully and she will be back in her house by eight."

once the conversation was done he handed your phone back. "he said i better be sleeping in the guest room and that he would see us tomorrow morning."

had it been any other guy, your father would've definitely flew out just to spy on the two of you but he actually liked lance and encouraged you to hang out with him — except the both of you only liked each other as friends so lance covered for you when you had dates with someone.

just a few years back your father pushed a few boys out of your lives due to them not being the correct fit for you.

"dad it's not fair, it's just one date!" you remembered your seventeen self yell at your dad. "max is a good guy and he even asked you for permis-"

he shook his head. "i don't care what he did, i am your father and you do as i say!"

then there was the time when you were twenty-two, there was pictures circulating of charles leclerc taking you out for dinner and also a video of him leaving your hotel room the next morning.

"you can do better than charles, he doesn't know how to settle down and that's not the type of guy you need in your life!" your father ended up calling you as soon as he saw those pictures. "i liked max better."

✩

maxverstappen1

liked by yn_alonso, charlesleclerc and 1,532,879 others

maxverstappen1 happy 22nd birthday to my baby! ❤️

tagged: yn_alonso

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username mi mama y papa 🥹

username enjoy your day y/n!!

yn_alonso i love you 😚

maxverstappen1 i love you more ❤️

username why are they actually the cutest i'm cryinggg

fernandoalo_oficial look after her tonight, see you guys tomorrow!

maxverstappen1 always!

username 🎂

kellypiquet my favs, happy birthday y/n!

posted on may 27th, 2020

✩

max looked back at an old post he had posted for your birthday back when you guys were still together.

everyone loved you, your dad had been in formula one for the longest time so everyone basically saw you grow up but nobody knew you the way he had grown to know you — the two of you had been broken up for a few years now but remained friends, only greeting each other once in awhile whenever you guys had to.

"i don't understand why you haven't deleted your pictures with her." his now girlfriend, kelly told him. "we already take car of her ca-"

"it's our cat." max corrected. "so it is my responsibly to watch her just as much as it is hers."

during the short time that you guys had moved in with each other in 2020, he had gifted you a siamese cat and named her saturn which the both of you now co-parented for.

he had been playing with penelope when she rushed into the room talking about the comment he left on your post. "whose y/n?" penelope asked as she passed a tea cup over to max.

kelly let out a huff and sat down with them. "nobody important."

you were still important to him.

he had began liking you in his first year of formula one and you obviously liked him but it had been complicated to even see each other due to your dad being so overprotective over you.

"i really don't think we should sneak around..." max quietly advised as you pulled him into your hotel room but as soon as your lips reached his he changed his mind and just at eighteen years old, he did not really get how to do this boyfriend thing since you're the first girl he had ever taken seriously but he quickly learned because you had began to feel like home to him.

"her dad is a cool guy but when it comes to her he is kinda scary." daniel ricciardo told him as they walked to an interview. "better hope he doesn't find out."

max at the time thought you guys would not get caught — aside from your father not wanting him to see you, his father also didn't particularly like you because he believed you were getting in the way of his racing. "forget about seeing that little girl, you're not about to let some girl ruin your career that i helped you prepare for." he remembered his father telling him after seeing you guys kiss and max dragging you into his hotel room earlier that day.

you of coarse had been in the bathroom hiding, listening to their conversation and max was trying to defend his relationship with you but his father was not having it.

so it wasn't long before you heard a smack and his dad telling him he better not see you around again then max was saying everything his father wanted to hear to finally get him out of his room and be back with you.

as you heard the door close, you heard something being thrown at the door and you slowly walked out of the bathroom to see some tears coming out of max's face. "i swear i hate him!"

you had gone to wipe the tears off his face and as you hugged him, you saw the glass cup that was thrown at the door. "it's okay baby..."

in that moment max realized that every time he was losing his control and felt like the city was spinning around, you were the only one who knew how to slow it down.

"i mean we just won't get caught next time." you gave him a halfhearted smile while wrapping your arms around him while he nodded hugging you even tighter.

but during the last race of his first year your father had caught you guys after following daniel who was trying to cover for you guys.

✩

fernandoalo_oficial

liked by yn_alonso, maxverstappen1, and 1,122,342 others

fernandoalo_oficial i wanted to wish my little (not so little anymore) girl a happy birthday! i had you at only seventeen years old and it has been you and me since the very beginning, i wish i could go back in time to see you as a little girl one more time but those are powers i have yet to figure out. #26

feliz cumpleaños mi niña bonita 💛🌻

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username crying in daddy issues

yn_alonso pa i'm crying! te amo mucho!! 💛 (i love you so much)

fernandoalo_oficial i love you more!

username my dad could never

username does she want a step mother???

yn_alonso uh no i don't 🤺

mclaren happy birthday y/n!!

liked by yn_alonso, fernandoalo_oficial

username what! i remember when she was 6 first entering the paddock!

username not max in the likes!!

username well they're friends lol

username she's so beautiful 😭

astonmartinf1 happiest birthday to our favorite girl!!

liked by yn_alonso, fernandoalo_oficial

posted on may 27th, 2023

✩

everyone knew fernando's daughter meant the world to him.

as a single teenage father he remembered the moment he first laid eyes on you, he had wanted to quit racing because he knew his career was time consuming and he wouldn't be able to give you all the time in the world.

"no puedes, fórmula uno siempre ha sido tu prioridad número u-" (you can't, formula one has always been your number one priority)

fernando shook his head as he looked towards your crib, you were only a few weeks old and had just fallen asleep after about an hour of fussing. "ella es mi primera prioridad ahora." (she's my first priority now)

it took a good while before your grandparents could get him to continue doing what he had always loved doing and when he finally entered formula one, he had decided to bring you along to wherever his races were just so he could make time to spend with you — of coarse his mother could not stay away from her only granddaughter so she tagged along.

at eight years old, his little girl was beginning to do as she pleases.

"y/n, no more cand-" your father stopped as he saw you opening up the chocolate wrapper with a smile. "you better no-" you had finally bit into your snicker bar and gave him another toothy smile that he adored. "after that one, you better not have another."

you nodded and ran off with schumacher's kids, later splitting another chocolate bar with mick.

"crees que tengo algo de qué preocuparme?" he asked referring to what he was currently seeing, he watched mick and you chasing each other around. (do you think i have something to worry about?)

his mother chuckled and shook her head. "nando, solo son niños."(nando, they're just kids.)

at thirteen years old, he was trying everything in his power to make sure you stayed his little girl.

"no, find another dress that goes down below your knees." your father told you and continued going through the other dresses.

you shook your head and tried on another dress that you somewhat liked.

"now that's beautiful!" he nodded his head to the dress.

you gave your grandmother a look but she shrugged and you groaned. "papá, me gustó mucho el otro vestido!" (dad, i really liked the other dress!)

so after bickering back and forth about the dress, you had won and your father was now paying for the two hundred dollar dress and whatever else you had him holding throughout the store.

at sixteen years old, he had finally started seeing you as a beautiful young women and not his baby girl.

"escúchame..." he began and dangled the keys to your brand new car that he had just bought you in front of your face. "you will drive carefully! no listening to music too loud, no texting or calling and i want to know where you are every hour." (listen to me)

you nodded and kissed his cheek. "yes pa, thank you so much!"

"and no boys in the car!" he sighed and gave you the keys to the car. "i really wish you had failed your drivers test again."

at eighteen years old, he was now beginning to worry about the growing friendship you had going on with max verstappen who was on his first year in formula one so he had his eyes on the both of you at all times.

"have you seen y/n?" your father asked people around the paddock and they all shook their heads. "i swear when i find her..."

being the horny teenagers that you guys were at the time, the both of you had finally found a spot where nobody was around and he had gently kissed you but before the kiss could get any further there was someone who cleared their throat.

"your dad is looking for you..." daniel ricciardo said as he gave the both of you a look. "i sent him back into the mclaren garage so you have a few minutes to wrap this up before he figures out you're not there."

there was another person clearing their throat and all three of you turned the other direction where your father stood with an angry face. "hi pa." you mumbled as you walked into his direction and he looked at max who was walking towards daniel's direction.

"i won't tell you again to leave my daughter alone."

at nineteen years old, he had a received a phone call that every parent had dreaded to ever hear.

"i'm sorry pa, the car just drove past us and i did-" you cried as he carefully hugged you.

you had been celebrating your birthday with max verstappen and lance stroll, who you had befriended this year when he joined formula one — you had been driving when you hit another car leaving you in a neck brace, max with a sprained wrist and since lance was in the back he just had a few scratches but nothing too serious.

"shh, estas bien..." (you're okay)

even though you were now nineteen and officially dating max for a few months now, as usual had made sure it was fine with your dad that you guys would be going out together and after another talk about keeping his daughter safe, he allowed you to go out with him and lance.

"i'm scared..." lance whispered to max just before entering your hospital room.

max nodded but he knew he was going to probably get it worse from your father since it was his responsibly to always look after you. "me too, he's going to kill me."

just before they entered the room they heard you apologizing to your father about getting the car crashed and that you'd pay him back but he shook his head. "the car can be replaced y/n but you can not be replaced, do you understand that? when max called me about you being here i swear my heart dropped and i couldn't even think clearly." he kissed the top of your head. "i'm glad that you are okay."

✩

yn_alonso

liked by landonorris, fernandoalo_oficial, and 1,541,292 others

yn_alonso so we both had a little hangover this morning but he placed second anyways, proudest of you! 💚

tagged: fernandoalo_oficial and astonmartinf1

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username BEST FATHER AND DRIVER

yn_alonso amen

username the cameraman had it out for you today

yn_alonso YES he were trying to catch me throw up in my little bucket i brought.

landonorris a king, congrats on p2 my father in law! 💚

fernandoalo_oficial oh shut up lando but thank you. yn_alonso 😭😭

username 🏆💚

username was it weird seeing your ex boyfriend on the podium with your dad?

username the real question was it weird seeing kelly after all the drama last year? 😂😂 username i'm new to f1 what was the drama??? username some video got posted during the fia prize giving ceremony a few months back showing kelly telling max not to speak to y/n username omg did you see the video of max going to hug y/n and fernando today? 🤭

posted on may 28th, 2023

✩

your father had invited max to the party he was secretly throwing that same night — he never had anything against max and he even still considered max part of the family so it wasn't awkward when max gladly accepted to go.

"a party for y/n? you are kidding right?" kelly asked as she saw max getting nicely dressed, it took her a good convincing to get him out of his usual red bull shirts so him wanting to look nice for this event was weird to her.

he applied his cologne and shrugged. "it's also for fernando so you can come kells if you really want to."

"they're not even your fami-" she shook her head with a small smile, after all max never gave her a reason to believe he couldn't be trusted. "i'll wait for you here."

so a few hours into the party he had found himself sitting outside on the porch with you and saturn on his lap. the two of you clearly had a bit much to drink since you guys were giggling a little too much causing people to look at the two of you whenever they walked by.

"twenty bucks they'll get back together by the end of this year." george whispered to his friends as they walked by for the fifth time in twenty minutes.

"thirty if they hook up tonight." alex then said.

"as if kelly would let that man go." lando responded with a laugh.

somehow you guys always ended up together at times like these or at least whenever kelly was not around, max really enjoyed these moments with you because it just reminded him of his past self with you.

"i need to go pee, come with me." you giggled as you dragged him with you but let him stay outside the door waiting for you.

he knew the two of you were perfect for each other but the two of you had constantly broken up and gotten back together so when kelly came around you had just broken up with him and he was looking for a quick fling — the morning after he had seen pictures of you and charles at the same hotel so he thought maybe you were looking for a quick fling also.

you guys had gotten back together a few weeks after and months after that, everything was going well between you guys so that was when he got you saturn as a gift also buying a shiny ring for you.

"of course i give you my blessing max!" your father told him giving him a hug. "took you long enough to finally propose to my little girl."

weeks later he had everything set up to propose to you but it was quickly ruined when kelly had been looking for him and even showed up to the apartment you guys shared.

"look my dad is waiting for me, let's just get this over with so just say what i know what you're about to say." he remembered you telling him with tears in your eyes.

you guys had plenty of breakups in the past but somehow this one felt different. "i'm not cheating on you if that is what you think."

you scoffed. "so where have you been the past few days? why is she looking for you at our apartment?"

just say it now max.

before he could continue thinking about how your last breakup went, you had came out the bathroom and held the back of your skirt.

"the zipper is stuck." you said turning around, letting him see the back of your skirt. "help?"

as he helped zip up your skirt, the three musketeers were giggling like little kids at what they were seeing and alex put his hand up for the money he was owed but quickly put it down at the next thing they saw.

you thanked him for helping you and he nodded. "it's my job to look after you." he quietly said as he finished zipping up your skirt, you had been looking through the mirror in front of you and seen the looks he was giving you.

"i'm glad you still wear the necklace..." max told you with his hand on your zipper then going to wrap his arms around your waist, resting his chin on the top of your head now looking at you through the mirror. "i would still be wearing the bracelet you gave me if it wasn't fo-"

"kelly." you nodded and just before you could shake him off.

he quickly shook his head and turned you around. "the chain broke and i haven't replaced it, would've fixed it sooner if i knew you still wore your necklace."

the two of you stayed looking into each others eyes and before anything else could happen your father walked in.

"i'm looking for my granddaughter!" he said and luckily for you guys he had been a bit tipsy he didn't realize how close you guys were. "ah there she is, hello guys we're cutting the cake c'mon!" he took saturn off one of the chairs she was resting on and quickly walked off.

even though your father hadn't seen that interaction there were the three men who did and were trying to decided who owed what to who.

✩

yn_alonso

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yn_alonso 🤫

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fernandoalo_oficial delete this immediately

yn_alonso no 🥰

username ooh who are you looking at??

username who took the picture is the real question

username i'm ynsexual

username our girl is in love!!!!

fernandoalo_oficial no she's not

username i'd do whatever 🧎🏾‍♂️

landonorris she was looking at me

maxfewtrell i can confirm fernandoalo_oficial it's no times for jokes landonorris oh sorry father-in-law, see you at dinner.

username not her dad trying to do damage control and lando messing with him 🤭

username i hope it's lando he's always in her comments

username they'd be the IT couple!! username i dont think so cause he has said before that it's just for laughs, he loves seeing her dad get mad.

username she had a past relationship with max so could it be them?

username max and her are my endgame username don't forget about granny kelly

lance_stroll pretty girl 🤍

liked by yn_alonso

username whoever it is will be the public's enemy 😭

posted on may 29th, 2023

✩

max had found himself panicking on the inside when he saw your name pop up on his phone for the second time today while he was streaming on twitch — the two of you never called each other so he worried for a second right before penelope came to the room to hug him.

"hey p." he quickly flipped his phone over when he heard other footsteps follow along.

username: lmao why does he look so nervous?

username: is he still wearing the pants from last night?

username: he said he just got back home so possibly

username: penelope is adorable 😭

username: that was y/n calling him!!!

username: oh here comes granny kelly

obviously nothing happened last night with you, he left shortly after they cut your cake without saying bye to you and he ended up crashing at charles's place but the way everyone was assuming it was him who took your most recent picture on instagram, kelly was a bit annoyed with him.

"y/n called, she said she's taking the cat to the vet because she was sleeping all morning and suddenly woke up to throw up or something like that."

"oh no! will saturn be okay?" penelope asked looking over to max which he nodded in response and assured her the cat would be fine.

he let everyone on his stream know he had to go due to a family emergency and quickly got ready to go.

just before he could leave kelly was still going on about last night. "you just got back home and you're leaving again? over that stupid cat? over that whor-"

"watch it." he quickly turned over to face her giving her a look. "i already told you that i crashed at charles's and had it been one of our cats i would've booked a flight home as soon as i could."

"but you are always putting her first.." he began walking towards the door but she blocked it with her arms crossed. "if you leave to go see her, i hope she lets you stay at her house because you will not be welcomed here anymore."

✩

yn_alonso

liked by fernandoalo_oficial, lilymhe, and 989,321 others

yn_alonso for everyone who was concerned, saturn is doing much better! turns out she is pregnant and will be making max and i grandparents! 👵🏼💓

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fernandoalo_oficial upgraded to great grandfather! 👴🏼👍🏼

username i know those kittens will be spoiled just as much as she spoils saturn 😭

username imagine fernando? he's going to go crazy buying them things!

lilymhe ahh i told you!!

yn_alonso would've saved me a lot of money if i just listened to you lmaoo 🥲 alex_albon as if it actually hurt your bank account 😒 yn_alonso ugh you're such a hater, get out of here!!

username omg congrats saturn!!

username max is going to be a grandpa!!

posted on april 3, 2023

✩

you flicked max's forhead as soon as he arrived to your apartment and before he could even ask why you just did that, you were already carefully swooping saturn into your arms. "she only hangs around your cats so it's your fault this happened to her!"

in that moment max already figured out what had happened because his mind went back to finding saturn being real cozy with one of his cats one time.

"in my defen- ow!" you had just flicked him again and placed saturn back down onto your couch just to hit him with a pillow.

he stopped the next hit and he chuckled as he threw it at you. "she'll live but yes i'm sorry i should've told you when i saw them getting close."

so to keep you calm he did what he always did back when you guys were together and you were a bit mad with him, ordered your favorite kind of pizza and put on one of your shows you like to rewatch every now and then.

before the both of you knew it the sun had gone down and you wondered why he stayed as long as he did this time, he would never stay more than an hour.

"well i'll take these to sink..." you quietly said once you felt his head rest on your shoulder meaning he was starting to fall asleep. "i can bring you a blanket if you'd like or?"

"i can wash them." he shook his head and stood up, grabbing the plates from your hand. "but i do want to finish this episode with you so bring the blanket."

you nodded going into your room and grabbed one of the many blankets you had on your bed.

this was starting to remind you of every time you guys broke up, he'd show up buy you the pizza and watch the shows he swore up and down he hated then he'd somehow swoop you off your feet.

the both of you guys had always tried seeing other people in the short time you guys were broke up but it never worked and it resulted in finding your way back to each other — but the both of you had been broken up for three years now so you just always figured there was no chance of getting back together since he was now with kelly and he seemed genuinely happy.

when you brought back the blanket max was already laying down on the couch and just as you were about to hand it to him, he pulled you onto him and you tried getting up but he held onto you. "max, you can't do this to kelly..."

"she kicked me out, it's done."

even though you still felt a bit wrong about this whole situation, your arms wrapped around his neck and hid your head into the crook of his neck.

you had missed this feeling.

"you don't understand how much i missed you baby..." he found this as an opportunity to hug you tighter and place a kiss onto the side of your head. "i should've never let you leave me in the first place."

you groaned hearing those words and he chuckled. "it was a pretty dumb decision."

you guys were now locking eyes and he wanted to kiss you but he stopped himself before he could. "i want you to know this isn't a rebound thing, i want to make this work with you but for real this time. no more breakups."

"no more breakups." you repeated his words with a little nod. "but we're taking this slow max so no kissing right now."

he groaned and sighed. "fine but stay here with me so i can look after you."

✩

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maxverstappen1 good way to end the month!

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yn_alonso te amooo ❤️

maxverstappen1 te amo more ❤️

username bro is literally winning in life 🧍🏻‍♀️

landonorris i am up for adoption (just in case)

yn_alonso sorry we don't take in strays 🙂

georgerussell63 please just get married already

alex_albon ^^ i agree maxverstappen1 trust me, i'm working on it.

username NEVER break up again! 😭

username this was not very girls girl of her.

fernandoalo_oficial nobody is as happy as i am right now! 🥲

liked by yn_alonso & maxverstappen1

username ah more kitties!!!

kellypiquet wow alright.

username grandma is that you? 😂😂

username FINALLY!

posted on march 2, 2024

𝐦𝐲 𝐦𝐨𝐭𝐨𝐫𝐬𝐩𝐨𝐫𝐭𝐬 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭!

© 𝐰𝐞𝐞𝐤𝐧𝐝-𝐨𝐠𝐨𝐜 𝟐𝟎𝟐𝟒. 𝐝𝐨 𝐧𝐨𝐭 𝐦𝐨𝐝𝐢𝐟𝐲, 𝐫𝐞𝐩𝐨𝐬𝐭, 𝐨𝐫 𝐩𝐥𝐚𝐠𝐢𝐚𝐫𝐢𝐳𝐞 𝐦𝐲 𝐰𝐨𝐫𝐤.

[annabelle--cane]

class and gender presentation is a particular Thing for me cause like. I've been poor my whole life, like malnourished-since-seventh-grade kind of poor, and I'm quite feminine, and my femininity inevitably makes people read me as wealthy. when I was a young kid, my classmates would phrase it like I dressed "fancy" or "old fashioned" ("fancy?" I would think, looking at my outfit that was just a single dress, literally one dress, the most simple and easy outfit a person can wear), and as I and my peers got older, that changed to people thinking I was some kind of like, old money heiress. because girlies who get free school lunches are incapable of wearing perfume, apparently.

multiple times a semester, I would have to explain and re-explain to teachers that I couldn't pay for mandatory field trips or extra-credit private tutoring, and every time they would think I was lying because I was too smart and too feminine to be poor. in some circumstances, when I tried to speak out about queerness or misogyny, it would get dismissed as hysterical privileged whinging because I had the audacity to wear dangly earrings and sit with my legs crossed while talking about domestic abuse.

like I Know there are ways that certain standards of femininity are locked behind paywalls or incompatible with manual labor jobs, but I honestly think a lot of our perception of femininity as upper class comes from the way that femininity / womanhood (not the same thing, but often considered as such) are seen as artificial, fragile, and frivolous. I would stand next to my classmates, me in my threadbare sundress that I'd been wearing for eight years and them in their brand new designer athleisure wear, and they'd say "okay obviously you're going to play the rich bully in this educational skit about classism."

anyway. I've never played disco elysium but I love this screenshot so much.

[steddie-as-they-come]

Steve's pinning his polaroids up on his wall when his new roommate walks in.

Steve's immediate thought is oh, I'm gonna hate this guy.

Shaggy hair, leather jacket, rings glinting off his fingers, electric guitar slung over his back. Hot as hell, but compared to Steve's polos and perfectly coiffed hair, they could not be more different.

The guy looks like he had the same thought. His shoulders slump as he takes in Steve's appearance.

A man comes in behind his roommate, toting a suitcase full of clothes. "Oh, are you Eddie's roommate?" he says to Steve, who shakes himself out of his thoughts.

"Yes, I am." he says politely. "I'm Steve Harrington."

The man sets down the suitcase. "Wayne Munson." he offers, shaking Steve's hand. "I'm Eddie's uncle."

He nudges Eddie forward, who lets out an almost inaudible groan. "Eddie." he says snippily, shaking Steve's hand.

This'll be a fun year, Steve thinks.

They don't talk. Steve didn't think he was going to be best friends with whoever he got saddled with, but he thought they could at least be civil to each other. Their room is split down the middle. Eddie's half is absolutely covered in posters and music and cutouts of magazines. Steve's is...almost as blank as his room back home.

He misses the shitheads.

No one can ever tell them that. They'll get even more insufferable.

Once or twice, when Steve comes back from a class, he'll catch Eddie peering at Steve's pictures, but he’ll jump away before Steve can call him out on it. It's awful. Steve misses Robin.

It takes him a horribly long amount of time to stop flinching awake at every little sound. He'd stored his nailbat under his bed, out of sight of Eddie, but every time someone yells in the hallway or shouts in the room next door, Steve startles awake, already grabbing his bat. Luckily, Eddie sleeps like the dead, because Steve's not sure he'd be able to explain the weapon without breaking his NDA.

It's three A.M., early November, when there's a knock on their door. Steve isn't asleep yet, so he stands and answers it.

Eight people pile in, talking in hushed whispers. They slam into him, knocking him over.

In the middle of the hug, Steve counts his kids. It's Dustin, nestled against his side, then Lucas, El, and Will under his arm, Max draped over his back, Erica leaning into his shoulder, and Mike on the very outskirts of the group. He pulls them all in tighter, and they all yelp and squawk at him.

"Let us go, Steve!" Erica says, annoyed.

"Nope." Steve says. "You came to find me at three in the morning, you can tolerate a hug."

"Shoo, move." another voice says, and all the kids part like the sea. Robin pushes her way through the group and hugs him tightly. "I don't know how you do it." she says to Steve. "Driving all these nerds around, it's exhausting."

He buries his face in her hair. "Missed you, Robbie." he mumbles.

She leans her head against his. "Missed you too, dingus."

Steve pulls back. "You got your license!"

"I did!" Robin jingles her keys happily.

Eddie sits up, and everyone in the room freezes. "Wha's happenin'?" he slurs sleepily. Then he registers all the people in the room. "Whoa, what the fuck?"

Steve stands up, brushing himself off. "I'm sorry, man, I didn't know they were coming." He shoots a glare at the group, who looks appropriately cowed. Minus Dustin. Steve can now see whose idea this was.

Eddie swings out of bed. "No, it's- wait, are these the kids from your polaroids?"

"Yeah," Steve says. "Dustin, Mike, Lucas, Will, El, Max, Erica, and this is my best friend Robin."

"Awww, you have polaroids of us?" Max teases over his shoulder. "That's sweet."

Steve reaches behind him and tussles her hair, shoving her gently. "Shut up, shithead."

"Your room is cool." Mike says. "Not Steve's side. But this part is cool!"

Steve glares at Mike, but Eddie grins big. "Thanks! I'm Eddie Munson." He shakes Mike's hand.

"Is that a DnD poster?" Will says. "That's amazing!"

"It certainly is!" Eddie says. "I used to DM back in high school. Played a bit too."

The nerdier section of the group reacts appropriately, oohing and ahhing, while Max and Erica just roll their eyes and nudge each other.

Steve hesitates. “I know these guys don’t really do anything on Saturday afternoons, and I think they’ve been wanting to start another campaign. Would you mind if they come up, maybe every weekend, and you can…” he doesn’t know enough about DnD “…run a game for them?”

Eddie looks amused. “You mean DM a campaign?”

“Yeah, that.” It’s an olive branch that Steve’s offering.

Eddie takes it. “Well, how can I turn that down? Sheepies of the Harrington flock, how would you like to join a new campaign?”

“I’ll keep the rest of you occupied,” Steve mutters as the guys (and El) start talking excitedly. “Max, Rob, you guys wanna find the closest arcade and set some new high scores?”

“Only one person will be setting high scores.” Max says, gesturing to herself, but she looks excited at the prospect.

Steve lets Eddie and the kids talk for a couple more minutes, then claps his hands. “Okay, it is three in the morning and I have a nine A.M. class tomorrow SO! I have enough blankets for all of you to sleep on the floor if Eddie doesn’t mind-“ Eddie shrugs. “Or Rob can drive you back home.”

Steve looks around and Robin is already in his bed, cuddled up like the blanket hog she is. “Okay, well, sleepover here it is then.”

He whisks out his ungodly amount of throw blankets (courtesy of Joyce’s knitting spree) and the kids get together in their usual movie-night-at-Steve’s cuddle position.

Will’s got his head on Mike’s shoulder, Lucas next to Mike, Max leaning on Lucas, El’s head in Max’s lap and her legs thrown over Dustin’s lap, and Erica with her back against Dustin’s shoulder. Sometimes Robin and Steve are wedged into the pile somewhere, but just as often they’re tangled up under six different blankets across the room, which is why Steve whispers “Scoot over, dumbass,” as he climbs into bed next to Robin.

Eddie watches them assume their positions with an expression of what could be awe on his face. “When I saw those pictures,” he whispered, “I thought they were like your siblings? Or maybe old pictures of your friends. I didn’t think you were a soccer mom.”

Steve glares at him, but unlike earlier in the year, there’s no heat behind it. “Hope you like coparenting then, because these guys need to be watched 24/7 or they’ll run off and start the apocalypse.”

Eddie laughs like it’s a joke. To him it is. He hops back into bed. “Goodnight, weird little family.”

The kids murmur a collective sleepy goodnight, and Steve shuts his eyes.

It’s the most relaxed he’s felt since he moved in.

part two!