#only spoilers actually there's the whole episode lmao

[door-insurance]

So I played Life is Strange 2 for the first time ever

I didn’t wanna play it for a long time not cause it didn’t have Chloe or max (tbh I got sick of their asses around BtS they’re not even my faves)

By that point I was in college and had lost interest in the whole franchise but also I was very apprehensive of white creatives writing racism with no input from the group they’re portraying, they don’t usually do a good job

Sometimes they make it cartoony, sometimes they trivialize it, sometimes they romanticize it

So years later adulthood kicked my ass and I came back crawling to this franchise for some comfort, I finished True colors annnnd I finally started 2 after hesitating annnnd

^sketched this while playing

SPOILERS

I actually liked it

I liked Sean, the drawing segment he does- he was such a likable main guy, deserved better honestly.

I also liked Daniel, he was very adorable and I never got it when people called him annoying like no shit the 9 year old is gonna act like a 9 year old- just don’t be a jerk to him, I know he can be frustrating but that’s what taking care of a kid is like

And lis had always been about realistic complex characters, y’all can’t handle a traumatized nine year?

I have two younger siblings and two nieces plus I’ve been a bratty younger sibling to two older sisters

Maybe I’m just used to it?? But honestly Daniel wasn’t that bad

The racism portrayal in the first few episodes was not all that cartoony and it actually felt real at times, like I can check for American news rn and find stories similar to what you see in episodes 1-3 (minus the telekinesis)

Although the gas station racist hick spouting trump slogans was a bit on the nose, it’s more of dialogue thing

Some people thought the gas station detainment was egregious but it can happen unfortunately, especially to vulnerable people in rural areas and by someone of a higher systematic advantage

One other thing I did not like was the love interests, I thought Finn and Cassidy were alright characters on their own but why do we need romance in this game where the protagonists are always on the run?

I don’t like to compare lis 1 to 2 but when it comes to the romance the former did a better job as it spent more time establishing it, plus max stayed in the same place for the majority of the game- but you know what? Sean doesn’t have to be in a relationship right? It can be a one off thing, that’s fine

Which brings me to my next point

How old are Cassidy and Finn?

Cause Sean is still 16 and no, being on the road didn’t mentally age him- he’s not “mature” for his age

He is still a kid

So for some reason Dontnod never really specified their ages but some articles described them as teens (they look 30 to me) and they can be around 18 right? Their lives are hard stress ages you- it happens, we can with live that, it’s just a two years difference

But teens or not

why did they animate a whole knocking the boots scene???

Of all the games in the series, the only one that gets a sex scene is the one with the much younger protagonist and his ambiguously aged older looking love interest and I think it’s only with Cassidy you get to do it in the tent

Alex Chen was robbed of a on screen booty call from a beanie wearing lesbian with a sexy radio voice or a buff ass Adonis of a man who was Smokey the bear’s regional manager or something

Anyways I’m gonna move on I’m uncomfortable lmao

*im not hating on people who ship Sean with either Finn or Cassidy, I’m not even tagging your ship names- im just stating my personal preferences on my blog

One last thing I did not like about LiS 2 and it was the one thing that kept me from playing it for years

That one scene from episode 4

So at this point Sean Diaz went through the following:

-lost his father, had to abandoned his loved ones, education and home

-was accused of killing a cop

-had to take care of his little brother on his own while on the run, the same brother with telekinesis and none of them know how to control it

-was harassed, beaten then detained by a racist white man

-had to take refuge in an abandoned cabin with little resources

-the dog that they adopted at the gas station eventually gets mauled

-the one time they found solace at their grandparents house they had to leave abruptly cause the police was hot on their trail

-on their way out they can potentially witness the neighbors kid that they befriended get hit by the police car that’s chasing them

-they find shelter at a nomad campground but oh no they get involved with drug trafficking cause they barely have any other options to make money (unfortunately this happens a lot IRL this isnt egregious)

-Sean now has to deal with the trafficking, making sure that Daniel doesn’t get into any trouble with his powers while fake ass giancarlo esposito is breathing down his neck

-and guess what happens next… Daniel gets robbed into pulling a heist on temu gus fring and it goes badly, Sean can potentially lose a love interest/friend in Finn

-Sean gets hurt, Daniel goes so mad that he blows the whole place up; a shard glass flies into Sean’s eye and he ends up losing it

- Sean wakes up from a coma and learns that his brother is missing and he’s about to be taken to jail

- the one thing that consistently brought him joy during this trip was his art and because of the missing eye he can’t even do it the same anymore cause it hurts now

- Sean has to escape the hospital with a hot wired car, little money and has to drive across two states just to get to his brother

-on the way he dreams of his father, he wants him back he wants his old life back but that’s not gonna happen so he has to move forward

Im not listing all this as examples of bad story telling, a lot of these are real life experiences of homeless people. im just painting a picture of the shit that Sean had went through so far

Cause right after the dream sequence, Dontnod didn’t think all that was enough no you had to see Sean get hate crimed by two lifetime movie, sitcom special of the week racists- be made to either sing or suffer a brutal beating

It added nothing to the plot, it didn’t need a choice system either- it’s a hate crime, you’re not asking Joyce for fucking pancakes or eggs n bacon at the whales diner or hosing down Lisa the fckin plant.

This to me went straight to trauma p*rn category, it’s wheelchair Chloe all over again

I hated it then in LiS 1 and I hated now in LiS 2, this is why I don’t dick ride Dontnod that often

They always had this tendency right before the end they single out a particular character and mentally whip them, they become the writing teams punching bag- they think we didn’t get it the first time that this character is going through it, they just hammer it in with the subtlety of a heart attack and I hate it

“Yeah but it’s there to show Sean’s resolve to find Daniel-“

HE ESCAPED FROM THE HOSPITAL AND THE FEDS, HE HOT WIRED A CAR TO DRIVE ACROSS TWO STATES

He’s starving, dehydrated, suffering from chronic pain

That’s enough

Let the character breathe

You ask why not a lot of people wanna play this game and I’m gonna tell you, as much I enjoyed it myself it’s not an easy game to play- it gets brutal, especially right around the end

I’m not against bleakness or extreme conflict, I’m into that but sometimes that doesn’t translate well to any gaming format- especially a choices matter game that’s meant to be replayed

Some people have asinine reasons not to play LiS 2 like it dealing with racism and those people suck, lis had always dealt with progressive themes like calling out objectification, cyberbullying and sl*tshaming

Racism shouldn’t be the exemption

but misuse of racial trauma and not knowing when it’s appropriate to invoke it is a huge turn off and hella triggering to a lot of non white players and I remember when LiS 2 dropped I’ve seen (mostly white) lis fans at the time proclaiming that not wanting to play it meant that you were racist

Like I said there were probably racists who didn’t wanna touch the games cause of the main characters skin but there were people like me who were apprehensive of the “Let’s go to the mosh pit Shaka brah” people handling racism

This is the same studio that had Ms Grant (one of the few black characters from LiS 1) claim that the white settlers peacefully shared the stolen land with the native Americans

I find that shit harder to believe than the time traveling powers

And they were doing alright in the first episodes they covered stuff like unconscious biases slipping through, dog whistles, polite racism from the grandparents segment, police brutality, racial profiling and being targeted/othered- some of these things I went through when I visited western countries

Then they did the bullshit I feared theyd do…

I really don’t blame myself for being hyper vigilant at the time and honestly I was going through a lot then, even if I wanted to I wouldn’t have touched LiS 2 cause it’s a very heavy tasking game to play

I know I kinda made it seem like I didn’t like this game but I did, its the best one in terms of the choice system

It had more weight to it, seeing Daniel internalizing what you say to him or how you act around him was so cool

Also what the second game has over the first one aside from the choices system is the ending selection- I never liked picking the endings for max, I wanted her to pick the ending or her coding/script to do that

Its definitely more fleshed out technically even though LiS 1 has a special place in my heart it’s always gonna be no. 1- but im also glad that I got to experience the 2nd game for the first time, I liked it

Personal lis ranking

1: Lis 1

2: Lis 2

3: True colors

Discount bin: BtS

My personal fave moments from LiS 2:

- beating up the racist bully and giving him a concussion

-mushroom (rip icon)

- victorias letter

-winning that that bear from that claw machine

-gorillaz song that was not feel good inc

-Brody pointing at a fucked up looking arcadia bay yelling “that’s the past!”- that was hilarious

-Sean paying tribute to Arcadia bay in his sketchbook (this fucking kid man, he’s so sweet he deserves the world- what did he do to make DONTNOD mad at him)

- the wolf animation and the story that plays before every chapter

-this was the worst hate crime in the whole game

[jack-gourdon]

Jrwi episode 98 spoilers

I’m having totally normal late night thoughts about this episode.

I just imagine as Gillion is laying on this table, trying with all his power to stay awake, in a fully delirious ramble, constantly asking May where Chip and Jay are as she can only just reassure him that they’re coming. Not because he’s concerned for himself, but in his state completely forgot they left to go save his life, and that he’s worried for their well being. Until the very end, putting everyone else’s in front of his own needs. And as the remaining of his strength begins to leave him, where his vision starts to fade, his hearing goes quiet, and his breathing slows, tears pool from the corners of his eyes and they trail down the side of his face as he can do nothing but sink into this abyss, so tired. He doesn’t fear his death, but he mourns that it’s happening, that Chip or Jay aren’t here to see him off. But maybe it’s better for them to not see him in his final moments.

And in this darkness, he can do nothing but sink further and further down, suffocating. Until there’s this golden light that appears from above, and it grows brighter until it engulfs him into it.

His eyes open. And he’s on the ship, Chip was telling Ollie about these cookies filled with raspberry filling, Jay was navigating the ship and besides her sat this shirt round grey creature with a puffy striped tail, it’s peaceful as they sailed along the waves. It feels like he can breath again, the pain on his chest gone, this ever looming dread hanging over him is gone. This was nothing more than a dream, but it would be a calm one.

[kingdomoftyto]

"Carlos, if you could just pause your experiment for a second--if you could only hear me out, hear my hypothesis! I think once you understand the science of the situation, you--" Carlos opened the door. He was crying. She had never seen him cry. He was overwhelmed and unsure of how to express his emotions, since he usually only did so in carefully worded sentences, not with water from his body. "The science of the situation?" he snarled. "That Otherworld. I was trapped there, Nilanjana. I couldn't see Cecil for ten lonely years. I was kept away from the people I love, in that desolate place where you never get hungry and you never have to drink water and so you never live. It is a place that devours. It is a place that is empty. That is the science of the situation, and I study it so I can fix it. Only I can do that. Only these experiments can do that. I'm sorry, Nilanjana; I'm not going to stop so you can tell me what science is."

🫠

[jin-zixun]

the desire to write glee s6 au fic

vs

the desire to not watch glee s6 which would be an implicit requirement to properly writing s6 au fic

[stranger-theory]

OKAY GUYS.

from what ive noticed about the behind the scenes video, i'm gonna say some shit and you're gonna have to go along with it.

spoilers for st5 production !!

1. Dustin is 1000% getting beat up by the jocks. from what i remember, there was graffiti on Eddies tombstone which means the jocks are gonna be weird and write shit on his grave and then Dustin hops in to stop them, only for him to get some owies.

2. ZERO MILKVAN LMAO.

3. there's a weird scene with Nancy and Mike where they both look upset, Nancy because we can see her whole face but Mike has his eyebrows upturned, so. i'm not sure what it could be but she makes that face when she dissociates and thinks about something depressing so maybe they're talking about Holly's disappearance.

4. WE GOT WILL BYERS LETS FUCKING GOOOOO okay so he's falling from somewhere very high, it seems. i'm assuming he'd climbed the tree in an attempt to escape the demogorgan, only to be knocked off (frightened by lightning?). what if, when he falls, something weird happens before he hits the ground ???? like, powers-wise.

5. Holly is definitely the name in the episode titled "The Vanishing of ***** Wheeler", no way she isn't. she was literally in a room with flashing lights everywhere and the second clip was of her looking scared with some sort of dirty goo on the tips of her hair and her chest.

6. Nancy is actually in the candy striper outfit !! so i'm guessing she goes in the hospital to collect info on something, thats probably what they're going over in the weird basement looking room. maybe something on Max ?

7. Lucas, Dustin and Will seem to be surrounding Mike at the lunch table. Mike looks as if he's writing something down, possibly relating to the radio that's, for some reason, on the table. reminds me of the morse code scene in s2, just not sure how that'd tie in. (also Dustin looks bored in that scene ??)

8. William Byers is either getting Vecna visions or he's experiencing the same thing he was in s2 with the "shadow-walking". i also think he could be lying about it for the sake of keeping others from worrying, like in s2.

9. Hopper doesn't seem to be with others through the entire video, the only clip we get is from the Upside Down. El also doesn't seem to be with others so i'm assuming they're together ??

10. Joyce is veeeery similar in costume design to her s2 self so there's gonna be something similar in terms of plot. considering that both Mike and Will also have the same shoes from s2 but inverted, i'm assuming the dynamic between the three is going to be the same. protective Mike and Joyce.

thats all i have for now ! please share and fill me in on other cool stuff you guys have noticed !!

[roseboysstuff]

idk how to do requests its my first time doing this but could you do Shiro from voltron legendary defender x ftm reader?

Spoilers if ya havent watched it!!

Ok so like yk where that one episode Shiro disappeared and came back after a year and he just immediately went to reader and just fucks him.... soft dom Shiro brainrot... can be a mix of fluff and smut also u can do this req anytime u want no pressure (i have bad memory so i'll eventually forget this LMAO and i lovelovelove how u write i THRIVE with it)

You don't have to worry about spoiling the series to me, I've watched it all over and over Little note about the show : I actually enjoyed it all, even season 8. The only think I don't like is allura x lance, and that Lotor was a bad guy. Allura and lotor should have got together, and lance and keith should have got together. I would also accept keith and shiro.

And thanks for the compliment! I'm glad you like how I write honestly most of it is word vomit so I'm glad others like it too

He had been through hell. Being kidnapped by the Galra had made him mentally exhausted. But most of all. He had missed you.

You. You were his everything. The thought of you had gotten him through his imprisonment. He had almost given in plenty of times. But the memory of your smile, the way you would say his name, and the idea of one day seeing you again, it all kept him going.

And when he managed to escape? All he could think about was you. The ride back to earth in that escape pod was harsh, and he was drifting in and out of consciousness. But he could have sworn he whispered your name throughout the whole trip.

When Keith and the gang rescued him, he begged them to take him back to you. Which they happily obliged.

The reunion was tearful, and he whispered your name over and over like a prayer, holding you tightly until you were just both crying on the floor, embraced.

"I missed you. So much. I'm here, sweetheart, I'm alive. I'm with you."

He kept apologising, and you almost couldn't believe it was real. Takashi Shirogane, your Shiro, was back. You'd been led to believe he was dead. All of the military and all your friends had told you to give up. You'd grieved and cried for months.

And now he was back. You didn't blame him, of course, and so you shut up his apologies with a kiss. You were desperate to feel his lips on yours again, to feel his warmth, to confirm that he was really alive and here with you. He eagerly reciprocated the kiss, wrapping his arms around your waist. He pulled away, about to apologise for the coldness of his new arm, but you just kissed him again.

It was cold, yes, but you didn't care. You wanted your arms around you, no matter what they were made of.

It didn't take long until you were heavily making out, drinking in the taste of each other. He held the back of your head with one hand, with the other sliding down to grasp at your hip. He was unwilling to let go. Neither were you.

He barely managed to pull away enough to pick you up and carry you to the bed, pulling you onto his lap. And it was straight back to kissing again, tearing off each other's clothes, lost in a hazy fog of need, want, love and lust.

There was no need for more foreplay than this. You were completely soaked, and he was hard as a rock. You were ready. Ready to feel his big cock stretching you out. Which it did.

Before he was kidnapped, you were a little more accomodating, considering you were used to taking his cock. But this time, as you sank down, you could feel every vein on his cock, as it stretched you out for the first time in nearly a year.

"Gods... you're so tight, baby boy. Am i hurting you? If I am, we can stop and-"

Well you were having none of that. You sank yourself fully down on his cock, causing you to whimper and him to throw his head back in pleasure, a chesty moan leaving his throat.

"Oh, wow. You're just as voracious as I remember. That's my good little prince, bounce on my cock. Please, baby boy."

How could you refuse such a humble request? Your hips instantly got moving, bouncing and grinding and gyrating. No particular rhythmn, just the desperate need to be together as one. And it was heaven. For both of you.

He was seeing the person who had gotten him through the worst times of his life, bouncing and moaning on his cock. Seeing your hair bounce, your eyes shut, and your mouth wide in a silent O shape. It only fueled his lust, and he started to thrust back.

The rhythmn of your bodies meeting only got less steady as you both got close, and you found yourself clutching onto him for dear life. He was doing the same. Your bodies were impossibly close, not even an atom of space between you, as you both climaxed, crying out the other's name. His hot seed filled your cunt up, and your cunt in turn clenched and milked his cock. it was ecstacy.

As you came down from your orgasms, neither of you let go. How could you? You had both spent the past year begging the universe to give you one more chance, you weren't going to let go.

He kissed your neck and face, a big grin on his face.

"I missed you, missed this. Oh, baby boy, you have no idea."

[moii3]

My Candy Love New Gen Ep.7 Review!

Spoiler Ahead, Obviously

Another day, another short episode. I think off the bat, im dissapointed with how short the episodes are. I really think they need to get it together with the amount of content. It's just not enough and it doesn't help that we have to wait for almost a month every single time for a new ep.

I just had to point this out because since i've been replaying the Eldarya TO, i just started to appriciate how beemov games used to have longer, more filling, structured episodes and stories compared to now. Maybe this is too early for me to say since we are only 7 episodes in. Who knows? Maybe Beemov will actually start to have an enemies to lovers arc between the writers and the new gen game. Anyways..

The ep starts out with Candy complaining to my love Elenda (and soon the whole office) about how difficult it is to live with her annoying mom and sister. Seriously, we see from the flashback that Candy's mother basically insinuates that she didn't think she would have to live with her adult ass daughter in her house. Both Tasha and the Mother(i forget her name) were pretty rude abt it in my opinion. Instead of talking with Candy about house rules they just go on like nothing happened, and make it clear that she is just a guest. Not a part of the household.

Mentioning of TikTok was thrown in one scene for good mesure lmao

As they all hear the story, Devon decides everyone in the office should help Candy look for an apartment. They apperantly don't have anything else to do the whole day.

It almost feels like a little bit Mary Sue-ish. Everyone taking turns wasting their free work hour trying to find Candy an apartment, making it a competition seems comical and unrealistic. (not everything has to be so realistic but it's just ridicilous atp). They are literally racing to find this rich adult woman a place to live...

When it comes to the actual apartment hunting, Thomas's route was a roller coaster 😭. Since apperantly no one rents apartment to stinky stinky singles, LI s jump in to save the day, pretending to be our partners during the apartment showing.

Thomas had both me and the realtor gagged the whole time.

(sorry for the whack screenshots)

I was cringing big time

ma'am please be quiet...

A bit awkward? You're telling me..

Just as we think we are over with this, leaving the apartment, he kisses Candy.

I saw some people saying they didn't like how this kiss came about and i have to agree. He calls it "our little ritiual" , apperantly to convince the realtor. We know that's bullshit and it was kind of an excuse to kiss her. I don't like that Candy is in a cornered position to accept the kiss and it felt kind of unneccesary, no matter how hyped everyone was about it.

Like if this is the dude we will eventually gonna fall in love with& date, it's kind of a bummer that their first kiss had to be "fake". I know they thought of it like a little romantic game Candy had to play to get close to Thomas but i really think even for this it was kinda underwhelming.

I also saw other illustrations from different routes and Roy's has to be my favourite. I wish it was more romantic like that and actually made sense. Anyway..

Anyways, after they leave the house, Thomas gets back to the nonchalant attitude again (obviously) which, gagges Candy again.

Like i said, i don't really like how this kiss happened and i think even for Thomas this was kind of crazy.

If i was the realtor, i would honestly block their numbers and hope that Thomas wouldn't show up at my house to wear my skin the very same night. He deserves some kind of compensation.

I'm gonna keep doing these reviews no matter who reads them, this is for me and my ranting. But i hope you like it! Oh, I also will rate these episodes out of 10.

For my first rating on this series, I'm givinf this episode an underwhelming 5/10

Best part is that this ain't even about the house anymore, even realtor knows he fucked up and they are not gonna choose this house.

Until next time, xx

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere (Pt 2)

Alrighty, I promised a part two back in the first part of this analysis, but found myself busy with Rekindled and my day job, so I'm finally sitting down and finishing this up. If you haven't read that first part yet, please go check it out!

CAUTION: THERE BE FASTPASS SPOILERS AHEAD!

We left off with Hebe and Apollo roleplaying that one scene from The Lion King, albeit with a lot less sense or nuance. Literally all the "drama" so far feels purely manufactured for cheap plot progression and tension and it hardly feels authentic. But now we gotta talk about the second half of this episode, where we finally address the cliffhanger that the FP midseason finale episode left off on - Persephone causing winter.

And what better way to kick it off than with a completely off-base Persephone monologue?

Now, what's shown here is actually a flashback to the job interview scene from S1, when Persephone asked to see the snow in the Underworld. But it's written as if Persephone has some intimate relationship with snow as a whole, as if she's experienced more than this one time which... she hasn't. There was nothing "romantic" really about that scene following the job interview, she literally just wanted to go out and see something she hadn't seen before.

But that calls into question - why does Persephone constantly act like she has an intimate relationship with snow when it doesn't occur in the Mortal Realm? She even says in the honeymoon episode that it's hot all the time in the Mortal Realm, and the temperature only drops every now and then during rainy days... and she somehow makes this about Hades when it literally has nothing to do with him lmao Persephone monologues are some of the worst /r/im14andthisisdeep moments in the series because she's constantly using word salad to describe feelings we never saw or scenes that never happened.

And this scene is no different. She says that snow is something that's interwoven with her most 'treasured moments' but all the visuals have to show for is that one scene from S1 that, again, didn't even come across as a 'treasured moment', it was just her seeing the snow for the first time, there was nothing 'romantic' about it in a vacuum. All the moments from the series you could call ACTUALLY TREASURED milestones of Hades and Persephone's relationship - and Persephone's supposed "love" for the Underworld - are scenes where snow was completely absent (ex. the scene of Persephone and Hades talking about Sicily in Zeus and Hera's garden, Persephone and Hades spending the night in the cabin during the trial arc, etc.)

But then, to make it even more confusing, she goes on to describe her losing her powers and causing winter a "betrayal". As if the concept of winter owes her anything. As if Erebus owes her anything.

The allusion to Erebus itself in the visuals implies that she feels "betrayed" over this happening, as if it wasn't made ABUNDANTLY CLEAR TO HER that she would have to sacrifice something. She's gone SO LONG without knowing or caring about what she could have possibly given up, that by the time it finally revealed itself, she's acting all shocked Pikachu because there's finally something she can't just have. Everything that could make her seem imperfect has been washed away, from her SA trauma to those pesky green hands. Now we finally ARE seeing her affected by her own choices and she's basically waxing poetic about how sad it is that her actions have consequences.

That said, she does seem to have a moment of self-awareness here... but I can't be confident it will actually amount to anything seeing as how all the past attempts at 'growth' have been overshadowed by her vanity and ego.

This line is really confusing / weird in the way that it's written but I think she's trying to say that the source of the cold is from her, she can't pin it on any sort of 'big bad' like she could with Apollo and Kronos. It's just her.

And again, this could be a moment of realization for her that her actions are her own regardless of whatever she wants to pin it on-

But she rejects it instead. She's still not capable of acknowledging that her choices affect others, that her actions have consequences, that she's finally paying the price for something she knew had a cost.

If this were any other comic, I would accept her rejection of this, I would have confidence in knowing she may recognize it eventually. But this is LO and we're three seasons in, she's technically already gotten her happily ever after in the form of becoming Queen and married to her 'true love', so all of this feels like a very last-minute attempt to paint Persephone as this "struggling" character. But she's not "struggling", she's just finally experiencing karma catching up to her and as expected for a person like Persephone, she's already cracking under the pressure of realization that she can't have everything she wants.

Again, in any other comic, this would feel satisfying or endearing to see her fall on her own sword, but to me it just feels frustrating in the context of LO because we've spent five years seeing her get everything she wants with barely any real struggle that wasn't manufactured - with all of it painted as a GOOD THING - while still getting away with treating the people around her like shit.

And when I say she rejects this concept of having humility, I don't just mean through her monologuing, but also through her actions.

If I were to critique LO the same way I would an actual functional series, I would say that this should be the point of realization, the point where we see her crumble under the weight of her not being perfect, not being able to "fix" everything. It all stems back to her entitlement as a bratty main character, someone who can't fathom not being the main character or the "hero".

Because she's not the hero. Demeter is - or at least, she tries to be.

Again, it's hard to know if this is intentional or if this is yet another attempt to present Demeter as an "overbearing mom", but Persephone here looks and sounds like she's been reduced back to the state of a child crying for her mother in the face of her own failures. Despite now technically being a mother herself (through literal babynapping sigh) Persephone is still not a mature adult. Aging her up 10 years and giving her a husband and baby will not make her an actual functional independent adult who's capable of taking care of themselves or making the right decisions... unlike Demeter who is still, ultimately, more skilled than Persephone. She is an actual experienced and mature adult who's capable of rationalizing and decision making, and knowing when it's time to put aside your ego, walk away and let someone else who's far more qualified take care of things.

What Demeter has is something that one can only gain through true hardship, failing, learning from one's own mistakes, and experience, all of which Persephone does not have because she transitioned from a cage of her own imagination where hard work and responsibility was a virtue, into a gilded cage where true hard work can be passed onto someone else whose efforts she could take credit for while sitting on a throne and buying anything and everything she could ever want.

Despite everything Persephone and the narrative claims to have 'earned', she's still a child. The adults have to take over.

And like a child, she doesn't let them.

This is not an 'anime moment'. This is not a moment of redemption. This is immaturity and irresponsibility in its most visible form for Persephone - refusing to let go of her ego and shortcomings to "prove herself", even if it means making things worse.

And Hades enables it.

I want to make it clear there is a massive difference between not being controlling over someone, and actually enabling them.

This is not some small hill to die on. Persephone is literally causing winter, which could very well kill the Mortals. As we've seen in that prior Hebe scene from the first part of this essay, the snow is showing up in Olympus. This isn't something that's happening in the isolation of this single scene, this is happening everywhere and instead of taking the L, Persephone is trying to make things 'better' by simply 'trying harder' which is just not the solution here, Demeter knows this, but Hades is playing the "girlboss" version of a "good husband" by not even bothering to try and convince her to do otherwise. Hades above everyone else should be the one stepping in because he'd likely be the only one she'd actually listen to, but he's refusing to because he has to be the "good husband" who doesn't control the actions of his wife.

So he flat out enables her instead by not even bothering to try and reason with her, to help her see that what she's doing is not helping. Not even so much as a "Persephone, I know you want to help but it's clear something is wrong and if Demeter can figure out what to do to fix this, we should let her", just him saying to Demeter who wants to stop her that he can't stop her from trying... ignoring the fact that he should at least try.

And that's the difference between being controlling and being an enabler. He's not keeping her from doing something that benefits her and doesn't harm him or others. He's not micromanaging her decisions or trying to tell her she's not capable. Now, don't get me wrong, there are definitely things that make Hades a walking red flag especially when it comes to him being a groomer, but when it comes to directly controlling Persephone, most of the time she's doing things of her own accord convinced that it's "the right thing" (which is still just a side effect of the obvious grooming because I really doubt S1 Persephone would have done this shit lmao).

Here, he's not stepping in to even try to reason with her because "well I'd be a bad husband if I stepped in", completely ignoring the fact that it makes him a terrible person, period, to not at least try to calmly reason with his wife and explain to her that her 'help' is not going to help here. Just like when he rewarded her with sex for abusing a nymph in her own home, he's completely complacent to Persephone's actions and doesn't step in to try and help because, according to Wattpad and TikTok, a "good husband" is someone who looks the other way while his life partner does whatever she wants regardless of the consequences to herself and others. "Happy wife, happy life, who cares if the wife wants to be an actual piece of shit to people if it makes her happy".

And thus she makes things worse in her pursuit of "happiness", while Hades stands idly by, watching it all unfold as if he's just an innocent bystander who can absolve himself of any responsibility in this situation. As if she didn't become this way because she ate the pomegranate to be with him and a part of his world.

Now, there's one other sort-of-blatant smoking gun that I want to talk about that I haven't really seen anyone else mention since this episode went up. Granted, this might be me reading far too much into it, but hey, that's what this blog is for and I think it's something that absolutely needs to be mentioned.

Persephone goes on about how her powers aren't just gone, they've been replaced, all she can create is decay, and more specifically-

Now... think of the context of LO's narrative, what it's told us both literally and through subtext, intentional or not.

What does this sound like?

Hades lost his ability to produce children when he ate the pomegranate. He can no longer "create life".

And now, Persephone is finding herself in a similar situation, unable to "create life" the way she knows how. I'd like to think this isn't literal, but it really feels like there's a metaphorical implication here that Persephone losing her ability to create life is meant to be taken literally, that she not only can't create flowers and plant life anymore, but she's lost her fertility entirely. You can go even further back in this when it was established Persephone didn't eat six seeds, but nine, which originally felt like a weirdly random choice, but now seems intentional. I know some people have theorized that it has to do with her possibly being pregnant, but I don't think that's the case, I think it's the opposite - that the 9 months was a metaphor for the 9 months of childbearing that Persephone can no longer do.

And if that's the case... LO truly is no longer a "feminist" piece of work. It barely was before, but if the point of all this winds up being an attempt by Rachel to give Persephone a "flaw" by taking away her ability to bear children... that'll be a punch to the gut.

That said, if it does go somewhere, maybe the point will be Persephone learning she doesn't need to be able to reproduce to have value as a woman. But considering LO's track record with these sorts of plotlines, I can't be confident in the slightest that's where it'll end up. What I can be confident in is that Persephone will likely not stay this way. Like her green hands, she'll likely get her powers back, maybe after the resolution that she's still a real woman deserving of love even if she can't reproduce. I can't possibly know at this point where it's going, all I do know is that LO hasn't done a great job at resolving these sorts of deeper narratives so this just feels like another dart on the wall of bad ideas. Because it's, again, all being framed through Persephone being the "perfect woman", without there being any actual subtext throughout the narrative to imply that this may be a flawed ideology to have, it's just what Persephone has to be and it's sold in the narrative as a positive.

There's one term to describe this with that's rather consistent throughout LO when you peel back the layers of both the comic and Rachel's past work - white feminism. Despite LO's attempts to be "feminist", it's still ultimately being written through a heteronormative male gaze, that women are only "valuable" so long as they're youthful, that any goals or dreams a woman may have should be dropped as soon as they fall in love with a rich and powerful man, and that "other women" who don't fit into that mould of being rich, white, and heterocis are not worthy of love, empathy, or understanding. It's hard to trust that LO will actually challenge these norms when it's been practically enforcing them for five years.

But ultimately, that's a very loaded topic and right now, we don't know where this is going... I'm just not so sure I want to see it after all the missteps the series has pulled over the past half a decade. Like the miracle of childbirth, it's gonna take a miracle for LO to actually stick this landing.

Now, I'm assuming you read this line of dialogue, and you understood it. Yes? You positive? Okay, great. Why am I asking you this question as if you're an infant who doesn't understand what being "passed out" means? Well, you'll see what I mean in a minute.

Now, again, like with the whole "I can't bring life to anything anymore" thought process I just went through, I can't know exactly what they're trying to do here, but Demeter is fully in the right. I want to make that abundantly clear that Demeter was right the whole time and it's pretty telling that even a lot of the people reading the comic in good faith are pointing this out in the discussion circles they can actually access.

Now, in case anyone hasn't noticed, it's clear that Demeter herself is drawing upon the fertility magic of Gaia or Rachel is just alluding to Gaia for some reason. At first I thought it was supposed to be her form of "wrath" until I remembered that (unfortunately) Eris was the only reason for Persephone's wrath, so this is clearly meant to be some allusion to Gaia. Considering the fertility powers were passed down purely through Gaia and Ouranos, this means Demeter is a descendant of Gaia, which... calls into question Rachel's attempts to "remove the incest" from LO, but that's for another topic.

Either way, Demeter is fully in the right here. Hades is a fucking idiot - a useless lump - for not only enabling the shitty actions of his shitty wife, but for not taking even any amount of accountability for the fact that Persephone found out about the pomegranate through him.

"But Puff, she had to eat the pomegranate to beat Kronos!" Did she? Or was that purely manufactured for Rachel's sake because she just had to have an MCU Evil-Robot-Jeff-Bridges villain despite the fact that this FANTASY ROMANCE series didn't need one? The fact that it was written purely to 'force' Persephone into doing something she already wanted to do was completely redundant, it wasn't a 'sacrifice' she made, it was made pretty clear in Episode 165 that she wanted to eat the pomegranate as soon as she found out about it and while that decision is certainly her own, that does not absolve Hades of responsibility for not questioning his future wife's fascination with it or realizing that he unlocked the inner Pandora's Box of Persephone's mind.

And so, Demeter holds him responsible. As she should.

Okay, you read that, right? But remember that line I asked you about before? We should all know Demeter doesn't mean this literally. We have brains and we should all have a minimum amount of media literacy to understand that Hades was telling the truth when he literally said Persephone was "passed out".

We finish the episode on this panel, which I swear to christ I couldn't tell you in all of my own divine wisdom of the arts what in the world is going on in this panel. I'm literally looking at salad.

Is it Demeter and Persephone? Just some dying plants? I have no fucking clue, your guess is as good as mine.

But we're not done. Because we have one more glaring issue to talk about with this episode, and it comes in the form of an author's note that was inserted at the end of the episode. It is truly, despite EVERYTHING we've talked about in both parts of this analysis, the dumbest, most airheaded and egregiously pretentious thing I've seen in this entire episode.

Rachel quite literally put in a fucking disclaimer telling her audience what Hades already told us point blank in the comic - "Don't worry, audience members, Persephone is not literally dead, it's a metaphor for her spring powers being dead!"

I literally can't even express to you how pretentious and shitty this is of her to do. I can't tell if it's legitimately her thinking her writing is "too smart" for even her older audience members to grasp, or if she just wants to dispel the theories that people would want to make about this, or if she completely misconstrued the criticism about her writing not being "clear enough" and thinks that THIS is what people meant. Pardon my tone because I've kept it together relatively well throughout this post, but this is some 2009-era Fanfiction.net level of author's note bullshit.

If she thinks her writing is "too smart" for her audience to grasp, I'm sorry Rachel, but you're just wrong and this is incredibly shitty of you. You think the 14 year olds in your community aren't also reading other webtoons that have deeper writing than LO? I read Death Note when I was fucking 14 and I knew exactly the point of what the story was getting at by the time it was over, despite all the other stories I read at that age that completely flew over my head. And you think LO is somehow more complicated than Death Note, baby's first introduction to the grey areas of morality and justice?

If she's trying to dispel the theories... that actually holds some merit because not only is Rachel notoriously bad at not letting her fandom just talk about their theories without her swooping in to "um actually" them (even if it means killing the fun of theorizing), but the official FP page on FB was closed to new submissions in the hours following this episode and it since hasn't posted any new content. Is it because people aren't posting? Absolutely not. The mods are quite literally holding these posts hostage through the submission and approval system. People are legitimately trying to submit only for the mods to block it entirely from going through. If this is Rachel's attempts at trying to "protect herself" from the criticism this episode has surely earned, then all she's really doing is punishing her own fans who want to talk about it. It doesn't matter anymore that the discussion groups are finally back from 3-4 months of being shut down over the hiatus, they're still not being allowed to operate. The best there is now is the Discord and it's undoubtedly just as heavy moderated as the FB groups.

And as for the third possibility, this also feels like an attempt at Rachel trying to make her writing "more clear" without actually putting in the work of writing a good story. She's undoubtedly seen the criticisms towards LO as a whole that it doesn't express itself clearly, that it constantly flip flops on character motivations and information that has been established, and that any monologuing that's done implies things or events that we've never seen unfold on screen (case in point, the Persephone monologue from the start of this episode) but she seems to have either misconstrued or ignored the point of that criticism entirely by solving it with a quick and shitty author's note at the end explaining her intentions with a scene that was already clearly laid out to us. Instead of putting in the work to write a concise story to explain the things that are a bit more under-developed, she's slapping in a spoonfed explanation for scenes that literally don't need explaining and that ultimately cheapens the scenes that are TRYING to have impact, bringing them down to the same level of mediocrity as the scenes that never had the impact they intended to have to begin with. "You've killed the Goddess of Spring" was plenty clear after Hades said she was passed out, Rachel. Taking the time to explain it in a note at the end is just sad and it really goes to show what you think of your audience, especially when it comes to how you treat your fans in regards to community accessibility in the official discussion groups.

"The haters" didn't set this comic onto the path that it's on or ruin the fanbase experience, Rachel - you did.

[localaceken]

Ninjago DR S2 Part 2 thoughts, spoilers ahead.

First few episodes were...rough.

- Rody was kinda annoying at first, but I grew to like him as the episodes went on. I'm glad Wildfire found someone to match her Freak. I like that he is geniunely into her too.

- I can't believe Bolobo fucking died lmao rip in piss.

Nero, Chamille and Shade cameos were nice. I like that Tox and Mr.Pale actually had dialouge AND WE FINALLY SAW WHAT MR.P LOOKS LIKE YES.

Ily Geo <3 The Goblinnnnnnnn

Zeatrix was annoying lmao I get why Beatrix hated her ass

Otherwise liked all the new elemental powers and masters introduced. [I can hear Legacyverse screaming already. Rip.]

[Elemental Master of Balance is a thing...welp. There goes the 'Riyu will become the Source Dragon of Balance' theory I suppose]

- I really hoped they would do more with Jay, not only because he's my fave but he could have been more. I think revealing his identity and making him lose his first round immediately was a mistake. Also the teams reactions to him??? Being there??? HELLO?!?! HES BEEN LOST FOR YEARS!?!?! AND YALL ARE LIKE "oh hey Jay is here."!?!? YALL ARE SUPPOSED TO BE FAMILY?!?!?!?@?@?@ BROTHERS?!?!?!?!

Istfg only Nya actually gives a shit about Jay at this point.

Sigh...at least his voice is deeper now...it was kinda getting annoying how high pitched it became over the years...

Being a Jay fan is suffering.

[Anyways, go read Lightning Pin by @taddymason for peak DR Jay content.]

- I like that Ras had no idea what was going on with Nokt and I like that The Forbidden Five, mostly Nokt, and Ras ancestors had something going on [the something was hating eachother, probably]

Kinda not buying Ras' whole 'unmerging the realms' thing though.

Also what the fuck is up with Cinder and immediately betraying Ras lmao bootlicker behavior.

I'm glad Jordana made it out and Sora realized. Well. Everything. I hope we get to see her again so she can get a proper redemption arc.

- I'm loving Arin's arc so far. He's not evil. He's morally grey at this point. I would be too if I was in his shoes. He just wants to find his parents, but he always had to put ninja business up first, but decided that enough is enough and he will find his parents, without the ninja.

I wouldn't be surprised if he and Ras try to manipulate eachother next season. It would be fun to watch. [Bonus points if Ras backstory and redemption. Pls. I want tiger dad]

Welp. This is it for now I guess, feel free to ask about my opinions on specific stuff.

7/10 Good season. Could have done much more on certain places but still a good and entertaining watch.

[hms-no-fun]

so, (SPOILERS FOR FIONNA AND CAKE but its relevant to the question but im gonna put a bunch of line breaks just in case lol)

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so fionna and cake ended with fionna basically being like, you know, youre RIGHT god, if magic came back my wish would simply be twisted and it would suck, there will be no rule breaking miracles! I will now work as a struggling minimum wage employee in seattle and Be Happy about it. i sure am glad the threat of losing everyone i know and love set me straight!! sorry to send u this really random thing the ending just felt like such a slap in the face and i wanted to ask someone who knows that exact Seattle Struggle. this is absolutely me appealing to the Writing Gods to back me up that the ending wasnt very good lmao but if i have a direct line to the craftsgoat i simply must use it for something stupid at least once

FULL SERIES SPOILERS FOR FIONNA & CAKE AFTER THE BREAK!!!

i really disagree with your read on the ending. it didn't feel like "just struggle with seattle minimum wage forever and be happy about it" at all to me! the whole instigating incident was that fionna wanted to transform reality into something that she personally thought would be better, without taking into account the fact that other people exist and have internal lives just as complex as hers. she comes back to her original world to find marshall and gary holding hands, explains to them the magical adventure she's been on and the fact that their world is about to transform into something unrecognizably magical, and they receive this with abject horror! fionna doesn't know whether simon becoming ice king again will erase marhsall & gary's burgeoning relationship, which makes her realize that in her quest to escape the boring, oppressive reality of working odd jobs to make ends meet, she's only ever focused that energy on how to make things better for her.

i really want to dig into this because it's a key theme of the show. there is a destructive selfishness innate to the "heroes" of this universe, who feel entitled to the joyous empowerment of being able to defeat anyone and everyone they see in open combat. cake has a whole musical number about this! simon's arc in the last two episodes was betty grabbing him and shaking him until he finally asked himself, how would my life have been different if i'd just once let the woman i loved steer the ship for a while? and then of course we see the lich in a reality where he succeeded in eradicating all life, only to find himself desiccated and without purpose, begging the god of chaos for an answer it cannot give. brian david gilbert's ice prince seems perfectly put together and successful, until the reveal that he's outsourced his madness to someone who didn't accept the terms of the crown's curse. this didn't solve the fundamental problem, it just inverted the roles of its expression by making princess bubblegum into the mad candy queen. nothing about the status quo has changed, simon has simply given himself a more dignified role in it.

this is a story about what happens when people in struggle behave as though they are the protagonist of reality. when fionna says "this is the world i want to fight for" she's not fighting for the right to get another shitty minimum wage job. i think you've really missed something by accepting that conclusion when cake the cat is right there saying that her magical self IS the version of herself she wants to live as. being a normal house cat for her was, arguably, a form of body dysmorphia, and the show lets her keep that magic at the end! the thing is, their world IS changed by the events of the show! the status quo is altered!

like, what do we actually see everyone DOING when the credits approach? we see this entire disconnected community banding together to rebuild the city together, and we see a huge crowd of protesters outside marshall's mom's place demanding that she lower rents. we see people connecting with other people, including three outcasts from other universes escaping to this more boring one for their own safety. i loved this ending honestly, because it felt to me like an attempted refutation of the very idea that you can magically transform reality into something better overnight. if fionna'd gotten her original wish and made her world into, like, candy world, then... what? let's say they play it as like, at last people are freed from the shackles of capitalism and everyone just gets to be weird funky critters going on adventures or whatever. what would that, as art, actually say? what would that mean to us in the real world? if we're going into this cartoon looking for some kind of revolutionary energy (which IS present in the text, much to its credit), what actionable or symbolically resonant message are we supposed to take from a story that resolves its problems with magic? at that point, it ceases to be relevant as anything more than pure fantasy, because it has abandoned any connection to the material reality WE are trapped in.

i don't want to magically transform the world overnight. this whole show goes out of its way to explore how trying to transform the world overnight, in a world where such a thing is possible, is a really fucking bad idea for a whole host of reasons. regardless, such things aren't possible in our world. so going into the finale, my worry was that they WOULD turn fionna's world into another candy world and just say, ah, the revolution is when you think the right things so hard that the material plane bends to your will.

that's neoliberal thinking. that's like the essence of the failed leftist project of the "end of history" era from the 90s onwards, when marxism was systematically rooted out of academic cultural analysis and replaced with the delusion that if you can just get people thinking the right things, you can affect change in the world. well here we are, it's 2023 and all that magical thinking has got us is a world on fire and a civilization of human beings so thoroughly disempowered that they would literally rather pretend to be a tortured anime protagonist than exist in this boring, shitty, violent reality. you can't think your way out of oppression. raising labor consciousness is, at best, step one. you want to know why unions are winning big right now when they've been completely useless in this country for decades? it's because they've stopped giving a shit about optics they can't control and remembered that the boss's value does not exist without labor. you do not necessarily need marxism for this, marxism is simply the most accurate articulation of the fact that workers who make the things a capitalist sells can kneecap the capitalist by refusing to make the things they want to sell. change doesn't happen with the publishing of a book or whatever, it happens when enough people in real life press their material demands hard enough that someone in charge is left no choice but to listen.

so for me, fionna & cake ending the way it did was a huge relief, because it wasn't espousing magical thinking. the solution to fionna's ennui and economic anxiety was not to just get another job and be happy to live in the world as it was-- it was to create a sense of shared community and struggle, uniting the not-seattleites in their survival of a near-apocalypse and using it as a jumping off point for fundamentally transforming the state of that world as it exists. fionna had to realize that her problems are everyone's problems, and that making her life personally better at the expense of everyone else's agency is just an act of kicking the can of responsibility down the road indefinitely. no one who gets their wish in this show is happy to have gotten it, or avoids punishing others who didn't ask to be involved.

the "canonization" of fionna & cake felt like a reaction to the idea that we in our world are permanently isolated from the fictional realities we create where change seems to come so easy, and the powerlessness that can engender. instead this show is saying, okay, let's say we are in continuity with these fantastical realities. what do we actually DO with that? how do we make this world more fun, more interesting, more fulfilling for everyone to live in? the answer is the same as it's always been, and no other answer would ever feel satisfying: you do it by organizing the workers against the current arrangement of the state with the explicit goal of transforming it for the better.

what does simon do at the end when he gives fionna her world to her? he says that no one person should have that responsibility, that it's been in one person's hands for too long. so he gives it to her in the form of a dandelion, whose blown seeds merge with and become part of everyone trying to survive the scarab's attack. the idea here is that while no single person ever possesses the power to transform the world on their own, the world itself belongs to all of us, and it is within our power to transform it together. those who hoard power want us to believe that this is not the case precisely because the basis of their power is fraudulent and maintained through the violence of the state.

as someone who does live in seattle for better and worse, as much as i do wish i could make literally anything better right the fuck now by whatever means necessary... the fact is i can't. and it does no one any good to labor under the assumption that i or any other individual has that kind of absolute transformative power. the solutions are all right there, and they are simple, materialist propositions whose only difficulty lies in how successfully we've been propagandized to think that the individual is God, or at least speaks on His behalf. there's no thinking our way out of this pickle, and no one's gonna do the hard work for us.

as to the question of how you actually get people in real life to get together and do all that hard work... well, personally i think it's unfair to ask a 10 episode cartoon show to give you any kind of actionable advice on that front. i might even go so far as to say that such an expectation is an expression of the very same magical thinking which the show tries to push back against! in any case i liked it quite a lot and i hope this rambling answer encourages you to revisit the show and reconsider some of your takeaways

[ihearteugeneroe]

im having so many feelings about john and gale in the new episode and i NEED to share them. buckle up guys this is a long one because this last episode was angsty for these two and i love psychoanalysis

HUGEEE MOTA SPOILERS!!!!!!!!!!

first and foremost, john is absolutely not okay. like i know we have seen this so many times already because he’s been on a mental decline since episode six but it’s gotten worse. the beginning scenes where him and gale fetch the water and gale tries to create some playful banter only to receive a mostly silent john is scary, especially because he knows that man is a chatterbox that can’t shut up to save his life. something has changed and gale knows, but gale doesn’t push it.

second of all, the topic of marge. nobody would ever make fun of a guy getting a letter from his girl because that’s the only source of joy they get inside the hell of a pow camp. but the way john seems almost annoyed by it, as if it is personally inconveniencing him is so noticeable. now one could argue it’s just because he doesn’t have a girl back home, but i don’t think he cares even a little bit about that. john has realized that his home is wherever gale is. which brings me to my third topic.

the scene where gale tells john he asked marg to marry him. the fact that he doesn’t even say those exact words, but rather “popped the question and she said yes”. god, the tension in that scene was goddamn near unbearable. john is entirely stoic which is concerning knowing that he is a man of emotion who feels things on an entirely different level than most men. something is turning within his brain and his way of congratulating gale was so robotic and almost calculated. i feel like a part of him kind of froze in that moment. i mean, he likely knew they would never get anywhere serious because hell this is the 1940s in the middle of a war but still. his buck is no longer his. and who does he have besides buck?

which brings me to one of my final points: john is realizing he doesn’t have anybody. that scene between them where he mentioned he never got letters because he didn’t set it up right, and was so concerned gale would only know this version of him and not his old self. i don’t think anything gale could’ve said would help, but it was nice that he tried at least… john’s whole world is gale, but gale has his world back in america. he has a home. he has something to return to and someone to love when he’s out of this mess. all john is going to return home to is his own loneliness and severe ptsd. john is a feeler and he feels things deeply and painfully, like a knife in the belly, especially when it comes to gale. the man he’s in love with has a woman to return to, and he might as well just be a legend that gale tells his kids about someday. but to john, gale is everything. he will never forget.

anyways this episode for them was VERY angsty and it’s late and i’m tired so this is kind of all over the place but i wanted to share my main thoughts. thank you for reading if you got this far i’ll probably continue my rant tomorrow depending on if this actually gets any traction LMAO i still don’t know how tumblr works.

[amarayys]

DRDT CHP 2 EPISODE 12 SPOILERS!!

OKAY so according to a tweet from DRDTdev apparantly the whole fandom misinterpreted David's words and he actually doesn't remember Xander from before?? which like...it's kind of funny lmao. this means that David is just trying to kill everyone for a person he heard of online and then was friends with for like. a few days. which is really funny to me. .... .... ..... BUT YOU KNOW WHO DOES REMEMBER SOMETHING??????? teruko (I love you teruko but you're so stupidly suspicious). maybe she isn't aware of it, maybe she is, but THIS LINE.

Which, weird enough. But then VERONIKA says

Okay, even weirder. before we begin: 1. i suck at theories. 2. i suck at formatting, too. 3. this was made at like 1 am. so dont count on some points here being particulary sane. 4. Points that are started with "-" are just extra inputs that aren't too relevant, but I thought i should bring up anyway. So. Veronika, of all people, doesn't know about a killing game that happened in the past. You could argue: "But Amari, what if the killing game was covered up/erased from history?" Hm.. maybe, but this has some holes. A past killing game is a weird thing to *not* know about. If Teruko's talking about THH, that was broadcasted (worldwide, I think... but I can't remember. Even if it was only brodcasted in Japan, you'd think the news would spread, especially with the internet.) , you'd think most people, ESPECIALLY Veronika would know about it. We know from Min's bonus episode that students were taught about the tragedy, and someone like Veronika definitely wouldn't forget about a killing game that happened during it easily. If it was another killing game not related to the main dr games (ill explain this more later, I swear) , I'd still imagine people would know about it. I'm going to take a complete guess here and say it's not too unlikely that if a past killing game happened, it was broadcast similar to our current one. Same argument as before, people would know about it. If it wasn't broadcast, I still don't think it would be very easy to cover up a killing game. Remember - Veronika is the Ultimate Horror Fanatic. She is quite literally *THE BEST* at researching and knowing about this stuff. If Veronika doesn't know about it, Teruko, who kind of lives under a rock, (me too , me too.) being the only one as far as we know to remember it is WEIRD. Also, before someone says "what about memory erasure?" that answers Veronika, but why does Teruko know about it? - However, if it was covered up, I think it's quite likely the company who Min mentions in her bonus episode has something to do with it. Why? Cause introducing too many companies and sht would be confusing. Not very strudy arguement, I know, but I have a feeling the company is more connected to this than we think. Teruko knows about a past killing game. Which killing game is Teruko referencing? Is she referencing THH, or something completely separate? Like... a past killing game she was in? Okay, I'm reaching, but hear me out, okay? It's sort of maybe kind of implied that Teruko was in a past killing game.

This line is said by the guy at the start of the prologue (WHICH IM LIKE 90% SURE IS XANDER BUT THAT'S UNRELATED TO THIS.) , after they claim they have to end a killing game. Why do we need to kill sweet, amazing, perfect Teruko? Well, here are some ideas. 1. Teruko is responsible for the past killing game, or is at least the reason it's happening. Not necessarily the mastermind of it, more similar to the theory where the killing game was made to contain Teruko's bad luck (context because yeah). Not necessarily her fault, but she is the reason for it. I'd like to point out that this matches up scarily well with what basically the whole fandom agrees is Teruko's secret.

(How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault.) ...oh my. What if the killing game referred to in the secret isn't the current one? To be fair, all the above does match up with if this secret was referring to the current killing game, but I still think it's viable. 2. Teruko did something to someone and that someone wants revenge. What is "something"? Well, it could be again that the killing game is her fault, but probably not. "someone" could be PROLOUGE GUY AGAIN. I have this really weird theory that Teruko is the one who attacked prolouge guy with the fork (aka xander check out this post for clarification) - Technically, David could also be the one wanting revenge, as he also tried to kill Teruko (indirectly, through failing the trial) , but then Xander stabbing Teruko makes no sense. Xander writes future himself a note (the one saying "Kill Teruko Tawaki, again, whole other theory i can talk more on if you want) explaining the attack, and telling him to kill Teruko, as he thinks she is the mastermind or just an unsafe person (which, fair??) - And if we really want to start reaching, Xander is the mastermind and made the killing game in an attempt to kill Teruko. But like... is the killing game necessary? Why not just kill her regularly? Her luck preventing her death, maybe? This entire point is based on theories, though. So probably not lmao. I want to say point 2 but I think realistically I've gotta go with point 1. There's actually some evidence supporting it, unlike point 2. For Veronika's memory, the memory erasure does actually work here. MonoTV probably wanted interesting shit to happen, or it couldn't erase that part of Teruko's memory without her noticing a large gap in her memories and getting suspiscious. Now, let me get some stuff cleared up. I don't think Teruko remembers actually being in a killing game before present time, just that there was one. She brushes her memory off as just not paying attention in history when Veronika denies a killing game happening before this one (though she does hesitate when Veronika points this out - which is VERY weird) so she probably has *some* fuzzy memories regarding the past killing game.

- If my theory of her attacking prologue guy is correct, I don't think she remembers doing it. As i've mentioned way too many times, I think prologue guy is Xander, and she didn't seem wary whatsoever when she first met Xander, which you think she would be if she knew him, let alone attacked him. SUMMARY: 1. Teruko and Xander were in a past killing game together. At some point, Teruko attacks Xander's eye, although we aren't sure why. Xander realises that she's to blame for the killing game, and writes a note to himself, telling him to get rid of Teruko, and then he passes out. 2. Teruko and Xander meet in our current killing game. Teruko doesn't recognise Xander (or she at least doesn't have time to dwell on the faint memories she does have on him before he passes out), and stays around him for a lot of the killing game. Xander's memory was probably erased, but I'm not sure whether he had the note yet or not. 3. Xander goes stabbity stab stab on Teruko, due to the note. he panics, questioning why he made himself stab her. Teruko might have gotten a flash of memories (you know, the saying my life flashed before my eyes when something life threatening happens??), causing her to tell Xander that his plan wont work because she cant die. 4. (this point is straight flavour text) After Teruko wakes up, she might've remembered a bit more about the killing game, although still not the whole story. (playing into why she was so much more distrustful) Maybe she remembered knowing Xander at some point? Nothing too important regarding Teruko's memory happens after this. this summary really sucks, please dont take this too seriously. just some points to keep in mind.

Anddd yeah. That's it. This has so many holes but it's 1 am, I'm tired and cant be bothered to fix them lmao. Just thought I should give my input. I might edit over this tomorrow, who knows.

[hahskeleton]

⚠️MAJOR TSAMS/TLAES SPOILERS!!!⚠️

HOLY MOTHER OF— I’M SO— I JUST CAN’T— I CANNOT EXPRESS THE FEELINGS I HAVE FOR THE RECENT EPISODES!!!!!!!!!!!

Eclipse is dead again, Moon’s probably angry, Solar seemed a little confused, Earth is having a hard time processing this, Eclipse is dead, Lunar’s loosing his mind over this (I feel so bad for him!! Asking Solar if he was a bad person almost made me burst into tears!!), Sun’s probably drinking, Monty can’t find foxy, and ECLIPSE IS FRICKING DEAD!!!

The whole part where Eclipse was taunting Lunar and insulting him and Earth was like— holy heck man you kinda walked into that one. He literally said something along the lines of, “Give me your best shot,” or something like that, clearly letting his guard down because he didn’t think Lunar could kill him.

Then again he mentioned in previous episodes that he wanted to kill himself, so he could have known fairly well that Lunar’s magic would kill him, having possessed star power before he would know. He killed Lunar with it.

Lunar- buddy- I love you but holy moly that was a lot to take in. I agree, he deserved that more than anything, and also, way to take your feelings out on your good for nothing brother.

He seemed to have his mind set on killing Eclipse from the start, but damn he actually did it, and only a few weeks after Eclipse actually came back.

My heart shattered when Lunar started to cry and was questioning his place as a “good guy”, I was so sad for him I just wish I could reach through the screen and give Lunar a huge hug rn.

When Solar came along and was all like, “Lunar?? Wtf Lunar what happened?? Y u cryin?? U hurt??” And Lunar was afraid Eclipse had already come back or he hadn’t gotten rid of him— I swear to god.

Also, side note with my opinion: when Lunar yells or screams or threatens people’s lives with his magic I just die in the inside but I can’t tell if it’s good or bad. I mean, fricking slay lunar get your feelings out I like it when he yells, it’s angsty and reveals apart of him we don’t see too often but also- wow. It’s kinda scary when he yells lmao

Kinda like when Moon is super angry and is yelling and threatening, except with Lunar it’s different because he’s less aggressive than Moon is when it comes to this kind of stuff. He hides his angry side of his personality much better than Moon does.

this has been a rambles and rants session with me, I hope you enjoyed!

[mrm-pachypoda]

I binged all of Death Note in one day! Here are my thoughts.

Spoiler warning for obvious reasons

Yagami spelled backwards is im a gaY

I feel so bad for Misa especially. She was the obsessive one at the beginning, but Light spent their entire relationship manipulating her.

Gotta love an aita situation where everyone is the asshole

Also Misa’s question to L on if he was “on the other side of the fence” (read: gay). You know she wouldn’t’ve minded if it were a throuple situation, she only got uncomfortable with the third wheeling after the gay accusations were denied.

I really liked the subtle jokes throughout. Very nice.

After L’s death I was slightly less interested, but the whole playing-with-your-food ouroboros that played out afterwards was very amusing.

I’m sure many people have mentioned it, but in episode 25, that scene where L and Light were in the rain? And the scene directly after???

“I am almost certain that Light is Kira at this point, and these are probably my last days with him…. What if I brought him out into the pouring rain so his white dress shirt could get soaked, and then we could towel each other off.. hm, maybe I could even give him a massage…” <-L’s inner dialogue at the time (source: bro trust me)

Also. The fucking. I couldn’t’ve screenshat it but in the toweling scene, that moment where Light.. cups L’s cheek with the towel?? In the guise of drying his hair?? Am I going insane I know other people saw that shit

Also wtf was their sleeping situation. Was it a Goldilocks situation (two separate beds that were kinda close together) or??? What. The public must know.

Loved all the stupid fisheye lens shots

“Light, it seems i must finally tell you what this investigation really was. It was never to find Kira; it was actually all a ploy to figure out if you were gay. Your father, the chief of police asked for my assistance. When we installed the cameras in your room, it was already clear as crystal. You bought that porn magazine and read it in clear view, but you laid there kicking your legs looking so disappointed in the material you were reading. You didn’t even bother to crank your chain. Then, through various means we kept eyes on you and your dating life. You dated multiple girls at a time, yet you never truly showed interest in any one of them. You even openly admitted your disinterest in Misa Amane. Along with your clear willingness to be close to me, in spite of my supposed investigation on your identity as Kira? That’s pretty gay, Light. I could go on, but you get the point, Light I’m-A-Gay.”

Ok I’ll stop lmao i got way into writing that dumb ass monologue. I can almost guarantee that someone else has written something like it before me.

I love engaging in long-finished pieces of media.

Also the old brainrot from DanganRonpa definitely is trickling down into this new brainrot.

Bye for now ε:

[suzie-shooter]

Alex Rider season 3 unhinged liveblog ramblings scribbled during first watch. Spoilers, obvs. (also fair warning, I am not particularly a fan of Tom or Kyra lol)

Episode 1 - Widow

S2 recap trivia - Alex's therapist is Molly Doran from Slow Horses and married to Alan Blunt IRL

Malta: Ok, so we're not just going to pretend it's Venice lol.

Creepy old men already hitting on Alex. Standard.

"After this we're out of leads." How do you even have any leads in the first place? Oh ok, Smithers' phone. Terrible security protocols from him, leaving that much historical classified data on it.

"Find the Widow - surely he could have given you an address?" First thing Tom's ever said I've agreed with lmao

Aaaand within a second he's back to being deeply irritating, okay.

Yassen living rent free in Alex's head, you love to see it.

"They've got this picture of me being the responsible one." Have Tom's parents actually met him?

Ooh Razim mention.

You maybe want to clean that wound before whacking a dressing on it Alex?

"Do you think you'll ever lose your appetite Nile?" Spat my drink.

Damn, no harem pants then. Scrubs up well tho.

Listing Levin in the opening credits than having him be only a S2 flashback should be a warcrime.

Episode 2 - Lab

"This weapon is called pork sword, wait, no, shit, wrong USB."

"Julia Rothman. Definitely a wrong un." Spat my drink again.

Do Crawley and Pritchard not warrant helmets and visors? Are they somehow immune to shrapnel?

So, room 6, wired to blow, yes? It's what I'd do…

Oh yeah sure guys, they're going to still be sitting there, all unmoving in the dark, for sure that's a person, and not a Massive Trap.

Thereeeee we go. Agent mince. Top of your class huh, well you're certainly at the top now, and down the sides and partially out of the window.

I know there's the whole 'characters don't know what genre they're in' thing but you are literally in the 'working for MI6 genre', you are up against people notorious for booby traps and blowing shit up, why the fuck would you touch something that hadn't been declared safe first? Apart from anything else you're fucking up the scene before forensics get there.

"I love you man." Vom.

Alex: breaks into super sekkrit lab. Also Alex: doesn't have the faintest fucking idea what he's looking at, so not really helpful.

COMICALLY LARGE BOMB KLAXON.

Episode 3 - Enemy

"Welcome to Malagosto." OooOOooh.

Maybe I'm just looking at it from a fic writer's perspective but it does seem a massive anticlimax to immediately let Tom and Kyra know Alex is okay? Like, you could have got a good couple of episodes of angst out of that uncertainty.

"Do you want me to kill them?" Oh God yes please.

Why the fuck have they plugged the USB directly into the network rather than an isolated PC? 'Hur dur we checked it first', you literally believe Scorpia are smart enough to not be bluffing about the nebulous death threat but you don't think they could hide something on the hardware? Fuck's sake lads. Amateur hour.

Is this Home Secretary meant to be Suella Braverman? Or Priti Patel maybe lol. (Equal rights and all that, and if it had been a white male character I don't think I would have thought twice about the dialogue but having both your two new female characters be immediately proved wrong/ massively patronised/ blown up ain't hugely comfortable viewing tbh).

HOW MANY FICS INVOLVING ALEX GETTING FUCKED ON THAT BED HAVE JUST BEEN BORN?

"Are you suggesting we break into a dead man's house?" "It's not like he's going to be there." 😂

"He became a very close friend of mine." Fnar.

Omg making Alex read his father's love letters is hilarious.

Alex: you could have faked that news report Also Alex: handwriting can definitely never be faked (how is Alex even familiar with his dead father's handwriting? wouldn't recognise mine)

Ugh please stop trying to make Alex/Kyra happen.

Alex up the vent shaft. I hope they're sitting casually at the top going - you could have just taken the stairs love.

If he's climbing upwards, why is his hair dangling like he's upside down? Have they filmed this like 60's Batman, and he's just crawling along a horizontal set lol.

Alex never once asks about his mother does he. Given the shagger-John route they seem to have gone down you almost think Julia would be in a better shout of getting Alex to switch sides by claiming to be his mother.

And - yeah, Alex's recruitment just doesn't feel that convincing here. Adding Tom/Kyra/Jack so much to the mix has changed the feel of his life a lot, and TV verse Alex has had a lot less fucking over by the Department by this point too. And Rothman feels too creepy to be effectively convincing him of anything.

"I want you to meet your tutor." FUCK YES FINALLY 🙌 (may have rewound that part several times lol)

Episode 4 - Recruit

Nicaragua: 18 years ago OH MY GOD IT'S HAPPENING

Baby Yassen is adorable, I'm in love.

OH MY GOD THAT'S SO MUCH BETTER THAN THE FUCKIN SPIDER THING

OH MY GOD THE REVEAL OF HIM STANDING OVER THE SLEEPING ALEX I'M DEAD

(Ok, I'm calm again. For now. We continue.)

"You killed my uncle" - all the hundreds of ways this conversation has been written over the years and Yassen's just like lol get over it 😂 (here for it tbh)

Rothman: He's one of our best Yassen: One of? Bitch.

Yassen watching Alex train like 👀👀

"Did he ever tell you you're no fun?" Oh you want to have FUN with Yassen do you?

Yassen bitchslapping Alex to fuck, both hilarious and hot.

Oh, you want to be WET wet.

"Matteo's the guy with the blanket." Why is that so funny.

Omg Yassen stepping in to protect his boy and humiliating Nile in the process lol. And Alex doing what Yassen tells him, because of course he does 🥰

"This one is my responsibility" 🥰🥰

"What about love, friendship?" Alex has only known Yassen five minutes and is already down bad.

"Kind of lonely though, right?" Yeah, Yassen needs you at his side Alex, so step up and stop being a whiny little bitch about killing people.

Never get in the first taxi, rule one of espionage.

Yep, called it. Tom's like: I'll have my fucking tip back in that case.

This scene is so dark I have no fucking idea what's going on, I thought Nile had attacked Alex, but apparently not. Is Nile officially part of this exercise or not, it seems really unclear lol.

The power of friendship and sparklerabbits saves the day, apparently. Yawn.

Jesus, we really ATE with this ep, huh.

Episode 5 - Revenge

"Would you rather your arms around me, or my arms around you?" Way to make it creepy Tom you skeevy fuck.

"Can we focus please?" "We're multi-tasking."

Sure Grendel, rock up to the super sekkrit spy base in a massively conspicuous car why don't you?

"Yassen will give you everything you need." Oh I BET he will.

Feels sloppy them not removing the diffuser from the vent tbh.

"What does this say?" Alex hasn't inherited John's neat handwriting then lol. Alex leaning into him like that > me making noises only dogs can hear.

"You've put lockpick?" "I left my last one in Nile."

Ooh, suicide pill, nasty. Kind've pointless though, given they've been left with the evidence anyway.

Yassen in Alex's bedroom again, likely place for him to be.

"I don't want you to fail. I don't want you to die." 🥹💕🥰

Yalex roadtrip, let's goooo.

Disappointed they're not making Alex do the Entrapment infrared acrobatic sequence here lol.

If this is Yassen's idea of a date it definitely needs work.

So no surprise scorpions then? Can't have shit in Detroit Malta.

"Why? Why did she kill him?" Well taking things at face value here he was a highly murderous member of a terrorist organisation, so you know, kind've her job.

Yassen does like a casual lean, doesn't he.

Episode 6 - Target

Alex and Yassen have shacked up in London, hope there's only one bed.

Now they're in the back of a van, SO many opportunities for shagging, they're spoilt for choice.

Yassen's impressed look when Alex reels off all the security details, so proud of his boy.

"What happened to my mum?" Finally he wonders lol.

"And I'm good at it. You could be too." 🥹

"You think Alex killed him?" I mean, he was also there with a notorious assassin, so probably not, y'know.

Domestic Yassen cooking Alex's dinner and also cooking him a gun lol.

Smithers' "How I've missed you" ahahaha. Smithers/Kyra much better pairing tbh.

"He's actually quite good at this stuff." Smithers' little snort lmao

Time for Alex to be blacked up/ dunked in a teabag bath/ gussied up. Although he still looks exactly like Alex afterwards, which feels less useful lol.

"You love him, don't you?" Yassen loves him more. I have to say Alex had far more chemistry with Syl, and frankly for that matter with Tom. I really don't get the Kyra agenda.

"It's a dry hole." Alex's worst nightmare.

Is Alex going to look through Mrs Jones' knicker drawer?

Episode 7 - The Shot

Mrs Jones and her tall murderous hobbit son lol. Otto really looks about 58 here.

Hope they bill him for her fucked up fridge.

Is that Bath? Oh, it is.

Mrs Jones casually throwing Alex back into play lol. Maybe she can have a little revenge for him trying to shoot her.

"Everyone breaks into houses." Jack's face lol

Ewww put him down, you don't know where he's been (Yassen's bed, almost certainly)

"Remember they can't hurt you unless you invite them in." "That's vampires."

Yassen arguing in favour of going to rescue Alex MY HEART

"Sit down. I'm going to tell you a story. About your friend, John Rider." HOLY PLOTHOLE TIMELINE PATCHING BATMAN

"John was embedded inside Scorpia for three years." Not the only thing he was embedded in by the sounds of it.

Alex seems to be hallucinating again lol.

Yassen, maybe psychoanalysing your insane boss isn't the safest thing to be doing?

"It's quite mad Julia." Yassen really gives no shits omfg

"I know my place." Yes, at Alex's side.

I like how Julia thought telling Yassen she'd killed John would do anything other than piss him off lol.

Episode 8 - Invisible Sword

"But you do owe me a new fridge." LOLLLLLL

Crawley feeling like a spare part during this lift convo, hahaha

"Smithers, you can do me some kind of tracker, right?" "Yeah, if you promise to keep it on you this time."

Alex is like ohshit I'm gonna die fr

"Not for the agents. They undid their seatbelts." Eyyyyyyyy 👉

Aww they've given him a little baby assassin outfit, how cute.

Where's Yassen, has he just fucked off to the pub?

"For the head of Scorpia, you're a really bad liar."

Laughing at all the other Scorpia agents having to listen to this convo about their boss like we are not paid enough for this shit 😬

"Everyone else is getting what they want, let me have my cereal."

Protecting his boy to the last. Yassen really is purely on Alex's side, we love to see it.🥰

And OMG HE LIVESSSSSSSS 🙌🙌🙌🙌 (I voted yes in that poll, I had faith lol)

Well that was - far more fanservice than I dared hope for, after the meagre pickings we got in the first two series. Yalex supremacy to the motherfucking end, let's go.

[theprinceandthewitch]

TOH is so incredibly fanficy, despite being an original show.

I really won't get over how they made Huntlow a thing and wasted a full hourish episode to make it happen.

Frankly, it's nbd for Willow to date someone by the time the story ends. Her dating someone doesn't kneecap her story. But Hunter dating her definitely kneecaps his, because Willow is not relevant to the whole Caleb/Evelyn and Philip drama like Luz is.

It makes no sense, from a narrative standpoint, to have Hunter like Willow. It feels like they really wanted to give Willow a love interest and Hunter was the only option they had to work with.

With Hunter it's like... him getting a witch love interest is something that pretty much needs to happen from a narrative standpoint.... but Willow isn't that LI. The only character who fits Evelyn's themes is Luz. He and Luz are the "Caleb" and "Evelyn" in this story - no other character's fit these roles like they do.

"But TOH is a tragedy -"

"But TOH is a subversion of romantic-"

TBH I really don't want to hear how TOH is a romantic tragedy or a subversion of romantic expectations because... it isn't. I have read romantic tragedies and subversions and this isn't paced like either. They also put a whole ass Lunter kiss in a spoiler episode, so I really don't think they were planning on making TOH a subversion of romantic expectations or writing Luz's and Hunter's romance as a tragic one.

See, this pairing is extremely confusing to me, because if they actually were planning on Hunter and Willow being a thing from the beginning and not Hunter and Luz, then Willow would have been written into all of Luz's and Hunter's episodes - which just so happen to be his important character arc moments [ST, HP and HM].

But... they don't do that, like at all lmao. I'm also not a fan of Hunter's friendship with Willow and Gus, but that's a discussion for another time.