My friend, who seemed to have read my thoughts, said, You have to set yourself a challenge, and you must find a way to meet it exactly, whether it is a parachute, or a dive from a cliff, or sitting perfectly still for an hour, and you must accomplish it in a beautiful way, of course.
Open City by Teju Cole
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Anna Magnani at home, 1943.
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pūteketeke; ink and watercolor
last twenty two day’s listening:
juliana hatfield - sings elo
kenny rogers - greatest hits
they might be giants - the spine
bette midler - the divine miss m
they might be giants - phone power
soophie nun squad - pasizzle slizzles tha drizzle
screaming females - desire pathway
they might be giants - long tall weekend
garrison - a mile in cold water
s.o.a. - no policy
shellshag - shellshag forever
elvis costello - imperial bedroom
peeping tom - peeping tom
barbra streisand - streisand superman
open city - hands in the honey jar
quicksand - quicksand
embrace - embrace
the shaggs - shaggs’ own thing
run-dmc - raising hell
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We experience life as a continuity, and only after it falls away, after it becomes the past, do we see its discontinuities. The past, if there is such a thing, is mostly empty space, great expanses of nothing, in which significant persons and events float
Open City by Teju Cole
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Anna Magnani in Open City (Roberto Rossellini, 1945)
Cast: Anna Magnani, Aldo Fabrizi, Marcello Pagliero, Vito Annichiarico, Francesco Grandjacquet, Carla Rovere, Maria Michi, Harry Feist, Giovanna Galletti. Screenplay: Sergio Amidei, Federico Fellini, Roberto Rossellini, Alberto Consiglio. Cinematography: Ubaldo Arata. Music: Renzo Rossellini.
The considerable reputation of Roberto Rossellini's Open City lies in its place in film history, as a pioneering work of what came to be known as neorealism. But it often feels more conventional and traditional than subsequent films in that genre, like Vittorio De Sica's Shoeshine (1946) and Bicycle Thieves (1949) or Rossellini's own Paisan (1946). Its most famous moment, Pina's (Anna Magnani) run after the truck carrying away Francesco recalls Renée Adorée's pursuit of the truck that carries John Gilbert to the Front in The Big Parade (King Vidor, 1925), and Open City depends very much on such melodramatic scenes, centered on established actors like Magnani and Aldo Fabrizi instead of neorealism's dependence on nonprofessional performers. It also relies rather heavily on stereotypes, especially Harry Feist's sneering Übermensch of an SS officer and the predatory lesbian Ingrid (Giovanna Galletti), who is just one step away from the cliché She-Beast of the Third Reich. But none of this really detracts from the film's brilliance or its status as one of the greatest of films. It was made under the harshest of circumstances. That it was made at all is astonishing, but that it is so good and so moving is miraculous.
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Minerva Film.
Rome, Open City (1945).
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Open City
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"Fever Dream" by Open City https://ift.tt/QnBDrlb
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The Top 10 War Movies Of All Time
War movies have captivated audiences for decades. The epic cinematic battles provide enthralling drama and action from clashing swords to exploding bombs. They are mainly based on true stories but sometimes are fictional tales too. The best war films transport viewers right onto the battlefields. Experience courage, sacrifice, cruelty and survival through some of the most memorable war movies ever made. Here is our selection of the top 10 war movies of all time.
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Open City - Blitz Kids Stay Sick
Absolute ripper.
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Open City - Return Your Stolen Property Is Theft
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Nokstella, Eternal City
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Prompt 191
So. Apparently immortality does in fact exist. And is apparently very easily accidentally achieved, if the fact an entire city has it now.
The GIW will be waiting a very long time to be able to drop that ghost shield, because the city doesn’t seem to be dying out anytime soon. Or at all actually. It’s been several generations now.
They might need to request assistance. Maybe before others start to investigate now that vigilantes are becoming a semi-common thing.
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hadestown really does convince you that maybe it’ll turn out different this time. maybe eurydice wont go. maybe hades will let them go. maybe, just maybe, orpheus wont turn around early.
and then she does go. and hades makes them take a test. and doubt creeps in.
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